Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
Amy Lowell
Oh, No!
No!
No!
How can I think such things,
I am not good. My father will have nothing to do with my boy,
I shall be an outcast thing. Oh, Mother of our Lord God, be merciful,
take away my shame! Let my body be as it was before he came.
No little baby for me to keep underneath my heart for those long months.
To live for and to get comfort from. I cannot go home and tell my mother.
She is so hard and righteous. She never loved my father, and we were born
for duty, not for love. I cannot face it. Holy Mother, take my baby away!
Take away my little baby! I don't want it, I can't bear it!
And I shall have nothing, nothing! Just be known as a good girl.
Have other men want to marry me, whom I could not touch, after having known
my man. Known the length and breadth of his beautiful white body,
and the depth of his love, on the high Summer Alp, with the moon above,
and the pine-needles all shiny in the light of it. He is gone, my man,
I shall never hear him or feel him again, but I could not touch another.
I would rather lie under the snow with my own man in my arms!
So I shall live on and on. Just a good woman. With nothing to warm my heart
where he lay, and where he left his baby for me to care for. I shall not be
quite human, I think. Merely a stone-dead creature. They will respect me.
What do I care for respect! You didn't care for people's tongues
when you were carrying our Lord Jesus. God had my man give me my baby,
when He knew that He was going to take him away. His lips will comfort me,
his hands will soothe me. All day I will work at my lace-making,
and all night I will keep him warm by my side and pray the blessed Angels
to cover him with their wings. Dear Mother, what is it that sings?
I hear voices singing, and lovely silver trumpets through it all. They seem
just on the other side of the wall. Let me keep my baby, Holy Mother.
He is only a poor lace-maker's baby, with a stain upon him,
but give me strength to bring him up to be a man.
Late September
Tang of fruitage in the air;
Red boughs bursting everywhere;
Shimmering of seeded grass;
Hooded gentians all a'mass.
Warmth of earth, and cloudless wind
Tearing off the husky rind,
Blowing feathered seeds to fall
By the sun-baked, sheltering wall.
Beech trees in a golden haze;
Hardy sumachs all ablaze,
Glowing through the silver birches.
How that pine tree shouts and lurches!
From the sunny door-jamb high,
Swings the shell of a butterfly.
Scrape of insect violins
Through the stubble shrilly dins.
Every blade's a minaret
Where a small muezzin's set,
Loudly calling us to pray
At the miracle of day.
Then the purple-lidded night
Westering comes, her footsteps light
Guided by the radiant boon
Of a sickle-shaped new moon.
The Pike
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
The Blue Scarf
Pale, with the blue of high zeniths, shimmered over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it, caressing.
Where is she, the woman who wore it? The scent of her lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it. Below the stone steps a lute tinkles.
A jar of green jade throws its shadow half over the floor. A big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water of a basin,
Sunk in the black and white marble. The west wind has lifted a scarf
On the seat close beside me, the blue of it is a violent outrage of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her, a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty, and one is alone!
White and Green
Hey! My daffodil-crowned,
Slim and without sandals!
As the sudden spurt of flame upon darkness
So my eyeballs are startled with you,
Supple-limbed youth among the fruit-trees,
Light runner through tasselled orchards.
You are an almond flower unsheathed
Leaping and flickering between the budded branches.
Aubade
As I would free the white almond from the green husk
So would I strip your trappings off,
Beloved.
And fingering the smooth and polished kernel
I should see that in my hands glittered a gem beyond counting.
Music
The neighbour sits in his window and plays the flute.
From my bed I can hear him,
And the round notes flutter and tap about the room,
And hit against each other,
Blurring to unexpected chords.
It is very beautiful,
With the little flute-notes all about me,
In the darkness.
In the daytime,
The neighbour eats bread and onions with one hand
And copies music with the other.
He is fat and has a bald head,
So I do not look at him,
But run quickly past his window.
There is always the sky to look at,
Or the water in the well!
But when night comes and he plays his flute,
I think of him as a young man,
With gold seals hanging from his watch,
And a blue coat with silver buttons.
As I lie in my bed
The flute-notes push against my ears and lips,
And I go to sleep, dreaming.
A Lady
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
In a Garden
Gushing from the mouths of stone men
To spread at ease under the sky
In granite-lipped basins,
Where iris dabble their feet
And rustle to a passing wind,
The water fills the garden with its rushing,
In the midst of the quiet of close-clipped lawns.
Damp smell the ferns in tunnels of stone,
Where trickle and plash the fountains,
Marble fountains, yellowed with much water.
Splashing down moss-tarnished steps
It falls, the water;
And the air is throbbing with it.
With its gurgling and running.
With its leaping, and deep, cool murmur.
And I wished for night and you.
I wanted to see you in the swimming-pool,
White and shining in the silver-flecked water.
While the moon rode over the garden,
High in the arch of night,
And the scent of the lilacs was heavy with stillness.
Night, and the water, and you in your whiteness, bathing!
A Tulip Garden
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
A DOME OF MANY-COLOURED GLASS
by Amy Lowell
[American (Massachusetts) poet and critic -- 1874-1925. ]
[This etext has been transcribed from the 3rd printing (1916),
of the 1912 (original) edition. ]
"Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity. "
Shelley, "Adonais".
"Le silence est si grand que mon coeur en frissonne,
Seul, le bruit de mes pas sur le pave resonne. "
Albert Samain.
Contents
Lyrical Poems
Before the Altar
Suggested by the Cover of a Volume of Keats's Poems
Apples of Hesperides
Azure and Gold
Petals
Venetian Glass
Fatigue
A Japanese Wood-Carving
A Little Song
Behind a Wall
A Winter Ride
A Coloured Print by Shokei
Song
The Fool Errant
The Green Bowl
Hora Stellatrix
Fragment
Loon Point
Summer
"To-morrow to Fresh Woods and Pastures New"
The Way
Diya {original title is Greek, Delta-iota-psi-alpha}
Roads
Teatro Bambino. Dublin, N. H.
The Road to Avignon
New York at Night
A Fairy Tale
Crowned
To Elizabeth Ward Perkins
The Promise of the Morning Star
J--K. Huysmans
March Evening
Sonnets
Leisure
On Carpaccio's Picture: The Dream of St. Ursula
The Matrix
Monadnock in Early Spring
The Little Garden
To an Early Daffodil
Listening
The Lamp of Life
Hero-Worship
In Darkness
Before Dawn
The Poet
At Night
The Fruit Garden Path
Mirage
To a Friend
A Fixed Idea
Dreams
Frankincense and Myrrh
From One Who Stays
Crepuscule du Matin
Aftermath
The End
The Starling
Market Day
Epitaph in a Church-Yard in Charleston, South Carolina
Francis II, King of Naples
To John Keats
The Boston Athenaeum
Verses for Children
Sea Shell
Fringed Gentians
The Painted Ceiling
The Crescent Moon
Climbing
The Trout
Wind
The Pleiades
Thanks are due to the editor of the 'Atlantic Monthly',
and to Messrs. G. Schirmer, Inc. , for their courteous permission
to reprint certain of these poems which have been copyrighted by them.
[All these copyrights are now expired. ]
LYRICAL POEMS
Before the Altar
Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
Not one of all these has he given,
No flame of his has leapt to Heaven
Firesouled, vermilion-hearted,
Forked, and darted,
Consuming what a few spare pence
Have cheaply bought, to fling from hence
In idly-asked petition.
His sole condition
Love and poverty.
And while the moon
Swings slow across the sky,
Athwart a waving pine tree,
And soon
Tips all the needles there
With silver sparkles, bitterly
He gazes, while his soul
Grows hard with thinking of the poorness of his dole.
"Shining and distant Goddess, hear my prayer
Where you swim in the high air!
With charity look down on me,
Under this tree,
Tending the gifts I have not brought,
The rare and goodly things
I have not sought.
Instead, take from me all my life!
"Upon the wings
Of shimmering moonbeams
I pack my poet's dreams
For you.
My wearying strife,
My courage, my loss,
Into the night I toss
For you.
Golden Divinity,
Deign to look down on me
Who so unworthily
Offers to you:
All life has known,
Seeds withered unsown,
Hopes turning quick to fears,
Laughter which dies in tears.
The shredded remnant of a man
Is all the span
And compass of my offering to you.
"Empty and silent, I
Kneel before your pure, calm majesty.
On this stone, in this urn
I pour my heart and watch it burn,
Myself the sacrifice; but be
Still unmoved: Divinity. "
From the altar, bathed in moonlight,
The smoke rose straight in the quiet night.
Suggested by the Cover of a Volume of Keats's Poems
Wild little bird, who chose thee for a sign
To put upon the cover of this book?
Who heard thee singing in the distance dim,
The vague, far greenness of the enshrouding wood,
When the damp freshness of the morning earth
Was full of pungent sweetness and thy song?
Who followed over moss and twisted roots,
And pushed through the wet leaves of trailing vines
Where slanting sunbeams gleamed uncertainly,
While ever clearer came the dropping notes,
Until, at last, two widening trunks disclosed
Thee singing on a spray of branching beech,
Hidden, then seen; and always that same song
Of joyful sweetness, rapture incarnate,
Filled the hushed, rustling stillness of the wood?
We do not know what bird thou art. Perhaps
That fairy bird, fabled in island tale,
Who never sings but once, and then his song
Is of such fearful beauty that he dies
From sheer exuberance of melody.
For this they took thee, little bird, for this
They captured thee, tilting among the leaves,
And stamped thee for a symbol on this book.
For it contains a song surpassing thine,
Richer, more sweet, more poignant. And the poet
Who felt this burning beauty, and whose heart
Was full of loveliest things, sang all he knew
A little while, and then he died; too frail
To bear this untamed, passionate burst of song.
Apples of Hesperides
Glinting golden through the trees,
Apples of Hesperides!
Through the moon-pierced warp of night
Shoot pale shafts of yellow light,
Swaying to the kissing breeze
Swings the treasure, golden-gleaming,
Apples of Hesperides!
Far and lofty yet they glimmer,
Apples of Hesperides!
Blinded by their radiant shimmer,
Pushing forward just for these;
Dew-besprinkled, bramble-marred,
Poor duped mortal, travel-scarred,
Always thinking soon to seize
And possess the golden-glistening
Apples of Hesperides!
Orbed, and glittering, and pendent,
Apples of Hesperides!
Not one missing, still transcendent,
Clustering like a swarm of bees.
Yielding to no man's desire,
Glowing with a saffron fire,
Splendid, unassailed, the golden
Apples of Hesperides!
Azure and Gold
April had covered the hills
With flickering yellows and reds,
The sparkle and coolness of snow
Was blown from the mountain beds.
Across a deep-sunken stream
The pink of blossoming trees,
And from windless appleblooms
The humming of many bees.
The air was of rose and gold
Arabesqued with the song of birds
Who, swinging unseen under leaves,
Made music more eager than words.
Of a sudden, aslant the road,
A brightness to dazzle and stun,
A glint of the bluest blue,
A flash from a sapphire sun.
Blue-birds so blue, 't was a dream,
An impossible, unconceived hue,
The high sky of summer dropped down
Some rapturous ocean to woo.
Such a colour, such infinite light!
The heart of a fabulous gem,
Many-faceted, brilliant and rare.
Centre Stone of the earth's diadem!
. . . . .
Centre Stone of the Crown of the World,
"Sincerity" graved on your youth!
And your eyes hold the blue-bird flash,
The sapphire shaft, which is truth.
Petals
Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.
Venetian Glass
As one who sails upon a wide, blue sea
Far out of sight of land, his mind intent
Upon the sailing of his little boat,
On tightening ropes and shaping fair his course,
Hears suddenly, across the restless sea,
The rhythmic striking of some towered clock,
And wakes from thoughtless idleness to time:
Time, the slow pulse which beats eternity!
So through the vacancy of busy life
At intervals you cross my path and bring
The deep solemnity of passing years.
For you I have shed bitter tears, for you
I have relinquished that for which my heart
Cried out in selfish longing. And to-night
Having just left you, I can say: "'T is well.
Thank God that I have known a soul so true,
So nobly just, so worthy to be loved! "
Fatigue
Stupefy my heart to every day's monotony,
Seal up my eyes, I would not look so far,
Chasten my steps to peaceful regularity,
Bow down my head lest I behold a star.
Fill my days with work, a thousand calm necessities
Leaving no moment to consecrate to hope,
Girdle my thoughts within the dull circumferences
Of facts which form the actual in one short hour's scope.
Give me dreamless sleep, and loose night's power over me,
Shut my ears to sounds only tumultuous then,
Bid Fancy slumber, and steal away its potency,
Or Nature wakes and strives to live again.
Let each day pass, well ordered in its usefulness,
Unlit by sunshine, unscarred by storm;
Dower me with strength and curb all foolish eagerness --
The law exacts obedience. Instruct, I will conform.
A Japanese Wood-Carving
High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue
And breaks it into gleams and sparks of light.
Among the flashing waves are two white birds
Which swoop, and soar, and scream for very joy
At the wild sport. Now diving quickly in,
Questing some glistening fish. Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.
Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth's vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.
A Little Song
When you, my Dear, are away, away,
How wearily goes the creeping day.
A year drags after morning, and night
Starts another year of candle light.
O Pausing Sun and Lingering Moon!
Grant me, I beg of you, this boon.
Whirl round the earth as never sun
Has his diurnal journey run.
And, Moon, slip past the ladders of air
In a single flash, while your streaming hair
Catches the stars and pulls them down
To shine on some slumbering Chinese town.
O Kindly Sun! Understanding Moon!
Bring evening to crowd the footsteps of noon.
But when that long awaited day
Hangs ripe in the heavens, your voyaging stay.
Be morning, O Sun! with the lark in song,
Be afternoon for ages long.
And, Moon, let you and your lesser lights
Watch over a century of nights.
Behind a Wall
I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.
A Winter Ride
Who shall declare the joy of the running!
Who shall tell of the pleasures of flight!
Springing and spurning the tufts of wild heather,
Sweeping, wide-winged, through the blue dome of light.
Everything mortal has moments immortal,
Swift and God-gifted, immeasurably bright.
So with the stretch of the white road before me,
Shining snowcrystals rainbowed by the sun,
Fields that are white, stained with long, cool, blue shadows,
Strong with the strength of my horse as we run.
Joy in the touch of the wind and the sunlight!
Joy! With the vigorous earth I am one.
A Coloured Print by Shokei
It winds along the face of a cliff
This path which I long to explore,
And over it dashes a waterfall,
And the air is full of the roar
And the thunderous voice of waters which sweep
In a silver torrent over some steep.
It clears the path with a mighty bound
And tumbles below and away,
And the trees and the bushes which grow in the rocks
Are wet with its jewelled spray;
The air is misty and heavy with sound,
And small, wet wildflowers star the ground.
Oh! The dampness is very good to smell,
And the path is soft to tread,
And beyond the fall it winds up and on,
While little streamlets thread
Their own meandering way down the hill
Each singing its own little song, until
I forget that 't is only a pictured path,
And I hear the water and wind,
And look through the mist, and strain my eyes
To see what there is behind;
For it must lead to a happy land,
This little path by a waterfall spanned.
Song
Oh! To be a flower
Nodding in the sun,
Bending, then upspringing
As the breezes run;
Holding up
A scent-brimmed cup,
Full of summer's fragrance to the summer sun.
Oh! To be a butterfly
Still, upon a flower,
Winking with its painted wings,
Happy in the hour.
Blossoms hold
Mines of gold
Deep within the farthest heart of each chaliced flower.
Oh! To be a cloud
Blowing through the blue,
Shadowing the mountains,
Rushing loudly through
Valleys deep
Where torrents keep
Always their plunging thunder and their misty arch of blue.
Oh! To be a wave
Splintering on the sand,
Drawing back, but leaving
Lingeringly the land.
Rainbow light
Flashes bright
Telling tales of coral caves half hid in yellow sand.
Soon they die, the flowers;
Insects live a day;
Clouds dissolve in showers;
Only waves at play
Last forever.
Shall endeavor
Make a sea of purpose mightier than we dream to-day?
The Fool Errant
The Fool Errant sat by the highway of life
And his gaze wandered up and his gaze wandered down,
A vigorous youth, but with no wish to walk,
Yet his longing was great for the distant town.
He whistled a little frivolous tune
Which he felt to be pulsing with ecstasy,
For he thought that success always followed desire,
Such a very superlative fool was he.
A maiden came by on an ambling mule,
Her gown was rose-red and her kerchief blue,
On her lap she carried a basket of eggs.
Thought the fool, "There is certainly room for two. "
So he jauntily swaggered towards the maid
And put out his hand to the bridle-rein.
"My pretty girl," quoth the fool, "take me up,
For to ride with you to the town I am fain. "
But the maiden struck at his upraised arm
And pelted him hotly with eggs, a score.
The mule, lashed into a fury, ran;
The fool went back to his stone and swore.
Then out of the cloud of settling dust
The burly form of an abbot appeared,
Reading his office he rode to the town.
And the fool got up, for his heart was cheered.
He stood in the midst of the long, white road
And swept off his cap till it touched the ground.
"Ah, Reverent Sir, well met," said the fool,
"A worthier transport never was found.
"I pray you allow me to mount with you,
Your palfrey seems both sturdy and young. "
The abbot looked up from the holy book
And cried out in anger, "Hold your tongue!
"How dare you obstruct the King's highroad,
You saucy varlet, get out of my way. "
Then he gave the fool a cut with his whip
And leaving him smarting, he rode away.
The fool was angry, the fool was sore,
And he cursed the folly of monks and maids.
"If I could but meet with a man," sighed the fool,
"For a woman fears, and a friar upbraids. "
Then he saw a flashing of distant steel
And the clanking of harness greeted his ears,
And up the road journeyed knights-at-arms,
With waving plumes and glittering spears.
The fool took notice and slowly arose,
Not quite so sure was his foolish heart.
If priests and women would none of him
Was it likely a knight would take his part?
They sang as they rode, these lusty boys,
When one chanced to turn toward the highway's side,
"There's a sorry figure of fun," jested he,
"Well, Sirrah! move back, there is scarce room to ride. "
"Good Sirs, Kind Sirs," begged the crestfallen fool,
"I pray of your courtesy speech with you,
I'm for yonder town, and have no horse to ride,
Have you never a charger will carry two? "
Then the company halted and laughed out loud.
"Was such a request ever made to a knight? "
"And where are your legs," asked one, "if you start,
You may be inside the town gates to-night. "
"'T is a lazy fellow, let him alone,
They've no room in the town for such idlers as he. "
But one bent from his saddle and said, "My man,
Art thou not ashamed to beg charity!
"Thou art well set up, and thy legs are strong,
But it much misgives me lest thou'rt a fool;
For beggars get only a beggar's crust,
Wise men are reared in a different school. "
Then they clattered away in the dust and the wind,
And the fool slunk back to his lonely stone;
He began to see that the man who asks
Must likewise give and not ask alone.
Purple tree-shadows crept over the road,
The level sun flung an orange light,
And the fool laid his head on the hard, gray stone
And wept as he realized advancing night.
A great, round moon rose over a hill
And the steady wind blew yet more cool;
And crouched on a stone a wayfarer sobbed,
For at last he knew he was only a fool.
The Green Bowl
This little bowl is like a mossy pool
In a Spring wood, where dogtooth violets grow
Nodding in chequered sunshine of the trees;
A quiet place, still, with the sound of birds,
Where, though unseen, is heard the endless song
And murmur of the never resting sea.
'T was winter, Roger, when you made this cup,
But coming Spring guided your eager hand
And round the edge you fashioned young green leaves,
A proper chalice made to hold the shy
And little flowers of the woods. And here
They will forget their sad uprooting, lost
In pleasure that this circle of bright leaves
Should be their setting; once more they will dream
They hear winds wandering through lofty trees
And see the sun smiling between the leaves.
Hora Stellatrix
The stars hang thick in the apple tree,
The south wind smells of the pungent sea,
Gold tulip cups are heavy with dew.
The night's for you, Sweetheart, for you!
Starfire rains from the vaulted blue.
Listen! The dancing of unseen leaves.
A drowsy swallow stirs in the eaves.
Only a maiden is sorrowing.
'T is night and spring, Sweetheart, and spring!
Starfire lights your heart's blossoming.
In the intimate dark there's never an ear,
Though the tulips stand on tiptoe to hear,
So give; ripe fruit must shrivel or fall.
As you are mine, Sweetheart, give all!
Starfire sparkles, your coronal.
Fragment
What is poetry? Is it a mosaic
Of coloured stones which curiously are wrought
Into a pattern? Rather glass that's taught
By patient labor any hue to take
And glowing with a sumptuous splendor, make
Beauty a thing of awe; where sunbeams caught,
Transmuted fall in sheafs of rainbows fraught
With storied meaning for religion's sake.
Loon Point
Softly the water ripples
Against the canoe's curving side,
Softly the birch trees rustle
Flinging over us branches wide.
Softly the moon glints and glistens
As the water takes and leaves,
Like golden ears of corn
Which fall from loose-bound sheaves,
Or like the snow-white petals
Which drop from an overblown rose,
When Summer ripens to Autumn
And the freighted year must close.
From the shore come the scents of a garden,
And between a gap in the trees
A proud white statue glimmers
In cold, disdainful ease.
The child of a southern people,
The thought of an alien race,
What does she in this pale, northern garden,
How reconcile it with her grace?
But the moon in her wayward beauty
Is ever and always the same,
As lovely as when upon Latmos
She watched till Endymion came.
Through the water the moon writes her legends
In light, on the smooth, wet sand;
They endure for a moment, and vanish,
And no one may understand.
All round us the secret of Nature
Is telling itself to our sight,
We may guess at her meaning but never
Can know the full mystery of night.
But her power of enchantment is on us,
We bow to the spell which she weaves,
Made up of the murmur of waves
And the manifold whisper of leaves.
Summer
Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.
To me it is not so. I love the earth
And all the gifts of her so lavish hand:
Sunshine and flowers, rivers and rushing winds,
Thick branches swaying in a winter storm,
And moonlight playing in a boat's wide wake;
But more than these, and much, ah, how much more,
I love the very human heart of man.
Above me spreads the hot, blue mid-day sky,
Far down the hillside lies the sleeping lake
Lazily reflecting back the sun,
And scarcely ruffled by the little breeze
Which wanders idly through the nodding ferns.
The blue crest of the distant mountain, tops
The green crest of the hill on which I sit;
And it is summer, glorious, deep-toned summer,
The very crown of nature's changing year
When all her surging life is at its full.
To me alone it is a time of pause,
A void and silent space between two worlds,
When inspiration lags, and feeling sleeps,
Gathering strength for efforts yet to come.
For life alone is creator of life,
And closest contact with the human world
Is like a lantern shining in the night
To light me to a knowledge of myself.
I love the vivid life of winter months
In constant intercourse with human minds,
When every new experience is gain
And on all sides we feel the great world's heart;
The pulse and throb of life which makes us men!
"To-morrow to Fresh Woods and Pastures New"
As for a moment he stands, in hardy masculine beauty,
Poised on the fircrested rock, over the pool which below him
Gleams in the wavering sunlight, waiting the shock of his plunging.
So for a moment I stand, my feet planted firm in the present,
Eagerly scanning the future which is so soon to possess me.
The Way
At first a mere thread of a footpath half blotted out by the grasses
Sweeping triumphant across it, it wound between hedges of roses
Whose blossoms were poised above leaves as pond lilies float on the water,
While hidden by bloom in a hawthorn a bird filled the morning with singing.
It widened a highway, majestic, stretching ever to distant horizons,
Where shadows of tree-branches wavered, vague outlines invaded by sunshine;
No sound but the wind as it whispered the secrets of earth to the flowers,
And the hum of the yellow bees, honey-laden and dusty with pollen.
And Summer said, "Come, follow onward, with no thought save the longing
to wander,
The wind, and the bees, and the flowers, all singing the great song
of Nature,
Are minstrels of change and of promise, they herald the joy of the Future. "
Later the solitude vanished, confused and distracted the road
Where many were seeking and jostling. Left behind were the trees
and the flowers,
The half-realized beauty of quiet, the sacred unconscious communing.
And now he is come to a river, a line of gray, sullen water,
Not blue and splashing, but dark, rolling somberly on to the ocean.
But on the far side is a city whose windows flame gold in the sunset.
It lies fair and shining before him, a gem set betwixt sky and water,
And spanning the river a bridge, frail promise to longing desire,
Flung by man in his infinite courage, across the stern force of the water;
And he looks at the river and fears, the bridge is so slight,
yet he ventures
His life to its fragile keeping, if it fails the waves will engulf him.
O Arches! be strong to uphold him, and bear him across to the city,
The beautiful city whose spires still glow with the fires of sunset!
Diya {original title is Greek, Delta-iota-psi-alpha}
Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass. And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o'clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.
It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.
Tell me once more you love me, that 't is you
Yes, really you, I touch, so, with my hand;
And tell me it is by your own free will
That you are here, and that you like to be
Just here, with me, under this sailing pine.
I need to hear it often for my heart
Doubts naturally, and finds it hard to trust.
Ah, Dearest, you are good to love me so,
And yet I would not have it goodness, rather
Excess of selfishness in you to need
Me through and through, as flowers need the sun.
I wonder can it really be that you
And I are here alone, and that the night
Is full of hours, and all the world asleep,
And none can call to you to come away;
For you have given all yourself to me
Making me gentle by your willingness.
Has your life too been waiting for this time,
Not only mine the sharpness of this joy?
Dear Heart, I love you, worship you as though
I were a priest before a holy shrine.
I'm glad that you are beautiful, although
Were you not lovely still I needs must love;
But you are all things, it must have been so
For otherwise it were not you. Come, close;
When you are in the circle of my arm
Faith grows a mountain and I take my stand
Upon its utmost top. Yes, yes, once more
Kiss me, and let me feel you very near
Wanting me wholly, even as I want you.
Have years behind been dark? Will those to come
Bring unguessed sorrows into our two lives?
What does it matter, we have had to-night!
To-night will make us strong, for we believe
Each in the other, this is a sacrament.
Beloved, is it true?
Roads
I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
Teatro Bambino. Dublin, N. H.
How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.
A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.
The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.
The Road to Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
New York at Night
A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud. I hear the sigh
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay.
Below, straight streets, monotonous,
From north and south, from east and west,
Stretch glittering; and luminous
Above, one tower tops the rest
And holds aloft man's constant quest:
Time! Joyless emblem of the greed
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.
O Night! Whose soothing presence brings
The quiet shining of the stars.
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night
To burn our souls before altars
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright.
Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below!
A Fairy Tale
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.
The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient.
I am not good. My father will have nothing to do with my boy,
I shall be an outcast thing. Oh, Mother of our Lord God, be merciful,
take away my shame! Let my body be as it was before he came.
No little baby for me to keep underneath my heart for those long months.
To live for and to get comfort from. I cannot go home and tell my mother.
She is so hard and righteous. She never loved my father, and we were born
for duty, not for love. I cannot face it. Holy Mother, take my baby away!
Take away my little baby! I don't want it, I can't bear it!
And I shall have nothing, nothing! Just be known as a good girl.
Have other men want to marry me, whom I could not touch, after having known
my man. Known the length and breadth of his beautiful white body,
and the depth of his love, on the high Summer Alp, with the moon above,
and the pine-needles all shiny in the light of it. He is gone, my man,
I shall never hear him or feel him again, but I could not touch another.
I would rather lie under the snow with my own man in my arms!
So I shall live on and on. Just a good woman. With nothing to warm my heart
where he lay, and where he left his baby for me to care for. I shall not be
quite human, I think. Merely a stone-dead creature. They will respect me.
What do I care for respect! You didn't care for people's tongues
when you were carrying our Lord Jesus. God had my man give me my baby,
when He knew that He was going to take him away. His lips will comfort me,
his hands will soothe me. All day I will work at my lace-making,
and all night I will keep him warm by my side and pray the blessed Angels
to cover him with their wings. Dear Mother, what is it that sings?
I hear voices singing, and lovely silver trumpets through it all. They seem
just on the other side of the wall. Let me keep my baby, Holy Mother.
He is only a poor lace-maker's baby, with a stain upon him,
but give me strength to bring him up to be a man.
Late September
Tang of fruitage in the air;
Red boughs bursting everywhere;
Shimmering of seeded grass;
Hooded gentians all a'mass.
Warmth of earth, and cloudless wind
Tearing off the husky rind,
Blowing feathered seeds to fall
By the sun-baked, sheltering wall.
Beech trees in a golden haze;
Hardy sumachs all ablaze,
Glowing through the silver birches.
How that pine tree shouts and lurches!
From the sunny door-jamb high,
Swings the shell of a butterfly.
Scrape of insect violins
Through the stubble shrilly dins.
Every blade's a minaret
Where a small muezzin's set,
Loudly calling us to pray
At the miracle of day.
Then the purple-lidded night
Westering comes, her footsteps light
Guided by the radiant boon
Of a sickle-shaped new moon.
The Pike
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
The Blue Scarf
Pale, with the blue of high zeniths, shimmered over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it, caressing.
Where is she, the woman who wore it? The scent of her lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it. Below the stone steps a lute tinkles.
A jar of green jade throws its shadow half over the floor. A big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water of a basin,
Sunk in the black and white marble. The west wind has lifted a scarf
On the seat close beside me, the blue of it is a violent outrage of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her, a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty, and one is alone!
White and Green
Hey! My daffodil-crowned,
Slim and without sandals!
As the sudden spurt of flame upon darkness
So my eyeballs are startled with you,
Supple-limbed youth among the fruit-trees,
Light runner through tasselled orchards.
You are an almond flower unsheathed
Leaping and flickering between the budded branches.
Aubade
As I would free the white almond from the green husk
So would I strip your trappings off,
Beloved.
And fingering the smooth and polished kernel
I should see that in my hands glittered a gem beyond counting.
Music
The neighbour sits in his window and plays the flute.
From my bed I can hear him,
And the round notes flutter and tap about the room,
And hit against each other,
Blurring to unexpected chords.
It is very beautiful,
With the little flute-notes all about me,
In the darkness.
In the daytime,
The neighbour eats bread and onions with one hand
And copies music with the other.
He is fat and has a bald head,
So I do not look at him,
But run quickly past his window.
There is always the sky to look at,
Or the water in the well!
But when night comes and he plays his flute,
I think of him as a young man,
With gold seals hanging from his watch,
And a blue coat with silver buttons.
As I lie in my bed
The flute-notes push against my ears and lips,
And I go to sleep, dreaming.
A Lady
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
In a Garden
Gushing from the mouths of stone men
To spread at ease under the sky
In granite-lipped basins,
Where iris dabble their feet
And rustle to a passing wind,
The water fills the garden with its rushing,
In the midst of the quiet of close-clipped lawns.
Damp smell the ferns in tunnels of stone,
Where trickle and plash the fountains,
Marble fountains, yellowed with much water.
Splashing down moss-tarnished steps
It falls, the water;
And the air is throbbing with it.
With its gurgling and running.
With its leaping, and deep, cool murmur.
And I wished for night and you.
I wanted to see you in the swimming-pool,
White and shining in the silver-flecked water.
While the moon rode over the garden,
High in the arch of night,
And the scent of the lilacs was heavy with stillness.
Night, and the water, and you in your whiteness, bathing!
A Tulip Garden
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
A DOME OF MANY-COLOURED GLASS
by Amy Lowell
[American (Massachusetts) poet and critic -- 1874-1925. ]
[This etext has been transcribed from the 3rd printing (1916),
of the 1912 (original) edition. ]
"Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity. "
Shelley, "Adonais".
"Le silence est si grand que mon coeur en frissonne,
Seul, le bruit de mes pas sur le pave resonne. "
Albert Samain.
Contents
Lyrical Poems
Before the Altar
Suggested by the Cover of a Volume of Keats's Poems
Apples of Hesperides
Azure and Gold
Petals
Venetian Glass
Fatigue
A Japanese Wood-Carving
A Little Song
Behind a Wall
A Winter Ride
A Coloured Print by Shokei
Song
The Fool Errant
The Green Bowl
Hora Stellatrix
Fragment
Loon Point
Summer
"To-morrow to Fresh Woods and Pastures New"
The Way
Diya {original title is Greek, Delta-iota-psi-alpha}
Roads
Teatro Bambino. Dublin, N. H.
The Road to Avignon
New York at Night
A Fairy Tale
Crowned
To Elizabeth Ward Perkins
The Promise of the Morning Star
J--K. Huysmans
March Evening
Sonnets
Leisure
On Carpaccio's Picture: The Dream of St. Ursula
The Matrix
Monadnock in Early Spring
The Little Garden
To an Early Daffodil
Listening
The Lamp of Life
Hero-Worship
In Darkness
Before Dawn
The Poet
At Night
The Fruit Garden Path
Mirage
To a Friend
A Fixed Idea
Dreams
Frankincense and Myrrh
From One Who Stays
Crepuscule du Matin
Aftermath
The End
The Starling
Market Day
Epitaph in a Church-Yard in Charleston, South Carolina
Francis II, King of Naples
To John Keats
The Boston Athenaeum
Verses for Children
Sea Shell
Fringed Gentians
The Painted Ceiling
The Crescent Moon
Climbing
The Trout
Wind
The Pleiades
Thanks are due to the editor of the 'Atlantic Monthly',
and to Messrs. G. Schirmer, Inc. , for their courteous permission
to reprint certain of these poems which have been copyrighted by them.
[All these copyrights are now expired. ]
LYRICAL POEMS
Before the Altar
Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
Not one of all these has he given,
No flame of his has leapt to Heaven
Firesouled, vermilion-hearted,
Forked, and darted,
Consuming what a few spare pence
Have cheaply bought, to fling from hence
In idly-asked petition.
His sole condition
Love and poverty.
And while the moon
Swings slow across the sky,
Athwart a waving pine tree,
And soon
Tips all the needles there
With silver sparkles, bitterly
He gazes, while his soul
Grows hard with thinking of the poorness of his dole.
"Shining and distant Goddess, hear my prayer
Where you swim in the high air!
With charity look down on me,
Under this tree,
Tending the gifts I have not brought,
The rare and goodly things
I have not sought.
Instead, take from me all my life!
"Upon the wings
Of shimmering moonbeams
I pack my poet's dreams
For you.
My wearying strife,
My courage, my loss,
Into the night I toss
For you.
Golden Divinity,
Deign to look down on me
Who so unworthily
Offers to you:
All life has known,
Seeds withered unsown,
Hopes turning quick to fears,
Laughter which dies in tears.
The shredded remnant of a man
Is all the span
And compass of my offering to you.
"Empty and silent, I
Kneel before your pure, calm majesty.
On this stone, in this urn
I pour my heart and watch it burn,
Myself the sacrifice; but be
Still unmoved: Divinity. "
From the altar, bathed in moonlight,
The smoke rose straight in the quiet night.
Suggested by the Cover of a Volume of Keats's Poems
Wild little bird, who chose thee for a sign
To put upon the cover of this book?
Who heard thee singing in the distance dim,
The vague, far greenness of the enshrouding wood,
When the damp freshness of the morning earth
Was full of pungent sweetness and thy song?
Who followed over moss and twisted roots,
And pushed through the wet leaves of trailing vines
Where slanting sunbeams gleamed uncertainly,
While ever clearer came the dropping notes,
Until, at last, two widening trunks disclosed
Thee singing on a spray of branching beech,
Hidden, then seen; and always that same song
Of joyful sweetness, rapture incarnate,
Filled the hushed, rustling stillness of the wood?
We do not know what bird thou art. Perhaps
That fairy bird, fabled in island tale,
Who never sings but once, and then his song
Is of such fearful beauty that he dies
From sheer exuberance of melody.
For this they took thee, little bird, for this
They captured thee, tilting among the leaves,
And stamped thee for a symbol on this book.
For it contains a song surpassing thine,
Richer, more sweet, more poignant. And the poet
Who felt this burning beauty, and whose heart
Was full of loveliest things, sang all he knew
A little while, and then he died; too frail
To bear this untamed, passionate burst of song.
Apples of Hesperides
Glinting golden through the trees,
Apples of Hesperides!
Through the moon-pierced warp of night
Shoot pale shafts of yellow light,
Swaying to the kissing breeze
Swings the treasure, golden-gleaming,
Apples of Hesperides!
Far and lofty yet they glimmer,
Apples of Hesperides!
Blinded by their radiant shimmer,
Pushing forward just for these;
Dew-besprinkled, bramble-marred,
Poor duped mortal, travel-scarred,
Always thinking soon to seize
And possess the golden-glistening
Apples of Hesperides!
Orbed, and glittering, and pendent,
Apples of Hesperides!
Not one missing, still transcendent,
Clustering like a swarm of bees.
Yielding to no man's desire,
Glowing with a saffron fire,
Splendid, unassailed, the golden
Apples of Hesperides!
Azure and Gold
April had covered the hills
With flickering yellows and reds,
The sparkle and coolness of snow
Was blown from the mountain beds.
Across a deep-sunken stream
The pink of blossoming trees,
And from windless appleblooms
The humming of many bees.
The air was of rose and gold
Arabesqued with the song of birds
Who, swinging unseen under leaves,
Made music more eager than words.
Of a sudden, aslant the road,
A brightness to dazzle and stun,
A glint of the bluest blue,
A flash from a sapphire sun.
Blue-birds so blue, 't was a dream,
An impossible, unconceived hue,
The high sky of summer dropped down
Some rapturous ocean to woo.
Such a colour, such infinite light!
The heart of a fabulous gem,
Many-faceted, brilliant and rare.
Centre Stone of the earth's diadem!
. . . . .
Centre Stone of the Crown of the World,
"Sincerity" graved on your youth!
And your eyes hold the blue-bird flash,
The sapphire shaft, which is truth.
Petals
Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.
Venetian Glass
As one who sails upon a wide, blue sea
Far out of sight of land, his mind intent
Upon the sailing of his little boat,
On tightening ropes and shaping fair his course,
Hears suddenly, across the restless sea,
The rhythmic striking of some towered clock,
And wakes from thoughtless idleness to time:
Time, the slow pulse which beats eternity!
So through the vacancy of busy life
At intervals you cross my path and bring
The deep solemnity of passing years.
For you I have shed bitter tears, for you
I have relinquished that for which my heart
Cried out in selfish longing. And to-night
Having just left you, I can say: "'T is well.
Thank God that I have known a soul so true,
So nobly just, so worthy to be loved! "
Fatigue
Stupefy my heart to every day's monotony,
Seal up my eyes, I would not look so far,
Chasten my steps to peaceful regularity,
Bow down my head lest I behold a star.
Fill my days with work, a thousand calm necessities
Leaving no moment to consecrate to hope,
Girdle my thoughts within the dull circumferences
Of facts which form the actual in one short hour's scope.
Give me dreamless sleep, and loose night's power over me,
Shut my ears to sounds only tumultuous then,
Bid Fancy slumber, and steal away its potency,
Or Nature wakes and strives to live again.
Let each day pass, well ordered in its usefulness,
Unlit by sunshine, unscarred by storm;
Dower me with strength and curb all foolish eagerness --
The law exacts obedience. Instruct, I will conform.
A Japanese Wood-Carving
High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue
And breaks it into gleams and sparks of light.
Among the flashing waves are two white birds
Which swoop, and soar, and scream for very joy
At the wild sport. Now diving quickly in,
Questing some glistening fish. Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.
Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth's vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.
A Little Song
When you, my Dear, are away, away,
How wearily goes the creeping day.
A year drags after morning, and night
Starts another year of candle light.
O Pausing Sun and Lingering Moon!
Grant me, I beg of you, this boon.
Whirl round the earth as never sun
Has his diurnal journey run.
And, Moon, slip past the ladders of air
In a single flash, while your streaming hair
Catches the stars and pulls them down
To shine on some slumbering Chinese town.
O Kindly Sun! Understanding Moon!
Bring evening to crowd the footsteps of noon.
But when that long awaited day
Hangs ripe in the heavens, your voyaging stay.
Be morning, O Sun! with the lark in song,
Be afternoon for ages long.
And, Moon, let you and your lesser lights
Watch over a century of nights.
Behind a Wall
I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.
A Winter Ride
Who shall declare the joy of the running!
Who shall tell of the pleasures of flight!
Springing and spurning the tufts of wild heather,
Sweeping, wide-winged, through the blue dome of light.
Everything mortal has moments immortal,
Swift and God-gifted, immeasurably bright.
So with the stretch of the white road before me,
Shining snowcrystals rainbowed by the sun,
Fields that are white, stained with long, cool, blue shadows,
Strong with the strength of my horse as we run.
Joy in the touch of the wind and the sunlight!
Joy! With the vigorous earth I am one.
A Coloured Print by Shokei
It winds along the face of a cliff
This path which I long to explore,
And over it dashes a waterfall,
And the air is full of the roar
And the thunderous voice of waters which sweep
In a silver torrent over some steep.
It clears the path with a mighty bound
And tumbles below and away,
And the trees and the bushes which grow in the rocks
Are wet with its jewelled spray;
The air is misty and heavy with sound,
And small, wet wildflowers star the ground.
Oh! The dampness is very good to smell,
And the path is soft to tread,
And beyond the fall it winds up and on,
While little streamlets thread
Their own meandering way down the hill
Each singing its own little song, until
I forget that 't is only a pictured path,
And I hear the water and wind,
And look through the mist, and strain my eyes
To see what there is behind;
For it must lead to a happy land,
This little path by a waterfall spanned.
Song
Oh! To be a flower
Nodding in the sun,
Bending, then upspringing
As the breezes run;
Holding up
A scent-brimmed cup,
Full of summer's fragrance to the summer sun.
Oh! To be a butterfly
Still, upon a flower,
Winking with its painted wings,
Happy in the hour.
Blossoms hold
Mines of gold
Deep within the farthest heart of each chaliced flower.
Oh! To be a cloud
Blowing through the blue,
Shadowing the mountains,
Rushing loudly through
Valleys deep
Where torrents keep
Always their plunging thunder and their misty arch of blue.
Oh! To be a wave
Splintering on the sand,
Drawing back, but leaving
Lingeringly the land.
Rainbow light
Flashes bright
Telling tales of coral caves half hid in yellow sand.
Soon they die, the flowers;
Insects live a day;
Clouds dissolve in showers;
Only waves at play
Last forever.
Shall endeavor
Make a sea of purpose mightier than we dream to-day?
The Fool Errant
The Fool Errant sat by the highway of life
And his gaze wandered up and his gaze wandered down,
A vigorous youth, but with no wish to walk,
Yet his longing was great for the distant town.
He whistled a little frivolous tune
Which he felt to be pulsing with ecstasy,
For he thought that success always followed desire,
Such a very superlative fool was he.
A maiden came by on an ambling mule,
Her gown was rose-red and her kerchief blue,
On her lap she carried a basket of eggs.
Thought the fool, "There is certainly room for two. "
So he jauntily swaggered towards the maid
And put out his hand to the bridle-rein.
"My pretty girl," quoth the fool, "take me up,
For to ride with you to the town I am fain. "
But the maiden struck at his upraised arm
And pelted him hotly with eggs, a score.
The mule, lashed into a fury, ran;
The fool went back to his stone and swore.
Then out of the cloud of settling dust
The burly form of an abbot appeared,
Reading his office he rode to the town.
And the fool got up, for his heart was cheered.
He stood in the midst of the long, white road
And swept off his cap till it touched the ground.
"Ah, Reverent Sir, well met," said the fool,
"A worthier transport never was found.
"I pray you allow me to mount with you,
Your palfrey seems both sturdy and young. "
The abbot looked up from the holy book
And cried out in anger, "Hold your tongue!
"How dare you obstruct the King's highroad,
You saucy varlet, get out of my way. "
Then he gave the fool a cut with his whip
And leaving him smarting, he rode away.
The fool was angry, the fool was sore,
And he cursed the folly of monks and maids.
"If I could but meet with a man," sighed the fool,
"For a woman fears, and a friar upbraids. "
Then he saw a flashing of distant steel
And the clanking of harness greeted his ears,
And up the road journeyed knights-at-arms,
With waving plumes and glittering spears.
The fool took notice and slowly arose,
Not quite so sure was his foolish heart.
If priests and women would none of him
Was it likely a knight would take his part?
They sang as they rode, these lusty boys,
When one chanced to turn toward the highway's side,
"There's a sorry figure of fun," jested he,
"Well, Sirrah! move back, there is scarce room to ride. "
"Good Sirs, Kind Sirs," begged the crestfallen fool,
"I pray of your courtesy speech with you,
I'm for yonder town, and have no horse to ride,
Have you never a charger will carry two? "
Then the company halted and laughed out loud.
"Was such a request ever made to a knight? "
"And where are your legs," asked one, "if you start,
You may be inside the town gates to-night. "
"'T is a lazy fellow, let him alone,
They've no room in the town for such idlers as he. "
But one bent from his saddle and said, "My man,
Art thou not ashamed to beg charity!
"Thou art well set up, and thy legs are strong,
But it much misgives me lest thou'rt a fool;
For beggars get only a beggar's crust,
Wise men are reared in a different school. "
Then they clattered away in the dust and the wind,
And the fool slunk back to his lonely stone;
He began to see that the man who asks
Must likewise give and not ask alone.
Purple tree-shadows crept over the road,
The level sun flung an orange light,
And the fool laid his head on the hard, gray stone
And wept as he realized advancing night.
A great, round moon rose over a hill
And the steady wind blew yet more cool;
And crouched on a stone a wayfarer sobbed,
For at last he knew he was only a fool.
The Green Bowl
This little bowl is like a mossy pool
In a Spring wood, where dogtooth violets grow
Nodding in chequered sunshine of the trees;
A quiet place, still, with the sound of birds,
Where, though unseen, is heard the endless song
And murmur of the never resting sea.
'T was winter, Roger, when you made this cup,
But coming Spring guided your eager hand
And round the edge you fashioned young green leaves,
A proper chalice made to hold the shy
And little flowers of the woods. And here
They will forget their sad uprooting, lost
In pleasure that this circle of bright leaves
Should be their setting; once more they will dream
They hear winds wandering through lofty trees
And see the sun smiling between the leaves.
Hora Stellatrix
The stars hang thick in the apple tree,
The south wind smells of the pungent sea,
Gold tulip cups are heavy with dew.
The night's for you, Sweetheart, for you!
Starfire rains from the vaulted blue.
Listen! The dancing of unseen leaves.
A drowsy swallow stirs in the eaves.
Only a maiden is sorrowing.
'T is night and spring, Sweetheart, and spring!
Starfire lights your heart's blossoming.
In the intimate dark there's never an ear,
Though the tulips stand on tiptoe to hear,
So give; ripe fruit must shrivel or fall.
As you are mine, Sweetheart, give all!
Starfire sparkles, your coronal.
Fragment
What is poetry? Is it a mosaic
Of coloured stones which curiously are wrought
Into a pattern? Rather glass that's taught
By patient labor any hue to take
And glowing with a sumptuous splendor, make
Beauty a thing of awe; where sunbeams caught,
Transmuted fall in sheafs of rainbows fraught
With storied meaning for religion's sake.
Loon Point
Softly the water ripples
Against the canoe's curving side,
Softly the birch trees rustle
Flinging over us branches wide.
Softly the moon glints and glistens
As the water takes and leaves,
Like golden ears of corn
Which fall from loose-bound sheaves,
Or like the snow-white petals
Which drop from an overblown rose,
When Summer ripens to Autumn
And the freighted year must close.
From the shore come the scents of a garden,
And between a gap in the trees
A proud white statue glimmers
In cold, disdainful ease.
The child of a southern people,
The thought of an alien race,
What does she in this pale, northern garden,
How reconcile it with her grace?
But the moon in her wayward beauty
Is ever and always the same,
As lovely as when upon Latmos
She watched till Endymion came.
Through the water the moon writes her legends
In light, on the smooth, wet sand;
They endure for a moment, and vanish,
And no one may understand.
All round us the secret of Nature
Is telling itself to our sight,
We may guess at her meaning but never
Can know the full mystery of night.
But her power of enchantment is on us,
We bow to the spell which she weaves,
Made up of the murmur of waves
And the manifold whisper of leaves.
Summer
Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.
To me it is not so. I love the earth
And all the gifts of her so lavish hand:
Sunshine and flowers, rivers and rushing winds,
Thick branches swaying in a winter storm,
And moonlight playing in a boat's wide wake;
But more than these, and much, ah, how much more,
I love the very human heart of man.
Above me spreads the hot, blue mid-day sky,
Far down the hillside lies the sleeping lake
Lazily reflecting back the sun,
And scarcely ruffled by the little breeze
Which wanders idly through the nodding ferns.
The blue crest of the distant mountain, tops
The green crest of the hill on which I sit;
And it is summer, glorious, deep-toned summer,
The very crown of nature's changing year
When all her surging life is at its full.
To me alone it is a time of pause,
A void and silent space between two worlds,
When inspiration lags, and feeling sleeps,
Gathering strength for efforts yet to come.
For life alone is creator of life,
And closest contact with the human world
Is like a lantern shining in the night
To light me to a knowledge of myself.
I love the vivid life of winter months
In constant intercourse with human minds,
When every new experience is gain
And on all sides we feel the great world's heart;
The pulse and throb of life which makes us men!
"To-morrow to Fresh Woods and Pastures New"
As for a moment he stands, in hardy masculine beauty,
Poised on the fircrested rock, over the pool which below him
Gleams in the wavering sunlight, waiting the shock of his plunging.
So for a moment I stand, my feet planted firm in the present,
Eagerly scanning the future which is so soon to possess me.
The Way
At first a mere thread of a footpath half blotted out by the grasses
Sweeping triumphant across it, it wound between hedges of roses
Whose blossoms were poised above leaves as pond lilies float on the water,
While hidden by bloom in a hawthorn a bird filled the morning with singing.
It widened a highway, majestic, stretching ever to distant horizons,
Where shadows of tree-branches wavered, vague outlines invaded by sunshine;
No sound but the wind as it whispered the secrets of earth to the flowers,
And the hum of the yellow bees, honey-laden and dusty with pollen.
And Summer said, "Come, follow onward, with no thought save the longing
to wander,
The wind, and the bees, and the flowers, all singing the great song
of Nature,
Are minstrels of change and of promise, they herald the joy of the Future. "
Later the solitude vanished, confused and distracted the road
Where many were seeking and jostling. Left behind were the trees
and the flowers,
The half-realized beauty of quiet, the sacred unconscious communing.
And now he is come to a river, a line of gray, sullen water,
Not blue and splashing, but dark, rolling somberly on to the ocean.
But on the far side is a city whose windows flame gold in the sunset.
It lies fair and shining before him, a gem set betwixt sky and water,
And spanning the river a bridge, frail promise to longing desire,
Flung by man in his infinite courage, across the stern force of the water;
And he looks at the river and fears, the bridge is so slight,
yet he ventures
His life to its fragile keeping, if it fails the waves will engulf him.
O Arches! be strong to uphold him, and bear him across to the city,
The beautiful city whose spires still glow with the fires of sunset!
Diya {original title is Greek, Delta-iota-psi-alpha}
Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass. And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o'clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.
It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.
Tell me once more you love me, that 't is you
Yes, really you, I touch, so, with my hand;
And tell me it is by your own free will
That you are here, and that you like to be
Just here, with me, under this sailing pine.
I need to hear it often for my heart
Doubts naturally, and finds it hard to trust.
Ah, Dearest, you are good to love me so,
And yet I would not have it goodness, rather
Excess of selfishness in you to need
Me through and through, as flowers need the sun.
I wonder can it really be that you
And I are here alone, and that the night
Is full of hours, and all the world asleep,
And none can call to you to come away;
For you have given all yourself to me
Making me gentle by your willingness.
Has your life too been waiting for this time,
Not only mine the sharpness of this joy?
Dear Heart, I love you, worship you as though
I were a priest before a holy shrine.
I'm glad that you are beautiful, although
Were you not lovely still I needs must love;
But you are all things, it must have been so
For otherwise it were not you. Come, close;
When you are in the circle of my arm
Faith grows a mountain and I take my stand
Upon its utmost top. Yes, yes, once more
Kiss me, and let me feel you very near
Wanting me wholly, even as I want you.
Have years behind been dark? Will those to come
Bring unguessed sorrows into our two lives?
What does it matter, we have had to-night!
To-night will make us strong, for we believe
Each in the other, this is a sacrament.
Beloved, is it true?
Roads
I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
Teatro Bambino. Dublin, N. H.
How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.
A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.
The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.
The Road to Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
New York at Night
A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud. I hear the sigh
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay.
Below, straight streets, monotonous,
From north and south, from east and west,
Stretch glittering; and luminous
Above, one tower tops the rest
And holds aloft man's constant quest:
Time! Joyless emblem of the greed
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.
O Night! Whose soothing presence brings
The quiet shining of the stars.
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night
To burn our souls before altars
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright.
Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below!
A Fairy Tale
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.
The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient.
