No More Learning

GOOD FRIDAY.


Am I a stone and not a sheep
That I can stand, O Christ, beneath Thy Cross,
To number drop by drop Thy Blood's slow loss,
And yet not weep?

Not so those women loved
Who with exceeding grief lamented Thee;
Not so fallen Peter weeping bitterly;
Not so the thief was moved;

Not so the Sun and Moon
Which hid their faces in a starless sky,
A horror of great darkness at broad noon,--
I, only I.

Yet give not o'er,
But seek Thy sheep, true Shepherd of the flock;
Greater than Moses, turn and look once more
And smite a rock.



THE LOWEST PLACE.


Give me the lowest place: not that I dare
Ask for that lowest place, but Thou hast died
That I might live and share
Thy glory by Thy side.

Give me the lowest place: or if for me
That lowest place too high, make one more low
Where I may sit and see
My God and love Thee so.



A PAGEANT AND OTHER POEMS.


Sonnets are full of love, and this my tome
Has many sonnets: so here now shall be
One sonnet more, a love sonnet, from me
To her whose heart is my heart's quiet home,
To my first Love, my Mother, on whose knee
I learnt love-lore that is not troublesome;
Whose service is my special dignity,
And she my loadstar while I go and come.
And so because you love me, and because
I love you, Mother, I have woven a wreath
Of rhymes wherewith to crown your honored name:
In you not fourscore years can dim the flame
Of love, whose blessed glow transcends the laws
Of time and change and mortal life and death.



THE KEY-NOTE.


Where are the songs I used to know,
Where are the notes I used to sing?
I have forgotten everything
I used to know so long ago;
Summer has followed after Spring;
Now Autumn is so shrunk and sere,
I scarcely think a sadder thing
Can be the Winter of my year.

Yet Robin sings through Winter's rest,
When bushes put their berries on;
While they their ruddy jewels don,
He sings out of a ruddy breast;
The hips and haws and ruddy breast
Make one spot warm where snowflakes lie
They break and cheer the unlovely rest
Of Winter's pause--and why not I?



THE MONTHS:

A Pageant.


PERSONIFICATIONS.

_Boys. _ _Girls. _
January. February.
March. April.
July. May.
August. June.
October. September.
December. November.

Robin Redbreasts; Lambs and Sheep; Nightingale and
Nestlings.

Various Flowers, Fruits, etc.

_Scene_: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire. ]


_January. _

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

[Stirs the fire.

Crackle, sparkle, fagot; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


Here's butter for my hunch of bread,
And sugar for your crumb;
Here's room upon the hearthrug,
If you'll only come.

In your scarlet waistcoat,
With your keen bright eye,
Where are you loitering?
Wings were made to fly!

Make haste to breakfast,
Come and fetch your crumb,
For I'm as glad to see you
As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand. ]

_January. _

Good-morrow, sister.

_February. _

Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her. ]

_February. _

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the horny ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight. ]

The lambkin tottering in its walk
With just a fleece to wear;
The snowdrop drooping on its stalk
So slender,--
Snowdrop and lamb, a pretty pair,
Braving the cold for our delight,
Both white,
Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro. ]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones. ]

_February. _

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

_March. _

[Stopping short on the threshold. ]

I blow an arouse
Through the world's wide house
To quicken the torpid earth:
Grappling I fling
Each feeble thing,
But bring strong life to the birth.
I wrestle and frown,
And topple down;
I wrench, I rend, I uproot;
Yet the violet
Is born where I set
The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background. ]

And in my wake
Frail wind-flowers quake,
And the catkins promise fruit.
I drive ocean ashore
With rush and roar,
And he cannot say me nay:
My harpstrings all
Are the forests tall,
Making music when I play.
And as others perforce,
So I on my course
Run and needs must run,
With sap on the mount
And buds past count
And rivers and clouds and sun,
With seasons and breath
And time and death
And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song. ]

_April. _

[Outside. ]

Pretty little three
Sparrows in a tree,
Light upon the wing;
Though you cannot sing
You can chirp of Spring:
Chirp of Spring to me,
Sparrows, from your tree.

Never mind the showers,
Chirp about the flowers
While you build a nest:
Straws from east and west,
Feathers from your breast,
Make the snuggest bowers
In a world of flowers.

You must dart away
From the chosen spray,
You intrusive third
Extra little bird;
Join the unwedded herd!
These have done with play,
And must work to-day.

_April. _

[Appearing at the open door. ]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

_March. _

You're hope and sweetness, April.

_April. _

Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them. ]

_April. _

What beaks you have, you funny things,
What voices shrill and weak;
Who'd think that anything that sings
Could sing through such a beak?
Yet you'll be nightingales one day,
And charm the country-side,
When I'm away and far away
And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round. ]

_April. _

Ah May, good-morrow May, and so good-bye.

_May. _

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden. ]

_May. _

And gathering flowers I listened to the song
Of every bird in bower.
The world and I are far too full of bliss
To think or plan or toil or care;
The sun is waxing strong,
The days are waxing long,
And all that is,
Is fair.

Here are my buds of lily and of rose,
And here's my namesake-blossom, may;
And from a watery spot
See here forget-me-not,
With all that blows
To-day.

Hark to my linnets from the hedges green,
Blackbird and lark and thrush and dove,
And every nightingale
And cuckoo tells its tale,
And all they mean
Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

_May. _

Surely you're come too early, sister June.

_June. _

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds. ]

_June. _

The sun does all my long day's work for me,
Raises and ripens everything;
I need but sit beneath a leafy tree
And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling. ]

_July. _

[Behind the scenes. ]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes. ]

_June. _

What, here already?

_July. _

Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

[Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor. ]

_July. _

The roar of a storm sweeps up
From the east to the lurid west,
The darkening sky, like a cup,
Is filled with rain to the brink;

The sky is purple and fire,
Blackness and noise and unrest;
The earth, parched with desire,
Opens her mouth to drink.

Send forth thy thunder and fire,
Turn over thy brimming cup,
O sky, appease the desire
Of earth in her parched unrest;
Pour out drink to her thirst,
Her famishing life lift up;
Make thyself fair as at first,
With a rainbow for thy crest.

Have done with thunder and fire,
O sky with the rainbow crest;
O earth, have done with desire,
Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain. ]

_July. _

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery. ]

_August. _

Wheat sways heavy, oats are airy,
Barley bows a graceful head,
Short and small shoots up canary,
Each of these is some one's bread;
Bread for man or bread for beast,
Or at very least
A bird's savory feast.

Men are brethren of each other,
One in flesh and one in food;
And a sort of foster brother
Is the litter, or the brood,
Of that folk in fur or feather,
Who, with men together,
Breast the wind and weather.

[August descries September toiling across the lawn. ]

_August. _

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


_September. _

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes. ]

_September. _

My song is half a sigh
Because my green leaves die;
Sweet are my fruits, but all my leaves are dying;
And well may Autumn sigh,
And well may I
Who watch the sere leaves flying.

My leaves that fade and fall,
I note you one and all;
I call you, and the Autumn wind is calling,
Lamenting for your fall,
And for the pall
You spread on earth in falling.

And here's a song of flowers to suit such hours:
A song of the last lilies, the last flowers,
Amid my withering bowers.

In the sunny garden bed
Lilies look so pale,
Lilies droop the head
In the shady grassy vale;
If all alike they pine
In shade and in shine,
If everywhere they grieve,
Where will lilies live?

[October enters briskly, some leafy twigs bearing different
sorts of nuts in one hand, and a long ripe hop-bine trailing
after him from the other. A dahlia is stuck in his
buttonhole. ]

_October. _

Nay, cheer up, sister. Life is not quite over,
Even if the year has done with corn and clover,
With flowers and leaves; besides, in fact it's true,
Some leaves remain and some flowers too.
For me and you.
Now see my crops:

[Offering his produce to September.

I've brought you nuts and hops;
And when the leaf drops, why, the walnut drops.


[October wreaths the hop-bine about September's neck, and
gives her the nut twigs. They enter the cottage together,
but without shutting the door. She steps into the background:
he advances to the hearth, removes the guard,
stirs up the smouldering fire, and arranges several chestnuts
ready to roast. ]

_October. _

Crack your first nut and light your first fire,
Roast your first chestnut crisp on the bar;
Make the logs sparkle, stir the blaze higher;
Logs are cheery as sun or as star,
Logs we can find wherever we are.

Spring one soft day will open the leaves,
Spring one bright day will lure back the flowers;
Never fancy my whistling wind grieves,
Never fancy I've tears in my showers;
Dance, nights and days! and dance on, my hours!

[Sees November approaching.

_October. _

Here comes my youngest sister, looking dim
And grim,
With dismal ways.
What cheer, November?

_November. _

[Entering and shutting the door. ]

Nought have I to bring,
Tramping a-chill and shivering,
Except these pine-cones for a blaze,--
Except a fog which follows,
And stuffs up all the hollows,--
Except a hoar frost here and there,--
Except some shooting stars
Which dart their luminous cars
Trackless and noiseless through the keen night air.

[October, shrugging his shoulders, withdraws into the background,
while November throws her pine cones on the
fire, and sits down listlessly. ]

_November. _

The earth lies fast asleep, grown tired
Of all that's high or deep;
There's nought desired and nought required
Save a sleep.

I rock the cradle of the earth,
I lull her with a sigh;
And know that she will wake to mirth
By and by.

[Through the window December is seen running and leaping
in the direction of the door. He knocks. ]

_November. _

[Calls out without rising. ]

Ah, here's my youngest brother come at last:
Come in, December.

[He opens the door and enters, loaded with evergreens in
berry, etc. ]

_November. _

Come, and shut the door,
For now it's snowing fast;
It snows, and will snow more and more;
Don't let it drift in on the floor.
But you, you're all aglow; how can you be
Rosy and warm and smiling in the cold?

_December. _

Nay, no closed doors for me,
But open doors and open hearts and glee
To welcome young and old.

Dimmest and brightest month am I;
My short days end, my lengthening days begin;
What matters more or less sun in the sky,
When all is sun within?

[He begins making a wreath as he sings.

Ivy and privet dark as night,
I weave with hips and haws a cheerful show,
And holly for a beauty and delight,
And milky mistletoe.

While high above them all I set
Yew twigs and Christmas roses pure and pale;
Then Spring her snowdrop and her violet
May keep, so sweet and frail;

May keep each merry singing bird,
Of all her happy birds that singing build:
For I've a carol which some shepherds heard
Once in a wintry field.
[While December concludes his song all the other Months
troop in from the garden, or advance out of the background.
The Twelve join hands in a circle, and begin
dancing round to a stately measure as the Curtain falls. ]



PASTIME.


A boat amid the ripples, drifting, rocking,
Two idle people, without pause or aim;
While in the ominous west there gathers darkness
Flushed with flame.

A haycock in a hayfield backing, lapping,
Two drowsy people pillowed round about;
While in the ominous west across the darkness
Flame leaps out.

Better a wrecked life than a life so aimless,
Better a wrecked life than a life so soft;
The ominous west glooms thundering, with its fire
Lit aloft.



"ITALIA, IO TI SALUTO! "


To come back from the sweet South, to the North
Where I was born, bred, look to die;
Come back to do my day's work in its day,
Play out my play--
Amen, amen, say I.

To see no more the country half my own,
Nor hear the half familiar speech,
Amen, I say; I turn to that bleak North
Whence I came forth--
The South lies out of reach.

But when our swallows fly back to the South,
To the sweet South, to the sweet South,
The tears may come again into my eyes
On the old wise,
And the sweet name to my mouth.



MIRRORS OF LIFE AND DEATH.


The mystery of Life, the mystery
Of Death, I see
Darkly as in a glass;
Their shadows pass,
And talk with me.

As the flush of a Morning Sky,
As a Morning Sky colorless--
Each yields its measure of light
To a wet world or a dry;
Each fares through day to night
With equal pace,
And then each one
Is done.

As the Sun with glory and grace
In his face,
Benignantly hot,
Graciously radiant and keen,
Ready to rise and to run,--
Not without spot,
Not even the Sun.

As the Moon
On the wax, on the wane,
With night for her noon;
Vanishing soon,
To appear again.

As Roses that droop
Half warm, half chill, in the languid May,
And breathe out a scent
Sweet and faint;
Till the wind gives one swoop
To scatter their beauty away.

As Lilies a multitude,
One dipping, one rising, one sinking,
On rippling waters, clear blue
And pure for their drinking;
One new dead, and one opened anew,
And all good.

As a cankered pale Flower,
With death for a dower,
Each hour of its life half dead;
With death for a crown
Weighing down
Its head.

As an Eagle, half strength and half grace,
Most potent to face
Unwinking the splendor of light;
Harrying the East and the West,
Soaring aloft from our sight;
Yet one day or one night dropped to rest,
On the low common earth
Of his birth.

As a Dove,
Not alone,
In a world of her own
Full of fluttering soft noises
And tender sweet voices
Of love.

As a Mouse
Keeping house
In the fork of a tree,
With nuts in a crevice,
And an acorn or two;
What cares he
For blossoming boughs,
Or the song-singing bevies
Of birds in their glee,
Scarlet, or golden, or blue?

As a Mole grubbing underground;
When it comes to the light
It grubs its way back again,
Feeling no bias of fur
To hamper it in its stir,
Scant of pleasure and pain,
Sinking itself out of sight
Without sound.

As Waters that drop and drop,
Weariness without end,
That drop and never stop,
Wear that nothing can mend,
Till one day they drop--
Stop--
And there's an end,
And matters mend.

As Trees, beneath whose skin
We mark not the sap begin
To swell and rise,
Till the whole bursts out in green:
We mark the falling leaves
When the wide world grieves
And sighs.

As a Forest on fire,
Where maddened creatures desire
Wet mud or wings
Beyond all those things
Which could assuage desire
On this side the flaming fire.

As Wind with a sob and sigh
To which there comes no reply
But a rustle and shiver
From rushes of the river;
As Wind with a desolate moan,
Moaning on alone.

As a Desert all sand,
Blank, neither water nor land
For solace, or dwelling, or culture,
Where the storms and the wild creatures howl;
Given over to lion and vulture,
To ostrich, and jackal, and owl:
Yet somewhere an oasis lies;
There waters arise
To nourish one seedling of balm,
Perhaps, or one palm.

As the Sea,
Murmuring, shifting, swaying;
One time sunnily playing,
One time wrecking and slaying;
In whichever mood it be,
Worst or best,
Never at rest.

As still Waters and deep,
As shallow Waters that brawl,
As rapid Waters that leap
To their fall.

As Music, as Color, as Shape,
Keys of rapture and pain
Turning in vain
In a lock which turns not again,
While breaths and moments escape.

As Spring, all bloom and desire;
As Summer, all gift and fire;
As Autumn, a dying glow;
As Winter, with nought to show:

Winter which lays its dead all out of sight,
All clothed in white,
All waiting for the long-awaited light.



A BALLAD OF BODING.


There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads erect and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a horny hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever! --
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped bloody red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.



YET A LITTLE WHILE.


I dreamed and did not seek: to-day I seek
Who can no longer dream;
But now am all behindhand, waxen weak,
And dazed amid so many things that gleam
Yet are not what they seem.

I dreamed and did not work: to-day I work
Kept wide awake by care
And loss, and perils dimly guessed to lurk;
I work and reap not, while my life goes bare
And void in wintry air.

I hope indeed; but hope itself is fear
Viewed on the sunny side;
I hope, and disregard the world that's here,
The prizes drawn, the sweet things that betide;
I hope, and I abide.



HE AND SHE.


"Should one of us remember,
And one of us forget,
I wish I knew what each will do--
But who can tell as yet? "

"Should one of us remember,
And one of us forget,
I promise you what I will do--
And I'm content to wait for you,
And not be sure as yet. "



MONNA INNOMINATA.

A SONNET OF SONNETS.


Beatrice, immortalized by "altissimo poeta . . . cotanto
amante;" Laura, celebrated by a great though an inferior bard,--have
alike paid the exceptional penalty of exceptional honor,
and have come down to us resplendent with charms, but (at
least, to my apprehension) scant of attractiveness.

These heroines of world-wide fame were preceded by a bevy
of unnamed ladies "donne innominate" sung by a school of
less conspicuous poets; and in that land and that period which
gave simultaneous birth to Catholics, to Albigenses, and to
Troubadours, one can imagine many a lady as sharing her
lover's poetic aptitude, while the barrier between them might
be one held sacred by both, yet not such as to render mutual
love incompatible with mutual honor.

Had such a lady spoken for herself, the portrait left us might
have appeared more tender, if less dignified, than any drawn
even by a devoted friend. Or had the Great Poetess of our
own day and nation only been unhappy instead of happy, her
circumstances would have invited her to bequeath to us, in
lieu of the "Portuguese Sonnets," an inimitable "donna innominata"
drawn not from fancy but from feeling, and worthy
to occupy a niche beside Beatrice and Laura.


1.

"Lo di che han detto a' dolci amici addio. "--Dante.
"Amor, con quanto sforzo oggi mi vinci! "--Petrarca.



Come back to me, who wait and watch for you:--
Or come not yet, for it is over then,
And long it is before you come again,
So far between my pleasures are and few.
While, when you come not, what I do I do
Thinking "Now when he comes," my sweetest "when:"
For one man is my world of all the men
This wide world holds; O love, my world is you.
Howbeit, to meet you grows almost a pang
Because the pang of parting comes so soon;
My hope hangs waning, waxing, like a moon
Between the heavenly days on which we meet:
Ah me, but where are now the songs I sang
When life was sweet because you called them sweet?


2.


"Era gia l'ora che volge il desio. "--Dante.
"Ricorro al tempo ch' io vi vidi prima. "--Petrarca.


I wish I could remember that first day,
First hour, first moment of your meeting me,
If bright or dim the season, it might be
Summer or Winter for aught I can say;
So unrecorded did it slip away,
So blind was I to see and to foresee,
So dull to mark the budding of my tree
That would not blossom yet for many a May.
If only I could recollect it, such
A day of days! I let it come and go
As traceless as a thaw of bygone snow;
It seemed to mean so little, meant so much;
If only now I could recall that touch,
First touch of hand in hand--Did one but know!


3.

"O ombre vane, fuor che ne l'aspetto! "--Dante.
"Immaginata guida la conduce. "--Petrarca.


I dream of you to wake: would that I might
Dream of you and not wake but slumber on;
Nor find with dreams the dear companion gone,
As Summer ended Summer birds take flight.
In happy dreams I hold you full in sight,
I blush again who waking look so wan;
Brighter than sunniest day that ever shone,
In happy dreams your smile makes day of night.
Thus only in a dream we are at one,
Thus only in a dream we give and take
The faith that maketh rich who take or give;
If thus to sleep is sweeter than to wake,
To die were surely sweeter than to live,
Though there be nothing new beneath the sun.


4.

"Poca favilla gran fiamma seconda. "--Dante.
"Ogni altra cosa, ogni pensier va fore,
E sol ivi con voi rimansi amore. "--Petrarca.


I loved you first: but afterwards your love
Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
Which owes the other most? my love was long,
And yours one moment seemed to wax more strong;
I loved and guessed at you, you construed me
And loved me for what might or might not be--
Nay, weights and measures do us both a wrong.
For verily love knows not "mine" or "thine;"
With separate "I" and "thou" free love has done,
For one is both and both are one in love:
Rich love knows nought of "thine that is not mine;"
Both have the strength and both the length thereof,
Both of us of the love which makes us one.


5.

"Amor che a nulla amato amar perdona. "--Dante.
"Amor m'addusse in si gioiosa spene. "--Petrarca.


O my heart's heart, and you who are to me
More than myself myself, God be with you,
Keep you in strong obedience leal and true
To Him whose noble service setteth free,
Give you all good we see or can foresee,
Make your joys many and your sorrows few,
Bless you in what you bear and what you do,
Yea, perfect you as He would have you be.
So much for you; but what for me, dear friend?
To love you without stint and all I can
To-day, to-morrow, world without an end;
To love you much and yet to love you more,
As Jordan at his flood sweeps either shore;
Since woman is the helpmeet made for man.


6.

"Or puoi la quantitate
Comprender de l'amor che a te mi scalda. "--Dante.
"Non vo' che da tal nodo amor mi scioglia. "--Petrarca.


Trust me, I have not earned your dear rebuke,
I love, as you would have me, God the most;
Would lose not Him, but you, must one be lost,
Nor with Lot's wife cast back a faithless look
Unready to forego what I forsook;
This say I, having counted up the cost,
This, though I be the feeblest of God's host,
The sorriest sheep Christ shepherds with His crook,
Yet while I love my God the most, I deem
That I can never love you overmuch;
I love Him more, so let me love you too;
Yea, as I apprehend it, love is such
I cannot love you if I love not Him,
I cannot love Him if I love not you.


7.

"Qui primavera sempre ed ogni frutto. "--Dante.
"Ragionando con meco ed io con lui. "--Petrarca.


"Love me, for I love you"--and answer me,
"Love me, for I love you"--so shall we stand
As happy equals in the flowering land
Of love, that knows not a dividing sea.
Love builds the house on rock and not on sand,
Love laughs what while the winds rave desperately;
And who hath found love's citadel unmanned?
And who hath held in bonds love's liberty?
My heart's a coward though my words are brave--
We meet so seldom, yet we surely part
So often; there's a problem for your art!
Still I find comfort in his Book, who saith,
Though jealousy be cruel as the grave,
And death be strong, yet love is strong as death.


8.

"Come dicesse a Dio: D'altro non calme. "--Dante.
"Spero trovar pieta non che perdono. "--Petrarca.


"I, if I perish, perish"--Esther spake:
And bride of life or death she made her fair
In all the lustre of her perfumed hair
And smiles that kindle longing but to slake.
She put on pomp of loveliness, to take
Her husband through his eyes at unaware;
She spread abroad her beauty for a snare,
Harmless as doves and subtle as a snake.
She trapped him with one mesh of silken hair,
She vanquished him by wisdom of her wit,
And built her people's house that it should stand:--
If I might take my life so in my hand,
And for my love to Love put up my prayer,
And for love's sake by Love be granted it!


9.

"O dignitosa coscienza e netta! "--Dante.
"Spirto piu acceso di virtuti ardenti. "--Petrarca.


Thinking of you, and all that was, and all
That might have been and now can never be,
I feel your honored excellence, and see
Myself unworthy of the happier call:
For woe is me who walk so apt to fall,
So apt to shrink afraid, so apt to flee,
Apt to lie down and die (ah, woe is me! )
Faithless and hopeless turning to the wall.
And yet not hopeless quite nor faithless quite,
Because not loveless; love may toil all night,
But take at morning; wrestle till the break
Of day, but then wield power with God and man:--
So take I heart of grace as best I can,
Ready to spend and be spent for your sake.


10.

"Con miglior corso e con migliore stella. "--Dante.
"La vita fugge e non s'arresta un' ora. "--Petrarca.


Time flies, hope flags, life plies a wearied wing;
Death following hard on life gains ground apace;
Faith runs with each and rears an eager face,
Outruns the rest, makes light of everything,
Spurns earth, and still finds breath to pray and sing;
While love ahead of all uplifts his praise,
Still asks for grace and still gives thanks for grace,
Content with all day brings and night will bring.
Life wanes; and when love folds his wings above
Tired hope, and less we feel his conscious pulse,
Let us go fall asleep, dear friend, in peace:
A little while, and age and sorrow cease;
A little while, and life reborn annuls
Loss and decay and death, and all is love.


11.

"Vien dietro a me e lascia dir le genti. "--Dante.
"Contando i casi della vita nostra. "--Petrarca.


Many in aftertimes will say of you
"He loved her"--while of me what will they say?
Not that I loved you more than just in play,
For fashion's sake as idle women do.
Even let them prate; who know not what we knew
Of love and parting in exceeding pain,
Of parting hopeless here to meet again,
Hopeless on earth, and heaven is out of view.
But by my heart of love laid bare to you,
My love that you can make not void nor vain,
Love that foregoes you but to claim anew
Beyond this passage of the gate of death,
I charge you at the Judgment make it plain
My love of you was life and not a breath.

12.

"Amor, che ne la mente mi ragiona. "--Dante.
"Amor vien nel bel viso di costei. "--Petrarca.


If there be any one can take my place
And make you happy whom I grieve to grieve,
Think not that I can grudge it, but believe
I do commend you to that nobler grace,
That readier wit than mine, that sweeter face;
Yea, since your riches make me rich, conceive
I too am crowned, while bridal crowns I weave,
And thread the bridal dance with jocund pace.
For if I did not love you, it might be
That I should grudge you some one dear delight;
But since the heart is yours that was mine own,
Your pleasure is my pleasure, right my right,
Your honorable freedom makes me free,
And you companioned I am not alone.


13.

"E drizzeremo gli occhi al Primo Amore. "--Dante.
"Ma trovo peso non da le mie braccia. "--Petrarca.


If I could trust mine own self with your fate,
Shall I not rather trust it in God's hand?
Without Whose Will one lily doth not stand,
Nor sparrow fall at his appointed date;
Who numbereth the innumerable sand,
Who weighs the wind and water with a weight,
To Whom the world is neither small nor great,
Whose knowledge foreknew every plan we planned.
Searching my heart for all that touches you,
I find there only love and love's goodwill
Helpless to help and impotent to do,
Of understanding dull, of sight most dim;
And therefore I commend you back to Him
Whose love your love's capacity can fill.


14.

"E la Sua Volontade e nostra pace. "--Dante.
"Sol con questi pensier, con altre chiome. "--Petrarca.


Youth gone, and beauty gone if ever there
Dwelt beauty in so poor a face as this;
Youth gone and beauty, what remains of bliss?
I will not bind fresh roses in my hair,
To shame a cheek at best but little fair,--
Leave youth his roses, who can bear a thorn,--
I will not seek for blossoms anywhere,
Except such common flowers as blow with corn.
Youth gone and beauty gone, what doth remain?
The longing of a heart pent up forlorn,
A silent heart whose silence loves and longs;
The silence of a heart which sang its songs
While youth and beauty made a summer morn,
Silence of love that cannot sing again.



"LUSCIOUS AND SORROWFUL.