handled his theme more convincingly to the ministers of State that all censure is Here, then, an alternative
rendering
or a
than he does on the stage.
than he does on the stage.
Athenaeum - London - 1912a
Cook.
Salome,' he has little hope the composer
(Drane. ) The author's
"will emerge from that slough of calculated object to supply a
cheap and
CÉSAR FRANCK'S ORATORIO
eccentricity in which he has been too long reliable work of the kind,” and he has
submerged. " Sir Edward's first Symo gathered much of the material from Grove,
* THE BEATITUDES. '
phony he cannot recognize as an advance Parry, Prout, Riemann, Stainer, and other
the
Many of
terms
in essentials on the high standard reached by authorities.
are
CÉSAR FRANCK's oratorio, “The Beati- him in The Dream, and especially the briefly and clearly explained. Some others,
tudes,' was composed in 1870, but not · Enigma' Variations. Such criticisms are however, will require revision before a
published until ten years later. A per-
more valuable than the unqualified praise second edition is issued. The explanation
of the term Variation is not quite up
formance of it was given by the Glasgow of other writers. The strong, and in some
to date ; that of “Mordent” is too vague ;
Choral and Orchestral Union in 1900; by many critics has created a
cases wilful opposition to Wagner for years
natural
while that of “Double Fugue” is unsatis-
and again at the Cardiff Musical Festival desire on the part of a minority not to factory. Again, neither theorists nor com-
of 1902, both times under the direction be too dogmatic in expressing their opinions posers are agreed as to whether “ Andantino;
of Sir Frederick Cowen, also at Sheffield in concerning composers whose art-wɔrk is still
means faster or slower than “Andante. "
1908 under that of Sir Henry J. Wood. , in progress.
The excessive praise now
“ Suite” is said to be “the name given to
a collection of dance music preceded by
But it was heard for the first time in accorded to Strauss in certain quarters may,
London when performed at Queen's Hall
as has been the case with Mendelssohn, lead a prelude. " Bach's · Suites Anglaises
begin, it is true, with a Prelude, but
to an equally unfair reaction.
last Tuesday evening by the Bach Choir,
none of the Suites Françaises' does. Fagotto
under the direction of Dr. H. P. Allen. Many of the papers refer to the past. One is the Italian for bassoon, not a musical
The work is considered one of the
is devoted to Manns, a valuable reminder to instrument like a bassoon. ' Vite is not
-composer's best, and, according to the musicians of to-day that, however much is Italian, but French. To these instances we
due to Dr. Richter and Sir Henry J. Wood could add others. All can be easily set right,
opinion of M. Vincent d'Indy, the most
for great interest now taken in London and thus enhance the value of the work.
prominent of all Franck's pupils and in high-class music, the seed was sown
friends, contains some of his noblest during the forty years' labours of Manns,
music. He speaks of it as unequal, with whose name that of Grove ought to be
but thinks the inspired pages outnumber coupled. The last paper in the volume is
those of less interest.
entitled 'Musical England. '
“ Are the Eng-
There were good features in the per-
lish a musical nation ? " is a question which
Musical Gossip.
formance. The tone of the sopranos and
is constantly being asked, and differently
answered. Mr. Graves quotes a statement SIGNOR BUSONI, who has not given a
altos, especially the latter, was excellent; recently made by Sir Hubert Parry as to pianoforte recital in London for some time,
but the singing was only occasionally our inexhaustible passion for the music announces one to take place at Bechstein
expressive in quiet passages, such as the of foreigners,” also the remark of a “dis. Hall, and the only one this year, in the
beautiful chorus They are for ever tinguished foreign musician ” made to him, afternoon of March 14th.
bless’d,” for female voices, or the Lento that you (i. e. , the English] have no real
MR. ARNOLD DOLMETSCH promises two
coda to the Seventh Beatitude. Of the devotion to great music as a nation”; and
concerts of music of the sixteenth, seven-
solo singers, only one,
Mr. Harry is difficult to gainsay. "
there is much in both indictments which “ it
teenth, and eighteenth centuries, to be
Dearth, did full justice to his part.
given in the Hall of Clifford's Inn on the
Miss Gladys Honey has a good, clear
evenings of Wednesday, the 14th, and
voice, but she did not interpret her
The Rise and Development of Opera. By Monday, the 26th, of the present month.
music as if her whole heart and soul were
Joseph Goddard. . (Reeves. )- The author
HERR MICHAEL BALLING has been ap-
points out that various countries have their
in it, and Franck’s sincere and emotional Special tastes and leanings, which have pointed successor to Dr. Hans Richter as
conductor of the Hallé Concerts at Man-
work needs interpreters who are in real affected the history of opera. Thus we can
chester, and will enter upon his duties in
earnest. The orchestra did not blend trace the development of the vocal solo in
the autumn. Of his ability he has offered
well with the choir. Dr. Allen is a sound Italy; the fugal form in Germany; the ballet
musician and conductor ; hence we pre- in France; and the madrigal, verse-anthem, sufficient proof in the performances of the
'Ring’ given by Herr Denhoff in Edinburgh
sume that more rehearsals were required and glee in Englandree The chapters on the and other northern cities.
first countries
than he was able to secure. Many cuts
THESIXTH BACH FESTIVAL of the New Bach
were made, and for this, since the work esting, and with the comments made we
agree
for the most part. Mr. Goddard's Society will be held at Breslau June 15th
is not long, we could not see any adequate treatment of the subject is intentionally to 17th inclusive, under the direction of Herr
reason.
sketchy; of Purcell's style he gives four Georg Dohrn.
7
9
>
## p. 138 (#120) ############################################
138
THE ATHENÆUM
No. 4397, FEB. 3, 1912
seems
The arrangements for the British choirs at
they granted a free life, and not prisoned
the Paris International Competition on
against their will in cities. His plea can
May 26th-28th, details have been discussed
DRAMA
hardly be urged for that majority of the
between Dr. McNaught and Mr. Bonnaire
class which lacks vitality, concentration,
(the English representative), and MM.
and energy; but so keen a social student
Deville, Chavanon, and de Rillé, and other
members of the Paris Committee. The 'I
'THE PIGEON' AT THE ROYALTY.
as Mr. Galsworthy is well aware of the
for
fact. Meantime he achieves his purpose
altered to the 10th inst. Non-competitive MR. GALSWORTHY does not relax easily. in forcing
the pleasure-seeker to think in
choirs will be given a hearing on May 28th. The stern facts of life are never long out the theatre, and will probably send many
A thousand British schoolchildren will be of his thoughts. He regards his art and to the published edition of his play,
to tom
which will be issued through Messrs.
guests of the Paris children. Copies of the he writes " in lighter vein,” he expects Duckworth on Monday.
music for competing choirs will be issued on those who accept him as master of revels
the 26th inst.
to take their pleasures somewhat sadly. his interpreters for very intelligent and
The dramatist has to thank three of
MM. T. DE WYZEWA AND G. DE SAINT. He calls his new play a fantasy, and there picturesque performances. Mr. Dennis
Foix have just published in Paris a critical are scenes in it which border on the
Eadie's carefully detailed portrait of the
biography in two volumes, W. A. Mozart : farcical. Yet, though Dickens might have alien, Miss Margaret Morris's sly-eyed
sa Vie musicale et son Euvre de l'Enfance fathered the character, or rather puppet, flower-girl, and Mr. Wilfred Shine's cab-
à la pleine Maturité. ' They add at the end on whom or which such story as there is
a chronological catalogue of the complete hangs, it is hardly in a mood of high call for unstinted praise. On the other
man, most shameless yet genial of topers,
works of Mozart.
spirits that playgoers will watch the enter hand, Mr. Kane
tainment the author of 'Strife' and individualize the artist, whom, it must
unable to
THE MUNICH FESTIVAL will consist of three
Justice' has prepared for them at the be admitted, Mr. Galsworthy has made
cycles of the Ring' (August 15th, 16th,
18th, and 20th ; August 26th, 27th, 29th, Royalty. For the merry-makers whom
no more than an embodied humour.
and 31st ; and September 6th, 7th, 9th, and he calls to his aid are selected from the
Ilth); four performances of Tristan wreckage of humanity—social derelicts Constant
Lover,' a charming little one-act
The Pigeon' was preceded by The
(August 13th and 22nd, September 2nd and who, even while they divert, may sadden play by St. John Hankin, a study in
13th); and four of ‘Die Meistersinger and puzzle minds over problems to which modern courtship acted in just the right
(August 11th and 24th, September 4th and the answers present difficulties.
15th).
spirit by Mr. Eadie and that bright young
In particular, the slum-types of Mr. actress Miss Gladys Cooper.
THE following musical autographs were
Galsworthy's invention, who seek a refuge
sold last week at Messrs. Puttick & Simp- one Christmas Eve in the studio of a
son's: the last two movements of Beet- recklessly good-natured artist, raise the
hoven's Sonata (Op. 110), 901. ; a Sketch- problem of charity. One thing he seeks 'THE BLINDNESS OF VIRTUE' AT
Book (1815-16), 135l. ; and Mozart's Quintet to impress on his audience is that indis-
THE LITTLE THEATRE.
for Strings in D, 1661.
criminate almsgiving, such as Christopher
Wellwyn's, which strips him of the where- EARNESTNESS is a sign of grace in the
The death is announced of. Hermann withal to support his little daughter and dramatist, and Mr. Cosmo Hamilton is.
Winkelmann. He made his début on the himself in comfort, and saddles him with very earnest in his new play,. ' The Blind-
stage at Sondershausen, but from 1882 to
ness of Virtue. ' There are times, indeed,
1906 was Court opera singer at Vienna. the burden of maintaining for a while a
In 1882 he was the original Parsifal at disreputable and useless set of house when his clergyman-hero thunders forth
Bayreuth. He sang in the same year, mates, is not of the smallest advantage, speeches as to the perils of the innocence
under Richter at Drury Lane, in ‘Lohen- even to the objects of its benevolence. that is ignorance just as though he were
ring. ' Winkelmann was highly esteemed as Equally unsuccessful the efforts in the pulpit denouncing conduct or
an oratorio singer.
of more responsible agents—a justice of doctrine for which there is no defence
the peace, a professor, and a clergyman-possible. The day is gone by, surely, in
We have also to record the death of Bruno
to better the condition of the wastrels. which the philanthropist could imagine
Mugellini, an excellent pianist, teacher (at When this trio have tried to settle that solemn lecturing serves any good
the Liceo musicale at Bologna), and com-
poser. He edited, in conjunction with I.
a flower-girl's matrimonial affairs, to purpose in the case of people who are in
Philipp, a fine edition of the clavier works of reform a drunken cabman, and to find trouble, or that nice problems of an ethical
J. S. Bach.
work for a down-at-heel alien, the girl or physiological sort may be settled by a
drifts back into vice, the cabman returns formula admitting of no compromise or
The death on Tuesday last of Florence to drink, the foreigner is once more exceptions.
St. John will be regretted by many fre reduced to rags, and each of them is ready
The Rev. Harry Pemberton is a faddist
quenters, in earlier days, of opera and to rush on that escape from life which about the training of young girls. His.
musical comedy. Her final appearance took
society refuses to permit.
place two years ago, and for some time she
experience has brought him to the con-
had not been at her best. Born in 1854, she
For those who are prepared to accept clusion that irreparable harm may be
was on the stage as a child; emerged fror Mr. Galsworthy's lead there is an abund- done by the policy of silence, and there-
life of painful struggle an excellent singer ance of thought and shrewd observation, fore he gives orders that his little daughter
and an effective actress ; and became a
as well as fun, in “The Pigeon. ' It is shall at nineteen be told by her mother
favourite in pieces of a light order.
true he has not troubled over-much certain facts about life and warned about
about matters of technique and plot certain sex - instincts. The poor lady
-indeed, his play has a resemblance to promises obedience, but cannot bring
* Passers-By' in the successive knocks herself to perform the task. It is then
at the door, which might exasperate by that her husband makes a seeming dis-
their monotonous regularity did they not covery which confirms him in his theory,
ordinarily prelude some amusing exhibi- but fills him with despair. His Effie,
tion of character. The author does not the darling child on whose enlightenment
idealize his wastrels; he puts their point he has insisted, is found by him in cir-
of view in an eloquent outburst which he cumstances which suggest that she is
Stock Exchange orchestral and Choral Society, 6. 30. Qacen's assigns to his alien. So far from being deliberately wanton, and that his domestic
rooks who pluck the plump pigeon's peace has been destroyed by a guest in
feathers, says this mouthpiece, he and whom he trusted. He has accepted as .
his kind are really wild birds whom society pupil a lad who has been sont down in
insists on caging, victims of the roving disgrace from Oxford, but has pledged
spirit who could support themselves, were I his word to his host to redeem his name.
are
à
PERFORMANCES NEXT WEEK.
Sux. Concert, 3, Royal Albert Hall
Sunday Concert Society, 3. 30, Queen's Hall.
Sunday lengue, 7, Queen's Hall.
Tuxs. , WED. Fri, and SAT. , London Opera House. (Matinde also on
Snturday.
Mox, Wesley Woman's Pianoforte Recital, 8. 15, Queen's Hall
London Trio, 8. 30, Æolinn Hall.
Tuxs. Leonard Berwick's Pianoforte Recital, 3 Queen's Ball.
British Wonen Artistes' Society, 3, Æolian Hall.
James Priskio's Pianoforte Recital, 8. 30, Steinway Hall.
WED. Olassical Concert Society 3, Bechstein Hall.
Mark Hambourg's Pianoforte Recital, 3. Queen's Hall.
Quartet, 8. 15.
THCRs. Twelve o'clock Chamber Concert, Æolian Hall.
Sergei Tarnowsky's Pianoforte Recital, 3, Bechstein Hall.
Philharmonic Society. 8, Quren's Ball.
FRI. Madame Pandie Bloombeld Zeisler's Pianoforte Recital, 3,
Queen's Ball.
Broadwood's i bamber Concert, 8. 30, Æolian Hall.
SAT. Chappell & Rallad
Concert, 2 30. Queen's Hall.
Berr Egon Petri's Pianoforte Recital, 3, Bechstein Hall
York Bowen's Pianoforte Recital, 3. 15, Æolian Ball.
## p. 139 (#121) ############################################
No. 4397, FEB. 3, 1912
THE ATHENÆUM
139
an
Mr. Hamilton's play is an adaptation, employed, and unless the franchise is ex- in 'The Last Tournament,' l. 502, where
It is
and it is possible that in the novel he tended to all adults of both sexes. we think, it is a Shakespearian reminiscence.
handled his theme more convincingly to the ministers of State that all censure is Here, then, an alternative rendering or a
than he does on the stage. There is over-
confined-three men who have concentrated query might be suggested. The use of
power
in their own hands, and administer awkward” for perverse (* Henry V. ,'
much display of affection in the vicarage affairs to the advantage of militarism, the II. iv, 85) may sound strange to modern
family, and we do not see enough of the wealthy classes, and the owners of vested ears, but is common, as we can testify, in
friction of real life. The vicar is too interests; and the severest denunciations Warwickshire dialect. On the other hand,
effusive in his geniality and lofty senti- of their doings are put in the mouth of we can find no justification for an anony-
ments, his wife is too helpless in her lack King Henricus himself.
mous statement in The Edinburgh Review
of intelligence, the boy-guest is too
for October, 1872, that “pioned” (* Tempest,'
Sentiments of a Socialistic sort are ex-
IV. i. 64) refers to the marsh marigold, and
lachrymose about his never having been pressed in the course of the play, yet far
are glad to see that it secures no countenance
trusted, the servants are comic in a stagey more trenchant criticism of national rivalry here.
The passage demands the query
way, while Effie is credited with amazing Imperialism, and the policy which pursues canker” in some parts of Buckinghamshire,
armaments, the aggressive form of attached to it. The dog-rose is still the
ingenuousness. Nor is the author very superficial prosperity regardless of social
happy in his technique. Having decided inequalities is to be met with every day in
as in Sonnet LIV.
to place his big scene in Archie's bedroom, the press, in public speeches, and in books, Diety," a well-established Elizabethan
he has to bring the bulk of his characters than is to be found in this dream of a king form of Deity,” is not included but
there, so that we get the idea that the who takes his orders from a woman of the it occurs in the Quarto of Troilus and
whole household makes it a sort of people and breaks free of red tape. If Cressida,' IV. ii. 27, as Mr. A. H. Bullen
thoroughfare.
Socialism is a growing force in civilized points out, and may well, as he suggests, be
countries, and if monarchy must adapt read for the rhyme with “society" in
It is difficult to conceive that girlhood itself to its political surroundings, may not ‘Tempest,' IV. i. 91–2.
at nineteen could be so curious a com- such a state of things as the two playwrights
The almost hopelessly confused texts of
bination of innocence and passion as this conceive, be only an intelligent anticipation The Merry Wives include the oddities
of events ?
clergyman's daughter. Not unnaturally
“ gongarian and cosen garmombles,"
the youth, when assured that Effie has Even if the opinions set forth in this which Mr. Onions has not thought it worth
been initiated into the secrets of woman- drama are revolutionary, it has always been while to notice. The latter at least suggests
hood, momentarily suspects her of having the maxim in English life, except on the a contemporary hit of interest.
tempted him, and this is not a pretty to any phase of thought which is not calcu- words on which the information has claims
A glance at the Preface will show several
moment in the play. The author, having lated directly to subvert the social order. to be unusually complete. But while Mr.
plunged into melodrama, has to continue The allegory, so pleasantly written, obviously Onions's care and labour deserve every
on the same plane, and to show the lad presents ideal. Its plea for social credit, he seems to us sometimes unaware
contemplating suicide before the curtain amelioration concerns a cause to which all of the advance made by his predecessors.
can be rung down on a “happy ending. " our political parties are in one way or Thus“ a-life dearly,” though ignored
another pledged ; its protest against the race by modern editors in their texts, is rightly
The honours in respect of acting fall in naval and military expenditure is one explained in a Shakespeare Word-Book”
to the young people of the cast—to Mr. which, did they see any escape from the before us.
Owen Nares, who pictures Archie as a intolerable alternative, the peoples of Europe
typical Oxford boy of to-day, and to Miss would heartily endorse. Mr. Shaw has con-
Margery Maude, whose girlish charm trived to say far more unconventional things
in the theatre than the joint-authors of
almost reconciles us to Effie's mixture
The Coronation, and some of them have
Dramatic Gossip.
of precocity and naïveté, and is extremely escaped the licenser's ban.
persuasive in her love-scenes. Miss Pollie
A MATINÉE performance, arranged by
Emery as a cook who is a good-natured
Mr. J. H. Leigh at the Court Theatre this
tyrant, and Mr. Leonard Calvert as the
THERE have been several glossaries of week, served to introduce a playwright of
vicarage gardener, score in low-comedy Shakespeare's language published of late,
uncommon promise, and a play which, though
passages ; and the refinement of Miss and one might think that the subject had what harsh in style, deserves to be described
a little ragged on its technical side and some.
Beryl Faber's subdued manner in the part been sufficiently explored.
as a powerful and conscientious piece of work,
of the clergyman's wife pleasantly con- Shakespeare Glossary, compiled by Mr.
showing marked intelligence and ability.
trasts with their broad humours. Mr. / C. T. Onions (Oxford, Clarendon Press), has, | The author of 'Rutherford and Son,' who
Charles Kenyon does his best by declama-
however, a special claim on our attention,
tion to render Mr. Pemberton an agreeable English Dictionary: Mr. Onions has been character and' maintaining its outlines
as it embodies the results of the New seems to be a woman, and signs herself
K. G. Sowerby, has the gift of expressing
representative of“ muscular Christianity, engaged on the editorial staff of that great
but not even his efforts can prevent the work for fifteen years, and he puts before consistently in stage action, and she knows
how to suggest atmosphere ”-in the
us in a concise and satisfactory form the
parson's reminiscences of his youth from
fruits of its admirable analysis of words.
present case that of a family crushed by the
being tedious.
tyranny of a North-Country factory-owner,
He has, further, paid attention to Midland who subordinates all his human relation-
and Warwickshire dialects, a folk-speech ships and his children's aspirations to the
which still, we hope, keeps its colour and interests of his firm. Inevitably a moment
inflexions. The latest comer in the Shake- arrives when the younger generation rebels
OUR LIBRARY TABLE, spearian field has, of course, the most ma- against his grim heartlessness, and it is the
terials to rely upon, and Mr. Onions has story of this series of revolts that the
Why did the stage Censor, a Court official, made judicious use of recent work by such author describes very simply, but con-
Their vincingly in her drama.
forbid any but a private performance of commentators as the late H. C. Hart.
Christopher St. John and Charles Thursby's The book is decidedly cheap, and should be well carried through by Mr. Edmund Breon,
aid is, we are glad to see, fully acknowledged.
A son's passage of arms with his father is
one-act play,
national Suffrage Shop)? There is no hint widely appreciated.
though more telling is the denunciation by
of disloyalty or anti-monarchical feeling We mention a few points which have Miss Edyth Olive of the old man's bullying
in its story or dialogue ; indeed, the imagi. struck us in our examination. We notice ways. Hardly less effective are the quieter
nary king of the piece, Henricus XVI. of with pleasure that important emendations, reproaches of the son's wife, played by
Omnisterre, objects to being a puppet ruler, as well as Folio and Quarto readings, are Miss Thyrza Norman, who imposes her own
and strains the constitution of his realm in recorded, and that some passages are frankly conditions on her father-in-law if she is to
order to restore the liberties and redress the admitted to be disputable or beyond cure. consent to keep up his home for him and
wrongs of his people. So democratic is “Rooky,” in ‘Macbeth'(III. ii. 51), may have permit him the society of his little grandchild.
this young prince that he refuses to take the Northern dialect sense of misty. " How stern and incisive Mr. Norman McKinnel
the coronation oath unless the ceremony Mr. Onions makes it only the adjective of proves as the old autocrat, how successfully he
takes place outside the cathedral so that “ rook. " The mention of
and conveys the idea of masterfulness and relent-
his humblest subjects may be spectators, “ rooky together can be defended. The less purpose, those who have watched this
unless his crown is broken up and sold to interest of the dialectal sense is that it has actor's career will readily understand. The
provide food for the starving and the un. been used in the form “ roky” by Tennyson play and its author should be heard of again.
6
66
13
crow
## p. 140 (#122) ############################################
140
No. 4397, FEB. 3, 1912
THE ATHENÆUM
NEXT Monday afternoon Prof. Gilbert SAMPSON LOW, MARSTON & CO. 'S
75
.
8. d.
0 3 6
1 16 0
3 3 0
9 90
>
THREE one-act plays were produced at
the Little Theatre yesterday week. The Murray's translation of the Medea' of
first of them—'Just Three Kisses '—by Mr. Euripides is to be given at the Kingsway
LIST.
R, J. Dunkelsbuhler, was curiously reminis. Theatre. Miss Adeline Bourne, who has
cent of a vignette from 'Tess of the D'Urber- taken many difficult parts with convincing Now work by the greatest living Authority on
villes. ' Readers familiar with Mr. Thomas success of late years, is im personating
Naval Warfare.
Hardy's masterpiece will remember the Medea, and Mr. Philip Merivale, of Sir NAYAL STRATEGY.
bridal night of Tess and Angel Clare, when Herbert Tree's company, Jason.
By Capt. A. T. MAHAN, D. C. L. LLD. With Mapa
the former, encouraged by Clare's revela-
Svo, cloth, gilt top, uniform with the Author's work on
"The Influence of sea Power,' &c. 168. Det.
tions of himself, is tempted to relate the
A BEVIVAL of the 'Edipus Rex' is to be
Full descriptive list of Capt. Mahan's celebrated Narol works
experience of her seduction. With some
the next Greek play at Cambridge. There
free on application.
minor alterations, this striking scene is is no room in the New Theatre for Prof.
the prototype of 'Just Three Kisses,' Reinhardt's crowd, and if the responsible For all interested in the Morocco Question.
inclusive of the tragic sequel of the man's committee share at all the views expressed
repudiation of his newly-wedded wife. The this week in The Cambridge Review on the 'TWIXT SAND AND SEA.
rapidity, concentration, and intensity, with Covent Garden performance, they will hardly
Sketches and Studies in North Africa. By
CYRIL FLETCHER GRANT and L. GBANT (LS)
the double-edged irony of the climax, in regret this disability,
Author of Untravelled Berkshire. ' Medium Svo,
Mr. Hardy's story, evaporate in Mr. Dunkels-
cloth, with over 60 illustrations and map. 218. not.
buhler's play. It lacked terseness, and the
Full detailed prospectus post free.
dialogue crept weakly and artificially
TO CORRESPONDENTS. -J. M. C. -D. C. B. -C. J. -E. L.
to its close. Mr. Willshire's Jack was -H H. -Received.
THE MONEY MOON.
inclined to be stiff and jejune.
No notice can be taken of anonymous communications. By JEFFERY PARNOL, Author of The Broad High.
way. An EDITION DE LUXE. Royal 8vo, 158. not.
Mr. Adams's 'Pierrot in Australia' was
We cannot undertake to reply to inquiries concerning the Handsomely bound in specially designed cover, printed
an obvious allegory of the ubiquity of appearance of reviews of books.
in colours and gold, fully illustrated with over "
romance. The dramatic idea which in- We do not undertake to give the value of books, china,
Illustrations, nearly half of wbich are full-page, in
colours, by that well-known artist, ABTHUR I.
formed the play seemed thin and rudi- pictures, &c.
KELLER Also a Popular Edition. Crown 8vo, 68.
mentary, and the atmosphere of fancifulness
was forced.
Except for the Pierrot, the
Every one who has seen ' A Royal Divorce'
acting, if over - emphasized, was full of THE A T H E N Æ V M.
should read
virility.
SCALE OF CHARGES FOR ADVERTISEMENTS. THE EMPRESS JOSEPHINE.
'When we begin to think,' by the
By BARON DE MENEVAL. Translated from the
5 Lines of Pearl. .
French by D. D. FRASER. Demy 8vo, buckram gilt.
author of 'Just Three Kisses,' was an in-
(Half-Column)
Illustrated in Collotype. 108. 6d. net.
stance of the conversation play run
A Column. .
Full detailed prospectus post free. (Nearly ready.
amok. A young man soliloquizes, in the
A Page
manner of exuberant youth having all the Auctions and Public Institutions, Five Lines 4s. and 8d. per line
Pearl Type beyond.
A Delightful Hobby-Baxter Print Collecting.
systems to play with, upon Nietzsche ;
IN THE MEASUREMENT OF ADVERTISEMENTS, CARE
discovers that he is a decadent, and shoots
THE PICTURE PRINTER OF THE
SHOULD BE TAKEN TO MEASURE FROM
himself accidentally on the arrival of his
NINETEENTH CENTURY.
RULE TO RULE.
friend a few minutes after he had decided
(GEORGE BAXTER). By C. T. COURTNEY LEWIS,
to commit suicide in reality. As a mono-
Author of 'Genrge Baxter, Colour Printer bis Life and
Work. '
logue, this pseudo-clever introspectiveness
JOHN O.
Salome,' he has little hope the composer
(Drane. ) The author's
"will emerge from that slough of calculated object to supply a
cheap and
CÉSAR FRANCK'S ORATORIO
eccentricity in which he has been too long reliable work of the kind,” and he has
submerged. " Sir Edward's first Symo gathered much of the material from Grove,
* THE BEATITUDES. '
phony he cannot recognize as an advance Parry, Prout, Riemann, Stainer, and other
the
Many of
terms
in essentials on the high standard reached by authorities.
are
CÉSAR FRANCK's oratorio, “The Beati- him in The Dream, and especially the briefly and clearly explained. Some others,
tudes,' was composed in 1870, but not · Enigma' Variations. Such criticisms are however, will require revision before a
published until ten years later. A per-
more valuable than the unqualified praise second edition is issued. The explanation
of the term Variation is not quite up
formance of it was given by the Glasgow of other writers. The strong, and in some
to date ; that of “Mordent” is too vague ;
Choral and Orchestral Union in 1900; by many critics has created a
cases wilful opposition to Wagner for years
natural
while that of “Double Fugue” is unsatis-
and again at the Cardiff Musical Festival desire on the part of a minority not to factory. Again, neither theorists nor com-
of 1902, both times under the direction be too dogmatic in expressing their opinions posers are agreed as to whether “ Andantino;
of Sir Frederick Cowen, also at Sheffield in concerning composers whose art-wɔrk is still
means faster or slower than “Andante. "
1908 under that of Sir Henry J. Wood. , in progress.
The excessive praise now
“ Suite” is said to be “the name given to
a collection of dance music preceded by
But it was heard for the first time in accorded to Strauss in certain quarters may,
London when performed at Queen's Hall
as has been the case with Mendelssohn, lead a prelude. " Bach's · Suites Anglaises
begin, it is true, with a Prelude, but
to an equally unfair reaction.
last Tuesday evening by the Bach Choir,
none of the Suites Françaises' does. Fagotto
under the direction of Dr. H. P. Allen. Many of the papers refer to the past. One is the Italian for bassoon, not a musical
The work is considered one of the
is devoted to Manns, a valuable reminder to instrument like a bassoon. ' Vite is not
-composer's best, and, according to the musicians of to-day that, however much is Italian, but French. To these instances we
due to Dr. Richter and Sir Henry J. Wood could add others. All can be easily set right,
opinion of M. Vincent d'Indy, the most
for great interest now taken in London and thus enhance the value of the work.
prominent of all Franck's pupils and in high-class music, the seed was sown
friends, contains some of his noblest during the forty years' labours of Manns,
music. He speaks of it as unequal, with whose name that of Grove ought to be
but thinks the inspired pages outnumber coupled. The last paper in the volume is
those of less interest.
entitled 'Musical England. '
“ Are the Eng-
There were good features in the per-
lish a musical nation ? " is a question which
Musical Gossip.
formance. The tone of the sopranos and
is constantly being asked, and differently
answered. Mr. Graves quotes a statement SIGNOR BUSONI, who has not given a
altos, especially the latter, was excellent; recently made by Sir Hubert Parry as to pianoforte recital in London for some time,
but the singing was only occasionally our inexhaustible passion for the music announces one to take place at Bechstein
expressive in quiet passages, such as the of foreigners,” also the remark of a “dis. Hall, and the only one this year, in the
beautiful chorus They are for ever tinguished foreign musician ” made to him, afternoon of March 14th.
bless’d,” for female voices, or the Lento that you (i. e. , the English] have no real
MR. ARNOLD DOLMETSCH promises two
coda to the Seventh Beatitude. Of the devotion to great music as a nation”; and
concerts of music of the sixteenth, seven-
solo singers, only one,
Mr. Harry is difficult to gainsay. "
there is much in both indictments which “ it
teenth, and eighteenth centuries, to be
Dearth, did full justice to his part.
given in the Hall of Clifford's Inn on the
Miss Gladys Honey has a good, clear
evenings of Wednesday, the 14th, and
voice, but she did not interpret her
The Rise and Development of Opera. By Monday, the 26th, of the present month.
music as if her whole heart and soul were
Joseph Goddard. . (Reeves. )- The author
HERR MICHAEL BALLING has been ap-
points out that various countries have their
in it, and Franck’s sincere and emotional Special tastes and leanings, which have pointed successor to Dr. Hans Richter as
conductor of the Hallé Concerts at Man-
work needs interpreters who are in real affected the history of opera. Thus we can
chester, and will enter upon his duties in
earnest. The orchestra did not blend trace the development of the vocal solo in
the autumn. Of his ability he has offered
well with the choir. Dr. Allen is a sound Italy; the fugal form in Germany; the ballet
musician and conductor ; hence we pre- in France; and the madrigal, verse-anthem, sufficient proof in the performances of the
'Ring’ given by Herr Denhoff in Edinburgh
sume that more rehearsals were required and glee in Englandree The chapters on the and other northern cities.
first countries
than he was able to secure. Many cuts
THESIXTH BACH FESTIVAL of the New Bach
were made, and for this, since the work esting, and with the comments made we
agree
for the most part. Mr. Goddard's Society will be held at Breslau June 15th
is not long, we could not see any adequate treatment of the subject is intentionally to 17th inclusive, under the direction of Herr
reason.
sketchy; of Purcell's style he gives four Georg Dohrn.
7
9
>
## p. 138 (#120) ############################################
138
THE ATHENÆUM
No. 4397, FEB. 3, 1912
seems
The arrangements for the British choirs at
they granted a free life, and not prisoned
the Paris International Competition on
against their will in cities. His plea can
May 26th-28th, details have been discussed
DRAMA
hardly be urged for that majority of the
between Dr. McNaught and Mr. Bonnaire
class which lacks vitality, concentration,
(the English representative), and MM.
and energy; but so keen a social student
Deville, Chavanon, and de Rillé, and other
members of the Paris Committee. The 'I
'THE PIGEON' AT THE ROYALTY.
as Mr. Galsworthy is well aware of the
for
fact. Meantime he achieves his purpose
altered to the 10th inst. Non-competitive MR. GALSWORTHY does not relax easily. in forcing
the pleasure-seeker to think in
choirs will be given a hearing on May 28th. The stern facts of life are never long out the theatre, and will probably send many
A thousand British schoolchildren will be of his thoughts. He regards his art and to the published edition of his play,
to tom
which will be issued through Messrs.
guests of the Paris children. Copies of the he writes " in lighter vein,” he expects Duckworth on Monday.
music for competing choirs will be issued on those who accept him as master of revels
the 26th inst.
to take their pleasures somewhat sadly. his interpreters for very intelligent and
The dramatist has to thank three of
MM. T. DE WYZEWA AND G. DE SAINT. He calls his new play a fantasy, and there picturesque performances. Mr. Dennis
Foix have just published in Paris a critical are scenes in it which border on the
Eadie's carefully detailed portrait of the
biography in two volumes, W. A. Mozart : farcical. Yet, though Dickens might have alien, Miss Margaret Morris's sly-eyed
sa Vie musicale et son Euvre de l'Enfance fathered the character, or rather puppet, flower-girl, and Mr. Wilfred Shine's cab-
à la pleine Maturité. ' They add at the end on whom or which such story as there is
a chronological catalogue of the complete hangs, it is hardly in a mood of high call for unstinted praise. On the other
man, most shameless yet genial of topers,
works of Mozart.
spirits that playgoers will watch the enter hand, Mr. Kane
tainment the author of 'Strife' and individualize the artist, whom, it must
unable to
THE MUNICH FESTIVAL will consist of three
Justice' has prepared for them at the be admitted, Mr. Galsworthy has made
cycles of the Ring' (August 15th, 16th,
18th, and 20th ; August 26th, 27th, 29th, Royalty. For the merry-makers whom
no more than an embodied humour.
and 31st ; and September 6th, 7th, 9th, and he calls to his aid are selected from the
Ilth); four performances of Tristan wreckage of humanity—social derelicts Constant
Lover,' a charming little one-act
The Pigeon' was preceded by The
(August 13th and 22nd, September 2nd and who, even while they divert, may sadden play by St. John Hankin, a study in
13th); and four of ‘Die Meistersinger and puzzle minds over problems to which modern courtship acted in just the right
(August 11th and 24th, September 4th and the answers present difficulties.
15th).
spirit by Mr. Eadie and that bright young
In particular, the slum-types of Mr. actress Miss Gladys Cooper.
THE following musical autographs were
Galsworthy's invention, who seek a refuge
sold last week at Messrs. Puttick & Simp- one Christmas Eve in the studio of a
son's: the last two movements of Beet- recklessly good-natured artist, raise the
hoven's Sonata (Op. 110), 901. ; a Sketch- problem of charity. One thing he seeks 'THE BLINDNESS OF VIRTUE' AT
Book (1815-16), 135l. ; and Mozart's Quintet to impress on his audience is that indis-
THE LITTLE THEATRE.
for Strings in D, 1661.
criminate almsgiving, such as Christopher
Wellwyn's, which strips him of the where- EARNESTNESS is a sign of grace in the
The death is announced of. Hermann withal to support his little daughter and dramatist, and Mr. Cosmo Hamilton is.
Winkelmann. He made his début on the himself in comfort, and saddles him with very earnest in his new play,. ' The Blind-
stage at Sondershausen, but from 1882 to
ness of Virtue. ' There are times, indeed,
1906 was Court opera singer at Vienna. the burden of maintaining for a while a
In 1882 he was the original Parsifal at disreputable and useless set of house when his clergyman-hero thunders forth
Bayreuth. He sang in the same year, mates, is not of the smallest advantage, speeches as to the perils of the innocence
under Richter at Drury Lane, in ‘Lohen- even to the objects of its benevolence. that is ignorance just as though he were
ring. ' Winkelmann was highly esteemed as Equally unsuccessful the efforts in the pulpit denouncing conduct or
an oratorio singer.
of more responsible agents—a justice of doctrine for which there is no defence
the peace, a professor, and a clergyman-possible. The day is gone by, surely, in
We have also to record the death of Bruno
to better the condition of the wastrels. which the philanthropist could imagine
Mugellini, an excellent pianist, teacher (at When this trio have tried to settle that solemn lecturing serves any good
the Liceo musicale at Bologna), and com-
poser. He edited, in conjunction with I.
a flower-girl's matrimonial affairs, to purpose in the case of people who are in
Philipp, a fine edition of the clavier works of reform a drunken cabman, and to find trouble, or that nice problems of an ethical
J. S. Bach.
work for a down-at-heel alien, the girl or physiological sort may be settled by a
drifts back into vice, the cabman returns formula admitting of no compromise or
The death on Tuesday last of Florence to drink, the foreigner is once more exceptions.
St. John will be regretted by many fre reduced to rags, and each of them is ready
The Rev. Harry Pemberton is a faddist
quenters, in earlier days, of opera and to rush on that escape from life which about the training of young girls. His.
musical comedy. Her final appearance took
society refuses to permit.
place two years ago, and for some time she
experience has brought him to the con-
had not been at her best. Born in 1854, she
For those who are prepared to accept clusion that irreparable harm may be
was on the stage as a child; emerged fror Mr. Galsworthy's lead there is an abund- done by the policy of silence, and there-
life of painful struggle an excellent singer ance of thought and shrewd observation, fore he gives orders that his little daughter
and an effective actress ; and became a
as well as fun, in “The Pigeon. ' It is shall at nineteen be told by her mother
favourite in pieces of a light order.
true he has not troubled over-much certain facts about life and warned about
about matters of technique and plot certain sex - instincts. The poor lady
-indeed, his play has a resemblance to promises obedience, but cannot bring
* Passers-By' in the successive knocks herself to perform the task. It is then
at the door, which might exasperate by that her husband makes a seeming dis-
their monotonous regularity did they not covery which confirms him in his theory,
ordinarily prelude some amusing exhibi- but fills him with despair. His Effie,
tion of character. The author does not the darling child on whose enlightenment
idealize his wastrels; he puts their point he has insisted, is found by him in cir-
of view in an eloquent outburst which he cumstances which suggest that she is
Stock Exchange orchestral and Choral Society, 6. 30. Qacen's assigns to his alien. So far from being deliberately wanton, and that his domestic
rooks who pluck the plump pigeon's peace has been destroyed by a guest in
feathers, says this mouthpiece, he and whom he trusted. He has accepted as .
his kind are really wild birds whom society pupil a lad who has been sont down in
insists on caging, victims of the roving disgrace from Oxford, but has pledged
spirit who could support themselves, were I his word to his host to redeem his name.
are
à
PERFORMANCES NEXT WEEK.
Sux. Concert, 3, Royal Albert Hall
Sunday Concert Society, 3. 30, Queen's Hall.
Sunday lengue, 7, Queen's Hall.
Tuxs. , WED. Fri, and SAT. , London Opera House. (Matinde also on
Snturday.
Mox, Wesley Woman's Pianoforte Recital, 8. 15, Queen's Hall
London Trio, 8. 30, Æolinn Hall.
Tuxs. Leonard Berwick's Pianoforte Recital, 3 Queen's Ball.
British Wonen Artistes' Society, 3, Æolian Hall.
James Priskio's Pianoforte Recital, 8. 30, Steinway Hall.
WED. Olassical Concert Society 3, Bechstein Hall.
Mark Hambourg's Pianoforte Recital, 3. Queen's Hall.
Quartet, 8. 15.
THCRs. Twelve o'clock Chamber Concert, Æolian Hall.
Sergei Tarnowsky's Pianoforte Recital, 3, Bechstein Hall.
Philharmonic Society. 8, Quren's Ball.
FRI. Madame Pandie Bloombeld Zeisler's Pianoforte Recital, 3,
Queen's Ball.
Broadwood's i bamber Concert, 8. 30, Æolian Hall.
SAT. Chappell & Rallad
Concert, 2 30. Queen's Hall.
Berr Egon Petri's Pianoforte Recital, 3, Bechstein Hall
York Bowen's Pianoforte Recital, 3. 15, Æolian Ball.
## p. 139 (#121) ############################################
No. 4397, FEB. 3, 1912
THE ATHENÆUM
139
an
Mr. Hamilton's play is an adaptation, employed, and unless the franchise is ex- in 'The Last Tournament,' l. 502, where
It is
and it is possible that in the novel he tended to all adults of both sexes. we think, it is a Shakespearian reminiscence.
handled his theme more convincingly to the ministers of State that all censure is Here, then, an alternative rendering or a
than he does on the stage. There is over-
confined-three men who have concentrated query might be suggested. The use of
power
in their own hands, and administer awkward” for perverse (* Henry V. ,'
much display of affection in the vicarage affairs to the advantage of militarism, the II. iv, 85) may sound strange to modern
family, and we do not see enough of the wealthy classes, and the owners of vested ears, but is common, as we can testify, in
friction of real life. The vicar is too interests; and the severest denunciations Warwickshire dialect. On the other hand,
effusive in his geniality and lofty senti- of their doings are put in the mouth of we can find no justification for an anony-
ments, his wife is too helpless in her lack King Henricus himself.
mous statement in The Edinburgh Review
of intelligence, the boy-guest is too
for October, 1872, that “pioned” (* Tempest,'
Sentiments of a Socialistic sort are ex-
IV. i. 64) refers to the marsh marigold, and
lachrymose about his never having been pressed in the course of the play, yet far
are glad to see that it secures no countenance
trusted, the servants are comic in a stagey more trenchant criticism of national rivalry here.
The passage demands the query
way, while Effie is credited with amazing Imperialism, and the policy which pursues canker” in some parts of Buckinghamshire,
armaments, the aggressive form of attached to it. The dog-rose is still the
ingenuousness. Nor is the author very superficial prosperity regardless of social
happy in his technique. Having decided inequalities is to be met with every day in
as in Sonnet LIV.
to place his big scene in Archie's bedroom, the press, in public speeches, and in books, Diety," a well-established Elizabethan
he has to bring the bulk of his characters than is to be found in this dream of a king form of Deity,” is not included but
there, so that we get the idea that the who takes his orders from a woman of the it occurs in the Quarto of Troilus and
whole household makes it a sort of people and breaks free of red tape. If Cressida,' IV. ii. 27, as Mr. A. H. Bullen
thoroughfare.
Socialism is a growing force in civilized points out, and may well, as he suggests, be
countries, and if monarchy must adapt read for the rhyme with “society" in
It is difficult to conceive that girlhood itself to its political surroundings, may not ‘Tempest,' IV. i. 91–2.
at nineteen could be so curious a com- such a state of things as the two playwrights
The almost hopelessly confused texts of
bination of innocence and passion as this conceive, be only an intelligent anticipation The Merry Wives include the oddities
of events ?
clergyman's daughter. Not unnaturally
“ gongarian and cosen garmombles,"
the youth, when assured that Effie has Even if the opinions set forth in this which Mr. Onions has not thought it worth
been initiated into the secrets of woman- drama are revolutionary, it has always been while to notice. The latter at least suggests
hood, momentarily suspects her of having the maxim in English life, except on the a contemporary hit of interest.
tempted him, and this is not a pretty to any phase of thought which is not calcu- words on which the information has claims
A glance at the Preface will show several
moment in the play. The author, having lated directly to subvert the social order. to be unusually complete. But while Mr.
plunged into melodrama, has to continue The allegory, so pleasantly written, obviously Onions's care and labour deserve every
on the same plane, and to show the lad presents ideal. Its plea for social credit, he seems to us sometimes unaware
contemplating suicide before the curtain amelioration concerns a cause to which all of the advance made by his predecessors.
can be rung down on a “happy ending. " our political parties are in one way or Thus“ a-life dearly,” though ignored
another pledged ; its protest against the race by modern editors in their texts, is rightly
The honours in respect of acting fall in naval and military expenditure is one explained in a Shakespeare Word-Book”
to the young people of the cast—to Mr. which, did they see any escape from the before us.
Owen Nares, who pictures Archie as a intolerable alternative, the peoples of Europe
typical Oxford boy of to-day, and to Miss would heartily endorse. Mr. Shaw has con-
Margery Maude, whose girlish charm trived to say far more unconventional things
in the theatre than the joint-authors of
almost reconciles us to Effie's mixture
The Coronation, and some of them have
Dramatic Gossip.
of precocity and naïveté, and is extremely escaped the licenser's ban.
persuasive in her love-scenes. Miss Pollie
A MATINÉE performance, arranged by
Emery as a cook who is a good-natured
Mr. J. H. Leigh at the Court Theatre this
tyrant, and Mr. Leonard Calvert as the
THERE have been several glossaries of week, served to introduce a playwright of
vicarage gardener, score in low-comedy Shakespeare's language published of late,
uncommon promise, and a play which, though
passages ; and the refinement of Miss and one might think that the subject had what harsh in style, deserves to be described
a little ragged on its technical side and some.
Beryl Faber's subdued manner in the part been sufficiently explored.
as a powerful and conscientious piece of work,
of the clergyman's wife pleasantly con- Shakespeare Glossary, compiled by Mr.
showing marked intelligence and ability.
trasts with their broad humours. Mr. / C. T. Onions (Oxford, Clarendon Press), has, | The author of 'Rutherford and Son,' who
Charles Kenyon does his best by declama-
however, a special claim on our attention,
tion to render Mr. Pemberton an agreeable English Dictionary: Mr. Onions has been character and' maintaining its outlines
as it embodies the results of the New seems to be a woman, and signs herself
K. G. Sowerby, has the gift of expressing
representative of“ muscular Christianity, engaged on the editorial staff of that great
but not even his efforts can prevent the work for fifteen years, and he puts before consistently in stage action, and she knows
how to suggest atmosphere ”-in the
us in a concise and satisfactory form the
parson's reminiscences of his youth from
fruits of its admirable analysis of words.
present case that of a family crushed by the
being tedious.
tyranny of a North-Country factory-owner,
He has, further, paid attention to Midland who subordinates all his human relation-
and Warwickshire dialects, a folk-speech ships and his children's aspirations to the
which still, we hope, keeps its colour and interests of his firm. Inevitably a moment
inflexions. The latest comer in the Shake- arrives when the younger generation rebels
OUR LIBRARY TABLE, spearian field has, of course, the most ma- against his grim heartlessness, and it is the
terials to rely upon, and Mr. Onions has story of this series of revolts that the
Why did the stage Censor, a Court official, made judicious use of recent work by such author describes very simply, but con-
Their vincingly in her drama.
forbid any but a private performance of commentators as the late H. C. Hart.
Christopher St. John and Charles Thursby's The book is decidedly cheap, and should be well carried through by Mr. Edmund Breon,
aid is, we are glad to see, fully acknowledged.
A son's passage of arms with his father is
one-act play,
national Suffrage Shop)? There is no hint widely appreciated.
though more telling is the denunciation by
of disloyalty or anti-monarchical feeling We mention a few points which have Miss Edyth Olive of the old man's bullying
in its story or dialogue ; indeed, the imagi. struck us in our examination. We notice ways. Hardly less effective are the quieter
nary king of the piece, Henricus XVI. of with pleasure that important emendations, reproaches of the son's wife, played by
Omnisterre, objects to being a puppet ruler, as well as Folio and Quarto readings, are Miss Thyrza Norman, who imposes her own
and strains the constitution of his realm in recorded, and that some passages are frankly conditions on her father-in-law if she is to
order to restore the liberties and redress the admitted to be disputable or beyond cure. consent to keep up his home for him and
wrongs of his people. So democratic is “Rooky,” in ‘Macbeth'(III. ii. 51), may have permit him the society of his little grandchild.
this young prince that he refuses to take the Northern dialect sense of misty. " How stern and incisive Mr. Norman McKinnel
the coronation oath unless the ceremony Mr. Onions makes it only the adjective of proves as the old autocrat, how successfully he
takes place outside the cathedral so that “ rook. " The mention of
and conveys the idea of masterfulness and relent-
his humblest subjects may be spectators, “ rooky together can be defended. The less purpose, those who have watched this
unless his crown is broken up and sold to interest of the dialectal sense is that it has actor's career will readily understand. The
provide food for the starving and the un. been used in the form “ roky” by Tennyson play and its author should be heard of again.
6
66
13
crow
## p. 140 (#122) ############################################
140
No. 4397, FEB. 3, 1912
THE ATHENÆUM
NEXT Monday afternoon Prof. Gilbert SAMPSON LOW, MARSTON & CO. 'S
75
.
8. d.
0 3 6
1 16 0
3 3 0
9 90
>
THREE one-act plays were produced at
the Little Theatre yesterday week. The Murray's translation of the Medea' of
first of them—'Just Three Kisses '—by Mr. Euripides is to be given at the Kingsway
LIST.
R, J. Dunkelsbuhler, was curiously reminis. Theatre. Miss Adeline Bourne, who has
cent of a vignette from 'Tess of the D'Urber- taken many difficult parts with convincing Now work by the greatest living Authority on
villes. ' Readers familiar with Mr. Thomas success of late years, is im personating
Naval Warfare.
Hardy's masterpiece will remember the Medea, and Mr. Philip Merivale, of Sir NAYAL STRATEGY.
bridal night of Tess and Angel Clare, when Herbert Tree's company, Jason.
By Capt. A. T. MAHAN, D. C. L. LLD. With Mapa
the former, encouraged by Clare's revela-
Svo, cloth, gilt top, uniform with the Author's work on
"The Influence of sea Power,' &c. 168. Det.
tions of himself, is tempted to relate the
A BEVIVAL of the 'Edipus Rex' is to be
Full descriptive list of Capt. Mahan's celebrated Narol works
experience of her seduction. With some
the next Greek play at Cambridge. There
free on application.
minor alterations, this striking scene is is no room in the New Theatre for Prof.
the prototype of 'Just Three Kisses,' Reinhardt's crowd, and if the responsible For all interested in the Morocco Question.
inclusive of the tragic sequel of the man's committee share at all the views expressed
repudiation of his newly-wedded wife. The this week in The Cambridge Review on the 'TWIXT SAND AND SEA.
rapidity, concentration, and intensity, with Covent Garden performance, they will hardly
Sketches and Studies in North Africa. By
CYRIL FLETCHER GRANT and L. GBANT (LS)
the double-edged irony of the climax, in regret this disability,
Author of Untravelled Berkshire. ' Medium Svo,
Mr. Hardy's story, evaporate in Mr. Dunkels-
cloth, with over 60 illustrations and map. 218. not.
buhler's play. It lacked terseness, and the
Full detailed prospectus post free.
dialogue crept weakly and artificially
TO CORRESPONDENTS. -J. M. C. -D. C. B. -C. J. -E. L.
to its close. Mr. Willshire's Jack was -H H. -Received.
THE MONEY MOON.
inclined to be stiff and jejune.
No notice can be taken of anonymous communications. By JEFFERY PARNOL, Author of The Broad High.
way. An EDITION DE LUXE. Royal 8vo, 158. not.
Mr. Adams's 'Pierrot in Australia' was
We cannot undertake to reply to inquiries concerning the Handsomely bound in specially designed cover, printed
an obvious allegory of the ubiquity of appearance of reviews of books.
in colours and gold, fully illustrated with over "
romance. The dramatic idea which in- We do not undertake to give the value of books, china,
Illustrations, nearly half of wbich are full-page, in
colours, by that well-known artist, ABTHUR I.
formed the play seemed thin and rudi- pictures, &c.
KELLER Also a Popular Edition. Crown 8vo, 68.
mentary, and the atmosphere of fancifulness
was forced.
Except for the Pierrot, the
Every one who has seen ' A Royal Divorce'
acting, if over - emphasized, was full of THE A T H E N Æ V M.
should read
virility.
SCALE OF CHARGES FOR ADVERTISEMENTS. THE EMPRESS JOSEPHINE.
'When we begin to think,' by the
By BARON DE MENEVAL. Translated from the
5 Lines of Pearl. .
French by D. D. FRASER. Demy 8vo, buckram gilt.
author of 'Just Three Kisses,' was an in-
(Half-Column)
Illustrated in Collotype. 108. 6d. net.
stance of the conversation play run
A Column. .
Full detailed prospectus post free. (Nearly ready.
amok. A young man soliloquizes, in the
A Page
manner of exuberant youth having all the Auctions and Public Institutions, Five Lines 4s. and 8d. per line
Pearl Type beyond.
A Delightful Hobby-Baxter Print Collecting.
systems to play with, upon Nietzsche ;
IN THE MEASUREMENT OF ADVERTISEMENTS, CARE
discovers that he is a decadent, and shoots
THE PICTURE PRINTER OF THE
SHOULD BE TAKEN TO MEASURE FROM
himself accidentally on the arrival of his
NINETEENTH CENTURY.
RULE TO RULE.
friend a few minutes after he had decided
(GEORGE BAXTER). By C. T. COURTNEY LEWIS,
to commit suicide in reality. As a mono-
Author of 'Genrge Baxter, Colour Printer bis Life and
Work. '
logue, this pseudo-clever introspectiveness
JOHN O.
