— the
dominating
influence of custom over, ix.
Nietzsche - v18 - Epilogue, Index
80; the ability
to have the pros and cons in one's power, 152.
— as a show word, xiv. 67; we objective people, 96; de-
fined and characterised, 342 ; regarded as the
disintegration of the will, 367.
Obscurantists, the, the essential feature of their black art,
vii. 24.
Obscurity, the hidden men, ix. 359.
— circumstances favourable to misunderstanding, xii.
40.
— See also under " Masks. "
Observances, the wide training-ground of the intellect,
ix. 46; the Brahmins and their estimate of, 94.
Observation, examples of defective powers of, vii. 186.
Odysseus, the typical Hellene, i. 87.
CEdipus, his terrible fate, i. 35; again, 40; as the glory
0/passivity, 72-5.
Offenbach, the genius and music of, xv. 270.
— his music, xvi. 60.
Old age, the philosopher and, ix. 368-72.
Old and New Tables (Zarathustra's discourse), xi. 239-63.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II. Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
214
## p. 214 (#293) ############################################
OLD—ORATOR
Old Testament. See "Testament, the Old. "
Olive Mount, On the (Zarathustra's discourse), xi. 209-13.
Olympian world, the, its dream birth, i. 35; the evolu-
tion of the thearchy of joy, 35.
One's self, when it is time to vow fidelity to, vii. 357.
Opera, the, the culture of, i. 142; is the birth of the
critical layman, not of the artist, 145; the
postulate of a false belief concerning the
artistic process, 146-7; its characteristics, 148;
its fatal influence on music, 150.
— the erroneous conception of aesthetics, ii. 42.
— vulgarity and Italian, x. 108; vulgarity and German,
109; the singing passion, m; relative value
of words and tones in, 113.
Opinions, on hiding behind, v. 103. .
— on sticking to, vi. 363; the congelation of, into
convictions, 404-5.
— and the tailor's philosophy, vii. 157; final opinion
on, 161.
— of opponents, ix. 314.
— compared in importance with taste, x. 76; the
significance attached to the reputation for
having fixed or unchangeable, 231; the action
of psychological necessity on one's, 240.
— the test to be applied to, xii. 8; the inconvenience
of changing, 93.
— the most lasting of all things, xv. 103.
Opponents, the opinions of, ix. 314.
Optimism considered as a sign of declining vigour, i. 8.
— the wearisome hackneyed term, vi. 43.
Orator, the, the school of, ix. 283.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
I
215
## p. 214 (#294) ############################################
INDEX—NIETZSCHE
120; the moral hypocrisy of the commanding
class, 121.
Ober-Engadine, visitors to, xvii. 1.
Objectivity, no true art without, i. 44.
— the eternal objective, v. 45; and historical writing,
50; justice and, 52.
— the product of education and habit, ix. 109-10.
— an analytical description ofthe objective spirit, xii. 139-
42; as a disguise for the paralysis of the will,
145-
— the moral canon at the root of, xiii. 80; the ability
to have the pros and cons in one's power, 152.
— as a show word, xiv. 67; we objective people, 96; de-
fined and characterised, 342 ; regarded as the
disintegration of the will, 367.
Obscurantists, the, the essential feature of their black art,
vii. 24.
Obscurity, the hidden men, ix. 359.
— circumstances favourable to misunderstanding, xii.
40.
— See also under " Masks. "
Observances, the wide training-ground of the intellect,
ix. 46; the Brahmins and their estimate of, 94.
Observation, examples of defective powers of, vii. 186.
Odysseus, the typical Hellene, i. 87.
(Edipus, his terrible fate, i. 35; again, 40; as the glory
of passivity, 72-5.
Offenbach, the genius and music of, xv. 270.
— his music, xvi. 60.
Old age, the philosopher and, ix. 368-72.
Old and New Tables (Zarathustra's discourse), xL 239-63.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II. Early Greek Philosophy. III. Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII. Human, ail-too-
214
## p. 215 (#295) ############################################
OLD—ORATOR
Old Testament. See "Testament, the Old. "
Olive Mount, On the (Zarathustra's discourse), xi. 209-13.
Olympian world, the, its dream birth, i. 35; the evolu-
tion of the thearchy of joy, 35.
One's self, when it is time to vow fidelity to, vii. 357.
Opera, the, the culture of, i. 142; is the birth of the
critical layman, not of the artist, 145; the
postulate of a false belief concerning the
artistic process, 146-7; its characteristics, 148;
its fatal influence on music, 150.
— the erroneous conception of aesthetics, ii. 42.
— vulgarity and Italian, x. 108; vulgarity and German,
109; the singing passion, 111; relative value
of words and tones in, 113.
Opinions, on hiding behind, v. 103. .
— on sticking to, vi. 363; the congelation of, into
convictions, 404-5.
— and the tailor's philosophy, vii. 157; final opinion
on, 161.
— of opponents, ix. 314.
— compared in importance with taste, x. 76; the
significance attached to the reputation for
having fixed or unchangeable, 231; the action
of psychological necessity on one's, 240.
— the test to be applied to, xii. 8; the inconvenience
of changing, 93.
— the most lasting of all things, xv. 103.
Opponents, the opinions of, ix. 314.
Optimism considered as a sign of declining vigour, i. 8.
— the wearisome hackneyed term, vi. 43.
Orator, the, the school of, ix. 283.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
215
## p. 216 (#296) ############################################
INDEX—NIETZSCHE
Oratory, Greek, vii. 70; and the baroque style, 75.
— on yielding to emotion in, x. 129; on moving the
multitude, 203.
Order, Fordre du jour pour le Rot, x. 61.
Orestes, his matricide, i. 35.
Organic Process, The, (Sec. ii. Part ii. Book iii. ) xv. 123-32.
Oriental, the, compared with the European, xiii. 215.
Origin, in the beginning was, vii. 184.
— the prejudices of the metaphysician regarding
sources of, xii. 6.
Originality, on, vii. 105.
— the dominating influence of custom over, ix. 17.
— a definition of, x. 207.
Origins, the study of, and their significance, ix. 51.
Osiris, Christianity and the cult of, xvi. 223.
Ostracism, the original meaning of, ii. 57.
Ought, the cardinal moral idea of, originates from the
very material idea of "owe," xiii. 69; the
matching of individual with individual, 79; on
everything having its price, 80; the moralisa-
tion of the idea, 110.
Overnice, results of becoming, vii. 13.
Pagans defined—all those who say "yea" to life, and to
whom God is the word for the great "yea " to
all things, xvi. 214.
Paganism, the pagan characteristic, vii. 113.
— defined as that which says "yea" to all that is
natural, xiv. 127.
Pain, wisdom in, x. 247 ; the supreme moments of the
heroic provided by, 247; the ability to inflict,
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
2l6
## p. 217 (#297) ############################################
PAIN—PARENTAL
belongs to greatness, 250; and the physicians
of the soul, 251; spoken of with exaggeration,
251; a remedy in bravery and sublimity, 251.
Pain, when we learn to enjoy ourselves, then do we unlearn
best to give pain to others, xi. 103.
— as the most potent mnemonic, xiii. 66; the equiva-
lent price of injury, 70; the negroes' sense of,
76; not so acutely felt formerly as nowadays,
77-
— objective people's view of, xiv. 97.
— on the nature of Pleasure and Pain, xv. 166-73 , as
an intellectual process, 169.
Painter, the simple, does not exist to-day, xv. 268.
Palestrina, the sublime and sacred music of, i. 142.
— the texts of his masses, ii. 41.
— deeply moved spirit with sound, vi. 197.
— the music of, vii. 88.
Pandora, and the casket of happiness, vi. 82.
Panegyrist, the, the quondam, ix. 247; the sweet impu-
dence of, 254; on condescending towards, 264.
— and the invalid, x. 189; and the multitude, 190;
eulogy assumes equality, 194.
Pantheism and the belief in The Eternal Recurrence, xiv.
49.
Paradise is under the shadow of a swordsman, xv. 359.
Paradox, on paradoxes, vi. 179; when permissible, 270.
Parasite, the, vi. 282.
Parasites, their ways, xi. 254; the loftiest soul shall have
the worst parasites (Zarathustra), 255.
Parental authority, and the regarding of the child as a
property, xii. 116.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
r
217
## p. 217 (#298) ############################################
IN DEX—NIETZSCHE
Oratory, Greek, vii. 70; and the baroque style, 75.
— on yielding to emotion in, x. 129; on moving the
multitude, 203.
Order, Vordre du jour pour le Roi, x. 61.
Orestes, his matricide, i. 35.
Organic Process, The, (Sec. ii. Partii. Bookiii. )xv. 123-32.
Oriental, the, compared with the European, xiii. 215.
Origin, in the beginning was, vii. 184.
— the prejudices of the metaphysician regarding
sources of, xii. 6.
Originality, on, vii. 105.
— the dominating influence of custom over, ix. 17.
— a definition of, x. 207.
Origins, the study of, and their significance, ix. 51.
Osiris, Christianity and the cult of, xvi. 223.
Ostracism, the original meaning of, ii. 57.
Ought, the cardinal moral idea of, originates from the
very material idea of "owe," xiii. 69; the
matching of individual with individual, 79; on
everything having its price, 80; the moralisa-
tion of the idea, 110.
Overnice, results of becoming, vii. 13.
Pagans defined—all those who say "yea" to life, and to
whom God is the word for the great "yea " to
all things, xvi. 214.
Paganism, the pagan characteristic, vii. 113.
— defined as that which says "yea" to all that is
natural, xiv. 127.
Pain, wisdom in, x. 247 ; the supreme moments of the
heroic provided by, 247; the ability to inflict,
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
2l6
## p. 217 (#299) ############################################
PAIN—PARENTAL
belongs to greatness, 250; and the physicians
of the soul, 251; spoken of with exaggeration,
251; a remedy in bravery and sublimity, 251.
Pain, when we learn to enjoy ourselves, then do we unlearn
best to give pain to others, xi. 103.
— as the most potent mnemonic, xiii. 66; the equiva-
lent price of injury, 70; the negroes' sense of,
76; not so acutely felt formerly as nowadays,
77-
— objective people's view of, xiv. 97.
— on the nature of Pleasure and Pain, xv. 166-73 , as
an intellectual process, 169.
Painter, the simple, does not exist to-day, xv. 268.
Palestrina, the sublime and sacred music of, i. 142.
— the texts of his masses, ii. 41.
— deeply moved spirit with sound, vi. 197.
— the music of, vii. 88.
Pandora, and the casket of happiness, vi. 82.
Panegyrist, the, the quondam, ix. 247; the sweet impu-
dence of, 254; on condescending towards, 264.
— and the invalid, x. 189; and the multitude, 190;
eulogy assumes equality, 194.
Pantheism and the belief in The Eternal Recurrence, xiv.
49.
Paradise is under the shadow of a swordsman, xv. 359.
Paradox, on paradoxes, vi. 179; when permissible, 270.
Parasite, the, vi. 282.
Parasites, their ways, xi. 254; the loftiest soul shall have
the worst parasites (Zarathustra), 255.
Parental authority, and the regarding of the child as a
property, xii. 116.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
217
## p. 218 (#300) ############################################
INDEX—NIETZSCHE
Parental folly in misjudging their children, vi. 308.
Paris, German culture and, xiv. 74.
— its climate, xvii. 33.
Parliament, the party system in, ix. 183.
— the methods of parliamentarism, x. 190.
— may be useful to strong and versatile statesmen,
xiii. 223; for the tasks of the next two
centuries, the most inappropriate imaginable,
226.
Parmenides, as one of the idealised philosophers, il 79; his
system of philosophy, 114; the prayer of, 126.
— alluded to, vi. 240.
— quoted, xv. 50.
Parsifal, the opera instanced, viii. 28; its rank in the art
of seduction, 40; and the preaching of chastity,
71 ; an outrage upon morality, 73; its creation,
102.
— an apostasy and reversion to the morbid Christian and
obscurantist ideals, xiii. 124; its author, 126.
— the music of, as conducive to chastity, xv. 193.
Parsifal, Lohengrin's father, viii. 29.
Parties, a hint to the heads of, vi. 368.
to have the pros and cons in one's power, 152.
— as a show word, xiv. 67; we objective people, 96; de-
fined and characterised, 342 ; regarded as the
disintegration of the will, 367.
Obscurantists, the, the essential feature of their black art,
vii. 24.
Obscurity, the hidden men, ix. 359.
— circumstances favourable to misunderstanding, xii.
40.
— See also under " Masks. "
Observances, the wide training-ground of the intellect,
ix. 46; the Brahmins and their estimate of, 94.
Observation, examples of defective powers of, vii. 186.
Odysseus, the typical Hellene, i. 87.
CEdipus, his terrible fate, i. 35; again, 40; as the glory
0/passivity, 72-5.
Offenbach, the genius and music of, xv. 270.
— his music, xvi. 60.
Old age, the philosopher and, ix. 368-72.
Old and New Tables (Zarathustra's discourse), xi. 239-63.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II. Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
214
## p. 214 (#293) ############################################
OLD—ORATOR
Old Testament. See "Testament, the Old. "
Olive Mount, On the (Zarathustra's discourse), xi. 209-13.
Olympian world, the, its dream birth, i. 35; the evolu-
tion of the thearchy of joy, 35.
One's self, when it is time to vow fidelity to, vii. 357.
Opera, the, the culture of, i. 142; is the birth of the
critical layman, not of the artist, 145; the
postulate of a false belief concerning the
artistic process, 146-7; its characteristics, 148;
its fatal influence on music, 150.
— the erroneous conception of aesthetics, ii. 42.
— vulgarity and Italian, x. 108; vulgarity and German,
109; the singing passion, m; relative value
of words and tones in, 113.
Opinions, on hiding behind, v. 103. .
— on sticking to, vi. 363; the congelation of, into
convictions, 404-5.
— and the tailor's philosophy, vii. 157; final opinion
on, 161.
— of opponents, ix. 314.
— compared in importance with taste, x. 76; the
significance attached to the reputation for
having fixed or unchangeable, 231; the action
of psychological necessity on one's, 240.
— the test to be applied to, xii. 8; the inconvenience
of changing, 93.
— the most lasting of all things, xv. 103.
Opponents, the opinions of, ix. 314.
Optimism considered as a sign of declining vigour, i. 8.
— the wearisome hackneyed term, vi. 43.
Orator, the, the school of, ix. 283.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
I
215
## p. 214 (#294) ############################################
INDEX—NIETZSCHE
120; the moral hypocrisy of the commanding
class, 121.
Ober-Engadine, visitors to, xvii. 1.
Objectivity, no true art without, i. 44.
— the eternal objective, v. 45; and historical writing,
50; justice and, 52.
— the product of education and habit, ix. 109-10.
— an analytical description ofthe objective spirit, xii. 139-
42; as a disguise for the paralysis of the will,
145-
— the moral canon at the root of, xiii. 80; the ability
to have the pros and cons in one's power, 152.
— as a show word, xiv. 67; we objective people, 96; de-
fined and characterised, 342 ; regarded as the
disintegration of the will, 367.
Obscurantists, the, the essential feature of their black art,
vii. 24.
Obscurity, the hidden men, ix. 359.
— circumstances favourable to misunderstanding, xii.
40.
— See also under " Masks. "
Observances, the wide training-ground of the intellect,
ix. 46; the Brahmins and their estimate of, 94.
Observation, examples of defective powers of, vii. 186.
Odysseus, the typical Hellene, i. 87.
(Edipus, his terrible fate, i. 35; again, 40; as the glory
of passivity, 72-5.
Offenbach, the genius and music of, xv. 270.
— his music, xvi. 60.
Old age, the philosopher and, ix. 368-72.
Old and New Tables (Zarathustra's discourse), xL 239-63.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II. Early Greek Philosophy. III. Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII. Human, ail-too-
214
## p. 215 (#295) ############################################
OLD—ORATOR
Old Testament. See "Testament, the Old. "
Olive Mount, On the (Zarathustra's discourse), xi. 209-13.
Olympian world, the, its dream birth, i. 35; the evolu-
tion of the thearchy of joy, 35.
One's self, when it is time to vow fidelity to, vii. 357.
Opera, the, the culture of, i. 142; is the birth of the
critical layman, not of the artist, 145; the
postulate of a false belief concerning the
artistic process, 146-7; its characteristics, 148;
its fatal influence on music, 150.
— the erroneous conception of aesthetics, ii. 42.
— vulgarity and Italian, x. 108; vulgarity and German,
109; the singing passion, 111; relative value
of words and tones in, 113.
Opinions, on hiding behind, v. 103. .
— on sticking to, vi. 363; the congelation of, into
convictions, 404-5.
— and the tailor's philosophy, vii. 157; final opinion
on, 161.
— of opponents, ix. 314.
— compared in importance with taste, x. 76; the
significance attached to the reputation for
having fixed or unchangeable, 231; the action
of psychological necessity on one's, 240.
— the test to be applied to, xii. 8; the inconvenience
of changing, 93.
— the most lasting of all things, xv. 103.
Opponents, the opinions of, ix. 314.
Optimism considered as a sign of declining vigour, i. 8.
— the wearisome hackneyed term, vi. 43.
Orator, the, the school of, ix. 283.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
215
## p. 216 (#296) ############################################
INDEX—NIETZSCHE
Oratory, Greek, vii. 70; and the baroque style, 75.
— on yielding to emotion in, x. 129; on moving the
multitude, 203.
Order, Fordre du jour pour le Rot, x. 61.
Orestes, his matricide, i. 35.
Organic Process, The, (Sec. ii. Part ii. Book iii. ) xv. 123-32.
Oriental, the, compared with the European, xiii. 215.
Origin, in the beginning was, vii. 184.
— the prejudices of the metaphysician regarding
sources of, xii. 6.
Originality, on, vii. 105.
— the dominating influence of custom over, ix. 17.
— a definition of, x. 207.
Origins, the study of, and their significance, ix. 51.
Osiris, Christianity and the cult of, xvi. 223.
Ostracism, the original meaning of, ii. 57.
Ought, the cardinal moral idea of, originates from the
very material idea of "owe," xiii. 69; the
matching of individual with individual, 79; on
everything having its price, 80; the moralisa-
tion of the idea, 110.
Overnice, results of becoming, vii. 13.
Pagans defined—all those who say "yea" to life, and to
whom God is the word for the great "yea " to
all things, xvi. 214.
Paganism, the pagan characteristic, vii. 113.
— defined as that which says "yea" to all that is
natural, xiv. 127.
Pain, wisdom in, x. 247 ; the supreme moments of the
heroic provided by, 247; the ability to inflict,
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
2l6
## p. 217 (#297) ############################################
PAIN—PARENTAL
belongs to greatness, 250; and the physicians
of the soul, 251; spoken of with exaggeration,
251; a remedy in bravery and sublimity, 251.
Pain, when we learn to enjoy ourselves, then do we unlearn
best to give pain to others, xi. 103.
— as the most potent mnemonic, xiii. 66; the equiva-
lent price of injury, 70; the negroes' sense of,
76; not so acutely felt formerly as nowadays,
77-
— objective people's view of, xiv. 97.
— on the nature of Pleasure and Pain, xv. 166-73 , as
an intellectual process, 169.
Painter, the simple, does not exist to-day, xv. 268.
Palestrina, the sublime and sacred music of, i. 142.
— the texts of his masses, ii. 41.
— deeply moved spirit with sound, vi. 197.
— the music of, vii. 88.
Pandora, and the casket of happiness, vi. 82.
Panegyrist, the, the quondam, ix. 247; the sweet impu-
dence of, 254; on condescending towards, 264.
— and the invalid, x. 189; and the multitude, 190;
eulogy assumes equality, 194.
Pantheism and the belief in The Eternal Recurrence, xiv.
49.
Paradise is under the shadow of a swordsman, xv. 359.
Paradox, on paradoxes, vi. 179; when permissible, 270.
Parasite, the, vi. 282.
Parasites, their ways, xi. 254; the loftiest soul shall have
the worst parasites (Zarathustra), 255.
Parental authority, and the regarding of the child as a
property, xii. 116.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
r
217
## p. 217 (#298) ############################################
IN DEX—NIETZSCHE
Oratory, Greek, vii. 70; and the baroque style, 75.
— on yielding to emotion in, x. 129; on moving the
multitude, 203.
Order, Vordre du jour pour le Roi, x. 61.
Orestes, his matricide, i. 35.
Organic Process, The, (Sec. ii. Partii. Bookiii. )xv. 123-32.
Oriental, the, compared with the European, xiii. 215.
Origin, in the beginning was, vii. 184.
— the prejudices of the metaphysician regarding
sources of, xii. 6.
Originality, on, vii. 105.
— the dominating influence of custom over, ix. 17.
— a definition of, x. 207.
Origins, the study of, and their significance, ix. 51.
Osiris, Christianity and the cult of, xvi. 223.
Ostracism, the original meaning of, ii. 57.
Ought, the cardinal moral idea of, originates from the
very material idea of "owe," xiii. 69; the
matching of individual with individual, 79; on
everything having its price, 80; the moralisa-
tion of the idea, 110.
Overnice, results of becoming, vii. 13.
Pagans defined—all those who say "yea" to life, and to
whom God is the word for the great "yea " to
all things, xvi. 214.
Paganism, the pagan characteristic, vii. 113.
— defined as that which says "yea" to all that is
natural, xiv. 127.
Pain, wisdom in, x. 247 ; the supreme moments of the
heroic provided by, 247; the ability to inflict,
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
2l6
## p. 217 (#299) ############################################
PAIN—PARENTAL
belongs to greatness, 250; and the physicians
of the soul, 251; spoken of with exaggeration,
251; a remedy in bravery and sublimity, 251.
Pain, when we learn to enjoy ourselves, then do we unlearn
best to give pain to others, xi. 103.
— as the most potent mnemonic, xiii. 66; the equiva-
lent price of injury, 70; the negroes' sense of,
76; not so acutely felt formerly as nowadays,
77-
— objective people's view of, xiv. 97.
— on the nature of Pleasure and Pain, xv. 166-73 , as
an intellectual process, 169.
Painter, the simple, does not exist to-day, xv. 268.
Palestrina, the sublime and sacred music of, i. 142.
— the texts of his masses, ii. 41.
— deeply moved spirit with sound, vi. 197.
— the music of, vii. 88.
Pandora, and the casket of happiness, vi. 82.
Panegyrist, the, the quondam, ix. 247; the sweet impu-
dence of, 254; on condescending towards, 264.
— and the invalid, x. 189; and the multitude, 190;
eulogy assumes equality, 194.
Pantheism and the belief in The Eternal Recurrence, xiv.
49.
Paradise is under the shadow of a swordsman, xv. 359.
Paradox, on paradoxes, vi. 179; when permissible, 270.
Parasite, the, vi. 282.
Parasites, their ways, xi. 254; the loftiest soul shall have
the worst parasites (Zarathustra), 255.
Parental authority, and the regarding of the child as a
property, xii. 116.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
217
## p. 218 (#300) ############################################
INDEX—NIETZSCHE
Parental folly in misjudging their children, vi. 308.
Paris, German culture and, xiv. 74.
— its climate, xvii. 33.
Parliament, the party system in, ix. 183.
— the methods of parliamentarism, x. 190.
— may be useful to strong and versatile statesmen,
xiii. 223; for the tasks of the next two
centuries, the most inappropriate imaginable,
226.
Parmenides, as one of the idealised philosophers, il 79; his
system of philosophy, 114; the prayer of, 126.
— alluded to, vi. 240.
— quoted, xv. 50.
Parsifal, the opera instanced, viii. 28; its rank in the art
of seduction, 40; and the preaching of chastity,
71 ; an outrage upon morality, 73; its creation,
102.
— an apostasy and reversion to the morbid Christian and
obscurantist ideals, xiii. 124; its author, 126.
— the music of, as conducive to chastity, xv. 193.
Parsifal, Lohengrin's father, viii. 29.
Parties, a hint to the heads of, vi. 368.
