No More Learning

Somehow the grace, the bloom of things has flown,
And of all men we are most wretched who
Must live each other’s lives and not our own
For very pity’s sake and then undo
All that we lived for—it was otherwise
When soul and body seemed to blend in mystic symphonies.

But we have left those gentle haunts to pass
With weary feet to the new Calvary,
Where we behold, as one who in a glass
Sees his own face, self-slain Humanity,
And in the dumb reproach of that sad gaze
Learn what an awful phantom the red hand of man can raise.

O smitten mouth! O forehead crowned with thorn!
O chalice of all common miseries!
Thou for our sakes that loved thee not hast borne
An agony of endless centuries,
And we were vain and ignorant nor knew
That when we stabbed thy heart it was our own real hearts we slew.

Being ourselves the sowers and the seeds,
The night that covers and the lights that fade,
The spear that pierces and the side that bleeds,
The lips betraying and the life betrayed;
The deep hath calm: the moon hath rest: but we
Lords of the natural world are yet our own dread enemy.

Is this the end of all that primal force
Which, in its changes being still the same,
From eyeless Chaos cleft its upward course,
Through ravenous seas and whirling rocks and flame,
Till the suns met in heaven and began
Their cycles, and the morning stars sang, and the Word was Man!

Nay, nay, we are but crucified, and though
The bloody sweat falls from our brows like rain
Loosen the nails—we shall come down I know,
Staunch the red wounds—we shall be whole again,
No need have we of hyssop-laden rod,
That which is purely human, that is godlike, that is God.



LOUIS NAPOLEON


EAGLE of Austerlitz! where were thy wings
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!

Poor boy! thou shalt not flaunt thy cloak of red,
Or ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,

Shall on thy dead and crownless forehead place
The better laurels of a soldier’s crown,
That not dishonoured should thy soul go down
To tell the mighty Sire of thy race

That France hath kissed the mouth of Liberty,
And found it sweeter than his honied bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay couched at ease.



ENDYMION
(FOR MUSIC)


THE apple trees are hung with gold,
And birds are loud in Arcady,
The sheep lie bleating in the fold,
The wild goat runs across the wold,
But yesterday his love he told,
I know he will come back to me.
O rising moon! O Lady moon!
Be you my lover’s sentinel,
You cannot choose but know him well,
For he is shod with purple shoon,
You cannot choose but know my love,
For he a shepherd’s crook doth bear,
And he is soft as any dove,
And brown and curly is his hair.

The turtle now has ceased to call
Upon her crimson-footed groom,
The grey wolf prowls about the stall,
The lily’s singing seneschal
Sleeps in the lily-bell, and all
The violet hills are lost in gloom.
O risen moon! O holy moon!
Stand on the top of Helice,
And if my own true love you see,
Ah! if you see the purple shoon,
The hazel crook, the lad’s brown hair,
The goat-skin wrapped about his arm,
Tell him that I am waiting where
The rushlight glimmers in the Farm.

The falling dew is cold and chill,
And no bird sings in Arcady,
The little fauns have left the hill,
Even the tired daffodil
Has closed its gilded doors, and still
My lover comes not back to me.
False moon! False moon! O waning moon!
Where is my own true lover gone,
Where are the lips vermilion,
The shepherd’s crook, the purple shoon?
Why spread that silver pavilion,
Why wear that veil of drifting mist?
Ah! thou hast young Endymion
Thou hast the lips that should be kissed!



LE JARDIN


THE lily’s withered chalice falls
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.

The gaudy leonine sunflower
Hangs black and barren on its stalk,
And down the windy garden walk
The dead leaves scatter,—hour by hour.

Pale privet-petals white as milk
Are blown into a snowy mass:
The roses lie upon the grass
Like little shreds of crimson silk.



LA MER


A WHITE mist drifts across the shrouds,
A wild moon in this wintry sky
Gleams like an angry lion’s eye
Out of a mane of tawny clouds.

The muffled steersman at the wheel
Is but a shadow in the gloom;—
And in the throbbing engine-room
Leap the long rods of polished steel.

The shattered storm has left its trace
Upon this huge and heaving dome,
For the thin threads of yellow foam
Float on the waves like ravelled lace.



LE PANNEAU


UNDER the rose-tree’s dancing shade
There stands a little ivory girl,
Pulling the leaves of pink and pearl
With pale green nails of polished jade.

The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.

The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.

She takes an amber lute and sings,
And as she sings a silver crane
Begins his scarlet neck to strain,
And flap his burnished metal wings.

She takes a lute of amber bright,
And from the thicket where he lies
Her lover, with his almond eyes,
Watches her movements in delight.

And now she gives a cry of fear,
And tiny tears begin to start:
A thorn has wounded with its dart
The pink-veined sea-shell of her ear.

And now she laughs a merry note:
There has fallen a petal of the rose
Just where the yellow satin shows
The blue-veined flower of her throat.

With pale green nails of polished jade,
Pulling the leaves of pink and pearl,
There stands a little ivory girl
Under the rose-tree’s dancing shade.



LES BALLONS


AGAINST these turbid turquoise skies
The light and luminous balloons
Dip and drift like satin moons
Drift like silken butterflies;

Reel with every windy gust,
Rise and reel like dancing girls,
Float like strange transparent pearls,
Fall and float like silver dust.

Now to the low leaves they cling,
Each with coy fantastic pose,
Each a petal of a rose
Straining at a gossamer string.

Then to the tall trees they climb,
Like thin globes of amethyst,
Wandering opals keeping tryst
With the rubies of the lime.



CANZONET


I HAVE no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd’s fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd’s note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.

Hylas is dead,
Nor will he e’er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.



LE JARDIN DES TUILERIES


THIS winter air is keen and cold,
And keen and cold this winter sun,
But round my chair the children run
Like little things of dancing gold.

Sometimes about the painted kiosk
The mimic soldiers strut and stride,
Sometimes the blue-eyed brigands hide
In the bleak tangles of the bosk.

And sometimes, while the old nurse cons
Her book, they steal across the square,
And launch their paper navies where
Huge Triton writhes in greenish bronze.

And now in mimic flight they flee,
And now they rush, a boisterous band—
And, tiny hand on tiny hand,
Climb up the black and leafless tree.

Ah! cruel tree! if I were you,
And children climbed me, for their sake
Though it be winter I would break
Into spring blossoms white and blue!



PAN
DOUBLE VILLANELLE


I.

O GOAT-FOOT God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-loot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?

Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?

II.

AH, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.

No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!

This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!

A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!

This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!

Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!



IN THE FOREST


OUT of the mid-wood’s twilight
Into the meadow’s dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!



SYMPHONY IN YELLOW


AN omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.

Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.

The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.




SONNETS


HÉLAS!


TO drift with every passion till my soul
Is a stringed lute on which can winds can play,
Is it for this that I have given away
Mine ancient wisdom and austere control?
Methinks my life is a twice-written scroll
Scrawled over on some boyish holiday
With idle songs for pipe and virelay,
Which do but mar the secret of the whole.
Surely there was a time I might have trod
The sunlit heights, and from life’s dissonance
Struck one clear chord to reach the ears of God:
Is that time dead? lo! with a little rod
I did but touch the honey of romance—
And must I lose a soul’s inheritance?



TO MILTON


MILTON! I think thy spirit hath passed away
From these white cliffs and high-embattled towers;
This gorgeous fiery-coloured world of ours
Seems fallen into ashes dull and grey,
And the age changed unto a mimic play
Wherein we waste our else too-crowded hours:
For all our pomp and pageantry and powers
We are but fit to delve the common clay,
Seeing this little isle on which we stand,
This England, this sea-lion of the sea,
By ignorant demagogues is held in fee,
Who love her not: Dear God! is this the land
Which bare a triple empire in her hand
When Cromwell spake the word Democracy!



ON THE MASSACRE OF THE CHRISTIANS IN BULGARIA


CHRIST, dost Thou live indeed? or are Thy bones
Still straitened in their rock-hewn sepulchre?
And was Thy Rising only dreamed by her
Whose love of Thee for all her sin atones?
For here the air is horrid with men’s groans,
The priests who call upon Thy name are slain,
Dost Thou not hear the bitter wail of pain
From those whose children lie upon the stones?
Come down, O Son of God! incestuous gloom
Curtains the land, and through the starless night
Over Thy Cross a Crescent moon I see!
If Thou in very truth didst burst the tomb
Come down, O Son of Man! and show Thy might
Lest Mahomet be crowned instead of Thee!



HOLY WEEK AT GENOA


I WANDERED through Scoglietto’s far retreat,
The oranges on each o’erhanging spray
Burned as bright lamps of gold to shame the day;
Some startled bird with fluttering wings and fleet
Made snow of all the blossoms; at my feet
Like silver moons the pale narcissi lay:
And the curved waves that streaked the great green bay
Laughed i’ the sun, and life seemed very sweet.
Outside the young boy-priest passed singing clear,
‘Jesus the son of Mary has been slain,
O come and fill His sepulchre with flowers. ’
Ah, God! Ah, God! those dear Hellenic hours
Had drowned all memory of Thy bitter pain,
The Cross, the Crown, the Soldiers and the Spear.



URBS SACRA ÆTERNA


ROME! what a scroll of History thine has been;
In the first days thy sword republican
Ruled the whole world for many an age’s span:
Then of the peoples wert thou royal Queen,
Till in thy streets the bearded Goth was seen;
And now upon thy walls the breezes fan
(Ah, city crowned by God, discrowned by man! )
The hated flag of red and white and green.
When was thy glory! when in search for power
Thine eagles flew to greet the double sun,
And the wild nations shuddered at thy rod?
Nay, but thy glory tarried for this hour,
When pilgrims kneel before the Holy One,
The prisoned shepherd of the Church of God.
MONTRE MARIO



E TENEBRIS


COME down, O Christ, and help me! reach Thy hand,
For I am drowning in a stormier sea
Than Simon on Thy lake of Galilee:
The wine of life is spilt upon the sand,
My heart is as some famine-murdered land
Whence all good things have perished utterly,
And well I know my soul in Hell must lie
If I this night before God’s throne should stand.
‘He sleeps perchance, or rideth to the chase,
Like Baal, when his prophets howled that name
From morn to noon on Carmel’s smitten height. ’
Nay, peace, I shall behold, before the night,
The feet of brass, the robe more white than flame,
The wounded hands, the weary human face.



AT VERONA


HOW steep the stairs within King’s houses are
For exile-wearied feet as mine to tread,
And O how salt and bitter is the bread
Which falls from this Hound’s table,—better far
That I had died in the red ways of war,
Or that the gate of Florence bare my head,
Than to live thus, by all things comraded
Which seek the essence of my soul to mar.

‘Curse God and die: what better hope than this?
He hath forgotten thee in all the bliss
Of his gold city, and eternal day’—
Nay peace: behind my prison’s blinded bars
I do possess what none can take away,
My love and all the glory of the stars.



ON THE SALE BY AUCTION OF KEATS’ LOVE LETTERS


THESE are the letters which Endymion wrote
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant’s price. I think they love not art
Who break the crystal of a poet’s heart
That small and sickly eyes may glare and gloat.

Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God’s wonder, or His woe?



THE NEW REMORSE


THE sin was mine; I did not understand.
So now is music prisoned in her cave,
Save where some ebbing desultory wave
Frets with its restless whirls this meagre strand.
And in the withered hollow of this land
Hath Summer dug herself so deep a grave,
That hardly can the leaden willow crave
One silver blossom from keen Winter’s hand.

But who is this who cometh by the shore?
(Nay, love, look up and wonder! ) Who is this
Who cometh in dyed garments from the South?
It is thy new-found Lord, and he shall kiss
The yet unravished roses of thy mouth,
And I shall weep and worship, as before.




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