Cleopatra
perceived
his art, and as gallantly outwitted him.
his art, and as gallantly outwitted him.
Camoes - Lusiades
51.
_Fit et caligo, belluae similis nubes dira
navigantibus vocatur et columna, cum spissatus humor rigensque ipse se
sustinet, et in longam veluti fistulam nubes aquam trahit. _ When the
violent heat attracts the waters to rise in the form of a tube, the
marine salts are left behind, by the action of rarefaction, being too
gross and fixed to ascend. It is thus, when the overloaded vapour
bursts, that it descends--
_Sweet as the waters of the limpid rill. _
[357] _That sage device. _--The astrolabe, an instrument of infinite
service in navigation, by which the altitude of the sun, and distance of
the stars is taken. It was invented in Portugal during the reign of John
II. by two Jewish physicians, named Roderic and Joseph. It is asserted
by some that they were assisted by Martin of Bohemia, a celebrated
mathematician. --_Partly from_ Castera. Vid. Barros, Dec. 1. lib. iv. c.
2.
[358] Arabic, one of the most copious and wide-spoken of
languages. --_Ed. _
[359] Camoens, in describing the adventure of Fernando Veloso, by
departing from the truth of history, has shown his judgment as a poet.
The place where the Portuguese landed they named the Bay of St. Helen.
They caught one of two negroes, says Faria, who were busied in gathering
honey on a mountain. Their behaviour to this savage, whom they gratified
with a red cap, some glasses and bells, induced him to bring a number of
his companions for the like trifles. Though some who accompanied GAMA
were skilled in the various African languages, not one of the natives
could understand them. A commerce, however, was commenced by signs and
gestures. GAMA behaved to them with great civility; the fleet was
cheerfully supplied with fresh provisions, for which the natives
received cloths and trinkets. But this friendship was soon interrupted
by a young, rash Portuguese. Having contracted an intimacy with some of
the negroes, he obtained leave to penetrate into the country along with
them, to observe their habitations and strength. They conducted him to
their huts with great good nature, and placed before him, what they
esteemed an elegant repast, a sea-calf dressed in the way of their
country. This so much disgusted the delicate Portuguese, that he
instantly got up and abruptly left them. Nor did they oppose his
departure, but accompanied him with the greatest innocence. As fear,
however, is always jealous, he imagined they were leading him as a
victim to slaughter. No sooner did he come near the ships, than he
called aloud for assistance. Coello's boat immediately set off for his
rescue. The Africans fled to the woods; and now esteeming the Portuguese
as a band of lawless plunderers, they provided themselves with arms, and
lay in ambush. Their weapons were javelins, headed with short pieces of
horn, which they throw with great dexterity. Soon after, while GAMA and
some of his officers were on the shore taking the altitude of the sun by
the astrolabe, they were suddenly and with great fury attacked by the
ambush from the woods. Several were much wounded, _multos convulnerant,
inter quos Gama in pede vulnus accepit_, and GAMA received a wound in
the foot. The admiral made a speedy retreat to the fleet, prudently
choosing rather to leave the negroes the honour of the victory, than to
risk the life of one man in a quarrel so foreign to the destination of
his expedition, and where, to impress the terror of his arms could be of
no service to his interest. When he came nearer to the East Indies he
acted in a different manner. He then made himself dreaded whenever the
treachery of the natives provoked his resentment. --_Collected from_
Faria and Osorius.
[360] The critics have vehemently declaimed against the least mixture of
the comic, with the dignity of the epic poem. It is needless to enter
into any defence of this passage of Camoens, farther than to observe
that Homer, Virgil, and Milton have offended the critics in the same
manner, and that this piece of raillery in the Lusiad is by much the
politest, and the least reprehensible, of anything of the kind in the
four poets. In Homer are several strokes of low raillery. Patroclus
having killed Hector's charioteer, puns thus on his sudden fall: _It is
a pity he is not nearer the sea! He would soon catch abundance of
oysters, nor would the storms frighten him. See how he dives from his
chariot down to the sand! What excellent divers are the Trojans! _
Virgil, the most judicious of all poets, descends even to burlesque,
where the commander of a galley tumbles the pilot into the sea:--
----_Segnemque Menoeten
In mare praecipitem puppi deturbat ab alta.
At gravis ut sundo vix tandem redditus imo est
Jam senior, madidaque fluens in veste Menoetes,
Summa petit scopuli siccaque in rupe resedit.
Illum et labentem Teucri, et risere natantem;
Et salsos rident revomentem pectore fluctus. _
And, though the character of the speakers, the ingenious defence which
has been offered for Milton, may, in some measure, vindicate the
raillery which he puts into the mouths of Satan and Belial, the lowness
of it, when compared with that of Camoens, must still be acknowledged.
Talking of the execution of the diabolical artillery among the good
angels, they, says Satan--
"Flew off, and into strange vagaries fell
As they would dance, yet for a dance they seem'd
Somewhat extravagant and wild, perhaps
For joy of offer'd peace. ----
To whom thus Belial, in like gamesome mood.
Leader, the terms we sent were terms of weight,
Of hard contents, and full of force urg'd home,
Such as we might perceive amus'd them all,
And stumbled many----
----this gift they have beside,
They show us when our foes walk not upright. "
[361] The translator in reply to the critics will venture the assertion,
that the fiction of the apparition of the Cape of Tempests, in sublimity
and awful grandeur of imagination, stands unsurpassed in human
composition.
[362] _The next proud fleet. _--On the return of GAMA to Portugal, a
fleet of thirteen sail, under the command of Pedro Alvarez Cabral, was
sent out on the second voyage to India, where the admiral with only six
ships arrived. The rest were mostly destroyed by a terrible tempest at
the Cape of Good Hope, which lasted twenty days. "The daytime," says
Faria, "was so dark that the sailors could scarcely see each other, or
hear what was said for the horrid noise of the winds. " Among those who
perished was the celebrated Bartholomew Diaz, who was the first modern
discoverer of the Cape of Good Hope, which he named the Cape of
Tempests.
[363] _Behold a hero come. _--Don Francisco de Almeyda. He was the first
Portuguese viceroy of India, in which country he obtained several great
victories over the Mohammedans and pagans. He was the first who
conquered Quiloa and Mombas, or Mombaz. On his return to Portugal he put
into the bay of Saldanha, near the Cape of Good Hope, to take in water
and provisions. The rudeness of one of his servants produced a quarrel
with the Caffres, or Hottentots. His attendants, much against his will,
forced him to march against the blacks. "Ah, whither," he exclaimed,
"will you carry the infirm man of sixty years? " After plundering a
miserable village, on the return to their ships they were attacked by a
superior number of Caffres, who fought with such fury in rescue of their
children, whom the Portuguese had seized, that the viceroy and fifty of
his attendants were slain.
[364] The crescent, the symbol of Mohammedanism. --_Ed. _
[365] This poetical description of the miserable catastrophe of Don
Emmanuel de Souza, and his beautiful spouse, Leonora de Sa, is by no
means exaggerated. He was several years governor of Diu in India, where
he amassed immense wealth. On his return to his native country, the ship
in which was his lady, all his riches, and five hundred men, his sailors
and domestics, was dashed to pieces on the rocks at the Cape of Good
Hope. Don Emmanuel, his lady, and three children, with four hundred of
the crew escaped, having only saved a few arms and provisions. As they
marched through the wild uncultivated deserts, some died of famine, of
thirst, and fatigue; others, who wandered from the main body in search
of water, were murdered by the savages, or destroyed by the wild beasts.
They arrived, at last, at a village inhabited by African banditti. At
first they were courteously received, but the barbarians, having
unexpectedly seized their arms, stripped the whole company naked, and
left them destitute to the mercy of the desert. The wretchedness of the
delicate and exposed Leonora was increased by the brutal insults of the
negroes. Her husband, unable to relieve, beheld her miseries. After
having travelled about 300 leagues, her legs swelled, her feet bleeding
at every step, and her strength exhausted, she sunk down, and with the
sand covered herself to the neck, to conceal her nakedness. In this
dreadful situation, she beheld two of her children expire. Her own death
soon followed. Her husband, who had been long enamoured of her beauty,
received her last breath in a distracted embrace. Immediately, he
snatched his third child in his arms, and uttering the most lamentable
cries, he ran into the thickest of the wood, where the wild beasts were
soon heard to growl over their prey. Of the whole four hundred who
escaped the waves, only six and twenty arrived at another village, whose
inhabitants were more civilized, and traded with the merchants of the
Red Sea, from whence they found a passage to Europe, and brought the
tidings of the unhappy fate of their companions. Jerome de Cortereal, a
Portuguese poet, has written an affecting poem on the shipwreck, and
deplorable catastrophe of Don Emmanuel, and his beloved spouse. --_Partly
from_ Castera.
[366] The giants or Titans; called "sons of God" in Gen. vi. 2. --_Ed. _
[367] Briareus.
[368] Doris, the sister and spouse of Nereus, and mother of the
Nereides. By Nereus, in the physical sense of the fable, is understood
the water of the sea, and by Doris, the bitterness or salt, the supposed
cause of its prolific quality in the generation of fishes.
[369] _And give our wearied minds a lively glow. _--Variety is no less
delightful to the reader than to the traveller, and the imagination of
Camoens gave an abundant supply. The insertion of this pastoral
landscape, between the terrific scenes which precede and follow, has a
fine effect. "Variety," says Pope, in one of his notes on the Odyssey,
"gives life and delight; and it is much more necessary in epic, than in
comic or tragic, poetry, sometimes to shift the scenes, to diversify and
embellish the story. "
The Portuguese, sailing upon the Atlantic Ocean, discovered the most
southern point of Africa: here they found an immense sea, which carried
them to the East Indies. The dangers they encountered in the voyage, the
discovery of Mozambique, of Melinda, and of Calecut, have been sung by
Camoens, whose poem recalls to our minds the charms of the Odyssey, and
the magnificence of the AEneid. --MONTESQUIEU, Spirit of Laws, bk. xxi. c.
21.
[370] Virgil.
[371] A small island, named _Santa Cruz_ by Bartholomew Diaz, who
discovered it. According to Faria y Sousa, he went twenty-five leagues
further, to the river Del Infante, which, till passed by GAMA, was the
utmost extent of the Portuguese discoveries.
[372] It was the force of this rushing current which retarded the
further discoveries of Diaz. GAMA got over it by the assistance of a
tempest. The seasons when these seas are safely navigable, are now
perfectly known.
[373] The wise men of the East, or magi, whom the Roman Catholic writers
will have to have been kings. --_Ed. _
[374] The Epiphany. --_Ed. _
[375] Dos Reis, _i. e. _, of the kings. --_Ed. _
[376] The frequent disappointments of the Portuguese, when they expect
to hear some account of India, is a judicious imitation of several parts
of Virgil; who, in the same manner, magnifies the distresses of the
Trojans in their search for the fated seat of Empire:--
----_O gens
Infelix! cui to exitio fortuna reservat?
Septima post Trojae excidium jam vertitur aestas;
Cum freta, cum terras omnes, tot inhospita saxa
Sideraque emensae ferimur: dum per mare magnum
Italiam sequimur fugientem, et volvimur undis. _ AEN. v. 625.
[377] Hop.
[378] It had been extremely impolitic in GAMA to mention the mutiny of
his followers to the King of Melinda. The boast of their loyalty,
besides, has a good effect in the poem, as it elevates the heroes, and
gives uniformity to the character of bravery, which the dignity of the
epopea required to be ascribed to them. History relates the matter
differently. In standing for the Cape of Good Hope, GAMA gave the
highest proofs of his resolution. The fleet seemed now tossed to the
clouds, _ut modo nubes contingere_, and now sunk to the lowest
whirlpools of the abyss. The winds were insufferably cold, and, to the
rage of the tempest was added the horror of an almost continual
darkness. The crew expected every moment to be swallowed up in the deep.
At every interval of the storm, they came round GAMA, asserting the
impossibility to proceed further, and imploring him to return. This he
resolutely refused. A conspiracy against his life was formed, but was
discovered by his brother. He guarded against it with the greatest
courage and prudence; put all the pilots in chains, and he himself, with
some others, took the management of the helms. At last, after having
many days withstood the tempest, and a perfidious conspiracy, _invicto
animo_, with an unconquered mind, a favourable change of weather revived
the spirits of the fleet, and allowed them to double the Cape of Good
Hope. --_Extr. from_ Osorius's Historia.
[379] GAMA and his followers were, from the darkness of the Portuguese
complexion, thought to be Moors. When GAMA arrived in the East, a
considerable commerce was carried on between the Indies and the Red Sea
by the Moorish traders, by whom the gold mines of Sofala, and the riches
of East Africa were enjoyed. The traffic was brought by land to Cairo,
from whence Europe was supplied by the Venetian and Antwerpian
merchants.
[380] "O nome lhe ficou dos Bons-Signais. "
[381] Raphael. See Tobit, ch. v. and xii. --_Ed. _
[382] It was the custom of the Portuguese navigators to erect crosses on
the shores of new-discovered countries. GAMA carried materials for
pillars of stone with him, and erected six crosses during his
expedition. They bore the name and arms of the king of Portugal, and
were intended as proofs of the title which accrues from first discovery.
[383] This poetical description of the scurvy is by no means
exaggerated. It is what sometimes really happens in the course of a long
voyage.
[384] King of Ithaca.
[385] AEneas.
[386] Homer.
[387] Virgil.
[388] The Muses.
[389] Homer's Odyssey, bk. x. 460.
[390] See the Odyssey, bk. ix.
[391] See AEn. v. 833
[392] The Lotophagi, so named from the lotus, are thus described by
Homer:--
"Not prone to ill, nor strange to foreign guest,
They eat, they drink, and Nature gives the feast;
The trees around them all their fruit produce;
Lotos the name; divine, nectareous juice;
(Thence call'd Lotophagi) which whoso tastes,
Insatiate, riots in the sweet repasts,
Nor other home, nor other care intends,
But quits his home, his country, and his friends:
The three we sent, from off th' enchanting ground
We dragg'd reluctant, and by force we bound:
The rest in haste forsook the pleasing shore,
Or, the charm tasted, had return'd no more. "
POPE, Odyss. ix. 103.
The Libyan lotus is a shrub like a bramble, the berries like the myrtle,
purple when ripe, and about the size of an olive. Mixed with bread-corn,
it was used as food for slaves. They also made an agreeable wine of it,
but which would not keep above ten days. See Pope's note _in loco_.
[393] _In skins confin'd the blust'ring winds control. _--The gift of
AEolus to Ulysses.
"The adverse winds in leathern bags he brac'd,
Compress'd their force, and lock'd each struggling blast:
For him the mighty sire of gods assign'd,
The tempest's lord, the tyrant of the wind;
His word alone the list'ning storms obey,
To smooth the deep, or swell the foamy sea.
These, in my hollow ship the monarch hung,
Securely fetter'd by a silver thong;
But Zephyrus exempt, with friendly gales }
He charg'd to fill, and guide the swelling sails: }
Rare gift! but oh, what gift to fools avails? " }
POPE, Odyss. x. 20.
The companions of Ulysses imagined that these bags contained some
valuable treasure, and opened them while their leader slept. The
tempests bursting out, drove the fleet from Ithaca, which was then in
sight, and was the cause of a new train of miseries.
[394] See the third AEneid.
[395] See the sixth AEneid, and the eleventh Odyssey.
[396] Alexander the Great. --_Ed. _
[397] Achilles, son of Peleus. --_Ed. _
[398] Virgil, born at Mantua. --_Ed. _
[399] Don Francisco de Gama, grandson of Vasco de Gama, the hero of the
Lusiad. --_Ed. _
[400] Cleopatra.
[401] Every display of eastern luxury and magnificence was lavished in
the fishing parties on the Nile, with which Cleopatra amused Mark
Antony, when at any time he showed symptoms of uneasiness, or seemed
inclined to abandon the effeminate life which he led with his mistress.
At one of these parties, Mark Antony, having procured divers to put
fishes upon his hooks while under the water, he very gallantly boasted
to his mistress of his great dexterity in angling.
Cleopatra perceived
his art, and as gallantly outwitted him. Some other divers received her
orders, and in a little while Mark Antony's line brought up a fried fish
in place of a live one, to the vast entertainment of the queen, and all
the convivial company. Octavius was at this time on his march to decide
who should be master of the world.
[402] The friendship of the Portuguese and Melindians was of long
continuance. Alvaro Cabral, the second admiral who made the voyage to
India, in an engagement with the Moors off the coast of Sofala, took two
ships richly freighted from the mines of that country. On finding that
Xeques Fonteyma, the commander, was uncle to the King of Melinda, he
restored the valuable prize, and treated him with the utmost courtesy.
Their good offices were reciprocal. By the information of the King of
Melinda, Cabral escaped the treachery of the King of Calicut. The Kings
of Mombaz and Quiloa, irritated at the alliance with Portugal, made
several depredations on the subjects of Melinda, who in return were
effectually revenged by their European allies.
[403] A giant.
[404] _Two gods contending. _--According to the fable, Neptune and
Minerva disputed the honour of giving a name to the city of Athens. They
agreed to determine the contest by a display of their wisdom and power,
in conferring the most beneficial gift on mankind. Neptune struck the
earth with his trident and produced the horse, whose bounding motions
are emblematical of the agitation of the sea. Pallas commanded the
olive-tree, the symbol of peace, and of riches, to spring forth. The
victory was adjudged to the goddess, from whom the city was named
Athens. The taste of the ancient Grecians clothed almost every
occurrence in mythological allegory. The founders of Athens, it is most
probable, disputed whether their new city should be named from the
fertility of the soil or from the marine situation of Attica. The former
opinion prevailed, and the town received its name in honour of the
goddess of the olive-tree--_Ath? n? _.
[405] _While Pallas here appears to wave her hand. _--As Neptune struck
the earth with his trident, Minerva, says the fable, struck the earth
with her lance. That she waved her hand while the olive boughs spread,
is a fine poetical attitude, and varies the picture from that of
Neptune, which follows.
[406] _Though wide, and various, o'er the sculptur'd stone. _--The
description of palaces is a favourite topic several times touched upon
by the two great masters of epic poetry, in which they have been happily
imitated by their three greatest disciples among the moderns, Camoens,
Tasso, and Milton. The description of the palace of Neptune has great
merit. Nothing can be more in place than the picture of chaos and the
four elements. The war of the gods, and the contest of Neptune and
Minerva are touched with the true boldness of poetical colouring. To
show to the English reader that the Portuguese poet is, in his manner,
truly classical, is the intention of many of these notes.
[407] Bacchus.
[408] The description of Triton, who, as Fanshaw says--
"Was a great nasty clown,"
is in the style of the classics. His parentage is differently related.
Hesiod makes him the son of Neptune and Amphitrite. By Triton, in the
physical sense of the fable, is meant the noise, and by Salace, the
mother by some ascribed to him, the salt of the ocean. The origin of the
fable of Triton, it is probable, was founded on the appearance of a sea
animal, which, according to some ancient naturalists, in the upward
parts resembles the human figure. Pausanias relates a wonderful story of
a monstrously large one, which often came ashore on the meadows of
Boeotia. Over his head was a kind of finny cartilage, which, at a
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance. This monster, whose extremities ended in a tail like a
dolphin's, devoured both men and beasts as they chanced in his way. The
citizens of Tanagra, at last, contrived his destruction. They set a
large vessel full of wine on the sea shore. Triton got drunk with it,
and fell into a profound sleep, in which condition the Tanagrians
beheaded him, and afterwards, with great propriety, hung up his body in
the temple of Bacchus; where, says Pausanias, it continued a long time.
[409] _A shell of purple on his head he bore. _--In the Portuguese--
_Na cabeca por gorra tinha posta
Huma mui grande casco de lagosta. _
Thus rendered by Fanshaw--
"He had (for a montera[413]) on his crown
The shell of a red lobster overgrown. "
[410] Neptune.
[411] _And changeful Proteus, whose prophetic mind. _--The fullest and
best account of the fable of Proteus is in the fourth Odyssey.
[412] Thetis.
[413] Montera, the Spanish word for a huntsman's cap.
[414] _She who the rage of Athamas to shun. _--Ino, the daughter of
Cadmus and Hermione, and second spouse of Athamas, king of Thebes. The
fables of her fate are various. That which Camoens follows is the most
common. Athamas, seized with madness, imagined that his spouse was a
lioness, and her two sons young lions. In this frenzy he slew Learchus,
and drove the mother and her other son, Melicertus, into the sea. The
corpse of the mother was thrown ashore on Megara and that of the son at
Corinth. They were afterwards deified, the one as a sea goddess, the
other as the god of harbours.
[415] _And Glaucus lost to joy. _--A fisherman, says the fable, who, on
eating a certain herb, was turned into a sea god. Circe was enamoured of
him, and in revenge of her slighted love, poisoned the fountain where
his mistress usually bathed. By the force of the enchantment the
favoured Scylla was changed into a hideous monster, whose loins were
surrounded with the ever-barking heads of dogs and wolves. Scylla, on
this, threw herself into the sea, and was metamorphosed into the rock
which bears her name. The rock Scylla at a distance appears like the
statue of a woman. The furious dashing of the waves in the cavities,
which are level with the water, resembles the barking of wolves and
dogs.
[416] Thyoneus, a name of Bacchus.
[417] _High from the roof the living amber glows. --_
"From the arched roof,
Pendent by subtle magic, many a row
Of starry lamps, and blazing cressets, fed
With naptha and asphaltus, yielded light
As from a sky. "
MILTON.
[418] The Titans.
[419] The north wind.
[420] _And rent the Mynian sails. _--The sails of the Argonauts,
inhabitants of Mynia.
[421] See the first note on the first book of the Lusiad.
[422]
_In haughty England, where the winter spreads
His snowy mantle o'er the shining meads. --_
In the original--
_La na grande Inglaterra, que de neve
Boreal sempre abunda;_
that is, "In illustrious England, always covered with northern snow. "
Though the translator was willing to retain the manner of Homer, he
thought it proper to correct the error in natural history fallen into by
Camoens. Fanshaw seems to have been sensible of the mistake of his
author, and has given the following (uncountenanced by the Portuguese)
in place of the eternal snows ascribed to his country:--
"In merry England, which (from cliffs that stand
Like hills of snow) once Albion's name did git. "
[423] Eris, or Discordia, the goddess of contention. --VIRGIL, AEneid ii.
337. --_Ed. _
[424]
_What knighthood asks, the proud accusers yield,
And, dare the damsels' champions to the field. --_
The translator has not been able to discover the slightest vestige of
this chivalrous adventure in any memoirs of the English history. It is
probable, nevertheless, that however adorned with romantic ornament, it
is not entirely without foundation in truth. Castera, who unhappily does
not cite his authority, gives the names of the twelve Portuguese
champions: Alvaro Vaz d'Almada, afterwards Count d'Avranches in
Normandy; another Alvaro d'Almada, surnamed the Juster, from his
dexterity at that warlike exercise; Lopez Fernando Pacheco; Pedro Homen
d'Acosta; Juan Augustin Pereyra; Luis Gonfalez de Malafay; the two
brothers Alvaro and Rodrigo Mendez de Cerveyra; Ruy Gomex de Sylva;
Soueyro d'Acosta, who gave his name to the river Acosta in Africa;
Martin Lopez d'Azevedo; and Alvaro Gonfalez de Coutigno, surnamed
Magricio. The names of the English champions, and of the ladies, he
confesses are unknown, nor does history positively explain the injury of
which the dames complained. It must, however, he adds, have been such as
required the atonement of blood; _il falloit qu'elle fut sanglante_,
since two sovereigns allowed to determine it by the sword. "Some
critics," says Castera, "may perhaps condemn this episode of Camoens;
but for my part," he continues, "I think the adventure of Olindo and
Sophronia, in Tasso, is much more to be blamed. The episode of the
Italian poet is totally exuberant, whereas that of the Portuguese has a
direct relation to his proposed subject: the wars of his country, a vast
field, in which he has admirably succeeded, without prejudice to the
first rule of the epopea, the unity of the action. " The severest critic
must allow that the episode related by Veloso, is happily introduced. To
one who has ever been at sea, the scene must be particularly pleasing.
The fleet is under sail, they plough the smooth deep--
"And o'er the decks cold breath'd the midnight wind. "
All but the second watch are asleep in their warm pavilions; the second
watch sit by the mast, sheltered from the chilly gale by a broad
sail-cloth; sleep begins to overpower them, and they tell stories to
entertain one another. For beautiful, picturesque simplicity there is no
sea-scene equal to this in the Odyssey, or AEneid.
[425] _What time he claim'd the proud Castilian throne. _--John of Gaunt,
duke of Lancaster, claimed the crown of Castile in the right of his
wife, Donna Constantia, daughter of Don Pedro, the late king. Assisted
by his son-in-law, John I. of Portugal, he entered Galicia, and was
proclaimed king of Castile at the city of St. Jago de Compostella. He
afterwards relinquished his pretensions, on the marriage of his
daughter, Catalina, with the infant, Don Henry of Castile.
[426] _The dames by lot their gallant champions choose. _--The ten
champions, who in the fifth book of Tasso's Jerusalem are sent by
Godfrey for the assistance of Armida, are chosen by lot. Tasso, who had
read the Lusiad, and admired its author, undoubtedly had the Portuguese
poet in his eye.
[427]
_In that proud port half circled by the wave,
Which Portugallia to the nation gave,
A deathless name. --_
Oporto, called by the Romans _Calle_. Hence Portugal.
[428]
_Yet something more than human warms my breast,
And sudden whispers--_
In the Portuguese--
_Mas, se a verdade o espirito me adevinha. _
Literally, "But, if my spirit truly divine. " Thus rendered by Fanshaw--
_But, in my aug'ring ear a bird doth sing. _
[429] _As Rome's Corvinus. _--Valerius Maximus, a Roman tribune, who
fought and slew a Gaul of enormous stature, in single combat. During the
duel a raven perched on the helmet of his antagonist, sometimes pecked
his face and hand, and sometimes blinded him with the flapping of his
wings. The victor was thence named Corvinus, from Corvus. Vid. Livy, l.
7, c. 26.
[430] _The Flandrian countess on her hero smil'd. _--The princess, for
whom Magricio signalized his valour, was Isabella of Portugal, and
spouse to Philip the Good, duke of Burgundy, and earl of Flanders. Some
Spanish chronicles relate that Charles VII. of France, having assembled
the states of his kingdom, cited Philip to appear with his other
vassals. Isabella, who was present, solemnly protested that the earls of
Flanders were not obliged to do homage. A dispute arose, on which she
offered, according to the custom of that age, to appeal to the fate of
arms. The proposal was accepted, and Magricio the champion of Isabella,
vanquished a French chevalier, appointed by Charles. Though our authors
do not mention this adventure, and though Emmanuel de Faria, and the
best Portuguese writers treat it with doubt, nothing to the disadvantage
of Camoens is thence to be inferred. A poet is not obliged always to
follow the truth of history.
[431] _The Rhine another pass'd, and prov'd his might. _--This was Alvaro
Vaz d'Almada. The chronicle of Garibay relates, that at Basle he
received from a German a challenge to measure swords, on condition that
each should fight with the right side unarmed; the German by this hoping
to be victorious, for he was left-handed. The Portuguese, suspecting no
fraud, accepted. When the combat began he perceived the inequality. His
right side unarmed was exposed to the enemy, whose left side, which was
nearest to him was defended with half a cuirass. Notwithstanding all
this, the brave Alvaro obtained the victory. He sprang upon the German,
seized him, and, grasping him forcibly in his arms, stifled and crushed
him to death; imitating the conduct of Hercules, who in the same manner
slew the cruel Anteus. Here we ought to remark the address of our
author; he describes at length the injury and grief of the English
ladies, the voyage of the twelve champions to England, and the prowess
they there displayed. When Veloso relates these, the sea is calm; but no
sooner does it begin to be troubled, than the soldier abridges his
recital: we see him follow by degrees the preludes of the storm, we
perceive the anxiety of his mind on the view of the approaching danger,
hastening his narration to an end. Behold the strokes of a
master! --_This note, and the one preceding, are from Castera. _
[432] _The halcyons, mindful of their fate, deplore. _--Ceyx, king of
Trachinia, son of Lucifer, married Alcyone, the daughter of Eolus. On a
voyage to consult the Delphic Oracle, he was shipwrecked. His corpse was
thrown ashore in the view of his spouse, who, in the agonies of her love
and despair, threw herself into the sea. The gods, in pity of her pious
fidelity, metamorphosed them into the birds which bear her name. The
halcyon is a little bird about the size of a thrush, its plumage of a
beautiful sky blue, mixed with some traits of white and carnation. It is
vulgarly called the kingfisher. The halcyons very seldom appear but in
the finest weather, whence they are fabled to build their nests on the
waves. The female is no less remarkable than the turtle, for her
conjugal affection. She nourishes and attends the male when sick, and
survives his death but a few days. When the halcyons are surprised in a
tempest, they fly about as in the utmost terror, with the most
lamentable and doleful cries. To introduce them, therefore, in the
picture of a storm is a proof, both of the taste and judgment of
Camoens.
[433] _With shrill, faint voice, th' untimely ghost complains. _--It may
not perhaps be unentertaining to cite Madame Dacier and Mr. Pope on the
voices of the dead. It will, at least, afford a critical observation
which appears to have escaped them both. "The shades of the suitors,"
observes Dacier, "when they are summoned by Mercury out of the palace of
Ulysses, emit a feeble, plaintive, inarticulate sound, ? ? ? ? ? ? ? ? ,
strident: whereas Agamemnon, and the shades that have been long in the
state of the dead, speak articulately. I doubt not but Homer intended to
show, by the former description, that when the soul is separated from
the organs of the body, it ceases to act after the same manner as while
it was joined to it; but how the dead recover their voices afterwards is
not easy to understand. In other respects Virgil paints after Homer:--
_Pars tollere vocem
Exiguam: inceptus clamor frustratur hiantes. "_
To this Mr. Pope replies, "But why should we suppose, with Dacier, that
these shades of the suitors (of Penelope) have lost the faculty of
speaking? I rather imagine that the sounds they uttered were signs of
complaint and discontent, and proceeded not from an inability to speak.
After Patroclus was slain he appears to Achilles, and speaks very
articulately to him; yet, to express his sorrow at his departure, he
acts like these suitors: for Achilles--
'Like a thin smoke beholds the spirit fly,
And hears a feeble, lamentable cry. '
Dacier conjectures that the power of speech ceases in the dead, till
they are admitted into a state of rest; but Patroclus is an instance to
the contrary in the Iliad, and Elpenor in the Odyssey, for they both
speak before their funereal rites are performed, and consequently before
they enter into a state of repose amongst the shades of the happy. "
The critic, in his search for distant proofs, often omits the most
material one immediately at hand. Had Madame Dacier attended to the
episode of the souls of the suitors, the world had never seen her
ingenuity in these mythological conjectures; nor had Mr. Pope any need
to bring the case of Patroclus or Elpenor to overthrow her system.
Amphimedon, one of the suitors, in the very episode which gave birth to
Dacier's conjecture, tells his story very articulately to the shade of
Agamemnon, though he had not received the funereal rites:--
"Our mangled bodies, now deform'd with gore,
Cold and neglected spread the marble floor:
No friend to bathe our wounds! or tears to shed
O'er the pale corse! the honours of the dead. "
ODYS. XXIV.
On the whole, the defence of Pope is almost as idle as the conjectures
of Dacier. The plain truth is, poetry delights in personification;
everything in it, as Aristotle says of the Iliad, has manners; poetry
must therefore personify according to our ideas. Thus in Milton:--
"Tears, such as angels weep, burst forth. "
And thus in Homer, while the suitors are conducted to hell:--
"Trembling, the spectres glide, and plaintive vent
Thin, hollow screams, along the deep descent:"
and, unfettered with mythological distinctions, either shriek or
articulately talk, according to the most poetical view of their supposed
circumstances.
[434] Exod. xiv. 29.
[435] Noah.
[436] Venus.
[437] For the fable of Eolus see the tenth Odyssey.
[438]
_And vow, that henceforth her Armada's sails
Should gently swell with fair propitious gales. _
In innumerable instances Camoens discovers himself a judicious imitator
of the ancients. In the two great masters of the epic are several
prophecies oracular of the fate of different heroes, which give an air
of solemn importance to the poem. The fate of the Armada thus obscurely
anticipated, resembles in particular the prophecy of the safe return of
Ulysses to Ithaca, foretold by the shade of Tiresias, which was
afterwards fulfilled by the Phaeacians. It remains now to make some
observations on the machinery used by Camoens in this book. The
necessity of machinery in the epopea, and the, perhaps, insurmountable
difficulty of finding one unexceptionably adapted to a poem where the
heroes are Christians, or, in other words, to a poem whose subject is
modern, have already been observed in the preface. The machinery of
Camoens has also been proved, in every respect, to be less exceptionable
than that of Tasso in his Jerusalem, or that of Voltaire in his
Henriade. The descent of Bacchus to the palace of Neptune, in the depths
of the sea, and his address to the watery gods, are noble imitations of
Virgil's Juno in the first AEneid. The description of the storm is also
masterly. In both instances the conduct of the AEneid is joined with the
descriptive exuberance of the Odyssey. The appearance of the star of
Venus through the storm is finely imagined; the influence of the nymphs
of that goddess over the winds, and their subsequent nuptials, are in
the spirit of the promise of Juno to Eolus:--
_Sunt mihi bis septum praestanti corpore nymphae:
Quarum, quae forma pulcherrima; Deiopeiam_
_Connubio jungam stabili, propriamque dicabo:
Omnes ut tecum meritis pro talibus annos
Exigat, et pulchra faciat te prole parentem. _--VIRGIL, AEn.
navigantibus vocatur et columna, cum spissatus humor rigensque ipse se
sustinet, et in longam veluti fistulam nubes aquam trahit. _ When the
violent heat attracts the waters to rise in the form of a tube, the
marine salts are left behind, by the action of rarefaction, being too
gross and fixed to ascend. It is thus, when the overloaded vapour
bursts, that it descends--
_Sweet as the waters of the limpid rill. _
[357] _That sage device. _--The astrolabe, an instrument of infinite
service in navigation, by which the altitude of the sun, and distance of
the stars is taken. It was invented in Portugal during the reign of John
II. by two Jewish physicians, named Roderic and Joseph. It is asserted
by some that they were assisted by Martin of Bohemia, a celebrated
mathematician. --_Partly from_ Castera. Vid. Barros, Dec. 1. lib. iv. c.
2.
[358] Arabic, one of the most copious and wide-spoken of
languages. --_Ed. _
[359] Camoens, in describing the adventure of Fernando Veloso, by
departing from the truth of history, has shown his judgment as a poet.
The place where the Portuguese landed they named the Bay of St. Helen.
They caught one of two negroes, says Faria, who were busied in gathering
honey on a mountain. Their behaviour to this savage, whom they gratified
with a red cap, some glasses and bells, induced him to bring a number of
his companions for the like trifles. Though some who accompanied GAMA
were skilled in the various African languages, not one of the natives
could understand them. A commerce, however, was commenced by signs and
gestures. GAMA behaved to them with great civility; the fleet was
cheerfully supplied with fresh provisions, for which the natives
received cloths and trinkets. But this friendship was soon interrupted
by a young, rash Portuguese. Having contracted an intimacy with some of
the negroes, he obtained leave to penetrate into the country along with
them, to observe their habitations and strength. They conducted him to
their huts with great good nature, and placed before him, what they
esteemed an elegant repast, a sea-calf dressed in the way of their
country. This so much disgusted the delicate Portuguese, that he
instantly got up and abruptly left them. Nor did they oppose his
departure, but accompanied him with the greatest innocence. As fear,
however, is always jealous, he imagined they were leading him as a
victim to slaughter. No sooner did he come near the ships, than he
called aloud for assistance. Coello's boat immediately set off for his
rescue. The Africans fled to the woods; and now esteeming the Portuguese
as a band of lawless plunderers, they provided themselves with arms, and
lay in ambush. Their weapons were javelins, headed with short pieces of
horn, which they throw with great dexterity. Soon after, while GAMA and
some of his officers were on the shore taking the altitude of the sun by
the astrolabe, they were suddenly and with great fury attacked by the
ambush from the woods. Several were much wounded, _multos convulnerant,
inter quos Gama in pede vulnus accepit_, and GAMA received a wound in
the foot. The admiral made a speedy retreat to the fleet, prudently
choosing rather to leave the negroes the honour of the victory, than to
risk the life of one man in a quarrel so foreign to the destination of
his expedition, and where, to impress the terror of his arms could be of
no service to his interest. When he came nearer to the East Indies he
acted in a different manner. He then made himself dreaded whenever the
treachery of the natives provoked his resentment. --_Collected from_
Faria and Osorius.
[360] The critics have vehemently declaimed against the least mixture of
the comic, with the dignity of the epic poem. It is needless to enter
into any defence of this passage of Camoens, farther than to observe
that Homer, Virgil, and Milton have offended the critics in the same
manner, and that this piece of raillery in the Lusiad is by much the
politest, and the least reprehensible, of anything of the kind in the
four poets. In Homer are several strokes of low raillery. Patroclus
having killed Hector's charioteer, puns thus on his sudden fall: _It is
a pity he is not nearer the sea! He would soon catch abundance of
oysters, nor would the storms frighten him. See how he dives from his
chariot down to the sand! What excellent divers are the Trojans! _
Virgil, the most judicious of all poets, descends even to burlesque,
where the commander of a galley tumbles the pilot into the sea:--
----_Segnemque Menoeten
In mare praecipitem puppi deturbat ab alta.
At gravis ut sundo vix tandem redditus imo est
Jam senior, madidaque fluens in veste Menoetes,
Summa petit scopuli siccaque in rupe resedit.
Illum et labentem Teucri, et risere natantem;
Et salsos rident revomentem pectore fluctus. _
And, though the character of the speakers, the ingenious defence which
has been offered for Milton, may, in some measure, vindicate the
raillery which he puts into the mouths of Satan and Belial, the lowness
of it, when compared with that of Camoens, must still be acknowledged.
Talking of the execution of the diabolical artillery among the good
angels, they, says Satan--
"Flew off, and into strange vagaries fell
As they would dance, yet for a dance they seem'd
Somewhat extravagant and wild, perhaps
For joy of offer'd peace. ----
To whom thus Belial, in like gamesome mood.
Leader, the terms we sent were terms of weight,
Of hard contents, and full of force urg'd home,
Such as we might perceive amus'd them all,
And stumbled many----
----this gift they have beside,
They show us when our foes walk not upright. "
[361] The translator in reply to the critics will venture the assertion,
that the fiction of the apparition of the Cape of Tempests, in sublimity
and awful grandeur of imagination, stands unsurpassed in human
composition.
[362] _The next proud fleet. _--On the return of GAMA to Portugal, a
fleet of thirteen sail, under the command of Pedro Alvarez Cabral, was
sent out on the second voyage to India, where the admiral with only six
ships arrived. The rest were mostly destroyed by a terrible tempest at
the Cape of Good Hope, which lasted twenty days. "The daytime," says
Faria, "was so dark that the sailors could scarcely see each other, or
hear what was said for the horrid noise of the winds. " Among those who
perished was the celebrated Bartholomew Diaz, who was the first modern
discoverer of the Cape of Good Hope, which he named the Cape of
Tempests.
[363] _Behold a hero come. _--Don Francisco de Almeyda. He was the first
Portuguese viceroy of India, in which country he obtained several great
victories over the Mohammedans and pagans. He was the first who
conquered Quiloa and Mombas, or Mombaz. On his return to Portugal he put
into the bay of Saldanha, near the Cape of Good Hope, to take in water
and provisions. The rudeness of one of his servants produced a quarrel
with the Caffres, or Hottentots. His attendants, much against his will,
forced him to march against the blacks. "Ah, whither," he exclaimed,
"will you carry the infirm man of sixty years? " After plundering a
miserable village, on the return to their ships they were attacked by a
superior number of Caffres, who fought with such fury in rescue of their
children, whom the Portuguese had seized, that the viceroy and fifty of
his attendants were slain.
[364] The crescent, the symbol of Mohammedanism. --_Ed. _
[365] This poetical description of the miserable catastrophe of Don
Emmanuel de Souza, and his beautiful spouse, Leonora de Sa, is by no
means exaggerated. He was several years governor of Diu in India, where
he amassed immense wealth. On his return to his native country, the ship
in which was his lady, all his riches, and five hundred men, his sailors
and domestics, was dashed to pieces on the rocks at the Cape of Good
Hope. Don Emmanuel, his lady, and three children, with four hundred of
the crew escaped, having only saved a few arms and provisions. As they
marched through the wild uncultivated deserts, some died of famine, of
thirst, and fatigue; others, who wandered from the main body in search
of water, were murdered by the savages, or destroyed by the wild beasts.
They arrived, at last, at a village inhabited by African banditti. At
first they were courteously received, but the barbarians, having
unexpectedly seized their arms, stripped the whole company naked, and
left them destitute to the mercy of the desert. The wretchedness of the
delicate and exposed Leonora was increased by the brutal insults of the
negroes. Her husband, unable to relieve, beheld her miseries. After
having travelled about 300 leagues, her legs swelled, her feet bleeding
at every step, and her strength exhausted, she sunk down, and with the
sand covered herself to the neck, to conceal her nakedness. In this
dreadful situation, she beheld two of her children expire. Her own death
soon followed. Her husband, who had been long enamoured of her beauty,
received her last breath in a distracted embrace. Immediately, he
snatched his third child in his arms, and uttering the most lamentable
cries, he ran into the thickest of the wood, where the wild beasts were
soon heard to growl over their prey. Of the whole four hundred who
escaped the waves, only six and twenty arrived at another village, whose
inhabitants were more civilized, and traded with the merchants of the
Red Sea, from whence they found a passage to Europe, and brought the
tidings of the unhappy fate of their companions. Jerome de Cortereal, a
Portuguese poet, has written an affecting poem on the shipwreck, and
deplorable catastrophe of Don Emmanuel, and his beloved spouse. --_Partly
from_ Castera.
[366] The giants or Titans; called "sons of God" in Gen. vi. 2. --_Ed. _
[367] Briareus.
[368] Doris, the sister and spouse of Nereus, and mother of the
Nereides. By Nereus, in the physical sense of the fable, is understood
the water of the sea, and by Doris, the bitterness or salt, the supposed
cause of its prolific quality in the generation of fishes.
[369] _And give our wearied minds a lively glow. _--Variety is no less
delightful to the reader than to the traveller, and the imagination of
Camoens gave an abundant supply. The insertion of this pastoral
landscape, between the terrific scenes which precede and follow, has a
fine effect. "Variety," says Pope, in one of his notes on the Odyssey,
"gives life and delight; and it is much more necessary in epic, than in
comic or tragic, poetry, sometimes to shift the scenes, to diversify and
embellish the story. "
The Portuguese, sailing upon the Atlantic Ocean, discovered the most
southern point of Africa: here they found an immense sea, which carried
them to the East Indies. The dangers they encountered in the voyage, the
discovery of Mozambique, of Melinda, and of Calecut, have been sung by
Camoens, whose poem recalls to our minds the charms of the Odyssey, and
the magnificence of the AEneid. --MONTESQUIEU, Spirit of Laws, bk. xxi. c.
21.
[370] Virgil.
[371] A small island, named _Santa Cruz_ by Bartholomew Diaz, who
discovered it. According to Faria y Sousa, he went twenty-five leagues
further, to the river Del Infante, which, till passed by GAMA, was the
utmost extent of the Portuguese discoveries.
[372] It was the force of this rushing current which retarded the
further discoveries of Diaz. GAMA got over it by the assistance of a
tempest. The seasons when these seas are safely navigable, are now
perfectly known.
[373] The wise men of the East, or magi, whom the Roman Catholic writers
will have to have been kings. --_Ed. _
[374] The Epiphany. --_Ed. _
[375] Dos Reis, _i. e. _, of the kings. --_Ed. _
[376] The frequent disappointments of the Portuguese, when they expect
to hear some account of India, is a judicious imitation of several parts
of Virgil; who, in the same manner, magnifies the distresses of the
Trojans in their search for the fated seat of Empire:--
----_O gens
Infelix! cui to exitio fortuna reservat?
Septima post Trojae excidium jam vertitur aestas;
Cum freta, cum terras omnes, tot inhospita saxa
Sideraque emensae ferimur: dum per mare magnum
Italiam sequimur fugientem, et volvimur undis. _ AEN. v. 625.
[377] Hop.
[378] It had been extremely impolitic in GAMA to mention the mutiny of
his followers to the King of Melinda. The boast of their loyalty,
besides, has a good effect in the poem, as it elevates the heroes, and
gives uniformity to the character of bravery, which the dignity of the
epopea required to be ascribed to them. History relates the matter
differently. In standing for the Cape of Good Hope, GAMA gave the
highest proofs of his resolution. The fleet seemed now tossed to the
clouds, _ut modo nubes contingere_, and now sunk to the lowest
whirlpools of the abyss. The winds were insufferably cold, and, to the
rage of the tempest was added the horror of an almost continual
darkness. The crew expected every moment to be swallowed up in the deep.
At every interval of the storm, they came round GAMA, asserting the
impossibility to proceed further, and imploring him to return. This he
resolutely refused. A conspiracy against his life was formed, but was
discovered by his brother. He guarded against it with the greatest
courage and prudence; put all the pilots in chains, and he himself, with
some others, took the management of the helms. At last, after having
many days withstood the tempest, and a perfidious conspiracy, _invicto
animo_, with an unconquered mind, a favourable change of weather revived
the spirits of the fleet, and allowed them to double the Cape of Good
Hope. --_Extr. from_ Osorius's Historia.
[379] GAMA and his followers were, from the darkness of the Portuguese
complexion, thought to be Moors. When GAMA arrived in the East, a
considerable commerce was carried on between the Indies and the Red Sea
by the Moorish traders, by whom the gold mines of Sofala, and the riches
of East Africa were enjoyed. The traffic was brought by land to Cairo,
from whence Europe was supplied by the Venetian and Antwerpian
merchants.
[380] "O nome lhe ficou dos Bons-Signais. "
[381] Raphael. See Tobit, ch. v. and xii. --_Ed. _
[382] It was the custom of the Portuguese navigators to erect crosses on
the shores of new-discovered countries. GAMA carried materials for
pillars of stone with him, and erected six crosses during his
expedition. They bore the name and arms of the king of Portugal, and
were intended as proofs of the title which accrues from first discovery.
[383] This poetical description of the scurvy is by no means
exaggerated. It is what sometimes really happens in the course of a long
voyage.
[384] King of Ithaca.
[385] AEneas.
[386] Homer.
[387] Virgil.
[388] The Muses.
[389] Homer's Odyssey, bk. x. 460.
[390] See the Odyssey, bk. ix.
[391] See AEn. v. 833
[392] The Lotophagi, so named from the lotus, are thus described by
Homer:--
"Not prone to ill, nor strange to foreign guest,
They eat, they drink, and Nature gives the feast;
The trees around them all their fruit produce;
Lotos the name; divine, nectareous juice;
(Thence call'd Lotophagi) which whoso tastes,
Insatiate, riots in the sweet repasts,
Nor other home, nor other care intends,
But quits his home, his country, and his friends:
The three we sent, from off th' enchanting ground
We dragg'd reluctant, and by force we bound:
The rest in haste forsook the pleasing shore,
Or, the charm tasted, had return'd no more. "
POPE, Odyss. ix. 103.
The Libyan lotus is a shrub like a bramble, the berries like the myrtle,
purple when ripe, and about the size of an olive. Mixed with bread-corn,
it was used as food for slaves. They also made an agreeable wine of it,
but which would not keep above ten days. See Pope's note _in loco_.
[393] _In skins confin'd the blust'ring winds control. _--The gift of
AEolus to Ulysses.
"The adverse winds in leathern bags he brac'd,
Compress'd their force, and lock'd each struggling blast:
For him the mighty sire of gods assign'd,
The tempest's lord, the tyrant of the wind;
His word alone the list'ning storms obey,
To smooth the deep, or swell the foamy sea.
These, in my hollow ship the monarch hung,
Securely fetter'd by a silver thong;
But Zephyrus exempt, with friendly gales }
He charg'd to fill, and guide the swelling sails: }
Rare gift! but oh, what gift to fools avails? " }
POPE, Odyss. x. 20.
The companions of Ulysses imagined that these bags contained some
valuable treasure, and opened them while their leader slept. The
tempests bursting out, drove the fleet from Ithaca, which was then in
sight, and was the cause of a new train of miseries.
[394] See the third AEneid.
[395] See the sixth AEneid, and the eleventh Odyssey.
[396] Alexander the Great. --_Ed. _
[397] Achilles, son of Peleus. --_Ed. _
[398] Virgil, born at Mantua. --_Ed. _
[399] Don Francisco de Gama, grandson of Vasco de Gama, the hero of the
Lusiad. --_Ed. _
[400] Cleopatra.
[401] Every display of eastern luxury and magnificence was lavished in
the fishing parties on the Nile, with which Cleopatra amused Mark
Antony, when at any time he showed symptoms of uneasiness, or seemed
inclined to abandon the effeminate life which he led with his mistress.
At one of these parties, Mark Antony, having procured divers to put
fishes upon his hooks while under the water, he very gallantly boasted
to his mistress of his great dexterity in angling.
Cleopatra perceived
his art, and as gallantly outwitted him. Some other divers received her
orders, and in a little while Mark Antony's line brought up a fried fish
in place of a live one, to the vast entertainment of the queen, and all
the convivial company. Octavius was at this time on his march to decide
who should be master of the world.
[402] The friendship of the Portuguese and Melindians was of long
continuance. Alvaro Cabral, the second admiral who made the voyage to
India, in an engagement with the Moors off the coast of Sofala, took two
ships richly freighted from the mines of that country. On finding that
Xeques Fonteyma, the commander, was uncle to the King of Melinda, he
restored the valuable prize, and treated him with the utmost courtesy.
Their good offices were reciprocal. By the information of the King of
Melinda, Cabral escaped the treachery of the King of Calicut. The Kings
of Mombaz and Quiloa, irritated at the alliance with Portugal, made
several depredations on the subjects of Melinda, who in return were
effectually revenged by their European allies.
[403] A giant.
[404] _Two gods contending. _--According to the fable, Neptune and
Minerva disputed the honour of giving a name to the city of Athens. They
agreed to determine the contest by a display of their wisdom and power,
in conferring the most beneficial gift on mankind. Neptune struck the
earth with his trident and produced the horse, whose bounding motions
are emblematical of the agitation of the sea. Pallas commanded the
olive-tree, the symbol of peace, and of riches, to spring forth. The
victory was adjudged to the goddess, from whom the city was named
Athens. The taste of the ancient Grecians clothed almost every
occurrence in mythological allegory. The founders of Athens, it is most
probable, disputed whether their new city should be named from the
fertility of the soil or from the marine situation of Attica. The former
opinion prevailed, and the town received its name in honour of the
goddess of the olive-tree--_Ath? n? _.
[405] _While Pallas here appears to wave her hand. _--As Neptune struck
the earth with his trident, Minerva, says the fable, struck the earth
with her lance. That she waved her hand while the olive boughs spread,
is a fine poetical attitude, and varies the picture from that of
Neptune, which follows.
[406] _Though wide, and various, o'er the sculptur'd stone. _--The
description of palaces is a favourite topic several times touched upon
by the two great masters of epic poetry, in which they have been happily
imitated by their three greatest disciples among the moderns, Camoens,
Tasso, and Milton. The description of the palace of Neptune has great
merit. Nothing can be more in place than the picture of chaos and the
four elements. The war of the gods, and the contest of Neptune and
Minerva are touched with the true boldness of poetical colouring. To
show to the English reader that the Portuguese poet is, in his manner,
truly classical, is the intention of many of these notes.
[407] Bacchus.
[408] The description of Triton, who, as Fanshaw says--
"Was a great nasty clown,"
is in the style of the classics. His parentage is differently related.
Hesiod makes him the son of Neptune and Amphitrite. By Triton, in the
physical sense of the fable, is meant the noise, and by Salace, the
mother by some ascribed to him, the salt of the ocean. The origin of the
fable of Triton, it is probable, was founded on the appearance of a sea
animal, which, according to some ancient naturalists, in the upward
parts resembles the human figure. Pausanias relates a wonderful story of
a monstrously large one, which often came ashore on the meadows of
Boeotia. Over his head was a kind of finny cartilage, which, at a
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance. This monster, whose extremities ended in a tail like a
dolphin's, devoured both men and beasts as they chanced in his way. The
citizens of Tanagra, at last, contrived his destruction. They set a
large vessel full of wine on the sea shore. Triton got drunk with it,
and fell into a profound sleep, in which condition the Tanagrians
beheaded him, and afterwards, with great propriety, hung up his body in
the temple of Bacchus; where, says Pausanias, it continued a long time.
[409] _A shell of purple on his head he bore. _--In the Portuguese--
_Na cabeca por gorra tinha posta
Huma mui grande casco de lagosta. _
Thus rendered by Fanshaw--
"He had (for a montera[413]) on his crown
The shell of a red lobster overgrown. "
[410] Neptune.
[411] _And changeful Proteus, whose prophetic mind. _--The fullest and
best account of the fable of Proteus is in the fourth Odyssey.
[412] Thetis.
[413] Montera, the Spanish word for a huntsman's cap.
[414] _She who the rage of Athamas to shun. _--Ino, the daughter of
Cadmus and Hermione, and second spouse of Athamas, king of Thebes. The
fables of her fate are various. That which Camoens follows is the most
common. Athamas, seized with madness, imagined that his spouse was a
lioness, and her two sons young lions. In this frenzy he slew Learchus,
and drove the mother and her other son, Melicertus, into the sea. The
corpse of the mother was thrown ashore on Megara and that of the son at
Corinth. They were afterwards deified, the one as a sea goddess, the
other as the god of harbours.
[415] _And Glaucus lost to joy. _--A fisherman, says the fable, who, on
eating a certain herb, was turned into a sea god. Circe was enamoured of
him, and in revenge of her slighted love, poisoned the fountain where
his mistress usually bathed. By the force of the enchantment the
favoured Scylla was changed into a hideous monster, whose loins were
surrounded with the ever-barking heads of dogs and wolves. Scylla, on
this, threw herself into the sea, and was metamorphosed into the rock
which bears her name. The rock Scylla at a distance appears like the
statue of a woman. The furious dashing of the waves in the cavities,
which are level with the water, resembles the barking of wolves and
dogs.
[416] Thyoneus, a name of Bacchus.
[417] _High from the roof the living amber glows. --_
"From the arched roof,
Pendent by subtle magic, many a row
Of starry lamps, and blazing cressets, fed
With naptha and asphaltus, yielded light
As from a sky. "
MILTON.
[418] The Titans.
[419] The north wind.
[420] _And rent the Mynian sails. _--The sails of the Argonauts,
inhabitants of Mynia.
[421] See the first note on the first book of the Lusiad.
[422]
_In haughty England, where the winter spreads
His snowy mantle o'er the shining meads. --_
In the original--
_La na grande Inglaterra, que de neve
Boreal sempre abunda;_
that is, "In illustrious England, always covered with northern snow. "
Though the translator was willing to retain the manner of Homer, he
thought it proper to correct the error in natural history fallen into by
Camoens. Fanshaw seems to have been sensible of the mistake of his
author, and has given the following (uncountenanced by the Portuguese)
in place of the eternal snows ascribed to his country:--
"In merry England, which (from cliffs that stand
Like hills of snow) once Albion's name did git. "
[423] Eris, or Discordia, the goddess of contention. --VIRGIL, AEneid ii.
337. --_Ed. _
[424]
_What knighthood asks, the proud accusers yield,
And, dare the damsels' champions to the field. --_
The translator has not been able to discover the slightest vestige of
this chivalrous adventure in any memoirs of the English history. It is
probable, nevertheless, that however adorned with romantic ornament, it
is not entirely without foundation in truth. Castera, who unhappily does
not cite his authority, gives the names of the twelve Portuguese
champions: Alvaro Vaz d'Almada, afterwards Count d'Avranches in
Normandy; another Alvaro d'Almada, surnamed the Juster, from his
dexterity at that warlike exercise; Lopez Fernando Pacheco; Pedro Homen
d'Acosta; Juan Augustin Pereyra; Luis Gonfalez de Malafay; the two
brothers Alvaro and Rodrigo Mendez de Cerveyra; Ruy Gomex de Sylva;
Soueyro d'Acosta, who gave his name to the river Acosta in Africa;
Martin Lopez d'Azevedo; and Alvaro Gonfalez de Coutigno, surnamed
Magricio. The names of the English champions, and of the ladies, he
confesses are unknown, nor does history positively explain the injury of
which the dames complained. It must, however, he adds, have been such as
required the atonement of blood; _il falloit qu'elle fut sanglante_,
since two sovereigns allowed to determine it by the sword. "Some
critics," says Castera, "may perhaps condemn this episode of Camoens;
but for my part," he continues, "I think the adventure of Olindo and
Sophronia, in Tasso, is much more to be blamed. The episode of the
Italian poet is totally exuberant, whereas that of the Portuguese has a
direct relation to his proposed subject: the wars of his country, a vast
field, in which he has admirably succeeded, without prejudice to the
first rule of the epopea, the unity of the action. " The severest critic
must allow that the episode related by Veloso, is happily introduced. To
one who has ever been at sea, the scene must be particularly pleasing.
The fleet is under sail, they plough the smooth deep--
"And o'er the decks cold breath'd the midnight wind. "
All but the second watch are asleep in their warm pavilions; the second
watch sit by the mast, sheltered from the chilly gale by a broad
sail-cloth; sleep begins to overpower them, and they tell stories to
entertain one another. For beautiful, picturesque simplicity there is no
sea-scene equal to this in the Odyssey, or AEneid.
[425] _What time he claim'd the proud Castilian throne. _--John of Gaunt,
duke of Lancaster, claimed the crown of Castile in the right of his
wife, Donna Constantia, daughter of Don Pedro, the late king. Assisted
by his son-in-law, John I. of Portugal, he entered Galicia, and was
proclaimed king of Castile at the city of St. Jago de Compostella. He
afterwards relinquished his pretensions, on the marriage of his
daughter, Catalina, with the infant, Don Henry of Castile.
[426] _The dames by lot their gallant champions choose. _--The ten
champions, who in the fifth book of Tasso's Jerusalem are sent by
Godfrey for the assistance of Armida, are chosen by lot. Tasso, who had
read the Lusiad, and admired its author, undoubtedly had the Portuguese
poet in his eye.
[427]
_In that proud port half circled by the wave,
Which Portugallia to the nation gave,
A deathless name. --_
Oporto, called by the Romans _Calle_. Hence Portugal.
[428]
_Yet something more than human warms my breast,
And sudden whispers--_
In the Portuguese--
_Mas, se a verdade o espirito me adevinha. _
Literally, "But, if my spirit truly divine. " Thus rendered by Fanshaw--
_But, in my aug'ring ear a bird doth sing. _
[429] _As Rome's Corvinus. _--Valerius Maximus, a Roman tribune, who
fought and slew a Gaul of enormous stature, in single combat. During the
duel a raven perched on the helmet of his antagonist, sometimes pecked
his face and hand, and sometimes blinded him with the flapping of his
wings. The victor was thence named Corvinus, from Corvus. Vid. Livy, l.
7, c. 26.
[430] _The Flandrian countess on her hero smil'd. _--The princess, for
whom Magricio signalized his valour, was Isabella of Portugal, and
spouse to Philip the Good, duke of Burgundy, and earl of Flanders. Some
Spanish chronicles relate that Charles VII. of France, having assembled
the states of his kingdom, cited Philip to appear with his other
vassals. Isabella, who was present, solemnly protested that the earls of
Flanders were not obliged to do homage. A dispute arose, on which she
offered, according to the custom of that age, to appeal to the fate of
arms. The proposal was accepted, and Magricio the champion of Isabella,
vanquished a French chevalier, appointed by Charles. Though our authors
do not mention this adventure, and though Emmanuel de Faria, and the
best Portuguese writers treat it with doubt, nothing to the disadvantage
of Camoens is thence to be inferred. A poet is not obliged always to
follow the truth of history.
[431] _The Rhine another pass'd, and prov'd his might. _--This was Alvaro
Vaz d'Almada. The chronicle of Garibay relates, that at Basle he
received from a German a challenge to measure swords, on condition that
each should fight with the right side unarmed; the German by this hoping
to be victorious, for he was left-handed. The Portuguese, suspecting no
fraud, accepted. When the combat began he perceived the inequality. His
right side unarmed was exposed to the enemy, whose left side, which was
nearest to him was defended with half a cuirass. Notwithstanding all
this, the brave Alvaro obtained the victory. He sprang upon the German,
seized him, and, grasping him forcibly in his arms, stifled and crushed
him to death; imitating the conduct of Hercules, who in the same manner
slew the cruel Anteus. Here we ought to remark the address of our
author; he describes at length the injury and grief of the English
ladies, the voyage of the twelve champions to England, and the prowess
they there displayed. When Veloso relates these, the sea is calm; but no
sooner does it begin to be troubled, than the soldier abridges his
recital: we see him follow by degrees the preludes of the storm, we
perceive the anxiety of his mind on the view of the approaching danger,
hastening his narration to an end. Behold the strokes of a
master! --_This note, and the one preceding, are from Castera. _
[432] _The halcyons, mindful of their fate, deplore. _--Ceyx, king of
Trachinia, son of Lucifer, married Alcyone, the daughter of Eolus. On a
voyage to consult the Delphic Oracle, he was shipwrecked. His corpse was
thrown ashore in the view of his spouse, who, in the agonies of her love
and despair, threw herself into the sea. The gods, in pity of her pious
fidelity, metamorphosed them into the birds which bear her name. The
halcyon is a little bird about the size of a thrush, its plumage of a
beautiful sky blue, mixed with some traits of white and carnation. It is
vulgarly called the kingfisher. The halcyons very seldom appear but in
the finest weather, whence they are fabled to build their nests on the
waves. The female is no less remarkable than the turtle, for her
conjugal affection. She nourishes and attends the male when sick, and
survives his death but a few days. When the halcyons are surprised in a
tempest, they fly about as in the utmost terror, with the most
lamentable and doleful cries. To introduce them, therefore, in the
picture of a storm is a proof, both of the taste and judgment of
Camoens.
[433] _With shrill, faint voice, th' untimely ghost complains. _--It may
not perhaps be unentertaining to cite Madame Dacier and Mr. Pope on the
voices of the dead. It will, at least, afford a critical observation
which appears to have escaped them both. "The shades of the suitors,"
observes Dacier, "when they are summoned by Mercury out of the palace of
Ulysses, emit a feeble, plaintive, inarticulate sound, ? ? ? ? ? ? ? ? ,
strident: whereas Agamemnon, and the shades that have been long in the
state of the dead, speak articulately. I doubt not but Homer intended to
show, by the former description, that when the soul is separated from
the organs of the body, it ceases to act after the same manner as while
it was joined to it; but how the dead recover their voices afterwards is
not easy to understand. In other respects Virgil paints after Homer:--
_Pars tollere vocem
Exiguam: inceptus clamor frustratur hiantes. "_
To this Mr. Pope replies, "But why should we suppose, with Dacier, that
these shades of the suitors (of Penelope) have lost the faculty of
speaking? I rather imagine that the sounds they uttered were signs of
complaint and discontent, and proceeded not from an inability to speak.
After Patroclus was slain he appears to Achilles, and speaks very
articulately to him; yet, to express his sorrow at his departure, he
acts like these suitors: for Achilles--
'Like a thin smoke beholds the spirit fly,
And hears a feeble, lamentable cry. '
Dacier conjectures that the power of speech ceases in the dead, till
they are admitted into a state of rest; but Patroclus is an instance to
the contrary in the Iliad, and Elpenor in the Odyssey, for they both
speak before their funereal rites are performed, and consequently before
they enter into a state of repose amongst the shades of the happy. "
The critic, in his search for distant proofs, often omits the most
material one immediately at hand. Had Madame Dacier attended to the
episode of the souls of the suitors, the world had never seen her
ingenuity in these mythological conjectures; nor had Mr. Pope any need
to bring the case of Patroclus or Elpenor to overthrow her system.
Amphimedon, one of the suitors, in the very episode which gave birth to
Dacier's conjecture, tells his story very articulately to the shade of
Agamemnon, though he had not received the funereal rites:--
"Our mangled bodies, now deform'd with gore,
Cold and neglected spread the marble floor:
No friend to bathe our wounds! or tears to shed
O'er the pale corse! the honours of the dead. "
ODYS. XXIV.
On the whole, the defence of Pope is almost as idle as the conjectures
of Dacier. The plain truth is, poetry delights in personification;
everything in it, as Aristotle says of the Iliad, has manners; poetry
must therefore personify according to our ideas. Thus in Milton:--
"Tears, such as angels weep, burst forth. "
And thus in Homer, while the suitors are conducted to hell:--
"Trembling, the spectres glide, and plaintive vent
Thin, hollow screams, along the deep descent:"
and, unfettered with mythological distinctions, either shriek or
articulately talk, according to the most poetical view of their supposed
circumstances.
[434] Exod. xiv. 29.
[435] Noah.
[436] Venus.
[437] For the fable of Eolus see the tenth Odyssey.
[438]
_And vow, that henceforth her Armada's sails
Should gently swell with fair propitious gales. _
In innumerable instances Camoens discovers himself a judicious imitator
of the ancients. In the two great masters of the epic are several
prophecies oracular of the fate of different heroes, which give an air
of solemn importance to the poem. The fate of the Armada thus obscurely
anticipated, resembles in particular the prophecy of the safe return of
Ulysses to Ithaca, foretold by the shade of Tiresias, which was
afterwards fulfilled by the Phaeacians. It remains now to make some
observations on the machinery used by Camoens in this book. The
necessity of machinery in the epopea, and the, perhaps, insurmountable
difficulty of finding one unexceptionably adapted to a poem where the
heroes are Christians, or, in other words, to a poem whose subject is
modern, have already been observed in the preface. The machinery of
Camoens has also been proved, in every respect, to be less exceptionable
than that of Tasso in his Jerusalem, or that of Voltaire in his
Henriade. The descent of Bacchus to the palace of Neptune, in the depths
of the sea, and his address to the watery gods, are noble imitations of
Virgil's Juno in the first AEneid. The description of the storm is also
masterly. In both instances the conduct of the AEneid is joined with the
descriptive exuberance of the Odyssey. The appearance of the star of
Venus through the storm is finely imagined; the influence of the nymphs
of that goddess over the winds, and their subsequent nuptials, are in
the spirit of the promise of Juno to Eolus:--
_Sunt mihi bis septum praestanti corpore nymphae:
Quarum, quae forma pulcherrima; Deiopeiam_
_Connubio jungam stabili, propriamque dicabo:
Omnes ut tecum meritis pro talibus annos
Exigat, et pulchra faciat te prole parentem. _--VIRGIL, AEn.
