No More Learning

28; the importance of nutri-
tion, 29 ; nutrition formulated, 29; on cookery—
English, German, 30; alcoholic drinks not suited
to, 30; his antipodes live in Munich, 31; has
experienced what vegetarianism means, 31;
effects of alcohol on, 32; on diet, 32; indica-
tions to his morality, 33; his susceptibility to
climatic influences, 33; his illness compelled
him to reflect on such matters, 34; unable to
recall one happy reminiscence of childhood or
youth, 34; idealism as the curse of his life,'35;
a           through a blunder, 35; brought
to reason through illness, 35 ;reading as a means
of recuperation, 36; an allusion to his Laertiana,
37; his favourite books, a few—a library makes
him ill, 37; his belief only in French culture,
37 ; the example of Cosima Wagner, 38; French
affinities, 38; the happy accidents of his life,
38; Stendhal and Heine, 39; Byron's Manfred,
40; his overture to Manfred, 40; his estimate
of Shakespeare, 40; Bacon versus Shakespeare,
40-1; his most intimate relationship with
Wagner, 41; Wagner and Paris, 42; Wagner's
condescension to the Germans, 43; effects of
Tristan und Isolde, 43; a Wagnerite from that
moment, 43; Wagner his greatest benefactor,
44; his exactions from music, 45; would let
all music go if he could keep Chopin, 45; ex-
ceptions, 45; his musical impressions, 46;
taste—the instinct of defence, 46; restraint,
47; intercourse with books, 48; has known
Human, ii.