No More Learning

***


FRAGMENT: THE VINE-SHROUD.

[Published by W. M. Rossetti, 1870. ]

Flourishing vine, whose kindling clusters glow
Beneath the autumnal sun, none taste of thee;
For thou dost shroud a ruin, and below
The rotting bones of dead antiquity.

***


NOTE ON POEMS OF 1818, BY MRS. SHELLEY.

We often hear of persons disappointed by a first visit to Italy. This
was not Shelley's case. The aspect of its nature, its sunny sky, its
majestic storms, of the luxuriant vegetation of the country, and the
noble marble-built cities, enchanted him. The sight of the works of art
was full enjoyment and wonder. He had not studied pictures or statues
before; he now did so with the eye of taste, that referred not to the
rules of schools, but to those of Nature and truth. The first entrance
to Rome opened to him a scene of remains of antique grandeur that far
surpassed his expectations; and the unspeakable beauty of Naples and
its environs added to the impression he received of the transcendent
and glorious beauty of Italy.

Our winter was spent at Naples. Here he wrote the fragments of
"Marenghi" and "The Woodman and the Nightingale", which he afterwards
threw aside. At this time, Shelley suffered greatly in health. He put
himself under the care of a medical man, who promised great things, and
made him endure severe bodily pain, without any good results. Constant
and poignant physical suffering exhausted him; and though he preserved
the appearance of cheerfulness, and often greatly enjoyed our
wanderings in the environs of Naples, and our excursions on its sunny
sea, yet many hours were passed when his thoughts, shadowed by illness,
became gloomy,--and then he escaped to solitude, and in verses, which
he hid from fear of wounding me, poured forth morbid but too natural
bursts of discontent and sadness. One looks back with unspeakable
regret and gnawing remorse to such periods; fancying that, had one been
more alive to the nature of his feelings, and more attentive to soothe
them, such would not have existed. And yet, enjoying as he appeared to
do every sight or influence of earth or sky, it was difficult to
imagine that any melancholy he showed was aught but the effect of the
constant pain to which he was a martyr.

We lived in utter solitude. And such is often not the nurse of
cheerfulness; for then, at least with those who have been exposed to
adversity, the mind broods over its sorrows too intently; while the
society of the enlightened, the witty, and the wise, enables us to
forget ourselves by making us the sharers of the thoughts of others,
which is a portion of the philosophy of happiness. Shelley never liked
society in numbers,--it harassed and wearied him; but neither did he
like loneliness, and usually, when alone, sheltered himself against
memory and reflection in a book. But, with one or two whom he loved, he
gave way to wild and joyous spirits, or in more serious conversation
expounded his opinions with vivacity and eloquence. If an argument
arose, no man ever argued better. He was clear, logical, and earnest,
in supporting his own views; attentive, patient, and impartial, while
listening to those on the adverse side. Had not a wall of prejudice
been raised at this time between him and his countrymen, how many would
have sought the acquaintance of one whom to know was to love and to
revere! How many of the more enlightened of his contemporaries have
since regretted that they did not seek him! how very few knew his worth
while he lived! and, of those few, several were withheld by timidity or
envy from declaring their sense of it. But no man was ever more
enthusiastically loved--more looked up to, as one superior to his
fellows in intellectual endowments and moral worth, by the few who knew
him well, and had sufficient nobleness of soul to appreciate his
superiority. His excellence is now acknowledged; but, even while
admitted, not duly appreciated. For who, except those who were
acquainted with him, can imagine his unwearied benevolence, his
generosity, his systematic forbearance? And still less is his vast
superiority in intellectual attainments sufficiently understood--his
sagacity, his clear understanding, his learning, his prodigious memory.
All these as displayed in conversation, were known to few while he
lived, and are now silent in the tomb:

'Ahi orbo mondo ingrato!
Gran cagion hai di dever pianger meco;
Che quel ben ch' era in te, perdut' hai seco. '

***


POEMS WRITTEN IN 1819.


LINES WRITTEN DURING THE CASTLEREAGH ADMINISTRATION.

[Published by Medwin, "The Athenaeum", December 8, 1832; reprinted,
"Poetical Works", 1839. There is a transcript amongst the Harvard
manuscripts, and another in the possession of Mr. C. W. Frederickson of
Brooklyn. Variants from these two sources are given by Professor
Woodberry, "Complete Poetical Works of P. B. S. ", Centenary Edition,
1893, volume 3 pages 225, 226. The transcripts are referred to in our
footnotes as Harvard and Fred. respectively. ]

1.
Corpses are cold in the tomb;
Stones on the pavement are dumb;
Abortions are dead in the womb,
And their mothers look pale--like the death-white shore
Of Albion, free no more. _5

2.
Her sons are as stones in the way--
They are masses of senseless clay--
They are trodden, and move not away,--
The abortion with which SHE travaileth
Is Liberty, smitten to death. _10

3.
Then trample and dance, thou Oppressor!
For thy victim is no redresser;
Thou art sole lord and possessor
Of her corpses, and clods, and abortions--they pave
Thy path to the grave. _15

4.
Hearest thou the festival din
Of Death, and Destruction, and Sin,
And Wealth crying "Havoc! " within?
'Tis the bacchanal triumph that makes Truth dumb,
Thine Epithalamium. _20

5.
Ay, marry thy ghastly wife!
Let Fear and Disquiet and Strife
Spread thy couch in the chamber of Life!
Marry Ruin, thou Tyrant! and Hell be thy guide
To the bed of the bride! _25

NOTES:
_4 death-white Harvard, Fred. ; white 1832, 1839.
_16 festival Harvard, Fred. , 1839; festal 1832.
_19 that Fred. ; which Harvard 1832.
_22 Disquiet Harvard, Fred. , 1839; Disgust 1832.
_24 Hell Fred. ; God Harvard, 1832, 1839.
_25 the bride Harvard, Fred. , 1839; thy bride 1832.

***


SONG TO THE MEN OF ENGLAND.

[Published by Mrs. Shelley, "Poetical Works", 1839, 1st edition. ]

1.
Men of England, wherefore plough
For the lords who lay ye low?
Wherefore weave with toil and care
The rich robes your tyrants wear?

2.
Wherefore feed, and clothe, and save, _5
From the cradle to the grave,
Those ungrateful drones who would
Drain your sweat--nay, drink your blood?

3.
Wherefore, Bees of England, forge
Many a weapon, chain, and scourge, _10
That these stingless drones may spoil
The forced produce of your toil?

4.
Have ye leisure, comfort, calm,
Shelter, food, love's gentle balm?
Or what is it ye buy so dear _15
With your pain and with your fear?

5.
The seed ye sow, another reaps;
The wealth ye find, another keeps;
The robes ye weave, another wears;
The arms ye forge; another bears. _20

6.
Sow seed,--but let no tyrant reap;
Find wealth,--let no impostor heap;
Weave robes,--let not the idle wear;
Forge arms,--in your defence to bear.

7.
Shrink to your cellars, holes, and cells; _25
In halls ye deck another dwells.
Why shake the chains ye wrought? Ye see
The steel ye tempered glance on ye.

8.
With plough and spade, and hoe and loom,
Trace your grave, and build your tomb, _30
And weave your winding-sheet, till fair
England be your sepulchre.

***


SIMILES FOR TWO POLITICAL CHARACTERS OF 1819.

[Published by Medwin, "The Athenaeum", August 25, 1832; reprinted by
Mrs. Shelley, "Poetical Works", 1839. Our title is that of 1839, 2nd
edition. The poem is found amongst the Harvard manuscripts, headed "To
S--th and O--gh". ]

1.
As from an ancestral oak
Two empty ravens sound their clarion,
Yell by yell, and croak by croak,
When they scent the noonday smoke
Of fresh human carrion:-- _5

2.
As two gibbering night-birds flit
From their bowers of deadly yew
Through the night to frighten it,
When the moon is in a fit,
And the stars are none, or few:-- _10

3.
As a shark and dog-fish wait
Under an Atlantic isle,
For the negro-ship, whose freight
Is the theme of their debate,
Wrinkling their red gills the while-- _15

4.
Are ye, two vultures sick for battle,
Two scorpions under one wet stone,
Two bloodless wolves whose dry throats rattle,
Two crows perched on the murrained cattle,
Two vipers tangled into one. _20

NOTE:
_7 yew 1832; hue 1839.

**


FRAGMENT: TO THE PEOPLE OF ENGLAND.

[Published by Dr. Garnett, "Relics of Shelley", 1862. ]

People of England, ye who toil and groan,
Who reap the harvests which are not your own,
Who weave the clothes which your oppressors wear,
And for your own take the inclement air;
Who build warm houses. . . _5
And are like gods who give them all they have,
And nurse them from the cradle to the grave. . .

. . .

***


FRAGMENT: 'WHAT MEN GAIN FAIRLY'.
(Perhaps connected with that immediately preceding (Forman). --ED. )

[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]

What men gain fairly--that they should possess,
And children may inherit idleness,
From him who earns it--This is understood;
Private injustice may be general good.
But he who gains by base and armed wrong, _5
Or guilty fraud, or base compliances,
May be despoiled; even as a stolen dress
Is stripped from a convicted thief; and he
Left in the nakedness of infamy.

***


A NEW NATIONAL ANTHEM.

[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]

1.
God prosper, speed,and save,
God raise from England's grave
Her murdered Queen!
Pave with swift victory
The steps of Liberty, _5
Whom Britons own to be
Immortal Queen.

2.
See, she comes throned on high,
On swift Eternity!
God save the Queen! _10
Millions on millions wait,
Firm, rapid, and elate,
On her majestic state!
God save the Queen!

3.
She is Thine own pure soul _15
Moulding the mighty whole,--
God save the Queen!
She is Thine own deep love
Rained down from Heaven above,--
Wherever she rest or move, _20
God save our Queen!

4.
'Wilder her enemies
In their own dark disguise,--
God save our Queen!
All earthly things that dare _25
Her sacred name to bear,
Strip them, as kings are, bare;
God save the Queen!

5.
Be her eternal throne
Built in our hearts alone-- _30
God save the Queen!
Let the oppressor hold
Canopied seats of gold;
She sits enthroned of old
O'er our hearts Queen. _35

6.
Lips touched by seraphim
Breathe out the choral hymn
'God save the Queen! '
Sweet as if angels sang,
Loud as that trumpet's clang _40
Wakening the world's dead gang,--
God save the Queen!

***


SONNET: ENGLAND IN 1819.

[Published by Mrs. Shelley, "Poetical Works", 1839, 1st edition. ]

An old, mad, blind, despised, and dying king,--
Princes, the dregs of their dull race, who flow
Through public scorn,--mud from a muddy spring,--
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling, _5
Till they drop, blind in blood, without a blow,--
A people starved and stabbed in the untilled field,--
An army, which liberticide and prey
Makes as a two-edged sword to all who wield,--
Golden and sanguine laws which tempt and slay; _10
Religion Christless, Godless--a book sealed;
A Senate,--Time's worst statute, unrepealed,--
Are graves from which a glorious Phantom may
Burst, to illumine our tempestuous day.

***


AN ODE, WRITTEN OCTOBER, 1819,
BEFORE THE SPANIARDS HAD RECOVERED THEIR LIBERTY.

[Published with "Prometheus Unbound", 1820. ]

Arise, arise, arise!
There is blood on the earth that denies ye bread;
Be your wounds like eyes
To weep for the dead, the dead, the dead.
What other grief were it just to pay? _5
Your sons, your wives, your brethren, were they;
Who said they were slain on the battle day?

Awaken, awaken, awaken!
The slave and the tyrant are twin-born foes;
Be the cold chains shaken _10
To the dust where your kindred repose, repose:
Their bones in the grave will start and move,
When they hear the voices of those they love,
Most loud in the holy combat above.

Wave, wave high the banner! _15
When Freedom is riding to conquest by:
Though the slaves that fan her
Be Famine and Toil, giving sigh for sigh.
And ye who attend her imperial car,
Lift not your hands in the banded war, _20
But in her defence whose children ye are.

Glory, glory, glory,
To those who have greatly suffered and done!
Never name in story
Was greater than that which ye shall have won. _25
Conquerors have conquered their foes alone,
Whose revenge, pride, and power they have overthrown
Ride ye, more victorious, over your own.

Bind, bind every brow
With crownals of violet, ivy, and pine: _30
Hide the blood-stains now
With hues which sweet Nature has made divine:
Green strength, azure hope, and eternity:
But let not the pansy among them be;
Ye were injured, and that means memory. _35

***


CANCELLED STANZA.

[Published in "The Times" (Rossetti). ]

Gather, O gather,
Foeman and friend in love and peace!
Waves sleep together
When the blasts that called them to battle, cease.
For fangless Power grown tame and mild _5
Is at play with Freedom's fearless child--
The dove and the serpent reconciled!

***


ODE TO HEAVEN.

[Published with "Prometheus Unbound", 1820. Dated 'Florence, December,
1819' in Harvard manuscript (Woodberry). A transcript exists amongst
the Shelley manuscripts at the Bodleian Library. See Mr. C. D. Locock's
"Examination", etc. , page 39. ]

CHORUS OF SPIRITS:

FIRST SPIRIT:
Palace-roof of cloudless nights!
Paradise of golden lights!
Deep, immeasurable, vast,
Which art now, and which wert then
Of the Present and the Past, _5
Of the eternal Where and When,
Presence-chamber, temple, home,
Ever-canopying dome,
Of acts and ages yet to come!

Glorious shapes have life in thee, _10
Earth, and all earth's company;
Living globes which ever throng
Thy deep chasms and wildernesses;
And green worlds that glide along;
And swift stars with flashing tresses; _15
And icy moons most cold and bright,
And mighty suns beyond the night,
Atoms of intensest light.

Even thy name is as a god,
Heaven! for thou art the abode _20
Of that Power which is the glass
Wherein man his nature sees.
Generations as they pass
Worship thee with bended knees.
Their unremaining gods and they _25
Like a river roll away:
Thou remainest such--alway! --

SECOND SPIRIT:
Thou art but the mind's first chamber,
Round which its young fancies clamber,
Like weak insects in a cave, _30
Lighted up by stalactites;
But the portal of the grave,
Where a world of new delights
Will make thy best glories seem
But a dim and noonday gleam _35
From the shadow of a dream!

THIRD SPIRIT:
Peace! the abyss is wreathed with scorn
At your presumption, atom-born!
What is Heaven? and what are ye
Who its brief expanse inherit? _40
What are suns and spheres which flee
With the instinct of that Spirit
Of which ye are but a part?
Drops which Nature's mighty heart
Drives through thinnest veins! Depart! _45

What is Heaven? a globe of dew,
Filling in the morning new
Some eyed flower whose young leaves waken
On an unimagined world:
Constellated suns unshaken, _50
Orbits measureless, are furled
In that frail and fading sphere,
With ten millions gathered there,
To tremble, gleam, and disappear.

***


CANCELLED FRAGMENTS OF THE ODE TO HEAVEN.

[Published by Mr. C. D. Locock, "Examination", etc. , 1903. ]

The [living frame which sustains my soul]
Is [sinking beneath the fierce control]
Down through the lampless deep of song
I am drawn and driven along--

When a Nation screams aloud _5
Like an eagle from the cloud
When a. . .

. . .

When the night. . .

. . .

Watch the look askance and old--
See neglect, and falsehood fold. . . _10

***


ODE TO THE WEST WIND.

(This poem was conceived and chiefly written in a wood that skirts the
Arno, near Florence, and on a day when that tempestuous wind, whose
temperature is at once mild and animating, was collecting the vapours
which pour down the autumnal rains. They began, as I foresaw, at sunset
with a violent tempest of hail and rain, attended by that magnificent
thunder and lightning peculiar to the Cisalpine regions.

The phenomenon alluded to at the conclusion of the third stanza is well
known to naturalists. The vegetation at the bottom of the sea, of
rivers, and of lakes, sympathizes with that of the land in the change
of seasons, and is consequently influenced by the winds which announce
it. --[SHELLEY'S NOTE. ])

[Published with "Prometheus Unbound", 1820. ]

1.
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou, _5
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill _10
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh, hear!

2.
Thou on whose stream, mid the steep sky's commotion, _15
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine aery surge,
Like the bright hair uplifted from the head _20

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre, _25
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh, hear!

3.
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay, _30
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,

All overgrown with azure moss and flowers _35
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know _40

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh, hear!

4.
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share _45

The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed _50
Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed _55
One too like thee: tameless, and swift, and proud.

5.
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone, _60
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse, _65

Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth

The trumpet of a prophecy! O, Wind,
If Winter comes, can Spring be far behind? _70

***


AN EXHORTATION.

[Published with "Prometheus Unbound", 1820. Dated 'Pisa, April, 1820'
in Harvard manuscript (Woodberry), but assigned by Mrs. Shelley to
1819. ]

Chameleons feed on light and air:
Poets' food is love and fame:
If in this wide world of care
Poets could but find the same
With as little toil as they, _5
Would they ever change their hue
As the light chameleons do,
Suiting it to every ray
Twenty times a day?

Poets are on this cold earth, _10
As chameleons might be,
Hidden from their early birth
in a cave beneath the sea;
Where light is, chameleons change:
Where love is not, poets do: _15
Fame is love disguised: if few
Find either, never think it strange
That poets range.

Yet dare not stain with wealth or power
A poet's free and heavenly mind: _20
If bright chameleons should devour
Any food but beams and wind,
They would grow as earthly soon
As their brother lizards are.
Children of a sunnier star, _25
Spirits from beyond the moon,
Oh, refuse the boon!

***


THE INDIAN SERENADE.

[Published, with the title, "Song written for an Indian Air", in "The
Liberal", 2, 1822. Reprinted ("Lines to an Indian Air") by Mrs.
Shelley, "Posthumous Poems", 1824. The poem is included in the Harvard
manuscript book, and there is a description by Robert Browning of an
autograph copy presenting some variations from the text of 1824. See
Leigh Hunt's "Correspondence", 2, pages 264-8. ]

1.
I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright:
I arise from dreams of thee, _5
And a spirit in my feet
Hath led me--who knows how?
To thy chamber window, Sweet!

2.
The wandering airs they faint
On the dark, the silent stream-- _10
The Champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart;--
As I must on thine, _15
Oh, beloved as thou art!

3.
Oh lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale. _20
My cheek is cold and white, alas!
My heart beats loud and fast;--
Oh! press it to thine own again,
Where it will break at last.

NOTES:
_3 Harvard manuscript omits When.
_4 shining]burning Harvard manuscript, 1822.
_7 Hath led Browning manuscript, 1822;
Has borne Harvard manuscript; Has led 1824.
_11 The Champak Harvard manuscript, 1822, 1824;
And the Champak's Browning manuscript.
_15 As I must on 1822, 1824;
As I must die on Harvard manuscript, 1839, 1st edition.
_16 Oh, beloved Browning manuscript, Harvard manuscript, 1839, 1st edition;
Beloved 1822, 1824.
_23 press it to thine own Browning manuscript;
press it close to thine Harvard manuscript, 1824, 1839, 1st edition;
press me to thine own, 1822.

***


CANCELLED PASSAGE.

[Published by W. M. Rossetti, "Complete Poetical Works", 1870. ]

O pillow cold and wet with tears!
Thou breathest sleep no more!

***


TO SOPHIA [MISS STACEY].

[Published by W. M. Rossetti, "Complete Poetical Works", 1870. ]

1.
Thou art fair, and few are fairer
Of the Nymphs of earth or ocean;
They are robes that fit the wearer--
Those soft limbs of thine, whose motion
Ever falls and shifts and glances _5
As the life within them dances.

2.
Thy deep eyes, a double Planet,
Gaze the wisest into madness
With soft clear fire,--the winds that fan it
Are those thoughts of tender gladness _10
Which, like zephyrs on the billow,
Make thy gentle soul their pillow.

3.
If, whatever face thou paintest
In those eyes, grows pale with pleasure,
If the fainting soul is faintest _15
When it hears thy harp's wild measure,
Wonder not that when thou speakest
Of the weak my heart is weakest.

4.
As dew beneath the wind of morning,
As the sea which whirlwinds waken, _20
As the birds at thunder's warning,
As aught mute yet deeply shaken,
As one who feels an unseen spirit
Is my heart when thine is near it.

***


TO WILLIAM SHELLEY.

[Published by Mrs. Shelley, "Posthumous Poems", 1824.
The fragment included in the Harvard manuscript book. ]

(With what truth may I say--
Roma! Roma! Roma!
Non e piu come era prima! )

1.
My lost William, thou in whom
Some bright spirit lived, and did
That decaying robe consume
Which its lustre faintly hid,--
Here its ashes find a tomb, _5
But beneath this pyramid
Thou art not--if a thing divine
Like thee can die, thy funeral shrine
Is thy mother's grief and mine.

2.
Where art thou, my gentle child? _10
Let me think thy spirit feeds,
With its life intense and mild,
The love of living leaves and weeds
Among these tombs and ruins wild;--
Let me think that through low seeds _15
Of sweet flowers and sunny grass
Into their hues and scents may pass
A portion--

NOTE:

Motto _1 may I Harvard manuscript; I may 1824.
_12 With Harvard manuscript, Mrs. Shelley, 1847; Within 1824, 1839.
_16 Of sweet Harvard manuscript; Of the sweet 1824, 1839.

***


TO WILLIAM SHELLEY.

[Published by Mrs. Shelley, "Poetical Works", 1839, 1st edition. ]

Thy little footsteps on the sands
Of a remote and lonely shore;
The twinkling of thine infant hands,
Where now the worm will feed no more;
Thy mingled look of love and glee _5
When we returned to gaze on thee--

***


TO MARY SHELLEY.

[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]

My dearest Mary, wherefore hast thou gone,
And left me in this dreary world alone?
Thy form is here indeed--a lovely one--
But thou art fled, gone down the dreary road,
That leads to Sorrow's most obscure abode; _5
Thou sittest on the hearth of pale despair,
Where
For thine own sake I cannot follow thee.

***


TO MARY SHELLEY.

[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]

The world is dreary,
And I am weary
Of wandering on without thee, Mary;
A joy was erewhile
In thy voice and thy smile, _5
And 'tis gone, when I should be gone too, Mary.

***


ON THE MEDUSA OF LEONARDO DA VINCI IN THE FLORENTINE GALLERY.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain-peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie _5
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

2.
Yet it is less the horror than the grace
Which turns the gazer's spirit into stone, _10
Whereon the lineaments of that dead face
Are graven, till the characters be grown
Into itself, and thought no more can trace;
'Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain. _15

3.
And from its head as from one body grow,
As . . . grass out of a watery rock,
Hairs which are vipers, and they curl and flow
And their long tangles in each other lock, _20
And with unending involutions show
Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

4.
And, from a stone beside, a poisonous eft _25
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
And he comes hastening like a moth that hies _30
After a taper; and the midnight sky
Flares, a light more dread than obscurity.

5.
'Tis the tempestuous loveliness of terror;
For from the serpents gleams a brazen glare
Kindled by that inextricable error, _35
Which makes a thrilling vapour of the air
Become a . . . and ever-shifting mirror
Of all the beauty and the terror there--
A woman's countenance, with serpent-locks,
Gazing in death on Heaven from those wet rocks. _40

NOTES:
_5 seems 1839; seem 1824.
_6 shine]shrine 1824, 1839.
_26 those 1824; these 1839.

***


LOVE'S PHILOSOPHY.

[Published by Leigh Hunt, "The Indicator", December 22, 1819. Reprinted
by Mrs. Shelley, "Posthumous Poems", 1824. Included in the Harvard
manuscript book, where it is headed "An Anacreontic", and dated
'January, 1820. ' Written by Shelley in a copy of Hunt's "Literary
Pocket-Book", 1819, and presented to Sophia Stacey, December 29, 1820. ]

1.
The fountains mingle with the river
And the rivers with the Ocean,
The winds of Heaven mix for ever
With a sweet emotion;
Nothing in the world is single; _5
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --

2.
See the mountains kiss high Heaven
And the waves clasp one another; _10
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth _15
If thou kiss not me?

NOTES:
_3 mix for ever 1819, Stacey manuscript;
meet together, Harvard manuscript.
_7 In one spirit meet and Stacey manuscript;
In one another's being 1819, Harvard manuscript.
_11 No sister 1824, Harvard and Stacey manuscripts; No leaf or 1819.
_12 disdained its 1824, Harvard and Stacey manuscripts;
disdained to kiss its 1819.
_15 is all this sweet work Stacey manuscript;
were these examples Harvard manuscript;
are all these kissings 1819, 1824.

***


FRAGMENT: 'FOLLOW TO THE DEEP WOOD'S WEEDS'.

[Published by Dr. Garnett, "Relics of Shelley", 1862. ]

Follow to the deep wood's weeds,
Follow to the wild-briar dingle,
Where we seek to intermingle,
And the violet tells her tale
To the odour-scented gale, _5
For they two have enough to do
Of such work as I and you.

***


THE BIRTH OF PLEASURE.

[Published by Dr. Garnett, "Relics of Shelley", 1862. ]

At the creation of the Earth
Pleasure, that divinest birth,
From the soil of Heaven did rise,
Wrapped in sweet wild melodies--
Like an exhalation wreathing _5
To the sound of air low-breathing
Through Aeolian pines, which make
A shade and shelter to the lake
Whence it rises soft and slow;
Her life-breathing [limbs] did flow _10
In the harmony divine
Of an ever-lengthening line
Which enwrapped her perfect form
With a beauty clear and warm.

***


FRAGMENT: LOVE THE UNIVERSE TO-DAY.

[Published by Mrs. Shelley, "Poetical Works", 1839, 1st edition. ]

And who feels discord now or sorrow?
Love is the universe to-day--
These are the slaves of dim to-morrow,
Darkening Life's labyrinthine way.

***


FRAGMENT: 'A GENTLE STORY OF TWO LOVERS YOUNG'.

[Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition. ]

A gentle story of two lovers young,
Who met in innocence and died in sorrow,
And of one selfish heart, whose rancour clung
Like curses on them; are ye slow to borrow
The lore of truth from such a tale? _5
Or in this world's deserted vale,
Do ye not see a star of gladness
Pierce the shadows of its sadness,--
When ye are cold, that love is a light sent
From Heaven, which none shall quench, to cheer the innocent? _10

NOTE:
_9 cold]told cj. A. C. Bradley.
For the metre cp. Fragment: To a Friend Released from Prison.

***


FRAGMENT: LOVE'S TENDER ATMOSPHERE.