No More Learning

Compared with it, the hydras of old are laughable.
At certain moments one is tempted to think that the intan-
gible forms which float through our vision encounter in the
realm of the possible, certain magnetic centres to which their
lineaments cling, and that from these obscure fixations of the
living dream, beings spring forth. The unknown has the mar-
velous at its disposal, and it makes use of it to compose the
monster. Orpheus, Homer, and Hesiod were only able to make
the Chimæra: God made the octopus.
When God wills it, he excels in the execrable.
All ideals being admitted, if terror be an object, the octopus
is a masterpiece.
The whale has enormous size, the octopus is small; the hip-
popotamus has a cuirass, the octopus is naked; the jararoca
hisses, the octopus is dumb; the rhinoceros has a horn, the octo-
pus has no horn; the scorpion has a sting, the octopus has no
sting; the buthus has claws, the octopus has no claws; the ape
has a prehensile tail, the octopus has no tail; the shark has sharp
fins, the octopus has no fins; the vespertilio vampire has wings
armed with barbs, the octopus has no barbs; the hedgehog has
quills, the octopus has no quills; the sword-fish has a sword, the
octopus has no sword; the torpedo-fish has an electric shock,
the octopus has none; the toad has a virus, the octopus has no
virus; the viper has a venom, the octopus has no venom; the lion
has claws, the octopus has no claws; the hawk has a beak, the
octopus has no beak; the crocodile has jaws, the octopus has no
teeth.
The octopus has no muscular organization, no menacing cry,
no breastplate, no horn, no dart, no pincers, no prehensile or
bruising tail, no cutting pectoral fins, no barbed wings, no quills,
no sword, no electric discharge, no virus, no venom, no claws, no
beak, no teeth. Of all creatures, the octopus is the most formida-
bly armed.
What then is the octopus? It is the cupping-glass.
In open sea reefs, where the water displays and hides all its
splendors, in the hollows of unvisited rocks, in the unknown caves
where vegetations, crustaceans, and shell-fish abound, beneath the
deep portals of the ocean,- the swimmer who hazards himself
XIII-486


## p. 7762 (#580) ###########################################

7762
VICTOR HUGO
there, led on by the beauty of the place, runs the risk of an
encounter. If you have this encounter, be not curious but fly.
One enters there dazzled, one emerges from thence terrified.
This is the nature of the encounter always possible among
rocks in the open sea.
A grayish form undulates in the water: it is as thick as a
man's arm, and about half an ell long; it is a rag; its form re-
sembles a closed umbrella without a handle. This rag gradually
advances towards you, suddenly it opens: eight radii spread out
abruptly around a face which has two eyes; these radii are
alive; there is something of the flame in their undulation; it is
a sort of wheel; unfolded, it is four or five feet in diameter.
Frightful expansion. This flings itself upon you.
The hydra harpoons its victim.
This creature applies itself to its prey; covers it, and knots its
long bands about it. Underneath, it is yellowish; on top, earth-
colored: nothing can represent this inexplicable hue of dust; one
would pronounce it a creature made of ashes, living in the water.
In form it is spider-like, and like a chameleon in its coloring.
When irritated it becomes violet in hue. Its most terrible qual-
ity is its softness.
Its folds strangle; its contact paralyzes.
It has an aspect of scurvy and gangrene. It is disease em-
bodied in monstrosity.
It is not to be torn away. It adheres closely to its prey.
How? By a vacuum. Its eight antennæ, large at the root,
gradually taper off and end in needles. Underneath each one
of them are arranged two rows of decreasing pustules, the largest
near the head, the smallest ones at the tip. Each row consists
of twenty-five; there are fifty pustules to each antenna, and the
whole creature has four hundred of them. These pustules are
cupping-glasses.
These cupping-glasses are cylindrical, horny, livid cartilages.
On the large species they gradually diminish from the diameter
of a five-franc piece to the size of a lentil. These fragments of
tubes are thrust out from the animal and retire into it. They
can be inserted into the prey for more than an inch.
This sucking apparatus has all the delicacy of a key-board.
It rises, then retreats. It obeys the slightest wish of the animal.
The most exquisite sensibilities cannot equal the contractibility
of these suckers, always proportioned to the internal movements


## p. 7763 (#581) ###########################################

VICTOR HUGO
7763
of the creature and to the external circumstances.
is like a sensitive-plant.
This dragon
This is the monster which mariners call the poulp, which
science calls the cephalopod, and which legend calls the kraken.
English sailors call it the "devil-fish. " They also call it the
"blood-sucker. " In the Channel Islands it is called the pieuvre.
It is very rare in Guernsey, very small in Jersey, very large
and quite frequent in Sark.
A print from Sonnini's edition of Buffon represents an octo-
pus crushing a frigate. Denis Montfort thinks that the octopus
of the high latitudes is really strong enough to sink a ship.
Bory Saint Vincent denies this, but admits that in our latitudes
it does attack man. Go to Sark and they will show you, near
Brecq-Hou, the hollow in the rock where, a few years ago, an
octopus seized and drowned a lobster-fisher.
Péron and Lamarck are mistaken when they doubt whether
the octopus can swim, since it has no fins.
He who writes these lines has seen with his own eyes at
Sark, in the cave called the Shops, an octopus swimming and
chasing a bather. When killed and measured it was found to
be four English feet in spread, and four hundred suckers could
be counted. The dying monster thrust them out convulsively.
According to Denis Montfort, one of those observers whose
strong gift of intuition causes them to descend or to ascend
even to magianism, the octopus has almost the passions of a
man; the octopus hates. In fact, in the absolute, to be hideous
is to hate.
The misshapen struggles under a necessity of elimination, and
this consequently renders it hostile.
THE Octopus when swimming remains, so to speak, in its
sheath. It swims with all its folds held close. Let the reader
picture to himself a sewed-up sleeve with a closed fist inside of
it. This fist, which is the head, pushes through the water, and
advances with a vague, undulating movement.
Its two eyes,
though large, are not very distinct, being the color of the water.
The octopus on the chase or lying in wait, hides; it contracts,
it condenses itself; it reduces itself to the simplest possible ex-
pression. It confounds itself with the shadow. It looks like a
ripple of the waves. It resembles everything except something
living.


## p. 7764 (#582) ###########################################

7764
VICTOR HUGO
When one pays no heed to it,
suddenly it opens.
A glutinous mass possessed of a will-what more frightful?
Glue filled with hatred.
It is in the most beautiful azure of the limpid water that this
hideous, voracious star of the sea arises.
The octopus is a hypocrite.
It gives no warning of its approach, which renders it more
terrible. Almost always, when one sees it, one is already caught.
At night, however, and in breeding season, it is phosphores
cent. This terror has its passions. It awaits the nuptial hour.
It adorns itself, it lights up, it illuminates itself; and from the
summit of a rock one can see it beneath, in the shadowy depths,
spread out in a pallid irradiation,- a spectre sun.
It has no bones, it has no blood, it has no flesh. It is flabby.
There is nothing in it. It is a skin. One can turn its eight
tentacles wrong side out, like the fingers of a glove.
It has a single orifice in the centre of its radiation. Is this
one hole the vent? Is it the mouth? It is both.
The same aperture fulfills both functions.
The entrance is the
exit.
The whole creature is cold.
The carnarius of the Mediterranean is repulsive. An odious
contact has this animated gelatine, which envelops the swimmer,
into which the hands sink, where the nails scratch, which one
rends without killing and tears off without pulling away, a sort
of flowing and tenacious being which slips between one's fingers;
but no horror equals the sudden appearance of the octopus,-
Medusa served by eight serpents.
No grasp equals the embrace of the cephalopod.
It is the pneumatic machine attacking you. You have to
deal with a vacuum furnished with paws. Neither scratches nor
bites; an indescribable scarification. A bite is formidable, but
less so than a suction. A claw is nothing beside the cupping-
glass. The claw means the beast entering into your flesh; the
cupping-glass means yourself entering into the beast.
Your muscles swell, your fibres writhe, your skin cracks
under the foul weight, your blood spurts forth and mingles
frightfully with the lymph of the mollusk. The creature super-
imposes itself upon you by a thousand mouths; the hydra incor-
porates itself with the man; the man amalgamates himself with
the hydra.
You form but one. This dream is upon you. The


## p. 7765 (#583) ###########################################

VICTOR HUGO
7765
tiger can only devour you; the octopus, oh horror! breathes you
in. It draws you to it, and into it; and bound, ensnared, power-
less, you feel yourself slowly emptied into that frightful pond,
which is the monster itself.
Beyond the terrible, being devoured alive, is the inexpressi-
ble, being drunk alive.
SUCH was the creature in whose power Gilliatt had been for
several moments.
This monster was the inhabitant of that grotto. It was the
frightful genius of the place. A sort of sombre demon of the
water.
All these magnificences had horror for their centre.
A month previously, on the day when for the first time Gill-
iatt had made his way into the grotto, the dark outline, of which
he had caught a glimpse in the ripples of the water, was this
octopus.
This was its home.
When Gilliatt, entering that cave for the second time in pur-
suit of the crab, had perceived the crevices in which he thought
the crab had taken refuge, the octopus was lying in wait in that
hole.
Can the reader picture that lying in wait?
Not a bird would dare to brood, not an egg would dare to
hatch, not a flower would dare to open, not a breast would dare
to give suck, not a heart would dare to love, not a spirit would
dare to take flight, if one meditated on the sinister shapes pa-
tiently lying in ambush in the abyss.
Gilliatt had thrust his arm into the hole; the octopus had
seized it.
It held it.
He was the fly for this spider.
Gilliatt stood in water to his waist, his feet clinging to the
slippery roundness of the stones, his right arm grasped and sub-
dued by the flat coils of the octopus's thongs, and his body
almost hidden by the folds and crossings of that horrible band-
age. Of the eight arms of the octopus, three adhered to the
rock while five adhered to Gilliatt. In this manner, clamped cn
one side to the granite, on the other to the man, it chained
Gilliatt to the rock. Gilliatt had two hundred and fifty suckers


## p. 7766 (#584) ###########################################

7766
VICTOR HUGO
upon him.
A combination of anguish and disgust. To be
crushed in a gigantic fist, whose elastic fingers, nearly a metre
in length, are inwardly full of living pustules which ransack
your flesh.
As we have said, one cannot tear one's self away from the
octopus. If one attempts it, one is but the more surely bound.
It only clings the closer. Its efforts increase in proportion to
yours. A greater struggle produces a greater constriction.
Gilliatt had but one resource,- his knife.
He had only his left hand free; but as the reader knows, he
could make powerful use of it. It might have been said of him
that he had two right hands.
His open knife was in his hand.
The tentacles of an octopus cannot be cut off; it is leathery
and difficult to sever, it slips away from under the blade. More-
over, the superposition is such that a cut into these thongs would
attack your own flesh.
The octopus is formidable; nevertheless there is a way of
getting away from it. The fishermen of Sark are acquainted
with it; any one who has seen them executing abrupt move-
ments at sea knows it. Porpoises also know it: they have a
way of biting the cuttlefish which cuts off its head. Hence all
the headless squids and cuttlefish which are met with on the
open sea.
The octopus is in fact vulnerable only in the head.
Gilliatt was not ignorant of this fact.
He had never seen an octopus of this size. He found himself
seized at the outset by one of the larger species. Any other
man would have been terrified.
In the case of the octopus as in that of the bull, there is
a certain moment at which to seize it: it is the instant when
the bull lowers his neck, it is the instant when the octopus
thrusts forward its head - a sudden movement. He who misses
that juncture is lost.
All that we have related lasted but a few minutes. But
Gilliatt felt the suction of the two hundred and fifty cupping-
glasses increasing.
The octopus is cunning. It tries to stupefy its prey in the
first place. It seizes, then waits as long as it can.
Gilliatt held his knife. The suction increased.
He gazed at the octopus, which stared at him.


## p. 7767 (#585) ###########################################

VICTOR HUGO
7767
All at once the creature detached its sixth tentacle from the
rock, and launching it at him, attempted to seize his left arm.
At the same time it thrust its head forward swiftly. A second
more and its mouth would have been applied to Gilliatt's breast.
Gilliatt, wounded in the flank and with both arms pinioned,
would have been a dead man.
But Gilliatt was on his guard. Being watched, he watched.
He avoided the tentacle, and at the moment when the creat-
ure was about to bite his breast, his armed fist descended on the
monster.
Two convulsions in opposite directions ensued: that of Gilliatt
and that of the octopus.
It was like the conflict of two flashes of lightning.
Gilliatt plunged the point of his knife into the flat, viscous
mass, and with a twisting movement, similar to the flourish of a
whip, describing a circle around the two eyes, he tore out the
head as one wrenches out a tooth.
It was finished.
The whole creature dropped.
It resembled a sheet detaching itself. The air-pump destroyed,
the vacuum no longer existed. The four hundred suckers released
their hold, simultaneously, of the rock and the man.
It sank to the bottom.
Gilliatt, panting with the combat, could perceive on the rocks
at his feet two shapeless, gelatinous masses, the head on one
side, the rest on the other. We say "the rest," because one
could not say the body.
Gilliatt, however, fearing some convulsive return of agony,
retreated beyond the reach of the tentacles.
But the monster was really dead.
Gilliatt closed his knife.
IT WAS time that Gilliatt killed the octopus. He was almost
strangled; his right arm and his body were violet in hue; more
than two hundred swellings were outlined upon them; the blood
spurted from some of them here and there. The remedy for
these wounds is salt water: Gilliatt plunged into it. At the same
time he rubbed himself with the palm of his hand. The swell-
ings subsided under this friction.


## p. 7768 (#586) ###########################################

7768
ALEXANDER VON HUMBOLDT
(1769-1859)
B
ARON Friedrich Heinrich Alexander von Humboldt, better
known as Alexander von Humboldt, the scientist and au-
thor, was one of those rare scholars who, while devoting
themselves to the pursuit of exact knowledge, and leaving works of
moment in the advance of human thought, possess a general culture
and a gift of expression which give their work distinct value to the
student of literature.
Humboldt was born in Berlin, September 14th, 1769. His father
was an officer of high rank in the Seven Years' War, and afterwards
a court chamberlain. The son first received private instruction, with
his elder brother Wilhelm, the celebrated scholar and statesman, and
then studied philology, history, and other branches, at Frankfort
and Göttingen, making occasional trips to the Hartz Mountains or on
the Rhine, a result of these jaunts being a monograph on a geo-
logical subject. In 1790 came travel in Holland, Belgium, England,
and France, an experience which first suggested further travels in
far-lying tropic lands; then came more study at a trades-school in
Hamburg and at the well-known Mining School at Freiburg. His
work won for him in 1792 the position of mining engineer; and tours
in Switzerland and the Tyrol gave him material for several volumes in
geological or chemical fields. The year 1799 marked a turning-point
in his career; for he resigned his post in order to give himself unre-
servedly to the study of science. Some months were spent in Jena,
where he enjoyed the society of Goethe and Schiller; starting in 1797,
in company with Bonpland, the distinguished French botanist, upon
a series of wanderings in Spain, Switzerland, Italy, and France.
In
1799, still with his fellow scientist, he set out for South America, and
spent five years in that country and in Mexico, engaged in various
investigations; his adventures including the climbing of Chimborazo
to an altitude higher than had hitherto been attained. Except for
occasional visits to Berlin and other cities, he resided by permission
of the German king in Paris, pursuing his researches, writing and
preparing for the press his many treatises: but finally came back to
Berlin for good and all in 1827, to begin his famous lectures at the
University upon physical geography; holding too the position of court.
chamberlain, like his father before him. His natal city was his home
until his death more than thirty years later.


## p. 7769 (#587) ###########################################

ALEXANDER VON HUMBOLDT
7769
In 1829, at the instigation of the Russian Emperor Nicholas, he
undertook with other scientists a journey to Siberia and the Caspian
Sea. During the next decade he executed several government mis-
sions in Paris; was instrumental in organizing observation stations,
which led to the fine system of meteorological stations now obtain-
ing in Germany; and completed the editing of one of his greatest
works, the 'Critical Examination of the History of Geography of the
New Continent,' written in the French tongue. With the exception
of brief journeys to England and Denmark in 1841 and 1845, Hum-
boldt remained in Germany, and with the zeal and enthusiasm of
a young man carried on his labors as teacher and scholar in Berlin;
the richest fruits of which are seen in his master work 'Cosmos: A
Sketch of a Physical Cosmography (1845-1858). This comprehensive
study of the physical universe exhibits the rare union of qualities
which makes Humboldt truly a genius in science. Of encyclopædic
knowledge, a specialist pursuing technical analyses to their minutest
details, the founder of meteorology and physical geography, a discov-
erer on the subjects of sea and plant life, a thinker who did original
work in geology, astronomy, zoölogy, botany, and mineralogy,― he
yet had the synthetic grasp, the insatiable desire for an all-embracing
conception of the world of matter. He used his wonderful acquire-
ments as a foundation upon which to rear a lofty structure whence
all nature might be viewed and a sense of her as a living whole be
gained. The 'Cosmos,' because of this broad outlook and nobility of
spirit, is a unique work in scientific literature. Its general scheme
embraces a fine introduction,- from which the selections below are
chosen, in which the author's views on Nature as a vast organic
unity are set forth with eloquence; a grand review of natural phe-
nomena, sidereal and terrestrial, and including the study of man as
an inhabitant of the planet; followed by a consideration of the incite-
ments to nature's study found in the literature of many lands; and
concluded by a sweeping survey of the progress among mankind of
natural conceptions with regard to the universe. There is nothing
dry or repellently technical about the treatment, which is broad, pro-
foundly ethical, and aglow with elevated feeling.
Humboldt, moreover, showed himself be a man of wide human
sympathy by presenting his theories and discoveries in lectures and
popular articles, simply and plainly, so that those who ran could
read and understand. It was natural that one who had this catholic
sympathy, this feeling for the ideal significance of the natural world,
this wish to put it before his fellow-men in the way of literature
rather than of science, should have done writing of artistic worth.
A list of Humboldt's works would be very long, and is necessa-
rily omitted. He died May 6th, 1859, at the great age of ninety. He


## p. 7770 (#588) ###########################################

ALEXANDER VON HUMBOLDT
7770
was, as a German critic remarks, the Nestor of scientific investigators
in his own land, and indeed in Europe. As his statue is one of
the proud ornaments of the stately entrance of Berlin University, so
he himself is one of the proud intellectual adornments of his race,
a race conspicuous in the accomplishments of learning and genius.
THE BEAUTY AND UNITY OF NATURE
From 'Cosmos: A Sketch of a Physical Description of the Universe'
-
IN
N ATTEMPTING, after a long absence from my native country,
to develop the physical phenomena of the globe and the
simultaneous action of the forces that pervade the regions
of space, I experience a twofold cause of anxiety. The subject
before me is so inexhaustible and so varied, that I fear either
to fall into the superficiality of the encyclopædist, or to weary
the mind of my reader by aphorisms consisting of mere gener
alities clothed in dry and dogmatical forms. Undue conciseness
often checks the flow of expression, whilst diffuseness is detri-
mental to a clear and precise exposition of our ideas. Nature is
a free domain; and the profound conceptions and enjoyments
she awakens within us can only be vividly delineated by thought
clothed in exalted forms of speech, worthy of bearing witness to
the majesty and greatness of the creation.
In considering the study of physical phenomena, not merely
in its bearings on the material wants of life, but in its general
influence on the intellectual advancement of mankind, we find its
noblest and most important result to be a knowledge of the chain
of connection by which all natural forces are linked together and
made mutually dependent upon each other; and it is the per-
ception of these relations that exalts our views and ennobles our
enjoyments. Such a result, however, can only be reaped as the
fruit of observation and intellect, combined with the spirit of
the age, in which are reflected all the varied phases of thought.
He who can trace, through bygone times, the stream of our
knowledge to its primitive source, will learn from history how for
thousands of years man has labored, amid the ever recurring
changes of form, to recognize the invariability of natural laws,
and has thus by the force of mind gradually subdued a great
portion of the physical world to his dominion. In interrogating
the history of the past, we trace the mysterious course of ideas


## p. 7771 (#589) ###########################################

ALEXANDER VON HUMBOLDT
7771
yielding the first glimmering perception of the same image of a
Cosmos, or harmoniously ordered whole, which, dimly shadowed
forth to the human mind in the primitive ages of the world, is
now fully revealed to the maturer intellect of mankind as the
result of long and laborious observation.
Each of those epochs of the contemplation of the external
world - the earliest dawn of thought, and the advanced stage of
civilization has its own source of enjoyment. In the former,
this enjoyment, in accordance with the simplicity of the primi-
tive ages, flowed from an intuitive feeling of the order that was
proclaimed by the invariable and successive reappearance of the
heavenly bodies, and by the progressive development of organized
beings; whilst in the latter, this sense of enjoyment springs from
a definite knowledge of the phenomena of nature. When man
began to interrogate nature, and not content with observing,
learnt to evoke phenomena under definite conditions; when once.
he sought to collect and record facts, in order that the fruit of
his labors might aid investigation after his own brief existence.
had passed away,-the philosophy of Nature cast aside the vague
and poetic garb in which she had been enveloped from her ori-
gin; and having assumed a severer aspect, she now weighs the
value of observations, and substitutes induction and reasoning for
conjecture and assumption. The dogmas of former ages survive
now only in the superstitions of the people and the prejudices of
the ignorant, or are perpetuated in a few systems, which, con-
scious of their weakness, shroud themselves in a veil of mystery.
We may also trace the same primitive intuitions in languages
exuberant in figurative expressions; and a few of the best chosen
symbols engendered by the happy inspiration of the earliest ages,
having by degrees lost their vagueness through a better mode of
interpretation, are still preserved amongst our scientific terms.
Nature considered rationally-that is to say, submitted to
the process of thought-is a unity in diversity of phenomena;
a harmony, blending together all created things, however dis-
similar in form and attributes; one great whole (rò a) animated
by the breath of life. The most important result of a rational
inquiry into nature is therefore to establish the unity and har-
mony of this stupendous mass of force and matter, to determine
with impartial justice what is due to the discoveries of the past
and to those of the present, and to analyze the individual parts
of natural phenomena without succumbing beneath the weight of
-


## p. 7772 (#590) ###########################################

7772
ALEXANDER VON HUMBOLDT
the whole. Thus, and thus alone, is it permitted to man, while
mindful of the high destiny of his race, to comprehend nature,
to lift the veil that shrouds her phenomena, and as it were, sub-
mit the results of observation to the test of reason and intellect.
In reflecting upon the different degrees of enjoyment presented
to us in the contemplation of nature, we find that the first place
must be assigned to a sensation which is wholly independent
of an intimate acquaintance with the physical phenomena pre-
sented to our view, or of the peculiar character of the region
surrounding us. In the uniform plain bounded only by a distant
horizon, where the lowly heather, the cistus, or waving grasses
deck the soil; on the ocean shore, where the waves softly rip-
pling over the beach leave a track green with the weeds of the
sea: everywhere the mind is penetrated by the same sense of
the grandeur and vast expanse of nature, revealing to the soul
by a mysterious inspiration the existence of laws that regulate
the forces of the universe. Mere communion with nature, mere
contact with the free air, exercises a soothing yet strengthening
influence on the wearied spirit, calms the storm of passion, and
softens the heart when shaken by sorrow to its inmost depths.
Everywhere, in every region of the globe, in every stage of intel-
lectual culture, the same sources of enjoyment are alike vouch-
safed to man. The earnest and solemn thoughts awakened by
a communion with nature intuitively arise from a presentiment
of the order and harmony pervading the whole universe, and
from the contrast we draw between the narrow limits of our
own existence and the image of infinity revealed on every side;
whether we look upwards to the starry vault of heaven, scan the
far-stretching plain before us, or seek to trace the dim horizon
across the vast expanse of ocean.
The contemplation of the individual characteristics of the
landscape, and of the conformation of the land in any definite
region of the earth, gives rise to a different source of enjoyment,
awakening impressions that are more vivid, better defined, and
more congenial to certain phases of the mind than those of which
we have already spoken. At one time the heart is stirred by a
sense of the grandeur of the face of nature, by the strife of the
elements, or as in Northern Asia, by the aspect of the dreary
barrenness of the far-stretching steppes; at another time softer
emotions are excited by the contemplation of rich harvest wrested
by the hand of man from the wild fertility of nature, or by the


## p. 7773 (#591) ###########################################

ALEXANDER VON HUMBOLDT
7773
sight of human habitations raised beside some wild and foaming
torrent. Here I regard less the degree of intensity, than the dif-
ference existing in the various sensations that derive their charm.
and permanence from the peculiar character of the scene.
If I might be allowed to abandon myself to the recollections
of my own distant travels, I would instance among the most
striking scenes of nature the calm sublimity of a tropical night,
when the stars, not sparkling as in our northern skies, shed
their soft and planetary light over the gently heaving ocean; or I
would recall the deep valleys of the Cordilleras, where the tall
and slender palms pierce the leafy veil around them, and waving
on high their feathery and arrow-like branches, form, as it were,
«< a forest above a forest"; or I would describe the summit of the
Peak of Teneriffe, when a horizontal layer of clouds, dazzling
in whiteness, has separated the cone of cinders from the plain
below, and suddenly the ascending current pierces the cloudy
veil, so that the eye of the traveler may range from the brink
of the crater, along the vine-clad slopes of Orotava, to the orange
gardens and banana groves that skirt the shore. In scenes like
these, it is not the peaceful charm uniformly spread over the
face of nature that moves the heart, but rather the peculiar
physiognomy and conformation of the land, the features of the
landscape, the ever-varying outline of the clouds, and their blend-
ing with the horizon of the sea, whether it lies spread before us
like a smooth and shining mirror, or is dimly seen through the
morning mist. All that the senses can but imperfectly compre-
hend, all that is most awful in such romantic scenes of nature,
may become a source of enjoyment to man by opening a wide
field to the creative powers of his imagination. Impressions
change with the varying movements of the mind, and we are led
by a happy illusion to believe that we receive from the external
world that with which we have ourselves invested it.
*
When, far from our native country, after a long voyage, we
tread for the first time the soil of a tropical land, we experi-
ence a certain feeling of surprise and gratification in recognizing
in the rocks that surround us the same inclined schistose strata,
and the same columnar basalt covered with cellular amygdaloids,
that we had left in Europe, and whose identity of character in
latitudes so widely different reminds us that the solidification of
the earth's crust is altogether independent of climatic influences.
But these rocky masses of schist and of basalt are covered with


## p. 7774 (#592) ###########################################

7774
ALEXANDER VON HUMBOLDT
vegetation of a character with which we are unacquainted, and of
a physiognomy wholly unknown to us; and it is then, amid the
colossal and majestic forms of an exotic flora, that we feel how
wonderfully the flexibility of our nature fits us to receive new
impressions, linked together by a certain secret analogy. We
so readily perceive the affinity existing amongst all the forms
of organic life, that although the sight of a vegetation similar
to that of our native country might at first be most welcome to
the eye, as the sweet familiar sounds of our mother tongue are
to the ear, we nevertheless, by degrees and almost imperceptibly,
become familiarized with a new home and a new climate. As a
true citizen of the world, man everywhere habituates himself to
that which surrounds him: yet, fearful as it were of breaking
the links of association that bind him to the home of his child-
hood, the colonist applies to some few plants in a far distant
clime the names he had been familiar with in his native land;
and by the mysterious relations existing amongst all types of
organization, the forms of exotic vegetation present themselves
to his mind as nobler and more perfect developments of those he
had loved in earlier days. Thus do the spontaneous impressions
of the untutored mind lead, like the laborious deductions of cul-
tivated intellect, to the same intimate persuasion that one sole
and indissoluble chain binds together all nature.
THE STUDY OF THE NATURAL SCIENCES
From Cosmos: A Sketch of a Physical Description of the Universe'
N EQUAL appreciation of all branches of the mathematical,
A physical, and natural sciences is a special requirement of
the present age, in which the material wealth and the
growing prosperity of nations are principally based upon a more
enlightened employment of the products and forces of nature.
The most superficial glance at the present condition of Europe
shows that a diminution, or even a total annihilation, of national
prosperity, must be the award of those States which shrink with
slothful indifference from the great struggle of rival nations in
the career of the industrial arts. It is with nations as with
nature, which, in the happy expression of Goethe, "knows no pause
in progress and development, and attaches her curse on all in-
action. " The propagation of an earnest and sound knowledge of


## p. 7775 (#593) ###########################################

ALEXANDER VON HUMBOLDT
7775
science can therefore alone avert the dangers of which I have
spoken. Man cannot act upon nature, or appropriate her forces
to his own use, without comprehending their full extent and
having an intimate acquaintance with the laws of the physical
world. Bacon has said that in human societies, knowledge is
power. Both must sink and rise together. But the knowledge
that results from the free action of thought is at once the delight
and the indestructible prerogative of man; and in forming part
of the wealth of mankind, it not infrequently serves as a substi-
tute for the natural riches which are but sparingly scattered over
the earth. Those States which take no active part in the general
industrial movement, in the choice and preparation of natural
substances, or in the application of mechanics and chemistry, and
among whom this activity is not appreciated by all classes of
society, will infallibly see their prosperity diminish in proportion
as neighboring countries become strengthened and invigorated
under the genial influence of arts and sciences.
As in nobler spheres of thought and sentiment—in philoso-
phy, poetry, and the fine arts- the object at which we aim ought
to be an inward one, an ennoblement of the intellect, so ought
we likewise, in our pursuit of science, to strive after a knowledge
of the laws and the principles of unity that pervade the vital
forces of the universe; and it is by such a course that physical
studies may be made subservient to the progress of industry,
which is a conquest of mind over matter. By a happy connec-
tion of causes and effects, we often see the useful linked to the
beautiful and the exalted. The improvement of agriculture in the
hands of freemen and on properties of a moderate extent, the
flourishing state of the mechanical arts when freed from the tram-
mels of municipal restrictions, the increased impetus imparted to
commerce by the multiplied means of contact of nations with
each other, are all brilliant results of the intellectual progress of
mankind, and of the amelioration of political institutions in which
this progress is reflected. The picture presented by modern his-
tory ought to convince those who are tardy in awakening to the
truth of the lesson it teaches.
Nor let it be feared that the marked predilection for the study
of nature, and for industrial progress, which is so characteristic
of the present age, should necessarily have a tendency to retard
the noble exertions of the intellect in the domains of philosophy,
classical history, and antiquity; or to deprive the arts by which


## p. 7776 (#594) ###########################################

7776
ALEXANDER VON HUMBOLDT
life is embellished of the vivifying breath of imagination. Where
all the germs of civilization are developed beneath the ægis of
free institutions and wise legislation, there is no cause for appre-
hending that any one branch of knowledge should be cultivated
to the prejudice of others. All afford the State precious fruits,
whether they yield nourishment to man and constitute his physi-
cal wealth, or whether, more permanent in their nature, they
transmit in the works of mind the glory of nations to remotest
posterity. The Spartans, notwithstanding their Doric austerity,
prayed the gods to grant them "the beautiful with the good. "
I will no longer dwell upon the considerations of the influ-
ence exercised by the mathematical and physical sciences on all
that appertains to the material wants of social life; for the vast
extent of the course on which I am entering forbids me to insist
further upon the utility of these applications. Accustomed to
distant excursions, I may perhaps have erred in describing the
path before us as more smooth and pleasant than it really is, for
such is wont to be the practice of those who delight in guiding
others to the summits of lofty mountains: they praise the view
even when a great part of the distant plains lie hidden by clouds,
knowing that this half-transparent vapory veil imparts to the scene
a certain charm from the power exercised by the imagination over
the domain of the senses. In like manner, from the height occu-
pied by the physical history of the world, all parts of the horizon
will not appear equally clear and well defined. This indistinct-
ness will not, however, be wholly owing to the present imperfect
state of some of the sciences, but in part likewise to the unskill-
fulness of the guide who has imprudently ventured to ascend these
lofty summits.


## p. 7776 (#595) ###########################################



## p. 7776 (#596) ###########################################


DAVID HUME.


## p. 7776 (#597) ###########################################

"
6t
P
、་
}
18 1
*****
vote on eit to ti. . "
the Treatie
:: and party in 179
1 for the Passions
Is' in the later v
The Treatise of H-Y
isition of the fu don
phop. the a hol to
and be
65.
Knowledge is th
is 1 N
Tre
plea of c
+1
*
According
terul ".
*
+35
. !
XIA
**
•
0.
No so.
def
1'
SEX
T
61 SE
[
EFTH GIVAL
Hize, t
1
dvised them
"
"
1) m
1:s and
? t:
one can have 9713 . !
I
ore's impression of th.
at in the famous Essay
to and 12 of proof.
T: Treatise of H . . .
MC 1. Its mist striking
viona tv. Hara oved it.
MII-37
>
,"1
. 1. 1
Pane, to give t
Miracles
I
7 Jul
Nath &
terisn
11
"
il
1)
TIP
1:
*** it
and learning
CX
112 P**
URSULACAN JO
" 5 !
40, S,
III.
hat the gre
wont tik ga
order to
t
1)
1
al at
dstod
Lock
HIS
bished ry in
11.
Camper is 19, 4. 1
Cat entelor
nest con. plete
LAG EY
"J
and I
d. de emica ed
" in pre-
essio
- 1) . .
3.
ptions
2. I
TOS
61


## p. 7776 (#598) ###########################################

EX
DAVID HUM-


## p. 7777 (#599) ###########################################

7777
-
XIII-487
DAVID HUME
(1711-1776)
D
SAVID HUME not only founded the literary school of English his-
torical writing, and originated some of the more important
doctrines of modern political economy, but also exercised
a paramount influence on the philosophic thought of the eighteenth
century.
He was the younger son of Joseph Hume, laird of Ninewells in
Berwickshire; and was born at Edinburgh April 26th (O. S. ), 1711.
He appears to have entered the University of Edinburgh at the age
of twelve, and to have left at fourteen or fifteen without taking a
degree. He began the study of law, but abandoned it in order to
devote himself to the "pursuits of philosophy and learning. " His
first work, the Treatise of Human Nature,' was published partly in
1739 and partly in 1740; the books entitled 'Of the Understanding'
and 'Of the Passions' appearing in the former, and that entitled 'Of
Morals in the latter year.
The Treatise of Human Nature' is the final and most complete
exposition of the fundamental principles of the old school of empirical
philosophy, the school to which belonged Bacon, Locke, and Berke-
ley. According to Hume, the contents of the mind are embraced
in the term "perceptions. " Perceptions consist of sensuous impres-
sions and ideas. Ideas are merely images of sensuous impressions.
Knowledge is the cognition of the relation between two perceptions.
There is no necessary connection between cause and effect. The
idea of cause depends on the habit of the mind which expects the
event that usually follows another. Mind is but a series or succession
of isolated impressions and ideas. As knowledge is dependent on
experience derived through the senses, and as the senses frequently
deceive, one can have no absolute knowledge of things, but only of
one's impression of them. Hence, to give the conclusion later arrived
at in the famous 'Essay on Miracles,' a miracle even genuine is
incapable of proof.
The Treatise of Human Nature' is clear, forcible, and untech-
nical. Its most striking characteristics are its spontaneity and indi-
viduality. Hume owed little to academic training, and wrote his
BY M. A. MIKKELSEN


## p. 7778 (#600) ###########################################

7778
DAVID HUME
earlier works at a distance from centres of learning, without access
to large libraries. The literary beauties of the Treatise,' however,
are marred by its structural defects. It is a series of brilliant frag-
ments rather than a well-rounded whole, and is concerned more with
criticism of metaphysical opinions from the point of view of Hume's
theory of knowledge than with the construction of a complete system
of philosophy.
(
In 1741 appeared the first volume of the Essays, Moral and Polit-
ical,' the second volume coming out in the following year. These
essays, with some additions and omissions, were republished in 1748
under the expanded title, Essays, Moral, Political, and Literary,'
which has been retained in the many subsequent editions. Hume's
essays are models of their kind, full of sparkle, interest, and anima-
tion.
As an essayist he has not been surpassed in purity of diction,
and no English writer except Addison equals him in the sense of
harmony. His essays are characterized by intellectual impartiality,
and by a philosophical breadth of view coupled with critical acute-
ness in matters of detail. His Political Discourses,' which were
written in the same vein as the Essays, appeared in 1752.
The Essays' and the 'Political Discourses' achieved great popu
larity both in England and on the Continent. Since the publication
of Montesquieu's 'Spirit of Laws' no other work on politics had
attracted so much attention as the 'Political Discourses. ' In France
particularly it was read by all classes, and was an important intel-
lectual factor in the political agitation which preceded the French
Revolution. In England Hume's views on money, trade, and govern-
ment were generally accepted; and if the French Revolution had not
occasioned a conservative reaction, free trade and electoral reform
would probably have been adopted by Parliament in the eighteenth
instead of in the nineteenth century.
The 'Political Discourses' has been called "the cradle of political
economy. »
It advanced original views on the subject of commerce,
on money, on interest, and on the balance of trade; views which
were afterwards adopted by Hume's close friend, Adam Smith. Hume
refutes the mercantilist error which confounded money with wealth.
"Men and commodities," he says, "are the real strength of any
community.
In the national stock of labor consists all real
power and riches. " He exposes the error of the theory that the rate
of interest depends on the quantity of money in a country, and
shows that the reduction of it must be the result of "the increase of
industry and frugality, of arts and commerce. " He condemns the
«< numberless bars, obstructions, and imposts which all nations of
Europe, and none more than England, have put upon trade," and
points out the international character of commerce. "Not only as a


## p. 7779 (#601) ###########################################

DAVID HUME
7779
man, but as a British subject," he says, "I pray for the flourishing
commerce of Germany, Spain, Italy, and even of France itself. "
Till the age of forty, Hume's life was spent chiefly in the seclus-
ion of Ninewells, the family estate; interrupted by a sojourn of three
years in France from 1734 to 1737, by a few months' absence as com-
panion to the Marquis of Annandale in 1745 and 1746, and by a short
period of service as secretary to General St. Clair, whom he accom-
panied on the expedition against Port L'Orient in 1746 and on a mili-
tary embassy to Vienna and Turin. In 1751 he removed to Edinburgh,
where in the following year he was appointed keeper of the library
of the Faculty of Advocates, a post which he occupied until 1757.
The library of the Faculty was the largest in Scotland, and afforded
him an opportunity, long desired, of turning his attention to historical
studies. In 1754 he published a volume on the reigns of James I.
and Charles I. ; followed in 1756 by a volume on the period from the
execution of Charles to the Revolution of 1688, in 1759 by two vol-
umes on the house of Tudor, and in 1761 by two more on the period
from Julius Cæsar to Henry VII. Thus in the short space of ten
years he wrote and published his famous 'History of Great Britain,'
covering the entire period from the Roman conquest to the Revolution
of 1688.
ture.
Until the advent of Hume as a historian, history cannot be said
to have been cultivated in Great Britain as a branch of polite litera-
His predecessors were laborious compilers of dates and facts,
having no appreciation of the aesthetic possibilities of historical com-
position. Hume brought to his task consummate literary skill, and a
mind stored with the results of philosophical study and of economic
and political investigations. He was the first Englishman to see that
history is not merely a record of war and court intrigue, but that it
is concerned also with the literature, the manners, and the conditions
of life of the people. His profound psychological analysis of char-
acter, his insight into the complex social forces of history, and the
grace and charm of his style, won the admiration of his contempo-
raries; and the 'History of Great Britain' has furnished a method
to all subsequent English historical writers. In spite of a general air
of impartiality, however, Hume's history is as much a Tory as Mac-
aulay's is a Whig "pamphlet. " Thus, for instance, he draws a very
favorable picture of Charles I. and depreciates Cromwell. The expla-
nation is to be sought in the facts that he had no sympathy with
the religious enthusiasm of the Roundhead sectaries, and that he
conceived all intellectual culture and refinement to have been the
property of the court and the cavaliers. Recent investigations have
shown also that he used his authorities in an extremely careless man-
ner, and that he neglected documentary evidence at his command.


## p. 7780 (#602) ###########################################

7780
DAVID HUME
Since the rise of the modern critical school of history his work has
in fact been largely superseded. Nevertheless, it stood for generations
without a rival, and is even now almost unrivaled as a piece of
literary composition.
In 1763 he accepted the post of secretary to Lord Hertford, then
ambassador to France. In France Hume's reputation stood even
higher than in Britain, and he immediately became a social lion in
the Parisian world of fashion. Great nobles fêted him, and gather-
ings at noted salons were incomplete without his presence. He left
France in 1766, and after a short term as Under-Secretary of State
(1767-69) returned to Edinburgh, where he died August 25th, 1776.
Among his works of importance not hitherto mentioned are
Philosophical Essays concerning Human Understanding'; 'An En-
quiry concerning the Principles of Morals'; and 'Dialogues concern-
ing Natural Religion. '
(
Hume's personal character was thus described by himself in his
Autobiography, written four months before his death:-“I am . .
a man of mild disposition, of command of temper, of an open, social,
and cheerful humor, capable of attachment but little susceptible of
enmity, and of great moderation in all my passions. " The accuracy
of this description is confirmed by the testimony of his contemporaries
and the tone of his private correspondence. It was not until he had
reached middle age that he was able to gratify his taste for intel-
lectual society by removing from the country to the town, "the true
scene for a man of letters. " In his correspondence of 1751, the year
in which he settled in Edinburgh, appeared a characteristic bit of
domestic economy. "I might perhaps pretend as well as others to
complain of fortune," he wrote to Michael Ramsay; "but I do not,
and would condemn myself as unreasonable if I did. While interest
remains as at present, I have £50 a year, £100 worth of books, . .