No More Learning

To keep it up. You must
believe. Believe. The tank. It. Is. True.

Folly am I writing? Husbands don't. That's marriage does, their wives.
Because I'm away from. Suppose. But how? She must. Keep young. If she
found out. Card in my high grade ha. No, not tell all. Useless pain. If
they don't see. Woman. Sauce for the gander.

A hackney car, number three hundred and twentyfour, driver Barton James
of number one Harmony avenue, Donnybrook, on which sat a fare, a young
gentleman, stylishly dressed in an indigoblue serge suit made by George
Robert Mesias, tailor and cutter, of number five Eden quay, and wearing
a straw hat very dressy, bought of John Plasto of number one Great
Brunswick street, hatter. Eh? This is the jingle that joggled and
jingled. By Dlugacz' porkshop bright tubes of Agendath trotted a
gallantbuttocked mare.

--Answering an ad? keen Richie's eyes asked Bloom.

--Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.

Bloom mur: best references. But Henry wrote: it will excite me. You
know how. In haste. Henry. Greek ee. Better add postscript. What is he
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want
to. Know. O. Course if I didn't I wouldn't ask. La la la ree. Trails off
there sad in minor. Why minor sad? Sign H. They like sad tail at end. P.
P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee.

He blotted quick on pad of Pat. Envel. Address. Just copy out of paper.
Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:

Miss Martha Clifford c/o P. O. Dolphin's Barn Lane Dublin

Blot over the other so he can't read. There. Right. Idea prize titbit.
Something detective read off blottingpad. Payment at the rate of guinea
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U.
P: up.

Too poetical that about the sad. Music did that. Music hath charms.
Shakespeare said. Quotations every day in the year. To be or not to be.
Wisdom while you wait.

In Gerard's rosery of Fetter lane he walks, greyedauburn. One life is
all. One body. Do. But do.

Done anyhow. Postal order, stamp. Postoffice lower down. Walk now.
Enough. Barney Kiernan's I promised to meet them. Dislike that job.

House of mourning. Walk. Pat! Doesn't hear. Deaf beetle he is.

Car near there now. Talk. Talk. Pat! Doesn't. Settling those napkins.
Lot of ground he must cover in the day. Paint face behind on him then
he'd be two. Wish they'd sing more. Keep my mind off.

Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of his
hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He
waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits
while you wait. While you wait if you wait he will wait while you wait.
Hee hee hee hee. Hoh. Wait while you wait.

Douce now. Douce Lydia. Bronze and rose.

She had a gorgeous, simply gorgeous, time. And look at the lovely shell
she brought.

To the end of the bar to him she bore lightly the spiked and winding
seahorn that he, George Lidwell, solicitor, might hear.

--Listen! she bade him.

Under Tom Kernan's ginhot words the accompanist wove music slow.
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband
took him by the throat. _Scoundrel,_ said he, _You'll sing no more
lovesongs. _ He did, faith, sir Tom. Bob Cowley wove. Tenors get wom.
Cowley lay back.

Ah, now he heard, she holding it to his ear. Hear! He heard.

Wonderful. She held it to her own. And through the sifted light pale
gold in contrast glided. To hear.

Tap.

Bloom through the bardoor saw a shell held at their ears. He heard more
faintly that that they heard, each for herself alone, then each for
other, hearing the plash of waves, loudly, a silent roar.

Bronze by a weary gold, anear, afar, they listened.

Her ear too is a shell, the peeping lobe there. Been to the seaside.
Lovely seaside girls. Skin tanned raw. Should have put on coldcream
first make it brown. Buttered toast. O and that lotion mustn't forget.
Fever near her mouth. Your head it simply. Hair braided over: shell with
seaweed. Why do they hide their ears with seaweed hair? And Turks the
mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave.
No admittance except on business.

The sea they think they hear. Singing. A roar. The blood it is. Souse in
the ear sometimes. Well, it's a sea. Corpuscle islands.

Wonderful really. So distinct. Again. George Lidwell held its murmur,
hearing: then laid it by, gently.

--What are the wild waves saying? he asked her, smiled.

Charming, seasmiling and unanswering Lydia on Lidwell smiled.

Tap.

By Larry O'Rourke's, by Larry, bold Larry O', Boylan swayed and Boylan
turned.

From the forsaken shell miss Mina glided to her tankards waiting. No,
she was not so lonely archly miss Douce's head let Mr Lidwell know.
Walks in the moonlight by the sea. No, not alone. With whom? She nobly
answered: with a gentleman friend.

Bob Cowley's twinkling fingers in the treble played again. The landlord
has the prior. A little time. Long John. Big Ben.
Lightly he played a
light bright tinkling measure for tripping ladies, arch and smiling,
and for their gallants, gentlemen friends. One: one, one, one, one, one:
two, one, three, four.

Sea, wind, leaves, thunder, waters, cows lowing, the cattlemarket,
cocks, hens don't crow, snakes hissss. There's music everywhere.
Ruttledge's door: ee creaking. No, that's noise. Minuet of _Don
Giovanni_ he's playing now. Court dresses of all descriptions in castle
chambers dancing. Misery. Peasants outside. Green starving faces eating
dockleaves. Nice that is. Look: look, look, look, look, look: you look
at us.

That's joyful I can feel. Never have written it. Why? My joy is other
joy. But both are joys. Yes, joy it must be. Mere fact of music shows
you are. Often thought she was in the dumps till she began to lilt. Then
know.

M'Coy valise. My wife and your wife. Squealing cat. Like tearing silk.
Tongue when she talks like the clapper of a bellows. They can't manage
men's intervals. Gap in their voices too. Fill me. I'm warm, dark, open.
Molly in _quis est homo_: Mercadante. My ear against the wall to hear.
Want a woman who can deliver the goods.

Jog jig jogged stopped. Dandy tan shoe of dandy Boylan socks skyblue
clocks came light to earth.

O, look we are so! Chamber music. Could make a kind of pun on that.
It is a kind of music I often thought when she. Acoustics that is.
Tinkling. Empty vessels make most noise. Because the acoustics, the
resonance changes according as the weight of the water is equal to
the law of falling water. Like those rhapsodies of Liszt's, Hungarian,
gipsyeyed. Pearls. Drops. Rain. Diddleiddle addleaddle ooddleooddle.
Hissss. Now. Maybe now. Before.

One rapped on a door, one tapped with a knock, did he knock Paul de Kock
with a loud proud knocker with a cock carracarracarra cock. Cockcock.

Tap.

--_Qui sdegno,_ Ben, said Father Cowley.

--No, Ben, Tom Kernan interfered. _The Croppy Boy. _ Our native Doric.

--Ay do, Ben, Mr Dedalus said. Good men and true.

--Do, do, they begged in one.

I'll go. Here, Pat, return. Come. He came, he came, he did not stay. To
me. How much?

--What key? Six sharps?

--F sharp major, Ben Dollard said.

Bob Cowley's outstretched talons griped the black deepsounding chords.

Must go prince Bloom told Richie prince. No, Richie said. Yes, must. Got
money somewhere. He's on for a razzle backache spree. Much? He seehears
lipspeech. One and nine. Penny for yourself. Here. Give him twopence
tip. Deaf, bothered. But perhaps he has wife and family waiting, waiting
Patty come home. Hee hee hee hee. Deaf wait while they wait.

But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of the
dark middle earth. Embedded ore. Lumpmusic.

The voice of dark age, of unlove, earth's fatigue made grave approach
and painful, come from afar, from hoary mountains, called on good men
and true. The priest he sought. With him would he speak a word.

Tap.

Ben Dollard's voice. Base barreltone. Doing his level best to say it.
Croak of vast manless moonless womoonless marsh. Other comedown. Big
ships' chandler's business he did once. Remember: rosiny ropes, ships'
lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh
home. Cubicle number so and so. Number one Bass did that for him.

The priest's at home. A false priest's servant bade him welcome. Step
in. The holy father. With bows a traitor servant. Curlycues of chords.

Ruin them. Wreck their lives. Then build them cubicles to end their days
in. Hushaby. Lullaby. Die, dog. Little dog, die.

The voice of warning, solemn warning, told them the youth had entered
a lonely hall, told them how solemn fell his footsteps there, told them
the gloomy chamber, the vested priest sitting to shrive.

Decent soul. Bit addled now. Thinks he'll win in _Answers,_ poets'
picture puzzle. We hand you crisp five pound note. Bird sitting hatching
in a nest. Lay of the last minstrel he thought it was. See blank tee
what domestic animal? Tee dash ar most courageous mariner. Good voice he
has still. No eunuch yet with all his belongings.

Listen. Bloom listened. Richie Goulding listened. And by the door deaf
Pat, bald Pat, tipped Pat, listened. The chords harped slower.

The voice of penance and of grief came slow, embellished, tremulous.
Ben's contrite beard confessed. _in nomine Domini,_ in God's name he
knelt. He beat his hand upon his breast, confessing: _mea culpa. _

Latin again. That holds them like birdlime. Priest with the communion
corpus for those women. Chap in the mortuary, coffin or coffey,
_corpusnomine. _ Wonder where that rat is by now. Scrape.

Tap.

They listened. Tankards and miss Kennedy. George Lidwell, eyelid well
expressive, fullbusted satin. Kernan. Si.

The sighing voice of sorrow sang. His sins. Since Easter he had cursed
three times. You bitch's bast. And once at masstime he had gone to play.
Once by the churchyard he had passed and for his mother's rest he had
not prayed. A boy. A croppy boy.

Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't
half know I'm. Molly great dab at seeing anyone looking.

Bronze gazed far sideways. Mirror there. Is that best side of her face?
They always know. Knock at the door. Last tip to titivate.

Cockcarracarra.

What do they think when they hear music? Way to catch rattlesnakes.
Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked
that best. Remind him of home sweet home. Wiped his nose in curtain too.
Custom his country perhaps. That's music too. Not as bad as it sounds.
Tootling. Brasses braying asses through uptrunks. Doublebasses helpless,
gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile
music hath jaws. Woodwind like Goodwin's name.

She looked fine. Her crocus dress she wore lowcut, belongings on show.
Clove her breath was always in theatre when she bent to ask a question.
Told her what Spinoza says in that book of poor papa's. Hypnotised,
listening. Eyes like that. She bent. Chap in dresscircle staring down
into her with his operaglass for all he was worth. Beauty of music you
must hear twice. Nature woman half a look.