One last point, perhaps the most important of them all: the present series of lexicographic expansions of FW is totally different from all the previous ones, in that in
contradistinction
to trying to give an answer to the question "What does this item mean?
Sandulescu-Literary-Allusions-in-Finnegans-Wake
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Bucures?
ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 26
sins, if you count the names alphabetically listed here. ) Until they match properly together to achieve co-ordinated functioning, there can never be even the beginning of a take-off towards a 'unified' target, or goal. . . that Clive Hart is dreaming about and aiming at.
McHugh attempted a modest first step in that direction, but his handicap was over-great, for he was over-greedy. He wanted to swallow the 628-page FW mammoth at one gulp, and have it done and over with. . .
But it is at this point that I come back to my discussions with Anthony Burgess.
Just because:
both Burgess and I strongly resented McHugh's one-to-one Bucures? ti 2012
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 27
relationship, correlated only through fuzzy position-on-the- page approximations. . . That is the worst thing that McHugh can do: for no respectable dictionary can go for a one-to-one correlation. . . except the good-for-nothing parlez-vous's you buy at any airport tobacconist in order to learn a micro-smattering of Italian on board a flight to one or another Joyce Congress in Venice. . .
This present Dictionary I am dealing with here puts no space limits whatever on the correlation between the FW item and its corresponding gloss: ideally, one FW entry can and should take dozens of pages in order to spectralize everything properly in common student parlance. Particularly so, for the benefit of the
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 28
areas of the world which have been hardest hit by the catastrophic totalitarianism imposed for half a century or more by the Western World's notorious former(? ) ally, who temporarily called themselves Soviet! ( Incidentally, in Swedish, Sovjet is a noun, and can function as the name of the then country. . . ) Or by any other name that would sound as sweet!
Joyce's is the Higgs boson, and we'll eventually 'capture' it, but the preparatory work is enormous, much underestimated by Clive Hart in his correct and global statement. . . The MonteCarlo 1990 Joyce Convention that I had organised with the substantial assistance and advice of Clive Hart himself never contributed an iota towards that goal. For media sensationalism focused
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 29
everybody's eyes on Lady Brenda Maddox's just-out biography of Nora Joyce, who knew even less than an iota about what her dear husband was out and after in Finnegans Wake. . . or even in Ulysses for that matter.
? ? ?
One last point, perhaps the most important of them all: the present series of lexicographic expansions of FW is totally different from all the previous ones, in that in contradistinction to trying to give an answer to the question "What does this item mean? ", it focuses on the giving an answer to the far more
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 30
fundamental, and far more subtle, question "WHY? ", as broken down into the following sample questions:
"Why is this item phrased that way? ",
"What is the reason behind this formulation? ",
"What is the justification behind this particular distortion from 'normality'(a term that you often find in Clive Hart's discussion of his own motifs) ? "
"WHY does Joyce focus on Deviation from Normality, for 17 solid years? "
"WHY is the Deviation so massive? "
"Why is the Story so hidden, so flimsy, and why is it so pretextual for something else? "
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 31
Please view this Lexicon--the whole of it--as a sort of Turing machine, in the 1957 Chomsky sense of Syntactic Structures, chapter 3, and start theorising from there about the 'Unified Field. ' Buy we still have a long way to go before the machine is ready, willing, and able to function properly.
? ? ?
Clive Hart declares in Spain as late as 1982, on page 249, of the James Joyce Madrid Actas: "Behind every utterance of FW there lies, word for word, an utterance in plain English". . . this being formulated by him as Principle Number Two!
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 32
That kind of fundamental question cannot possibly be answered the straightforward way: that very fact accounts for the great number of volumes of the present James Joyce Lexicography Series. . . And there are more volumes to come. . . Continental Europe and the rest of the world, outside the United States, and Ireland, needs them badly.
MidSummer Night 2012 in MonteCarlo
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 33
C. George Sandulescu
? ? ? ? ? ? ? Introducing the Manchester Musician,
or
"Burgess--At Home and Abroad".
? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 34
?
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 26
sins, if you count the names alphabetically listed here. ) Until they match properly together to achieve co-ordinated functioning, there can never be even the beginning of a take-off towards a 'unified' target, or goal. . . that Clive Hart is dreaming about and aiming at.
McHugh attempted a modest first step in that direction, but his handicap was over-great, for he was over-greedy. He wanted to swallow the 628-page FW mammoth at one gulp, and have it done and over with. . .
But it is at this point that I come back to my discussions with Anthony Burgess.
Just because:
both Burgess and I strongly resented McHugh's one-to-one Bucures? ti 2012
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 27
relationship, correlated only through fuzzy position-on-the- page approximations. . . That is the worst thing that McHugh can do: for no respectable dictionary can go for a one-to-one correlation. . . except the good-for-nothing parlez-vous's you buy at any airport tobacconist in order to learn a micro-smattering of Italian on board a flight to one or another Joyce Congress in Venice. . .
This present Dictionary I am dealing with here puts no space limits whatever on the correlation between the FW item and its corresponding gloss: ideally, one FW entry can and should take dozens of pages in order to spectralize everything properly in common student parlance. Particularly so, for the benefit of the
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 28
areas of the world which have been hardest hit by the catastrophic totalitarianism imposed for half a century or more by the Western World's notorious former(? ) ally, who temporarily called themselves Soviet! ( Incidentally, in Swedish, Sovjet is a noun, and can function as the name of the then country. . . ) Or by any other name that would sound as sweet!
Joyce's is the Higgs boson, and we'll eventually 'capture' it, but the preparatory work is enormous, much underestimated by Clive Hart in his correct and global statement. . . The MonteCarlo 1990 Joyce Convention that I had organised with the substantial assistance and advice of Clive Hart himself never contributed an iota towards that goal. For media sensationalism focused
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 29
everybody's eyes on Lady Brenda Maddox's just-out biography of Nora Joyce, who knew even less than an iota about what her dear husband was out and after in Finnegans Wake. . . or even in Ulysses for that matter.
? ? ?
One last point, perhaps the most important of them all: the present series of lexicographic expansions of FW is totally different from all the previous ones, in that in contradistinction to trying to give an answer to the question "What does this item mean? ", it focuses on the giving an answer to the far more
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 30
fundamental, and far more subtle, question "WHY? ", as broken down into the following sample questions:
"Why is this item phrased that way? ",
"What is the reason behind this formulation? ",
"What is the justification behind this particular distortion from 'normality'(a term that you often find in Clive Hart's discussion of his own motifs) ? "
"WHY does Joyce focus on Deviation from Normality, for 17 solid years? "
"WHY is the Deviation so massive? "
"Why is the Story so hidden, so flimsy, and why is it so pretextual for something else? "
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 31
Please view this Lexicon--the whole of it--as a sort of Turing machine, in the 1957 Chomsky sense of Syntactic Structures, chapter 3, and start theorising from there about the 'Unified Field. ' Buy we still have a long way to go before the machine is ready, willing, and able to function properly.
? ? ?
Clive Hart declares in Spain as late as 1982, on page 249, of the James Joyce Madrid Actas: "Behind every utterance of FW there lies, word for word, an utterance in plain English". . . this being formulated by him as Principle Number Two!
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 32
That kind of fundamental question cannot possibly be answered the straightforward way: that very fact accounts for the great number of volumes of the present James Joyce Lexicography Series. . . And there are more volumes to come. . . Continental Europe and the rest of the world, outside the United States, and Ireland, needs them badly.
MidSummer Night 2012 in MonteCarlo
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 33
C. George Sandulescu
? ? ? ? ? ? ? Introducing the Manchester Musician,
or
"Burgess--At Home and Abroad".
? ? ? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 34
?
