No More Learning

Bear me in mind, whom no one else will know;
Thou Whom Thy friends forsook, take Thou my part,
Of all forsaken in mine overthrow;
Carry me in Thy bosom, in Thy heart,
Carry me out of darkness into light,
To-morrow make me see Thee as Thou art.
Lover and friend Thou hidest from my sight:--
Alas, alas, mine earthly love, alas,
For whom I thought to don the garments white
And white wreath of a bride, this rugged pass
Hath utterly divorced me from thy care;
Yea, I am to thee as a shattered glass
Worthless, with no more beauty lodging there,
Abhorred, lest I involve thee in my doom:
For sweet are sunshine and this upper air,
And life and youth are sweet, and give us room
For all most sweetest sweetnesses we taste:
Dear, what hast thou in common with a tomb?
I bow my head in silence, I make haste
Alone, I make haste out into the dark,
My life and youth and hope all run to waste.
Is this my body cold and stiff and stark,
Ashes made ashes, earth becoming earth,
Is this a prize for man to make his mark?

Am I, that very I who laughed in mirth
A while ago, a little, little while,
Yet all the while a-dying since my birth?
Now am I tired, too tired to strive or smile;
I sit alone, my mouth is in the dust:
Look Thou upon me, Lord, for I am vile.
In Thee is all my hope, is all my trust,
On Thee I centre all my self that dies,
And self that dies not with its mortal crust,
But sleeps and wakes, and in the end will rise
With hymns and hallelujahs on its lips,
Thee loving with the love that satisfies.
As once in Thine unutterable eclipse
The sun and moon grew dark for sympathy,
And earth cowered quaking underneath the drips
Of Thy slow Blood priceless exceedingly,
So now a little spare me, and show forth
Some pity, O my God, some pity of me.
If trouble comes not from the south or north,
But meted to us by Thy tender hand,
Let me not in Thine eyes be nothing worth:
Behold me where in agony I stand,
Behold me no man caring for my soul,
And take me to Thee in the far-off land,
Shorten the race and lift me to the goal.



WHY?


Lord, if I love Thee and Thou lovest me,
Why need I any more these toilsome days;
Why should I not run singing up Thy ways
Straight into heaven, to rest myself with Thee?
What need remains of death-pang yet to be,
If all my soul is quickened in Thy praise;
If all my heart loves Thee, what need the amaze,
Struggle and dimness of an agony? --
Bride whom I love, if thou too lovest Me,
Thou needs must choose My Likeness for thy dower:
So wilt thou toil in patience, and abide
Hungering and thirsting for that blessed hour
When I My Likeness shall behold in thee,
And thou therein shalt waken satisfied.



"LOVE IS STRONG AS DEATH. "


"I have not sought Thee, I have not found Thee,
I have not thirsted for Thee:
And now cold billows of death surround me,
Buffeting billows of death astound me,--
Wilt Thou look upon, wilt Thou see
Thy perishing me? "

"Yea, I have sought thee, yea, I have found thee,
Yea, I have thirsted for thee,
Yea, long ago with love's bands I bound thee:
Now the Everlasting Arms surround thee,--
Through death's darkness I look and see
And clasp thee to Me. "



BIRCHINGTON CHURCHYARD.


A lowly hill which overlooks a flat,
Half sea, half country side;
A flat-shored sea of low-voiced creeping tide
Over a chalky, weedy mat.

A hill of hillocks, flowery and kept green
Round Crosses raised for hope,
With many-tinted sunsets where the slope
Faces the lingering western sheen.

A lowly hope, a height that is but low,
While Time sets solemnly,
While the tide rises of Eternity,
Silent and neither swift nor slow.



ONE SEA-SIDE GRAVE.


Unmindful of the roses,
Unmindful of the thorn,
A reaper tired reposes
Among his gathered corn:
So might I, till the morn!

Cold as the cold Decembers,
Past as the days that set,
While only one remembers
And all the rest forget,--
But one remembers yet.



BROTHER BRUIN.


A dancing Bear grotesque and funny
Earned for his master heaps of money,
Gruff yet good-natured, fond of honey,
And cheerful if the day was sunny.
Past hedge and ditch, past pond and wood
He tramped, and on some common stood;
There, cottage children circling gaily,
He in their midmost footed daily.
Pandean pipes and drum and muzzle
Were quite enough his brain to puzzle:
But like a philosophic bear
He let alone extraneous care
And danced contented anywhere.

Still, year on year, and wear and tear,
Age even the gruffest, bluffest bear.
A day came when he scarce could prance,
And when his master looked askance
On dancing Bear who would not dance.

To looks succeeded blows; hard blows
Battered his ears and poor old nose.
From bluff and gruff he waxed curmudgeon;
He danced indeed, but danced in dudgeon,
Capered in fury fast and faster.
Ah, could he once but hug his master
And perish in one joint disaster!
But deafness, blindness, weakness growing,
Not fury's self could keep him going.
One dark day when the snow was snowing
His cup was brimmed to overflowing:
He tottered, toppled on one side,
Growled once, and shook his head, and died.
The master kicked and struck in vain,
The weary drudge had distanced pain
And never now would wince again.
The master growled; he might have howled
Or coaxed,--that slave's last growl was growled.
So gnawed by rancor and chagrin
One thing remained: he sold the skin.

What next the man did is not worth
Your notice or my setting forth,
But hearken what befell at last.
His idle working days gone past,
And not one friend and not one penny
Stored up (if ever he had any
Friends; but his coppers had been many),
All doors stood shut against him but
The workhouse door, which cannot shut.
There he droned on,--a grim old sinner,
Toothless, and grumbling for his dinner,
Unpitied quite, uncared for much
(The rate-payers not favoring such),
Hungry and gaunt, with time to spare;
Perhaps the hungry, gaunt old Bear
Danced back, a haunting memory.
Indeed, I hope so, for you see
If once the hard old heart relented,
The hard old man may have repented.



"A HELPMEET FOR HIM. "


Woman was made for man's delight,--
Charm, O woman! Be not afraid!
His shadow by day, his moon by night,
Woman was made.

Her strength with weakness is overlaid;
Meek compliances veil her might;
Him she stays, by whom she is stayed.

World-wide champion of truth and right,
Hope in gloom, and in danger aid,
Tender and faithful, ruddy and white,
Woman was made.



A SONG OF FLIGHT.


While we slumber and sleep,
The sun leaps up from the deep,--
Daylight born at the leap,--
Rapid, dominant, free,
Athirst to bathe in the uttermost sea.

While we linger at play--
If the year would stand at May! --
Winds are up and away,
Over land, over sea,
To their goal, wherever their goal may be.

It is time to arise,
To race for the promised prize;
The sun flies, the wind flies,
We are strong, we are free,
And home lies beyond the stars and the sea.



A WINTRY SONNET.


A robin said: The Spring will never come,
And I shall never care to build again.
A Rosebush said: These frosts are wearisome,
My sap will never stir for sun or rain.
The half Moon said: These nights are fogged and slow,
I neither care to wax nor care to wane.
The Ocean said: I thirst from long ago,
Because earth's rivers cannot fill the main.
When springtime came, red Robin built a nest,
And trilled a lover's song in sheer delight.
Gray hoarfrost vanished, and the Rose with might
Clothed her in leaves and buds of crimson core.
The dim Moon brightened. Ocean sunned his crest,
Dimpled his blue,--yet thirsted evermore.



RESURGAM.


From depth to height, from height to loftier height,
The climber sets his foot and sets his face,
Tracks lingering sunbeams to their halting-place,
And counts the last pulsations of the light.
Strenuous thro' day and unsurprised by night
He runs a race with Time, and wins the race,
Emptied and stripped of all save only Grace,
Will, Love,--a threefold panoply of might.
Darkness descends for light he toiled to seek;
He stumbles on the darkened mountain-head,
Left breathless in the unbreathable thin air,
Made freeman of the living and the dead,--
He wots not he has topped the topmost peak,
But the returning sun will find him there.



TO-DAY'S BURDEN.


"Arise, depart, for this is not your rest. "
Oh, burden of all burdens,--still to arise
And still depart, nor rest in any wise!
Rolling, still rolling thus to east from west,
Earth journeys on her immemorial quest,
Whom a moon chases in no different guise.
Thus stars pursue their courses, and thus flies
The sun, and thus all creatures manifest
Unrest, the common heritage, the ban
Flung broadcast on all humankind,--on all
Who live; for living, all are bound to die.
That which is old, we know that it is man.
These have no rest who sit and dream and sigh,
Nor have those rest who wrestle and who fall.



"THERE IS A BUDDING MORROW IN MIDNIGHT. "


Wintry boughs against a wintry sky;
Yet the sky is partly blue
And the clouds are partly bright.
Who can tell but sap is mounting high
Out of sight,
Ready to burst through?

Winter is the mother-nurse of Spring,
Lovely for her daughter's sake.
Not unlovely for her own;
For a future buds in everything
Grown or blown
Or about to break.



EXULTATE DEO.


Many a flower hath perfume for its dower,
And many a bird a song,
And harmless lambs milkwhite beside their dams
Frolic along,--
Perfume and song and whiteness offering praise
In humble, peaceful ways.

Man's high degree hath will and memory,
Affection and desire;
By loftier ways he mounts of prayer and praise,
Fire unto fire,
Deep unto deep responsive, height to height,
Until he walk in white.



A HOPE CAROL.


A night was near, a day was near;
Between a day and night
I heard sweet voices calling clear,
Calling me:
I heard a whirr of wing on wing,
But could not see the sight;
I long to see my birds that sing,--
I long to see.

Below the stars, beyond the moon,
Between the night and day,
I heard a rising falling tune
Calling me:
I long to see the pipes and strings
Whereon such minstrels play;
I long to see each face that sings,--
I long to see.

To-day or may be not to-day,
To-night or not to-night;
All voices that command or pray,
Calling me,
Shall kindle in my soul such fire,
And in my eyes such light,
That I shall see that heart's desire
I long to see.



CHRISTMAS CAROLS.


1.

Whoso hears a chiming for Christmas at the nighest,
Hears a sound like Angels chanting in their glee,
Hears a sound like palm-boughs waving in the highest,
Hears a sound like ripple of a crystal sea.

Sweeter than a prayer-bell for a saint in dying,
Sweeter than a death-bell for a saint at rest,
Music struck in Heaven with earth's faint replying,
"Life is good, and death is good, for Christ is Best. "


2.

A holy, heavenly chime
Rings fulness in of time,
And on His Mother's breast
Our Lord God ever-Blest
Is laid a Babe at rest.

Stoop, Spirits unused to stoop,
Swoop, Angels, flying swoop,
Adoring as you gaze,
Uplifting hymns of praise,--
"Grace to the Full of Grace! "

The cave is cold and strait
To hold the angelic state.
More strait it is, more cold,
To foster and infold
Its Maker one hour old.

Thrilled through with awestruck love,
Meek Angels poised above,
To see their God look down.
"What, is there never a Crown
For Him in swaddled gown?

"How comes He soft and weak
With such a tender cheek,
With such a soft, small hand? --
The very Hand which spann'd
Heaven when its girth was plann'd.

"How comes He with a voice
Which is but baby-noise? --
That Voice which spake with might:
'Let there be light! ' and light
Sprang out before our sight.

"What need hath He of flesh
Made flawless now afresh?
What need of human heart? --
Heart that must bleed and smart,
Choosing the better part.

"But see: His gracious smile
Dismisses us a while
To serve Him in His kin.
Haste we, make haste, begin
To fetch His brethren in. "

Like stars they flash and shoot,
The Shepherds they salute.
"Glory to God" they sing;
"Good news of peace we bring,
For Christ is born a King. "


3.

Lo! newborn Jesus,
Soft and weak and small,
Wrapped in baby's bands
By His Mother's hands,
Lord God of all.

Lord God of Mary,
Whom His Lips caress
While He rocks to rest
On her milky breast
In helplessness.

Lord God of shepherds
Flocking through the cold,
Flocking through the dark
To the only Ark,
The only Fold.

Lord God of all things,
Be they near or far,
Be they high or low;
Lord of storm and snow,
Angel and star.

Lord God of all men,--
My Lord and my God!
Thou who lovest me,
Keep me close to Thee
By staff and rod.

Lo! newborn Jesus,
Loving great and small,
Love's free Sacrifice,
Opening Arms and Eyes
To one and all.



A CANDLEMAS DIALOGUE.


"Love brought Me down; and cannot love make thee
Carol for joy to Me?
Hear cheerful robin carol from his tree,
Who owes not half to Me
I won for thee. "

"Yea, Lord, I hear his carol's wordless voice;
And well may he rejoice
Who hath not heard of death's discordant noise.
So might I too rejoice
With such a voice. "

"True, thou hast compassed death; but hast not thou
The tree of life's own bough?
Am I not Life and Resurrection now?
My Cross balm-bearing bough
For such as thou? "

"Ah me, Thy Cross! --but that seems far away;
Thy Cradle-song to-day
I too would raise, and worship Thee and pray:
Not empty, Lord, to-day
Send me away. "

"If thou wilt not go empty, spend thy store;
And I will give thee more,
Yea, make thee ten times richer than before.
Give more and give yet more
Out of thy store. "

"Because Thou givest me Thyself, I will
Thy blessed word fulfil,
Give with both hands, and hoard by giving still;
Thy pleasure to fulfil,
And work Thy Will. "



MARY MAGDALENE AND THE OTHER MARY.

A SONG FOR ALL MARIES.


Our Master lies asleep and is at rest;
His Heart has ceased to bleed, His Eye to weep.
The sun ashamed has dropt down in the west;
Our Master lies asleep.

Now we are they who weep, and trembling keep
Vigil, with wrung heart in a sighing breast,
While slow time creeps, and slow the shadows creep.

Renew Thy youth, as eagle from the nest;
O Master, who hast sown, arise to reap:
No cock-crow yet, no flush on eastern crest;
Our Master lies asleep.



PATIENCE OF HOPE.


The flowers that bloom in sun and shade
And glitter in the dew,
The flowers must fade.
The birds that build their nest and sing
When lovely spring is new,
Must soon take wing.

The sun that rises in his strength
To wake and warm the world,
Must set at length.
The sea that overflows the shore
With billows frothed and curled,
Must ebb once more.

All come and go, all wax and wane,
O Lord, save only Thou
Who dost remain
The Same to all eternity.
All things which fail us now
We trust to Thee.

* * * * *

Transcriber's Note:

Some apparent printers' errors in the original have been
retained here, including "fufilling" and "aguish. " There
are also many inconsistently hyphenated words that sometimes
occur without a hyphen.






End of the Project Gutenberg EBook of Poems, by Christina G. Rossetti

*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***

***** This file should be named 19188-8. txt or 19188-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/9/1/8/19188/

Produced by Steven desJardins, Jeffrey Johnson and the
Online Distributed Proofreading Team at http://www. pgdp. net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.


Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card
donations. To donate, please visit: http://pglaf. org/donate


Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U. S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

http://www. gutenberg. org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.