3 ' ),
TIw: Idulation ha.
TIw: Idulation ha.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
p<)Stal anu'ions, but 448.
21, 4S4.
04-7, 16 (G.
P.
O.
), 4S6.
24-457.
04 and 466.
30 can be instanced.
The Ionges, of these passages ref.
.
.
.
I.
,.
to .
.
.
delivering letttrs than 10 his collec,ing 'exuaprofeuional po$tag.
.
' owed him.
by t:-
In III. ) "'" find A lying "n a ",ound, the 'Ol1lngery'. Looking acr-osstheabyss101. Swe~zcthemiddenwhichat"0. 27
'changed imo the oIllngery', from which the hen seen by Kevin scratched up the lener. So aI 4h. q-z6 )( arc able 10 a. k A:
? L. . "", I, ". j. 'C",,", II, u". . . . . "'.
Roles of A in Book III 4'
? 4l TheSigllofF;~ilIJJWa"
-W ould ye U n . )'OWI& ot~pschuJer of ps)l<:hicll chiro-
Bnphy, ""'" lW>le of KCVftl, or (let oo. ue" p"y) Evan Vauahan, of hi. Poslhom in the High SU<<t, <lUll W2J
shoo"" ~ Guiney P P I , I" rulcpia". . . , ,,,-, fo. . . nd th~ dogurnm numberonc, I would "'ages! , an illegible down- fumbcd by an uncla;iblc?
-In doknow. intcd",. . . . . . ,? ? ? SomClimelhewouldk. . . p 1il<n. forafewminu. e. u ifinp. . . . yeranddasphi. fnrobcad and during 'he time be would be ' hinking to bimldf and
he would nOl mind anybody woo would be tfllklni 10 him or cryinj stinking full. ,
Hvan Vaughan, Ihe 6". Dublin poIOtmIS! cr, had a Post House in Hi,h Sm,cL' . . . seems 10 be 1l1ki",al! ou. t Co althou&h he OUahl himself 10 be Kevin. )( arc undeceived: "The &is' is ""'" &ill 01 Sh3um bu, the hand il the hand 01 Sam. . . . Shan-Shim- Sc:hunB. There is a llrona sUlpicion on oounlerftil K"in' (4113. 03~). A iI "idently prctmdinj: In he ,he autoot of Ihe acclaimed htcr. ltur(:, but X kll<lw hen"" . . 'Some (>()Ttion of 111. 01 amw",r appears l<l have b<<n token by you from lhe wrilingl of Saint Synodiu', lha, ft"t liar' (487. 35-488_01). A, now J)lItlly un_
masked, dedarcs that he never dreamed of being a posmun but lhal his brother ~Ileuen (~1. '9-14).
A. A1><<011"'" young<:r in tnVtt'Sina book I II hilaggrftliVU>e&l wancs. Each oC ""'" fint thuc: Witches includes ? quanlity of advcr. . . rommm! "" r::: by '" and as. . . . , proceed <be amounl and intenlity 01 this commenl dccreucs_ In 111. 1, most of 414-25 attacks I: on ground. or pllgilmm and rude Iang". . ,e, whereal In 111. 2 . . . ;, only violently antagonistic ''''''-Ifds I: in ,he carl;".
plrtS (up to <<5,~5). From here to his lilter'. lpe(:clt (457. l4) "" il 100 preo<Xupicd wi,h hi. approaohing departure to ~lem Co althoughinhi1eulogynfpublichygienewemaydelecl? r(:vul. inn f! 'Om the dirt aswcilled with I:. Aft. . . . -It s"",och he r"prd. r::: with amused ' nleran<:c. AI 6nt he fnrllode -l 2ny conn"t willi. 1:; he now anr>Ow>CCS 'I'm lcavina my dui;Ilg p<<>xy bdtind (or your conoolering, 101;, Dave the Dana:kcrl' (<\6l. 16-17). In III. ) lhe depreciationoCl:isrdolivdymildandconfined104g~
Throughoul thne chipoen I: is <XlfIIia"",tly ? dancer. In III. ? 11. , . . Aesop'. grasshopper who had 10 da! lOt when the food ran OUI; in III. 2 he <boca I. the biblical Kina David;' in 111. 3
"SitJohnGilb<n. AHisl,,? " . . . . . C<o;t~I)wIomo(Dubl. . ,Do. o/I)'. $(1)I. 21).
'I! dnl~ndL Epol<irt,:n. . o. M. M"S,,,,,,,"Dod"'",(c. . toonda1candI! <lwanll? . -ilk, Soo. thcT. nlli>oio Uni-. ill' I'mo '971), 111-)6.
? (~t}. 09-24) he il credited with the hiah. kicking con. vubiOf\l for which 'Jambs' hin\$elf was famous, By ron. . . . . , " il lUI opc:oatic; ,mot,lpecifically John McConnadt, who>><: I. uibu'''' in ",\ation to " . '" dilCUssM by Adoline Glash<<n," We lhould particularly note McCoonMd<'s l$$OCi. otion Wilh n. . . . Giowmri and ocber items of ,,'I 'CJ)Crtoirc, and his emiaration to America, where be: "'te and . t~ood, drink, violin! , mom. """n, toy trains, chalk. ,. , l'ICltto, Rodin_nd grew heavier and heavierand heavier, . . kind
o f w o n d e r o f l l t e m e e . l y m a l e r i a l . ' E v e n i n 11 1. 4 , K e v i n i l ' 0 ' w e n d him 10 Amodo;:a to qIXS' a ,,",slty job' (562.
3 ' ),
TIw: Idulation ha. owed upon " in 111. 2 il of COUrse p. ecisely lha. dcsiNd by I: in 119. 35-180. 07 IIId reIIccu the 'cult or the divo' which,. . Stuart Gitm t lell. us," was in Edwardian Dublin punued10Idea"'" unknown""",n in Itlly. But "aun' il addi,ion? aUy ? puish pd. ,. " wh"""", much of 1M di1fe",,,,,,, betwftn the lint and _ d WI. ch", deri,'es. T o undern. nd thi. _ mWt re- member lilt . . . i? ? '. ltilariou. jealousy of the confessor, in Poma;1
V
I prin'ro jXilalIn. , with a brothel I poli= n in Dublin and. brother a potboy in Moycullen. T o him she would unveil her soul', shy n. akcdneu, to ODe wbo WI' bUI Khooled io <be discbaraina or I fonnal rile ratMr ! hao 10 him, I pries. of eternal irnaaiNtion, lrammu. ing! he <bity b. ead orCOl"" i. . . ,ce iDto ! he rIodiaIt. body ofcverli. . ;. ,g lire.
ReliPln and st:nII. li,y I t t rfttrlined in I II. ' : " simply <<hoes lilt 'Credo' attribu<<d to Joon M. . ,HI\e in 'G race' in Dub/inn_, a. 4' 1. 21. Hi. ",lati<:m, hipi . '" pl"onic lod oedipal, II at 4' }. O)-
z6. I Ie il Iiru ny brouKhl down with Knlim~nla1ity OV~r bis moth~r (426,02- ,6) and indignation over ! he insult 10 her offerro by t:'s
I~". . . VI. R. )I. l SO notes: '" chealro if 110' meel mother in heaven. '
In 111. 2 " i, . . . ract<d by hi. young silttr -t From Ih. "rly drafts, wheN he merely rq>nll 10 htr . he prohibitions b. hal laml, . duopl:CT of vicious d~cal (Nlu,. lion bas evolved. Lik the MuUinpr parish pr'''''reanand I. ! he end or Supltm H~,. "
"i,.
diau: sadism in threats he Iltgins to tpeak of dcpa
? luolll\. O,,:h irla harritt' ( <<j. O ). Havina rdievcd his imme?
McCor- m id &ani' number of intensely KmimentlJ ninetccn. h-Q'nlury b4ll1ads on Ihe aenelllilheme of 'he Itishm. on comp<:lled la leave
" C_", II. Ij"",
,,). _ }<')I<<'I 'UIY"'" (1910; HI",. . ,. . . _,h, I'mru;o I0;06J~ '".
Rot. . of"inBookIII 43
~
.
? hi. true love and seck affiuen. x OV<nCU. These lIllIy be construed a, agroup wurce for 111. 2. As we hav~ KCn, A heu conLaim ""r? Lainelemenn common to Joyce, and hi, departure IIllIY encomp. . . th~ artificer', fligh,. As Joy",,'s spiritual advance led Nck to Irish mythology with FW, W A ' , deparrurc lead, to a return in III. ).
But instead of his beloved -l, fur whom he is initially sea~hing (478. 0)-)0), he ertCOuntel'$ four old mtn and a donkey.
The Drama Parapolylollic
! n. 3is A'S'dramaparapolylog:ic',". . again" 111,'-2 which oon? tain hu 'dream monologue' (474. 04-5). It i, alm01t wholly dircct speech, hut we are ","vcr told who . pealu. It is bow. ver usually possible to re<:<>gnize the voicet of x qucationing A, and hi, upH. . , but at a later >tag<: Other voices invade the simple alternation and one must dissect with grCllt care.
The chapter i. sited upon ! he Hill of Uisneach, Ihe luppoocd centre of Ireland and th~ m<<:,ing point of its provinces. The hill lica midway between Mulling", and Athlone, ncar the river B! 'O! lna
(474. W), and ha. a long hi'tory . . an "sembly pla"", particularly in oonnection with the lighting of M;iy~e fire. . At 476. 03-8 we arc infonned tha, the li! "St member of l<, M;inhcw, 'was traipsing through the tangle . . . and hi. ~tationwa, a few perch to the Wtll,h. e! "Side of the \moll Asnneh and i, wa. from no other place unl. . .
Utere, bow and ever, that h~ proxtcndcd aloof upon the ethe< Mesmer'. AI. anuum, the hand making silence. ' The other part, "fxfollow, and they find A (Yawn) sprawled asleep in tl>cir midst, wh. T<:upon ,hey spread nets ovcr him. The implications of ! hi.
action become to! "tUou? .
Initially the casting of net>upon a 'Ieepilli figure ,uggcan Gul.
li,? cr pinned down by the Lilliputians. But if A'S flight and return mimic tOO$< ofJoyce we IIllIY again n:member Par",,,, V: 'When the loul of. nun is born in this country there aU ncu flung al it (0 hold it hack from flighl. ' Further, Xarc specifically fishermen drawing their seine net. through the 'planckton' (477. t 8-~6), Per? haps Max Planck's quaM", energy unil$ in planktonic profusion, toge! her with Ihe earlier referene<: lQ ether, prediale a tetrad of
radi<:> npcraton hopefully ,weepini the waveband,. . Marthew ext. nds Mesmer', h:ond upon the ether: Mesmer believed tha. in- fluence! ! wer. oondU(:l(:d between heavenly bodies, the corth and living bodi. . via 'a fiuid, univtrJally diffused and oontinued, I<>
? as to admit no """uurn, who", sUbtlety i. beyond . n comparioon. ' The 'tage"mesmerist's "'ised hand supplies funher connotations of . piri,u. ali$m, which M' alr. . . dy b<<n discuued" this episode.
Once com~ct is es",bli. hed betwcen Xand A they ask hi. name, to whkh he replies 'TrinatMn parmick dieudonnay' (478. 16). A. A PUTOUCS a via """if, we might identify 'dieudonnay' . . the God- give" M""i. ah. This leaves two names which, hy comparison with
theres,ofFW,canbeSlated10include~ ofTris""',JCIlUIthan Swift. nd St Patrick. Now, th ese "",,"ons arc frequently connected with both C and A, "" il i. not their A-ness which i. being stressed here. Swift may be present 10 feinfora: the GullivOT ailusion jusl noted, hut Tr;'tan. nd Palrick are a. soci.
In III. ) "'" find A lying "n a ",ound, the 'Ol1lngery'. Looking acr-osstheabyss101. Swe~zcthemiddenwhichat"0. 27
'changed imo the oIllngery', from which the hen seen by Kevin scratched up the lener. So aI 4h. q-z6 )( arc able 10 a. k A:
? L. . "", I, ". j. 'C",,", II, u". . . . . "'.
Roles of A in Book III 4'
? 4l TheSigllofF;~ilIJJWa"
-W ould ye U n . )'OWI& ot~pschuJer of ps)l<:hicll chiro-
Bnphy, ""'" lW>le of KCVftl, or (let oo. ue" p"y) Evan Vauahan, of hi. Poslhom in the High SU<<t, <lUll W2J
shoo"" ~ Guiney P P I , I" rulcpia". . . , ,,,-, fo. . . nd th~ dogurnm numberonc, I would "'ages! , an illegible down- fumbcd by an uncla;iblc?
-In doknow. intcd",. . . . . . ,? ? ? SomClimelhewouldk. . . p 1il<n. forafewminu. e. u ifinp. . . . yeranddasphi. fnrobcad and during 'he time be would be ' hinking to bimldf and
he would nOl mind anybody woo would be tfllklni 10 him or cryinj stinking full. ,
Hvan Vaughan, Ihe 6". Dublin poIOtmIS! cr, had a Post House in Hi,h Sm,cL' . . . seems 10 be 1l1ki",al! ou. t Co althou&h he OUahl himself 10 be Kevin. )( arc undeceived: "The &is' is ""'" &ill 01 Sh3um bu, the hand il the hand 01 Sam. . . . Shan-Shim- Sc:hunB. There is a llrona sUlpicion on oounlerftil K"in' (4113. 03~). A iI "idently prctmdinj: In he ,he autoot of Ihe acclaimed htcr. ltur(:, but X kll<lw hen"" . . 'Some (>()Ttion of 111. 01 amw",r appears l<l have b<<n token by you from lhe wrilingl of Saint Synodiu', lha, ft"t liar' (487. 35-488_01). A, now J)lItlly un_
masked, dedarcs that he never dreamed of being a posmun but lhal his brother ~Ileuen (~1. '9-14).
A. A1><<011"'" young<:r in tnVtt'Sina book I II hilaggrftliVU>e&l wancs. Each oC ""'" fint thuc: Witches includes ? quanlity of advcr. . . rommm! "" r::: by '" and as. . . . , proceed <be amounl and intenlity 01 this commenl dccreucs_ In 111. 1, most of 414-25 attacks I: on ground. or pllgilmm and rude Iang". . ,e, whereal In 111. 2 . . . ;, only violently antagonistic ''''''-Ifds I: in ,he carl;".
plrtS (up to <<5,~5). From here to his lilter'. lpe(:clt (457. l4) "" il 100 preo<Xupicd wi,h hi. approaohing departure to ~lem Co althoughinhi1eulogynfpublichygienewemaydelecl? r(:vul. inn f! 'Om the dirt aswcilled with I:. Aft. . . . -It s"",och he r"prd. r::: with amused ' nleran<:c. AI 6nt he fnrllode -l 2ny conn"t willi. 1:; he now anr>Ow>CCS 'I'm lcavina my dui;Ilg p<<>xy bdtind (or your conoolering, 101;, Dave the Dana:kcrl' (<\6l. 16-17). In III. ) lhe depreciationoCl:isrdolivdymildandconfined104g~
Throughoul thne chipoen I: is <XlfIIia"",tly ? dancer. In III. ? 11. , . . Aesop'. grasshopper who had 10 da! lOt when the food ran OUI; in III. 2 he <boca I. the biblical Kina David;' in 111. 3
"SitJohnGilb<n. AHisl,,? " . . . . . C<o;t~I)wIomo(Dubl. . ,Do. o/I)'. $(1)I. 21).
'I! dnl~ndL Epol<irt,:n. . o. M. M"S,,,,,,,"Dod"'",(c. . toonda1candI! <lwanll? . -ilk, Soo. thcT. nlli>oio Uni-. ill' I'mo '971), 111-)6.
? (~t}. 09-24) he il credited with the hiah. kicking con. vubiOf\l for which 'Jambs' hin\$elf was famous, By ron. . . . . , " il lUI opc:oatic; ,mot,lpecifically John McConnadt, who>><: I. uibu'''' in ",\ation to " . '" dilCUssM by Adoline Glash<<n," We lhould particularly note McCoonMd<'s l$$OCi. otion Wilh n. . . . Giowmri and ocber items of ,,'I 'CJ)Crtoirc, and his emiaration to America, where be: "'te and . t~ood, drink, violin! , mom. """n, toy trains, chalk. ,. , l'ICltto, Rodin_nd grew heavier and heavierand heavier, . . kind
o f w o n d e r o f l l t e m e e . l y m a l e r i a l . ' E v e n i n 11 1. 4 , K e v i n i l ' 0 ' w e n d him 10 Amodo;:a to qIXS' a ,,",slty job' (562.
3 ' ),
TIw: Idulation ha. owed upon " in 111. 2 il of COUrse p. ecisely lha. dcsiNd by I: in 119. 35-180. 07 IIId reIIccu the 'cult or the divo' which,. . Stuart Gitm t lell. us," was in Edwardian Dublin punued10Idea"'" unknown""",n in Itlly. But "aun' il addi,ion? aUy ? puish pd. ,. " wh"""", much of 1M di1fe",,,,,,, betwftn the lint and _ d WI. ch", deri,'es. T o undern. nd thi. _ mWt re- member lilt . . . i? ? '. ltilariou. jealousy of the confessor, in Poma;1
V
I prin'ro jXilalIn. , with a brothel I poli= n in Dublin and. brother a potboy in Moycullen. T o him she would unveil her soul', shy n. akcdneu, to ODe wbo WI' bUI Khooled io <be discbaraina or I fonnal rile ratMr ! hao 10 him, I pries. of eternal irnaaiNtion, lrammu. ing! he <bity b. ead orCOl"" i. . . ,ce iDto ! he rIodiaIt. body ofcverli. . ;. ,g lire.
ReliPln and st:nII. li,y I t t rfttrlined in I II. ' : " simply <<hoes lilt 'Credo' attribu<<d to Joon M. . ,HI\e in 'G race' in Dub/inn_, a. 4' 1. 21. Hi. ",lati<:m, hipi . '" pl"onic lod oedipal, II at 4' }. O)-
z6. I Ie il Iiru ny brouKhl down with Knlim~nla1ity OV~r bis moth~r (426,02- ,6) and indignation over ! he insult 10 her offerro by t:'s
I~". . . VI. R. )I. l SO notes: '" chealro if 110' meel mother in heaven. '
In 111. 2 " i, . . . ract<d by hi. young silttr -t From Ih. "rly drafts, wheN he merely rq>nll 10 htr . he prohibitions b. hal laml, . duopl:CT of vicious d~cal (Nlu,. lion bas evolved. Lik the MuUinpr parish pr'''''reanand I. ! he end or Supltm H~,. "
"i,.
diau: sadism in threats he Iltgins to tpeak of dcpa
? luolll\. O,,:h irla harritt' ( <<j. O ). Havina rdievcd his imme?
McCor- m id &ani' number of intensely KmimentlJ ninetccn. h-Q'nlury b4ll1ads on Ihe aenelllilheme of 'he Itishm. on comp<:lled la leave
" C_", II. Ij"",
,,). _ }<')I<<'I 'UIY"'" (1910; HI",. . ,. . . _,h, I'mru;o I0;06J~ '".
Rot. . of"inBookIII 43
~
.
? hi. true love and seck affiuen. x OV<nCU. These lIllIy be construed a, agroup wurce for 111. 2. As we hav~ KCn, A heu conLaim ""r? Lainelemenn common to Joyce, and hi, departure IIllIY encomp. . . th~ artificer', fligh,. As Joy",,'s spiritual advance led Nck to Irish mythology with FW, W A ' , deparrurc lead, to a return in III. ).
But instead of his beloved -l, fur whom he is initially sea~hing (478. 0)-)0), he ertCOuntel'$ four old mtn and a donkey.
The Drama Parapolylollic
! n. 3is A'S'dramaparapolylog:ic',". . again" 111,'-2 which oon? tain hu 'dream monologue' (474. 04-5). It i, alm01t wholly dircct speech, hut we are ","vcr told who . pealu. It is bow. ver usually possible to re<:<>gnize the voicet of x qucationing A, and hi, upH. . , but at a later >tag<: Other voices invade the simple alternation and one must dissect with grCllt care.
The chapter i. sited upon ! he Hill of Uisneach, Ihe luppoocd centre of Ireland and th~ m<<:,ing point of its provinces. The hill lica midway between Mulling", and Athlone, ncar the river B! 'O! lna
(474. W), and ha. a long hi'tory . . an "sembly pla"", particularly in oonnection with the lighting of M;iy~e fire. . At 476. 03-8 we arc infonned tha, the li! "St member of l<, M;inhcw, 'was traipsing through the tangle . . . and hi. ~tationwa, a few perch to the Wtll,h. e! "Side of the \moll Asnneh and i, wa. from no other place unl. . .
Utere, bow and ever, that h~ proxtcndcd aloof upon the ethe< Mesmer'. AI. anuum, the hand making silence. ' The other part, "fxfollow, and they find A (Yawn) sprawled asleep in tl>cir midst, wh. T<:upon ,hey spread nets ovcr him. The implications of ! hi.
action become to! "tUou? .
Initially the casting of net>upon a 'Ieepilli figure ,uggcan Gul.
li,? cr pinned down by the Lilliputians. But if A'S flight and return mimic tOO$< ofJoyce we IIllIY again n:member Par",,,, V: 'When the loul of. nun is born in this country there aU ncu flung al it (0 hold it hack from flighl. ' Further, Xarc specifically fishermen drawing their seine net. through the 'planckton' (477. t 8-~6), Per? haps Max Planck's quaM", energy unil$ in planktonic profusion, toge! her with Ihe earlier referene<: lQ ether, prediale a tetrad of
radi<:> npcraton hopefully ,weepini the waveband,. . Marthew ext. nds Mesmer', h:ond upon the ether: Mesmer believed tha. in- fluence! ! wer. oondU(:l(:d between heavenly bodies, the corth and living bodi. . via 'a fiuid, univtrJally diffused and oontinued, I<>
? as to admit no """uurn, who", sUbtlety i. beyond . n comparioon. ' The 'tage"mesmerist's "'ised hand supplies funher connotations of . piri,u. ali$m, which M' alr. . . dy b<<n discuued" this episode.
Once com~ct is es",bli. hed betwcen Xand A they ask hi. name, to whkh he replies 'TrinatMn parmick dieudonnay' (478. 16). A. A PUTOUCS a via """if, we might identify 'dieudonnay' . . the God- give" M""i. ah. This leaves two names which, hy comparison with
theres,ofFW,canbeSlated10include~ ofTris""',JCIlUIthan Swift. nd St Patrick. Now, th ese "",,"ons arc frequently connected with both C and A, "" il i. not their A-ness which i. being stressed here. Swift may be present 10 feinfora: the GullivOT ailusion jusl noted, hut Tr;'tan. nd Palrick are a. soci.
