flower t""l
tumltowarda
t.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
m call.
threateningly
from the hQullC, w. . . . . ing, liko the Lord-Lieutenants in the pro- k,gue to The Houu by Ih. Churchyard, a 'lhunder-doud periwig'. ? lb. e house ought to be me Mulling. . Inn, bu, 244. 20 may lead u' . 0 identify it as the Blackho<Se Tavern (now the Hole in the Wall) near the Cabra GateofPhoenix Park. Th. was once klWwn a. Natu;y Hand. , after illl hostest," and i, thus listed in Thom', D;r<<lory from '896. But I: and 1\ are "ill 'not on terms' since their Battle of W,,<:r1oo. I: Itiet to hide from" the bruises given him by " (247. 22- 5). Although he cannot mme it, he h. . ottn through hi. telescope Ihe rainbow . plit from white light: 'Split the hvide and aye seize heaven! He know, for he'. ocen it in black and white through his eye1:Compit <rained upon jenny'. and all that sort of thing' which i. tantamount to. chiarO! lcuro (247. ]1-4). This pa. . age<:ontains ? ? cxual n:fertItawhich the next two pages expand. " Their final effect i, '" confiate ~ S underwear with tbe diaphane of the temple sanctuary (49. 06-:><>> . . . . . . beromet hi. Veiled, the High Priest. . . , and as ,uch Contra,,,, with A , wborn
we ,hall see in 11. 2 a. Isis Unveiled.
Frank Budgen discuss. . Joyce's retilhi. m in Furlh", Recoll<<-
. i"", ofJain<' Joyu. " For Joyce, he "ys, drawers we,. . , 'feminine attributes of even gua'er value than the curves and volurn", of the femllk body itself', and he quo. . . a letter of Joyce on L. Man- I<~w <h Tan;/. Thi' . . . ,feu to the multicoloured veil iLOlen from
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy. 'Heliotrope', tben, is tbe colollr of -1'. draw. . . . . In tbe Opi. ,. ' . tudy of childrtn', gam" , the alllhor. explain that 'child,. . ,n'. "inten:st" in a game may well be . he incident in it tha,least appeal.
"Dvb;;. H~",",oJ R. . :mI XXIII. ', 1.
"''','l Ondudo tho S-. . W""",' _ rivn in R",hm;nes. '''. )3
; o c l oolet " " " - . . . t DubW> " " . . . . , I I d n f t d S " " ' , . . lD<b _ _ . . . . " C h r i o t C h u r a . Codl<o:torot, and Tum. . . . . . . r. """, which b<<om< Kin'" "ID, St. <<I.
" tn 1 _ ' l o y < . <m4 1-" M " " , ". . <t ? U I y o . n , 3 ' 9 - > 0 .
Angel. and o. vilt 59
? to the adult: the opportunity it afl'ord? . . . to oay aloud the ""IOI,Ir of tomeoru:', panti. . , a, in "Fanner, Farmer, may W(: " " . . your Goldtn Ri~n r" '00 At n-4-26-7, C 'must ? and fot I>inlKlfby pze. . wort. . . . mat tltd, ooIoun W\'ar as th<"Y art allll>owui dra. . . ,. . . up. '
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is.
flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"". . . MuMaIW. ? . MakNuu\on'). . . . . Mn Glas?
heen notes,"? 1M SOOI have quarrelled over tbdr . iller and 10111 hertoano! ~rman. ? TheynowMveI joint&ric"""""IndI. -- '0 combine their energies, but Ihi. does OOt 0(:<CUr until liter in book II.
Storlello . a She II Syun&
11>t f<. >Ur book II . hapten occupy the houn between dual< (1. 1) &lid midnicht (111. 1). 11. 2 and 11. 1 1<< the most opaque epioodes in FW, bUI <hey ~ opoque in totlily diffc. c", senses. II. : hu an irnmtdiale poelic appeal, with much WKlistc)l"lw Engliu. and I Kducliv(ly nanmol romtruction. 11. 3 i. intmscly contrived, with In incredi ble overjtrOWth or poIyglol: irrcconcilables. BUI the liner
Ulua Uy prove 10 be equiv. l('It" of senlet . lready manifest, while Ihe nq\li, itc concinnity or 11. 1 may leal ill mystery fOl all lime. II iI, supremely, the d,aplcr of Ineffable? . Hence the diag. . . ml, tyl""&"Phical chi""'. . . . , footnotes Ind marginal notes, with wh ich
meanings are thrust in from Ill. ide? .
Thc noles p". p"tua? ? the trial\iular <<lariotuhip of I:, A and
-t To -1,<< alligncd the foomoles, while C and A MVC, rest><<? lively, the left and rishl mallPIII up 10 18,. 17. At thi. point the "",in tal broadms, ingestin& the margi. . . ; ",hen ! hcy rop. ,ar at 29). 01C and A Mye changtd . ides. VI. B. )6. 264 . tI. ,. . :'margj. nat noIeschanlcsidcs. ' Upon mi. primary bifurcation is imposed. Il. tCOIldary one: the region \lp 10 lSi. t S it conneCted largely w;lh
-l, thaI aflcr 21. with C and A.
Il. i ;, rotlCtlned with leamins. that of ~ being lit. . . . . ! ")' . nd hl,-
! orical, tha. ofI: and A ma,bematical. The -I section has I . . rial qualily and, in view of iu ,\lbj. -. ;t,. he acadanic commcotlry of A? . PI. . . . . . . . ph beadings '\lUes. a hinary book. "l1><:$c headinp ~ Iiso frequentl, allite. . . tive ;n view ofthe prosodic conttm. We find 'PROBAPOSSIBLE PRO LEGOMENA TO IDEAREAL
~c-. . . II, d.
SloricHa ? ? She i. Sy""3 61
? 6~ The Sigla of Fi=q:(ms Wah.
nur;inal notes domct throughout, with theie oomic, apocryphal ambiguity.
The-lStttionilintroducedby. i~pagn oflocalizationinwhich the narrators 1cd< m Thoir priority, 'UNDE ET UBI' (260. RI) leads them vi. 'Old ViCQ Roundpoin{' (Piazza Giambatri. ,a ViCQ in T riesle) toward. 'Dominic Direcru. ' (261. :1<>-21).
from the hQullC, w. . . . . ing, liko the Lord-Lieutenants in the pro- k,gue to The Houu by Ih. Churchyard, a 'lhunder-doud periwig'. ? lb. e house ought to be me Mulling. . Inn, bu, 244. 20 may lead u' . 0 identify it as the Blackho<Se Tavern (now the Hole in the Wall) near the Cabra GateofPhoenix Park. Th. was once klWwn a. Natu;y Hand. , after illl hostest," and i, thus listed in Thom', D;r<<lory from '896. But I: and 1\ are "ill 'not on terms' since their Battle of W,,<:r1oo. I: Itiet to hide from" the bruises given him by " (247. 22- 5). Although he cannot mme it, he h. . ottn through hi. telescope Ihe rainbow . plit from white light: 'Split the hvide and aye seize heaven! He know, for he'. ocen it in black and white through his eye1:Compit <rained upon jenny'. and all that sort of thing' which i. tantamount to. chiarO! lcuro (247. ]1-4). This pa. . age<:ontains ? ? cxual n:fertItawhich the next two pages expand. " Their final effect i, '" confiate ~ S underwear with tbe diaphane of the temple sanctuary (49. 06-:><>> . . . . . . beromet hi. Veiled, the High Priest. . . , and as ,uch Contra,,,, with A , wborn
we ,hall see in 11. 2 a. Isis Unveiled.
Frank Budgen discuss. . Joyce's retilhi. m in Furlh", Recoll<<-
. i"", ofJain<' Joyu. " For Joyce, he "ys, drawers we,. . , 'feminine attributes of even gua'er value than the curves and volurn", of the femllk body itself', and he quo. . . a letter of Joyce on L. Man- I<~w <h Tan;/. Thi' . . . ,feu to the multicoloured veil iLOlen from
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy. 'Heliotrope', tben, is tbe colollr of -1'. draw. . . . . In tbe Opi. ,. ' . tudy of childrtn', gam" , the alllhor. explain that 'child,. . ,n'. "inten:st" in a game may well be . he incident in it tha,least appeal.
"Dvb;;. H~",",oJ R. . :mI XXIII. ', 1.
"''','l Ondudo tho S-. . W""",' _ rivn in R",hm;nes. '''. )3
; o c l oolet " " " - . . . t DubW> " " . . . . , I I d n f t d S " " ' , . . lD<b _ _ . . . . " C h r i o t C h u r a . Codl<o:torot, and Tum. . . . . . . r. """, which b<<om< Kin'" "ID, St. <<I.
" tn 1 _ ' l o y < . <m4 1-" M " " , ". . <t ? U I y o . n , 3 ' 9 - > 0 .
Angel. and o. vilt 59
? to the adult: the opportunity it afl'ord? . . . to oay aloud the ""IOI,Ir of tomeoru:', panti. . , a, in "Fanner, Farmer, may W(: " " . . your Goldtn Ri~n r" '00 At n-4-26-7, C 'must ? and fot I>inlKlfby pze. . wort. . . . mat tltd, ooIoun W\'ar as th<"Y art allll>owui dra. . . ,. . . up. '
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is.
flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"". . . MuMaIW. ? . MakNuu\on'). . . . . Mn Glas?
heen notes,"? 1M SOOI have quarrelled over tbdr . iller and 10111 hertoano! ~rman. ? TheynowMveI joint&ric"""""IndI. -- '0 combine their energies, but Ihi. does OOt 0(:<CUr until liter in book II.
Storlello . a She II Syun&
11>t f<. >Ur book II . hapten occupy the houn between dual< (1. 1) &lid midnicht (111. 1). 11. 2 and 11. 1 1<< the most opaque epioodes in FW, bUI <hey ~ opoque in totlily diffc. c", senses. II. : hu an irnmtdiale poelic appeal, with much WKlistc)l"lw Engliu. and I Kducliv(ly nanmol romtruction. 11. 3 i. intmscly contrived, with In incredi ble overjtrOWth or poIyglol: irrcconcilables. BUI the liner
Ulua Uy prove 10 be equiv. l('It" of senlet . lready manifest, while Ihe nq\li, itc concinnity or 11. 1 may leal ill mystery fOl all lime. II iI, supremely, the d,aplcr of Ineffable? . Hence the diag. . . ml, tyl""&"Phical chi""'. . . . , footnotes Ind marginal notes, with wh ich
meanings are thrust in from Ill. ide? .
Thc noles p". p"tua? ? the trial\iular <<lariotuhip of I:, A and
-t To -1,<< alligncd the foomoles, while C and A MVC, rest><<? lively, the left and rishl mallPIII up 10 18,. 17. At thi. point the "",in tal broadms, ingestin& the margi. . . ; ",hen ! hcy rop. ,ar at 29). 01C and A Mye changtd . ides. VI. B. )6. 264 . tI. ,. . :'margj. nat noIeschanlcsidcs. ' Upon mi. primary bifurcation is imposed. Il. tCOIldary one: the region \lp 10 lSi. t S it conneCted largely w;lh
-l, thaI aflcr 21. with C and A.
Il. i ;, rotlCtlned with leamins. that of ~ being lit. . . . . ! ")' . nd hl,-
! orical, tha. ofI: and A ma,bematical. The -I section has I . . rial qualily and, in view of iu ,\lbj. -. ;t,. he acadanic commcotlry of A? . PI. . . . . . . . ph beadings '\lUes. a hinary book. "l1><:$c headinp ~ Iiso frequentl, allite. . . tive ;n view ofthe prosodic conttm. We find 'PROBAPOSSIBLE PRO LEGOMENA TO IDEAREAL
~c-. . . II, d.
SloricHa ? ? She i. Sy""3 61
? 6~ The Sigla of Fi=q:(ms Wah.
nur;inal notes domct throughout, with theie oomic, apocryphal ambiguity.
The-lStttionilintroducedby. i~pagn oflocalizationinwhich the narrators 1cd< m Thoir priority, 'UNDE ET UBI' (260. RI) leads them vi. 'Old ViCQ Roundpoin{' (Piazza Giambatri. ,a ViCQ in T riesle) toward. 'Dominic Direcru. ' (261. :1<>-21).
