Die handschriftliche Überlieferung der
Gedichte
von Sir
Thomas Wyatt.
Thomas Wyatt.
Cambridge History of English Literature - 1908 - v03
Londra, 1786.
[In Raccolta di Poeti Satirici
Italiani, vol. 11. ]
Strambotti del Seraphino. . . . Impresso a Milano ý Magistro Antonio Jaroto.
M. CCCCC. IIII. a di . viii. de Jugno.
Opere dello elegāte Poeta Seraphino Aquilano finite & emendate con la
gionta zoe Apologia et vita desso poeta. Venetia, . M. CCCCCV.
Le Rime di Serafino de' Ciminelli dall' Aquila a cura di Mario Menghini.
1894. [In Collezione di Opere inedite o rare di scrittori italiani dal xui al
XVI seccolo, etc. , ed. Carducci, G. ]
Antonius Romanellus Egloga Metrophilus & Philartus. Venice (? ), 1520 (? ).
Les Euvres de Clement Marot de Cahors en Quercy Valet de Chambre du Roy.
Ed. Guiffry, G. (Euvres complètes. Ed. Jannet, P. 1873.
Euvres complètes de Melin de Sainct-Gelays. Ed. Blanchemain, P. 1873.
Theodori Bezae Vezelii Poemata. Lutetiae, 1548.
MISCELLANIES.
For Songes and Sonettes (Tottel's Miscellany) see under Surrey.
A gorgious Gallery, of gallant Inventions. Garnished and decked with
divers dayntie devises, right delicate and delightfull, to recreate eche
modest minde withall. First framed and fashioned in sundrie formes, by
divers worthy workemen of late dayes: and now, joyned together and
builded up: By T. P. Imprinted at London, for Richard Jones. 1578.
A Handefull of pleasant delites, containing sundrie new Sonets and delectable
Histories, in divers kindes of Meeter. Newly devised to the newest
## p. 512 (#534) ############################################
512
Bibliography
tunes that are now in use, to be sung: everie Sonet orderly pointed to her
proper Tune. With new additions of certain Songs, to verie late devised
Notes, not commonly knowen, nor used heretofore, By Clement Robinson.
and divers others. At London Printed by Richard Jhones: dwelling at
the signe of the Rose and Crowne, neare Holbourne Bridge. 1584. Rptd
by Arber, E. English Scholar's Library. No. 3. 1878.
The Paradyse of daynty devises, aptly furnished, with sundry pithie and
learned inventions: devised and written for the most part by M. Edwards,
sometimes of her Majesties Chappel: the rest by sundry learned Gentle
men, both of honor, and woorshippe. viz. S. Barnarde. E. 0. L. Vaux.
D. 8. Jasper Heywood. F. K. M. Bewe. R. Hill. M. Yloop, with others.
Imprinted at London, by Henry Disle, dwellyng in Panles Churchyard, at
the South west doore of Saint Paules Church, and are there to be solde.
1576. Second edition, enlarged, 1577.
The Paradyse of daynty denises. Conteyning sundry pithy preceptes, learned
Counsels, and excellent inventions, right pleasant and profitable for all
estates. Devised and written for the most part, by M. Edwardes, some
times of her Majesties Chappell; the rest, by sundry learned Gentlemen,
both of honor, and worship, whose names hereafter folowe. Imprinted
at London, by Henry Disle dwelling in Paules Churchyard, at the
Southwest doore of Saint Paules Church, and are there to be solde. 1578.
Saint Barnard. E. 0. Lord Vaux, the Elder. W. Hunis. Jasper
Heywood. F. Kindlemarsh. D. Sand. M. Yloop. Also 1580 and rptd
1585, 1596. Whereunto is added sundry new inventions, very pleasant
and delightfull. At London Printed for Edward White, and are to be
sold at his Shop at the little North doore of Paules Church, at the signe
of the Gunne. . . . 1600. Rptd, 1606.
The Paradise of Dainty Deuices, reprinted from a Transcript of The First
Edition, 1576, In the hand writing of the late George Steevens, Esq.
With an Appendix: Containing Additional Pieces from the Editions of
1580 & 1600. Ed. Brydges, Sir Egerton, K. J. 1810. Another ed. , 1812.
1
LATER COLLECTIONS AND REPRINTS.
Arber, E. The Surrey and Wyatt Anthology. 1900.
Carpenter, F. I. English Lyric Poetry 1500-1700. 1906.
Collier, J. P. Seven English Poetical Miscellanies, Printed between 1557
and 1602. 1867.
Hannah, J. The Courtly Poets from Raleigh to Montrose. 1870.
[Hazlitt, W. C. ] Inedited Poetical Miscellanies, 1584-1700. Selected from
MSS chiefly in private hands. 1890.
Oliphant, T. Musa Madrigalesca. 1837.
Park, T. Heliconia. 1815.
Ritson, J. A select Collection of English Songs, with their original airs: and
a historical essay on the origin and progress of national song. 3 vols.
Second edition. Ed. Park, T. 1813.
Schelling, F. E. A Book of, Elizabethan Lyrics. Athenæum Press Series.
Boston, 1895.
BIOGRAPHY, CRITICISM, ETC.
Bapst, Edmond. Deux Gentilshommes et Poètes de la Cour de Henry VIII.
Paris, 1891.
Chappell, W. Some Account of an Unpublished Collection of Songs and
Ballads by King Henry VIII. and his Contemporaries. Archaeologia,
XLI, P. 371.
## p. 513 (#535) ############################################
Chapter VIII
513
Courthope, W. J. A History of English Poetry. Vol. 11: The Renaissance
and the Reformation: Influence of the Court and the Universities. 1904.
Einstein, L. The Italian Renaissance in England. New York and London.
1892.
Elizabethan Lyric, The. Quarterly Review, No. 302, October, 1902.
Emerson, O. F. The Development of Blank Verse. A Study of Surrey. Mod.
Lang. Notes, iv, 1889, p. 466.
Erskine, J. The Elizabethan Lyric. A Study. New York, Columbia
University Press, 1903. (Contains a bibliography. ]
Fest, 0. Über Surrey's Virgilübersetzung, nebst Neuausgabe des vierten
Buches nach Tottel's Originaldruck und der bisher ungedruckten Hs.
Hargrave 205 (Brit. Mus. ). 1898. (Palaestra, Band 34. )
Flügel, E.
Die handschriftliche Überlieferung der Gedichte von Sir
Thomas Wyatt. Anglia, Band xvIII (Neue Folge, Band vi), Part 1,
p. 263, Part 11, p. 455, 1896.
Liedersammlungen des XVI Jahrhunderts besonders aus der Zeit
Heinrichs VIII. Anglia, XII, 1889, and xxvi, 1903.
Fuller, T. The History of the Worthies of England. Ed. Nichols, J. 1811.
Guest, E. A History of English Rhythms. Ed. Skeat, W. W. 1882.
Hales, J. W. Folia Litteraria. 1893.
Hazlitt, W. C. A Catalogue of Early English Miscellanies formerly in the
Harleian Library. Camden Miscellany, vol. iv. 1862.
Handbook to the Popular, Poetical and Dramatic Literature of Great
Britain, from the Invention of Printing to the Restoration. 1867.
Collection and Notes. Four series. 1876-1903.
Hoelper, F. Die englische Schriftsprache in Tottel's Miscellany' (1557)
und in Tottel's Ausgabe von Brooke’s ‘Romeus and Juliet' (1562).
1894.
Koeppel, E. Sir Thomas Wyatt und Melin de Saint-Gelais. Anglia,
Band xi (Neue Folge, Band 1), p. 77, 1891.
Stud. z. Gesch. des engl. Petrarchismus im 16 Jahr. Roman. Forsch. v.
Le Marchi, L. L'influenza della linea italiana sulla linea inglese nel secolo
XVI. Nuova Antologia. 1895.
Mott, L. F. The System of Courtly Love. 1896.
Padelford, F. M. The Manuscript Poems of Henry Howard, Earl of Surrey.
1906.
Early Sixteenth Century Lyrics. 1907.
The Relation of the 1812 and 1815-1816 Editions of Surrey and
Wyatt. Anglia, Band xxix (Neue Folge, Band xvii), p. 256, 1906.
Saintsbury, G. A History of Elizabethan Literature. 1890.
A History of English Prosody from the Twelfth Century to the Present
Day. Vol. 1. From the Origins to Spenser. 1906.
The Earlier Renaissance. Edinburgh and London, 1901.
Schroeer, A. Über die Anfänge des Blankverses in England. Anglia,
Band iv, Heft i, p. 1, 1881.
Scott, M. A. Elizabethan Translations from the Italian. Mod. Lang. Ass.
of America, X, XI, XIII and xiv, 1895, 1896, 1898 and 1899.
Shearyn, P. Patrons and Professional Writers under Elizabeth and
James I. The Library, New Series, vol. vii, p. 301. 1906.
Simonds, W. C. Sir Thomas Wyatt and his Poems. Strassburg, 1889.
Symonds, J. A. The Renaissance in Italy. 7 vols. 1880-6.
Warton, T. The History of English Poetry from the close of the 11th to
the commencement of the 18th century. 3 vols. 1774-81.
Wood, A. à. Athenae Oxonienses. Ed. Bliss, P. 1820.
Zocco, I. Petrachismo e Petrarchisti in Inghilterra. Palermo, 1906.
33
E. L. III.
## p. 514 (#536) ############################################
514
Bibliography
[See also Korting: Grundriss, Münster, 1905, pp. 209 ff. , 274 ff. The
following bibliographical works should also be consulted in addition to those
mentioned in previous volumes.
Arber, E. Transcripts of the Stationers' Company. 5 vols. 1875-94.
Brydges, Sir S. E. British Bibliographer. 4 vols. 1810–14.
Censura Literaria. 10 vols. 1815.
Restituta. 4 vols. 1814-16.
Collier, J. P. Bibliographical Account of Early English Literature. 2 vols.
1865.
Corser, T. Collectanea Anglo-Poetica. Chetham Soc. 1860 ff.
CHAPTER IX
A MIRROR FOR MAGISTRATES
The following list gives the writers' names where they are known, and the
authority on which they rest, f. l. standing for ‘fore-link,' e. l. for ‘end-link,'
F for the folio of 1554, Q1 for the first quarto (1559), Q 2 for the second
(1563), and so on according to the list of editions in the bibliography. Where
no distinction is made, the same ascription is given in all the quartos following
the one mentioned:-
Tragedy.
Writer.
Authority.
Signed.
PART I.
1 Tresilian
Ferrers
To the Reader Q1 G. F. Q 3
e. I. Q 1
2 Mortimer
Ca. Q3, 5, 7
T. Ch. Q6
3 Gloucester
Ferrers
f. l. Q1
G. F. Q3
e. l. Q1
4 Mowbray
Baldwin
f. l. Q1
T. Ch. Q 3 only
5 Richard II
Chaloner e. l. F only
Ferrers
f. l. Q3
G. F. Q 3
6 Owen Glendower Baldwin
f. l. Q 1-5
Phaer
f. l Q 6
Th. Ph. Q 6
Phaer Q 8
7 Northumberland anonymous
W. Baldwine Q&
8 Cambridge Baldwin
f. l. 01
W. Baldwine Q8
9 Salisbury
anonymous
• W. Baldwine Q8
10 James I
anonymous
11 Suffolk
Baldwin
f. l. 01
W. B. Q3
W. Baldwin Q8
12 Cade
anonymous
W. Baldwine Q8
13 York
Baldwin
f. l. Q1
G. Ferrers Q 8
e. l. Q1
14 Clifford
anonymous
15 Worcester
anonymous
16 Warwick
anonymous
17 Henry VI
anonymous
18 Clarence
anonymous
19 Edward IV Skelton
f. l.
Italiani, vol. 11. ]
Strambotti del Seraphino. . . . Impresso a Milano ý Magistro Antonio Jaroto.
M. CCCCC. IIII. a di . viii. de Jugno.
Opere dello elegāte Poeta Seraphino Aquilano finite & emendate con la
gionta zoe Apologia et vita desso poeta. Venetia, . M. CCCCCV.
Le Rime di Serafino de' Ciminelli dall' Aquila a cura di Mario Menghini.
1894. [In Collezione di Opere inedite o rare di scrittori italiani dal xui al
XVI seccolo, etc. , ed. Carducci, G. ]
Antonius Romanellus Egloga Metrophilus & Philartus. Venice (? ), 1520 (? ).
Les Euvres de Clement Marot de Cahors en Quercy Valet de Chambre du Roy.
Ed. Guiffry, G. (Euvres complètes. Ed. Jannet, P. 1873.
Euvres complètes de Melin de Sainct-Gelays. Ed. Blanchemain, P. 1873.
Theodori Bezae Vezelii Poemata. Lutetiae, 1548.
MISCELLANIES.
For Songes and Sonettes (Tottel's Miscellany) see under Surrey.
A gorgious Gallery, of gallant Inventions. Garnished and decked with
divers dayntie devises, right delicate and delightfull, to recreate eche
modest minde withall. First framed and fashioned in sundrie formes, by
divers worthy workemen of late dayes: and now, joyned together and
builded up: By T. P. Imprinted at London, for Richard Jones. 1578.
A Handefull of pleasant delites, containing sundrie new Sonets and delectable
Histories, in divers kindes of Meeter. Newly devised to the newest
## p. 512 (#534) ############################################
512
Bibliography
tunes that are now in use, to be sung: everie Sonet orderly pointed to her
proper Tune. With new additions of certain Songs, to verie late devised
Notes, not commonly knowen, nor used heretofore, By Clement Robinson.
and divers others. At London Printed by Richard Jhones: dwelling at
the signe of the Rose and Crowne, neare Holbourne Bridge. 1584. Rptd
by Arber, E. English Scholar's Library. No. 3. 1878.
The Paradyse of daynty devises, aptly furnished, with sundry pithie and
learned inventions: devised and written for the most part by M. Edwards,
sometimes of her Majesties Chappel: the rest by sundry learned Gentle
men, both of honor, and woorshippe. viz. S. Barnarde. E. 0. L. Vaux.
D. 8. Jasper Heywood. F. K. M. Bewe. R. Hill. M. Yloop, with others.
Imprinted at London, by Henry Disle, dwellyng in Panles Churchyard, at
the South west doore of Saint Paules Church, and are there to be solde.
1576. Second edition, enlarged, 1577.
The Paradyse of daynty denises. Conteyning sundry pithy preceptes, learned
Counsels, and excellent inventions, right pleasant and profitable for all
estates. Devised and written for the most part, by M. Edwardes, some
times of her Majesties Chappell; the rest, by sundry learned Gentlemen,
both of honor, and worship, whose names hereafter folowe. Imprinted
at London, by Henry Disle dwelling in Paules Churchyard, at the
Southwest doore of Saint Paules Church, and are there to be solde. 1578.
Saint Barnard. E. 0. Lord Vaux, the Elder. W. Hunis. Jasper
Heywood. F. Kindlemarsh. D. Sand. M. Yloop. Also 1580 and rptd
1585, 1596. Whereunto is added sundry new inventions, very pleasant
and delightfull. At London Printed for Edward White, and are to be
sold at his Shop at the little North doore of Paules Church, at the signe
of the Gunne. . . . 1600. Rptd, 1606.
The Paradise of Dainty Deuices, reprinted from a Transcript of The First
Edition, 1576, In the hand writing of the late George Steevens, Esq.
With an Appendix: Containing Additional Pieces from the Editions of
1580 & 1600. Ed. Brydges, Sir Egerton, K. J. 1810. Another ed. , 1812.
1
LATER COLLECTIONS AND REPRINTS.
Arber, E. The Surrey and Wyatt Anthology. 1900.
Carpenter, F. I. English Lyric Poetry 1500-1700. 1906.
Collier, J. P. Seven English Poetical Miscellanies, Printed between 1557
and 1602. 1867.
Hannah, J. The Courtly Poets from Raleigh to Montrose. 1870.
[Hazlitt, W. C. ] Inedited Poetical Miscellanies, 1584-1700. Selected from
MSS chiefly in private hands. 1890.
Oliphant, T. Musa Madrigalesca. 1837.
Park, T. Heliconia. 1815.
Ritson, J. A select Collection of English Songs, with their original airs: and
a historical essay on the origin and progress of national song. 3 vols.
Second edition. Ed. Park, T. 1813.
Schelling, F. E. A Book of, Elizabethan Lyrics. Athenæum Press Series.
Boston, 1895.
BIOGRAPHY, CRITICISM, ETC.
Bapst, Edmond. Deux Gentilshommes et Poètes de la Cour de Henry VIII.
Paris, 1891.
Chappell, W. Some Account of an Unpublished Collection of Songs and
Ballads by King Henry VIII. and his Contemporaries. Archaeologia,
XLI, P. 371.
## p. 513 (#535) ############################################
Chapter VIII
513
Courthope, W. J. A History of English Poetry. Vol. 11: The Renaissance
and the Reformation: Influence of the Court and the Universities. 1904.
Einstein, L. The Italian Renaissance in England. New York and London.
1892.
Elizabethan Lyric, The. Quarterly Review, No. 302, October, 1902.
Emerson, O. F. The Development of Blank Verse. A Study of Surrey. Mod.
Lang. Notes, iv, 1889, p. 466.
Erskine, J. The Elizabethan Lyric. A Study. New York, Columbia
University Press, 1903. (Contains a bibliography. ]
Fest, 0. Über Surrey's Virgilübersetzung, nebst Neuausgabe des vierten
Buches nach Tottel's Originaldruck und der bisher ungedruckten Hs.
Hargrave 205 (Brit. Mus. ). 1898. (Palaestra, Band 34. )
Flügel, E.
Die handschriftliche Überlieferung der Gedichte von Sir
Thomas Wyatt. Anglia, Band xvIII (Neue Folge, Band vi), Part 1,
p. 263, Part 11, p. 455, 1896.
Liedersammlungen des XVI Jahrhunderts besonders aus der Zeit
Heinrichs VIII. Anglia, XII, 1889, and xxvi, 1903.
Fuller, T. The History of the Worthies of England. Ed. Nichols, J. 1811.
Guest, E. A History of English Rhythms. Ed. Skeat, W. W. 1882.
Hales, J. W. Folia Litteraria. 1893.
Hazlitt, W. C. A Catalogue of Early English Miscellanies formerly in the
Harleian Library. Camden Miscellany, vol. iv. 1862.
Handbook to the Popular, Poetical and Dramatic Literature of Great
Britain, from the Invention of Printing to the Restoration. 1867.
Collection and Notes. Four series. 1876-1903.
Hoelper, F. Die englische Schriftsprache in Tottel's Miscellany' (1557)
und in Tottel's Ausgabe von Brooke’s ‘Romeus and Juliet' (1562).
1894.
Koeppel, E. Sir Thomas Wyatt und Melin de Saint-Gelais. Anglia,
Band xi (Neue Folge, Band 1), p. 77, 1891.
Stud. z. Gesch. des engl. Petrarchismus im 16 Jahr. Roman. Forsch. v.
Le Marchi, L. L'influenza della linea italiana sulla linea inglese nel secolo
XVI. Nuova Antologia. 1895.
Mott, L. F. The System of Courtly Love. 1896.
Padelford, F. M. The Manuscript Poems of Henry Howard, Earl of Surrey.
1906.
Early Sixteenth Century Lyrics. 1907.
The Relation of the 1812 and 1815-1816 Editions of Surrey and
Wyatt. Anglia, Band xxix (Neue Folge, Band xvii), p. 256, 1906.
Saintsbury, G. A History of Elizabethan Literature. 1890.
A History of English Prosody from the Twelfth Century to the Present
Day. Vol. 1. From the Origins to Spenser. 1906.
The Earlier Renaissance. Edinburgh and London, 1901.
Schroeer, A. Über die Anfänge des Blankverses in England. Anglia,
Band iv, Heft i, p. 1, 1881.
Scott, M. A. Elizabethan Translations from the Italian. Mod. Lang. Ass.
of America, X, XI, XIII and xiv, 1895, 1896, 1898 and 1899.
Shearyn, P. Patrons and Professional Writers under Elizabeth and
James I. The Library, New Series, vol. vii, p. 301. 1906.
Simonds, W. C. Sir Thomas Wyatt and his Poems. Strassburg, 1889.
Symonds, J. A. The Renaissance in Italy. 7 vols. 1880-6.
Warton, T. The History of English Poetry from the close of the 11th to
the commencement of the 18th century. 3 vols. 1774-81.
Wood, A. à. Athenae Oxonienses. Ed. Bliss, P. 1820.
Zocco, I. Petrachismo e Petrarchisti in Inghilterra. Palermo, 1906.
33
E. L. III.
## p. 514 (#536) ############################################
514
Bibliography
[See also Korting: Grundriss, Münster, 1905, pp. 209 ff. , 274 ff. The
following bibliographical works should also be consulted in addition to those
mentioned in previous volumes.
Arber, E. Transcripts of the Stationers' Company. 5 vols. 1875-94.
Brydges, Sir S. E. British Bibliographer. 4 vols. 1810–14.
Censura Literaria. 10 vols. 1815.
Restituta. 4 vols. 1814-16.
Collier, J. P. Bibliographical Account of Early English Literature. 2 vols.
1865.
Corser, T. Collectanea Anglo-Poetica. Chetham Soc. 1860 ff.
CHAPTER IX
A MIRROR FOR MAGISTRATES
The following list gives the writers' names where they are known, and the
authority on which they rest, f. l. standing for ‘fore-link,' e. l. for ‘end-link,'
F for the folio of 1554, Q1 for the first quarto (1559), Q 2 for the second
(1563), and so on according to the list of editions in the bibliography. Where
no distinction is made, the same ascription is given in all the quartos following
the one mentioned:-
Tragedy.
Writer.
Authority.
Signed.
PART I.
1 Tresilian
Ferrers
To the Reader Q1 G. F. Q 3
e. I. Q 1
2 Mortimer
Ca. Q3, 5, 7
T. Ch. Q6
3 Gloucester
Ferrers
f. l. Q1
G. F. Q3
e. l. Q1
4 Mowbray
Baldwin
f. l. Q1
T. Ch. Q 3 only
5 Richard II
Chaloner e. l. F only
Ferrers
f. l. Q3
G. F. Q 3
6 Owen Glendower Baldwin
f. l. Q 1-5
Phaer
f. l Q 6
Th. Ph. Q 6
Phaer Q 8
7 Northumberland anonymous
W. Baldwine Q&
8 Cambridge Baldwin
f. l. 01
W. Baldwine Q8
9 Salisbury
anonymous
• W. Baldwine Q8
10 James I
anonymous
11 Suffolk
Baldwin
f. l. 01
W. B. Q3
W. Baldwin Q8
12 Cade
anonymous
W. Baldwine Q8
13 York
Baldwin
f. l. Q1
G. Ferrers Q 8
e. l. Q1
14 Clifford
anonymous
15 Worcester
anonymous
16 Warwick
anonymous
17 Henry VI
anonymous
18 Clarence
anonymous
19 Edward IV Skelton
f. l.
