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Title: The complete works of Friedrich Nietzsche. The first complete
and authorized English translation, edited by Dr. Oscar Levy.
Author: Nietzsche, Friedrich Wilhelm, 1844-1900.
Publisher: [Edinburgh and London : T. N. Foulis, 1909-1913. ]
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f
THE COMPLETE WORKS
OF
FRIEDRICH NIETZSCHE
The First Complete and Authorised English Translation
EDITED BY
Dr. OSCAR LEVY
VOLUME TWO
THOUGHTS OUT OF SEASON
PART TWO
## p. (#6) ##################################################
Of the First Edition of
One Thousand Copies
this is
No.
983
## p. (#7) ##################################################
FRIEDRICH NIETZSCHE
THOUGHTS
OUT OF SEASON
PART II
THE USE AND ABUSE OF HISTORY
SCHOPENHAUER AS EDUCATOR
TRANSLATED BY
ADRIAN COLLINS, M. A.
T. N. FOULIS
13 & 15 FREDERICK STREET
EDINBURGH: AND LONDON
1909
## p. (#8) ##################################################
ALL RIGHTS RESERVED
Printed by Morrison & Gibb Limited, Edinburgh
## p. (#9) ##################################################
To L. P.
FROM THE TRANSLATOR.
EN RECONNAISSANCE.
## p. (#10) #################################################
## p. (#11) #################################################
CONTENTS.
PAGE
Introduction ----- ix
The Use and Abuse of History i
Schopenhauer as Educator - - - 101
## p. (#12) #################################################
## p. (#13) #################################################
INTRODUCTION.
THE two essays translated in this volume form the
second and third parts of the Unzeitgemasse
Betrachtungen. The essay on history was com-
pleted in January, that on Schopenhauer in August,
1874. Both were written in the few months of
feverish activity that Nietzsche could spare from
his duties as Professor of Classical Philology in
Bale.
Nietzsche, who served in an ambulance corps in
'71, had seen something of the Franco-German War,
and to him it was the "honest German bravery"
that had won the day. But to the rest of his
countrymen it was a victory for German culture as
well; though there were still a few elegancies, a
few refinements of manners, that might veneer the
new culture, and in this regard the conquered
might be allowed the traditional privilege of
conquering the conquerors. Nietzsche answered
roundly, "the German does not yet know the
meaning of the word culture," and in the essay on
history set himself to show that the so-called
culture was a morass into which the German had
been led by a sixth sense he had developed during
the nineteenth century—the "historical sense":""
he had been brought by his spiritual teachers to
## p. (#14) #################################################
X INTRODUCTION.
believe that he was the "crown of the world-
process" and that his highest duty lay in sur-
rendering himself to it.
With Nietzsche, the historical sense became a
"malady from which men suffer," the world-process
an illusion, evolutionary theories a subtle excuse
for inactivity. History is for the few not the
many, for the man not the youth, for the great not
the small—who are broken and bewildered by it.
It is the lesson of remembrance, and few are strong
enough to bear that lesson. History has no
meaning except as the servant of life and action:
and most of us can only act if we forget. This is
the burden of the first essay; and turning from
history to the historian he condemns the "noisy
little fellows" who measure the motives of the
great men of the past by their own, and use the
past to justify their present.
But who are the men that can use history rightly,
and for whom it is a help and not a hindrance to
life? They are the great men of action and
thought, the "lonely giants amid the pigmies. "
To them alone can the record of their great fore-
bears be a consolation as well as a lesson. In the
realm of thought, they are of the type of the ideal
philosopher sketched in the second essay. To
Nietzsche the only hope of the race lies in the
"production of the genius," of the man who can
bear the burden of the future and not be swamped
by the past: he found the personal expression of
such a man, for the time being, in Schopenhauer.
Schopenhauer here stands, as a personality, for
all that makes for life in philosophy, against the
## p. (#15) #################################################
INTRODUCTION. XI
stagnation of the professional philosopher. The
last part of the essay is a fierce polemic against
state-aided philosophy and the official position of
the professors, who formed, and still form, the
intellectual aristocracy of Germany, with a cathe-
dral authority on all their pronouncements.
But "there has never been a eulogy on a
philosopher," says Dr. Kogel, "that has had so
little to say about his philosophy. " The essay on
Schopenhauer is of value precisely because it has
nothing to do with Schopenhauer. We need not
be disturbed by the thought that Nietzsche after-
wards turned from him. He truly recognised that
Schopenhauer was here merely a name for himself,
that "not Schopenhauer as educator is in question,
but his opposite, Nietzsche as educator" {Ecce
Homo). He could regard Schopenhauer, later, as
a siren that called to death; he put him among
the great artists that lead down—who are worse
than the bad artists that lead nowhere. "We
must go further in the pessimistic logic than the
denial of the will," he says in the Gbtzendam-
merung; "we must deny Schopenhauer. " The
pessimism and denial of the will, the blank despair
before suffering, were the shoals on which
Nietzsche's reverence finally broke. They could
not stand before the Dionysian outlook, whose
pessimism sprang not from weakness but strength,
and in which the joy of willing and being can even
welcome suffering. In this essay we hear little of
the pessimism, save as the imperfect and "all-too-
human " side of Schopenhauer that actually brings
us nearer to him. Later, he could part the man
## p. (#16) #################################################
XU INTRODUCTION.
and his work, and speak of Schopenhauer's view as
the "Evil eye. " But as yet he is a young man
who has kept his illusions, and, like Ogniben, he
judges men by what they might be.
Afterwards, he judged himself too in these essays
by "what he might be. " "To me," he said in Ecce
Homo, "they are promises: I know not what they
mean to others. "
It is also in the belief they are promises that
they are here translated "for others. " The
Thoughts out of Season are the first announce-
ment of the complex theme of the Zarathustra.
They form the best possible introduction to
Nietzschean thought Nietzsche is already the
knight-errant of philosophy: but his adventure is
just beginning.
A. C.
## p. 1 (#17) ###############################################
THE USE AND ABUSE OF
HISTORY.
VOL. II,
## p. 2 (#18) ###############################################
## p. 3 (#19) ###############################################
PREFACE.
"I HATE everything that merely instructs me
without increasing or directly quickening my
activity. " These ward's of Goethe, like a sincere
ceterum censeo, may well stand at the head of my
thoughts on the worth and the worthlessness of
history. I will show in them why instruction that
does not "quicken," knowledge that slackens the
rein of activity, why in fact history, in Goethe's
phrase, must be seriously "hated," as a costly and
superfluous luxury of the understanding: for we
are still in want of the necessaries of life, and the
superfluous is an enemy to the necessary. We do
need history, but quite differently from the jaded
idlers in the garden of knowledge, however grandly
they may look down on our rude and unpictur-
esque requirements. In other words, we need it
for life and action, not as a convenient way to
avoid life and action, or to excuse a selfish life and
a cowardly or base action. We would serve history
only so far as it serves life; but to value its study
beyond a certain point mutilates and degrades life:
and this is a fact that certain marked symptoms of
our time make it as necessary as it may be painful
to bring to the test of experience.
I have tried to describe a feeling that has often
## p. 4 (#20) ###############################################
4 THOUGHTS OUT OF SEASON.
troubled me: I revenge myself on it by giving it
publicity. This may lead some one to explain to
me that he has also had the feeling, but that I
do not feel it purely and elementally enough, and
cannot express it with the ripe certainty of experi-
ence. A few may say so; but most people will
tell me that it is a perverted, unnatural, horrible, •
and altogether unlawful feeling to have, and that I
show myself unworthy of the great historical move-
ment which is especially strong among the German
people for the last two generations.
I am at all costs going to venture on a descrip-
tion of my feelings; which will be decidedly in
the interests of propriety, as I shall give plenty
of opportunity for paying compliments to such a
"movement. " And I gain an advantage for my-
self that is more valuable to me than propriety—
the attainment of a correct point of view, through
my critics, with regard to our age.
These thoughts are "out of season," because I
am trying to represent something of which the age
is rightly proud—its historical culture—as a fault
and a defect in our time, believing as I do that we
are all suffering from a malignant historical fever
and should at least recognise the fact. But even if
it be a virtue, Goethe may be right in asserting
that we cannot help developing our faults at the
same time as our virtues; and an excess of virtue
can obviously bring a nation to ruin, as well as an
excess of vice. In any case I may be allowed my
say. But I will first relieve my mind by the con-
fession that the experiences which produced those
disturbing feelings were mostly drawn from myself,
"
## p. 5 (#21) ###############################################
THE USE AND ABUSE OF HISTORY. 5
—and from other sources only for the sake of
comparison; and that I have only reached such
"unseasonable" experience, so far as I am the
nursling of older ages like the Greek, and less a
child of this age. I must admit so much in virtue
of my profession as a classical scholar: for I do
not know what meaning classical scholarship may
have for our time except in its being " unseason-
able,"—that is, contrary to our time, and yet with
an influence on it for the benefit, it may be hoped,
of a future time.
## p. 6 (#22) ###############################################
THE USE AND ABUSE OF
HISTORY.
CONSIDER the herds that are feeding yonder: they
know not the meaning of yesterday or to-day;
they graze and ruminate, move or rest, from
morning to night, from day to day, taken up with
their little loves and hates, at the mercy of the
moment, feeling neither melancholy nor satiety.
Man cannot see them without regret, for even in
the pride of his humanity he looks enviously on
the beast's happiness. He wishes simply to live
without satiety or pain, like the beast; yet it is all
in vain, for he will not change places with it. He
may ask the beast—" Why do you look at me and
not speak to me of your happiness? " The beast
wants to answer—" Because I always forget what I
wished to say": but he forgets this answer too, and
is silent; and the man is left to wonder.
He wonders also about himself, that he cannot
learn to forget, but hangs on the past: however far
or fast he run, that chain runs with him. It is
## p. 7 (#23) ###############################################
THE USE AND ABUSE OF HISTORY. 7
matter for wonder: the moment, that is here and
gone, that was nothing before and nothing after,
returns like a spectre to trouble the quiet of a later
moment. A leaf is continually dropping out of the
volume of time and fluttering away—and suddenly
it flutters back into the man's lap. Then he says,
"I remember . . . ," and envies the beast, that
forgets at once, and sees every moment really die,
sink into night and mist, extinguished for ever.
The beast lives unhistorically; for it" goes into " the
present, like a number, without leaving any curious
remainder. It cannot dissimulate, it conceals
nothing; at every moment it seems what it actually
is, and thus can be nothing that is not honest.
But man is always resisting the great and con-
tinually increasing weight of the past; it presses
him down, and bows his shoulders; he travels with
a dark invisible burden that he can plausibly
disown, and is only too glad to disown in converse
with his fellows—in order to excite their envy.
And so it hurts him, like the thought of a lost
Paradise, to see a herd grazing, or, nearer still, a
child, that has nothing yet of the past to disown,
and plays in a happy blindness between the walls
of the past and the future. And yet its play must
be disturbed, and only too soon will it be
summoned from its little kingdom of oblivion.
Then it learns to understand the words "once
upon a time," the "open sesame" that lets in
battle, suffering and weariness on mankind, and
reminds them what their existence really is, an
imperfect tense that never becomes a present.
And when death brings at last the desired forget-
## p. 8 (#24) ###############################################
8 THOUGHTS OUT OF SEASON.
fulness, it abolishes life and being together, and
sets the seal on the knowledge that "being" is
merely a continual "has been," a thing that lives
by denying and destroying and contradicting itself.
If happiness and the chase for new happiness
keep alive in any sense the will to live, no
philosophy has perhaps more truth than the
cynic's: for the beast's happiness, like that of
the perfect cynic, is the visible proof of the truth
of cynicism. The smallest pleasure, if it be only
continuous and make one happy, is incomparably
a greater happiness than the more intense pleasure
that comes as an episode, a wild freak, a mad
interval between ennui, desire, and privation. But
in the smallest and greatest happiness there is
always one thing that makes it happiness: the
power of forgetting, or, in more learned phrase,
the capacity of feeling "unhistorically" throughout
its duration. One who cannot leave himself behind
on the threshold of the moment and forget the past,
who cannot stand on a single point, like a goddess
of victory, without fear or giddiness, will never
know what happiness is; and, worse still, will never
do anything to make others happy. The extreme
case would be the man without any power to
forget, who is condemned to see "becoming"
everywhere. Such a man believes no more in
himself or his own existence, he sees everything
fly past in an eternal succession, and loses himself
in the stream of becoming. At last, like the logical
disciple of Heraclitus, he will hardly dare to raise
his finger. Forgetfulness is a property of all action;
just as not only light but darkness is bound up
## p. 9 (#25) ###############################################
THE USE AND ABUSE OF HISTORY. 9
with the life of every organism. One who wished
to feel everything historically, would be like a man
forcing himself to refrain from sleep, or a beast
who had to live by chewing a continual cud. Thus
even a happy life is possible without remembrance,
as the beast shows: but life in any true sense is
absolutely impossible without forgetfulness. Or,
to put my conclusion better, there is a degree of
sleeplessness, of rumination, of "historical sense,"
that injures and finally destroys the living thing,
be it a man or a people or a system of culture.
To fix this degree and the limits to the memory
of the past, if it is not to become the gravedigger
of the present, we must see clearly how great is
the "plastic power" of a man or a community or
a culture; I mean the power of specifically growing
out of one's self, of making the past and the strange
one body with the near and the present, of healing
wounds, replacing what is lost, repairing broken
moulds. There are men who have this power so
slightly that a single sharp experience, a single
pain, often a little injustice, will lacerate their
souls like the scratch of a poisoned knife. There
are others, who are so little injured by the worst
misfortunes, and even by their own spiteful actions,
as to feel tolerably comfortable, with a fairly quiet
conscience, in the midst of them,—or at any rate
shortly afterwards. The deeper the roots of a
man's inner nature, the better will he take the
past into himself; and the greatest and most
powerful nature would be known by the absence
of limits for the historical sense to overgrow and
t»V «• / H. . +~+\ «A^
Mr
work harm. It would assimilate and digest the
## p. 10 (#26) ##############################################
10 THOUGHTS OUT OF SEASON.
past, however foreign, and turn it to sap. Such
a nature can forget what it cannot subdue; there
is no break in the horizon, and nothing to remind
it that there are still men, passions, theories and
aims on the other side. This is a universal law;
a living thing can only be healthy, strong and
productive within a certain horizon: if it be in-
capable of drawing one round itself, or too selfish
to lose its own view in another's, it will come to
an untimely end. Cheerfulness, a good conscience,
belief in the future, the joyful deed, all depend,
in the individual as well as the nation, on there
being a line that divides the visible and clear from
the vague and shadowy: we must know the right
time to forget as well as the right time tojre-
member; and instinctively see when it is necessary
to feel historically, and when unhistorically. This
is the point that the reader is asked to consider;
that the unhistorical and the historical are equally
necessary to the health of an individual, a com-
munity, and a system of culture.
Every one has noticed that a man's historical
knowledge and range of feeling may be very
limited, his horizon as narrow as that of an Alpine
valley, his judgments incorrect and his experience
falsely supposed original, and yet in spite of all the
incorrectness and falsity he may stand forth in
unconquerable health and vigour, to the joy of
all who see him; whereas another man with far
more judgment and learning will fail in comparison,
because the lines of his horizon are continually
changing and shifting, and he cannot shake himself
free from the delicate network of his truth and
## p. 11 (#27) ##############################################
THE USE AND ABUSE OF HISTORY.
II
righteousness for a downright act of will or desire.
We saw that the beast, absolutely "unhistorical,”
with the narrowest of horizons, has yet a certain
happiness, and lives at least without hypocrisy or
ennui; and so we may hold the capacity of feeling
(to a certain extent) unhistorically, to be the more
important and elemental, as providing the founda-
tion of every sound and real growth, everything
that is truly great and human. The unhistorical
whatroul
is like the surrounding atmosphere that can alone VS.
create life, and in whose annihilation life itself historiene
disappears. It is true that man can only become
man by first suppressing this unhistorical element wenscom
in his thoughts, comparisons, distinctions, and con I us
clusions, letting a clear sudden light break through
eons Cuensa
these misty clouds by his power of turning the
past to the uses of the present. But an excess of
myin
history makes him flag again, while without the
veil of the unhistorical he would never have the
courage to begin. What deeds could man ever
have done if he had not been enveloped in the
dust-cloud of the unhistorical? Or, to leave
metaphors and take a concrete example, imagine
a man swayed and driven by a strong passion,
whether for a woman or a theory. His world is
quite altered. He is blind to everything behind
him, new sounds are muffled and meaningless;
though his perceptions were never so intimately
felt in all their colour, light and music, and he
seems to grasp them with his five senses together.
All his judgments of value are changed for the
worse; there is much he can no longer value, as
he can scarcely feel it: he wonders that he has so
## p. 12 (#28) ##############################################
12 THOUGHTS OUT OF SEASON.
long been the sport of strange words and opinions,
that his recollections have run round in one un-
wearying circle and are yet too weak and weary
to make a single step away from it. His whole
case is most indefensible; it is narrow, ungrateful
to the past, blind to danger, deaf to warnings, a
small living eddy in a dead sea of night and
forgetfulness. And yet this condition, unhistorical
and antihistorical throughout, is the cradle not
only of unjust action, but of every just and
justifiable action in the world. No artist will
paint his picture, no general win his victory, no
nation gain its freedom, without having striven
and yearned for it under those very " unhistorical"
conditions. If the man of action, in Goethe's
phrase, is without conscience, he is also without
knowledge: he forgets most things in order to
do one, he is unjust to what is behind him, and
only recognises one law, the law of that which
is to be. So he loves his work infinitely more
than it deserves to be loved; and the best works
are produced in such an ecstasy of love that they
must always be unworthy of it, however great
their worth otherwise.
Should any one be able to dissolve the un-
historical atmosphere in which every great event
happens, and breathe afterwards, he might be
capable of rising to the "super-historical" stand-
, £oint of consciousness, that Niebuhr has de-
scribed as the possible result of historical
research. "History," he says, "is useful for one
purpose, if studied in detail: that men may know,
as the greatest and best spirits of our generation
## p. 13 (#29) ##############################################
THE USE AND ABUSE OF HISTORY. 13
do not know, the accidental nature of the forms
in,. which they see and insist on others seeing,—
insist, I say, because their consciousness of them
is exceptionally intense. Any one who has not
grasped this idea in its different applications will
fall under the spell of a more powerful spirit who
reads a deeper emotion into the given form. " Such
a standpoint might be called "super-historical,"
as one who took it could feel no impulse from
history to any further life or work, for he would
have recognised the blindness and injustice in the
soul of the doer as a condition of every deed: he
would be cured henceforth of taking history too
seriously, and have learnt to answer the question
how and why life should be lived,—for all men
and all circumstances, Greeks or Turks, the first
century or the nineteenth.
It is possible that current copyright holders, heirs or
the estate of the authors of individual portions of the work, such as
illustrations or photographs, assert copyrights over these portions.
Depending on the nature of subsequent use that is made, additional rights
may need to be obtained independently of anything we can address. The
digital images and OCR of this work were produced by Google, Inc.
(indicated by a watermark on each page in the PageTurner). Google requests
that the images and OCR not be re-hosted, redistributed or used
commercially. The images are provided for educational, scholarly,
non-commercial purposes.
Find this book online: https://hdl. handle. net/2027/mdp. 39015002342825
This file has been created from the computer-extracted text of scanned page
images. Computer-extracted text may have errors, such as misspellings,
unusual characters, odd spacing and line breaks.
Original from: University of Michigan
Digitized by: Google
Generated at University of Chicago on 2022-10-12 12:48 GMT
## p. (#1) ##################################################
в
934,141
## p. (#2) ##################################################
1837
U
ARTES
MURUN
SCIENTIA
LIBRARY VERITAS OF THE
E MICHIGAN
UNIVERSITY OF MICHI
TUMOR
LOURRIS PENIS
an
MTUM
CIRCUMS
1111111111
1 11111111111111
## p. (#3) ##################################################
Aleck
ES
1910
3312
-
1911
Telecin
-
## p. (#4) ##################################################
## p. (#5) ##################################################
f
THE COMPLETE WORKS
OF
FRIEDRICH NIETZSCHE
The First Complete and Authorised English Translation
EDITED BY
Dr. OSCAR LEVY
VOLUME TWO
THOUGHTS OUT OF SEASON
PART TWO
## p. (#6) ##################################################
Of the First Edition of
One Thousand Copies
this is
No.
983
## p. (#7) ##################################################
FRIEDRICH NIETZSCHE
THOUGHTS
OUT OF SEASON
PART II
THE USE AND ABUSE OF HISTORY
SCHOPENHAUER AS EDUCATOR
TRANSLATED BY
ADRIAN COLLINS, M. A.
T. N. FOULIS
13 & 15 FREDERICK STREET
EDINBURGH: AND LONDON
1909
## p. (#8) ##################################################
ALL RIGHTS RESERVED
Printed by Morrison & Gibb Limited, Edinburgh
## p. (#9) ##################################################
To L. P.
FROM THE TRANSLATOR.
EN RECONNAISSANCE.
## p. (#10) #################################################
## p. (#11) #################################################
CONTENTS.
PAGE
Introduction ----- ix
The Use and Abuse of History i
Schopenhauer as Educator - - - 101
## p. (#12) #################################################
## p. (#13) #################################################
INTRODUCTION.
THE two essays translated in this volume form the
second and third parts of the Unzeitgemasse
Betrachtungen. The essay on history was com-
pleted in January, that on Schopenhauer in August,
1874. Both were written in the few months of
feverish activity that Nietzsche could spare from
his duties as Professor of Classical Philology in
Bale.
Nietzsche, who served in an ambulance corps in
'71, had seen something of the Franco-German War,
and to him it was the "honest German bravery"
that had won the day. But to the rest of his
countrymen it was a victory for German culture as
well; though there were still a few elegancies, a
few refinements of manners, that might veneer the
new culture, and in this regard the conquered
might be allowed the traditional privilege of
conquering the conquerors. Nietzsche answered
roundly, "the German does not yet know the
meaning of the word culture," and in the essay on
history set himself to show that the so-called
culture was a morass into which the German had
been led by a sixth sense he had developed during
the nineteenth century—the "historical sense":""
he had been brought by his spiritual teachers to
## p. (#14) #################################################
X INTRODUCTION.
believe that he was the "crown of the world-
process" and that his highest duty lay in sur-
rendering himself to it.
With Nietzsche, the historical sense became a
"malady from which men suffer," the world-process
an illusion, evolutionary theories a subtle excuse
for inactivity. History is for the few not the
many, for the man not the youth, for the great not
the small—who are broken and bewildered by it.
It is the lesson of remembrance, and few are strong
enough to bear that lesson. History has no
meaning except as the servant of life and action:
and most of us can only act if we forget. This is
the burden of the first essay; and turning from
history to the historian he condemns the "noisy
little fellows" who measure the motives of the
great men of the past by their own, and use the
past to justify their present.
But who are the men that can use history rightly,
and for whom it is a help and not a hindrance to
life? They are the great men of action and
thought, the "lonely giants amid the pigmies. "
To them alone can the record of their great fore-
bears be a consolation as well as a lesson. In the
realm of thought, they are of the type of the ideal
philosopher sketched in the second essay. To
Nietzsche the only hope of the race lies in the
"production of the genius," of the man who can
bear the burden of the future and not be swamped
by the past: he found the personal expression of
such a man, for the time being, in Schopenhauer.
Schopenhauer here stands, as a personality, for
all that makes for life in philosophy, against the
## p. (#15) #################################################
INTRODUCTION. XI
stagnation of the professional philosopher. The
last part of the essay is a fierce polemic against
state-aided philosophy and the official position of
the professors, who formed, and still form, the
intellectual aristocracy of Germany, with a cathe-
dral authority on all their pronouncements.
But "there has never been a eulogy on a
philosopher," says Dr. Kogel, "that has had so
little to say about his philosophy. " The essay on
Schopenhauer is of value precisely because it has
nothing to do with Schopenhauer. We need not
be disturbed by the thought that Nietzsche after-
wards turned from him. He truly recognised that
Schopenhauer was here merely a name for himself,
that "not Schopenhauer as educator is in question,
but his opposite, Nietzsche as educator" {Ecce
Homo). He could regard Schopenhauer, later, as
a siren that called to death; he put him among
the great artists that lead down—who are worse
than the bad artists that lead nowhere. "We
must go further in the pessimistic logic than the
denial of the will," he says in the Gbtzendam-
merung; "we must deny Schopenhauer. " The
pessimism and denial of the will, the blank despair
before suffering, were the shoals on which
Nietzsche's reverence finally broke. They could
not stand before the Dionysian outlook, whose
pessimism sprang not from weakness but strength,
and in which the joy of willing and being can even
welcome suffering. In this essay we hear little of
the pessimism, save as the imperfect and "all-too-
human " side of Schopenhauer that actually brings
us nearer to him. Later, he could part the man
## p. (#16) #################################################
XU INTRODUCTION.
and his work, and speak of Schopenhauer's view as
the "Evil eye. " But as yet he is a young man
who has kept his illusions, and, like Ogniben, he
judges men by what they might be.
Afterwards, he judged himself too in these essays
by "what he might be. " "To me," he said in Ecce
Homo, "they are promises: I know not what they
mean to others. "
It is also in the belief they are promises that
they are here translated "for others. " The
Thoughts out of Season are the first announce-
ment of the complex theme of the Zarathustra.
They form the best possible introduction to
Nietzschean thought Nietzsche is already the
knight-errant of philosophy: but his adventure is
just beginning.
A. C.
## p. 1 (#17) ###############################################
THE USE AND ABUSE OF
HISTORY.
VOL. II,
## p. 2 (#18) ###############################################
## p. 3 (#19) ###############################################
PREFACE.
"I HATE everything that merely instructs me
without increasing or directly quickening my
activity. " These ward's of Goethe, like a sincere
ceterum censeo, may well stand at the head of my
thoughts on the worth and the worthlessness of
history. I will show in them why instruction that
does not "quicken," knowledge that slackens the
rein of activity, why in fact history, in Goethe's
phrase, must be seriously "hated," as a costly and
superfluous luxury of the understanding: for we
are still in want of the necessaries of life, and the
superfluous is an enemy to the necessary. We do
need history, but quite differently from the jaded
idlers in the garden of knowledge, however grandly
they may look down on our rude and unpictur-
esque requirements. In other words, we need it
for life and action, not as a convenient way to
avoid life and action, or to excuse a selfish life and
a cowardly or base action. We would serve history
only so far as it serves life; but to value its study
beyond a certain point mutilates and degrades life:
and this is a fact that certain marked symptoms of
our time make it as necessary as it may be painful
to bring to the test of experience.
I have tried to describe a feeling that has often
## p. 4 (#20) ###############################################
4 THOUGHTS OUT OF SEASON.
troubled me: I revenge myself on it by giving it
publicity. This may lead some one to explain to
me that he has also had the feeling, but that I
do not feel it purely and elementally enough, and
cannot express it with the ripe certainty of experi-
ence. A few may say so; but most people will
tell me that it is a perverted, unnatural, horrible, •
and altogether unlawful feeling to have, and that I
show myself unworthy of the great historical move-
ment which is especially strong among the German
people for the last two generations.
I am at all costs going to venture on a descrip-
tion of my feelings; which will be decidedly in
the interests of propriety, as I shall give plenty
of opportunity for paying compliments to such a
"movement. " And I gain an advantage for my-
self that is more valuable to me than propriety—
the attainment of a correct point of view, through
my critics, with regard to our age.
These thoughts are "out of season," because I
am trying to represent something of which the age
is rightly proud—its historical culture—as a fault
and a defect in our time, believing as I do that we
are all suffering from a malignant historical fever
and should at least recognise the fact. But even if
it be a virtue, Goethe may be right in asserting
that we cannot help developing our faults at the
same time as our virtues; and an excess of virtue
can obviously bring a nation to ruin, as well as an
excess of vice. In any case I may be allowed my
say. But I will first relieve my mind by the con-
fession that the experiences which produced those
disturbing feelings were mostly drawn from myself,
"
## p. 5 (#21) ###############################################
THE USE AND ABUSE OF HISTORY. 5
—and from other sources only for the sake of
comparison; and that I have only reached such
"unseasonable" experience, so far as I am the
nursling of older ages like the Greek, and less a
child of this age. I must admit so much in virtue
of my profession as a classical scholar: for I do
not know what meaning classical scholarship may
have for our time except in its being " unseason-
able,"—that is, contrary to our time, and yet with
an influence on it for the benefit, it may be hoped,
of a future time.
## p. 6 (#22) ###############################################
THE USE AND ABUSE OF
HISTORY.
CONSIDER the herds that are feeding yonder: they
know not the meaning of yesterday or to-day;
they graze and ruminate, move or rest, from
morning to night, from day to day, taken up with
their little loves and hates, at the mercy of the
moment, feeling neither melancholy nor satiety.
Man cannot see them without regret, for even in
the pride of his humanity he looks enviously on
the beast's happiness. He wishes simply to live
without satiety or pain, like the beast; yet it is all
in vain, for he will not change places with it. He
may ask the beast—" Why do you look at me and
not speak to me of your happiness? " The beast
wants to answer—" Because I always forget what I
wished to say": but he forgets this answer too, and
is silent; and the man is left to wonder.
He wonders also about himself, that he cannot
learn to forget, but hangs on the past: however far
or fast he run, that chain runs with him. It is
## p. 7 (#23) ###############################################
THE USE AND ABUSE OF HISTORY. 7
matter for wonder: the moment, that is here and
gone, that was nothing before and nothing after,
returns like a spectre to trouble the quiet of a later
moment. A leaf is continually dropping out of the
volume of time and fluttering away—and suddenly
it flutters back into the man's lap. Then he says,
"I remember . . . ," and envies the beast, that
forgets at once, and sees every moment really die,
sink into night and mist, extinguished for ever.
The beast lives unhistorically; for it" goes into " the
present, like a number, without leaving any curious
remainder. It cannot dissimulate, it conceals
nothing; at every moment it seems what it actually
is, and thus can be nothing that is not honest.
But man is always resisting the great and con-
tinually increasing weight of the past; it presses
him down, and bows his shoulders; he travels with
a dark invisible burden that he can plausibly
disown, and is only too glad to disown in converse
with his fellows—in order to excite their envy.
And so it hurts him, like the thought of a lost
Paradise, to see a herd grazing, or, nearer still, a
child, that has nothing yet of the past to disown,
and plays in a happy blindness between the walls
of the past and the future. And yet its play must
be disturbed, and only too soon will it be
summoned from its little kingdom of oblivion.
Then it learns to understand the words "once
upon a time," the "open sesame" that lets in
battle, suffering and weariness on mankind, and
reminds them what their existence really is, an
imperfect tense that never becomes a present.
And when death brings at last the desired forget-
## p. 8 (#24) ###############################################
8 THOUGHTS OUT OF SEASON.
fulness, it abolishes life and being together, and
sets the seal on the knowledge that "being" is
merely a continual "has been," a thing that lives
by denying and destroying and contradicting itself.
If happiness and the chase for new happiness
keep alive in any sense the will to live, no
philosophy has perhaps more truth than the
cynic's: for the beast's happiness, like that of
the perfect cynic, is the visible proof of the truth
of cynicism. The smallest pleasure, if it be only
continuous and make one happy, is incomparably
a greater happiness than the more intense pleasure
that comes as an episode, a wild freak, a mad
interval between ennui, desire, and privation. But
in the smallest and greatest happiness there is
always one thing that makes it happiness: the
power of forgetting, or, in more learned phrase,
the capacity of feeling "unhistorically" throughout
its duration. One who cannot leave himself behind
on the threshold of the moment and forget the past,
who cannot stand on a single point, like a goddess
of victory, without fear or giddiness, will never
know what happiness is; and, worse still, will never
do anything to make others happy. The extreme
case would be the man without any power to
forget, who is condemned to see "becoming"
everywhere. Such a man believes no more in
himself or his own existence, he sees everything
fly past in an eternal succession, and loses himself
in the stream of becoming. At last, like the logical
disciple of Heraclitus, he will hardly dare to raise
his finger. Forgetfulness is a property of all action;
just as not only light but darkness is bound up
## p. 9 (#25) ###############################################
THE USE AND ABUSE OF HISTORY. 9
with the life of every organism. One who wished
to feel everything historically, would be like a man
forcing himself to refrain from sleep, or a beast
who had to live by chewing a continual cud. Thus
even a happy life is possible without remembrance,
as the beast shows: but life in any true sense is
absolutely impossible without forgetfulness. Or,
to put my conclusion better, there is a degree of
sleeplessness, of rumination, of "historical sense,"
that injures and finally destroys the living thing,
be it a man or a people or a system of culture.
To fix this degree and the limits to the memory
of the past, if it is not to become the gravedigger
of the present, we must see clearly how great is
the "plastic power" of a man or a community or
a culture; I mean the power of specifically growing
out of one's self, of making the past and the strange
one body with the near and the present, of healing
wounds, replacing what is lost, repairing broken
moulds. There are men who have this power so
slightly that a single sharp experience, a single
pain, often a little injustice, will lacerate their
souls like the scratch of a poisoned knife. There
are others, who are so little injured by the worst
misfortunes, and even by their own spiteful actions,
as to feel tolerably comfortable, with a fairly quiet
conscience, in the midst of them,—or at any rate
shortly afterwards. The deeper the roots of a
man's inner nature, the better will he take the
past into himself; and the greatest and most
powerful nature would be known by the absence
of limits for the historical sense to overgrow and
t»V «• / H. . +~+\ «A^
Mr
work harm. It would assimilate and digest the
## p. 10 (#26) ##############################################
10 THOUGHTS OUT OF SEASON.
past, however foreign, and turn it to sap. Such
a nature can forget what it cannot subdue; there
is no break in the horizon, and nothing to remind
it that there are still men, passions, theories and
aims on the other side. This is a universal law;
a living thing can only be healthy, strong and
productive within a certain horizon: if it be in-
capable of drawing one round itself, or too selfish
to lose its own view in another's, it will come to
an untimely end. Cheerfulness, a good conscience,
belief in the future, the joyful deed, all depend,
in the individual as well as the nation, on there
being a line that divides the visible and clear from
the vague and shadowy: we must know the right
time to forget as well as the right time tojre-
member; and instinctively see when it is necessary
to feel historically, and when unhistorically. This
is the point that the reader is asked to consider;
that the unhistorical and the historical are equally
necessary to the health of an individual, a com-
munity, and a system of culture.
Every one has noticed that a man's historical
knowledge and range of feeling may be very
limited, his horizon as narrow as that of an Alpine
valley, his judgments incorrect and his experience
falsely supposed original, and yet in spite of all the
incorrectness and falsity he may stand forth in
unconquerable health and vigour, to the joy of
all who see him; whereas another man with far
more judgment and learning will fail in comparison,
because the lines of his horizon are continually
changing and shifting, and he cannot shake himself
free from the delicate network of his truth and
## p. 11 (#27) ##############################################
THE USE AND ABUSE OF HISTORY.
II
righteousness for a downright act of will or desire.
We saw that the beast, absolutely "unhistorical,”
with the narrowest of horizons, has yet a certain
happiness, and lives at least without hypocrisy or
ennui; and so we may hold the capacity of feeling
(to a certain extent) unhistorically, to be the more
important and elemental, as providing the founda-
tion of every sound and real growth, everything
that is truly great and human. The unhistorical
whatroul
is like the surrounding atmosphere that can alone VS.
create life, and in whose annihilation life itself historiene
disappears. It is true that man can only become
man by first suppressing this unhistorical element wenscom
in his thoughts, comparisons, distinctions, and con I us
clusions, letting a clear sudden light break through
eons Cuensa
these misty clouds by his power of turning the
past to the uses of the present. But an excess of
myin
history makes him flag again, while without the
veil of the unhistorical he would never have the
courage to begin. What deeds could man ever
have done if he had not been enveloped in the
dust-cloud of the unhistorical? Or, to leave
metaphors and take a concrete example, imagine
a man swayed and driven by a strong passion,
whether for a woman or a theory. His world is
quite altered. He is blind to everything behind
him, new sounds are muffled and meaningless;
though his perceptions were never so intimately
felt in all their colour, light and music, and he
seems to grasp them with his five senses together.
All his judgments of value are changed for the
worse; there is much he can no longer value, as
he can scarcely feel it: he wonders that he has so
## p. 12 (#28) ##############################################
12 THOUGHTS OUT OF SEASON.
long been the sport of strange words and opinions,
that his recollections have run round in one un-
wearying circle and are yet too weak and weary
to make a single step away from it. His whole
case is most indefensible; it is narrow, ungrateful
to the past, blind to danger, deaf to warnings, a
small living eddy in a dead sea of night and
forgetfulness. And yet this condition, unhistorical
and antihistorical throughout, is the cradle not
only of unjust action, but of every just and
justifiable action in the world. No artist will
paint his picture, no general win his victory, no
nation gain its freedom, without having striven
and yearned for it under those very " unhistorical"
conditions. If the man of action, in Goethe's
phrase, is without conscience, he is also without
knowledge: he forgets most things in order to
do one, he is unjust to what is behind him, and
only recognises one law, the law of that which
is to be. So he loves his work infinitely more
than it deserves to be loved; and the best works
are produced in such an ecstasy of love that they
must always be unworthy of it, however great
their worth otherwise.
Should any one be able to dissolve the un-
historical atmosphere in which every great event
happens, and breathe afterwards, he might be
capable of rising to the "super-historical" stand-
, £oint of consciousness, that Niebuhr has de-
scribed as the possible result of historical
research. "History," he says, "is useful for one
purpose, if studied in detail: that men may know,
as the greatest and best spirits of our generation
## p. 13 (#29) ##############################################
THE USE AND ABUSE OF HISTORY. 13
do not know, the accidental nature of the forms
in,. which they see and insist on others seeing,—
insist, I say, because their consciousness of them
is exceptionally intense. Any one who has not
grasped this idea in its different applications will
fall under the spell of a more powerful spirit who
reads a deeper emotion into the given form. " Such
a standpoint might be called "super-historical,"
as one who took it could feel no impulse from
history to any further life or work, for he would
have recognised the blindness and injustice in the
soul of the doer as a condition of every deed: he
would be cured henceforth of taking history too
seriously, and have learnt to answer the question
how and why life should be lived,—for all men
and all circumstances, Greeks or Turks, the first
century or the nineteenth. Whoever asks his
friends whether they would live the last ten or
twenty years over again, will easily see which of
them is born for the "super-historical standpoint":
they will all answer no, but will give different
reasons for their answer. Some will say they
have the consolation that the next twenty will
be better: they are the men referred to satirically
by David Hume:—
"And from the dregs of life hope to receive,
What the first sprightly running could not give. "
We will call them the "historical men. " Their
vision of the past turns them towards the future,
encourages them to persevere with life, and kindles
the hope that justice will yet come and happiness
is behind the mountain they are climbing. They
## p. 14 (#30) ##############################################
14 THOUGHTS OUT OF SEASON.
believe that the meaning of existence will become
ever clearer in the course of its evolution, they
only look backward at the process to understand
the present and stimulate their longing for the
future. They do not know how unhistorical their
thoughts and actions are in spite of all their history,
and how their preoccupation with it is for the sake
of life rather than mere science.
But that question to which we have heard the
first answer, is capable of another; also a "no,"
but on different grounds. It is the "no" of the
"super-historical" man who sees no salvation in
evolution, for whom the world is complete and
fulfils its aim in every single moment. How could
the next ten years teach what the past ten were
not able to teach?
Whether the aim of the teaching be happiness or
resignation, virtue or penance, these super-historical
men are not agreed; but as against all merely
historical ways of viewing the past, they are unani-
mous in the theory that the past and the present
are one and the same, typically alike in all their
diversity, and forming together a picture of eternally
present imperishable types of unchangeable value
and significance. Just as the hundreds of different
languages correspond to the same constant and
elemental needs of mankind, and one who under-
stood,the needs could learn nothing new from the
languages; so the "super-historical" philosopher
sees all the history of nations and individuals from
within. He has a divine insight into the original
meaning of the hieroglyphs, and comes even to be
weary of the letters that are continually unrolled
## p. 15 (#31) ##############################################
THE USE AND ABUSE OF HISTORY. 15
before him. How should the endless rush of events
not bring satiety, surfeit, loathing? So the boldest
of us is ready perhaps at last to say from his heart
with Giacomo Leopardi: "Nothing lives that were
worth thy pains, and the earth deserves not a sigh.
Find more books at https://www. hathitrust. org.
Title: The complete works of Friedrich Nietzsche. The first complete
and authorized English translation, edited by Dr. Oscar Levy.
Author: Nietzsche, Friedrich Wilhelm, 1844-1900.
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f
THE COMPLETE WORKS
OF
FRIEDRICH NIETZSCHE
The First Complete and Authorised English Translation
EDITED BY
Dr. OSCAR LEVY
VOLUME TWO
THOUGHTS OUT OF SEASON
PART TWO
## p. (#6) ##################################################
Of the First Edition of
One Thousand Copies
this is
No.
983
## p. (#7) ##################################################
FRIEDRICH NIETZSCHE
THOUGHTS
OUT OF SEASON
PART II
THE USE AND ABUSE OF HISTORY
SCHOPENHAUER AS EDUCATOR
TRANSLATED BY
ADRIAN COLLINS, M. A.
T. N. FOULIS
13 & 15 FREDERICK STREET
EDINBURGH: AND LONDON
1909
## p. (#8) ##################################################
ALL RIGHTS RESERVED
Printed by Morrison & Gibb Limited, Edinburgh
## p. (#9) ##################################################
To L. P.
FROM THE TRANSLATOR.
EN RECONNAISSANCE.
## p. (#10) #################################################
## p. (#11) #################################################
CONTENTS.
PAGE
Introduction ----- ix
The Use and Abuse of History i
Schopenhauer as Educator - - - 101
## p. (#12) #################################################
## p. (#13) #################################################
INTRODUCTION.
THE two essays translated in this volume form the
second and third parts of the Unzeitgemasse
Betrachtungen. The essay on history was com-
pleted in January, that on Schopenhauer in August,
1874. Both were written in the few months of
feverish activity that Nietzsche could spare from
his duties as Professor of Classical Philology in
Bale.
Nietzsche, who served in an ambulance corps in
'71, had seen something of the Franco-German War,
and to him it was the "honest German bravery"
that had won the day. But to the rest of his
countrymen it was a victory for German culture as
well; though there were still a few elegancies, a
few refinements of manners, that might veneer the
new culture, and in this regard the conquered
might be allowed the traditional privilege of
conquering the conquerors. Nietzsche answered
roundly, "the German does not yet know the
meaning of the word culture," and in the essay on
history set himself to show that the so-called
culture was a morass into which the German had
been led by a sixth sense he had developed during
the nineteenth century—the "historical sense":""
he had been brought by his spiritual teachers to
## p. (#14) #################################################
X INTRODUCTION.
believe that he was the "crown of the world-
process" and that his highest duty lay in sur-
rendering himself to it.
With Nietzsche, the historical sense became a
"malady from which men suffer," the world-process
an illusion, evolutionary theories a subtle excuse
for inactivity. History is for the few not the
many, for the man not the youth, for the great not
the small—who are broken and bewildered by it.
It is the lesson of remembrance, and few are strong
enough to bear that lesson. History has no
meaning except as the servant of life and action:
and most of us can only act if we forget. This is
the burden of the first essay; and turning from
history to the historian he condemns the "noisy
little fellows" who measure the motives of the
great men of the past by their own, and use the
past to justify their present.
But who are the men that can use history rightly,
and for whom it is a help and not a hindrance to
life? They are the great men of action and
thought, the "lonely giants amid the pigmies. "
To them alone can the record of their great fore-
bears be a consolation as well as a lesson. In the
realm of thought, they are of the type of the ideal
philosopher sketched in the second essay. To
Nietzsche the only hope of the race lies in the
"production of the genius," of the man who can
bear the burden of the future and not be swamped
by the past: he found the personal expression of
such a man, for the time being, in Schopenhauer.
Schopenhauer here stands, as a personality, for
all that makes for life in philosophy, against the
## p. (#15) #################################################
INTRODUCTION. XI
stagnation of the professional philosopher. The
last part of the essay is a fierce polemic against
state-aided philosophy and the official position of
the professors, who formed, and still form, the
intellectual aristocracy of Germany, with a cathe-
dral authority on all their pronouncements.
But "there has never been a eulogy on a
philosopher," says Dr. Kogel, "that has had so
little to say about his philosophy. " The essay on
Schopenhauer is of value precisely because it has
nothing to do with Schopenhauer. We need not
be disturbed by the thought that Nietzsche after-
wards turned from him. He truly recognised that
Schopenhauer was here merely a name for himself,
that "not Schopenhauer as educator is in question,
but his opposite, Nietzsche as educator" {Ecce
Homo). He could regard Schopenhauer, later, as
a siren that called to death; he put him among
the great artists that lead down—who are worse
than the bad artists that lead nowhere. "We
must go further in the pessimistic logic than the
denial of the will," he says in the Gbtzendam-
merung; "we must deny Schopenhauer. " The
pessimism and denial of the will, the blank despair
before suffering, were the shoals on which
Nietzsche's reverence finally broke. They could
not stand before the Dionysian outlook, whose
pessimism sprang not from weakness but strength,
and in which the joy of willing and being can even
welcome suffering. In this essay we hear little of
the pessimism, save as the imperfect and "all-too-
human " side of Schopenhauer that actually brings
us nearer to him. Later, he could part the man
## p. (#16) #################################################
XU INTRODUCTION.
and his work, and speak of Schopenhauer's view as
the "Evil eye. " But as yet he is a young man
who has kept his illusions, and, like Ogniben, he
judges men by what they might be.
Afterwards, he judged himself too in these essays
by "what he might be. " "To me," he said in Ecce
Homo, "they are promises: I know not what they
mean to others. "
It is also in the belief they are promises that
they are here translated "for others. " The
Thoughts out of Season are the first announce-
ment of the complex theme of the Zarathustra.
They form the best possible introduction to
Nietzschean thought Nietzsche is already the
knight-errant of philosophy: but his adventure is
just beginning.
A. C.
## p. 1 (#17) ###############################################
THE USE AND ABUSE OF
HISTORY.
VOL. II,
## p. 2 (#18) ###############################################
## p. 3 (#19) ###############################################
PREFACE.
"I HATE everything that merely instructs me
without increasing or directly quickening my
activity. " These ward's of Goethe, like a sincere
ceterum censeo, may well stand at the head of my
thoughts on the worth and the worthlessness of
history. I will show in them why instruction that
does not "quicken," knowledge that slackens the
rein of activity, why in fact history, in Goethe's
phrase, must be seriously "hated," as a costly and
superfluous luxury of the understanding: for we
are still in want of the necessaries of life, and the
superfluous is an enemy to the necessary. We do
need history, but quite differently from the jaded
idlers in the garden of knowledge, however grandly
they may look down on our rude and unpictur-
esque requirements. In other words, we need it
for life and action, not as a convenient way to
avoid life and action, or to excuse a selfish life and
a cowardly or base action. We would serve history
only so far as it serves life; but to value its study
beyond a certain point mutilates and degrades life:
and this is a fact that certain marked symptoms of
our time make it as necessary as it may be painful
to bring to the test of experience.
I have tried to describe a feeling that has often
## p. 4 (#20) ###############################################
4 THOUGHTS OUT OF SEASON.
troubled me: I revenge myself on it by giving it
publicity. This may lead some one to explain to
me that he has also had the feeling, but that I
do not feel it purely and elementally enough, and
cannot express it with the ripe certainty of experi-
ence. A few may say so; but most people will
tell me that it is a perverted, unnatural, horrible, •
and altogether unlawful feeling to have, and that I
show myself unworthy of the great historical move-
ment which is especially strong among the German
people for the last two generations.
I am at all costs going to venture on a descrip-
tion of my feelings; which will be decidedly in
the interests of propriety, as I shall give plenty
of opportunity for paying compliments to such a
"movement. " And I gain an advantage for my-
self that is more valuable to me than propriety—
the attainment of a correct point of view, through
my critics, with regard to our age.
These thoughts are "out of season," because I
am trying to represent something of which the age
is rightly proud—its historical culture—as a fault
and a defect in our time, believing as I do that we
are all suffering from a malignant historical fever
and should at least recognise the fact. But even if
it be a virtue, Goethe may be right in asserting
that we cannot help developing our faults at the
same time as our virtues; and an excess of virtue
can obviously bring a nation to ruin, as well as an
excess of vice. In any case I may be allowed my
say. But I will first relieve my mind by the con-
fession that the experiences which produced those
disturbing feelings were mostly drawn from myself,
"
## p. 5 (#21) ###############################################
THE USE AND ABUSE OF HISTORY. 5
—and from other sources only for the sake of
comparison; and that I have only reached such
"unseasonable" experience, so far as I am the
nursling of older ages like the Greek, and less a
child of this age. I must admit so much in virtue
of my profession as a classical scholar: for I do
not know what meaning classical scholarship may
have for our time except in its being " unseason-
able,"—that is, contrary to our time, and yet with
an influence on it for the benefit, it may be hoped,
of a future time.
## p. 6 (#22) ###############################################
THE USE AND ABUSE OF
HISTORY.
CONSIDER the herds that are feeding yonder: they
know not the meaning of yesterday or to-day;
they graze and ruminate, move or rest, from
morning to night, from day to day, taken up with
their little loves and hates, at the mercy of the
moment, feeling neither melancholy nor satiety.
Man cannot see them without regret, for even in
the pride of his humanity he looks enviously on
the beast's happiness. He wishes simply to live
without satiety or pain, like the beast; yet it is all
in vain, for he will not change places with it. He
may ask the beast—" Why do you look at me and
not speak to me of your happiness? " The beast
wants to answer—" Because I always forget what I
wished to say": but he forgets this answer too, and
is silent; and the man is left to wonder.
He wonders also about himself, that he cannot
learn to forget, but hangs on the past: however far
or fast he run, that chain runs with him. It is
## p. 7 (#23) ###############################################
THE USE AND ABUSE OF HISTORY. 7
matter for wonder: the moment, that is here and
gone, that was nothing before and nothing after,
returns like a spectre to trouble the quiet of a later
moment. A leaf is continually dropping out of the
volume of time and fluttering away—and suddenly
it flutters back into the man's lap. Then he says,
"I remember . . . ," and envies the beast, that
forgets at once, and sees every moment really die,
sink into night and mist, extinguished for ever.
The beast lives unhistorically; for it" goes into " the
present, like a number, without leaving any curious
remainder. It cannot dissimulate, it conceals
nothing; at every moment it seems what it actually
is, and thus can be nothing that is not honest.
But man is always resisting the great and con-
tinually increasing weight of the past; it presses
him down, and bows his shoulders; he travels with
a dark invisible burden that he can plausibly
disown, and is only too glad to disown in converse
with his fellows—in order to excite their envy.
And so it hurts him, like the thought of a lost
Paradise, to see a herd grazing, or, nearer still, a
child, that has nothing yet of the past to disown,
and plays in a happy blindness between the walls
of the past and the future. And yet its play must
be disturbed, and only too soon will it be
summoned from its little kingdom of oblivion.
Then it learns to understand the words "once
upon a time," the "open sesame" that lets in
battle, suffering and weariness on mankind, and
reminds them what their existence really is, an
imperfect tense that never becomes a present.
And when death brings at last the desired forget-
## p. 8 (#24) ###############################################
8 THOUGHTS OUT OF SEASON.
fulness, it abolishes life and being together, and
sets the seal on the knowledge that "being" is
merely a continual "has been," a thing that lives
by denying and destroying and contradicting itself.
If happiness and the chase for new happiness
keep alive in any sense the will to live, no
philosophy has perhaps more truth than the
cynic's: for the beast's happiness, like that of
the perfect cynic, is the visible proof of the truth
of cynicism. The smallest pleasure, if it be only
continuous and make one happy, is incomparably
a greater happiness than the more intense pleasure
that comes as an episode, a wild freak, a mad
interval between ennui, desire, and privation. But
in the smallest and greatest happiness there is
always one thing that makes it happiness: the
power of forgetting, or, in more learned phrase,
the capacity of feeling "unhistorically" throughout
its duration. One who cannot leave himself behind
on the threshold of the moment and forget the past,
who cannot stand on a single point, like a goddess
of victory, without fear or giddiness, will never
know what happiness is; and, worse still, will never
do anything to make others happy. The extreme
case would be the man without any power to
forget, who is condemned to see "becoming"
everywhere. Such a man believes no more in
himself or his own existence, he sees everything
fly past in an eternal succession, and loses himself
in the stream of becoming. At last, like the logical
disciple of Heraclitus, he will hardly dare to raise
his finger. Forgetfulness is a property of all action;
just as not only light but darkness is bound up
## p. 9 (#25) ###############################################
THE USE AND ABUSE OF HISTORY. 9
with the life of every organism. One who wished
to feel everything historically, would be like a man
forcing himself to refrain from sleep, or a beast
who had to live by chewing a continual cud. Thus
even a happy life is possible without remembrance,
as the beast shows: but life in any true sense is
absolutely impossible without forgetfulness. Or,
to put my conclusion better, there is a degree of
sleeplessness, of rumination, of "historical sense,"
that injures and finally destroys the living thing,
be it a man or a people or a system of culture.
To fix this degree and the limits to the memory
of the past, if it is not to become the gravedigger
of the present, we must see clearly how great is
the "plastic power" of a man or a community or
a culture; I mean the power of specifically growing
out of one's self, of making the past and the strange
one body with the near and the present, of healing
wounds, replacing what is lost, repairing broken
moulds. There are men who have this power so
slightly that a single sharp experience, a single
pain, often a little injustice, will lacerate their
souls like the scratch of a poisoned knife. There
are others, who are so little injured by the worst
misfortunes, and even by their own spiteful actions,
as to feel tolerably comfortable, with a fairly quiet
conscience, in the midst of them,—or at any rate
shortly afterwards. The deeper the roots of a
man's inner nature, the better will he take the
past into himself; and the greatest and most
powerful nature would be known by the absence
of limits for the historical sense to overgrow and
t»V «• / H. . +~+\ «A^
Mr
work harm. It would assimilate and digest the
## p. 10 (#26) ##############################################
10 THOUGHTS OUT OF SEASON.
past, however foreign, and turn it to sap. Such
a nature can forget what it cannot subdue; there
is no break in the horizon, and nothing to remind
it that there are still men, passions, theories and
aims on the other side. This is a universal law;
a living thing can only be healthy, strong and
productive within a certain horizon: if it be in-
capable of drawing one round itself, or too selfish
to lose its own view in another's, it will come to
an untimely end. Cheerfulness, a good conscience,
belief in the future, the joyful deed, all depend,
in the individual as well as the nation, on there
being a line that divides the visible and clear from
the vague and shadowy: we must know the right
time to forget as well as the right time tojre-
member; and instinctively see when it is necessary
to feel historically, and when unhistorically. This
is the point that the reader is asked to consider;
that the unhistorical and the historical are equally
necessary to the health of an individual, a com-
munity, and a system of culture.
Every one has noticed that a man's historical
knowledge and range of feeling may be very
limited, his horizon as narrow as that of an Alpine
valley, his judgments incorrect and his experience
falsely supposed original, and yet in spite of all the
incorrectness and falsity he may stand forth in
unconquerable health and vigour, to the joy of
all who see him; whereas another man with far
more judgment and learning will fail in comparison,
because the lines of his horizon are continually
changing and shifting, and he cannot shake himself
free from the delicate network of his truth and
## p. 11 (#27) ##############################################
THE USE AND ABUSE OF HISTORY.
II
righteousness for a downright act of will or desire.
We saw that the beast, absolutely "unhistorical,”
with the narrowest of horizons, has yet a certain
happiness, and lives at least without hypocrisy or
ennui; and so we may hold the capacity of feeling
(to a certain extent) unhistorically, to be the more
important and elemental, as providing the founda-
tion of every sound and real growth, everything
that is truly great and human. The unhistorical
whatroul
is like the surrounding atmosphere that can alone VS.
create life, and in whose annihilation life itself historiene
disappears. It is true that man can only become
man by first suppressing this unhistorical element wenscom
in his thoughts, comparisons, distinctions, and con I us
clusions, letting a clear sudden light break through
eons Cuensa
these misty clouds by his power of turning the
past to the uses of the present. But an excess of
myin
history makes him flag again, while without the
veil of the unhistorical he would never have the
courage to begin. What deeds could man ever
have done if he had not been enveloped in the
dust-cloud of the unhistorical? Or, to leave
metaphors and take a concrete example, imagine
a man swayed and driven by a strong passion,
whether for a woman or a theory. His world is
quite altered. He is blind to everything behind
him, new sounds are muffled and meaningless;
though his perceptions were never so intimately
felt in all their colour, light and music, and he
seems to grasp them with his five senses together.
All his judgments of value are changed for the
worse; there is much he can no longer value, as
he can scarcely feel it: he wonders that he has so
## p. 12 (#28) ##############################################
12 THOUGHTS OUT OF SEASON.
long been the sport of strange words and opinions,
that his recollections have run round in one un-
wearying circle and are yet too weak and weary
to make a single step away from it. His whole
case is most indefensible; it is narrow, ungrateful
to the past, blind to danger, deaf to warnings, a
small living eddy in a dead sea of night and
forgetfulness. And yet this condition, unhistorical
and antihistorical throughout, is the cradle not
only of unjust action, but of every just and
justifiable action in the world. No artist will
paint his picture, no general win his victory, no
nation gain its freedom, without having striven
and yearned for it under those very " unhistorical"
conditions. If the man of action, in Goethe's
phrase, is without conscience, he is also without
knowledge: he forgets most things in order to
do one, he is unjust to what is behind him, and
only recognises one law, the law of that which
is to be. So he loves his work infinitely more
than it deserves to be loved; and the best works
are produced in such an ecstasy of love that they
must always be unworthy of it, however great
their worth otherwise.
Should any one be able to dissolve the un-
historical atmosphere in which every great event
happens, and breathe afterwards, he might be
capable of rising to the "super-historical" stand-
, £oint of consciousness, that Niebuhr has de-
scribed as the possible result of historical
research. "History," he says, "is useful for one
purpose, if studied in detail: that men may know,
as the greatest and best spirits of our generation
## p. 13 (#29) ##############################################
THE USE AND ABUSE OF HISTORY. 13
do not know, the accidental nature of the forms
in,. which they see and insist on others seeing,—
insist, I say, because their consciousness of them
is exceptionally intense. Any one who has not
grasped this idea in its different applications will
fall under the spell of a more powerful spirit who
reads a deeper emotion into the given form. " Such
a standpoint might be called "super-historical,"
as one who took it could feel no impulse from
history to any further life or work, for he would
have recognised the blindness and injustice in the
soul of the doer as a condition of every deed: he
would be cured henceforth of taking history too
seriously, and have learnt to answer the question
how and why life should be lived,—for all men
and all circumstances, Greeks or Turks, the first
century or the nineteenth.
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f
THE COMPLETE WORKS
OF
FRIEDRICH NIETZSCHE
The First Complete and Authorised English Translation
EDITED BY
Dr. OSCAR LEVY
VOLUME TWO
THOUGHTS OUT OF SEASON
PART TWO
## p. (#6) ##################################################
Of the First Edition of
One Thousand Copies
this is
No.
983
## p. (#7) ##################################################
FRIEDRICH NIETZSCHE
THOUGHTS
OUT OF SEASON
PART II
THE USE AND ABUSE OF HISTORY
SCHOPENHAUER AS EDUCATOR
TRANSLATED BY
ADRIAN COLLINS, M. A.
T. N. FOULIS
13 & 15 FREDERICK STREET
EDINBURGH: AND LONDON
1909
## p. (#8) ##################################################
ALL RIGHTS RESERVED
Printed by Morrison & Gibb Limited, Edinburgh
## p. (#9) ##################################################
To L. P.
FROM THE TRANSLATOR.
EN RECONNAISSANCE.
## p. (#10) #################################################
## p. (#11) #################################################
CONTENTS.
PAGE
Introduction ----- ix
The Use and Abuse of History i
Schopenhauer as Educator - - - 101
## p. (#12) #################################################
## p. (#13) #################################################
INTRODUCTION.
THE two essays translated in this volume form the
second and third parts of the Unzeitgemasse
Betrachtungen. The essay on history was com-
pleted in January, that on Schopenhauer in August,
1874. Both were written in the few months of
feverish activity that Nietzsche could spare from
his duties as Professor of Classical Philology in
Bale.
Nietzsche, who served in an ambulance corps in
'71, had seen something of the Franco-German War,
and to him it was the "honest German bravery"
that had won the day. But to the rest of his
countrymen it was a victory for German culture as
well; though there were still a few elegancies, a
few refinements of manners, that might veneer the
new culture, and in this regard the conquered
might be allowed the traditional privilege of
conquering the conquerors. Nietzsche answered
roundly, "the German does not yet know the
meaning of the word culture," and in the essay on
history set himself to show that the so-called
culture was a morass into which the German had
been led by a sixth sense he had developed during
the nineteenth century—the "historical sense":""
he had been brought by his spiritual teachers to
## p. (#14) #################################################
X INTRODUCTION.
believe that he was the "crown of the world-
process" and that his highest duty lay in sur-
rendering himself to it.
With Nietzsche, the historical sense became a
"malady from which men suffer," the world-process
an illusion, evolutionary theories a subtle excuse
for inactivity. History is for the few not the
many, for the man not the youth, for the great not
the small—who are broken and bewildered by it.
It is the lesson of remembrance, and few are strong
enough to bear that lesson. History has no
meaning except as the servant of life and action:
and most of us can only act if we forget. This is
the burden of the first essay; and turning from
history to the historian he condemns the "noisy
little fellows" who measure the motives of the
great men of the past by their own, and use the
past to justify their present.
But who are the men that can use history rightly,
and for whom it is a help and not a hindrance to
life? They are the great men of action and
thought, the "lonely giants amid the pigmies. "
To them alone can the record of their great fore-
bears be a consolation as well as a lesson. In the
realm of thought, they are of the type of the ideal
philosopher sketched in the second essay. To
Nietzsche the only hope of the race lies in the
"production of the genius," of the man who can
bear the burden of the future and not be swamped
by the past: he found the personal expression of
such a man, for the time being, in Schopenhauer.
Schopenhauer here stands, as a personality, for
all that makes for life in philosophy, against the
## p. (#15) #################################################
INTRODUCTION. XI
stagnation of the professional philosopher. The
last part of the essay is a fierce polemic against
state-aided philosophy and the official position of
the professors, who formed, and still form, the
intellectual aristocracy of Germany, with a cathe-
dral authority on all their pronouncements.
But "there has never been a eulogy on a
philosopher," says Dr. Kogel, "that has had so
little to say about his philosophy. " The essay on
Schopenhauer is of value precisely because it has
nothing to do with Schopenhauer. We need not
be disturbed by the thought that Nietzsche after-
wards turned from him. He truly recognised that
Schopenhauer was here merely a name for himself,
that "not Schopenhauer as educator is in question,
but his opposite, Nietzsche as educator" {Ecce
Homo). He could regard Schopenhauer, later, as
a siren that called to death; he put him among
the great artists that lead down—who are worse
than the bad artists that lead nowhere. "We
must go further in the pessimistic logic than the
denial of the will," he says in the Gbtzendam-
merung; "we must deny Schopenhauer. " The
pessimism and denial of the will, the blank despair
before suffering, were the shoals on which
Nietzsche's reverence finally broke. They could
not stand before the Dionysian outlook, whose
pessimism sprang not from weakness but strength,
and in which the joy of willing and being can even
welcome suffering. In this essay we hear little of
the pessimism, save as the imperfect and "all-too-
human " side of Schopenhauer that actually brings
us nearer to him. Later, he could part the man
## p. (#16) #################################################
XU INTRODUCTION.
and his work, and speak of Schopenhauer's view as
the "Evil eye. " But as yet he is a young man
who has kept his illusions, and, like Ogniben, he
judges men by what they might be.
Afterwards, he judged himself too in these essays
by "what he might be. " "To me," he said in Ecce
Homo, "they are promises: I know not what they
mean to others. "
It is also in the belief they are promises that
they are here translated "for others. " The
Thoughts out of Season are the first announce-
ment of the complex theme of the Zarathustra.
They form the best possible introduction to
Nietzschean thought Nietzsche is already the
knight-errant of philosophy: but his adventure is
just beginning.
A. C.
## p. 1 (#17) ###############################################
THE USE AND ABUSE OF
HISTORY.
VOL. II,
## p. 2 (#18) ###############################################
## p. 3 (#19) ###############################################
PREFACE.
"I HATE everything that merely instructs me
without increasing or directly quickening my
activity. " These ward's of Goethe, like a sincere
ceterum censeo, may well stand at the head of my
thoughts on the worth and the worthlessness of
history. I will show in them why instruction that
does not "quicken," knowledge that slackens the
rein of activity, why in fact history, in Goethe's
phrase, must be seriously "hated," as a costly and
superfluous luxury of the understanding: for we
are still in want of the necessaries of life, and the
superfluous is an enemy to the necessary. We do
need history, but quite differently from the jaded
idlers in the garden of knowledge, however grandly
they may look down on our rude and unpictur-
esque requirements. In other words, we need it
for life and action, not as a convenient way to
avoid life and action, or to excuse a selfish life and
a cowardly or base action. We would serve history
only so far as it serves life; but to value its study
beyond a certain point mutilates and degrades life:
and this is a fact that certain marked symptoms of
our time make it as necessary as it may be painful
to bring to the test of experience.
I have tried to describe a feeling that has often
## p. 4 (#20) ###############################################
4 THOUGHTS OUT OF SEASON.
troubled me: I revenge myself on it by giving it
publicity. This may lead some one to explain to
me that he has also had the feeling, but that I
do not feel it purely and elementally enough, and
cannot express it with the ripe certainty of experi-
ence. A few may say so; but most people will
tell me that it is a perverted, unnatural, horrible, •
and altogether unlawful feeling to have, and that I
show myself unworthy of the great historical move-
ment which is especially strong among the German
people for the last two generations.
I am at all costs going to venture on a descrip-
tion of my feelings; which will be decidedly in
the interests of propriety, as I shall give plenty
of opportunity for paying compliments to such a
"movement. " And I gain an advantage for my-
self that is more valuable to me than propriety—
the attainment of a correct point of view, through
my critics, with regard to our age.
These thoughts are "out of season," because I
am trying to represent something of which the age
is rightly proud—its historical culture—as a fault
and a defect in our time, believing as I do that we
are all suffering from a malignant historical fever
and should at least recognise the fact. But even if
it be a virtue, Goethe may be right in asserting
that we cannot help developing our faults at the
same time as our virtues; and an excess of virtue
can obviously bring a nation to ruin, as well as an
excess of vice. In any case I may be allowed my
say. But I will first relieve my mind by the con-
fession that the experiences which produced those
disturbing feelings were mostly drawn from myself,
"
## p. 5 (#21) ###############################################
THE USE AND ABUSE OF HISTORY. 5
—and from other sources only for the sake of
comparison; and that I have only reached such
"unseasonable" experience, so far as I am the
nursling of older ages like the Greek, and less a
child of this age. I must admit so much in virtue
of my profession as a classical scholar: for I do
not know what meaning classical scholarship may
have for our time except in its being " unseason-
able,"—that is, contrary to our time, and yet with
an influence on it for the benefit, it may be hoped,
of a future time.
## p. 6 (#22) ###############################################
THE USE AND ABUSE OF
HISTORY.
CONSIDER the herds that are feeding yonder: they
know not the meaning of yesterday or to-day;
they graze and ruminate, move or rest, from
morning to night, from day to day, taken up with
their little loves and hates, at the mercy of the
moment, feeling neither melancholy nor satiety.
Man cannot see them without regret, for even in
the pride of his humanity he looks enviously on
the beast's happiness. He wishes simply to live
without satiety or pain, like the beast; yet it is all
in vain, for he will not change places with it. He
may ask the beast—" Why do you look at me and
not speak to me of your happiness? " The beast
wants to answer—" Because I always forget what I
wished to say": but he forgets this answer too, and
is silent; and the man is left to wonder.
He wonders also about himself, that he cannot
learn to forget, but hangs on the past: however far
or fast he run, that chain runs with him. It is
## p. 7 (#23) ###############################################
THE USE AND ABUSE OF HISTORY. 7
matter for wonder: the moment, that is here and
gone, that was nothing before and nothing after,
returns like a spectre to trouble the quiet of a later
moment. A leaf is continually dropping out of the
volume of time and fluttering away—and suddenly
it flutters back into the man's lap. Then he says,
"I remember . . . ," and envies the beast, that
forgets at once, and sees every moment really die,
sink into night and mist, extinguished for ever.
The beast lives unhistorically; for it" goes into " the
present, like a number, without leaving any curious
remainder. It cannot dissimulate, it conceals
nothing; at every moment it seems what it actually
is, and thus can be nothing that is not honest.
But man is always resisting the great and con-
tinually increasing weight of the past; it presses
him down, and bows his shoulders; he travels with
a dark invisible burden that he can plausibly
disown, and is only too glad to disown in converse
with his fellows—in order to excite their envy.
And so it hurts him, like the thought of a lost
Paradise, to see a herd grazing, or, nearer still, a
child, that has nothing yet of the past to disown,
and plays in a happy blindness between the walls
of the past and the future. And yet its play must
be disturbed, and only too soon will it be
summoned from its little kingdom of oblivion.
Then it learns to understand the words "once
upon a time," the "open sesame" that lets in
battle, suffering and weariness on mankind, and
reminds them what their existence really is, an
imperfect tense that never becomes a present.
And when death brings at last the desired forget-
## p. 8 (#24) ###############################################
8 THOUGHTS OUT OF SEASON.
fulness, it abolishes life and being together, and
sets the seal on the knowledge that "being" is
merely a continual "has been," a thing that lives
by denying and destroying and contradicting itself.
If happiness and the chase for new happiness
keep alive in any sense the will to live, no
philosophy has perhaps more truth than the
cynic's: for the beast's happiness, like that of
the perfect cynic, is the visible proof of the truth
of cynicism. The smallest pleasure, if it be only
continuous and make one happy, is incomparably
a greater happiness than the more intense pleasure
that comes as an episode, a wild freak, a mad
interval between ennui, desire, and privation. But
in the smallest and greatest happiness there is
always one thing that makes it happiness: the
power of forgetting, or, in more learned phrase,
the capacity of feeling "unhistorically" throughout
its duration. One who cannot leave himself behind
on the threshold of the moment and forget the past,
who cannot stand on a single point, like a goddess
of victory, without fear or giddiness, will never
know what happiness is; and, worse still, will never
do anything to make others happy. The extreme
case would be the man without any power to
forget, who is condemned to see "becoming"
everywhere. Such a man believes no more in
himself or his own existence, he sees everything
fly past in an eternal succession, and loses himself
in the stream of becoming. At last, like the logical
disciple of Heraclitus, he will hardly dare to raise
his finger. Forgetfulness is a property of all action;
just as not only light but darkness is bound up
## p. 9 (#25) ###############################################
THE USE AND ABUSE OF HISTORY. 9
with the life of every organism. One who wished
to feel everything historically, would be like a man
forcing himself to refrain from sleep, or a beast
who had to live by chewing a continual cud. Thus
even a happy life is possible without remembrance,
as the beast shows: but life in any true sense is
absolutely impossible without forgetfulness. Or,
to put my conclusion better, there is a degree of
sleeplessness, of rumination, of "historical sense,"
that injures and finally destroys the living thing,
be it a man or a people or a system of culture.
To fix this degree and the limits to the memory
of the past, if it is not to become the gravedigger
of the present, we must see clearly how great is
the "plastic power" of a man or a community or
a culture; I mean the power of specifically growing
out of one's self, of making the past and the strange
one body with the near and the present, of healing
wounds, replacing what is lost, repairing broken
moulds. There are men who have this power so
slightly that a single sharp experience, a single
pain, often a little injustice, will lacerate their
souls like the scratch of a poisoned knife. There
are others, who are so little injured by the worst
misfortunes, and even by their own spiteful actions,
as to feel tolerably comfortable, with a fairly quiet
conscience, in the midst of them,—or at any rate
shortly afterwards. The deeper the roots of a
man's inner nature, the better will he take the
past into himself; and the greatest and most
powerful nature would be known by the absence
of limits for the historical sense to overgrow and
t»V «• / H. . +~+\ «A^
Mr
work harm. It would assimilate and digest the
## p. 10 (#26) ##############################################
10 THOUGHTS OUT OF SEASON.
past, however foreign, and turn it to sap. Such
a nature can forget what it cannot subdue; there
is no break in the horizon, and nothing to remind
it that there are still men, passions, theories and
aims on the other side. This is a universal law;
a living thing can only be healthy, strong and
productive within a certain horizon: if it be in-
capable of drawing one round itself, or too selfish
to lose its own view in another's, it will come to
an untimely end. Cheerfulness, a good conscience,
belief in the future, the joyful deed, all depend,
in the individual as well as the nation, on there
being a line that divides the visible and clear from
the vague and shadowy: we must know the right
time to forget as well as the right time tojre-
member; and instinctively see when it is necessary
to feel historically, and when unhistorically. This
is the point that the reader is asked to consider;
that the unhistorical and the historical are equally
necessary to the health of an individual, a com-
munity, and a system of culture.
Every one has noticed that a man's historical
knowledge and range of feeling may be very
limited, his horizon as narrow as that of an Alpine
valley, his judgments incorrect and his experience
falsely supposed original, and yet in spite of all the
incorrectness and falsity he may stand forth in
unconquerable health and vigour, to the joy of
all who see him; whereas another man with far
more judgment and learning will fail in comparison,
because the lines of his horizon are continually
changing and shifting, and he cannot shake himself
free from the delicate network of his truth and
## p. 11 (#27) ##############################################
THE USE AND ABUSE OF HISTORY.
II
righteousness for a downright act of will or desire.
We saw that the beast, absolutely "unhistorical,”
with the narrowest of horizons, has yet a certain
happiness, and lives at least without hypocrisy or
ennui; and so we may hold the capacity of feeling
(to a certain extent) unhistorically, to be the more
important and elemental, as providing the founda-
tion of every sound and real growth, everything
that is truly great and human. The unhistorical
whatroul
is like the surrounding atmosphere that can alone VS.
create life, and in whose annihilation life itself historiene
disappears. It is true that man can only become
man by first suppressing this unhistorical element wenscom
in his thoughts, comparisons, distinctions, and con I us
clusions, letting a clear sudden light break through
eons Cuensa
these misty clouds by his power of turning the
past to the uses of the present. But an excess of
myin
history makes him flag again, while without the
veil of the unhistorical he would never have the
courage to begin. What deeds could man ever
have done if he had not been enveloped in the
dust-cloud of the unhistorical? Or, to leave
metaphors and take a concrete example, imagine
a man swayed and driven by a strong passion,
whether for a woman or a theory. His world is
quite altered. He is blind to everything behind
him, new sounds are muffled and meaningless;
though his perceptions were never so intimately
felt in all their colour, light and music, and he
seems to grasp them with his five senses together.
All his judgments of value are changed for the
worse; there is much he can no longer value, as
he can scarcely feel it: he wonders that he has so
## p. 12 (#28) ##############################################
12 THOUGHTS OUT OF SEASON.
long been the sport of strange words and opinions,
that his recollections have run round in one un-
wearying circle and are yet too weak and weary
to make a single step away from it. His whole
case is most indefensible; it is narrow, ungrateful
to the past, blind to danger, deaf to warnings, a
small living eddy in a dead sea of night and
forgetfulness. And yet this condition, unhistorical
and antihistorical throughout, is the cradle not
only of unjust action, but of every just and
justifiable action in the world. No artist will
paint his picture, no general win his victory, no
nation gain its freedom, without having striven
and yearned for it under those very " unhistorical"
conditions. If the man of action, in Goethe's
phrase, is without conscience, he is also without
knowledge: he forgets most things in order to
do one, he is unjust to what is behind him, and
only recognises one law, the law of that which
is to be. So he loves his work infinitely more
than it deserves to be loved; and the best works
are produced in such an ecstasy of love that they
must always be unworthy of it, however great
their worth otherwise.
Should any one be able to dissolve the un-
historical atmosphere in which every great event
happens, and breathe afterwards, he might be
capable of rising to the "super-historical" stand-
, £oint of consciousness, that Niebuhr has de-
scribed as the possible result of historical
research. "History," he says, "is useful for one
purpose, if studied in detail: that men may know,
as the greatest and best spirits of our generation
## p. 13 (#29) ##############################################
THE USE AND ABUSE OF HISTORY. 13
do not know, the accidental nature of the forms
in,. which they see and insist on others seeing,—
insist, I say, because their consciousness of them
is exceptionally intense. Any one who has not
grasped this idea in its different applications will
fall under the spell of a more powerful spirit who
reads a deeper emotion into the given form. " Such
a standpoint might be called "super-historical,"
as one who took it could feel no impulse from
history to any further life or work, for he would
have recognised the blindness and injustice in the
soul of the doer as a condition of every deed: he
would be cured henceforth of taking history too
seriously, and have learnt to answer the question
how and why life should be lived,—for all men
and all circumstances, Greeks or Turks, the first
century or the nineteenth. Whoever asks his
friends whether they would live the last ten or
twenty years over again, will easily see which of
them is born for the "super-historical standpoint":
they will all answer no, but will give different
reasons for their answer. Some will say they
have the consolation that the next twenty will
be better: they are the men referred to satirically
by David Hume:—
"And from the dregs of life hope to receive,
What the first sprightly running could not give. "
We will call them the "historical men. " Their
vision of the past turns them towards the future,
encourages them to persevere with life, and kindles
the hope that justice will yet come and happiness
is behind the mountain they are climbing. They
## p. 14 (#30) ##############################################
14 THOUGHTS OUT OF SEASON.
believe that the meaning of existence will become
ever clearer in the course of its evolution, they
only look backward at the process to understand
the present and stimulate their longing for the
future. They do not know how unhistorical their
thoughts and actions are in spite of all their history,
and how their preoccupation with it is for the sake
of life rather than mere science.
But that question to which we have heard the
first answer, is capable of another; also a "no,"
but on different grounds. It is the "no" of the
"super-historical" man who sees no salvation in
evolution, for whom the world is complete and
fulfils its aim in every single moment. How could
the next ten years teach what the past ten were
not able to teach?
Whether the aim of the teaching be happiness or
resignation, virtue or penance, these super-historical
men are not agreed; but as against all merely
historical ways of viewing the past, they are unani-
mous in the theory that the past and the present
are one and the same, typically alike in all their
diversity, and forming together a picture of eternally
present imperishable types of unchangeable value
and significance. Just as the hundreds of different
languages correspond to the same constant and
elemental needs of mankind, and one who under-
stood,the needs could learn nothing new from the
languages; so the "super-historical" philosopher
sees all the history of nations and individuals from
within. He has a divine insight into the original
meaning of the hieroglyphs, and comes even to be
weary of the letters that are continually unrolled
## p. 15 (#31) ##############################################
THE USE AND ABUSE OF HISTORY. 15
before him. How should the endless rush of events
not bring satiety, surfeit, loathing? So the boldest
of us is ready perhaps at last to say from his heart
with Giacomo Leopardi: "Nothing lives that were
worth thy pains, and the earth deserves not a sigh.
