We look out each from a
different
world.
Amy Lowell
And all that morning,
Except when she went to the chapel to pray,
She painted, and when the April day
Was hot with sun,
Clotilde had done.
Done! She drooped, though her heart beat loud
At the beauty before her, and her spirit bowed
To the Virgin her finely-touched thought had made.
A lady, in excellence arrayed,
And wonder-souled.
Christ's Blessed Mould!
From long fasting Clotilde felt weary and faint,
But her eyes were starred like those of a saint
Enmeshed in Heaven's beatitude.
A sudden clamour hurled its rude
Force to break
Her vision awake.
The door nearly leapt from its hinges, pushed
By the multitude of nuns. They hushed
When they saw Clotilde, in perfect quiet,
Smiling, a little perplexed at the riot.
And all the hive
Buzzed "She's alive! "
Old Francois had told. He had found the strain
Of silence too great, and preferred the pain
Of a conscience outraged. The news had spread,
And all were convinced Clotilde must be dead.
For Francois, to spite them,
Had not seen fit to right them.
The Abbess, unwontedly trembling and mild,
Put her arms round Clotilde and wept, "My child,
Has the Holy Mother showed you this grace,
To spare you while you imaged her face?
How could we have guessed
Our convent so blessed!
A miracle! But Oh! My Lamb!
To have you die! And I, who am
A hollow, living shell, the grave
Is empty of me. Holy Mary, I crave
To be taken, Dear Mother,
Instead of this other. "
She dropped on her knees and silently prayed,
With anguished hands and tears delayed
To a painful slowness. The minutes drew
To fractions. Then the west wind blew
The sound of a bell,
On a gusty swell.
It came skipping over the slates of the roof,
And the bright bell-notes seemed a reproof
To grief, in the eye of so fair a day.
The Abbess, comforted, ceased to pray.
And the sun lit the flowers
In Clotilde's Book of Hours.
It glistened the green of the Virgin's dress
And made the red spots, in a flushed excess,
Pulse and start; and the violet wings
Of the angel were colour which shines and sings.
The book seemed a choir
Of rainbow fire.
The Abbess crossed herself, and each nun
Did the same, then one by one,
They filed to the chapel, that incensed prayers
Might plead for the life of this sister of theirs.
Clotilde, the Inspired!
She only felt tired.
* * * * *
The old chronicles say she did not die
Until heavy with years. And that is why
There hangs in the convent church a basket
Of osiered silver, a holy casket,
And treasured therein
A dried snake-skin.
The Exeter Road
Panels of claret and blue which shine
Under the moon like lees of wine.
A coronet done in a golden scroll,
And wheels which blunder and creak as they roll
Through the muddy ruts of a moorland track.
They daren't look back!
They are whipping and cursing the horses. Lord!
What brutes men are when they think they're scored.
Behind, my bay gelding gallops with me,
In a steaming sweat, it is fine to see
That coach, all claret, and gold, and blue,
Hop about and slue.
They are scared half out of their wits, poor souls.
For my lord has a casket full of rolls
Of minted sovereigns, and silver bars.
I laugh to think how he'll show his scars
In London to-morrow. He whines with rage
In his varnished cage.
My lady has shoved her rings over her toes.
'Tis an ancient trick every night-rider knows.
But I shall relieve her of them yet,
When I see she limps in the minuet
I must beg to celebrate this night,
And the green moonlight.
There's nothing to hurry about, the plain
Is hours long, and the mud's a strain.
My gelding's uncommonly strong in the loins,
In half an hour I'll bag the coins.
'Tis a clear, sweet night on the turn of Spring.
The chase is the thing!
How the coach flashes and wobbles, the moon
Dripping down so quietly on it. A tune
Is beating out of the curses and screams,
And the cracking all through the painted seams.
Steady, old horse, we'll keep it in sight.
'Tis a rare fine night!
There's a clump of trees on the dip of the down,
And the sky shimmers where it hangs over the town.
It seems a shame to break the air
In two with this pistol, but I've my share
Of drudgery like other men.
His hat? Amen!
Hold up, you beast, now what the devil!
Confound this moor for a pockholed, evil,
Rotten marsh. My right leg's snapped.
'Tis a mercy he's rolled, but I'm nicely capped.
A broken-legged man and a broken-legged horse!
They'll get me, of course.
The cursed coach will reach the town
And they'll all come out, every loafer grown
A lion to handcuff a man that's down.
What's that? Oh, the coachman's bulleted hat!
I'll give it a head to fit it pat.
Thank you! No cravat.
_They handcuffed the body just for style,
And they hung him in chains for the volatile
Wind to scour him flesh from bones.
Way out on the moor you can hear the groans
His gibbet makes when it blows a gale.
'Tis a common tale. _
The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
The silhouette made a blue-black stain
On the opposite wall, and it never wavered
Even when the candle quavered
Under his panting breath. What made
That beautiful, dreadful thing, that shade
Of something so lovely, so exquisite,
Cast from a substance which the sight
Had not been tutored to perceive?
Paul brushed his eyes across his sleeve.
Clear-cut, the Shadow on the wall
Gleamed black, and never moved at all.
Paul's watches were like amulets,
Wrought into patterns and rosettes;
The cases were all set with stones,
And wreathing lines, and shining zones.
He knew the beauty in a curve,
And the Shadow tortured every nerve
With its perfect rhythm of outline
Cutting the whitewashed wall. So fine
Was the neck he knew he could have spanned
It about with the fingers of one hand.
The chin rose to a mouth he guessed,
But could not see, the lips were pressed
Loosely together, the edges close,
And the proud and delicate line of the nose
Melted into a brow, and there
Broke into undulant waves of hair.
The lady was edged with the stamp of race.
A singular vision in such a place.
He moved the candle to the tall
Chiffonier; the Shadow stayed on the wall.
He threw his cloak upon a chair,
And still the lady's face was there.
From every corner of the room
He saw, in the patch of light, the gloom
That was the lady. Her violet bloom
Was almost brighter than that which came
From his candle's tulip-flame.
He set the filigree hands; he laid
The watch in the case which he had made;
He put on his rabbit cloak, and snuffed
His candle out. The room seemed stuffed
With darkness. Softly he crossed the floor,
And let himself out through the door.
The sun was flashing from every pin
And wheel, when Paul let himself in.
The whitewashed walls were hot with light.
The room was the core of a chrysolite,
Burning and shimmering with fiery might.
The sun was so bright that no shadow could fall
From the furniture upon the wall.
Paul sighed as he looked at the empty space
Where a glare usurped the lady's place.
He settled himself to his work, but his mind
Wandered, and he would wake to find
His hand suspended, his eyes grown dim,
And nothing advanced beyond the rim
Of his dreaming. The Cardinal sent to pay
For his watch, which had purchased so fine a day.
But Paul could hardly touch the gold,
It seemed the price of his Shadow, sold.
With the first twilight he struck a match
And watched the little blue stars hatch
Into an egg of perfect flame.
He lit his candle, and almost in shame
At his eagerness, lifted his eyes.
The Shadow was there, and its precise
Outline etched the cold, white wall.
The young man swore, "By God! You, Paul,
There's something the matter with your brain.
Go home now and sleep off the strain. "
The next day was a storm, the rain
Whispered and scratched at the window-pane.
A grey and shadowless morning filled
The little shop. The watches, chilled,
Were dead and sparkless as burnt-out coals.
The gems lay on the table like shoals
Of stranded shells, their colours faded,
Mere heaps of stone, dull and degraded.
Paul's head was heavy, his hands obeyed
No orders, for his fancy strayed.
His work became a simple round
Of watches repaired and watches wound.
The slanting ribbons of the rain
Broke themselves on the window-pane,
But Paul saw the silver lines in vain.
Only when the candle was lit
And on the wall just opposite
He watched again the coming of _it_,
Could he trace a line for the joy of his soul
And over his hands regain control.
Paul lingered late in his shop that night
And the designs which his delight
Sketched on paper seemed to be
A tribute offered wistfully
To the beautiful shadow of her who came
And hovered over his candle flame.
In the morning he selected all
His perfect jacinths. One large opal
Hung like a milky, rainbow moon
In the centre, and blown in loose festoon
The red stones quivered on silver threads
To the outer edge, where a single, fine
Band of mother-of-pearl the line
Completed. On the other side,
The creamy porcelain of the face
Bore diamond hours, and no lace
Of cotton or silk could ever be
Tossed into being more airily
Than the filmy golden hands; the time
Seemed to tick away in rhyme.
When, at dusk, the Shadow grew
Upon the wall, Paul's work was through.
Holding the watch, he spoke to her:
"Lady, Beautiful Shadow, stir
Into one brief sign of being.
Turn your eyes this way, and seeing
This watch, made from those sweet curves
Where your hair from your forehead swerves,
Accept the gift which I have wrought
With your fairness in my thought.
Grant me this, and I shall be
Honoured overwhelmingly. "
The Shadow rested black and still,
And the wind sighed over the window-sill.
Paul put the despised watch away
And laid out before him his array
Of stones and metals, and when the morning
Struck the stones to their best adorning,
He chose the brightest, and this new watch
Was so light and thin it seemed to catch
The sunlight's nothingness, and its gleam.
Topazes ran in a foamy stream
Over the cover, the hands were studded
With garnets, and seemed red roses, budded.
The face was of crystal, and engraved
Upon it the figures flashed and waved
With zircons, and beryls, and amethysts.
It took a week to make, and his trysts
At night with the Shadow were his alone.
Paul swore not to speak till his task was done.
The night that the jewel was worthy to give.
Paul watched the long hours of daylight live
To the faintest streak; then lit his light,
And sharp against the wall's pure white
The outline of the Shadow started
Into form. His burning-hearted
Words so long imprisoned swelled
To tumbling speech. Like one compelled,
He told the lady all his love,
And holding out the watch above
His head, he knelt, imploring some
Littlest sign.
The Shadow was dumb.
Weeks passed, Paul worked in fevered haste,
And everything he made he placed
Before his lady. The Shadow kept
Its perfect passiveness. Paul wept.
He wooed her with the work of his hands,
He waited for those dear commands
She never gave. No word, no motion,
Eased the ache of his devotion.
His days passed in a strain of toil,
His nights burnt up in a seething coil.
Seasons shot by, uncognisant
He worked. The Shadow came to haunt
Even his days. Sometimes quite plain
He saw on the wall the blackberry stain
Of his lady's picture. No sun was bright
Enough to dazzle that from his sight.
There were moments when he groaned to see
His life spilled out so uselessly,
Begging for boons the Shade refused,
His finest workmanship abused,
The iridescent bubbles he blew
Into lovely existence, poor and few
In the shadowed eyes. Then he would curse
Himself and her! The Universe!
And more, the beauty he could not make,
And give her, for her comfort's sake!
He would beat his weary, empty hands
Upon the table, would hold up strands
Of silver and gold, and ask her why
She scorned the best which he could buy.
He would pray as to some high-niched saint,
That she would cure him of the taint
Of failure. He would clutch the wall
With his bleeding fingers, if she should fall
He could catch, and hold her, and make her live!
With sobs he would ask her to forgive
All he had done. And broken, spent,
He would call himself impertinent;
Presumptuous; a tradesman; a nothing; driven
To madness by the sight of Heaven.
At other times he would take the things
He had made, and winding them on strings,
Hang garlands before her, and burn perfumes,
Chanting strangely, while the fumes
Wreathed and blotted the shadow face,
As with a cloudy, nacreous lace.
There were days when he wooed as a lover, sighed
In tenderness, spoke to his bride,
Urged her to patience, said his skill
Should break the spell. A man's sworn will
Could compass life, even that, he knew.
By Christ's Blood! He would prove it true!
The edge of the Shadow never blurred.
The lips of the Shadow never stirred.
He would climb on chairs to reach her lips,
And pat her hair with his finger-tips.
But instead of young, warm flesh returning
His warmth, the wall was cold and burning
Like stinging ice, and his passion, chilled,
Lay in his heart like some dead thing killed
At the moment of birth. Then, deadly sick,
He would lie in a swoon for hours, while thick
Phantasmagoria crowded his brain,
And his body shrieked in the clutch of pain.
The crisis passed, he would wake and smile
With a vacant joy, half-imbecile
And quite confused, not being certain
Why he was suffering; a curtain
Fallen over the tortured mind beguiled
His sorrow. Like a little child
He would play with his watches and gems, with glee
Calling the Shadow to look and see
How the spots on the ceiling danced prettily
When he flashed his stones. "Mother, the green
Has slid so cunningly in between
The blue and the yellow. Oh, please look down! "
Then, with a pitiful, puzzled frown,
He would get up slowly from his play
And walk round the room, feeling his way
From table to chair, from chair to door,
Stepping over the cracks in the floor,
Till reaching the table again, her face
Would bring recollection, and no solace
Could balm his hurt till unconsciousness
Stifled him and his great distress.
One morning he threw the street door wide
On coming in, and his vigorous stride
Made the tools on his table rattle and jump.
In his hands he carried a new-burst clump
Of laurel blossoms, whose smooth-barked stalks
Were pliant with sap. As a husband talks
To the wife he left an hour ago,
Paul spoke to the Shadow. "Dear, you know
To-day the calendar calls it Spring,
And I woke this morning gathering
Asphodels, in my dreams, for you.
So I rushed out to see what flowers blew
Their pink-and-purple-scented souls
Across the town-wind's dusty scrolls,
And made the approach to the Market Square
A garden with smells and sunny air.
I feel so well and happy to-day,
I think I shall take a Holiday.
And to-night we will have a little treat.
I am going to bring you something to eat! "
He looked at the Shadow anxiously.
It was quite grave and silent. He
Shut the outer door and came
And leant against the window-frame.
"Dearest," he said, "we live apart
Although I bear you in my heart.
We look out each from a different world.
At any moment we may be hurled
Asunder. They follow their orbits, we
Obey their laws entirely.
Now you must come, or I go there,
Unless we are willing to live the flare
Of a lighted instant and have it gone. "
A bee in the laurels began to drone.
A loosened petal fluttered prone.
"Man grows by eating, if you eat
You will be filled with our life, sweet
Will be our planet in your mouth.
If not, I must parch in death's wide drouth
Until I gain to where you are,
And give you myself in whatever star
May happen. O You Beloved of Me!
Is it not ordered cleverly? "
The Shadow, bloomed like a plum, and clear,
Hung in the sunlight. It did not hear.
Paul slipped away as the dusk began
To dim the little shop. He ran
To the nearest inn, and chose with care
As much as his thin purse could bear.
As rapt-souled monks watch over the baking
Of the sacred wafer, and through the making
Of the holy wine whisper secret prayers
That God will bless this labour of theirs;
So Paul, in a sober ecstasy,
Purchased the best which he could buy.
Returning, he brushed his tools aside,
And laid across the table a wide
Napkin. He put a glass and plate
On either side, in duplicate.
Over the lady's, excellent
With loveliness, the laurels bent.
In the centre the white-flaked pastry stood,
And beside it the wine flask. Red as blood
Was the wine which should bring the lustihood
Of human life to his lady's veins.
When all was ready, all which pertains
To a simple meal was there, with eyes
Lit by the joy of his great emprise,
He reverently bade her come,
And forsake for him her distant home.
He put meat on her plate and filled her glass,
And waited what should come to pass.
The Shadow lay quietly on the wall.
From the street outside came a watchman's call
"A cloudy night. Rain beginning to fall. "
And still he waited. The clock's slow tick
Knocked on the silence. Paul turned sick.
He filled his own glass full of wine;
From his pocket he took a paper. The twine
Was knotted, and he searched a knife
From his jumbled tools. The cord of life
Snapped as he cut the little string.
He knew that he must do the thing
He feared. He shook powder into the wine,
And holding it up so the candle's shine
Sparked a ruby through its heart,
He drank it. "Dear, never apart
Again! You have said it was mine to do.
It is done, and I am come to you! "
Paul Jannes let the empty wine-glass fall,
And held out his arms. The insentient wall
Stared down at him with its cold, white glare
Unstained! The Shadow was not there!
Paul clutched and tore at his tightening throat.
He felt the veins in his body bloat,
And the hot blood run like fire and stones
Along the sides of his cracking bones.
But he laughed as he staggered towards the door,
And he laughed aloud as he sank on the floor.
The Coroner took the body away,
And the watches were sold that Saturday.
The Auctioneer said one could seldom buy
Such watches, and the prices were high.
The Forsaken
Holy Mother of God, Merciful Mary. Hear me! I am very weary. I have come
from a village miles away, all day I have been coming, and I ache for such
far roaming. I cannot walk as light as I used, and my thoughts grow confused.
I am heavier than I was. Mary Mother, you know the cause!
Beautiful Holy Lady, take my shame away from me! Let this fear
be only seeming, let it be that I am dreaming. For months I have hoped
it was so, now I am afraid I know. Lady, why should this be shame,
just because I haven't got his name. He loved me, yes, Lady, he did,
and he couldn't keep it hid. We meant to marry. Why did he die?
That day when they told me he had gone down in the avalanche, and could not
be found until the snow melted in Spring, I did nothing. I could not cry.
Why should he die? Why should he die and his child live? His little child
alive in me, for my comfort. No, Good God, for my misery! I cannot face
the shame, to be a mother, and not married, and the poor child to be reviled
for having no father. Merciful Mother, Holy Virgin, take away this sin I did.
Let the baby not be. Only take the stigma off of me!
I have told no one but you, Holy Mary. My mother would call me "whore",
and spit upon me; the priest would have me repent, and have
the rest of my life spent in a convent. I am no whore, no bad woman,
he loved me, and we were to be married. I carried him always in my heart,
what did it matter if I gave him the least part of me too? You were a virgin,
Holy Mother, but you had a son, you know there are times when a woman
must give all. There is some call to give and hold back nothing.
I swear I obeyed God then, and this child who lives in me is the sign.
What am I saying? He is dead, my beautiful, strong man! I shall never
feel him caress me again. This is the only baby I shall have.
Oh, Holy Virgin, protect my baby! My little, helpless baby!
He will look like his father, and he will be as fast a runner and as good
a shot. Not that he shall be no scholar neither. He shall go to school
in winter, and learn to read and write, and my father will teach him to carve,
so that he can make the little horses, and cows, and chamois,
out of white wood. Oh, No! No! No! How can I think such things,
I am not good. My father will have nothing to do with my boy,
I shall be an outcast thing. Oh, Mother of our Lord God, be merciful,
take away my shame! Let my body be as it was before he came.
No little baby for me to keep underneath my heart for those long months.
To live for and to get comfort from. I cannot go home and tell my mother.
She is so hard and righteous. She never loved my father, and we were born
for duty, not for love. I cannot face it. Holy Mother, take my baby away!
Take away my little baby! I don't want it, I can't bear it!
And I shall have nothing, nothing! Just be known as a good girl.
Have other men want to marry me, whom I could not touch, after having known
my man. Known the length and breadth of his beautiful white body,
and the depth of his love, on the high Summer Alp, with the moon above,
and the pine-needles all shiny in the light of it. He is gone, my man,
I shall never hear him or feel him again, but I could not touch another.
I would rather lie under the snow with my own man in my arms!
So I shall live on and on. Just a good woman. With nothing to warm my heart
where he lay, and where he left his baby for me to care for. I shall not be
quite human, I think. Merely a stone-dead creature. They will respect me.
What do I care for respect! You didn't care for people's tongues
when you were carrying our Lord Jesus. God had my man give me my baby,
when He knew that He was going to take him away. His lips will comfort me,
his hands will soothe me. All day I will work at my lace-making,
and all night I will keep him warm by my side and pray the blessed Angels
to cover him with their wings. Dear Mother, what is it that sings?
I hear voices singing, and lovely silver trumpets through it all. They seem
just on the other side of the wall. Let me keep my baby, Holy Mother.
He is only a poor lace-maker's baby, with a stain upon him,
but give me strength to bring him up to be a man.
Late September
Tang of fruitage in the air;
Red boughs bursting everywhere;
Shimmering of seeded grass;
Hooded gentians all a'mass.
Warmth of earth, and cloudless wind
Tearing off the husky rind,
Blowing feathered seeds to fall
By the sun-baked, sheltering wall.
Beech trees in a golden haze;
Hardy sumachs all ablaze,
Glowing through the silver birches.
How that pine tree shouts and lurches!
From the sunny door-jamb high,
Swings the shell of a butterfly.
Scrape of insect violins
Through the stubble shrilly dins.
Every blade's a minaret
Where a small muezzin's set,
Loudly calling us to pray
At the miracle of day.
Then the purple-lidded night
Westering comes, her footsteps light
Guided by the radiant boon
Of a sickle-shaped new moon.
The Pike
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
The Blue Scarf
Pale, with the blue of high zeniths, shimmered over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it, caressing.
Where is she, the woman who wore it? The scent of her lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it. Below the stone steps a lute tinkles.
A jar of green jade throws its shadow half over the floor. A big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water of a basin,
Sunk in the black and white marble. The west wind has lifted a scarf
On the seat close beside me, the blue of it is a violent outrage of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her, a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty, and one is alone!
White and Green
Hey! My daffodil-crowned,
Slim and without sandals!
As the sudden spurt of flame upon darkness
So my eyeballs are startled with you,
Supple-limbed youth among the fruit-trees,
Light runner through tasselled orchards.
You are an almond flower unsheathed
Leaping and flickering between the budded branches.
Aubade
As I would free the white almond from the green husk
So would I strip your trappings off,
Beloved.
And fingering the smooth and polished kernel
I should see that in my hands glittered a gem beyond counting.
Music
The neighbour sits in his window and plays the flute.
From my bed I can hear him,
And the round notes flutter and tap about the room,
And hit against each other,
Blurring to unexpected chords.
It is very beautiful,
With the little flute-notes all about me,
In the darkness.
In the daytime,
The neighbour eats bread and onions with one hand
And copies music with the other.
He is fat and has a bald head,
So I do not look at him,
But run quickly past his window.
There is always the sky to look at,
Or the water in the well!
But when night comes and he plays his flute,
I think of him as a young man,
With gold seals hanging from his watch,
And a blue coat with silver buttons.
As I lie in my bed
The flute-notes push against my ears and lips,
And I go to sleep, dreaming.
A Lady
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
In a Garden
Gushing from the mouths of stone men
To spread at ease under the sky
In granite-lipped basins,
Where iris dabble their feet
And rustle to a passing wind,
The water fills the garden with its rushing,
In the midst of the quiet of close-clipped lawns.
Damp smell the ferns in tunnels of stone,
Where trickle and plash the fountains,
Marble fountains, yellowed with much water.
Splashing down moss-tarnished steps
It falls, the water;
And the air is throbbing with it.
With its gurgling and running.
With its leaping, and deep, cool murmur.
And I wished for night and you.
I wanted to see you in the swimming-pool,
White and shining in the silver-flecked water.
While the moon rode over the garden,
High in the arch of night,
And the scent of the lilacs was heavy with stillness.
Night, and the water, and you in your whiteness, bathing!
A Tulip Garden
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
A DOME OF MANY-COLOURED GLASS
by Amy Lowell
[American (Massachusetts) poet and critic -- 1874-1925. ]
[This etext has been transcribed from the 3rd printing (1916),
of the 1912 (original) edition. ]
"Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity. "
Shelley, "Adonais".
"Le silence est si grand que mon coeur en frissonne,
Seul, le bruit de mes pas sur le pave resonne. "
Albert Samain.
Contents
Lyrical Poems
Before the Altar
Suggested by the Cover of a Volume of Keats's Poems
Apples of Hesperides
Azure and Gold
Petals
Venetian Glass
Fatigue
A Japanese Wood-Carving
A Little Song
Behind a Wall
A Winter Ride
A Coloured Print by Shokei
Song
The Fool Errant
The Green Bowl
Hora Stellatrix
Fragment
Loon Point
Summer
"To-morrow to Fresh Woods and Pastures New"
The Way
Diya {original title is Greek, Delta-iota-psi-alpha}
Roads
Teatro Bambino. Dublin, N. H.
The Road to Avignon
New York at Night
A Fairy Tale
Crowned
To Elizabeth Ward Perkins
The Promise of the Morning Star
J--K. Huysmans
March Evening
Sonnets
Leisure
On Carpaccio's Picture: The Dream of St. Ursula
The Matrix
Monadnock in Early Spring
The Little Garden
To an Early Daffodil
Listening
The Lamp of Life
Hero-Worship
In Darkness
Before Dawn
The Poet
At Night
The Fruit Garden Path
Mirage
To a Friend
A Fixed Idea
Dreams
Frankincense and Myrrh
From One Who Stays
Crepuscule du Matin
Aftermath
The End
The Starling
Market Day
Epitaph in a Church-Yard in Charleston, South Carolina
Francis II, King of Naples
To John Keats
The Boston Athenaeum
Verses for Children
Sea Shell
Fringed Gentians
The Painted Ceiling
The Crescent Moon
Climbing
The Trout
Wind
The Pleiades
Thanks are due to the editor of the 'Atlantic Monthly',
and to Messrs. G. Schirmer, Inc. , for their courteous permission
to reprint certain of these poems which have been copyrighted by them.
[All these copyrights are now expired. ]
LYRICAL POEMS
Before the Altar
Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
Except when she went to the chapel to pray,
She painted, and when the April day
Was hot with sun,
Clotilde had done.
Done! She drooped, though her heart beat loud
At the beauty before her, and her spirit bowed
To the Virgin her finely-touched thought had made.
A lady, in excellence arrayed,
And wonder-souled.
Christ's Blessed Mould!
From long fasting Clotilde felt weary and faint,
But her eyes were starred like those of a saint
Enmeshed in Heaven's beatitude.
A sudden clamour hurled its rude
Force to break
Her vision awake.
The door nearly leapt from its hinges, pushed
By the multitude of nuns. They hushed
When they saw Clotilde, in perfect quiet,
Smiling, a little perplexed at the riot.
And all the hive
Buzzed "She's alive! "
Old Francois had told. He had found the strain
Of silence too great, and preferred the pain
Of a conscience outraged. The news had spread,
And all were convinced Clotilde must be dead.
For Francois, to spite them,
Had not seen fit to right them.
The Abbess, unwontedly trembling and mild,
Put her arms round Clotilde and wept, "My child,
Has the Holy Mother showed you this grace,
To spare you while you imaged her face?
How could we have guessed
Our convent so blessed!
A miracle! But Oh! My Lamb!
To have you die! And I, who am
A hollow, living shell, the grave
Is empty of me. Holy Mary, I crave
To be taken, Dear Mother,
Instead of this other. "
She dropped on her knees and silently prayed,
With anguished hands and tears delayed
To a painful slowness. The minutes drew
To fractions. Then the west wind blew
The sound of a bell,
On a gusty swell.
It came skipping over the slates of the roof,
And the bright bell-notes seemed a reproof
To grief, in the eye of so fair a day.
The Abbess, comforted, ceased to pray.
And the sun lit the flowers
In Clotilde's Book of Hours.
It glistened the green of the Virgin's dress
And made the red spots, in a flushed excess,
Pulse and start; and the violet wings
Of the angel were colour which shines and sings.
The book seemed a choir
Of rainbow fire.
The Abbess crossed herself, and each nun
Did the same, then one by one,
They filed to the chapel, that incensed prayers
Might plead for the life of this sister of theirs.
Clotilde, the Inspired!
She only felt tired.
* * * * *
The old chronicles say she did not die
Until heavy with years. And that is why
There hangs in the convent church a basket
Of osiered silver, a holy casket,
And treasured therein
A dried snake-skin.
The Exeter Road
Panels of claret and blue which shine
Under the moon like lees of wine.
A coronet done in a golden scroll,
And wheels which blunder and creak as they roll
Through the muddy ruts of a moorland track.
They daren't look back!
They are whipping and cursing the horses. Lord!
What brutes men are when they think they're scored.
Behind, my bay gelding gallops with me,
In a steaming sweat, it is fine to see
That coach, all claret, and gold, and blue,
Hop about and slue.
They are scared half out of their wits, poor souls.
For my lord has a casket full of rolls
Of minted sovereigns, and silver bars.
I laugh to think how he'll show his scars
In London to-morrow. He whines with rage
In his varnished cage.
My lady has shoved her rings over her toes.
'Tis an ancient trick every night-rider knows.
But I shall relieve her of them yet,
When I see she limps in the minuet
I must beg to celebrate this night,
And the green moonlight.
There's nothing to hurry about, the plain
Is hours long, and the mud's a strain.
My gelding's uncommonly strong in the loins,
In half an hour I'll bag the coins.
'Tis a clear, sweet night on the turn of Spring.
The chase is the thing!
How the coach flashes and wobbles, the moon
Dripping down so quietly on it. A tune
Is beating out of the curses and screams,
And the cracking all through the painted seams.
Steady, old horse, we'll keep it in sight.
'Tis a rare fine night!
There's a clump of trees on the dip of the down,
And the sky shimmers where it hangs over the town.
It seems a shame to break the air
In two with this pistol, but I've my share
Of drudgery like other men.
His hat? Amen!
Hold up, you beast, now what the devil!
Confound this moor for a pockholed, evil,
Rotten marsh. My right leg's snapped.
'Tis a mercy he's rolled, but I'm nicely capped.
A broken-legged man and a broken-legged horse!
They'll get me, of course.
The cursed coach will reach the town
And they'll all come out, every loafer grown
A lion to handcuff a man that's down.
What's that? Oh, the coachman's bulleted hat!
I'll give it a head to fit it pat.
Thank you! No cravat.
_They handcuffed the body just for style,
And they hung him in chains for the volatile
Wind to scour him flesh from bones.
Way out on the moor you can hear the groans
His gibbet makes when it blows a gale.
'Tis a common tale. _
The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
The silhouette made a blue-black stain
On the opposite wall, and it never wavered
Even when the candle quavered
Under his panting breath. What made
That beautiful, dreadful thing, that shade
Of something so lovely, so exquisite,
Cast from a substance which the sight
Had not been tutored to perceive?
Paul brushed his eyes across his sleeve.
Clear-cut, the Shadow on the wall
Gleamed black, and never moved at all.
Paul's watches were like amulets,
Wrought into patterns and rosettes;
The cases were all set with stones,
And wreathing lines, and shining zones.
He knew the beauty in a curve,
And the Shadow tortured every nerve
With its perfect rhythm of outline
Cutting the whitewashed wall. So fine
Was the neck he knew he could have spanned
It about with the fingers of one hand.
The chin rose to a mouth he guessed,
But could not see, the lips were pressed
Loosely together, the edges close,
And the proud and delicate line of the nose
Melted into a brow, and there
Broke into undulant waves of hair.
The lady was edged with the stamp of race.
A singular vision in such a place.
He moved the candle to the tall
Chiffonier; the Shadow stayed on the wall.
He threw his cloak upon a chair,
And still the lady's face was there.
From every corner of the room
He saw, in the patch of light, the gloom
That was the lady. Her violet bloom
Was almost brighter than that which came
From his candle's tulip-flame.
He set the filigree hands; he laid
The watch in the case which he had made;
He put on his rabbit cloak, and snuffed
His candle out. The room seemed stuffed
With darkness. Softly he crossed the floor,
And let himself out through the door.
The sun was flashing from every pin
And wheel, when Paul let himself in.
The whitewashed walls were hot with light.
The room was the core of a chrysolite,
Burning and shimmering with fiery might.
The sun was so bright that no shadow could fall
From the furniture upon the wall.
Paul sighed as he looked at the empty space
Where a glare usurped the lady's place.
He settled himself to his work, but his mind
Wandered, and he would wake to find
His hand suspended, his eyes grown dim,
And nothing advanced beyond the rim
Of his dreaming. The Cardinal sent to pay
For his watch, which had purchased so fine a day.
But Paul could hardly touch the gold,
It seemed the price of his Shadow, sold.
With the first twilight he struck a match
And watched the little blue stars hatch
Into an egg of perfect flame.
He lit his candle, and almost in shame
At his eagerness, lifted his eyes.
The Shadow was there, and its precise
Outline etched the cold, white wall.
The young man swore, "By God! You, Paul,
There's something the matter with your brain.
Go home now and sleep off the strain. "
The next day was a storm, the rain
Whispered and scratched at the window-pane.
A grey and shadowless morning filled
The little shop. The watches, chilled,
Were dead and sparkless as burnt-out coals.
The gems lay on the table like shoals
Of stranded shells, their colours faded,
Mere heaps of stone, dull and degraded.
Paul's head was heavy, his hands obeyed
No orders, for his fancy strayed.
His work became a simple round
Of watches repaired and watches wound.
The slanting ribbons of the rain
Broke themselves on the window-pane,
But Paul saw the silver lines in vain.
Only when the candle was lit
And on the wall just opposite
He watched again the coming of _it_,
Could he trace a line for the joy of his soul
And over his hands regain control.
Paul lingered late in his shop that night
And the designs which his delight
Sketched on paper seemed to be
A tribute offered wistfully
To the beautiful shadow of her who came
And hovered over his candle flame.
In the morning he selected all
His perfect jacinths. One large opal
Hung like a milky, rainbow moon
In the centre, and blown in loose festoon
The red stones quivered on silver threads
To the outer edge, where a single, fine
Band of mother-of-pearl the line
Completed. On the other side,
The creamy porcelain of the face
Bore diamond hours, and no lace
Of cotton or silk could ever be
Tossed into being more airily
Than the filmy golden hands; the time
Seemed to tick away in rhyme.
When, at dusk, the Shadow grew
Upon the wall, Paul's work was through.
Holding the watch, he spoke to her:
"Lady, Beautiful Shadow, stir
Into one brief sign of being.
Turn your eyes this way, and seeing
This watch, made from those sweet curves
Where your hair from your forehead swerves,
Accept the gift which I have wrought
With your fairness in my thought.
Grant me this, and I shall be
Honoured overwhelmingly. "
The Shadow rested black and still,
And the wind sighed over the window-sill.
Paul put the despised watch away
And laid out before him his array
Of stones and metals, and when the morning
Struck the stones to their best adorning,
He chose the brightest, and this new watch
Was so light and thin it seemed to catch
The sunlight's nothingness, and its gleam.
Topazes ran in a foamy stream
Over the cover, the hands were studded
With garnets, and seemed red roses, budded.
The face was of crystal, and engraved
Upon it the figures flashed and waved
With zircons, and beryls, and amethysts.
It took a week to make, and his trysts
At night with the Shadow were his alone.
Paul swore not to speak till his task was done.
The night that the jewel was worthy to give.
Paul watched the long hours of daylight live
To the faintest streak; then lit his light,
And sharp against the wall's pure white
The outline of the Shadow started
Into form. His burning-hearted
Words so long imprisoned swelled
To tumbling speech. Like one compelled,
He told the lady all his love,
And holding out the watch above
His head, he knelt, imploring some
Littlest sign.
The Shadow was dumb.
Weeks passed, Paul worked in fevered haste,
And everything he made he placed
Before his lady. The Shadow kept
Its perfect passiveness. Paul wept.
He wooed her with the work of his hands,
He waited for those dear commands
She never gave. No word, no motion,
Eased the ache of his devotion.
His days passed in a strain of toil,
His nights burnt up in a seething coil.
Seasons shot by, uncognisant
He worked. The Shadow came to haunt
Even his days. Sometimes quite plain
He saw on the wall the blackberry stain
Of his lady's picture. No sun was bright
Enough to dazzle that from his sight.
There were moments when he groaned to see
His life spilled out so uselessly,
Begging for boons the Shade refused,
His finest workmanship abused,
The iridescent bubbles he blew
Into lovely existence, poor and few
In the shadowed eyes. Then he would curse
Himself and her! The Universe!
And more, the beauty he could not make,
And give her, for her comfort's sake!
He would beat his weary, empty hands
Upon the table, would hold up strands
Of silver and gold, and ask her why
She scorned the best which he could buy.
He would pray as to some high-niched saint,
That she would cure him of the taint
Of failure. He would clutch the wall
With his bleeding fingers, if she should fall
He could catch, and hold her, and make her live!
With sobs he would ask her to forgive
All he had done. And broken, spent,
He would call himself impertinent;
Presumptuous; a tradesman; a nothing; driven
To madness by the sight of Heaven.
At other times he would take the things
He had made, and winding them on strings,
Hang garlands before her, and burn perfumes,
Chanting strangely, while the fumes
Wreathed and blotted the shadow face,
As with a cloudy, nacreous lace.
There were days when he wooed as a lover, sighed
In tenderness, spoke to his bride,
Urged her to patience, said his skill
Should break the spell. A man's sworn will
Could compass life, even that, he knew.
By Christ's Blood! He would prove it true!
The edge of the Shadow never blurred.
The lips of the Shadow never stirred.
He would climb on chairs to reach her lips,
And pat her hair with his finger-tips.
But instead of young, warm flesh returning
His warmth, the wall was cold and burning
Like stinging ice, and his passion, chilled,
Lay in his heart like some dead thing killed
At the moment of birth. Then, deadly sick,
He would lie in a swoon for hours, while thick
Phantasmagoria crowded his brain,
And his body shrieked in the clutch of pain.
The crisis passed, he would wake and smile
With a vacant joy, half-imbecile
And quite confused, not being certain
Why he was suffering; a curtain
Fallen over the tortured mind beguiled
His sorrow. Like a little child
He would play with his watches and gems, with glee
Calling the Shadow to look and see
How the spots on the ceiling danced prettily
When he flashed his stones. "Mother, the green
Has slid so cunningly in between
The blue and the yellow. Oh, please look down! "
Then, with a pitiful, puzzled frown,
He would get up slowly from his play
And walk round the room, feeling his way
From table to chair, from chair to door,
Stepping over the cracks in the floor,
Till reaching the table again, her face
Would bring recollection, and no solace
Could balm his hurt till unconsciousness
Stifled him and his great distress.
One morning he threw the street door wide
On coming in, and his vigorous stride
Made the tools on his table rattle and jump.
In his hands he carried a new-burst clump
Of laurel blossoms, whose smooth-barked stalks
Were pliant with sap. As a husband talks
To the wife he left an hour ago,
Paul spoke to the Shadow. "Dear, you know
To-day the calendar calls it Spring,
And I woke this morning gathering
Asphodels, in my dreams, for you.
So I rushed out to see what flowers blew
Their pink-and-purple-scented souls
Across the town-wind's dusty scrolls,
And made the approach to the Market Square
A garden with smells and sunny air.
I feel so well and happy to-day,
I think I shall take a Holiday.
And to-night we will have a little treat.
I am going to bring you something to eat! "
He looked at the Shadow anxiously.
It was quite grave and silent. He
Shut the outer door and came
And leant against the window-frame.
"Dearest," he said, "we live apart
Although I bear you in my heart.
We look out each from a different world.
At any moment we may be hurled
Asunder. They follow their orbits, we
Obey their laws entirely.
Now you must come, or I go there,
Unless we are willing to live the flare
Of a lighted instant and have it gone. "
A bee in the laurels began to drone.
A loosened petal fluttered prone.
"Man grows by eating, if you eat
You will be filled with our life, sweet
Will be our planet in your mouth.
If not, I must parch in death's wide drouth
Until I gain to where you are,
And give you myself in whatever star
May happen. O You Beloved of Me!
Is it not ordered cleverly? "
The Shadow, bloomed like a plum, and clear,
Hung in the sunlight. It did not hear.
Paul slipped away as the dusk began
To dim the little shop. He ran
To the nearest inn, and chose with care
As much as his thin purse could bear.
As rapt-souled monks watch over the baking
Of the sacred wafer, and through the making
Of the holy wine whisper secret prayers
That God will bless this labour of theirs;
So Paul, in a sober ecstasy,
Purchased the best which he could buy.
Returning, he brushed his tools aside,
And laid across the table a wide
Napkin. He put a glass and plate
On either side, in duplicate.
Over the lady's, excellent
With loveliness, the laurels bent.
In the centre the white-flaked pastry stood,
And beside it the wine flask. Red as blood
Was the wine which should bring the lustihood
Of human life to his lady's veins.
When all was ready, all which pertains
To a simple meal was there, with eyes
Lit by the joy of his great emprise,
He reverently bade her come,
And forsake for him her distant home.
He put meat on her plate and filled her glass,
And waited what should come to pass.
The Shadow lay quietly on the wall.
From the street outside came a watchman's call
"A cloudy night. Rain beginning to fall. "
And still he waited. The clock's slow tick
Knocked on the silence. Paul turned sick.
He filled his own glass full of wine;
From his pocket he took a paper. The twine
Was knotted, and he searched a knife
From his jumbled tools. The cord of life
Snapped as he cut the little string.
He knew that he must do the thing
He feared. He shook powder into the wine,
And holding it up so the candle's shine
Sparked a ruby through its heart,
He drank it. "Dear, never apart
Again! You have said it was mine to do.
It is done, and I am come to you! "
Paul Jannes let the empty wine-glass fall,
And held out his arms. The insentient wall
Stared down at him with its cold, white glare
Unstained! The Shadow was not there!
Paul clutched and tore at his tightening throat.
He felt the veins in his body bloat,
And the hot blood run like fire and stones
Along the sides of his cracking bones.
But he laughed as he staggered towards the door,
And he laughed aloud as he sank on the floor.
The Coroner took the body away,
And the watches were sold that Saturday.
The Auctioneer said one could seldom buy
Such watches, and the prices were high.
The Forsaken
Holy Mother of God, Merciful Mary. Hear me! I am very weary. I have come
from a village miles away, all day I have been coming, and I ache for such
far roaming. I cannot walk as light as I used, and my thoughts grow confused.
I am heavier than I was. Mary Mother, you know the cause!
Beautiful Holy Lady, take my shame away from me! Let this fear
be only seeming, let it be that I am dreaming. For months I have hoped
it was so, now I am afraid I know. Lady, why should this be shame,
just because I haven't got his name. He loved me, yes, Lady, he did,
and he couldn't keep it hid. We meant to marry. Why did he die?
That day when they told me he had gone down in the avalanche, and could not
be found until the snow melted in Spring, I did nothing. I could not cry.
Why should he die? Why should he die and his child live? His little child
alive in me, for my comfort. No, Good God, for my misery! I cannot face
the shame, to be a mother, and not married, and the poor child to be reviled
for having no father. Merciful Mother, Holy Virgin, take away this sin I did.
Let the baby not be. Only take the stigma off of me!
I have told no one but you, Holy Mary. My mother would call me "whore",
and spit upon me; the priest would have me repent, and have
the rest of my life spent in a convent. I am no whore, no bad woman,
he loved me, and we were to be married. I carried him always in my heart,
what did it matter if I gave him the least part of me too? You were a virgin,
Holy Mother, but you had a son, you know there are times when a woman
must give all. There is some call to give and hold back nothing.
I swear I obeyed God then, and this child who lives in me is the sign.
What am I saying? He is dead, my beautiful, strong man! I shall never
feel him caress me again. This is the only baby I shall have.
Oh, Holy Virgin, protect my baby! My little, helpless baby!
He will look like his father, and he will be as fast a runner and as good
a shot. Not that he shall be no scholar neither. He shall go to school
in winter, and learn to read and write, and my father will teach him to carve,
so that he can make the little horses, and cows, and chamois,
out of white wood. Oh, No! No! No! How can I think such things,
I am not good. My father will have nothing to do with my boy,
I shall be an outcast thing. Oh, Mother of our Lord God, be merciful,
take away my shame! Let my body be as it was before he came.
No little baby for me to keep underneath my heart for those long months.
To live for and to get comfort from. I cannot go home and tell my mother.
She is so hard and righteous. She never loved my father, and we were born
for duty, not for love. I cannot face it. Holy Mother, take my baby away!
Take away my little baby! I don't want it, I can't bear it!
And I shall have nothing, nothing! Just be known as a good girl.
Have other men want to marry me, whom I could not touch, after having known
my man. Known the length and breadth of his beautiful white body,
and the depth of his love, on the high Summer Alp, with the moon above,
and the pine-needles all shiny in the light of it. He is gone, my man,
I shall never hear him or feel him again, but I could not touch another.
I would rather lie under the snow with my own man in my arms!
So I shall live on and on. Just a good woman. With nothing to warm my heart
where he lay, and where he left his baby for me to care for. I shall not be
quite human, I think. Merely a stone-dead creature. They will respect me.
What do I care for respect! You didn't care for people's tongues
when you were carrying our Lord Jesus. God had my man give me my baby,
when He knew that He was going to take him away. His lips will comfort me,
his hands will soothe me. All day I will work at my lace-making,
and all night I will keep him warm by my side and pray the blessed Angels
to cover him with their wings. Dear Mother, what is it that sings?
I hear voices singing, and lovely silver trumpets through it all. They seem
just on the other side of the wall. Let me keep my baby, Holy Mother.
He is only a poor lace-maker's baby, with a stain upon him,
but give me strength to bring him up to be a man.
Late September
Tang of fruitage in the air;
Red boughs bursting everywhere;
Shimmering of seeded grass;
Hooded gentians all a'mass.
Warmth of earth, and cloudless wind
Tearing off the husky rind,
Blowing feathered seeds to fall
By the sun-baked, sheltering wall.
Beech trees in a golden haze;
Hardy sumachs all ablaze,
Glowing through the silver birches.
How that pine tree shouts and lurches!
From the sunny door-jamb high,
Swings the shell of a butterfly.
Scrape of insect violins
Through the stubble shrilly dins.
Every blade's a minaret
Where a small muezzin's set,
Loudly calling us to pray
At the miracle of day.
Then the purple-lidded night
Westering comes, her footsteps light
Guided by the radiant boon
Of a sickle-shaped new moon.
The Pike
In the brown water,
Thick and silver-sheened in the sunshine,
Liquid and cool in the shade of the reeds,
A pike dozed.
Lost among the shadows of stems
He lay unnoticed.
Suddenly he flicked his tail,
And a green-and-copper brightness
Ran under the water.
Out from under the reeds
Came the olive-green light,
And orange flashed up
Through the sun-thickened water.
So the fish passed across the pool,
Green and copper,
A darkness and a gleam,
And the blurred reflections of the willows on the opposite bank
Received it.
The Blue Scarf
Pale, with the blue of high zeniths, shimmered over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it, caressing.
Where is she, the woman who wore it? The scent of her lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it. Below the stone steps a lute tinkles.
A jar of green jade throws its shadow half over the floor. A big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water of a basin,
Sunk in the black and white marble. The west wind has lifted a scarf
On the seat close beside me, the blue of it is a violent outrage of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her, a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty, and one is alone!
White and Green
Hey! My daffodil-crowned,
Slim and without sandals!
As the sudden spurt of flame upon darkness
So my eyeballs are startled with you,
Supple-limbed youth among the fruit-trees,
Light runner through tasselled orchards.
You are an almond flower unsheathed
Leaping and flickering between the budded branches.
Aubade
As I would free the white almond from the green husk
So would I strip your trappings off,
Beloved.
And fingering the smooth and polished kernel
I should see that in my hands glittered a gem beyond counting.
Music
The neighbour sits in his window and plays the flute.
From my bed I can hear him,
And the round notes flutter and tap about the room,
And hit against each other,
Blurring to unexpected chords.
It is very beautiful,
With the little flute-notes all about me,
In the darkness.
In the daytime,
The neighbour eats bread and onions with one hand
And copies music with the other.
He is fat and has a bald head,
So I do not look at him,
But run quickly past his window.
There is always the sky to look at,
Or the water in the well!
But when night comes and he plays his flute,
I think of him as a young man,
With gold seals hanging from his watch,
And a blue coat with silver buttons.
As I lie in my bed
The flute-notes push against my ears and lips,
And I go to sleep, dreaming.
A Lady
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
In a Garden
Gushing from the mouths of stone men
To spread at ease under the sky
In granite-lipped basins,
Where iris dabble their feet
And rustle to a passing wind,
The water fills the garden with its rushing,
In the midst of the quiet of close-clipped lawns.
Damp smell the ferns in tunnels of stone,
Where trickle and plash the fountains,
Marble fountains, yellowed with much water.
Splashing down moss-tarnished steps
It falls, the water;
And the air is throbbing with it.
With its gurgling and running.
With its leaping, and deep, cool murmur.
And I wished for night and you.
I wanted to see you in the swimming-pool,
White and shining in the silver-flecked water.
While the moon rode over the garden,
High in the arch of night,
And the scent of the lilacs was heavy with stillness.
Night, and the water, and you in your whiteness, bathing!
A Tulip Garden
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
A DOME OF MANY-COLOURED GLASS
by Amy Lowell
[American (Massachusetts) poet and critic -- 1874-1925. ]
[This etext has been transcribed from the 3rd printing (1916),
of the 1912 (original) edition. ]
"Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity. "
Shelley, "Adonais".
"Le silence est si grand que mon coeur en frissonne,
Seul, le bruit de mes pas sur le pave resonne. "
Albert Samain.
Contents
Lyrical Poems
Before the Altar
Suggested by the Cover of a Volume of Keats's Poems
Apples of Hesperides
Azure and Gold
Petals
Venetian Glass
Fatigue
A Japanese Wood-Carving
A Little Song
Behind a Wall
A Winter Ride
A Coloured Print by Shokei
Song
The Fool Errant
The Green Bowl
Hora Stellatrix
Fragment
Loon Point
Summer
"To-morrow to Fresh Woods and Pastures New"
The Way
Diya {original title is Greek, Delta-iota-psi-alpha}
Roads
Teatro Bambino. Dublin, N. H.
The Road to Avignon
New York at Night
A Fairy Tale
Crowned
To Elizabeth Ward Perkins
The Promise of the Morning Star
J--K. Huysmans
March Evening
Sonnets
Leisure
On Carpaccio's Picture: The Dream of St. Ursula
The Matrix
Monadnock in Early Spring
The Little Garden
To an Early Daffodil
Listening
The Lamp of Life
Hero-Worship
In Darkness
Before Dawn
The Poet
At Night
The Fruit Garden Path
Mirage
To a Friend
A Fixed Idea
Dreams
Frankincense and Myrrh
From One Who Stays
Crepuscule du Matin
Aftermath
The End
The Starling
Market Day
Epitaph in a Church-Yard in Charleston, South Carolina
Francis II, King of Naples
To John Keats
The Boston Athenaeum
Verses for Children
Sea Shell
Fringed Gentians
The Painted Ceiling
The Crescent Moon
Climbing
The Trout
Wind
The Pleiades
Thanks are due to the editor of the 'Atlantic Monthly',
and to Messrs. G. Schirmer, Inc. , for their courteous permission
to reprint certain of these poems which have been copyrighted by them.
[All these copyrights are now expired. ]
LYRICAL POEMS
Before the Altar
Before the Altar, bowed, he stands
With empty hands;
Upon it perfumed offerings burn
Wreathing with smoke the sacrificial urn.
