No More Learning

'T was winter, Roger, when you made this cup,
But coming Spring guided your eager hand
And round the edge you fashioned young green leaves,
A proper chalice made to hold the shy
And little flowers of the woods. And here
They will forget their sad uprooting, lost
In pleasure that this circle of bright leaves
Should be their setting; once more they will dream
They hear winds wandering through lofty trees
And see the sun smiling between the leaves.




Hora Stellatrix


The stars hang thick in the apple tree,
The south wind smells of the pungent sea,
Gold tulip cups are heavy with dew.
The night's for you, Sweetheart, for you!
Starfire rains from the vaulted blue.

Listen! The dancing of unseen leaves.
A drowsy swallow stirs in the eaves.
Only a maiden is sorrowing.
'T is night and spring, Sweetheart, and spring!
Starfire lights your heart's blossoming.

In the intimate dark there's never an ear,
Though the tulips stand on tiptoe to hear,
So give; ripe fruit must shrivel or fall.
As you are mine, Sweetheart, give all!
Starfire sparkles, your coronal.




Fragment


What is poetry? Is it a mosaic
Of coloured stones which curiously are wrought
Into a pattern? Rather glass that's taught
By patient labor any hue to take
And glowing with a sumptuous splendor, make
Beauty a thing of awe; where sunbeams caught,
Transmuted fall in sheafs of rainbows fraught
With storied meaning for religion's sake.




Loon Point


Softly the water ripples
Against the canoe's curving side,
Softly the birch trees rustle
Flinging over us branches wide.

Softly the moon glints and glistens
As the water takes and leaves,
Like golden ears of corn
Which fall from loose-bound sheaves,

Or like the snow-white petals
Which drop from an overblown rose,
When Summer ripens to Autumn
And the freighted year must close.

From the shore come the scents of a garden,
And between a gap in the trees
A proud white statue glimmers
In cold, disdainful ease.

The child of a southern people,
The thought of an alien race,
What does she in this pale, northern garden,
How reconcile it with her grace?

But the moon in her wayward beauty
Is ever and always the same,
As lovely as when upon Latmos
She watched till Endymion came.

Through the water the moon writes her legends
In light, on the smooth, wet sand;
They endure for a moment, and vanish,
And no one may understand.

All round us the secret of Nature
Is telling itself to our sight,
We may guess at her meaning but never
Can know the full mystery of night.

But her power of enchantment is on us,
We bow to the spell which she weaves,
Made up of the murmur of waves
And the manifold whisper of leaves.




Summer


Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.
To me it is not so. I love the earth
And all the gifts of her so lavish hand:
Sunshine and flowers, rivers and rushing winds,
Thick branches swaying in a winter storm,
And moonlight playing in a boat's wide wake;
But more than these, and much, ah, how much more,
I love the very human heart of man.
Above me spreads the hot, blue mid-day sky,
Far down the hillside lies the sleeping lake
Lazily reflecting back the sun,
And scarcely ruffled by the little breeze
Which wanders idly through the nodding ferns.
The blue crest of the distant mountain, tops
The green crest of the hill on which I sit;
And it is summer, glorious, deep-toned summer,
The very crown of nature's changing year
When all her surging life is at its full.
To me alone it is a time of pause,
A void and silent space between two worlds,
When inspiration lags, and feeling sleeps,
Gathering strength for efforts yet to come.
For life alone is creator of life,
And closest contact with the human world
Is like a lantern shining in the night
To light me to a knowledge of myself.
I love the vivid life of winter months
In constant intercourse with human minds,
When every new experience is gain
And on all sides we feel the great world's heart;
The pulse and throb of life which makes us men!




"To-morrow to Fresh Woods and Pastures New"


As for a moment he stands, in hardy masculine beauty,
Poised on the fircrested rock, over the pool which below him
Gleams in the wavering sunlight, waiting the shock of his plunging.
So for a moment I stand, my feet planted firm in the present,
Eagerly scanning the future which is so soon to possess me.




The Way


At first a mere thread of a footpath half blotted out by the grasses
Sweeping triumphant across it, it wound between hedges of roses
Whose blossoms were poised above leaves as pond lilies float on the water,
While hidden by bloom in a hawthorn a bird filled the morning with singing.

It widened a highway, majestic, stretching ever to distant horizons,
Where shadows of tree-branches wavered, vague outlines invaded by sunshine;
No sound but the wind as it whispered the secrets of earth to the flowers,
And the hum of the yellow bees, honey-laden and dusty with pollen.
And Summer said, "Come, follow onward, with no thought save the longing
to wander,
The wind, and the bees, and the flowers, all singing the great song
of Nature,
Are minstrels of change and of promise, they herald the joy of the Future. "

Later the solitude vanished, confused and distracted the road
Where many were seeking and jostling. Left behind were the trees
and the flowers,
The half-realized beauty of quiet, the sacred unconscious communing.
And now he is come to a river, a line of gray, sullen water,
Not blue and splashing, but dark, rolling somberly on to the ocean.
But on the far side is a city whose windows flame gold in the sunset.
It lies fair and shining before him, a gem set betwixt sky and water,
And spanning the river a bridge, frail promise to longing desire,
Flung by man in his infinite courage, across the stern force of the water;
And he looks at the river and fears, the bridge is so slight,
yet he ventures
His life to its fragile keeping, if it fails the waves will engulf him.
O Arches! be strong to uphold him, and bear him across to the city,
The beautiful city whose spires still glow with the fires of sunset!




Diya {original title is Greek, Delta-iota-psi-alpha}


Look, Dear, how bright the moonlight is to-night!
See where it casts the shadow of that tree
Far out upon the grass. And every gust
Of light night wind comes laden with the scent
Of opening flowers which never bloom by day:
Night-scented stocks, and four-o'clocks, and that
Pale yellow disk, upreared on its tall stalk,
The evening primrose, comrade of the stars.
It seems as though the garden which you love
Were like a swinging censer, its incense
Floating before us as a reverent act
To sanctify and bless our night of love.
Tell me once more you love me, that 't is you
Yes, really you, I touch, so, with my hand;
And tell me it is by your own free will
That you are here, and that you like to be
Just here, with me, under this sailing pine.
I need to hear it often for my heart
Doubts naturally, and finds it hard to trust.
Ah, Dearest, you are good to love me so,
And yet I would not have it goodness, rather
Excess of selfishness in you to need
Me through and through, as flowers need the sun.
I wonder can it really be that you
And I are here alone, and that the night
Is full of hours, and all the world asleep,
And none can call to you to come away;
For you have given all yourself to me
Making me gentle by your willingness.
Has your life too been waiting for this time,
Not only mine the sharpness of this joy?
Dear Heart, I love you, worship you as though
I were a priest before a holy shrine.
I'm glad that you are beautiful, although
Were you not lovely still I needs must love;
But you are all things, it must have been so
For otherwise it were not you. Come, close;
When you are in the circle of my arm
Faith grows a mountain and I take my stand
Upon its utmost top. Yes, yes, once more
Kiss me, and let me feel you very near
Wanting me wholly, even as I want you.
Have years behind been dark? Will those to come
Bring unguessed sorrows into our two lives?
What does it matter, we have had to-night!
To-night will make us strong, for we believe
Each in the other, this is a sacrament.
Beloved, is it true?




Roads


I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.

A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.

And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.




Teatro Bambino. Dublin, N. H.


How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.

What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.

A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.

The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.




The Road to Avignon


A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.

The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.

Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.

Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.

Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.




New York at Night


A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud. I hear the sigh
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay.

Below, straight streets, monotonous,
From north and south, from east and west,
Stretch glittering; and luminous
Above, one tower tops the rest
And holds aloft man's constant quest:
Time! Joyless emblem of the greed
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.

O Night! Whose soothing presence brings
The quiet shining of the stars.
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night
To burn our souls before altars
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright.

Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below!




A Fairy Tale


On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.

The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient. This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.
Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with coloured sherds.
So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.




Crowned


You came to me bearing bright roses,
Red like the wine of your heart;
You twisted them into a garland
To set me aside from the mart.
Red roses to crown me your lover,
And I walked aureoled and apart.

Enslaved and encircled, I bore it,
Proud token of my gift to you.
The petals waned paler, and shriveled,
And dropped; and the thorns started through.
Bitter thorns to proclaim me your lover,
A diadem woven with rue.




To Elizabeth Ward Perkins


Dear Bessie, would my tired rhyme
Had force to rise from apathy,
And shaking off its lethargy
Ring word-tones like a Christmas chime.

But in my soul's high belfry, chill
The bitter wind of doubt has blown,
The summer swallows all have flown,
The bells are frost-bound, mute and still.

Upon the crumbling boards the snow
Has drifted deep, the clappers hang
Prismed with icicles, their clang
Unheard since ages long ago.

The rope I pull is stiff and cold,
My straining ears detect no sound
Except a sigh, as round and round
The wind rocks through the timbers old.

Below, I know the church is bright
With haloed tapers, warm with prayer;
But here I only feel the air
Of icy centuries of night.

Beneath my feet the snow is lit
And gemmed with colours, red, and blue,
Topaz, and green, where light falls through
The saints that in the windows sit.

Here darkness seems a spectred thing,
Voiceless and haunting, while the stars
Mock with a light of long dead years
The ache of present suffering.

Silent and winter-killed I stand,
No carol hymns my debt to you;
But take this frozen thought in lieu,
And thaw its music in your hand.




The Promise of the Morning Star


Thou father of the children of my brain
By thee engendered in my willing heart,
How can I thank thee for this gift of art
Poured out so lavishly, and not in vain.

What thou created never more can die,
Thy fructifying power lives in me
And I conceive, knowing it is by thee,
Dear other parent of my poetry!

For I was but a shadow with a name,
Perhaps by now the very name's forgot;
So strange is Fate that it has been my lot
To learn through thee the presence of that aim

Which evermore must guide me. All unknown,
By me unguessed, by thee not even dreamed,
A tree has blossomed in a night that seemed
Of stubborn, barren wood. For thou hast sown

This seed of beauty in a ground of truth.
Humbly I dedicate myself, and yet
I tremble with a sudden fear to set
New music ringing through my fading youth.




J--K. Huysmans



A flickering glimmer through a window-pane,
A dim red glare through mud bespattered glass,
Cleaving a path between blown walls of sleet
Across uneven pavements sunk in slime
To scatter and then quench itself in mist.
And struggling, slipping, often rudely hurled
Against the jutting angle of a wall,
And cursed, and reeled against, and flung aside
By drunken brawlers as they shuffled past,
A man was groping to what seemed a light.
His eyelids burnt and quivered with the strain
Of looking, and against his temples beat
The all enshrouding, suffocating dark.
He stumbled, lurched, and struck against a door
That opened, and a howl of obscene mirth
Grated his senses, wallowing on the floor
Lay men, and dogs and women in the dirt.
He sickened, loathing it, and as he gazed
The candle guttered, flared, and then went out.

Through travail of ignoble midnight streets
He came at last to shelter in a porch
Where gothic saints and warriors made a shield
To cover him, and tortured gargoyles spat
One long continuous stream of silver rain
That clattered down from myriad roofs and spires
Into a darkness, loud with rushing sound
Of water falling, gurgling as it fell,
But always thickly dark. Then as he leaned
Unconscious where, the great oak door blew back
And cast him, bruised and dripping, in the church.
His eyes from long sojourning in the night
Were blinded now as by some glorious sun;
He slowly crawled toward the altar steps.
He could not think, for heavy in his ears
An organ boomed majestic harmonies;
He only knew that what he saw was light!
He bowed himself before a cross of flame
And shut his eyes in fear lest it should fade.




March Evening


Blue through the window burns the twilight;
Heavy, through trees, blows the warm south wind.
Glistening, against the chill, gray sky light,
Wet, black branches are barred and entwined.

Sodden and spongy, the scarce-green grass plot
Dents into pools where a foot has been.
Puddles lie spilt in the road a mass, not
Of water, but steel, with its cold, hard sheen.

Faint fades the fire on the hearth, its embers
Scattering wide at a stronger gust.
Above, the old weathercock groans, but remembers
Creaking, to turn, in its centuried rust.

Dying, forlorn, in dreary sorrow,
Wrapping the mists round her withering form,
Day sinks down; and in darkness to-morrow
Travails to birth in the womb of the storm.





SONNETS




Leisure


Leisure, thou goddess of a bygone age,
When hours were long and days sufficed to hold
Wide-eyed delights and pleasures uncontrolled
By shortening moments, when no gaunt presage
Of undone duties, modern heritage,
Haunted our happy minds; must thou withhold
Thy presence from this over-busy world,
And bearing silence with thee disengage
Our twined fortunes? Deeps of unhewn woods
Alone can cherish thee, alone possess
Thy quiet, teeming vigor. This our crime:
Not to have worshipped, marred by alien moods
That sole condition of all loveliness,
The dreaming lapse of slow, unmeasured time.




On Carpaccio's Picture: The Dream of St. Ursula


Swept, clean, and still, across the polished floor
From some unshuttered casement, hid from sight,
The level sunshine slants, its greater light
Quenching the little lamp which pallid, poor,
Flickering, unreplenished, at the door
Has striven against darkness the long night.
Dawn fills the room, and penetrating, bright,
The silent sunbeams through the window pour.
And she lies sleeping, ignorant of Fate,
Enmeshed in listless dreams, her soul not yet
Ripened to bear the purport of this day.
The morning breeze scarce stirs the coverlet,
A shadow falls across the sunlight; wait!
A lark is singing as he flies away.




The Matrix


Goaded and harassed in the factory
That tears our life up into bits of days
Ticked off upon a clock which never stays,
Shredding our portion of Eternity,
We break away at last, and steal the key
Which hides a world empty of hours; ways
Of space unroll, and Heaven overlays
The leafy, sun-lit earth of Fantasy.
Beyond the ilex shadow glares the sun,
Scorching against the blue flame of the sky.
Brown lily-pads lie heavy and supine
Within a granite basin, under one
The bronze-gold glimmer of a carp; and I
Reach out my hand and pluck a nectarine.




Monadnock in Early Spring


Cloud-topped and splendid, dominating all
The little lesser hills which compass thee,
Thou standest, bright with April's buoyancy,
Yet holding Winter in some shaded wall
Of stern, steep rock; and startled by the call
Of Spring, thy trees flush with expectancy
And cast a cloud of crimson, silently,
Above thy snowy crevices where fall
Pale shrivelled oak leaves, while the snow beneath
Melts at their phantom touch. Another year
Is quick with import. Such each year has been.
Unmoved thou watchest all, and all bequeath
Some jewel to thy diadem of power,
Thou pledge of greater majesty unseen.




The Little Garden


A little garden on a bleak hillside
Where deep the heavy, dazzling mountain snow
Lies far into the spring. The sun's pale glow
Is scarcely able to melt patches wide
About the single rose bush. All denied
Of nature's tender ministries. But no, --
For wonder-working faith has made it blow
With flowers many hued and starry-eyed.
Here sleeps the sun long, idle summer hours;
Here butterflies and bees fare far to rove
Amid the crumpled leaves of poppy flowers;
Here four o'clocks, to the passionate night above
Fling whiffs of perfume, like pale incense showers.
A little garden, loved with a great love!




To an Early Daffodil


Thou yellow trumpeter of laggard Spring!
Thou herald of rich Summer's myriad flowers!
The climbing sun with new recovered powers
Does warm thee into being, through the ring
Of rich, brown earth he woos thee, makes thee fling
Thy green shoots up, inheriting the dowers
Of bending sky and sudden, sweeping showers,
Till ripe and blossoming thou art a thing
To make all nature glad, thou art so gay;
To fill the lonely with a joy untold;
Nodding at every gust of wind to-day,
To-morrow jewelled with raindrops. Always bold
To stand erect, full in the dazzling play
Of April's sun, for thou hast caught his gold.




Listening


'T is you that are the music, not your song.
The song is but a door which, opening wide,
Lets forth the pent-up melody inside,
Your spirit's harmony, which clear and strong
Sings but of you. Throughout your whole life long
Your songs, your thoughts, your doings, each divide
This perfect beauty; waves within a tide,
Or single notes amid a glorious throng.
The song of earth has many different chords;
Ocean has many moods and many tones
Yet always ocean. In the damp Spring woods
The painted trillium smiles, while crisp pine cones
Autumn alone can ripen. So is this
One music with a thousand cadences.




The Lamp of Life


Always we are following a light,
Always the light recedes; with groping hands
We stretch toward this glory, while the lands
We journey through are hidden from our sight
Dim and mysterious, folded deep in night,
We care not, all our utmost need demands
Is but the light, the light! So still it stands
Surely our own if we exert our might.
Fool! Never can'st thou grasp this fleeting gleam,
Its glowing flame would die if it were caught,
Its value is that it doth always seem
But just a little farther on. Distraught,
But lighted ever onward, we are brought
Upon our way unknowing, in a dream.




Hero-Worship


A face seen passing in a crowded street,
A voice heard singing music, large and free;
And from that moment life is changed, and we
Become of more heroic temper, meet
To freely ask and give, a man complete
Radiant because of faith, we dare to be
What Nature meant us. Brave idolatry
Which can conceive a hero! No deceit,
No knowledge taught by unrelenting years,
Can quench this fierce, untamable desire.
We know that what we long for once achieved
Will cease to satisfy. Be still our fears;
If what we worship fail us, still the fire
Burns on, and it is much to have believed.




In Darkness


Must all of worth be travailled for, and those
Life's brightest stars rise from a troubled sea?
Must years go by in sad uncertainty
Leaving us doubting whose the conquering blows,
Are we or Fate the victors? Time which shows
All inner meanings will reveal, but we
Shall never know the upshot. Ours to be
Wasted with longing, shattered in the throes,
The agonies of splendid dreams, which day
Dims from our vision, but each night brings back;
We strive to hold their grandeur, and essay
To be the thing we dream. Sudden we lack
The flash of insight, life grows drear and gray,
And hour follows hour, nerveless, slack.




Before Dawn


Life! Austere arbiter of each man's fate,
By whom he learns that Nature's steadfast laws
Are as decrees immutable; O pause
Your even forward march! Not yet too late
Teach me the needed lesson, when to wait
Inactive as a ship when no wind draws
To stretch the loosened cordage. One implores
Thy clemency, whose wilfulness innate
Has gone uncurbed and roughshod while the years
Have lengthened into decades; now distressed
He knows no rule by which to move or stay,
And teased with restlessness and desperate fears
He dares not watch in silence thy wise way
Bringing about results none could have guessed.




The Poet


What instinct forces man to journey on,
Urged by a longing blind but dominant!
Nothing he sees can hold him, nothing daunt
His never failing eagerness. The sun
Setting in splendour every night has won
His vassalage; those towers flamboyant
Of airy cloudland palaces now haunt
His daylight wanderings. Forever done
With simple joys and quiet happiness
He guards the vision of the sunset sky;
Though faint with weariness he must possess
Some fragment of the sunset's majesty;
He spurns life's human friendships to profess
Life's loneliness of dreaming ecstasy.




At Night


The wind is singing through the trees to-night,
A deep-voiced song of rushing cadences
And crashing intervals. No summer breeze
Is this, though hot July is at its height,
Gone is her gentler music; with delight
She listens to this booming like the seas,
These elemental, loud necessities
Which call to her to answer their swift might.
Above the tossing trees shines down a star,
Quietly bright; this wild, tumultuous joy
Quickens nor dims its splendour. And my mind,
O Star! is filled with your white light, from far,
So suffer me this one night to enjoy
The freedom of the onward sweeping wind.




The Fruit Garden Path


The path runs straight between the flowering rows,
A moonlit path, hemmed in by beds of bloom,
Where phlox and marigolds dispute for room
With tall, red dahlias and the briar rose.
'T is reckless prodigality which throws
Into the night these wafts of rich perfume
Which sweep across the garden like a plume.
Over the trees a single bright star glows.
Dear garden of my childhood, here my years
Have run away like little grains of sand;
The moments of my life, its hopes and fears
Have all found utterance here, where now I stand;
My eyes ache with the weight of unshed tears,
You are my home, do you not understand?




Mirage


How is it that, being gone, you fill my days,
And all the long nights are made glad by thee?
No loneliness is this, nor misery,
But great content that these should be the ways
Whereby the Fancy, dreaming as she strays,
Makes bright and present what she would would be.
And who shall say if the reality
Is not with dreams so pregnant. For delays
And hindrances may bar the wished-for end;
A thousand misconceptions may prevent
Our souls from coming near enough to blend;
Let me but think we have the same intent,
That each one needs to call the other, "friend! "
It may be vain illusion. I'm content.




To a Friend


I ask but one thing of you, only one,
That always you will be my dream of you;
That never shall I wake to find untrue
All this I have believed and rested on,
Forever vanished, like a vision gone
Out into the night. Alas, how few
There are who strike in us a chord we knew
Existed, but so seldom heard its tone
We tremble at the half-forgotten sound.
The world is full of rude awakenings
And heaven-born castles shattered to the ground,
Yet still our human longing vainly clings
To a belief in beauty through all wrongs.
O stay your hand, and leave my heart its songs!




A Fixed Idea


What torture lurks within a single thought
When grown too constant, and however kind,
However welcome still, the weary mind
Aches with its presence. Dull remembrance taught
Remembers on unceasingly; unsought
The old delight is with us but to find
That all recurring joy is pain refined,
Become a habit, and we struggle, caught.
You lie upon my heart as on a nest,
Folded in peace, for you can never know
How crushed I am with having you at rest
Heavy upon my life. I love you so
You bind my freedom from its rightful quest.
In mercy lift your drooping wings and go.




Dreams


I do not care to talk to you although
Your speech evokes a thousand sympathies,
And all my being's silent harmonies
Wake trembling into music. When you go
It is as if some sudden, dreadful blow
Had severed all the strings with savage ease.
No, do not talk; but let us rather seize
This intimate gift of silence which we know.
Others may guess your thoughts from what you say,
As storms are guessed from clouds where darkness broods.
To me the very essence of the day
Reveals its inner purpose and its moods;
As poplars feel the rain and then straightway
Reverse their leaves and shimmer through the woods.




Frankincense and Myrrh


My heart is tuned to sorrow, and the strings
Vibrate most readily to minor chords,
Searching and sad; my mind is stuffed with words
Which voice the passion and the ache of things:
Illusions beating with their baffled wings
Against the walls of circumstance, and hoards
Of torn desires, broken joys; records
Of all a bruised life's maimed imaginings.
Now you are come! You tremble like a star
Poised where, behind earth's rim, the sun has set.
Your voice has sung across my heart, but numb
And mute, I have no tones to answer. Far
Within I kneel before you, speechless yet,
And life ablaze with beauty, I am dumb.




From One Who Stays


How empty seems the town now you are gone!
A wilderness of sad streets, where gaunt walls
Hide nothing to desire; sunshine falls
Eery, distorted, as it long had shone
On white, dead faces tombed in halls of stone.
The whir of motors, stricken through with calls
Of playing boys, floats up at intervals;
But all these noises blur to one long moan.
What quest is worth pursuing? And how strange
That other men still go accustomed ways!
I hate their interest in the things they do.
A spectre-horde repeating without change
An old routine. Alone I know the days
Are still-born, and the world stopped, lacking you.




Crepuscule du Matin


All night I wrestled with a memory
Which knocked insurgent at the gates of thought.
The crumbled wreck of years behind has wrought
Its disillusion; now I only cry
For peace, for power to forget the lie
Which hope too long has whispered. So I sought
The sleep which would not come, and night was fraught
With old emotions weeping silently.
I heard your voice again, and knew the things
Which you had promised proved an empty vaunt.
I felt your clinging hands while night's broad wings
Cherished our love in darkness. From the lawn
A sudden, quivering birdnote, like a taunt.
My arms held nothing but the empty dawn.




Aftermath


I learnt to write to you in happier days,
And every letter was a piece I chipped
From off my heart, a fragment newly clipped
From the mosaic of life; its blues and grays,
Its throbbing reds, I gave to earn your praise.
To make a pavement for your feet I stripped
My soul for you to walk upon, and slipped
Beneath your steps to soften all your ways.
But now my letters are like blossoms pale
We strew upon a grave with hopeless tears.
I ask no recompense, I shall not fail
Although you do not heed; the long, sad years
Still pass, and still I scatter flowers frail,
And whisper words of love which no one hears.




The End


Throughout the echoing chambers of my brain
I hear your words in mournful cadence toll
Like some slow passing-bell which warns the soul
Of sundering darkness. Unrelenting, fain
To batter down resistance, fall again
Stroke after stroke, insistent diastole,
The bitter blows of truth, until the whole
Is hammered into fact made strangely plain.
Where shall I look for comfort? Not to you.
Our worlds are drawn apart, our spirit's suns
Divided, and the light of mine burnt dim.
Now in the haunted twilight I must do
Your will. I grasp the cup which over-runs,
And with my trembling lips I touch the rim.




The Starling


"'I can't get out', said the starling. "
Sterne's 'Sentimental Journey'.


Forever the impenetrable wall
Of self confines my poor rebellious soul,
I never see the towering white clouds roll
Before a sturdy wind, save through the small
Barred window of my jail. I live a thrall
With all my outer life a clipped, square hole,
Rectangular; a fraction of a scroll
Unwound and winding like a worsted ball.
My thoughts are grown uneager and depressed
Through being always mine, my fancy's wings
Are moulted and the feathers blown away.
I weary for desires never guessed,
For alien passions, strange imaginings,
To be some other person for a day.




Market Day


White, glittering sunlight fills the market square,
Spotted and sprigged with shadows. Double rows
Of bartering booths spread out their tempting shows
Of globed and golden fruit, the morning air
Smells sweet with ripeness, on the pavement there
A wicker basket gapes and overflows
Spilling out cool, blue plums. The market glows,
And flaunts, and clatters in its busy care.
A stately minster at the northern side
Lifts its twin spires to the distant sky,
Pinnacled, carved and buttressed; through the wide
Arched doorway peals an organ, suddenly --
Crashing, triumphant in its pregnant tide,
Quenching the square in vibrant harmony.




Epitaph in a Church-Yard in Charleston, South Carolina

GEORGE AUGUSTUS CLOUGH
A NATIVE OF LIVERPOOL,
DIED SUDDENLY OF "STRANGER'S FEVER"
NOV'R 5th 1843
AGED 22


He died of "Stranger's Fever" when his youth
Had scarcely melted into manhood, so
The chiselled legend runs; a brother's woe
Laid bare for epitaph. The savage ruth
Of a sunny, bright, but alien land, uncouth
With cruel caressing dealt a mortal blow,
And by this summer sea where flowers grow
In tropic splendor, witness to the truth
Of ineradicable race he lies.
The law of duty urged that he should roam,
Should sail from fog and chilly airs to skies
Clear with deceitful welcome. He had come
With proud resolve, but still his lonely eyes
Ached with fatigue at never seeing home.




Francis II, King of Naples

Written after reading Trevelyan's "Garibaldi and the making of Italy"


Poor foolish monarch, vacillating, vain,
Decaying victim of a race of kings,
Swift Destiny shook out her purple wings
And caught him in their shadow; not again
Could furtive plotting smear another stain
Across his tarnished honour. Smoulderings
Of sacrificial fires burst their rings
And blotted out in smoke his lost domain.
Bereft of courtiers, only with his queen,
From empty palace down to empty quay.
No challenge screamed from hostile carabine.
A single vessel waited, shadowy;
All night she ploughed her solitary way
Beneath the stars, and through a tranquil sea.




To John Keats


Great master! Boyish, sympathetic man!
Whose orbed and ripened genius lightly hung
From life's slim, twisted tendril and there swung
In crimson-sphered completeness; guardian
Of crystal portals through whose openings fan
The spiced winds which blew when earth was young,
Scattering wreaths of stars, as Jove once flung
A golden shower from heights cerulean.
Crumbled before thy majesty we bow.
Forget thy empurpled state, thy panoply
Of greatness, and be merciful and near;
A youth who trudged the highroad we tread now
Singing the miles behind him; so may we
Faint throbbings of thy music overhear.






THE BOSTON ATHENAEUM


The Boston Athenaeum


Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of. Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.





VERSES FOR CHILDREN




Sea Shell


Sea Shell, Sea Shell,
Sing me a song, O Please!
A song of ships, and sailor men,
And parrots, and tropical trees,

Of islands lost in the Spanish Main
Which no man ever may find again,
Of fishes and corals under the waves,
And seahorses stabled in great green caves.

Sea Shell, Sea Shell,
Sing of the things you know so well.




Fringed Gentians


Near where I live there is a lake
As blue as blue can be, winds make
It dance as they go blowing by.
I think it curtseys to the sky.

It's just a lake of lovely flowers
And my Mamma says they are ours;
But they are not like those we grow
To be our very own, you know.

We have a splendid garden, there
Are lots of flowers everywhere;
Roses, and pinks, and four o'clocks
And hollyhocks, and evening stocks.

Mamma lets us pick them, but never
Must we pick any gentians -- ever!
For if we carried them away
They'd die of homesickness that day.




The Painted Ceiling


My Grandpapa lives in a wonderful house
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.

But of all of the rooms, even mother's and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.

Right over your head is a funny round hole
With apples and pears falling through;
There's a big bunch of grapes all purply and sweet,
And melons and pineapples too.

They tumble and tumble, but never come down
Though I've stood underneath a long while
With my mouth open wide, for I always have hoped
Just a cherry would drop from the pile.

No matter how early I run there to look
It has always begun to fall through;
And one night when at bedtime I crept in to see,
It was falling by candle-light too.

I am sure they are magical fruits, and each one
Makes you hear things, or see things, or go
Forever invisible; but it's no use,
And of course I shall just never know.

For the ladder's too heavy to lift, and the chairs
Are not nearly so tall as I need.
I've given up hope, and I feel I shall die
Without having accomplished the deed.

It's a little bit sad, when you seem very near
To adventures and things of that sort,
Which nearly begin, and then don't; and you know
It is only because you are short.




The Crescent Moon


Slipping softly through the sky
Little horned, happy moon,
Can you hear me up so high?
Will you come down soon?

On my nursery window-sill
Will you stay your steady flight?
And then float away with me
Through the summer night?

Brushing over tops of trees,
Playing hide and seek with stars,
Peeping up through shiny clouds
At Jupiter or Mars.

I shall fill my lap with roses
Gathered in the milky way,
All to carry home to mother.
Oh! what will she say!

Little rocking, sailing moon,
Do you hear me shout -- Ahoy!
Just a little nearer, moon,
To please a little boy.




Climbing


High up in the apple tree climbing I go,
With the sky above me, the earth below.
Each branch is the step of a wonderful stair
Which leads to the town I see shining up there.

Climbing, climbing, higher and higher,
The branches blow and I see a spire,
The gleam of a turret, the glint of a dome,
All sparkling and bright, like white sea foam.

On and on, from bough to bough,
The leaves are thick, but I push my way through;
Before, I have always had to stop,
But to-day I am sure I shall reach the top.

Today to the end of the marvelous stair,
Where those glittering pinacles flash in the air!
Climbing, climbing, higher I go,
With the sky close above me, the earth far below.




The Trout


Naughty little speckled trout,
Can't I coax you to come out?
Is it such great fun to play
In the water every day?

Do you pull the Naiads' hair
Hiding in the lilies there?
Do you hunt for fishes' eggs,
Or watch tadpoles grow their legs?

Do the little trouts have school
In some deep sun-glinted pool,
And in recess play at tag
Round that bed of purple flag?

I have tried so hard to catch you,
Hours and hours I've sat to watch you;
But you never will come out,
Naughty little speckled trout!




Wind


He shouts in the sails of the ships at sea,
He steals the down from the honeybee,
He makes the forest trees rustle and sing,
He twirls my kite till it breaks its string.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.

He calls up the fog and hides the hills,
He whirls the wings of the great windmills,
The weathercocks love him and turn to discover
His whereabouts -- but he's gone, the rover!
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.

The pine trees toss him their cones with glee,
The flowers bend low in courtesy,
Each wave flings up a shower of pearls,
The flag in front of the school unfurls.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.




The Pleiades



By day you cannot see the sky
For it is up so very high.
You look and look, but it's so blue
That you can never see right through.

But when night comes it is quite plain,
And all the stars are there again.
They seem just like old friends to me,
I've known them all my life you see.

There is the dipper first, and there
Is Cassiopeia in her chair,
Orion's belt, the Milky Way,
And lots I know but cannot say.