No More Learning

]


[Variant 11: The lines from "Then be assured" to "worthless" were added
in the edition of 1837. ]


[Variant 12:

1837.

. . . While thus he creeps
From door to door, . . . 1800. ]


[Variant 13:

1832.

. . . itself . . . 1800. ]


[Variant 14:

1827.

. . . ; minds like these, 1800. ]


[Variant 15:

1827.

This helpless wanderer, have perchance receiv'd, 1800. ]


[Variant 16:

1827.

Which . . . 1800. ]


[Variant 17:

1827.

. . . and not negligent,
Meanwhile, in any tenderness of heart
Or act of love . . . 1800. ]


[Variant 18:

1827.

. . . chest . . . 1800. ]


[Variant 19:

1827.

. . . led . . . 1800. ]


[Variant 20:

1837.

. . . if his eyes, which now
Have been so long familiar with the earth,
No more behold the horizontal sun 1800.

. . . if his eyes have now
Been doomed so long to settle on the earth
That not without some effort they behold
The countenance of the horizontal sun, 1815. ]


[Variant 21:

1837.

. . . or by the . . . 1800. ]



* * * * *

FOOTNOTES ON THE TEXT

[Footnote A: In an early MS. the title of this poem is 'Description of a
Beggar', and in the editions 1800 to 1820 the title was 'The Old
Cumberland Beggar, a Description'. --Ed. ]


[Footnote B: Wordsworth went to Racedown in 1795, when he was
twenty-five years of age; and was at Alfoxden in his twenty-eighth
year. --Ed. ]


[Footnote C: Compare Ovid's 'Metamorphoses' I. 84:

Os homini sublime dedit, coelumque videre
Jussit et erectos ad sidera tollere vultus.

Ed. ]


[Footnote D: With this poem compare Frederick William Faber's "Hymn,"
which he called 'The Old Labourer', beginning:

What end doth he fulfil!
He seems without a will.
Ed. ]


[Footnote E: In January 1801 Charles Lamb thus wrote to Wordsworth of
his 'Old Cumberland Beggar':

"It appears to me a fault that the instructions conveyed in it are too
direct, and like a lecture: they don't slide into the mind of the
reader while he is imagining no such matter,"

At the same time he refers to

"the delicate and curious feeling in the wish of the Beggar that he
may have about him the melody of birds, although he hears them not. "

('The Letters of Charles Lamb', edited by Alfred Ainger, vol. i. p.
163. )--Ed. ]





* * * * *





ANIMAL TRANQUILLITY AND DECAY


Composed 1798. --Published 1798.


[If I recollect right, these verses were an overflowing from 'The Old
Cumberland Beggar'. --I. F. ]

They were published in the first edition of "Lyrical Ballads" (1798),
but 'The Old Cumberland Beggar' was not published till 1800. In an early
MS. , however, the two are incorporated.

In the edition of 1798, the poem was called, 'Old Man Travelling; Animal
Tranquillity and Decay, a Sketch'. In 1800, the title was 'Animal
Tranquillity and Decay. A Sketch'. In 1845, it was 'Animal Tranquillity
and Decay'.

It was included among the "Poems referring to the Period of Old
Age. "--Ed.


* * * * *

THE POEM


The little hedgerow birds,
That peck along the road, regard him not.
He travels on, and in his face, his step,
His gait, is one expression: every limb,
His look and bending figure, all bespeak 5
A man who does not move with pain, but moves
With thought. --He is insensibly subdued
To settled quiet: he is one by whom
All effort seems forgotten; one to whom
Long patience hath [1] such mild composure given, 10
That patience now doth seem a thing of which
He hath no need. He is by nature led
To peace so perfect that the young behold
With envy, what the Old Man hardly feels. [2]


* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1805.

. . . has. . . 1798. ]


[Variant 2:

1815.

--I asked him whither he was bound, and what
The object of his journey; he replied
"Sir! I am going many miles to take
A last leave of my son, a mariner,
Who from a sea-fight has been brought to Falmouth,
And there is dying in an hospital. " 1798.

. . . he replied
That he was going many miles to take
A last leave of his son, a mariner,
Who from a sea-fight had been brought to Falmouth,
And there was dying [i] in an hospital. 1800 to 1805. ]


* * * * *

SUB-FOOTNOTE ON THE VARIANT

[Sub-Footnote i: The edition of 1800 has "lying," evidently a
misprint. --Ed. ]





* * * * *





APPENDIX



I

The following is the full text of the original edition of 'Descriptive
Sketches', first published in 1793:


DESCRIPTIVE SKETCHES

IN VERSE.
TAKEN DURING A
PEDESTRIAN TOUR
IN THE
ITALIAN, GRISON, SWISS, AND SAVOYARD
ALPS. BY
W. WORDSWORTH, B. A.
OF ST. JOHN'S, CAMBRIDGE.
"LOCA PASTORUM DESERTA ATQUE OTIA DIA. "
'Lucret'.
"CASTELLA IN TUMULIS--
ET LONGE SALTUS LATEQUE VACANTES. "
'Virgil'.
LONDON:
PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD.
1793.


TO THE REV. ROBERT JONES, FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE.


Dear sir, However desirous I might have been of giving you proofs of the
high place you hold in my esteem, I should have been cautious of
wounding your delicacy by thus publicly addressing you, had not the
circumstance of my having accompanied you amongst the Alps, seemed to
give this dedication a propriety sufficient to do away any scruples
which your modesty might otherwise have suggested.

In inscribing this little work to you I consult my heart. You know well
how great is the difference between two companions lolling in a post
chaise, and two travellers plodding slowly along the road, side by side,
each with his little knap-sack of necessaries upon his shoulders. How
much more of heart between the two latter!

I am happy in being conscious I shall have one reader who will approach
the conclusion of these few pages with regret. You they must certainly
interest, in reminding you of moments to which you can hardly look back
without a pleasure not the less dear from a shade of melancholy. You
will meet with few images without recollecting the spot where we
observed them together, consequently, whatever is feeble in my design,
or spiritless in my colouring, will be amply supplied by your own
memory.

With still greater propriety I might have inscribed to you a description
of some of the features of your native mountains, through which we have
wandered together, in the same manner, with so much pleasure. But the
sea-sunsets which give such splendour to the vale of Clwyd, Snowdon, the
chair of Idris, the quiet village of Bethkelert, Menai and her druids,
the Alpine steeps of the Conway, and the still more interesting windings
of the wizard stream of the Dee remain yet untouched. Apprehensive that
my pencil may never be exercised on these subjects, I cannot let slip
this opportunity of thus publicly assuring you with how much affection
and esteem,

I am Dear Sir,

Your most obedient very humble Servant

W. WORDSWORTH.



ARGUMENT

'Happiness (if she had been to be found on Earth) amongst the Charms of
Nature--Pleasures of the pedestrian Traveller--Author crosses France to
the Alps--Present state of the Grande Chartreuse--Lake of Como--Time,
Sunset--Same Scene, Twilight--Same Scene, Morning, it's Voluptuous
Character; Old Man and Forest Cottage Music--River Tusa--Via Mala and
Grison Gypsey. Valley of Sckellenen-thal--Lake of Uri, Stormy
Sunset--Chapel of William Tell--force of Local Emotion--Chamois
Chaser--View of the higher Alps--Manner of Life of a Swiss Mountaineer
interspersed with views of the higher Alps--Golden Age of the Alps--Life
and Views continued--Ranz des Vaches famous Swiss Air--Abbey of
Einsiedlen and it's Pilgrims--Valley of Chamouny--Mont Blanc--Slavery of
Savoy--Influence of Liberty on Cottage Happiness--France--Wish for the
extirpation of Slavery--Conclusion. '


DESCRIPTIVE SKETCHES [A]


Were there, below, a spot of holy ground,
By Pain and her sad family unfound,
Sure, Nature's GOD that spot to man had giv'n,
Where murmuring rivers join the song of ev'n;
Where falls the purple morning far and wide 5
In flakes of light upon the mountain-side;
Where summer Suns in ocean sink to rest,
Or moonlight Upland lifts her hoary breast;
Where Silence, on her night of wing, o'er-broods
Unfathom'd dells and undiscover'd woods; 10
Where rocks and groves the power of waters shakes
In cataracts, or sleeps in quiet lakes.

But doubly pitying Nature loves to show'r
Soft on his wounded heart her healing pow'r,
Who plods o'er hills and vales his road forlorn, 15
Wooing her varying charms from eve to morn.
No sad vacuities his heart annoy,
Blows not a Zephyr but it whispers joy;
For him lost flowers their idle sweets exhale;
He tastes the meanest note that swells the gale; 20
For him sod-seats the cottage-door adorn,
And peeps the far-off spire, his evening bourn!
Dear is the forest frowning o'er his head,
And dear the green-sward to his velvet tread;
Moves there a cloud o'er mid-day's flaming eye? 25
Upward he looks--and calls it luxury;
Kind Nature's charities his steps attend,
In every babbling brook he finds a friend,
While chast'ning thoughts of sweetest use, bestow'd
By Wisdom, moralize his pensive road. 30
Host of his welcome inn, the noon-tide bow'r,
To his spare meal he calls the passing poor;
He views the Sun uprear his golden fire,
Or sink, with heart alive like [B] Memnon's lyre;
Blesses the Moon that comes with kindest ray 35
To light him shaken by his viewless way.
With bashful fear no cottage children steal
From him, a brother at the cottage meal,
His humble looks no shy restraint impart,
Around him plays at will the virgin heart. 40
While unsuspended wheels the village dance,
The maidens eye him with inquiring glance,
Much wondering what sad stroke of crazing Care
Or desperate Love could lead a wanderer there.

Me, lur'd by hope her sorrows to remove, 45
A heart, that could not much itself approve,
O'er Gallia's wastes of corn dejected led,
[C] Her road elms rustling thin above my head,
Or through her truant pathway's native charms,
By secret villages and lonely farms, 50
To where the Alps, ascending white in air,
Toy with the Sun, and glitter from afar.

Ev'n now I sigh at hoary Chartreuse' doom
Weeping beneath his chill of mountain gloom.
Where now is fled that Power whose frown severe 55
Tam'd "sober Reason" till she crouch'd in fear?
That breath'd a death-like peace these woods around
Broke only by th' unvaried torrent's sound,
Or prayer-bell by the dull cicada drown'd.
The cloister startles at the gleam of arms, 60
And Blasphemy the shuddering fane alarms;
Nod the cloud-piercing pines their troubl'd heads,
Spires, rocks, and lawns, a browner night o'erspreads.
Strong terror checks the female peasant's sighs,
And start th' astonish'd shades at female eyes. 65
The thundering tube the aged angler hears,
And swells the groaning torrent with his tears.
From Bruno's forest screams the frighted jay,
And slow th' insulted eagle wheels away.
The cross with hideous laughter Demons mock, 70
By [D] angels planted on the aereal rock.
The "parting Genius" sighs with hollow breath
Along the mystic streams of [E] Life and Death.
Swelling the outcry dull, that long resounds
Portentous, thro' her old woods' trackless bounds, 75
Deepening her echoing torrents' awful peal
And bidding paler shades her form conceal,
[F] Vallombre, mid her falling fanes, deplores,
For ever broke, the sabbath of her bow'rs.

More pleas'd, my foot the hidden margin roves 80
Of Como bosom'd deep in chesnut groves.
No meadows thrown between, the giddy steeps
Tower, bare or sylvan, from the narrow deeps.
To towns, whose shades of no rude sound complain,
To ringing team unknown and grating wain, 85
To flat-roof'd towns, that touch the water's bound,
Or lurk in woody sunless glens profound,
Or from the bending rocks obtrusive cling,
And o'er the whiten'd wave their shadows fling;
Wild round the steeps the little [G] pathway twines, 90
And Silence loves it's purple roof of vines.
The viewless lingerer hence, at evening, sees
From rock-hewn steps the sail between the trees;
Or marks, mid opening cliffs, fair dark-ey'd maids
Tend the small harvest of their garden glades, 95
Or, led by distant warbling notes, surveys,
With hollow ringing ears and darkening gaze,
Binding the charmed soul in powerless trance,
Lip-dewing Song and ringlet-tossing Dance,
Where sparkling eyes and breaking smiles illume 100
The bosom'd cabin's lyre-enliven'd gloom;
Or stops the solemn mountain-shades to view
Stretch, o'er their pictur'd mirror, broad and blue,
Tracking the yellow sun from steep to steep,
As up th' opposing hills, with tortoise foot, they creep. 105
Here half a village shines, in gold array'd,
Bright as the moon, half hides itself in shade.
From the dark sylvan roofs the restless spire
Inconstant glancing, mounts like springing fire.
There, all unshaded, blazing forests throw no 110
Rich golden verdure on the waves below.
Slow glides the sail along th' illumin'd shore,
And steals into the shade the lazy oar.
Soft bosoms breathe around contagious sighs,
And amourous music on the water dies. 115
Heedless how Pliny, musing here, survey'd
Old Roman boats and figures thro' the shade,
Pale Passion, overpower'd, retires and woos
The thicket, where th' unlisten'd stock-dove coos.

How bless'd, delicious Scene! the eye that greets 120
Thy open beauties, or thy lone retreats;
Th' unwearied sweep of wood thy cliffs that scales,
The never-ending waters of thy vales;
The cots, those dim religious groves enbow'r,
Or, under rocks that from the water tow'r 125
Insinuated, sprinkling all the shore,
Each with his household boat beside the door,
Whose flaccid sails in forms fantastic droop,
Bright'ning the gloom where thick the forests stoop;
--Thy torrents shooting from the clear-blue sky, 130
Thy towns, like swallows' nests that cleave on high;
That glimmer hoar in eve's last light, descry'd
Dim from the twilight water's shaggy side,
Whence lutes and voices down th' enchanted woods
Steal, and compose the oar-forgotten floods, 135
While Evening's solemn bird melodious weeps,
Heard, by star-spotted bays, beneath the steeps;
--Thy lake, mid smoking woods, that blue and grey
Gleams, streak'd or dappled, hid from morning's ray
Slow-travelling down the western hills, to fold 140
It's green-ting'd margin in a blaze of gold;
From thickly-glittering spires the matin-bell
Calling the woodman from his desert cell,
A summons to the sound of oars, that pass,
Spotting the steaming deeps, to early mass; 145
Slow swells the service o'er the water born,
While fill each pause the ringing woods of morn.

Farewel! those forms that, in thy noon-tide shade,
Rest, near their little plots of wheaten glade;
Those stedfast eyes, that beating breasts inspire 150
To throw the "sultry ray" of young Desire;
Those lips, whose tides of fragrance come, and go,
Accordant to the cheek's unquiet glow;
Those shadowy breasts in love's soft light array'd,
And rising, by the moon of passion sway'd. 155

--Thy fragrant gales and lute-resounding streams,
Breathe o'er the failing soul voluptuous dreams;
While Slavery, forcing the sunk mind to dwell
On joys that might disgrace the captive's cell,
Her shameless timbrel shakes along thy marge, 160
And winds between thine isles the vocal barge.

Yet, arts are thine that rock th' unsleeping heart,
And smiles to Solitude and Want impart.
I lov'd, mid thy most desert woods astray,
With pensive step to measure my slow way, [H] 165
By lonely, silent cottage-doors to roam,
The far-off peasant's day-deserted home;
Once did I pierce to where a cabin stood,
The red-breast peace had bury'd it in wood,
There, by the door a hoary-headed sire 170
Touch'd with his wither'd hand an aged lyre;
Beneath an old-grey oak as violets lie,
Stretch'd at his feet with stedfast, upward eye,
His children's children join'd the holy sound,
A hermit--with his family around. 175

Hence shall we seek where fair Locarno smiles
Embower'd in walnut slopes and citron isles,
Or charms that smile on Tusa's evening stream,
While mid dim towers and woods her [I] waters gleam;
From the bright wave, in solemn gloom, retire 180
The dull-red steeps, and darkening still, aspire,
To where afar rich orange lustres glow
Round undistinguish'd clouds, and rocks, and snow;
Or, led where Viamala's chasms confine
Th' indignant waters of the infant Rhine, 185
Bend o'er th' abyss? --the else impervious gloom
His burning eyes with fearful light illume.
The Grison gypsey here her tent has plac'd,
Sole human tenant of the piny waste;
Her tawny skin, dark eyes, and glossy locks, 190
Bend o'er the smoke that curls beneath the rocks.

--The mind condemn'd, without reprieve, to go
O'er life's long deserts with it's charge of woe,
With sad congratulation joins the train,
Where beasts and men together o'er the plain 195
Move on,--a mighty caravan of pain;
Hope, strength, and courage, social suffering brings,
Freshening the waste of sand with shades and springs.

--She solitary through the desert drear
Spontaneous wanders, hand in hand with Fear. 200

A giant moan along the forest swells
Protracted, and the twilight storm foretells,
And, ruining from the cliffs their deafening load
Tumbles, the wildering Thunder slips abroad;
On the high summits Darkness comes and goes, 205
Hiding their fiery clouds, their rocks, and snows;
The torrent, travers'd by the lustre broad,
Starts like a horse beside the flashing road;
In the roof'd [J] bridge, at that despairing hour,
She seeks a shelter from the battering show'r. 210
--Fierce comes the river down; the crashing wood
Gives way, and half it's pines torment the flood;
[K] Fearful, beneath, the Water-spirits call,
And the bridge vibrates, tottering to its fall.

--Heavy, and dull, and cloudy is the night, 215
No star supplies the comfort of it's light,
Glimmer the dim-lit Alps, dilated, round,
And one sole light shifts in the vale profound;
While, opposite, the waning moon hangs still,
And red, above her melancholy hill. 220
By the deep quiet gloom appall'd, she sighs,
Stoops her sick head, and shuts her weary eyes.
--Breaking th' ascending roar of desert floods,
And insect buzz, that stuns the sultry woods,
She hears, upon the mountain forest's brow, 225
The death-dog, howling loud and long, below;
On viewless fingers counts the valley-clock,
Followed by drowsy crow of midnight cock.
--Bursts from the troubl'd Larch's giant boughs
The pie, and chattering breaks the night's repose. 230
Low barks the fox; by Havoc rouz'd the bear,
Quits, growling, the white bones that strew his lair;
The dry leaves stir as with the serpent's walk,
And, far beneath, Banditti voices talk;
Behind her hill the Moon, all crimson, rides, 235
And his red eyes the slinking Water hides;
Then all is hush'd; the bushes rustle near,
And with strange tinglings sings her fainting ear.
--Vex'd by the darkness, from the piny gulf
Ascending, nearer howls the famish'd wolf, 240
While thro' the stillness scatters wild dismay,
Her babe's small cry, that leads him to his prey.

Now, passing Urseren's open vale serene,
Her quiet streams, and hills of downy green,
Plunge with the Russ embrown'd by Terror's breath, 245
Where danger roofs the narrow walks of death;
By floods, that, thundering from their dizzy height,
Swell more gigantic on the stedfast sight;
Black drizzling craggs, that beaten by the din,
Vibrate, as if a voice complain'd within; 250
Bare steeps, where Desolation stalks, afraid,
Unstedfast, by a blasted yew upstay'd;
By [L] cells whose image, trembling as he prays,
Awe-struck, the kneeling peasant scarce surveys;
Loose-hanging rocks the Day's bless'd eye that hide, 255
And [M] crosses rear'd to Death on every side,
Which with cold kiss Devotion planted near,
And, bending, water'd with the human tear,
Soon fading "silent" from her upward eye,
Unmov'd with each rude form of Danger nigh, 260
Fix'd on the anchor left by him who saves
Alike in whelming snows and roaring waves.

On as we move, a softer prospect opes,
Calm huts, and lawns between, and sylvan slopes.
While mists, suspended on th' expiring gale, 265
Moveless o'er-hang the deep secluded vale,
The beams of evening, slipping soft between,
Light up of tranquil joy a sober scene;
Winding it's dark-green wood and emerald glade,
The still vale lengthens underneath the shade; 270
While in soft gloom the scattering bowers recede,
Green dewy lights adorn the freshen'd mead,
Where solitary forms illumin'd stray
Turning with quiet touch the valley's hay,
On the low [N] brown wood-huts delighted sleep 275
Along the brighten'd gloom reposing deep.
While pastoral pipes and streams the landscape lull,
And bells of passing mules that tinkle dull,
In solemn shapes before th' admiring eye
Dilated hang the misty pines on high, 280
Huge convent domes with pinnacles and tow'rs,
And antique castles seen tho' drizzling show'rs.

From such romantic dreams my sould awake,
Lo! Fear looks silent down on Uri's lake,
By whose unpathway'd margin still and dread 285
Was never heard the plodding peasant's tread.
Tower like a wall the naked rocks, or reach
Far o'er the secret water dark with beech,
More high, to where creation seems to end,
Shade above shade the desert pines ascend, 290
And still, below, where mid the savage scene
Peeps out a little speck of smilgin green,
There with his infants man undaunted creeps
And hangs his small wood-hut upon the steeps.
A garden-plot the desert air perfumes, 295
Mid the dark pines a little orchard blooms,
A zig-zag path from the domestic skiff
Threading the painful cragg surmounts the cliff.
--Before those hermit doors, that never know
The face of traveller passing to and fro, 300
No peasant leans upon his pole, to tell
For whom at morning toll'd the funeral bell,
Their watch-dog ne'er his angry bark forgoes,
Touch'd by the beggar's moan of human woes,
The grass seat beneath their casement shade 305
The pilgrim's wistful eye hath never stay'd.
--There, did the iron Genius not disdain
The gentle Power that haunts the myrtle plain,
There might the love-sick maiden sit, and chide
Th' insuperable rocks and severing tide, 310
There watch at eve her lover's sun-gilt sail
Approaching, and upbraid the tardy gale,
There list at midnight till is heard no more,
Below, the echo of his parting oar,
There hang in fear, when growls the frozen stream, 315
To guide his dangerous tread the taper's gleam.

Mid stormy vapours ever driving by,
Where ospreys, cormorants, and herons cry,
Where hardly giv'n the hopeless waste to chear,
Deny'd the bread of life the foodful ear, 320
Dwindles the pear on autumn's latest spray,
And apple sickens pale in summer's ray,
Ev'n here Content has fix'd her smiling reign
With Independance child of high Disdain.
Exulting mid the winter of the skies, 325
Shy as the jealous chamois, Freedom flies,
And often grasps her sword, and often eyes,
Her crest a bough of Winter's bleakest pine,
Strange "weeds" and alpine plants her helm entwine,
And wildly-pausing oft she hangs aghast, 330
While thrills the "Spartan fife" between the blast.

'Tis storm; and hid in mist from hour to hour
All day the floods a deeper murmur pour,
And mournful sounds, as of a Spirit lost,
Pipe wild along the hollow-blustering coast, 335
'Till the Sun walking on his western field
Shakes from behind the clouds his flashing shield.
Triumphant on the bosom of the storm,
Glances the fire-clad eagle's wheeling form;
Eastward, in long perspective glittering, shine 340
The wood-crown'd cliffs that o'er the lake recline;
Wide o'er the Alps a hundred streams unfold,
At once to pillars turn'd that flame with gold;
Behind his sail the peasant strives to shun
The west that burns like one dilated sun, 345
Where in a mighty crucible expire
The mountains, glowing hot, like coals of fire. [O]

But lo! the boatman, over-aw'd, before
The pictur'd fane of Tell suspends his oar;
Confused the Marathonian tale appears, 350
While burn in his full eyes the glorious tears.
And who but feels a power of strong controul,
Felt only there, oppress his labouring soul,
Who walks, where honour'd men of ancient days
Have wrought with god-like arm the deeds of praise? 355
Say, who, by thinking on Canadian hills,
Or wild Aosta lulled by Alpine rills,
On Zutphen's plain; or where with soften'd gaze
The old grey stones the plaided chief surveys,
Can guess the high resolve, the cherish'd pain 360
Of him whom passion rivets to the plain,
Where breath'd the gale that caught Wolfe's happiest sigh,
And the last sun-beam fell on Bayard's eye,
Where bleeding Sydney from the cup retir'd,
And glad Dundee in "faint huzzas" expir'd. 365

But now with other soul I stand alone
Sublime upon this far-surveying cone,
And watch from [P] pike to pike amid the sky
Small as a bird the chamois-chaser fly.
'Tis his with fearless step at large to roam 370
Thro' wastes, of Spirits wing'd the solemn home,
[Q] Thro' vacant worlds where Nature never gave
A brook to murmur or a bough to wave,
Which unsubstantial Phantoms sacred keep;
Thro' worlds where Life and Sound, and Motion sleep, 375
Where Silence still her death-like reign extends,
Save when the startling cliff unfrequent rends:
In the deep snow the mighty ruin drown'd,
Mocks the dull ear of Time with deaf abortive sound;
--To mark a planet's pomp and steady light 380
In the least star of scarce-appearing night,
And neighbouring moon, that coasts the vast profound,
Wheel pale and silent her diminish'd round,
While far and wide the icy summits blaze
Rejoicing in the glory of her rays; 385
The star of noon that glitters small and bright,
Shorn of his beams, insufferably white,
And flying fleet behind his orb to view
Th' interminable sea of sable blue.
--Of cloudless suns no more ye frost-built spires 390
Refract in rainbow hues the restless fires!
Ye dewy mists the arid rocks o'er-spread
Whose slippery face derides his deathful tread!

--To wet the peak's impracticable sides
He opens of his feet the sanguine tides, 395
Weak and more weak the issuing current eyes
Lapp'd by the panting tongue of thirsty skies. [R]
--At once bewildering mists around him close,
And cold and hunger are his least of woes;
The Demon of the snow with angry roar 400
Descending, shuts for aye his prison door.
Craz'd by the strength of hope at morn he eyes
As sent from heav'n the raven of the skies,
Then with despair's whole weight his spirits sink,
No bread to feed him, and the snow his drink, 405
While ere his eyes can close upon the day,
The eagle of the Alps o'ershades his prey.
--Meanwhile his wife and child with cruel hope
All night the door at every moment ope;
Haply that child in fearful doubt may gaze, 410
Passing his father's bones in future days,
Start at the reliques of that very thigh,
On which so oft he prattled when a boy.

Hence shall we turn where, heard with fear afar,
Thunders thro' echoing pines the headlong Aar? 415
Or rather stay to taste the mild delights
Of pensive [S] Underwalden's pastoral heights?

--Is there who mid these awful wilds has seen
The native Genii walk the mountain green?
Or heard, while other worlds their charms reveal, 420
Soft music from th' aereal summit steal?
While o'er the desert, answering every close,
Rich steam of sweetest perfume comes and goes.
--And sure there is a secret Power that reigns
Here, where no trace of man the spot profanes, 425
Nought but the herds that pasturing upward creep,
Hung dim-discover'd from the dangerous steep,
[T] Or summer hamlet, flat and bare, on high
Suspended, mid the quiet of the sky.

How still! no irreligious sound or sight 430
Rouzes the soul from her severe delight.
An idle voice the sabbath region fills
Of Deep that calls to Deep across the hills,
Broke only by the melancholy sound
Of drowsy bells for ever tinkling round; 435
Faint wail of eagle melting into blue
Beneath the cliffs, and pine-woods steady sugh; [U]
The solitary heifer's deepen'd low;
Or rumbling heard remote of falling snow.
Save that, the stranger seen below, the boy 440
Shouts from the echoing hills with savage joy.

When warm from myrtle bays and tranquil seas,
Comes on, to whisper hope, the [V] vernal breeze,
When hums the mountain bee in May's glad ear,
And emerald isles to spot the heights appear, 445
When shouts and lowing herds the valley fill,
And louder torrents stun the noon-tide hill,
When fragrant scents beneath th' enchanted tread
Spring up, his little all around him spread,
The pastoral Swiss begins the cliffs to scale 450
To silence leaving the deserted vale,
Up the green mountain tracking Summer's feet,
Each twilight earlier call'd the Sun to meet,
With earlier smile the ray of morn to view
Fall on his shifting hut that gleams mid smoking dew; 455
Bless'd with his herds, as in the patriarch's age,
The summer long to feed from stage to stage;
O'er azure pikes serene and still, they go,
And hear the rattling thunder far below;
Or lost at eve in sudden mist the day 460
Attend, or dare with minute-steps their way;
Hang from the rocks that tremble o'er the steep,
And tempt the icy valley yawning deep,
O'er-walk the chasmy torrent's foam-lit bed,
Rock'd on the dizzy larch's narrow tread, 465
Whence Danger leans, and pointing ghastly, joys
To mock the mind with "desperation's toys";
Or steal beneath loose mountains, half deterr'd,
That sigh and shudder to the lowing herd.
--I see him, up the midway cliff he creeps 470
To where a scanty knot of verdure peeps,
Thence down the steep a pile of grass he throws
The fodder of his herds in winter snows.
Far different life to what tradition hoar
Transmits of days more bless'd in times of yore. [W] 475
Then Summer lengthen'd out his season bland,
And with rock-honey flow'd the happy land.
Continual fountains welling chear'd the waste,
And plants were wholesome, now of deadly taste.
Nor Winter yet his frozen stores had pil'd 480
Usurping where the fairest herbage smil'd;
Nor Hunger forc'd the herds from pastures bare
For scanty food the treacherous cliffs to dare.
Then the milk-thistle bad those herds demand
Three times a day the pail and welcome hand. 485
But human vices have provok'd the rod
Of angry Nature to avenge her God.
Thus does the father to his sons relate,
On the lone mountain top, their chang'd estate.
Still, Nature, ever just, to him imparts 490
Joys only given to uncorrupted hearts.
--'Tis morn: with gold the verdant mountain glows,
More high, the snowy peaks with hues of rose.
Far stretch'd beneath the many-tinted hills
A mighty waste of mist the valley fills, 495
A solemn sea! whose vales and mountains round
Stand motionless, to awful silence bound.
A gulf of gloomy blue, that opens wide
And bottomless, divides the midway tide.
Like leaning masts of stranded ships appear 500
The pines that near the coast their summits rear;
Of cabins, woods, and lawns a pleasant shore
Bounds calm and clear the chaos still and hoar;
Loud thro' that midway gulf ascending, sound
Unnumber'd streams with hollow roar profound. 505
Mounts thro' the nearer mist the chaunt of birds,
And talking voices, and the low of herds,
The bark of dogs, the drowsy tinkling bell,
And wild-wood mountain lutes of saddest swell.
Think not, suspended from the cliff on high 510
He looks below with undelighted eye.
--No vulgar joy is his, at even tide
Stretch'd on the scented mountain's purple side.
For as the pleasures of his simple day
Beyond his native valley hardly stray, 515
Nought round it's darling precincts can he find
But brings some past enjoyment to his mind,
While Hope that ceaseless leans on Pleasure's urn
Binds her wild wreathes, and whispers his return.

Once Man entirely free, alone and wild, 520
Was bless'd as free--for he was Nature's child.
He, all superior but his God disdain'd,
Walk'd none restraining, and by none restrain'd,
Confess'd no law but what his reason taught,
Did all he wish'd, and wish'd but what he ought. 525
As Man in his primaeval dower array'd
The image of his glorious sire display'd,
Ev'n so, by vestal Nature guarded, here
The traces of primaeval Man appear.
The native dignity no forms debase, 530
The eye sublime, and surly lion-grace.
The slave of none, of beasts alone the lord,
He marches with his flute, his book, and sword,
Well taught by that to feel his rights, prepar'd
With this "the blessings he enjoys to guard. " 535

And as on glorious ground he draws his breath,
Where Freedom oft, with Victory and Death,
Hath seen in grim array amid their Storms
Mix'd with auxiliar Rocks, three [X] hundred Forms;
While twice ten thousand corselets at the view 540
Dropp'd loud at once, Oppression shriek'd, and flew.
Oft as those sainted Rocks before him spread,
An unknown power connects him with the dead.
For images of other worlds are there,
Awful the light, and holy is the air. 545
Uncertain thro' his fierce uncultur'd soul
Like lighted tempests troubled transports roll;
To viewless realms his Spirit towers amain,
Beyond the senses and their little reign.

And oft, when pass'd that solemn vision by, 550
He holds with God himself communion high,
When the dread peal of swelling torrents fills
The sky-roof'd temple of th' eternal hills,
And savage Nature humbly joins the rite,
While flash her upward eyes severe delight. 555
Or gazing from the mountain's silent brow,
Bright stars of ice and azure worlds of snow,
Where needle peaks of granite shooting bare
Tremble in ever-varying tints of air,
Great joy by horror tam'd dilates his heart, 560
And the near heav'ns their own delights impart.
--When the Sun bids the gorgeous scene farewell,
Alps overlooking Alps their state upswell;
Huge Pikes of Darkness nam'd, of [Y] Fear and Storms
Lift, all serene, their still, illumin'd forms, 565
In sea-like reach of prospect round him spread,
Ting'd like an angel's smile all rosy red.

When downward to his winter hut he goes,
Dear and more dear the lessening circle grows,
That hut which from the hills his eyes employs 570
So oft, the central point of all his joys.
And as a swift by tender cares oppress'd
Peeps often ere she dart into her nest,
So to th' untrodden floor, where round him looks
His father helpless as the babe he rocks, 575
Oft he descends to nurse the brother pair,
Till storm and driving ice blockade him there;
There hears, protected by the woods behind,
Secure, the chiding of the baffled wind,
Hears Winter, calling all his Terrors round, 580
Rush down the living rocks with whirlwind sound.

Thro' Nature's vale his homely pleasures glide
Unstain'd by envy, discontent, and pride,
The bound of all his vanity to deck
With one bright bell a favourite heifer's neck; 585
Content upon some simple annual feast,
Remember'd half the year, and hop'd the rest,
If dairy produce, from his inner hoard,
Of thrice ten summers consecrate the board.
--Alas! in every clime a flying ray 590
Is all we have to chear our wintry way,
Condemn'd, in mists and tempests ever rife,
To pant slow up the endless Alp of life.
"Here," cried a swain, whose venerable head
Bloom'd with the snow-drops of Man's narrow bed, 595
Last night, while by his dying fire, as clos'd
The day, in luxury my limbs repos'd,
"Here Penury oft from misery's mount will guide
Ev'n to the summer door his icy tide,
And here the avalanche of Death destroy 600
The little cottage of domestic Joy.
But, ah! th' unwilling mind may more than trace
The general sorrows of the human race:
The churlish gales, that unremitting blow
Cold from necessity's continual snow, 605
To us the gentle groups of bliss deny
That on the noon-day bank of leisure lie.
Yet more; the tyrant Genius, still at strife
With all the tender Charities of life,
When close and closer they begin to strain, 610
No fond hand left to staunch th' unclosing vein,
Tearing their bleeding ties leaves Age to groan
On his wet bed, abandon'd and alone.
For ever, fast as they of strength become
To pay the filial debt, for food to roam, 615
The father, forc'd by Powers that only deign
That solitary Man disturb their reign,
From his bare nest amid the storms of heaven
Drives, eagle-like, his sons as he was driven,
His last dread pleasure! watches to the plain-- 620
And never, eagle-like, beholds again. " [Z]

When the poor heart has all its joys resign'd,
Why does their sad remembrance cleave behind?
Lo! by the lazy Seine the exile roves,
Or where thick sails illume Batavia's groves; 625
Soft o'er the waters mournful measures swell,
Unlocking bleeding Thought's "memorial cell";
At once upon his heart Despair has set
Her seal, the mortal tear his cheek has wet;
Strong poison not a form of steel can brave 630
Bows his young hairs with sorrow to the grave.
Gay lark of hope thy silent song resume!
Fair smiling lights the purpled hills illume!
Soft gales and dews of life's delicious morn,
And thou, lost fragrance of the heart return! 635
[Aa] Soon flies the little joy to man allow'd,
And tears before him travel like a cloud.
For come Diseases on, and Penury's rage,
Labour, and Pain, and Grief, and joyless Age,
And Conscience dogging close his bleeding way 640
Cries out, and leads her Spectres to their prey,
'Till Hope-deserted, long in vain his breath
Implores the dreadful untried sleep of Death.
--Mid savage rocks and seas of snow that shine
Between interminable tracts of pine, 645
Round a lone fane the human Genii mourn,
Where fierce the rays of woe collected burn.
--From viewless lamps a ghastly dimness falls,
And ebbs uncertain on the troubled walls,
Dim dreadful faces thro' the gloom appear, 650
Abortive Joy, and Hope that works in fear,
While strives a secret Power to hush the crowd,
Pain's wild rebellious burst proclaims her rights aloud.
Oh give not me that eye of hard disdain
That views undimm'd Einsiedlen's [Bb] wretched fane. 655
Mid muttering prayers all sounds of torment meet,
Dire clap of hands, distracted chafe of feet,
While loud and dull ascends the weeping cry,
Surely in other thoughts contempt may die.
If the sad grave of human ignorance bear 660
One flower of hope--Oh pass and leave it there.

--The tall Sun, tiptoe on an Alpine spire,
Flings o'er the desert blood-red streams of fire.
At such an hour there are who love to stray,
And meet the gladdening pilgrims on their way. 665
--Now with joy's tearful kiss each other greet,
Nor longer naked be your way-worn feet,
For ye have reach'd at last that happy shore,
Where the charm'd worm of pain shall gnaw no more.
How gayly murmur and how sweetly taste 670
The [Cc] fountains rear'd for you amid the waste!
Yes I will see you when ye first behold
Those turrets tipp'd by hope with morning gold,
And watch, while on your brows the cross ye make,
Round your pale eyes a wintry lustre wake. 675
--Without one hope her written griefs to blot,
Save in the land where all things are forgot,
My heart, alive to transports long unknown,
Half wishes your delusion were it's own.

Last let us turn to where Chamouny [Dd] shields, 680
Bosom'd in gloomy woods, her golden fields,
Five streams of ice amid her cots descend,
And with wild flowers and blooming orchards blend,
A scene more fair than what the Grecian feigns
Of purple lights and ever vernal plains. 685
Here lawns and shades by breezy rivulets fann'd,
Here all the Seasons revel hand in hand,
--Red stream the cottage lights; the landscape fades,
Erroneous wavering mid the twilight shades.
Alone ascends that mountain nam'd of white, [Ee] 690
That dallies with the Sun the summer night.
Six thousand years amid his lonely bounds
The voice of Ruin, day and night, resounds.
Where Horror-led his sea of ice assails,
Havoc and Chaos blast a thousand vales, 695
In waves, like two enormous serpents, wind
And drag their length of deluge train behind.
Between the pines enormous boughs descry'd
Serene he towers, in deepest purple dy'd;
Glad Day-light laughs upon his top of snow, 700
Glitter the stars above, and all is black below.

At such an hour I heav'd the human sigh,
When roar'd the sullen Arve in anger by,
That not for thee, delicious vale! unfold
Thy reddening orchards, and thy fields of gold; 705
That thou, the [Ff] slave of slaves, art doom'd to pine,
While no Italian arts their charms combine
To teach the skirt of thy dark cloud to shine;
For thy poor babes that, hurrying from the door,
With pale-blue hands, and eyes that fix'd implore, 710
Dead muttering lips, and hair of hungry white,
Besiege the traveller whom they half affright.
--Yes, were it mine, the cottage meal to share
Forc'd from my native mountains bleak and bare;
O'er [Gg] Anet's hopeless seas of marsh to stray, 715
Her shrill winds roaring round my lonely way;
To scent the sweets of Piedmont's breathing rose,
And orange gale that o'er Lugano blows;
In the wide range of many a weary round,
Still have my pilgrim feet unfailing found, 720
As despot courts their blaze of gems display,
Ev'n by the secret cottage far away
The lilly of domestic joy decay;
While Freedom's farthest hamlets blessings share,
Found still beneath her smile, and only there. 725
The casement shade more luscious woodbine binds,
And to the door a neater pathway winds,
At early morn the careful housewife, led
To cull her dinner from it's garden bed,
Of weedless herbs a healthier prospect sees, 730
While hum with busier joy her happy bees;
In brighter rows her table wealth aspires,
And laugh with merrier blaze her evening fires;
Her infant's cheeks with fresher roses glow,
And wilder graces sport around their brow; 735
By clearer taper lit a cleanlier board
Receives at supper hour her tempting hoard;
The chamber hearth with fresher boughs is spread,
And whiter is the hospitable bed.

--And thou! fair favoured region! which my soul 740
Shall love, till Life has broke her golden bowl,
Till Death's cold touch her cistern-wheel assail,
And vain regret and vain desire shall fail;
Tho' now, where erst the grey-clad peasant stray'd,
To break the quiet of the village shade 745
Gleam war's [Hh] discordant habits thro' the trees,
And the red banner mock the sullen breeze;
Tho' now no more thy maids their voices suit
To the low-warbled breath of twilight lute,
And heard, the pausing village hum between, 750
No solemn songstress lull the fading green,
Scared by the fife, and rumbling drum's alarms,
And the short thunder, and the flash of arms;
While, as Night bids the startling uproar die,
Sole sound, the [Ii] sourd renews his mournful cry: 755
--Yet, hast thou found that Freedom spreads her pow'r
Beyond the cottage hearth, the cottage door:
All nature smiles; and owns beneath her eyes
Her fields peculiar, and peculiar skies.
Yes, as I roam'd where Loiret's [Jj] waters glide 760
Thro' rustling aspins heard from side to side,
When from October clouds a milder light
Fell, where the blue flood rippled into white,
Methought from every cot the watchful bird
Crowed with ear-piercing power 'till then unheard; 765
Each clacking mill, that broke the murmuring streams,
Rock'd the charm'd thought in more delightful dreams;
Chasing those long long dreams the falling leaf
Awoke a fainter pang of moral grief;
The measured echo of the distant flail 770
Winded in sweeter cadence down the vale;
A more majestic tide the [Kk] water roll'd,
And glowed the sun-gilt groves in richer gold:

--Tho' Liberty shall soon, indignant, raise
Red on his hills his beacon's comet blaze; 775
Bid from on high his lonely cannon sound,
And on ten thousand hearths his shout rebound;
His larum-bell from village-tow'r to tow'r
Swing on th' astounded ear it's dull undying roar:
Yet, yet rejoice, tho' Pride's perverted ire 780
Rouze Hell's own aid, and wrap thy hills in fire.
Lo! from th' innocuous flames, a lovely birth!
With it's own Virtues springs another earth:
Nature, as in her prime, her virgin reign
Begins, and Love and Truth compose her train; 785
With pulseless hand, and fix'd unwearied gaze,
Unbreathing Justice her still beam surveys:
No more, along thy vales and viny groves,
Whole hamlets disappearing as he moves,
With cheeks o'erspread by smiles of baleful glow, 790
On his pale horse shall fell Consumption go.

Oh give, great God, to Freedom's waves to ride
Sublime o'er Conquest, Avarice, and Pride,
To break, the vales where Death with Famine scow'rs,
And dark Oppression builds her thick-ribb'd tow'rs; 795
Where Machination her fell soul resigns,
Fled panting to the centre of her mines;
Where Persecution decks with ghastly smiles
Her bed, his mountains mad Ambition piles;
Where Discord stalks dilating, every hour, 800
And crouching fearful at the feet of Pow'r,
Like Lightnings eager for th' almighty word,
Look up for sign of havoc, Fire, and Sword; [Ll]
--Give them, beneath their breast while Gladness springs,
To brood the nations o'er with Nile-like wings; 805
And grant that every sceptred child of clay,
Who cries, presumptuous, "here their tides shall stay,"
Swept in their anger from th' affrighted shore,
With all his creatures sink--to rise no more.
To-night, my friend, within this humble cot 810
Be the dead load of mortal ills forgot,
Renewing, when the rosy summits glow
At morn, our various journey, sad and slow.





FOOTNOTES ON THE TEXT

[Footnote A: All the notes to this reprint of the edition of 1793 are
Wordsworth's own, as given in that edition. --Ed. ]


[Footnote B: The lyre of Memnon is reported to have emitted melancholy
or chearful tones, as it was touched by the sun's evening or morning
rays. ]


[Footnote C: There are few people whom it may be necessary to inform,
that the sides of many of the post-roads in France are planted with a
row of trees. ]


[Footnote D: Alluding to crosses seen on the tops of the spiry rocks of
the Chartreuse, which have every appearance of being inaccessible. ]


[Footnote E: Names of rivers at the Chartreuse. ]


[Footnote F: Name of one of the vallies of the Chartreuse. ]


[Footnote G: If any of my readers should ever visit the Lake of Como, I
recommend it to him to take a stroll along this charming little pathway:
he must chuse the evening, as it is on the western side of the Lake. We
pursued it from the foot of the water to it's head: it is once
interrupted by a ferry. ]


[Footnote H:

Solo, e pensoso i piu deserti campi
Vo misurando a passi tardi, e lenti.
'Petrarch'. ]


[Footnote I: The river along whose banks you descend in crossing the
Alps by the Semplon pass. From the striking contrast of it's features,
this pass I should imagine to be the most interesting among the Alps. ]


[Footnote J: Most of the bridges among the Alps are of wood and covered:
these bridges have a heavy appearance, and rather injure the effect of
the scenery in some places. ]


[Footnote K:

"Red came the river down, and loud, and oft
The angry Spirit of the water shriek'd. "

HOME'S 'Douglas'. ]


[Footnote L: The Catholic religion prevails here, these cells are, as is
well known, very common in the Catholic countries, planted, like the
Roman tombs, along the road side. ]


[Footnote M: Crosses commemorative of the deaths of travellers by the
fall of snow and other accidents very common along this dreadful road. ]


[Footnote N: The houses in the more retired Swiss valleys are all built
of wood. ]


[Footnote O: I had once given to these sketches the title of
Picturesque; but the Alps are insulted in applying to them that term.
Whoever, in attempting to describe their sublime features, should
confine himself to the cold rules of painting would give his reader but
a very imperfect idea of those emotions which they have the irresistible
power of communicating to the most impassive imaginations. The fact is,
that controuling influence, which distinguishes the Alps from all other
scenery, is derived from images which disdain the pencil. Had I wished
to make a picture of this scene I had thrown much less light into it.
But I consulted nature and my feelings. The ideas excited by the stormy
sunset I am here describing owed their sublimity to that deluge of
light, or rather of fire, in which nature had wrapped the immense forms
around me; any intrusion of shade, by destroying the unity of the
impression, had necessarily diminished its grandeur. ]


[Footnote P: Pike is a word very commonly used in the north of England,
to signify a high mountain of the conic form, as Langdale pike, etc. ]


[Footnote Q: For most of the images in the next sixteen verses I am
indebted to M. Raymond's interesting observations annexed to his
translation of Coxe's 'Tour in Switzerland'. ]


[Footnote R: The rays of the sun drying the rocks frequently produce on
their surface a dust so subtile and slippery, that the wretched
chamois-chasers are obliged to bleed themselves in the legs and feet in
order to secure a footing. ]


[Footnote S: The people of this Canton are supposed to be of a more
melancholy disposition than the other inhabitants of the Alps: this, if
true, may proceed from their living more secluded. ]


[Footnote T: These summer hamlets are most probably (as I have seen
observed by a critic in the 'Gentleman's Magazine') what Virgil alludes
to in the expression "Castella in tumulis. "]


[Footnote U: Sugh, a Scotch word expressive of the sound of the wind
through the trees. ]


[Footnote V: This wind, which announces the spring to the Swiss, is
called in their language Foen; and is according to M. Raymond the Syroco
of the Italians. ]


[Footnote W: This tradition of the golden age of the Alps, as M. Raymond
observes, is highly interesting, interesting not less to the philosopher
than to the poet. Here I cannot help remarking, that the superstitions
of the Alps appear to be far from possessing that poetical character
which so eminently distinguishes those of Scotland and the other
mountainous northern countries. The Devil with his horns, etc. , seems to
be in their idea, the principal agent that brings about the sublime
natural revolutions that take place daily before their eyes. ]


[Footnote X: Alluding to several battles which the Swiss in very small
numbers have gained over their oppressors the house of Austria; and in
particular, to one fought at Naeffels near Glarus, where three hundred
and thirty men defeated an army of between fifteen and twenty thousand
Austrians. Scattered over the valley are to be found eleven stones, with
this inscription, 1388, the year the battle was fought, marking out as I
was told upon the spot, the several places where the Austrians
attempting to make a stand were repulsed anew. ]


[Footnote Y: As Schreck-Horn, the pike of terror. Wetter-Horn, the pike
of storms, etc. etc. ]


[Footnote Z: The effect of the famous air called in French Ranz des
Vaches upon the Swiss troops removed from their native country is well
known, as also the injunction of not playing it on pain of death, before
the regiments of that nation, in the service of France and Holland. ]


[Footnote Aa: Optima quaeque dies, etc. ]


[Footnote Bb: This shrine is resorted to, from a hope of relief, by
multitudes, from every corner of the Catholick world, labouring under
mental or bodily afflictions. ]


[Footnote Cc: Rude fountains built and covered with sheds for the
accommodation of the pilgrims, in their ascent of the mountain. Under
these sheds the sentimental traveller and the philosopher may find
interesting sources of meditation. ]


[Footnote Dd: This word is pronounced upon the spot Chamouny, I have
taken the liberty of reading it long thinking it more musical. ]


[Footnote Ee: It is only from the higher part of the valley of Chamouny
that Mont Blanc is visible. ]


[Footnote Ff: It is scarce necessary to observe that these lines were
written before the emancipation of Savoy. ]


[Footnote Gg: A vast extent of marsh so called near the lake of
Neuf-chatel. ]


[Footnote Hh: This, as may be supposed, was written before France became
the seat of war. ]


[Footnote Ii: An insect so called, which emits a short, melancholy cry,
heard, at the close of the summer evenings, on the banks of the Loire. ]


[Footnote Jj: The river Loiret, which has the honour of giving name to a
department, rises out of the earth at a place, called La Source, a
league and a half south-east of Orleans, and taking at once the
character of a considerable stream, winds under a most delicious bank on
its left, with a flat country of meadows, woods, and vineyards on its
right, till it falls into the Loire about three or four leagues below
Orleans. The hand of false taste has committed on its banks those
outrages which the Abbe de Lille so pathetically deprecates in those
charming verses descriptive of the Seine, visiting in secret the retreat
of his friend Watelet. Much as the Loiret, in its short course, suffers
from injudicious ornament, yet are there spots to be found upon its
banks as soothing as meditation could wish for: the curious traveller
may meet with some of them where it loses itself among the mills in the
neighbourhood of the villa called La Fontaine. The walks of La Source,
where it takes its rise, may, in the eyes of some people, derive an
additional interest from the recollection that they were the retreat of
Bolingbroke during his exile, and that here it was that his
philosophical works were chiefly composed. The inscriptions, of which he
speaks in one of his letters to Swift descriptive of this spot, are not,
I believe, now extant. The gardens have been modelled within these
twenty years according to a plan evidently not dictated by the taste of
the friend of Pope. ]


[Footnote Kk: The duties upon many parts of the French rivers were so
exorbitant that the poorer people, deprived of the benefit of water
carriage, were obliged to transport their goods by land. ]


[Footnote Ll:

--And, at his heels,
Leash'd in like hounds, should Famine, Sword, and Fire,
Crouch for employment. ]





* * * * *





APPENDIX II

The following is Wordsworth's Itinerary of the Tour, taken by him and
his friend Jones, which gave rise to 'Descriptive Sketches'.


July
13. Calais.
14. Ardres.
17. Peronne.
18. Village near Coucy.
19. Soissons.
20. Chateau Thierry.
21. Sezanne.
22. Village near Troyes.
23.