No More Learning

Ritter, the works of, v. 190.
Robespierre, the moral fanaticism of, as affecting Kant,
ix-5
— as fanatic, xvi. 211.
Rogue, an innocent, vii. 45.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, ail-too-Human, i. VII, Human, all-too-
260


## p. 261 (#359) ############################################

ROLAND—ROMANTICISM
Roland (Madame), alluded to, xii. 184.
Role, on selecting and acting a, x. 302; the European as
stage player, 303; the problem of the actor of a
role, 318.
Roman Catholic Church, the, the results of its influences,
vi. 130.
Roman Catholicism, its inheritance from the profound
Orient, x. 291.
— the attachment of the Latin races to, xii. 68.
Romans, two ways of women sinning mortally, according
to the ancient, x. 80.
— the, as a fructifying nation, xii. 206.
— a nation stronger and more aristocratic than ever
existed, xiii. 54.
— Nietzsche's indebtedness to, xvi. 113 ; their organisa-
tion could stand bad emperors, but not the
Christians, 222; their culture, science, art, and
the destruction of the whole, 224-5.
Romanticism, Nietzsche defends himself against,
i. 12-5.
— the revivers of the past, ix. 165.
— former misunderstanding and new views concerning, x.
331-5-
— the music of, xii. 201.
— regarding, xiv. 67; as the counterstroke of the
eighteenth century, 79; the pre-eminence of
music in the romanticists, 1830-40, 88; German
music and the age of, 89.
— false accentuation in, xv. 266; the question and the
artist, 279; its opposite, 280; against the roman-
ticism of great passion, 283.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
26l


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INDEX—NIETZSCHE
Romanticists, the, mummery in, xiv. 67; those whose faith
has gone to pot, 68.
Rome, her Dionysian festivals, i. 29-30.
— the Christian revenge on, ix. 72.
— the greatest fight there ever has been—Rome
against Judsea, Judaea against Rome, xiii. 54.
— Nietzsche's dislike of the city, xvii. 103; The Night
Song composed in, 104.
Rossini, theeighteenth century sang itself out in Beethoven
and, vii. 88.
— his overflowing spirits, viii. 46; and the eighteenth
century, 64.
— his contempt for librettos, x. 113.
— Nietzsche's predilection for, xvii. 45.
Rousseau, his Emile quoted, i. 36.
— and David Strauss, iv. 81.
— themenof,—thethreateningforceofhumanity,v. 139.
— a superstition of, alluded to, vi. 334; the example of
how to use one's weakness, 389.
— the phantom formed by his writings, vii. 307; the
danger of enlightenment, 310; alluded to, 178.
— the moral tarantula, and Kant, ix. 5 ; and the alterna-
tives concerning our civilisation, 167; his mag-
nanimity, 327 ; and Diderot, 348 ; the nature of,
instanced, 364; alluded to, 338.
— the Confessions of, alluded to, x. 125.
— alluded to, xii. 201.
— the eighteenth century of, xiv. 58 ; and the liberation
of women, 76; feminism and the reign of feeling,
77; as a symptom of self-contempt and of in-
flamed vanity, 82 ; criticised and compared with
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
262


## p. 263 (#361) ############################################

ROUSSEAU—RULING
Voltaire, 82-5; his use of the phrase—" away
from idylls and operas," 96; the struggle between
him and Voltaire, 101; alluded to, 74, 100, 306.
Rousseau, his anathemas against the society of Voltaire
recalled, xv. 203; the surpassing of his "man of
nature" in the nineteenth century, 396.
— among my impossible people, xvi. 60; alluded to
in critique of Sainte-Beuve, 61; his influence on
George Sand, 64; compared with Napoleon to
illustrate Nietzsche's sense of progress, 108 ; as
fanatic, 211.
Rubens painted according to his patrons' vague con-
ception of taste—not to his own measure of
beauty, xiii. 220.
— an apotheosis artist, xv. 280; instanced, 281.
Rule, the, and the exception, ix. 319.
Rulers, Zarathustra longeth for,—the best shall rule, the best
also willeth to rule, xi. 256-7.
— the training of, xvi. 272.
Ruling class, the, its corruption, has brought ruling into
evil odour, xv. 205.
Ruling classes, the degeneration of the ruler and the ruling
classes the cause of all the great disorders in
history, xv. 312.
Ruling instinct, the, interpretations of the world as
symptoms of, xv. 150.
Ruling race, the, time to set about rearing—thoroughly,
artificially, and conscientiously—a type that
shall establish the virtues of democracy, xv.
360 ; the ruling of the earth, 361-6.
Ruling types, theshepherdasopposed to the "lord," xv. 330.
Human, il. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
263


## p. 264 (#362) ############################################

INDEX—NIETZSCHE
Russia, emigration of the intelligence from, vii. 314.
— the power of will as conserved in, xii. 146.
— its songs, xvi. 4; the only great nation to-day, 96;
the most valuable material of, to be found in
Siberia, 104; Dostoiewsky's testimony, 104.
Russian, the, and the imitation of foreign culture, iii. 67.
Sacrifice, regarding, vii. 30.
— and knowledge, ix. 52; the morality of victims, 226;
its morality, 231.
— he who is a firstling is ever sacrificed, xi. 244; The
Honey Sacrifice (Zarathustra's discourse), 287-91.
— as the essence of Christian faith, xii. 65; three rounds
in the ladder of: of human beings—of natural
instincts—of God Himself, 73; not a dis-
interested action, 164.
Saga, the Icelandic, and master morality, viii. 49.
Sage, the, giving himself out to be a fool, vii. 130; the
monotone of, 352; his affability, 360.
— the inhumanity of, ix. 333.
— as astronomer, xii. 86.
— Nietzsche's happy conviction that the sage is once
more possible in Europe, xv. 382.
— first ideas of the decadence of, xvi. 9.
Saint, the, the visions, terrors, torpors, and ecstasies
of, vi. 128-9; his aids, 142; imaginations, 143
et seq. ; condition of soul, 147; the belief in, 149
et seq.
— Zarathustra and the saint in the forest, xi. 4-6.
— his strength of will, the object of reverence, xii. 70;
the will to power in, 71.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
264


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SAINT—SANKHYAM
Saint, the, regarding, xiv. 67 ; criticised, 282-90; as the
most powerful type of man, 290.
Sainte-Beuve, an observation of, quoted, vii. 258.
— alluded to, xii. 68.
— instanced, xiv. 342.
— criticised, xvi. 61.
Saint-Evremond, Homer and the historical sense unintelli-
gible to, xii. 168.
Saint-Francis. See "Francis of Assisi. "
St. Moritz, Nietzsche's summer there in 1879, xvii. 10.
Saint-Paul. See " Paul, the Apostle. "
Saint-Simon, as fanatic, xvi. 211.
Sallust, Nietzsche's model, xvii. 31; his early indebted-
ness to, 112.
Salome (Miss Lou), her Hymn to Life, xvii. 98; Nietzsche's
musical setting, 209-14.
Salvation, two psychological realities out of which the doc-
trine has grown, xvi. 165-6.
Salvation Army, the, the result of the latest display of re-
ligious neurosis, xii. 67; a reasonable admission
regarding, 211.
Sanctification, as a weapon to fight race depression, xiii.
170; the relief found by sportsmen of saintliness,
171.
Sand (George), alluded to, xii. 184.
— again, xiv. 58.
— lactea ubertas, xvi. 60; Lettres (Tun voyagcur, and
their authoress criticised, 64.
Sand (Ludwig), his knowledge of the Germans, xii. 197.
Sankhyam, among Indians, Jesus would have used the
ideas of, xvi. 169.
Human, ii. VII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
265


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INDEX—NIETZSCHE
Satyr, the, the significance of, in Greek tragedy, i. 63 et seq.
Saume, an allusion to his poem Der Wilde, vii. 364.
— his Die Gesange, and the significance of song and
singing, xvi. 4.
Savant, the, less common characteristics of: firstly, v. 167;
to twelfthly, 171 ; the servant of truth, 17 2.
— why they are nobler than artists, vii. 106; their morals,
11o; the great danger of, 281.
Saviour, The. See under "Jesus. "
Saviour, the, remains an individual, viii. 114.
Saviours, Zarathustra and the defects of those rapturous
blusterers, xi. 107-8.
Savonarola, his influence over the Florentines, v. 67.
— his judgment of Florence recalled, xv. 203.
— as fanatic, xvi. 211.
Scandinavians, the, the gods of, ix. 136.
Scepticism, the conjectural victory of, vi. 36.
— the sceptical type of contemplation and examination,
viii. 112.
— hazardous enterprises and, as extinct, ix. 164; the
emerging from, 337.
— and the testing of truth, x. 87; greater in women
who have become old than in men, 100; the
first appearance of, 155; ultimate: truth, irre-
futable error, 208.
— modern scepticism anti-Christian, but by no means
anti-religious, xii. 72; as a soporific to pessi-
mism, 143; defined, 144; the disguises for
decked-out scepticism, 145; prospects of a
stronger type of, 147; the scepticism of daring
manliness, 148; the German form of, 148.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II. Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, all-too-
266


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SCEPTICISM—SCHILLER
Scepticism, as a result of decadence, xiv. 34.
— strength and freedom proceed from, xvi. 209; con-
victions as means, 210.
Sceptics, the, in relation to morality, vii. 42.
— a tranquil answer to, ix. 128.
— the strange piety of French sceptics of Celtic
origin, xii. 68; the sceptic as a lover of repose,
143-
Schelling, his teaching, and Wagner, viii. 31.
— and culture in Germany, ix. 188.
— alluded to, xii. 17; quoted on Locke, 210.
— alluded to, xvii. 126.
Schematisation, as required by our practical needs, xv.
29; rational thought and, 38.
Schenkendorf (Max von), note, xvi. 99.
Schiller, his Hymn to Joy quoted, i. 28; his introduction
of the term naive, 36; his poetic procedure and
musical mood, 44; and the Greek chorus, 59;
concerning, 64; and the tendency of opera,
147; his efforts to bring about an alliance be-
tween German and Greek culture, 153 etseq. ;
the theatre in the time of, 172.
— his poem to Joy, and Beethoven's ninth symphony,
ii. 38.
— the noble fighter—Goethe's epilogue to The Bell
quoted, iii. 1 1; pupils of public schools learn to
speak of, superciliously, 51; the standard of
culture established by, 60; the education of,
105; the beauty and divinity of, destroyed by
barbarism, 107; his age and the demand for
culture, 114; The Robbers referred to, 137 ; and
Human, ii. VIII, Case of Wagner. IX, Damn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
267


## p. 267 (#366) ############################################

INDEX—NIETZSCHE
Satyr, the, the significance of, in Greek tragedy, i. 63 et seq.
Saume, an allusion to his poem Der Wilde, vii. 364.
— his Die Gesange, and the significance of song and
singing, xvi. 4.
Savant, the, less common characteristics of: firstly, v. 167;
to twelfthly, 171; the servant of truth, 172.
— why they are nobler than artists, vii. 106; their morals,
11o; the great danger of, 281.
Saviour, The. See under "Jesus. "
Saviour, the, remains an individual, viii. 114.
Saviours, Zarathustra and the defects of those rapturous
blusterers, xi. 107-8.
Savonarola, his influence over the Florentines, v. 67.
'— his judgment of Florence recalled, xv. 203.
— as fanatic, xvi. 211.
Scandinavians, the, the gods of, ix. 136.
Scepticism, the conjectural victory of, vi. 36.
— the sceptical type of contemplation and examination,
viii. 112.
— hazardous enterprises and, as extinct, ix. 164; the
emerging from, 337.
— and the testing of truth, x. 87; greater in women
who have become old than in men, 100; the
first appearance of, 155; ultimate: truth, irre-
futable error, 208.
— modern scepticism anti-Christian, but by no means
anti-religious, xii. 72; as a soporific to pessi-
mism, 143; defined, 144; the disguises for
decked-out scepticism, 145; prospects of a
stronger type of, 147; the scepticism of daring
manliness, 148; the German form of, 148.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
266


## p. 267 (#367) ############################################

SCEPTICISM—SCHILLER
Scepticism, as a result of decadence, xiv. 34.
— strength and freedom proceed from, xvi. 209; con-
victions as means, 210.
Sceptics, the, in relation to morality, vii. 42.
— a tranquil answer to, ix. 128.
— the strange piety of French sceptics of Celtic
origin, xii. 68; the sceptic as a lover of repose,
143-
Schelling, his teaching, and Wagner, viii. 31.
— and culture in Germany, ix. 188.
— alluded to, xii. 17; quoted on Locke, 210.
— alluded to, xvii. 126.
Schematisation, as required by our practical needs, xv.
29; rational thought and, 38.
Schenkendorf (Max von), note, xvi. 99.
Schiller, his Hymn to Joy quoted, i. 28; his introduction
of the term naive, 36; his poetic procedure and
musical mood, 44; and the Greek chorus, 59;
concerning, 64; and the tendency of opera,
147; his efforts to bring about an alliance be-
tween German and Greek culture, 153 etseq. ;
the theatre in the time of, 172.
— his poem to Joy, and Beethoven's ninth symphony,
ii. 3»-
— the noble fighter—Goethe's epilogue to The Bell
quoted, iii. r 1; pupils of public schools learn to
speak of, superciliously, 51; the standard of
culture established by, 60; the education of,
105; the beauty and divinity of, destroyed by
barbarism, 107; his age and the demand for
culture, 114; The Robbers referred to, 137 ; and
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii, XVI, Antichrist. XVII, Ecce Homo.
267


## p. 267 (#368) ############################################

INDEX—NIETZSCHE
Satyr, the, the significance of, in Greek tragedy, i. 63 et seq.
Saume, an allusion to his poem Der Wilde, vii. 364.
— his Die Gesange, and the significance of song and
singing, xvi. 4.
Savant, the, less common characteristics of: firstly, v. 167;
to twelfthly, 171 ; the servant of truth, 172.
— why they are nobler than artists, vii. 106; their morals,
11o; the great danger of, 281.
Saviour, The. See under "Jesus. "
Saviour, the, remains an individual, viii. 114.