No More Learning

George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 147
? ? ? ? 187. 12:11
? ? ? Two gallonts,
? ? ? ? Title of one of the Dubliners stories: Two Gallants
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 187. 15:3
What mother?
? Title of one of the Dubliners stories: A Mother
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 187. 21:9
? ? ? labaryntos,
? ? ? ? Name of Person: Stephen Dedalus
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 182. 18:8
endlessly inartistic portraits of himself
? Title of Work: A Portrait of the Artist as a Young Man
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 185. 01:7
? ? ? , when Robber and Mumsell,
? ? ? ? (Allusion to the firm of Maunsel and their representative, Mr Roberts )
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 187. 17:9
too base for printink!
? ( The British printers refused to set up the type )
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 093. 11:8
? ? ? gash from a burner! )
? ? ? ? Title of Work: Gas from a Burner
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 184. 04:6
? ? chambermade music
? ? Title of Work: Chamber Music
? ? ? ? Atherton (1959:106)
? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 164. 15:5
a period of pure lyricism of shamebred music
? Title of Work: Chamber Music
? ? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 131. 01:9
? two cardinal ventures
? ? ? ( two songs printed in The Venture in 1904 )
? ? ? ? ? Atherton (1959:106)
? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 245. 19:2
? ? ? tempt-in-twos will stroll at venture
? ? ? ? ( two songs printed in The Venture in 1904 )
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ?
"Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 106. 21:2
, Measly Ventures of Two Lice
? ( two songs printed in The Venture in 1904 )
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 272. 15:3
? ? ? venture
? ? ? ? ( two songs printed in The Venture in 1904 ) ( the item occurs near the notes of music on the left, outside the text. . . )
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 419. 25:2
from the Otherman or off the Topic
? ? ( Saun's boast that he can translate. . . is echoing an earlier Joyce statement. . . trying to find whether learning or imposture lies behind such phrases as "from the Ottoman" or "from the Coptic". )
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 424. 36:2
? lowbrown schisthematic robblemint!
? ? ? Title of Work: The Day of the Rabblement
? ? ? ? ? Atherton (1959:106)
? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 302. 27:2
? ? ? . Two dies of one rafflement.
? ? ? ? Title of Work: The Day of the Rabblement
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 152. 18:1
# Eins within a space and a wearywide space it wast ere wohned a Mookse.
? ? ? The opening line--the first eleven words--of A Portrait of the Artist as a Young Man
( "Once upon a time and a very good time it was. . . " )
? ? Atherton (1959:106)
? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? 453. 20:1
? ? ? ? ! Once upon a drunk and a fairly good
? ? ? ? The opening line--the first eleven words--of A Portrait of the Artist as a Young Man
? ? ? ? ? ? ? Atherton (1959:106)
? ? ? ? ? ? "Joyce quoting Joyce" in Finnegans Wake
? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 148
? ? ? ? ? ? ? drunk it was and the rest of your blatherumskite!
? ? ? ? ( "Once upon a time and a very good time it was. . . " )
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 053. 01:6
! It scenes like a landscape fromWildu Picturescu or some seem on dome dimb Arras, dumb as Mum's mutyness, this mimage of the seventyseventh kusin of kristansen is odable to os acress the wineless Ere no oedor nor mere eerie nor liss potent of suggestion than in the tales of the tingmount. (Prigged! ) #
? ( The passage from the Portrait paraphrased here is the following:
"Like a scene on some vague arras, old as man's weariness, the image of the seventh city of christendom was visible to him across the timeless air, no older nor more weary nor less patient of subjection than in the days of the thingmote. "
( The item thingmote is a purely Joycean nonce formation ! )
(. . . the young author is 'distantly connected' with. . . Ibsen. . . )
(N. B.