No More Learning

'We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown; 510
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.

'We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street. 520
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.

'You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo, we who love weep not to-day,
But crown her royal head. 530
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread. '




MAIDEN-SONG


Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Meggan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Meggan plucked the thorny rose, 10
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow. 20

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Meggan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go. '

So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow 40
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill, 50
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.

Light-foot May with Meggan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far, 60
When Margaret was away,
Who sat at home to sing and sew.

Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Meggan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May; 70
Honey-smooth the double flow.

Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Meggan's feet
As love-bird on his nest,
And wooed her with a silent awe, 80
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.

She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true: 90
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go. '

Then Meggan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits, 100
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow. '

Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook): 110
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.

Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs, 120
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low. 130

He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care, 140
Your sweet song hath moved me so. '

In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'--
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Meggan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids, 150
We may be brides at noon. '
Said Meggan, 'Yes;' May said not 'No. '

Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long. '
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late. ' 160
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.

The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon 170
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.

Waiting thus in weariness
She marked the nightingale 180
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.

The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed, 190
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.

Every beast and bird and fish
Came mustering to the sound, 200
Every man and every maid
From miles of country round:
Meggan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.

So Margaret sang her sisters home 210
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;

Sang a golden-bearded king
Straightway to her feet, 220
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.




JESSIE CAMERON


'Jessie, Jessie Cameron,
Hear me but this once,' quoth he.
'Good luck go with you, neighbor's son,
But I'm no mate for you,' quoth she.
Day was verging toward the night
There beside the moaning sea,
Dimness overtook the light
There where the breakers be.
'O Jessie, Jessie Cameron,
I have loved you long and true. '-- 10
'Good luck go with you, neighbor's son,
But I'm no mate for you. '

She was a careless, fearless girl,
And made her answer plain,
Outspoken she to earl or churl,
Kindhearted in the main,
But somewhat heedless with her tongue,
And apt at causing pain;
A mirthful maiden she and young,
Most fair for bliss or bane. 20
'Oh, long ago I told you so,
I tell you so to-day:
Go you your way, and let me go
Just my own free way. '

The sea swept in with moan and foam,
Quickening the stretch of sand;
They stood almost in sight of home;
He strove to take her hand.
'Oh, can't you take your answer then,
And won't you understand? 30
For me you're not the man of men,
I've other plans are planned.
You're good for Madge, or good for Cis,
Or good for Kate, may be:
But what's to me the good of this
While you're not good for me? '

They stood together on the beach,
They two alone,
And louder waxed his urgent speech,
His patience almost gone: 40
'Oh, say but one kind word to me,
Jessie, Jessie Cameron. '--
'I'd be too proud to beg,' quoth she,
And pride was in her tone.
And pride was in her lifted head,
And in her angry eye
And in her foot, which might have fled,
But would not fly.

Some say that he had gipsy blood;
That in his heart was guile: 50
Yet he had gone through fire and flood
Only to win her smile.
Some say his grandam was a witch,
A black witch from beyond the Nile,
Who kept an image in a niche
And talked with it the while.
And by her hut far down the lane
Some say they would not pass at night,
Lest they should hear an unked strain
Or see an unked sight. 60

Alas, for Jessie Cameron! --
The sea crept moaning, moaning nigher:
She should have hastened to begone,--
The sea swept higher, breaking by her:
She should have hastened to her home
While yet the west was flushed with fire,
But now her feet are in the foam,
The sea-foam, sweeping higher.
O mother, linger at your door,
And light your lamp to make it plain, 70
But Jessie she comes home no more,
No more again.

They stood together on the strand,
They only, each by each;
Home, her home, was close at hand,
Utterly out of reach.
Her mother in the chimney nook
Heard a startled sea-gull screech,
But never turned her head to look
Towards the darkening beach: 80
Neighbours here and neighbours there
Heard one scream, as if a bird
Shrilly screaming cleft the air:--
That was all they heard.

Jessie she comes home no more,
Comes home never;
Her lover's step sounds at his door
No more forever.
And boats may search upon the sea
And search along the river, 90
But none know where the bodies be:
Sea-winds that shiver,
Sea-birds that breast the blast,
Sea-waves swelling,
Keep the secret first and last
Of their dwelling.

Whether the tide so hemmed them round
With its pitiless flow,
That when they would have gone they found
No way to go; 100
Whether she scorned him to the last
With words flung to and fro,
Or clung to him when hope was past,
None will ever know:
Whether he helped or hindered her,
Threw up his life or lost it well,
The troubled sea, for all its stir
Finds no voice to tell.

Only watchers by the dying
Have thought they heard one pray 110
Wordless, urgent; and replying
One seem to say him nay:
And watchers by the dead have heard
A windy swell from miles away,
With sobs and screams, but not a word
Distinct for them to say:
And watchers out at sea have caught
Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
Which might be hand or hair. 120




SPRING QUIET


Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;

Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.

Full of fresh scents
Are the budding boughs 10
Arching high over
A cool green house:

Full of sweet scents,
And whispering air
Which sayeth softly:
'We spread no snare;

'Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone. 20

'Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be. '




THE POOR GHOST


'Oh whence do you come, my dear friend, to me,
With your golden hair all fallen below your knee,
And your face as white as snowdrops on the lea,
And your voice as hollow as the hollow sea? '

'From the other world I come back to you,
My locks are uncurled with dripping drenching dew.
You know the old, whilst I know the new:
But to-morrow you shall know this too. '

'Oh not to-morrow into the dark, I pray;
Oh not to-morrow, too soon to go away: 10
Here I feel warm and well-content and gay:
Give me another year, another day. '

'Am I so changed in a day and a night
That mine own only love shrinks from me with fright,
Is fain to turn away to left or right
And cover up his eyes from the sight? '

'Indeed I loved you, my chosen friend,
I loved you for life, but life has an end;
Through sickness I was ready to tend:
But death mars all, which we cannot mend. 20

'Indeed I loved you; I love you yet,
If you will stay where your bed is set,
Where I have planted a violet,
Which the wind waves, which the dew makes wet. '

'Life is gone, then love too is gone,
It was a reed that I leant upon:
Never doubt I will leave you alone
And not wake you rattling bone with bone.

'I go home alone to my bed,
Dug deep at the foot and deep at the head, 30
Roofed in with a load of lead,
Warm enough for the forgotten dead.

'But why did your tears soak through the clay,
And why did your sobs wake me where I lay?
I was away, far enough away:
Let me sleep now till the Judgment Day. '




A PORTRAIT


I

She gave up beauty in her tender youth,
Gave all her hope and joy and pleasant ways;
She covered up her eyes lest they should gaze
On vanity, and chose the bitter truth.
Harsh towards herself, towards others full of ruth,
Servant of servants, little known to praise,
Long prayers and fasts trenched on her nights and days:
She schooled herself to sights and sounds uncouth
That with the poor and stricken she might make
A home, until the least of all sufficed 10
Her wants; her own self learned she to forsake,
Counting all earthly gain but hurt and loss.
So with calm will she chose and bore the cross
And hated all for love of Jesus Christ.

II

They knelt in silent anguish by her bed,
And could not weep; but calmly there she lay.
All pain had left her; and the sun's last ray
Shone through upon her, warming into red
The shady curtains. In her heart she said:
'Heaven opens; I leave these and go away; 20
The Bridegroom calls,--shall the Bride seek to stay? '
Then low upon her breast she bowed her head.
O lily flower, O gem of priceless worth,
O dove with patient voice and patient eyes,
O fruitful vine amid a land of dearth,
O maid replete with loving purities,
Thou bowedst down thy head with friends on earth
To raise it with the saints in Paradise.




DREAM-LOVE


Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.

Soft moss the pillow
For oh, a softer cheek; 10
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.

Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips; 20
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.

Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair, 30
And song and silence
Are not like these below.

Young Love lies dreaming
Till summer days are gone,--
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep. 40

Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.

Young Love lies drowsing
Away to poppied death; 50
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?

Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere: 60
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.




TWICE


I took my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak--
(O my love, O my love)--
Yet a woman's words are weak;
You should speak, not I.

You took my heart in your hand
With a friendly smile, 10
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.

As you set it down it broke--
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgement that I heard: 20
But I have not often smiled
Since then, nor questioned since,
Nor cared for corn-flowers wild,
Nor sung with the singing bird.

I take my heart in my hand,
O my God, O my God,
My broken heart in my hand:
Thou hast seen, judge Thou.
My hope was written on sand,
O my God, O my God: 30
Now let thy judgement stand--
Yea, judge me now.

This contemned of a man,
This marred one heedless day,
This heart take Thou to scan
Both within and without:
Refine with fire its gold,
Purge thou its dross away--
Yea, hold it in Thy hold,
Whence none can pluck it out. 40

I take my heart in my hand--
I shall not die, but live--
Before Thy face I stand;
I, for Thou callest such:
All that I have I bring,
All that I am I give,
Smile Thou and I shall sing,
But shall not question much.




SONGS IN A CORNFIELD


A song in a cornfield
Where corn begins to fall,
Where reapers are reaping,
Reaping one, reaping all.
Sing pretty Lettice,
Sing Rachel, sing May;
Only Marian cannot sing
While her sweetheart's away.

Where is he gone to
And why does he stay? 10
He came across the green sea
But for a day,
Across the deep green sea
To help with the hay.

His hair was curly yellow
And his eyes were grey,
He laughed a merry laugh
And said a sweet say.
Where is he gone to
That he comes not home? 20
To-day or to-morrow
He surely will come.
Let him haste to joy
Lest he lag for sorrow,
For one weeps to-day
Who'll not weep to-morrow:
To-day she must weep
For gnawing sorrow,
To-night she may sleep
And not wake to-morrow. 30

May sang with Rachel
In the waxing warm weather,
Lettice sang with them,
They sang all together:--

'Take the wheat in your arm
Whilst day is broad above,
Take the wheat to your bosom,
But not a false love.
Out in the fields
Summer heat gloweth, 40
Out in the fields
Summer wind bloweth,
Out in the fields
Summer friend showeth,
Out in the fields
Summer wheat groweth;
But in the winter
When summer heat is dead
And summer wind has veered
And summer friend has fled, 50
Only summer wheat remaineth,
White cakes and bread.
Take the wheat, clasp the wheat
That's food for maid and dove;
Take the wheat to your bosom,
But not a false false love. '

A silence of full noontide heat
Grew on them at their toil:
The farmer's dog woke up from sleep,
The green snake hid her coil. 60
Where grass stood thickest, bird and beast
Sought shadows as they could,
The reaping men and women paused
And sat down where they stood;
They ate and drank and were refreshed,
For rest from toil is good.

While the reapers took their ease,
Their sickles lying by,
Rachel sang a second strain,
And singing seemed to sigh:-- 70

'There goes the swallow--
Could we but follow!
Hasty swallow stay,
Point us out the way;
Look back swallow, turn back swallow, stop swallow.

'There went the swallow--
Too late to follow:
Lost our note of way,
Lost our chance to-day;
Good bye swallow, sunny swallow, wise swallow. 80

'After the swallow
All sweet things follow:
All things go their way,
Only we must stay,
Must not follow; good bye swallow, good swallow. '

Then listless Marian raised her head
Among the nodding sheaves;
Her voice was sweeter than that voice;
She sang like one who grieves:
Her voice was sweeter than its wont 90
Among the nodding sheaves;
All wondered while they heard her sing
Like one who hopes and grieves:--

'Deeper than the hail can smite,
Deeper than the frost can bite,
Deep asleep through day and night,
Our delight.

'Now thy sleep no pang can break,
No to-morrow bid thee wake,
Not our sobs who sit and ache 100
For thy sake.

'Is it dark or light below?
Oh, but is it cold like snow?
Dost thou feel the green things grow
Fast or slow?

'Is it warm or cold beneath,
Oh, but is it cold like death?
Cold like death, without a breath,
Cold like death? '

If he comes to-day 110
He will find her weeping;
If he comes to-morrow
He will find her sleeping;
If he comes the next day
He'll not find her at all,
He may tear his curling hair,
Beat his breast and call.




A YEAR'S WINDFALLS


On the wind of January
Down flits the snow,
Travelling from the frozen North
As cold as it can blow.
Poor robin redbreast,
Look where he comes;
Let him in to feel your fire,
And toss him of your crumbs.

On the wind in February
Snowflakes float still, 10
Half inclined to turn to rain,
Nipping, dripping, chill.
Then the thaws swell the streams,
And swollen rivers swell the sea:--
If the winter ever ends
How pleasant it will be!

In the wind of windy March
The catkins drop down,
Curly, caterpillar-like,
Curious green and brown. 20
With concourse of nest-building birds
And leaf-buds by the way,
We begin to think of flowers
And life and nuts some day.

With the gusts of April
Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
From the southern wall.
Apple-trees and pear-trees
Shed petals white or pink, 30
Plum-trees and peach-trees;
While sharp showers sink and sink.

Little brings the May breeze
Beside pure scent of flowers,
While all things wax and nothing wanes
In lengthening daylight hours.
Across the hyacinth beds
The wind lags warm and sweet,
Across the hawthorn tops,
Across the blades of wheat. 40

In the wind of sunny June
Thrives the red rose crop,
Every day fresh blossoms blow
While the first leaves drop;
White rose and yellow rose
And moss-rose choice to find,
And the cottage cabbage-rose
Not one whit behind.

On the blast of scorched July
Drives the pelting hail, 50
From thunderous lightning-clouds, that blot
Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
Sea-things strange to sight
Gasp upon the barren shore
And fade away in light.

In the parching August wind
Corn-fields bow the head,
Sheltered in round valley depths,
On low hills outspread. 60
Early leaves drop loitering down
Weightless on the breeze,
First fruits of the year's decay
From the withering trees.

In brisk wind of September
The heavy-headed fruits
Shake upon their bending boughs
And drop from the shoots;
Some glow golden in the sun,
Some show green and streaked, 70
Some set forth a purple bloom,
Some blush rosy-cheeked.

In strong blast of October
At the equinox,
Stirred up in his hollow bed
Broad ocean rocks;
Plunge the ships on his bosom,
Leaps and plunges the foam,--
It's oh! for mothers' sons at sea,
That they were safe at home. 80

In slack wind of November
The fog forms and shifts;
All the world comes out again
When the fog lifts.
Loosened from their sapless twigs
Leaves drop with every gust;
Drifting, rustling, out of sight
In the damp or dust.

Last of all, December,
The year's sands nearly run, 90
Speeds on the shortest day,
Curtails the sun;
With its bleak raw wind
Lays the last leaves low,
Brings back the nightly frosts,
Brings back the snow.




THE QUEEN OF HEARTS


How comes it, Flora, that, whenever we
Play cards together, you invariably,
However the pack parts,
Still hold the Queen of Hearts?

I've scanned you with a scrutinizing gaze,
Resolved to fathom these your secret ways:
But, sift them as I will,
Your ways are secret still.

I cut and shuffle; shuffle, cut, again;
But all my cutting, shuffling, proves in vain: 10
Vain hope, vain forethought too;
The Queen still falls to you.

I dropped her once, prepense; but, ere the deal
Was dealt, your instinct seemed her loss to feel:
'There should be one card more,'
You said, and searched the floor.

I cheated once; I made a private notch
In Heart-Queen's back, and kept a lynx-eyed watch;
Yet such another back
Deceived me in the pack: 20

The Queen of Clubs assumed by arts unknown
An imitative dint that seemed my own;
This notch, not of my doing,
Misled me to my ruin.

It baffles me to puzzle out the clue,
Which must be skill, or craft, or luck in you:
Unless, indeed, it be
Natural affinity.




ONE DAY


I will tell you when they met:
In the limpid days of Spring;
Elder boughs were budding yet,
Oaken boughs looked wintry still,
But primrose and veined violet
In the mossful turf were set,
While meeting birds made haste to sing
And build with right good will.

I will tell you when they parted:
When plenteous Autumn sheaves were brown, 10
Then they parted heavy-hearted;
The full rejoicing sun looked down
As grand as in the days before;
Only they had lost a crown;
Only to them those days of yore
Could come back nevermore.

When shall they meet? I cannot tell,
Indeed, when they shall meet again,
Except some day in Paradise:
For this they wait, one waits in pain. 20
Beyond the sea of death love lies
For ever, yesterday, to-day;
Angels shall ask them, 'Is it well? '
And they shall answer, 'Yea. '




A BIRD'S-EYE VIEW


'Croak, croak, croak,'
Thus the Raven spoke,
Perched on his crooked tree
As hoarse as hoarse could be.
Shun him and fear him,
Lest the Bridegroom hear him;
Scout him and rout him
With his ominous eye about him.

Yet, 'Croak, croak, croak,'
Still tolled from the oak; 10
From that fatal black bird,
Whether heard or unheard:
'O ship upon the high seas,
Freighted with lives and spices,
Sink, O ship,' croaked the Raven:
'Let the Bride mount to heaven. '

In a far foreign land,
Upon the wave-edged sand,
Some friends gaze wistfully
Across the glittering sea. 20
'If we could clasp our sister,'
Three say, 'now we have missed her! '
'If we could kiss our daughter! '
Two sigh across the water.

Oh, the ship sails fast
With silken flags at the mast,
And the home-wind blows soft;
But a Raven sits aloft,
Chuckling and choking,
Croaking, croaking, croaking:-- 30
Let the beacon-fire blaze higher;
Bridegroom, watch; the Bride draws nigher.

On a sloped sandy beach,
Which the spring-tide billows reach,
Stand a watchful throng
Who have hoped and waited long:
'Fie on this ship, that tarries
With the priceless freight it carries.
The time seems long and longer:
O languid wind, wax stronger;'-- 40

Whilst the Raven perched at ease
Still croaks and does not cease,
One monotonous note
Tolled from his iron throat:
'No father, no mother,
But I have a sable brother:
He sees where ocean flows to,
And he knows what he knows, too. '

A day and a night
They kept watch worn and white; 50
A night and a day
For the swift ship on its way:
For the Bride and her maidens
--Clear chimes the bridal cadence--
For the tall ship that never
Hove in sight for ever.

On either shore, some
Stand in grief loud or dumb
As the dreadful dread
Grows certain though unsaid. 60
For laughter there is weeping,
And waking instead of sleeping,
And a desperate sorrow
Morrow after morrow.

Oh, who knows the truth,
How she perished in her youth,
And like a queen went down
Pale in her royal crown:
How she went up to glory
From the sea-foam chill and hoary, 70
From the sea-depth black and riven
To the calm that is in Heaven?

They went down, all the crew,
The silks and spices too,
The great ones and the small,
One and all, one and all.
Was it through stress of weather,
Quicksands, rocks, or all together?
Only the Raven knows this,
And he will not disclose this. -- 80

After a day and year
The bridal bells chime clear;
After a year and a day
The Bridegroom is brave and gay:
Love is sound, faith is rotten;
The old Bride is forgotten:--
Two ominous Ravens only
Remember, black and lonely.




LIGHT LOVE


'Oh, sad thy lot before I came,
But sadder when I go;
My presence but a flash of flame,
A transitory glow
Between two barren wastes like snow.
What wilt thou do when I am gone,
Where wilt thou rest, my dear?
For cold thy bed to rest upon,
And cold the falling year
Whose withered leaves are lost and sere. ' 10

She hushed the baby at her breast,
She rocked it on her knee:
'And I will rest my lonely rest,
Warmed with the thought of thee,
Rest lulled to rest by memory. '
She hushed the baby with her kiss,
She hushed it with her breast:
'Is death so sadder much than this--
Sure death that builds a nest
For those who elsewhere cannot rest? ' 20

'Oh, sad thy note, my mateless dove,
With tender nestling cold;
But hast thou ne'er another love
Left from the days of old,
To build thy nest of silk and gold,
To warm thy paleness to a blush
When I am far away--
To warm thy coldness to a flush,
And turn thee back to May,
And turn thy twilight back to day? ' 30

She did not answer him again,
But leaned her face aside,
Weary with the pang of shame and pain,
And sore with wounded pride:
He knew his very soul had lied.
She strained his baby in her arms,
His baby to her heart:
'Even let it go, the love that harms:
We twain will never part;
Mine own, his own, how dear thou art. ' 40

'Now never teaze me, tender-eyed,
Sigh-voiced,' he said in scorn:
'For nigh at hand there blooms a bride,
My bride before the morn;
Ripe-blooming she, as thou forlorn.
Ripe-blooming she, my rose, my peach;
She woos me day and night:
I watch her tremble in my reach;
She reddens, my delight,
She ripens, reddens in my sight. ' 50

'And is she like a sunlit rose?
Am I like withered leaves?
Haste where thy spiced garden blows:
But in bare Autumn eves
Wilt thou have store of harvest sheaves?
Thou leavest love, true love behind,
To seek a love as true;
Go, seek in haste: but wilt thou find?
Change new again for new;
Pluck up, enjoy--yea, trample too. 60

'Alas for her, poor faded rose,
Alas for her her, like me,
Cast down and trampled in the snows. '
'Like thee? nay, not like thee:
She leans, but from a guarded tree.
Farewell, and dream as long ago,
Before we ever met:
Farewell; my swift-paced horse seems slow. '
She raised her eyes, not wet
But hard, to Heaven: 'Does God forget? ' 70




A DREAM

Sonnet


Once in a dream (for once I dreamed of you)
We stood together in an open field;
Above our heads two swift-winged pigeons wheeled,
Sporting at ease and courting full in view.
When loftier still a broadening darkness flew,
Down-swooping, and a ravenous hawk revealed;
Too weak to fight, too fond to fly, they yield;
So farewell life and love and pleasures new.
Then as their plumes fell fluttering to the ground,
Their snow-white plumage flecked with crimson drops,
I wept, and thought I turned towards you to weep:
But you were gone; while rustling hedgerow tops
Bent in a wind which bore to me a sound
Of far-off piteous bleat of lambs and sheep.




A RING POSY


Jess and Jill are pretty girls,
Plump and well to do,
In a cloud of windy curls:
Yet I know who
Loves me more than curls or pearls.

I'm not pretty, not a bit--
Thin and sallow-pale;
When I trudge along the street
I don't need a veil:
Yet I have one fancy hit. 10

Jess and Jill can trill and sing
With a flute-like voice,
Dance as light as bird on wing,
Laugh for careless joys:
Yet it's I who wear the ring.

Jess and Jill will mate some day,
Surely, surely:
Ripen on to June through May,
While the sun shines make their hay,
Slacken steps demurely: 20
Yet even there I lead the way.




BEAUTY IS VAIN


While roses are so red,
While lilies are so white,
Shall a woman exalt her face
Because it gives delight?
She's not so sweet as a rose,
A lily's straighter than she,
And if she were as red or white
She'd be but one of three.

Whether she flush in love's summer
Or in its winter grow pale, 10
Whether she flaunt her beauty
Or hide it away in a veil,
Be she red or white,
And stand she erect or bowed,
Time will win the race he runs with her
And hide her away in a shroud.




LADY MAGGIE


You must not call me Maggie, you must not call me Dear,
For I'm Lady of the Manor now stately to see;
And if there comes a babe, as there may some happy year,
'Twill be little lord or lady at my knee.

Oh, but what ails you, my sailor cousin Phil,
That you shake and turn white like a cockcrow ghost?
You're as white as I turned once down by the mill,
When one told me you and ship and crew were lost:

Philip my playfellow, when we were boy and girl
(It was the Miller's Nancy told it to me), 10
Philip with the merry life in lip and curl,
Philip my playfellow drowned in the sea!

I thought I should have fainted, but I did not faint;
I stood stunned at the moment, scarcely sad,
Till I raised my wail of desolate complaint
For you, my cousin, brother, all I had.

They said I looked so pale--some say so fair--
My lord stopped in passing to soothe me back to life:
I know I missed a ringlet from my hair
Next morning; and now I am his wife. 20

Look at my gown, Philip, and look at my ring,
I'm all crimson and gold from top to toe:
All day long I sit in the sun and sing,
Where in the sun red roses blush and blow.

And I'm the rose of roses says my lord;
And to him I'm more than the sun in the sky,
While I hold him fast with the golden cord
Of a curl, with the eyelash of an eye.

His mother said 'fie,' and his sisters cried 'shame,'
His highborn ladies cried 'shame' from their place: 30
They said 'fie' when they only heard my name,
But fell silent when they saw my face.

Am I so fair, Philip? Philip, did you think
I was so fair when we played boy and girl,
Where blue forget-me-nots bloomed on the brink
Of our stream which the mill-wheel sent a whirl?

If I was fair then sure I'm fairer now,
Sitting where a score of servants stand,
With a coronet on high days for my brow
And almost a sceptre for my hand. 40

You're but a sailor, Philip, weatherbeaten brown,
A stranger on land and at home on the sea,
Coasting as best you may from town to town:
Coasting along do you often think of me?

I'm a great lady in a sheltered bower,
With hands grown white through having nought to do:
Yet sometimes I think of you hour after hour
Till I nigh wish myself a child with you.




WHAT WOULD I GIVE?


What would I give for a heart of flesh to warm me through,
Instead of this heart of stone ice-cold whatever I do;
Hard and cold and small, of all hearts the worst of all.

What would I give for words, if only words would come;
But now in its misery my spirit has fallen dumb:
Oh, merry friends, go your own way, I have never a word to say.

What would I give for tears, not smiles but scalding tears,
To wash the black mark clean, and to thaw the frost of years,
To wash the stain ingrain and to make me clean again.




THE BOURNE


Underneath the growing grass,
Underneath the living flowers,
Deeper than the sound of showers:
There we shall not count the hours
By the shadows as they pass.

Youth and health will be but vain,
Beauty reckoned of no worth:
There a very little girth
Can hold round what once the earth
Seemed too narrow to contain.




SUMMER


Winter is cold-hearted
Spring is yea and nay,
Autumn is a weather-cock
Blown every way:
Summer days for me
When every leaf is on its tree;

When Robin's not a beggar,
And Jenny Wren's a bride,
And larks hang singing, singing, singing,
Over the wheat-fields wide, 10
And anchored lilies ride,
And the pendulum spider
Swings from side to side,

And blue-black beetles transact business,
And gnats fly in a host,
And furry caterpillars hasten
That no time be lost,
And moths grow fat and thrive,
And ladybirds arrive.

Before green apples blush, 20
Before green nuts embrown,
Why, one day in the country
Is worth a month in town;
Is worth a day and a year
Of the dusty, musty, lag-last fashion
That days drone elsewhere.




AUTUMN


I dwell alone--I dwell alone, alone,
Whilst full my river flows down to the sea,
Gilded with flashing boats
That bring no friend to me:
O love-songs, gurgling from a hundred throats,
O love-pangs, let me be.

Fair fall the freighted boats which gold and stone
And spices bear to sea:
Slim, gleaming maidens swell their mellow notes,
Love-promising, entreating-- 10
Ah! sweet, but fleeting--
Beneath the shivering, snow-white sails.
Hush! the wind flags and fails--
Hush! they will lie becalmed in sight of strand--
Sight of my strand, where I do dwell alone;
Their songs wake singing echoes in my land--
They cannot hear me moan.

One latest, solitary swallow flies
Across the sea, rough autumn-tempest tossed,
Poor bird, shall it be lost? 20
Dropped down into this uncongenial sea,
With no kind eyes
To watch it while it dies,
Unguessed, uncared for, free:
Set free at last,
The short pang past,
In sleep, in death, in dreamless sleep locked fast.

Mine avenue is all a growth of oaks,
Some rent by thunder strokes,
Some rustling leaves and acorns in the breeze; 30
Fair fall my fertile trees,
That rear their goodly heads, and live at ease.

A spider's web blocks all mine avenue;
He catches down and foolish painted flies
That spider wary and wise.
Each morn it hangs a rainbow strung with dew
Betwixt boughs green with sap,
So fair, few creatures guess it is a trap:
I will not mar the web,
Though sad I am to see the small lives ebb. 40

It shakes--my trees shake--for a wind is roused
In cavern where it housed:
Each white and quivering sail,
Of boats among the water leaves
Hollows and strains in the full-throated gale:
Each maiden sings again--
Each languid maiden, whom the calm
Had lulled to sleep with rest and spice and balm
Miles down my river to the sea
They float and wane, 50
Long miles away from me.

Perhaps they say: 'She grieves,
Uplifted, like a beacon, on her tower. '
Perhaps they say: 'One hour
More, and we dance among the golden sheaves. '
Perhaps they say: 'One hour
More, and we stand,
Face to face, hand in hand;
Make haste, O slack gale, to the looked-for land! '

My trees are not in flower, 60
I have no bower,
And gusty creaks my tower,
And lonesome, very lonesome, is my strand.




THE GHOST'S PETITION


'There's a footstep coming: look out and see,'
'The leaves are falling, the wind is calling;
No one cometh across the lea. '--

'There's a footstep coming; O sister, look. '--
'The ripple flashes, the white foam dashes;
No one cometh across the brook. '--

'But he promised that he would come:
To-night, to-morrow, in joy or sorrow,
He must keep his word, and must come home.

'For he promised that he would come: 10
His word was given; from earth or heaven,
He must keep his word, and must come home.

'Go to sleep, my sweet sister Jane;
You can slumber, who need not number
Hour after hour, in doubt and pain.

'I shall sit here awhile, and watch;
Listening, hoping, for one hand groping
In deep shadow to find the latch. '

After the dark, and before the light,
One lay sleeping; and one sat weeping, 20
Who had watched and wept the weary night.

After the night, and before the day,
One lay sleeping; and one sat weeping--
Watching, weeping for one away.

There came a footstep climbing the stair;
Some one standing out on the landing
Shook the door like a puff of air--

Shook the door, and in he passed.
Did he enter? In the room centre
Stood her husband: the door shut fast. 30

'O Robin, but you are cold--
Chilled with the night-dew: so lily-white you
Look like a stray lamb from our fold.

'O Robin, but you are late:
Come and sit near me--sit here and cheer me. '--
(Blue the flame burnt in the grate. )

'Lay not down your head on my breast:
I cannot hold you, kind wife, nor fold you
In the shelter that you love best.

'Feel not after my clasping hand: 40
I am but a shadow, come from the meadow
Where many lie, but no tree can stand.

'We are trees which have shed their leaves:
Our heads lie low there, but no tears flow there;
Only I grieve for my wife who grieves.

'I could rest if you would not moan
Hour after hour; I have no power
To shut my ears where I lie alone.

'I could rest if you would not cry;
But there's no sleeping while you sit weeping-- 50
Watching, weeping so bitterly. '--

'Woe's me! woe's me! for this I have heard.
Oh night of sorrow! --oh black to-morrow!
Is it thus that you keep your word?

'O you who used so to shelter me
Warm from the least wind--why, now the east wind
Is warmer than you, whom I quake to see.

'O my husband of flesh and blood,
For whom my mother I left, and brother,
And all I had, accounting it good, 60

'What do you do there, underground,
In the dark hollow? I'm fain to follow.
What do you do there? --what have you found? '--

'What I do there I must not tell:
But I have plenty: kind wife, content ye:
It is well with us--it is well.

'Tender hand hath made our nest;
Our fear is ended, our hope is blended
With present pleasure, and we have rest. '--

'Oh, but Robin, I'm fain to come, 70
If your present days are so pleasant;
For my days are so wearisome.

'Yet I'll dry my tears for your sake:
Why should I tease you, who cannot please you
Any more with the pains I take? '




MEMORY


I

I nursed it in my bosom while it lived,
I hid it in my heart when it was dead;
In joy I sat alone, even so I grieved
Alone and nothing said.

I shut the door to face the naked truth,
I stood alone--I faced the truth alone,
Stripped bare of self-regard or forms or ruth
Till first and last were shown.

I took the perfect balances and weighed;
No shaking of my hand disturbed the poise; 10
Weighed, found it wanting: not a word I said,
But silent made my choice.

None know the choice I made; I make it still.
None know the choice I made and broke my heart,
Breaking mine idol: I have braced my will
Once, chosen for once my part.

I broke it at a blow, I laid it cold,
Crushed in my deep heart where it used to live.
My heart dies inch by inch; the time grows old,
Grows old in which I grieve. 20

II

I have a room whereinto no one enters
Save I myself alone:
There sits a blessed memory on a throne,
There my life centres.

While winter comes and goes--oh tedious comer! --
And while its nip-wind blows;
While bloom the bloodless lily and warm rose
Of lavish summer.

If any should force entrance he might see there
One buried yet not dead, 30
Before whose face I no more bow my head
Or bend my knee there;

But often in my worn life's autumn weather
I watch there with clear eyes,
And think how it will be in Paradise
When we're together.




A ROYAL PRINCESS


I, a princess, king-descended, decked with jewels, gilded, drest,
Would rather be a peasant with her baby at her breast,
For all I shine so like the sun, and am purple like the west.

Two and two my guards behind, two and two before,
Two and two on either hand, they guard me evermore;
Me, poor dove, that must not coo--eagle that must not soar.

All my fountains cast up perfumes, all my gardens grow
Scented woods and foreign spices, with all flowers in blow
That are costly, out of season as the seasons go.

All my walls are lost in mirrors, whereupon I trace 10
Self to right hand, self to left hand, self in every place,
Self-same solitary figure, self-same seeking face.

Then I have an ivory chair high to sit upon,
Almost like my father's chair, which is an ivory throne;
There I sit uplift and upright, there I sit alone.

Alone by day, alone by night, alone days without end;
My father and my mother give me treasures, search and spend--
O my father! O my mother! have you ne'er a friend?

As I am a lofty princess, so my father is
A lofty king, accomplished in all kingly subtilties, 20
Holding in his strong right hand world-kingdoms' balances.

He has quarrelled with his neighbours, he has scourged his foes;
Vassal counts and princes follow where his pennon goes,
Long-descended valiant lords whom the vulture knows,

On whose track the vulture swoops, when they ride in state
To break the strength of armies and topple down the great:
Each of these my courteous servant, none of these my mate.

My father counting up his strength sets down with equal pen
So many head of cattle, head of horses, head of men;
These for slaughter, these for breeding, with the how and when. 30

Some to work on roads, canals; some to man his ships;
Some to smart in mines beneath sharp overseers' whips;
Some to trap fur-beasts in lands where utmost winter nips.

Once it came into my heart, and whelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trodden down like mud.

Our feasting was not glad that night, our music was not gay:
On my mother's graceful head I marked a thread of grey,
My father frowning at the fare seemed every dish to weigh.

I sat beside them sole princess in my exalted place, 40
My ladies and my gentlemen stood by me on the dais:
A mirror showed me I look old and haggard in the face;

It showed me that my ladies all are fair to gaze upon,
Plump, plenteous-haired, to every one love's secret lore is known,
They laugh by day, they sleep by night; ah me, what is a throne?

The singing men and women sang that night as usual,
The dancers danced in pairs and sets, but music had a fall,
A melancholy windy fall as at a funeral.

Amid the toss of torches to my chamber back we swept;
My ladies loosed my golden chain; meantime I could have wept 50
To think of some in galling chains whether they waked or slept.

I took my bath of scented milk, delicately waited on,
They burned sweet things for my delight, cedar and cinnamon,
They lit my shaded silver lamp, and left me there alone.

A day went by, a week went by. One day I heard it said:
'Men are clamouring, women, children, clamouring to be fed;
Men like famished dogs are howling in the streets for bread. '

So two whispered by my door, not thinking I could hear,
Vulgar naked truth, ungarnished for a royal ear;
Fit for cooping in the background, not to stalk so near. 60

But I strained my utmost sense to catch this truth, and mark:
'There are families out grazing like cattle in the park. '
'A pair of peasants must be saved even if we build an ark. '

A merry jest, a merry laugh, each strolled upon his way;
One was my page, a lad I reared and bore with day by day;
One was my youngest maid as sweet and white as cream in May.

Other footsteps followed softly with a weightier tramp;
Voices said: 'Picked soldiers have been summoned from the camp
To quell these base-born ruffians who make free to howl and stamp. '

'Howl and stamp? ' one answered: 'They made free to hurl a stone 70
At the minister's state coach, well aimed and stoutly thrown. '
'There's work then for the soldiers, for this rank crop must be mown. '

'One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had snatched his crust of bread:
Then he dropped; when some one raised him, it turned out he was dead. '

'After us the deluge,' was retorted with a laugh:
'If bread's the staff of life, they must walk without a staff. '
'While I've a loaf they're welcome to my blessing and the chaff. '

These passed. The king: stand up. Said my father with a smile:
'Daughter mine, your mother comes to sit with you awhile, 80
She's sad to-day, and who but you her sadness can beguile? '

He too left me. Shall I touch my harp now while I wait,--
(I hear them doubling guard below before our palace gate--)
Or shall I work the last gold stitch into my veil of state;

Or shall my woman stand and read some unimpassioned scene,
There's music of a lulling sort in words that pause between;
Or shall she merely fan me while I wait here for the queen?

Again I caught my father's voice in sharp word of command:
'Charge! ' a clash of steel: 'Charge again, the rebels stand.
Smite and spare not, hand to hand; smite and spare not, hand to hand. '

There swelled a tumult at the gate, high voices waxing higher; 91
A flash of red reflected light lit the cathedral spire;
I heard a cry for faggots, then I heard a yell for fire.

'Sit and roast there with your meat, sit and bake there with your bread,
You who sat to see us starve,' one shrieking woman said:
'Sit on your throne and roast with your crown upon your head. '

Nay, this thing will I do, while my mother tarrieth,
I will take my fine spun gold, but not to sew therewith,
I will take my gold and gems, and rainbow fan and wreath;

With a ransom in my lap, a king's ransom in my hand, 100
I will go down to this people, will stand face to face, will stand
Where they curse king, queen, and princess of this cursed land.

They shall take all to buy them bread, take all I have to give;
I, if I perish, perish; they to-day shall eat and live;
I, if I perish, perish; that's the goal I half conceive:

Once to speak before the world, rend bare my heart and show
The lesson I have learned which is death, is life, to know.
I, if I perish, perish; in the name of God I go.




SHALL I FORGET?


Shall I forget on this side of the grave?
I promise nothing: you must wait and see
Patient and brave.
(O my soul, watch with him and he with me. )

Shall I forget in peace of Paradise?
I promise nothing: follow, friend, and see
Faithful and wise.
(O my soul, lead the way he walks with me. )




VANITY OF VANITIES

Sonnet


Ah, woe is me for pleasure that is vain,
Ah, woe is me for glory that is past:
Pleasure that bringeth sorrow at the last,
Glory that at the last bringeth no gain!
So saith the sinking heart; and so again
It shall say till the mighty angel-blast
Is blown, making the sun and moon aghast
And showering down the stars like sudden rain.
And evermore men shall go fearfully
Bending beneath their weight of heaviness;
And ancient men shall lie down wearily,
And strong men shall rise up in weariness;
Yea, even the young shall answer sighingly
Saying one to another: How vain it is!




L. E. L.

'Whose heart was breaking for a little love. '


Downstairs I laugh, I sport and jest with all;
But in my solitary room above
I turn my face in silence to the wall;
My heart is breaking for a little love.
Though winter frosts are done,
And birds pair every one,
And leaves peep out, for springtide is begun.

I feel no spring, while spring is wellnigh blown,
I find no nest, while nests are in the grove:
Woe's me for mine own heart that dwells alone, 10
My heart that breaketh for a little love.
While golden in the sun
Rivulets rise and run,
While lilies bud, for springtide is begun.

All love, are loved, save only I; their hearts
Beat warm with love and joy, beat full thereof:
They cannot guess, who play the pleasant parts,
My heart is breaking for a little love.
While beehives wake and whirr,
And rabbit thins his fur, 20
In living spring that sets the world astir.

I deck myself with skills and jewelry,
I plume myself like any mated dove:
They praise my rustling show, and never see
My heart is breaking for a little love.
While sprouts green lavender
With rosemary and myrrh,
For in quick spring the sap is all astir.

Perhaps some saints in glory guess the truth,
Perhaps some angels read it as they move, 30
And cry one to another full of ruth,
'Her heart is breaking for a little love. '
Though other things have birth,
And leap and sing for mirth,
When springtime wakes and clothes and feeds the earth.

Yet saith a saint: 'Take patience for thy scathe;'
Yet saith an angel: 'Wait, for thou shalt prove
True best is last, true life is born of death,
O thou, heart-broken for a little love.
Then love shall fill they girth, 40
And love make fat thy dearth,
When new spring builds new heaven and clean new earth. '




LIFE AND DEATH


Life is not sweet. One day it will be sweet
To shut our eyes and die:
Nor feel the wild flowers blow, nor birds dart by
With flitting butterfly,
Nor grass grow long above our heads and feet,
Nor hear the happy lark that soars sky high,
Nor sigh that spring is fleet and summer fleet,
Nor mark the waxing wheat,
Nor know who sits in our accustomed seat.

Life is not good. One day it will be good 10
To die, then live again;
To sleep meanwhile: so not to feel the wane
Of shrunk leaves dropping in the wood,
Nor hear the foamy lashing of the main,
Nor mark the blackened bean-fields, nor where stood
Rich ranks of golden grain
Only dead refuse stubble clothe the plain:
Asleep from risk, asleep from pain.




BIRD OR BEAST?


Did any bird come flying
After Adam and Eve,
When the door was shut against them
And they sat down to grieve?

I think not Eve's peacock
Splendid to see,
And I think not Adam's eagle;
But a dove may be.

Did any beast come pushing
Through the thorny hedge 10
Into the thorny thistly world,
Out from Eden's edge?

I think not a lion,
Though his strength is such;
But an innocent loving lamb
May have done as much.

If the dove preached from her bough
and the lamb from his sod,
The lamb and dove
Were preachers sent from God. 20




EVE


'While I sit at the door
Sick to gaze within
Mine eye weepeth sore
For sorrow and sin:
As a tree my sin stands
To darken all lands;
Death is the fruit it bore.

'How have Eden bowers grown
Without Adam to bend them!
How have Eden flowers blown 10
Squandering their sweet breath
Without me to tend them!
The Tree of Life was ours,
Tree twelvefold-fruited,
Most lofty tree that flowers,
Most deeply rooted:
I chose the tree of death.

'Hadst thou but said me nay,
Adam, my brother,
I might have pined away; 20
I, but none other:
God might have let thee stay
Safe in our garden,
By putting me away
Beyond all pardon.

'I, Eve, sad mother
Of all who must live,
I, not another
Plucked bitterest fruit to give
My friend, husband, lover-- 30
O wanton eyes, run over;
Who but I should grieve? --
Cain hath slain his brother:
Of all who must die mother,
Miserable Eve! '

Thus she sat weeping,
Thus Eve our mother,
Where one lay sleeping
Slain by his brother.
Greatest and least 40
Each piteous beast
To hear her voice
Forgot his joys
And set aside his feast.

The mouse paused in his walk
And dropped his wheaten stalk;
Grave cattle wagged their heads
In rumination;
The eagle gave a cry
From his cloud station; 50
Larks on thyme beds
Forbore to mount or sing;
Bees drooped upon the wing;
The raven perched on high
Forgot his ration;
The conies in their rock,
A feeble nation,
Quaked sympathetical;
The mocking-bird left off to mock;
Huge camels knelt as if 60
In deprecation;
The kind hart's tears were falling;
Chattered the wistful stork;
Dove-voices with a dying fall
Cooed desolation
Answering grief by grief.

Only the serpent in the dust
Wriggling and crawling,
Grinned an evil grin and thrust
His tongue out with its fork. 70




GROWN AND FLOWN


I loved my love from green of Spring
Until sere Autumn's fall;
But now that leaves are withering
How should one love at all?
One heart's too small
For hunger, cold, love, everything.

I loved my love on sunny days
Until late Summer's wane;
But now that frost begins to glaze
How should one love again? 10
Nay, love and pain
Walk wide apart in diverse ways.

I loved my love--alas to see
That this should be, alas!
I thought that this could scarcely be,
Yet has it come to pass:
Sweet sweet love was,
Now bitter bitter grown to me.




A FARM WALK


The year stood at its equinox
And bluff the North was blowing,
A bleat of lambs came from the flocks,
Green hardy things were growing;
I met a maid with shining locks
Where milky kine were lowing.

She wore a kerchief on her neck,
Her bare arm showed its dimple,
Her apron spread without a speck,
Her air was frank and simple. 10

She milked into a wooden pail
And sang a country ditty,
An innocent fond lovers' tale,
That was not wise nor witty,
Pathetically rustical,
Too pointless for the city.

She kept in time without a beat
As true as church-bell ringers,
Unless she tapped time with her feet,
Or squeezed it with her fingers; 20
Her clear unstudied notes were sweet
As many a practised singer's.

I stood a minute out of sight,
Stood silent for a minute
To eye the pail, and creamy white
The frothing milk within it;

To eye the comely milking maid
Herself so fresh and creamy:
'Good day to you,' at last I said;
She turned her head to see me: 30
'Good day,' she said with lifted head;
Her eyes looked soft and dreamy,

And all the while she milked and milked
The grave cow heavy-laden:
I've seen grand ladies plumed and silked,
But not a sweeter maiden;

But not a sweeter fresher maid
Than this in homely cotton,
Whose pleasant face and silky braid
I have not yet forgotten. 40

Seven springs have passed since then, as I
Count with a sober sorrow;
Seven springs have come and passed me by,
And spring sets in to-morrow.

I've half a mind to shake myself
Free just for once from London,
To set my work upon the shelf
And leave it done or undone;

To run down by the early train,
Whirl down with shriek and whistle, 50
And feel the bluff North blow again,
And mark the sprouting thistle
Set up on waste patch of the lane
Its green and tender bristle.

And spy the scarce-blown violet banks,
Crisp primrose leaves and others,
And watch the lambs leap at their pranks
And butt their patient mothers.

Alas, one point in all my plan
My serious thoughts demur to: 60
Seven years have passed for maid and man,
Seven years have passed for her too;

Perhaps my rose is overblown,
Not rosy or too rosy;
Perhaps in farmhouse of her own
Some husband keeps her cosy,
Where I should show a face unknown.
Good-bye, my wayside posy.




SOMEWHERE OR OTHER


Somewhere or other there must surely be
The face not seen, the voice not heard,
The heart that not yet--never yet--ah me!
Made answer to my word.