No More Learning

No, it was not his image. It was like the image of the young priest in
whose company he had seen her last, looking at him out of dove's eyes,
toying with the pages of her Irish phrase-book.

--Yes, yes, the ladies are coming round to us. I can see it every day.
The ladies are with us. The best helpers the language has.

--And the church, Father Moran?

--The church too. Coming round too. The work is going ahead there too.
Don't fret about the church.

Bah! he had done well to leave the room in disdain. He had done well
not to salute her on the steps of the library! He had done well to
leave her to flirt with her priest, to toy with a church which was the
scullery-maid of christendom.

Rude brutal anger routed the last lingering instant of ecstasy from his
soul. It broke up violently her fair image and flung the fragments on
all sides. On all sides distorted reflections of her image started from
his memory: the flower girl in the ragged dress with damp coarse hair
and a hoyden's face who had called herself his own girl and begged his
handsel, the kitchen-girl in the next house who sang over the clatter
of her plates, with the drawl of a country singer, the first bars of BY
KILLARNEY'S LAKES AND FELLS, a girl who had laughed gaily to see him
stumble when the iron grating in the footpath near Cork Hill had caught
the broken sole of his shoe, a girl he had glanced at, attracted by her
small ripe mouth, as she passed out of Jacob's biscuit factory, who had
cried to him over her shoulder:

--Do you like what you seen of me, straight hair and curly eyebrows?

And yet he felt that, however he might revile and mock her image, his
anger was also a form of homage. He had left the classroom in disdain
that was not wholly sincere, feeling that perhaps the secret of her
race lay behind those dark eyes upon which her long lashes flung a
quick shadow. He had told himself bitterly as he walked through the
streets that she was a figure of the womanhood of her country, a bat-like
soul waking to the consciousness of itself in darkness and secrecy and
loneliness, tarrying awhile, loveless and sinless, with her mild lover and
leaving him to whisper of innocent transgressions in the latticed ear of a
priest. His anger against her found vent in coarse railing at her
paramour, whose name and voice and features offended his baffled pride: a
priested peasant, with a brother a policeman in Dublin and a brother a
potboy in Moycullen. To him she would unveil her soul's shy nakedness, to
one who was but schooled in the discharging of a formal rite rather than
to him, a priest of the eternal imagination, transmuting the daily bread
of experience into the radiant body of everliving life.

The radiant image of the eucharist united again in an instant his
bitter and despairing thoughts, their cries arising unbroken in a hymn
of thanksgiving.

Our broken cries and mournful lays
Rise in one eucharistic hymn
Are you not weary of ardent ways?

While sacrificing hands upraise
The chalice flowing to the brim.
Tell no more of enchanted days.

He spoke the verses aloud from the first lines till the music and
rhythm suffused his mind, turning it to quiet indulgence; then copied
them painfully to feel them the better by seeing them; then lay back on
his bolster.

The full morning light had come. No sound was to be heard; but he knew
that all around him life was about to awaken in common noises, hoarse
voices, sleepy prayers. Shrinking from that life he turned towards the
wall, making a cowl of the blanket and staring at the great overblown
scarlet flowers of the tattered wallpaper. He tried to warm his
perishing joy in their scarlet glow, imagining a roseway from where he
lay upwards to heaven all strewn with scarlet flowers. Weary! Weary! He
too was weary of ardent ways.

A gradual warmth, a languorous weariness passed over him descending
along his spine from his closely cowled head. He felt it descend and,
seeing himself as he lay, smiled. Soon he would sleep.

He had written verses for her again after ten years. Ten years before
she had worn her shawl cowlwise about her head, sending sprays of her
warm breath into the night air, tapping her foot upon the glassy road.
It was the last tram; the lank brown horses knew it and shook their
bells to the clear night in admonition. The conductor talked with the
driver, both nodding often in the green light of the lamp. They stood
on the steps of the tram, he on the upper, she on the lower. She came
up to his step many times between their phrases and went down again and
once or twice remained beside him forgetting to go down and then went
down. Let be! Let be!

Ten years from that wisdom of children to his folly. If he sent her the
verses? They would be read out at breakfast amid the tapping of
egg-shells. Folly indeed! Her brothers would laugh and try to wrest the
page from each other with their strong hard fingers. The suave priest,
her uncle, seated in his arm-chair, would hold the page at arm's
length, read it smiling and approve of the literary form.

No, no; that was folly. Even if he sent her the verses she would not
show them to others. No, no; she could not.

He began to feel that he had wronged her. A sense of her innocence
moved him almost to pity her, an innocence he had never understood till
he had come to the knowledge of it through sin, an innocence which she
too had not understood while she was innocent or before the strange
humiliation of her nature had first come upon her. Then first her soul
had begun to live as his soul had when he had first sinned, and a
tender compassion filled his heart as he remembered her frail pallor
and her eyes, humbled and saddened by the dark shame of womanhood.

While his soul had passed from ecstasy to languor where had she been?
Might it be, in the mysterious ways of spiritual life, that her soul at
those same moments had been conscious of his homage? It might be.

A glow of desire kindled again his soul and fired and fulfilled all his
body. Conscious of his desire she was waking from odorous sleep, the
temptress of his villanelle. Her eyes, dark and with a look of languor,
were opening to his eyes. Her nakedness yielded to him, radiant, warm,
odorous and lavish-limbed, enfolded him like a shining cloud, enfolded
him like water with a liquid life; and like a cloud of vapour or like
waters circumfluent in space the liquid letters of speech, symbols of
the element of mystery, flowed forth over his brain.

Are you not weary of ardent ways,
Lure of the fallen seraphim?
Tell no more of enchanted days.

Your eyes have set man's heart ablaze
And you have had your will of him.
Are you not weary of ardent ways?

Above the flame the smoke of praise
Goes up from ocean rim to rim.
Tell no more of enchanted days.

Our broken cries and mournful lays
Rise in one eucharistic hymn.
Are you not weary of ardent ways?

While sacrificing hands upraise
The chalice flowing to the brim.
Tell no more of enchanted days.

And still you hold our longing gaze
With languorous look and lavish limb!
Are you not weary of ardent ways?
Tell no more of enchanted days.


* * * * *


What birds were they? He stood on the steps of the library to look at
them, leaning wearily on his ashplant. They flew round and round the
jutting shoulder of a house in Molesworth Street. The air of the late
March evening made clear their flight, their dark quivering bodies
flying clearly against the sky as against a limp-hung cloth of smoky
tenuous blue.

He watched their flight; bird after bird: a dark flash, a swerve, a
flutter of wings. He tried to count them before all their darting
quivering bodies passed: six, ten, eleven: and wondered were they odd
or even in number. Twelve, thirteen: for two came wheeling down from the
upper sky. They were flying high and low but ever round and round in
straight and curving lines and ever flying from left to right, circling
about a temple of air.

He listened to the cries: like the squeak of mice behind the wainscot:
a shrill twofold note. But the notes were long and shrill and whirring,
unlike the cry of vermin, falling a third or a fourth and trilled as
the flying beaks clove the air. Their cry was shrill and clear and fine
and falling like threads of silken light unwound from whirring spools.

The inhuman clamour soothed his ears in which his mother's sobs and
reproaches murmured insistently and the dark frail quivering bodies
wheeling and fluttering and swerving round an airy temple of the
tenuous sky soothed his eyes which still saw the image of his mother's
face.

Why was he gazing upwards from the steps of the porch, hearing their
shrill twofold cry, watching their flight? For an augury of good or
evil? A phrase of Cornelius Agrippa flew through his mind and then
there flew hither and thither shapeless thoughts from Swedenborg on the
correspondence of birds to things of the intellect and of how the
creatures of the air have their knowledge and know their times and
seasons because they, unlike man, are in the order of their life and
have not perverted that order by reason.

And for ages men had gazed upward as he was gazing at birds in flight.
The colonnade above him made him think vaguely of an ancient temple and
the ashplant on which he leaned wearily of the curved stick of an
augur. A sense of fear of the unknown moved in the heart of his
weariness, a fear of symbols and portents, of the hawk-like man whose
name he bore soaring out of his captivity on osier-woven wings, of
Thoth, the god of writers, writing with a reed upon a tablet and
bearing on his narrow ibis head the cusped moon.

He smiled as he thought of the god's image for it made him think of a
bottle-nosed judge in a wig, putting commas into a document which he
held at arm's length, and he knew that he would not have remembered the
god's name but that it was like an Irish oath. It was folly. But was it
for this folly that he was about to leave for ever the house of prayer
and prudence into which he had been born and the order of life out of
which he had come?

They came back with shrill cries over the jutting shoulder of the
house, flying darkly against the fading air. What birds were they? He
thought that they must be swallows who had come back from the south.
Then he was to go away for they were birds ever going and coming,
building ever an unlasting home under the eaves of men's houses and
ever leaving the homes they had built to wander.

Bend down your faces, Oona and Aleel.
I gaze upon them as the swallow gazes
Upon the nest under the eave before
He wander the loud waters.

A soft liquid joy like the noise of many waters flowed over his memory
and he felt in his heart the soft peace of silent spaces of fading
tenuous sky above the waters, of oceanic silence, of swallows flying
through the sea-dusk over the flowing waters.

A soft liquid joy flowed through the words where the soft long vowels
hurtled noiselessly and fell away, lapping and flowing back and ever
shaking the white bells of their waves in mute chime and mute peal, and
soft low swooning cry; and he felt that the augury he had sought in the
wheeling darting birds and in the pale space of sky above him had come
forth from his heart like a bird from a turret, quietly and swiftly.

Symbol of departure or of loneliness? The verses crooned in the ear of
his memory composed slowly before his remembering eyes the scene of the
hall on the night of the opening of the national theatre. He was alone
at the side of the balcony, looking out of jaded eyes at the culture of
Dublin in the stalls and at the tawdry scene-cloths and human dolls
framed by the garish lamps of the stage. A burly policeman sweated behind
him and seemed at every moment about to act. The catcalls and hisses and
mocking cries ran in rude gusts round the hall from his scattered fellow
students.

--A libel on Ireland!

--Made in Germany.

--Blasphemy!

--We never sold our faith!

--No Irish woman ever did it!

--We want no amateur atheists.

--We want no budding buddhists.

A sudden swift hiss fell from the windows above him and he knew that
the electric lamps had been switched on in the reader's room. He turned
into the pillared hall, now calmly lit, went up the staircase and
passed in through the clicking turnstile.

Cranly was sitting over near the dictionaries. A thick book, opened at
the frontispiece, lay before him on the wooden rest. He leaned back in
his chair, inclining his ear like that of a confessor to the face of
the medical student who was reading to him a problem from the chess
page of a journal. Stephen sat down at his right and the priest at the
other side of the table closed his copy of THE TABLET with an angry
snap and stood up.

Cranly gazed after him blandly and vaguely. The medical student went on
in a softer voice:

--Pawn to king's fourth.

--We had better go, Dixon, said Stephen in warning. He has gone to
complain.

Dixon folded the journal and rose with dignity, saying:

--Our men retired in good order.

--With guns and cattle, added Stephen, pointing to the titlepage of
Cranly's book on which was printed DISEASES OF THE OX.

As they passed through a lane of the tables Stephen said:

--Cranly, I want to speak to you.

Cranly did not answer or turn. He laid his book on the counter and
passed out, his well-shod feet sounding flatly on the floor. On the
staircase he paused and gazing absently at Dixon repeated:

--Pawn to king's bloody fourth.

--Put it that way if you like, Dixon said.

He had a quiet toneless voice and urbane manners and on a finger of his
plump clean hand he displayed at moments a signet ring.

As they crossed the hall a man of dwarfish stature came towards them.
Under the dome of his tiny hat his unshaven face began to smile with
pleasure and he was heard to murmur. The eyes were melancholy as those
of a monkey.

--Good evening, gentlemen, said the stubble-grown monkeyish face.

--Warm weather for March, said Cranly. They have the windows open
upstairs.

Dixon smiled and turned his ring. The blackish, monkey-puckered face
pursed its human mouth with gentle pleasure and its voice purred:

--Delightful weather for March. Simply delightful.

--There are two nice young ladies upstairs, captain, tired of waiting,
Dixon said.

Cranly smiled and said kindly:

--The captain has only one love: sir Walter Scott. Isn't that so,
captain?

--What are you reading now, captain? Dixon asked. THE BRIDE OF
LAMMERMOOR?

--I love old Scott, the flexible lips said, I think he writes something
lovely. There is no writer can touch sir Walter Scott.

He moved a thin shrunken brown hand gently in the air in time to his
praise and his thin quick eyelids beat often over his sad eyes.

Sadder to Stephen's ear was his speech: a genteel accent, low and
moist, marred by errors, and, listening to it, he wondered was the
story true and was the thin blood that flowed in his shrunken frame
noble and come of an incestuous love?

The park trees were heavy with rain; and rain fell still and ever in
the lake, lying grey like a shield. A game of swans flew there and the
water and the shore beneath were fouled with their green-white slime.
They embraced softly, impelled by the grey rainy light, the wet
silent trees, the shield-like witnessing lake, the swans. They embraced
without joy or passion, his arm about his sister's neck. A grey woollen
cloak was wrapped athwart her from her shoulder to her waist and her
fair head was bent in willing shame. He had loose red-brown hair and
tender shapely strong freckled hands. Face? There was no face seen. The
brother's face was bent upon her fair rain-fragrant hair. The hand
freckled and strong and shapely and caressing was Davin's hand.

He frowned angrily upon his thought and on the shrivelled mannikin who
had called it forth. His father's jibes at the Bantry gang leaped out
of his memory. He held them at a distance and brooded uneasily on his
own thought again. Why were they not Cranly's hands? Had Davin's
simplicity and innocence stung him more secretly?

He walked on across the hall with Dixon, leaving Cranly to take leave
elaborately of the dwarf.

Under the colonnade Temple was standing in the midst of a little group
of students. One of them cried:

--Dixon, come over till you hear. Temple is in grand form.

Temple turned on him his dark gipsy eyes.

--You're a hypocrite, O'Keeffe, he said. And Dixon is a smiler. By
hell, I think that's a good literary expression.

He laughed slyly, looking in Stephen's face, repeating:

--By hell, I'm delighted with that name. A smiler.

A stout student who stood below them on the steps said:

--Come back to the mistress, Temple. We want to hear about that.

--He had, faith, Temple said. And he was a married man too. And all the
priests used to be dining there. By hell, I think they all had a touch.

--We shall call it riding a hack to spare the hunter, said Dixon.

--Tell us, Temple, O'Keeffe said, how many quarts of porter have you
in you?

--All your intellectual soul is in that phrase, O'Keeffe, said Temple
with open scorn.

He moved with a shambling gait round the group and spoke to Stephen.

--Did you know that the Forsters are the kings of Belgium? he asked.

Cranly came out through the door of the entrance hall, his hat thrust
back on the nape of his neck and picking his teeth with care.

--And here's the wiseacre, said Temple. Do you know that about the
Forsters?

He paused for an answer. Cranly dislodged a figseed from his teeth on
the point of his rude toothpick and gazed at it intently.

--The Forster family, Temple said, is descended from Baldwin the
First, king of Flanders. He was called the Forester.
Forester and
Forster are the same name. A descendant of Baldwin the First, captain
Francis Forster, settled in Ireland and married the daughter of the
last chieftain of Clanbrassil. Then there are the Blake Forsters.
That's a different branch.

--From Baldhead, king of Flanders, Cranly repeated, rooting again
deliberately at his gleaming uncovered teeth.

--Where did you pick up all that history? O'Keeffe asked.

--I know all the history of your family, too, Temple said, turning to
Stephen. Do you know what Giraldus Cambrensis says about your family?

--Is he descended from Baldwin too? asked a tall consumptive student
with dark eyes.

--Baldhead, Cranly repeated, sucking at a crevice in his teeth.

--PERNOBILIS ET PERVETUSTA FAMILIA, Temple said to Stephen.

The stout student who stood below them on the steps farted briefly. Dixon
turned towards him, saying in a soft voice:

--Did an angel speak?

Cranly turned also and said vehemently but without anger:

--Goggins, you're the flamingest dirty devil I ever met, do you know.

--I had it on my mind to say that, Goggins answered firmly. It did no
one any harm, did it?

--We hope, Dixon said suavely, that it was not of the kind known to
science as a PAULO POST FUTURUM.

--Didn't I tell you he was a smiler? said Temple, turning right and
left. Didn't I give him that name?

--You did. We're not deaf, said the tall consumptive.

Cranly still frowned at the stout student below him. Then, with a snort
of disgust, he shoved him violently down the steps.

--Go away from here, he said rudely. Go away, you stinkpot. And you are a
stinkpot.

Goggins skipped down on to the gravel and at once returned to his place
with good humour. Temple turned back to Stephen and asked:

--Do you believe in the law of heredity?

--Are you drunk or what are you or what are you trying to say? asked
Cranly, facing round on him with an expression of wonder.

--The most profound sentence ever written, Temple said with
enthusiasm, is the sentence at the end of the zoology. Reproduction is
the beginning of death.

He touched Stephen timidly at the elbow and said eagerly:

--Do you feel how profound that is because you are a poet?

Cranly pointed his long forefinger.

--Look at him! he said with scorn to the others. Look at Ireland's hope!

They laughed at his words and gesture. Temple turned on him bravely,
saying:

--Cranly, you're always sneering at me. I can see that. But I am as
good as you any day. Do you know what I think about you now as compared
with myself?

--My dear man, said Cranly urbanely, you are incapable, do you know,
absolutely incapable of thinking.

--But do you know, Temple went on, what I think of you and of myself
compared together?

--Out with it, Temple! the stout student cried from the steps. Get it
out in bits!

Temple turned right and left, making sudden feeble gestures as he spoke.

--I'm a ballocks, he said, shaking his head in despair. I am and I
know I am. And I admit it that I am.

Dixon patted him lightly on the shoulder and said mildly:

--And it does you every credit, Temple.

--But he, Temple said, pointing to Cranly, he is a ballocks, too, like
me. Only he doesn't know it. And that's the only difference I see.

A burst of laughter covered his words. But he turned again to Stephen
and said with a sudden eagerness:

--That word is a most interesting word. That's the only English dual
number. Did you know?

--Is it? Stephen said vaguely.

He was watching Cranly's firm-featured suffering face, lit up now by a
smile of false patience. The gross name had passed over it like foul
water poured over an old stone image, patient of injuries; and, as he
watched him, he saw him raise his hat in salute and uncover the black
hair that stood stiffly from his forehead like an iron crown.

She passed out from the porch of the library and bowed across Stephen
in reply to Cranly's greeting. He also? Was there not a slight flush on
Cranly's cheek? Or had it come forth at Temple's words? The light had
waned. He could not see.

Did that explain his friend's listless silence, his harsh comments, the
sudden intrusions of rude speech with which he had shattered so often
Stephen's ardent wayward confessions? Stephen had forgiven freely for
he had found this rudeness also in himself. And he remembered an
evening when he had dismounted from a borrowed creaking bicycle to pray
to God in a wood near Malahide. He had lifted up his arms and spoken in
ecstasy to the sombre nave of the trees, knowing that he stood on holy
ground and in a holy hour. And when two constabulary men had come into
sight round a bend in the gloomy road he had broken off his prayer to
whistle loudly an air from the last pantomime.

He began to beat the frayed end of his ashplant against the base of a
pillar. Had Cranly not heard him? Yet he could wait. The talk about him
ceased for a moment and a soft hiss fell again from a window above. But
no other sound was in the air and the swallows whose flight he had
followed with idle eyes were sleeping.

She had passed through the dusk. And therefore the air was silent save
for one soft hiss that fell. And therefore the tongues about him had
ceased their babble. Darkness was falling.

Darkness falls from the air.

A trembling joy, lambent as a faint light, played like a fairy host
around him. But why? Her passage through the darkening air or the verse
with its black vowels and its opening sound, rich and lutelike?

He walked away slowly towards the deeper shadows at the end of the
colonnade, beating the stone softly with his stick to hide his revery
from the students whom he had left: and allowed his mind to summon back
to itself the age of Dowland and Byrd and Nash.

Eyes, opening from the darkness of desire, eyes that dimmed the
breaking east. What was their languid grace but the softness of
chambering? And what was their shimmer but the shimmer of the scum that
mantled the cesspool of the court of a slobbering Stuart. And he tasted
in the language of memory ambered wines, dying fallings of sweet airs,
the proud pavan, and saw with the eyes of memory kind gentlewomen in
Covent Garden wooing from their balconies with sucking mouths and the
pox-fouled wenches of the taverns and young wives that, gaily yielding
to their ravishers, clipped and clipped again.

The images he had summoned gave him no pleasure. They were secret and
inflaming but her image was not entangled by them. That was not the way
to think of her. It was not even the way in which he thought of her.
Could his mind then not trust itself? Old phrases, sweet only with a
disinterred sweetness like the figseeds Cranly rooted out of his
gleaming teeth.

It was not thought nor vision though he knew vaguely that her figure
was passing homeward through the city. Vaguely first and then more
sharply he smelt her body. A conscious unrest seethed in his blood.
Yes, it was her body he smelt, a wild and languid smell, the tepid
limbs over which his music had flowed desirously and the secret soft
linen upon which her flesh distilled odour and a dew.

A louse crawled over the nape of his neck and, putting his thumb and
forefinger deftly beneath his loose collar, he caught it. He rolled its
body, tender yet brittle as a grain of rice, between thumb and finger
for an instant before he let it fall from him and wondered would it
live or die. There came to his mind a curious phrase from CORNELIUS A
LAPIDE which said that the lice born of human sweat were not created by
God with the other animals on the sixth day. But the tickling of the
skin of his neck made his mind raw and red. The life of his body, ill
clad, ill fed, louse-eaten, made him close his eyelids in a sudden
spasm of despair and in the darkness he saw the brittle bright bodies
of lice falling from the air and turning often as they fell. Yes, and
it was not darkness that fell from the air. It was brightness.

Brightness falls from the air.

He had not even remembered rightly Nash's line. All the images it had
awakened were false. His mind bred vermin. His thoughts were lice born
of the sweat of sloth.

He came back quickly along the colonnade towards the group of students.
Well then, let her go and be damned to her! She could love some clean
athlete who washed himself every morning to the waist and had black
hair on his chest. Let her.

Cranly had taken another dried fig from the supply in his pocket and
was eating it slowly and noisily. Temple sat on the pediment of a
pillar, leaning back, his cap pulled down on his sleepy eyes. A squat
young man came out of the porch, a leather portfolio tucked under his
armpit. He marched towards the group, striking the flags with the heels
of his boots and with the ferrule of his heavy umbrella. Then, raising
the umbrella in salute, he said to all:

--Good evening, sirs.

He struck the flags again and tittered while his head trembled with a
slight nervous movement. The tall consumptive student and Dixon and
O'Keeffe were speaking in Irish and did not answer him. Then, turning
to Cranly, he said:

--Good evening, particularly to you.

He moved the umbrella in indication and tittered again. Cranly, who was
still chewing the fig, answered with loud movements of his jaws.

--Good? Yes. It is a good evening.

The squat student looked at him seriously and shook his umbrella gently
and reprovingly.

--I can see, he said, that you are about to make obvious remarks.

--Um, Cranly answered, holding out what remained of the half chewed
fig and jerking it towards the squat student's mouth in sign that he
should eat.

The squat student did not eat it but, indulging his special humour,
said gravely, still tittering and prodding his phrase with his
umbrella:

--Do you intend that. . . ?

He broke off, pointed bluntly to the munched pulp of the fig, and said
loudly:

--I allude to that.

--Um, Cranly said as before.

--Do you intend that now, the squat student said, as IPSO FACTO or,
let us say, as so to speak?

Dixon turned aside from his group, saying:

--Goggins was waiting for you, Glynn. He has gone round to the Adelphi
to look for you and Moynihan. What have you there? he asked, tapping
the portfolio under Glynn's arm.

--Examination papers, Glynn answered. I give them monthly examinations
to see that they are profiting by my tuition.

He also tapped the portfolio and coughed gently and smiled.

--Tuition! said Cranly rudely. I suppose you mean the barefooted
children that are taught by a bloody ape like you. God help them!

He bit off the rest of the fig and flung away the butt.

--I suffer little children to come unto me, Glynn said amiably.

--A bloody ape, Cranly repeated with emphasis, and a blasphemous
bloody ape!

Temple stood up and, pushing past Cranly, addressed Glynn:

--That phrase you said now, he said, is from the new testament about
suffer the children to come to me.

--Go to sleep again, Temple, said O'Keeffe.

--Very well, then, Temple continued, still addressing Glynn, and if
Jesus suffered the children to come why does the church send them all
to hell if they die unbaptized? Why is that?

--Were you baptized yourself, Temple? the consumptive student asked.

--But why are they sent to hell if Jesus said they were all to come?
Temple said, his eyes searching Glynn's eyes.

Glynn coughed and said gently, holding back with difficulty the nervous
titter in his voice and moving his umbrella at every word:

--And, as you remark, if it is thus, I ask emphatically whence comes
this thusness.

--Because the church is cruel like all old sinners, Temple said.

--Are you quite orthodox on that point, Temple? Dixon said suavely.

--Saint Augustine says that about unbaptized children going to hell,
Temple answered, because he was a cruel old sinner too.

--I bow to you, Dixon said, but I had the impression that limbo
existed for such cases.

--Don't argue with him, Dixon, Cranly said brutally. Don't talk to him
or look at him. Lead him home with a sugan the way you'd lead a
bleating goat.

--Limbo! Temple cried. That's a fine invention too. Like hell.

--But with the unpleasantness left out, Dixon said.

He turned smiling to the others and said:

--I think I am voicing the opinions of all present in saying so much.

--You are, Glynn said in a firm tone. On that point Ireland is united.

He struck the ferrule of his umbrella on the stone floor of the
colonnade.

--Hell, Temple said. I can respect that invention of the grey spouse
of Satan. Hell is Roman, like the walls of the Romans, strong and ugly.
But what is limbo?

--Put him back into the perambulator, Cranly, O'Keeffe called out.

Cranly made a swift step towards Temple, halted, stamping his foot,
crying as if to a fowl:

--Hoosh!

Temple moved away nimbly.

--Do you know what limbo is? he cried. Do you know what we call a
notion like that in Roscommon?

--Hoosh! Blast you! Cranly cried, clapping his hands.

--Neither my arse nor my elbow! Temple cried out scornfully. And
that's what I call limbo.

--Give us that stick here, Cranly said.