No More Learning

Wishing to wake, I heard the sunrise bell
Commanding men to come forth and examine themselves in meditation.




THE THATCHED HOUSE UNROOFED BY AN AUTUMN GALE

BY TU FU


It is the Eighth Month, the very height of Autumn.
The wind rages and roars.
It tears off three layers of my grass-roof.
The thatch flies--it crosses the river--it is scattered about in the
open spaces by the river.
High-flying, it hangs, tangled and floating, from the tops of forest
trees;
Low-flying, it whirls--turns--and sinks into the hollows of the
marsh.
The swarm of small boys from the South Village laugh at me because I
am old and feeble.
How dare they act like thieves and robbers before my face,
Openly seizing my thatch and running into my bamboo grove?
My lips are scorched, my mouth dry, I scream at them, but to no
purpose.
I return, leaning on my staff. I sigh and breathe heavily.

Presently, of a sudden, the wind ceases. The clouds are the colour
of ink.
The Autumn sky is endless--endless--stretching toward dusk and
night.
My old cotton quilt is as cold as iron;
My restless son sleeps a troubled sleep, his moving foot tears the
quilt.
Over the head of the bed is a leak. Not a place is dry.
The rain streams and stands like hemp--there is no break in its
falling.
Since this misery and confusion, I have scarcely slept or dozed.
All the long night, I am soaking wet. When will the light begin to
sift in?
If one could have a great house of one thousand, ten thousand
rooms--
A great shelter where all the Empire's shivering scholars could have
happy faces--
Not moved by wind or rain, solid as a mountain--
Alas! When shall I see that house standing before my eyes?
Then, although my own hut were destroyed, although I might freeze
and die, I should be satisfied.




THE RIVER VILLAGE

BY TU FU


The river makes a bend and encircles the village with its current.
All the long Summer, the affairs and occupations of the river
village are quiet and simple.
The swallows who nest in the beams go and come as they please.
The gulls in the middle of the river enjoy one another, they crowd
together and touch one another.
My old wife paints a chess-board on paper.
My little sons hammer needles to make fish-hooks.
I have many illnesses, therefore my only necessities are medicines;
Besides these, what more can so humble a man as I ask?




THE EXCURSION

A NUMBER OF YOUNG GENTLEMEN OF RANK, ACCOMPANIED BY SINGING-GIRLS, GO
OUT TO ENJOY THE COOL OF EVENING. THEY ENCOUNTER A SHOWER OF RAIN

BY TU FU


I

How delightful, at sunset, to loosen the boat!
A light wind is slow to raise waves.
Deep in the bamboo grove, the guests linger;
The lotus-flowers are pure and bright in the cool evening air.
The young nobles stir the ice-water;
The Beautiful Ones wash the lotus-roots, whose fibres are like silk
threads.
A layer of clouds above our heads is black.
It will certainly rain, which impels me to write this poem.


II

The rain comes, soaking the mats upon which we are sitting.
A hurrying wind strikes the bow of the boat.
The rose-red rouge of the ladies from Yüeh is wet;
The Yen beauties are anxious about their kingfisher-eyebrows.
We throw out a rope and draw in to the sloping bank. We tie the boat
to the willow-trees.
We roll up the curtains and watch the floating wave-flowers.
Our return is different from our setting out. The wind whistles and
blows in great gusts.
By the time we reach the shore, it seems as though the Fifth Month
were Autumn.




THE RECRUITING OFFICERS AT THE VILLAGE OF THE STONE MOAT

BY TU FU


I sought a lodging for the night, at sunset, in the Stone Moat
Village.
Recruiting Officers, who seize people by night, were there.
A venerable old man climbed over the wall and fled.
An old woman came out of the door and peered.
What rage in the shouts of the Recruiting Officers!
What bitterness in the weeping of the old woman!
I heard the words of the woman as she pled her cause before them:
"My three sons are with the frontier guard at Yeh Ch'êng.
From one son I have received a letter.
A little while ago, two sons died in battle.
He who remains has stolen a temporary lease of life;
The dead are finished forever.
In the house, there is still no grown man,
Only my grandson at the breast.
The mother of my grandson has not gone,
Going out, coming in, she has not a single whole skirt.
I am an old, old woman, and my strength is failing,
But I beg to go with the Recruiting Officers when they return this
night.
I will eagerly agree to act as a servant at Ho Yang;
I am still able to prepare the early morning meal. "
The sound of words ceased in the long night,
It was as though I heard the darkness choke with tears.
At daybreak, I went on my way,
Only the venerable old man was left.




CROSSING THE FRONTIER

BY TU FU


I

When bows are bent, they should be bent strongly;
When arrows are used, they should be long.
The bow-men should first shoot the horses.
In taking the enemy prisoner, the Leader should first be taken;
There should be no limit to the killing of men.
In making a kingdom, there must naturally be a boundary.
If it were possible to regulate usurpation,
Would so many be killed and wounded?




CROSSING THE FRONTIER

BY TU FU


II

At dawn, the conscripted soldiers enter the camp outside the Eastern
Gate.
At sunset, they cross the bridge of Ho Yang.
The setting sunlight is reflected on the great flags.
Horses neigh. The wind whines--whines--
Ten thousand tents are spread along the level sand.
Officers instruct their companies.
The bright moon hangs in the middle of the sky.
The written orders are strict that the night shall be still and empty.
Sadness everywhere. A few sounds from a Mongol flageolet jar the air.
The strong soldiers are no longer proud, they quiver with sadness.
May one ask who is their General?
Perhaps it is Ho P'iao Yao.




THE SORCERESS GORGE

BY TU FU


Jade dew lies upon the withered and wounded forest of maple-trees.
On the Sorceress Hill, over the Sorceress Gorge, the mist is
desolate and dark.
The ripples of the river increase into waves and blur with the
rapidly flowing sky.
The wind-clouds at the horizon become confused with the Earth.
Darkness.
The myriad chrysanthemums have bloomed twice. Days to come--tears.
The solitary little boat is moored, but my heart is in the old-time
garden.
Everywhere people are hastening to measure and cut out their Winter
clothes.
At sunset, in the high City of the White Emperor, the hurried
pounding of washed garments.




THINKING OF LI PO ON A SPRING DAY

BY TU FU


The poems of Po are unequalled.
His thoughts are never categorical, but fly high in the wind.
His poems are clear and fresh as those of Yü, the official;
They are fine and easy as those of Pao, the military counsellor.
I am North of the river Wei, looking at the Spring trees;
You are East of the river, watching the sunset clouds.
When shall we meet over a jug of wine?
When shall I have another precious discussion of literature with you?




AT THE EDGE OF HEAVEN. THINKING OF LI T'AI-PO

BY TU FU


A cold wind blows up from the edge of Heaven.
The state of mind of the superior man is what?
When does the wild goose arrive?
Autumn water flows high in the rivers and lakes.

They hated your essay--yet your fate was to succeed.
The demons where you are rejoice to see men go by.
You should hold speech with the soul of Yüan,
And toss a poem into the Mi Lo River as a gift to him.




SENT TO LI PO AS A GIFT

BY TU FU


Autumn comes,
We meet each other.
You still whirl about as a thistledown in the wind.
Your Elixir of Immortality is not yet perfected
And, remembering Ko Hung, you are ashamed.
You drink a great deal,
You sing wild songs,
Your days pass in emptiness.
Your nature is a spreading fire,
It is swift and strenuous.
But what does all this bravery amount to?




A TOAST FOR MÊNG YÜN-CH'ING

BY TU FU


Illimitable happiness,
But grief for our white heads.
We love the long watches of the night, the red candle.
It would be difficult to have too much of meeting,
Let us not be in a hurry to talk of separation.
But because the Heaven River will sink,
We had better empty the wine-cups.
To-morrow, at bright dawn, the world's business will entangle us.
We brush away our tears,
We go--East and West.




MOON NIGHT

BY TU FU


To-night--the moon at Fu Chou.
In the centre of the Women's Apartments
There is only one to look at it.
I am far away, but I love my little son, my daughter.
They cannot understand and think of Ch'ang An.
The sweet-smelling mist makes the cloud head-dress damp,
The jade arm must be chilly
In this clear, glorious shining.
When shall I lean on the lonely screen?
When shall we both be shone upon, and the scars of tears be dry?




HEARING THE EARLY ORIOLE (WRITTEN IN EXILE)

BY PO CHÜ-I


The sun rose while I slept. I had not yet risen
When I heard an early oriole above the roof of my house.
Suddenly it was like the Royal Park at dawn,
With birds calling from the branches of the ten-thousand-year trees.
I thought of my time as a Court Official
When I was meticulous with my pencil in the Audience Hall.
At the height of Spring, in occasional moments of leisure,
I would look at the grass and growing things,
And at dawn and at dusk I would hear this sound.
Where do I hear it now?
In the lonely solitude of the City of Hsün Yang.
The bird's song is certainly the same,
The change is in the emotions of the man.
If I could only stop thinking that I am at the ends of the earth,
I wonder, would it be so different from the Palace after all?




THE CITY OF STONES. (NANKING)

BY LIU YÜ-HSI


Hills surround the ancient kingdom; they never change.
The tide beats against the empty city, and silently, silently,
returns.
To the East, over the Huai River--the ancient moon.
Through the long, quiet night it moves, crossing the battlemented
wall.




SUNG TO THE TUNE OF "THE UNRIPE HAWTHORN BERRY"

BY NIU HSI-CHI


Mist is trying to hide the Spring-coloured hills,
The sky is pale, the stars are scattered and few.
The moon is broken and fading, yet there is light on your face,
These are the tears of separation, for now it is bright dawn.

We have said many words,
But our passion is not assuaged.
Turn your head, I have still something to say:
Remember my skirt of green open-work silk,
The sweet-scented grasses everywhere will prevent your forgetting.




WRITTEN BY WANG WEI, IN THE MANNER OF CHIA, THE (PALACE) SECRETARY,
AFTER AN IMPERIAL AUDIENCE AT DAWN IN THE "PALACE OF GREAT BRILLIANCE"


At the first light of the still-concealed sun, the Cock-man, in his
dark-red cap, strikes the tally-sticks and proclaims aloud the
hour.
At this exact moment, the Keeper of the Robes sends in the
eider-duck skin dress, with its cloud-like curving
feather-scales of kingfisher green.
In the Ninth Heaven, the Ch'ang Ho Gate opens; so do those of the
Palaces, and the Halls of Ceremony in the Palaces.
The ten thousand kingdoms send their ambassadors in the dresses and
caps of their ranks to do reverence before the pearl-stringed
head-dress.
The immediately-arrived sun tips the "Immortal Palm"; it glitters.
Sweet-scented smoke rises and flows about the Emperor's ceremonial
robes, making the dragons writhe.
The audience ended, I wish to cut the paper of five colours and
write upon it the words of the Son of Heaven.
My jade girdle-ornaments clash sweetly as I return to sit beside the
Pool of the Crested Love-Pheasant.




THE BLUE-GREEN STREAM

BY WANG WEI


Every time I have started for the Yellow Flower River,
I have gone down the Blue-Green Stream,
Following the hills, making ten thousand turnings.
We go along rapidly, but advance scarcely one hundred _li_.
We are in the midst of a noise of water,
Of the confused and mingled sounds of water broken by stones,
And in the deep darkness of pine-trees.
Rocked, rocked,
Moving on and on,
We float past water-chestnuts
Into a still clearness reflecting reeds and rushes.
My heart is clean and white as silk; it has already achieved Peace;
It is smooth as the placid river.
I long to stay here, curled up on the rocks,
Dropping my fish-line forever.


FARM HOUSE ON THE WEI STREAM

BY WANG WEI

The slanting sun shines on the cluster of small houses upon the
heights.
Oxen and sheep are coming home along the distant lane.
An old countryman is thinking of the herd-boy,
He leans on his staff by the thorn-branch gate, watching.
Pheasants are calling, the wheat is coming into ear,
Silk-worms sleep, the mulberry-leaves are thin.
Labourers, with their hoes over their shoulders, arrive;
They speak pleasantly together, loth to part.
It is for this I long--unambitious peace!
Disappointed in my hopes, dissatisfied, I hum "Dwindled and
Shrunken. "




SEEKING FOR THE HERMIT OF THE WEST HILL; NOT MEETING HIM

BY CH'IU WEI


On the Nothing-Beyond Peak, a hut of red grass.
I mount straight up for thirty _li_.
I knock at the closed door--no serving boy.
I look into the room. There is only the low table, and the stand for
the elbows.
If you are not sitting on the cloth seat of your rough wood cart,
Then you must be fishing in the Autumn water.
We have missed each other; we have not seen each other;
My effort to do you homage has been in vain.
The grass is the colour which rain leaves.
From inside the window, I hear the sound of pine-trees at dusk.
There is no greater solitude than to be here.
My ears hear it; my heart spreads open to it naturally.
Although I lack the entertainment of a host,
I have received much--the whole doctrine of clear purity.
My joy exhausted, I descend the hill.
Why should I wait for the Man of Wisdom?




FLOATING ON THE POOL OF JO YA. SPRING

BY CHI WU-CH'IEN


Solitary meditation is not suddenly snapped off; it continues
without interruption.
It flows--drifts this way, that way--returns upon itself.
The boat moves before a twilight wind.
We enter the mouth of the pool by the flower path
At the moment when night enfolds the Western Valley.
The serrated hills face the Southern Constellation,
Mist hangs over the deep river pools and floats down gently, gently,
with the current.
Behind me, through the trees, the moon is sinking.
The business of the world is a swiftly moving space of water, a
rushing, spreading water.
I am content to be an old man holding a bamboo fishing-rod.




SUNG TO THE AIR: "THE WANDERER"

(COMPOSED BY SU WU IN THE TIME OF THE EMPEROR WU OF HAN)

BY MÊNG CHIAO


Thread from the hands of a doting mother
Worked into the clothes of a far-off journeying son.
Before his departure, were the close, fine stitches set,
Lest haply his return be long delayed.
The heart--the inch-long grass--
Who will contend that either can repay
The gentle brightness of the Third Month of Spring.




FAREWELL WORDS TO THE DAUGHTER OF THE HOUSE OF YANG

BY WEI YING-WU


Because of this, sad, sad has the whole day been to me.
You must go forth and journey, far, very far.
The time has come when you, the maiden, must go.
The light boat ascends the great river.
Your particular bitterness is to have none from whom you may claim
support.
I have cherished you. I have pondered over you. I have been
increasingly gentle and tender to you.
A child taken from those who have cared for it--
On both sides separation brings the tears which will not cease.
Facing this, the very centre of the bowels is knotted.
It is your duty, you must go.
It is scarcely possible to delay
farther.
From early childhood, you have lacked a mother's guidance,
How then will you know to serve your husband's mother? I am anxious.
From this time, the support on which you must rely is the home of
your husband.
You will find kindness and sympathy, therefore you must not grumble;
Modesty and thrift are indeed to be esteemed.
Money and jewels, maid-servants and furnishings--are these
necessary, a perfection to be waited for?
The way of a wife should be filial piety, respect and compliance;
Your manner, your conduct, should be in accord with this way.
To-day, at dawn, we part.
How many Autumns will pass before I see you?
Usually I endeavour to command my feelings,
But now, when my emotions come upon me suddenly, they are difficult
to control.
Being returned home, I look at my own little girl.
My tears fall as rain. They trickle down the string of my cap and
continue to flow.




SUNG TO THE AIR: "LOOKING SOUTH OVER THE RIVER AND DREAMING"

BY WÊN T'ING-YÜN


The hair is combed,
The face is washed,
All is done.

Alone, in the upper story of my Summer-house, I bend forward,
looking at the river.
A thousand sails pass--but among all of them the one is not.
The slant sunlight will not speak,
It will not speak.
The long-stretched water scarcely moves.

My bowels are broken within me.
Oh! Island of the White Water Flowers!




TOGETHER WE KNOW HAPPINESS

WRITTEN BY A DESCENDANT OF THE FOUNDER OF THE SOUTHERN T'ANG DYNASTY


Silent and alone, I ascended the West Cupola.
The moon was like a golden hook.
In the quiet, empty, inner courtyard, the coolness of early Autumn
enveloped the wu-t'ung tree.

Scissors cannot cut this thing;
Unravelled, it joins again and clings.
It is the sorrow of separation,
And none other tastes to the heart like this.




ONCE MORE FIELDS AND GARDENS

BY T'AO YÜAN-MING


Even as a young man
I was out of tune with ordinary pleasures.
It was my nature to love the rooted hills,
The high hills which look upon the four edges of Heaven.
What folly to spend one's life like a dropped leaf
Snared under the dust of streets,
But for thirteen years it was so I lived.

The caged bird longs for the fluttering of high leaves.
The fish in the garden pool languishes for the whirled water
Of meeting streams.
So I desired to clear and seed a patch of the wild Southern moor.
And always a countryman at heart,
I have come back to the square enclosures of my fields
And to my walled garden with its quiet paths.

Mine is a little property of ten _mou_ or so,
A thatched house of eight or nine rooms.
On the North side, the eaves are overhung
With the thick leaves of elm-trees,
And willow-trees break the strong force of the wind.
On the South, in front of the great hall,
Peach-trees and plum-trees spread a net of branches
Before the distant view.

The village is hazy, hazy,
And mist sucks over the open moor.
A dog barks in the sunken lane which runs through the village.
A cock crows, perched on a clipped mulberry.

There is no dust or clatter
In the courtyard before my house.
My private rooms are quiet,
And calm with the leisure of moonlight through an open door.

For a long time I lived in a cage;
Now I have returned.
For one must return
To fulfil one's nature.




SONG OF THE SNAPPED WILLOW

WRITTEN DURING THE LIANG DYNASTY


When he mounted his horse, he did not take his leather riding-whip;
He pulled down and snapped off the branch of a willow-tree.
When he dismounted, he blew into his horizontal flute,
And it was as though the fierce grief of his departure would destroy
the traveller.




THE CLOUDY RIVER

(FROM THE "BOOK OF ODES")


How the Cloudy River glitters--
Shining, revolving in the sky!
The King spoke:
"Alas! Alas!
What crime have the men of to-day committed
That Heaven sends down upon them
Confusion and death?
The grain does not sprout,
The green harvests wither,
Again and again this happens.
There is no spirit to whom I have not rendered homage,
No sacrifice I have withheld for love.
My stone sceptres and round badges of rank have come to an end.
Why have I not been heard?

Already the drought is terrible beyond expression!
The heated air is overpowering; it is a concentrated fierceness.
I have not ceased to offer the pure sacrifices,
I myself have gone from the border altars to the ancestral temples.
To Heaven,
To Earth,
I have made the proper offerings,
I have buried them in the ground.
There is no spirit I have not honoured,
Hou Chi could do no more.
Shang Ti does not look favourably upon us.
This waste and ruin of the Earth--
If my body alone might endure it!

Already the drought is terrible beyond expression!
I cannot evade the responsibility of it.
I am afraid--afraid; I feel in peril--I feel in peril,
As when one hears the clap of thunder and the roll of thunder.
Of the remnant of the black-haired people of Chou
There will not be left so much as half a man.
Ruler over the high, wide Heavens,
Even I shall not be spared.
Why should I not be terrified
Since the ancestral sacrifices will be ended?

Already the drought is terrible beyond expression!
The consequences of it cannot be prevented.
Scorching--scorching!
Blazing--blazing!
No living place is left to me.
The Great Decree of Fate is near its end.
There is none to look up to; none whose counsel I might ask.
The many great officials, the upright men of ancient days,
Cannot advise me in regard to these consequences.
My father, my mother, my remote ancestors,
How can you endure this which has befallen me?

Already the drought is terrible beyond expression!
Parched and scoured the hills, the streams.
Drought, the Demon of Drought, has caused these ravages,
Like a burning fire which consumes everything.
My heart is shrivelled with the heat;
Sorrow rises from the heart as smoke from fire.
The many great officials, the upright men of ancient days,
Do not listen to me.
Ruler of the high, wide Heavens,
Permit that I retire to obscurity.

Already the drought is terrible beyond expression!
I strive, and force myself in vain.
I dread that which will come.
How--why--should I bear this madness of drought?
I suffer not to know the reason for it.
I offered the yearly sacrifices for full crops in good time.
I neglected not one of the Spirits of the Four Quarters of the Earth.
The Ruler of the high, wide Heavens
Does not even consider me.
I have worshipped and reverenced the bright gods,
They should not be dissatisfied or angry with me.

Already the drought is terrible beyond expression!
Everything is in confusion; all authority is gone;
My officials are reduced to extremity.
My Chief Minister is afflicted with a continuing illness.
My Master of the Horse, my Commander of the Guards,
My Steward, my attendants of the Right and of the Left,
Not one among them has failed to try and help the people,
Not one has given up because powerless.
I raise my head and look at the Ruler of the wide, bright Heavens.
I cry: 'Why must I suffer such grief! '

I look upwards. I gaze at the wide, bright Heavens,
There are little stars twinkling, even those stars.
My officers and the great men of my country,
You have wrought sincerely and without gain.
The Great Decree is near its end.
Do not abandon what you have partly accomplished,
Your prayers are not for me alone,
But to guard the people and those who watch over them from calamity.
I look upwards. I gaze at the wide, bright Heavens.
When shall I receive the favour of rest? "




TO THE AIR: "THE FALLEN LEAVES AND THE PLAINTIVE CICADA"

BY THE EMPEROR WU OF HAN


There is no rustle of silken sleeves,
Dust gathers in the Jade Courtyard.
The empty houses are cold, still, without sound.
The leaves fall and lie upon the bars of doorway after doorway.
I long for the Most Beautiful One; how can I attain my desire?
Pain bursts my heart. There is no peace.




WRITTEN IN EARLY AUTUMN AT THE POOL OF SPRINKLING WATER

BY CHAO TI OF HAN, THE "BRIGHT EMPEROR"


In Autumn, when the landscape is clear, to float over the wide,
water ripples,
To pick the water-chestnut and the lotus-flower with a quick, light
hand!
The fresh wind is cool, we start singing to the movement of the
oars.
The clouds are bright; they part before the light of dawn; the moon
has sunk below the Silver River.
Enjoying such pleasure for ten thousand years--
Could one consider it too much?




PROCLAIMING THE JOY OF CERTAIN HOURS

BY THE EMPEROR LING OF (LATER) HAN


Cool wind rising. Sun sparkling on the wide canal.
Pink lotuses, bent down by day, spread open at night.
There is too much pleasure; a day cannot contain it.
Clear sounds of strings, smooth flowing notes of flageolets--we sing
the "Jade Love-Bird" song.
A thousand years? Ten thousand? Nothing could exceed such delight.




A SONG OF GRIEF

BY PAN CHIEH-YÜ


Glazed silk, newly cut, smooth, glittering, white,
As white, as clear, even as frost and snow.
Perfectly fashioned into a fan,
Round, round, like the brilliant moon,
Treasured in my Lord's sleeve, taken out, put in--
Wave it, shake it, and a little wind flies from it.
How often I fear the Autumn Season's coming
And the fierce, cold wind which scatters the blazing heat.
Discarded, passed by, laid in a box alone;
Such a little time, and the thing of love cast off.




A LETTER OF THANKS FOR PRECIOUS PEARLS BESTOWED BY ONE ABOVE

BY CHIANG TS'AI-P'IN

(THE "PLUM-BLOSSOM" CONCUBINE OF THE EMPEROR MING HUANG)


It is long--long--since my two eyebrows were painted like
cassia-leaves.
I have ended the adorning of myself. My tears soak my dress of
coarse red silk.
All day I sit in the Palace of the High Gate. I do not wash; I do
not comb my hair.
How can precious pearls soothe so desolate a grief.




DANCING

BY YANG KUEI-FEI

(THE "WHITE POPLAR" IMPERIAL CONCUBINE OF THE EMPEROR MING HUANG)


Wide sleeves sway.
Scents,
Sweet scents
Incessantly coming.

It is red lilies,
Lotus lilies,
Floating up,
And up,
Out of Autumn mist.

Thin clouds
Puffed,
Fluttered,
Blown on a rippling wind
Through a mountain pass.

Young willow shoots
Touching,
Brushing,
The water
Of the garden pool.




SONGS OF THE COURTESANS

(WRITTEN DURING THE LIANG DYNASTY)


ONE OF THE "SONGS OF THE TEN REQUESTS"

BY TING LIU NIANG

My skirt is cut out of peacock silk,
Red and green shine together, they are also opposed.
It dazzles like the gold-chequered skin of the scaly dragon.
Clearly so odd and lovely a thing must be admired.
My Lord himself knows well the size.
I beg thee, my Lover, give me a girdle.


AI AI THINKS OF THE MAN SHE LOVES

How often must I pass the moonlight nights alone?
I gaze far--far--for the Seven Scents Chariot.
My girdle drops because my waist is shrunken.
The golden hairpins of my disordered head-dress are all askew.


SENT TO HER LOVER YÜAN AT HO NAN (SOUTH OF THE RIVER) BY CHANG PI LAN
(JADE-GREEN ORCHID) FROM HU PEI (NORTH OF THE LAKE)

My Lover is like the tree-peony of Lo Yang.
I, unworthy, like the common willows of Wu Ch'ang.
Both places love the Spring wind.
When shall we hold each other's hands again?


CH'IN, THE "FIRE-BIRD WITH PLUMAGE WHITE AS JADE," LONGS FOR HER LOVER

Incessant the buzzing of insects beyond the orchid curtain.
The moon flings slanting shadows from the pepper-trees across the
courtyard.
Pity the girl of the flowery house,
Who is not equal to the blossoms
Of Lo Yang.




THE GREAT HO RIVER

BY THE MOTHER OF THE LORD OF SUNG

(FROM "THE BOOK OF ODES")


Who says the Ho is wide?
Why one little reed can bridge it.

Who says that Sung is far?
I stand on tiptoe and see it.

Who says the Ho is wide?
Why the smallest boat cannot enter.

Who says that Sung is far?
It takes not a morning to reach it.




WRITTEN PICTURES




AN EVENING MEETING


The night is the colour of Spring mists.
The lamp-flower falls.
And the flame bursts out brightly.
In the midst of the disorder of the dressing-table
Lies a black eye-stone.
As she dances,
A golden hairpin drops to the ground.
She peeps over her fan,
Arch, coquettish, welcoming his arrival.
Then suddenly striking the strings of her table-lute,
She sings--
But what is the rain of Sorceress Gorge
Doing by the shore of the Western Sea?

LI HAI-KU, 19th Century




THE EMPEROR'S RETURN FROM A JOURNEY TO THE SOUTH


Like a saint, he comes,
The Most Noble.
In his lacquered state chariot
He awes the hundred living things.
He is clouded with the purple smoke of incense,
A round umbrella
Protects the Son of Heaven.
Exquisite is the beauty
Of the two-edged swords,
Of the chariots,
Of the star-embroidered shoes of the attendants.
The Sun and Moon fans are borne before him,
And he is preceded by sharp spears
And the blowing brightness of innumerable flags.
The Spring wind proclaims the Emperor's return,
Binding the ten thousand districts together
In a chorded harmony of Peace and Satisfaction,
So that the white-haired old men and the multitudes rejoice,
And I wish to add my ode
In praise of perfect peace.

WÊN CHÊNG-MING, 16th Century




ON SEEING THE PORTRAIT OF A BEAUTIFUL CONCUBINE


Fine rain,
Spring mud
Slippery as bean curds.
In a rose-red flash, she approaches--
Beautiful, sparkling like wine;
Tottering as though overcome with wine.
Her little feet slip on the sliding path;
Who will support her?
Clearly it is her picture
We see here,
In a rose-red silken dress,
Her hair plaited like the folds
Of the hundred clouds.
It is Manshu.

CH'EN HUNG-SHOU, 19th Century




CALLIGRAPHY


The writing of Li Po-hai
Is like the vermilion bird
And the blue-green dragon.
It drifts slowly as clouds drift;
It has the wide swiftness of wind.
Hidden within it lurk the dragon and the tiger.

The writing of Chia, the official,
Is like the high hat of ceremonial.
It flashes like flowers in the hair,
And its music is the trailing of robes
And the sweet tinkling of jade girdle-pendants.
Because of his distinguished position,
He never says anything not sanctioned by precedent.

LIANG T'UNG-SHU, 18th Century




THE PALACE BLOSSOMS


When the rain ceases,
The white water flowers of Ch'ang Lo stroll together at sunset
In the City by the River.
The young girls are no longer confined
In the gold pavilions,
But may gaze at the green water
Whirling under the bridge of many turnings.

TAI TA-MIEN, 18th Century




ONE GOES A JOURNEY


He is going to the Tung T'ing Lake,
My friend whom I have loved so many years.
The Spring wind startles the willows
And they break into pale leaf.
I go with my friend
As far as the river-bank.
He is gone--
And my mind is filled and overflowing
With the things I did not say.

Again the white water flower
Is ripe for plucking.
The green, pointed swords of the iris
Splinter the brown earth.
To the South of the river
Are many sweet-olive trees.
I gather branches of them to give to my friend
On his return.

LIU SHIH-AN, 18th Century




FROM THE STRAW HUT AMONG THE SEVEN PEAKS


I

From the high pavilion of the great rock,
I look down at the green river.
There is the sail of a returning boat.
The birds are flying in pairs.
The faint snuff colour of trees
Closes the horizon.
All about me
Sharp peaks jag upward;
But through my window,
And beyond,
Is the smooth, broad brightness
Of the setting sun.


II

Clouds brush the rocky ledge.