No More Learning

THE GRANDEUR THAT WAS ROME


--Wait a moment, professor MacHugh said, raising two quiet claws. We
mustn't be led away by words, by sounds of words. We think of Rome,
imperial, imperious, imperative.

He extended elocutionary arms from frayed stained shirtcuffs, pausing:

--What was their civilisation? Vast, I allow: but vile. Cloacae: sewers.
The Jews in the wilderness and on the mountaintop said: _It is meet
to be here. Let us build an altar to Jehovah_. The Roman, like the
Englishman who follows in his footsteps, brought to every new shore on
which he set his foot (on our shore he never set it) only his cloacal
obsession. He gazed about him in his toga and he said: _It is meet to be
here. Let us construct a watercloset. _

--Which they accordingly did do, Lenehan said. Our old ancient
ancestors, as we read in the first chapter of Guinness's, were partial
to the running stream.

--They were nature's gentlemen, J. J. O'Molloy murmured. But we have
also Roman law.

--And Pontius Pilate is its prophet, professor MacHugh responded.

--Do you know that story about chief baron Palles? J. J. O'Molloy asked.
It was at the royal university dinner. Everything was going swimmingly
. . .

--First my riddle, Lenehan said. Are you ready?

Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in from
the hallway. Stephen Dedalus, behind him, uncovered as he entered.

--_Entrez, mes enfants! _ Lenehan cried.

--I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led by
Experience visits Notoriety.

--How do you do? the editor said, holding out a hand. Come in. Your
governor is just gone. ? ? ?


Lenehan said to all:

--Silence! What opera resembles a railwayline? Reflect, ponder,
excogitate, reply.

Stephen handed over the typed sheets, pointing to the title and
signature.

--Who? the editor asked.

Bit torn off.

--Mr Garrett Deasy, Stephen said.

--That old pelters, the editor said. Who tore it? Was he short taken?

_On swift sail flaming
From storm and south
He comes, pale vampire,
Mouth to my mouth. _

--Good day, Stephen, the professor said, coming to peer over their
shoulders. Foot and mouth? Are you turned. . . ?

Bullockbefriending bard.

SHINDY IN WELLKNOWN RESTAURANT


--Good day, sir, Stephen answered blushing. The letter is not mine. Mr
Garrett Deasy asked me to. . .

--O, I know him, Myles Crawford said, and I knew his wife too. The
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
disease and no mistake! The night she threw the soup in the waiter's
face in the Star and Garter. Oho!

A woman brought sin into the world. For Helen, the runaway wife of
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni.

--Is he a widower? Stephen asked.

--Ay, a grass one, Myles Crawford said, his eye running down the
typescript. Emperor's horses. Habsburg. An Irishman saved his life on
the ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell,
graf von Tirconnell in Ireland. Sent his heir over to make the king
an Austrian fieldmarshal now. Going to be trouble there one day. Wild
geese. O yes, every time. Don't you forget that!

--The moot point is did he forget it, J. J. O'Molloy said quietly,
turning a horseshoe paperweight. Saving princes is a thank you job.

Professor MacHugh turned on him.

--And if not? he said.

--I'll tell you how it was, Myles Crawford began. A Hungarian it was one
day. . . LOST CAUSES

NOBLE MARQUESS MENTIONED


--We were always loyal to lost causes, the professor said. Success for
us is the death of the intellect and of the imagination. We were never
loyal to the successful. We serve them. I teach the blatant Latin
language. I speak the tongue of a race the acme of whose mentality is
the maxim: time is money. Material domination. _Dominus! _ Lord! Where is
the spirituality? Lord Jesus? Lord Salisbury? A sofa in a westend club.
But the Greek!

KYRIE ELEISON!


A smile of light brightened his darkrimmed eyes, lengthened his long
lips.

--The Greek! he said again. _Kyrios! _ Shining word! The vowels the
Semite and the Saxon know not. _Kyrie! _ The radiance of the intellect.
I ought to profess Greek, the language of the mind. _Kyrie eleison! _ The
closetmaker and the cloacamaker will never be lords of our spirit. We
are liege subjects of the catholic chivalry of Europe that foundered at
Trafalgar and of the empire of the spirit, not an _imperium,_ that
went under with the Athenian fleets at Aegospotami. Yes, yes. They went
under. Pyrrhus, misled by an oracle, made a last attempt to retrieve the
fortunes of Greece. Loyal to a lost cause.

He strode away from them towards the window.

--They went forth to battle, Mr O'Madden Burke said greyly, but they
always fell.

--Boohoo! Lenehan wept with a little noise. Owing to a brick received in
the latter half of the _matinee_. Poor, poor, poor Pyrrhus!

He whispered then near Stephen's ear:

LENEHAN'S LIMERICK


_There's a ponderous pundit MacHugh
Who wears goggles of ebony hue.
As he mostly sees double
To wear them why trouble?
I can't see the Joe Miller. Can you? _

In mourning for Sallust, Mulligan says. Whose mother is beastly dead.

Myles Crawford crammed the sheets into a sidepocket.

--That'll be all right, he said. I'll read the rest after. That'll be
all right.

Lenehan extended his hands in protest.

--But my riddle! he said. What opera is like a railwayline?

--Opera? Mr O'Madden Burke's sphinx face reriddled.

Lenehan announced gladly:

--_The Rose of Castile_. See the wheeze? Rows of cast steel. Gee!

He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke fell
back with grace on his umbrella, feigning a gasp.

--Help! he sighed. I feel a strong weakness.

Lenehan, rising to tiptoe, fanned his face rapidly with the rustling
tissues.

The professor, returning by way of the files, swept his hand across
Stephen's and Mr O'Madden Burke's loose ties.

--Paris, past and present, he said. You look like communards.

--Like fellows who had blown up the Bastile, J. J. O'Molloy said in
quiet mockery. Or was it you shot the lord lieutenant of Finland between
you? You look as though you had done the deed. General Bobrikoff.

OMNIUM GATHERUM


--We were only thinking about it, Stephen said.

--All the talents, Myles Crawford said. Law, the classics. . .

--The turf, Lenehan put in.

--Literature, the press.

--If Bloom were here, the professor said. The gentle art of
advertisement.

--And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's
prime favourite.

Lenehan gave a loud cough.

--Ahem! he said very softly. O, for a fresh of breath air! I caught a
cold in the park. The gate was open.

YOU CAN DO IT!


The editor laid a nervous hand on Stephen's shoulder.

--I want you to write something for me, he said. Something with a bite
in it. You can do it. I see it in your face. _In the lexicon of youth_
. . .

See it in your face. See it in your eye. Lazy idle little schemer.

--Foot and mouth disease!
the editor cried in scornful invective. Great
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the
public! Give them something with a bite in it. Put us all into it, damn
its soul. Father, Son and Holy Ghost and Jakes M'Carthy.

--We can all supply mental pabulum, Mr O'Madden Burke said.

Stephen raised his eyes to the bold unheeding stare.

--He wants you for the pressgang, J. J. O'Molloy said.

THE GREAT GALLAHER


--You can do it, Myles Crawford repeated, clenching his hand in
emphasis. Wait a minute. We'll paralyse Europe as Ignatius Gallaher
used to say when he was on the shaughraun, doing billiardmarking in the
Clarence. Gallaher, that was a pressman for you. That was a pen. You
know how he made his mark? I'll tell you. That was the smartest piece of
journalism ever known. That was in eightyone, sixth of May, time of
the invincibles, murder in the Phoenix park, before you were born, I
suppose. I'll show you.

He pushed past them to the files.

--Look at here, he said turning. The _New York World_ cabled for a
special. Remember that time?

Professor MacHugh nodded.

--_New York World_, the editor said, excitedly pushing back his straw
hat. Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and
the rest of them. Where Skin-the-Goat drove the car. Whole route, see?

--Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that
cabman's shelter, they say, down there at Butt bridge. Holohan told me.
You know Holohan?

--Hop and carry one, is it? Myles Crawford said.

--And poor Gumley is down there too, so he told me, minding stones for
the corporation. A night watchman.

Stephen turned in surprise.

--Gumley? he said. You don't say so? A friend of my father's, is it?

--Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind
the stones, see they don't run away. Look at here. What did Ignatius
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away.
Have you _Weekly Freeman_ of 17 March? Right. Have you got that?

He flung back pages of the files and stuck his finger on a point.

--Take page four, advertisement for Bransome's coffee, let us say. Have
you got that? Right.

The telephone whirred.

A DISTANT VOICE


--I'll answer it, the professor said, going.

--B is parkgate. Good.

His finger leaped and struck point after point, vibrating.

--T is viceregal lodge. C is where murder took place. K is Knockmaroon
gate.

The loose flesh of his neck shook like a cock's wattles. An illstarched
dicky jutted up and with a rude gesture he thrust it back into his
waistcoat.

--Hello? _Evening Telegraph_ here. . . Hello? . . . Who's there? . . . Yes. . .
Yes. . . Yes.

--F to P is the route Skin-the-Goat drove the car for an alibi,
Inchicore, Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F. A. B. P.
Got that? X is Davy's publichouse in upper Leeson street.

The professor came to the inner door.

--Bloom is at the telephone, he said.

--Tell him go to hell, the editor said promptly. X is Davy's
publichouse, see? CLEVER, VERY


--Clever, Lenehan said. Very.

--Gave it to them on a hot plate, Myles Crawford said, the whole bloody
history.

Nightmare from which you will never awake.

--I saw it, the editor said proudly. I was present. Dick Adams, the
besthearted bloody Corkman the Lord ever put the breath of life in, and
myself.

Lenehan bowed to a shape of air, announcing:

--Madam, I'm Adam. And Able was I ere I saw Elba.

--History! Myles Crawford cried. The Old Woman of Prince's street was
there first. There was weeping and gnashing of teeth over that. Out of
an advertisement. Gregor Grey made the design for it. That gave him the
leg up. Then Paddy Hooper worked Tay Pay who took him on to the _Star. _
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
was all their daddies!

--The father of scare journalism, Lenehan confirmed, and the
brother-in-law of Chris Callinan.

--Hello? . . . Are you there? . . . Yes, he's here still. Come across
yourself.

--Where do you find a pressman like that now, eh? the editor cried. He
flung the pages down.

--Clamn dever, Lenehan said to Mr O'Madden Burke.

--Very smart, Mr O'Madden Burke said.

Professor MacHugh came from the inner office.

--Talking about the invincibles, he said, did you see that some hawkers
were up before the recorder?

--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
through the park to see all the trees that were blown down by that
cyclone last year and thought she'd buy a view of Dublin. And it
turned out to be a commemoration postcard of Joe Brady or Number One or
Skin-the-Goat. Right outside the viceregal lodge, imagine!

--They're only in the hook and eye department, Myles Crawford said.
Psha! Press and the bar! Where have you a man now at the bar like those
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan.
Eh? Ah, bloody nonsense. Psha! Only in the halfpenny place.

His mouth continued to twitch unspeaking in nervous curls of disdain.

Would anyone wish that mouth for her kiss? How do you know? Why did you
write it then?

RHYMES AND REASONS


Mouth, south. Is the mouth south someway? Or the south a mouth? Must be
some. South, pout, out, shout, drouth. Rhymes: two men dressed the same,
looking the same, two by two.

_. . . . . . . . . . . . . . . . . . . . . . . . la tua pace
. . . . . . . . . . . .