No More Learning

The philosopher tries to make
the total-chord of the universe re-echo within him-
self and then to project it into ideas outside himself:
whilst he is contemplative like the creating artist,
sympathetic like the religionist, looking out for ends
and causalities like the scientific man, whilst he feels
himself swell up to the macrocosm, he still retains
the circumspection to           himself coldly
as the reflex of the world; he retains that cool-
headedness, which the dramatic artist possesses,
when he transforms himself into other bodies, speaks
out of them, and yet knows how to project this
transformation outside himself into written verses.