No More Learning

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? PREFACE.
hitherto published in this country admit of, no pains have been
spared towards the accomplishment of so desirable an end.
And as on such a subject as the present, not only the general
features, but eren the minor details of which, have been so
frequently discussed, but little originality can be expected, it
seemed the most adviseable course to collect together from the
Best treatises, whatever appeared worthy of the student's at-
tention, and promised to be beneficial to him. The work
which has been principally followed for this purpose, and of
which the present performance may in some respects be con-
sidered as an abridgment, is the Latin Prosody of Dr. Carey,
which is justly esteemed one of the ablest productions in this
department of instruction. The valuable grammar of Grant
has also furnished copious materials, as well as the Port-Royal
Latin Grammar and Gesner's Thesaurus. With these and
other sources from which to select, it would have been a very
easy task to have extended the work far beyond its present li-
mits; but it may be doubted whether its increase in size would
have been accompanied with a proportionate increase of bene-
fit to those for whose use it is intended. Under the head of
metre in particular, the work might have been considerably
enlarged by the addition of numerous rules for the composition
of Latin verse; but besides that it is by far the safest course in
such cases, to refer the student at once to the fountain head
whence this information is to be derived, the works namely of
the ancient poets themselves, it may likewise be allowed us
even to entertain some degree of doubt with regard to the
utility of this branch of academical labour. The course of
education in this country is so very rapid, as to afford the stu-
dent but little leisure for holding converse with the deities of
Helicon in the musical dialects of former times--nor is the
privation to be lamented by him. The practice of Latin and
Greek versification, though viewed by many as a highly orna-
mental and enviable feature in the schools of England, is ev<<fc
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? PREFACE.
there far from producing such advantages, as can compensate
for the time which is spent upon it. It may have indeed a
direct tendency to invigorate the imagination and to improve
the taste; " but still," to use the words of an able scholar of
that same country, u if we consider that the principal ad-
vantages resulting from this practice are attainable by other
means, and if we reflect how few there are who aTe by nature
qualified to become poets, and how rarely occasion presents
itself for exhibiting a skill in the composition of Latin or
Greek poetry, we cannot help regarding the art of versification
in its most classic style, as comparatively of secondary im-
portance. "*
. Let the student, in reading the poems of Virgil, be taught to
pay strict attention to the melodious numbers by which they
are adorned--let him mark the beautiful effect produced by
the frequent changing of the Csesural pause, and learn to con-
trast these changes with each other, and to note their respec-
tive degrees of harmony--let him, in perusing the lyric com-
positions of Horace, be made fully acquainted with the various
measures, which lend to them so powerful a charm, and the
peculiar sweetness and melody by which so many of these are
characterized--and when he shall have done this, he will have
made no mean progress in his acquaintance with the beauties
of ancient poetry; but let him not waste his strength on such
an exercise as versification, which is in so great a degree purely
mechanical, and the most successful competitor in which, seems
after all, entitled to no higher praise than that of having shown
the greatest skill in arranging the " disjecta membra" of the
poets of antiquity.
* CramUe's Gymnasium, Preface, p. viii.
i
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? viii
PREFACE.
It remains but to add to what has been already observed
respecting the plan of the present work, that in order to re-
move if possible every difficulty, which might otherwise im-
pede the metrical career of the student, it has been deemed
advisable to add a synopsis of the principal poetic licenses
which occur in the versification of Virgil, together with a me-
trical index to the Odes and Epodes of Horace, and the scan-
ning of the most difficult of his mixed Iambics. The former
of these is taken from a small metrical guide to Virgil, pub-
lished a few years since by Dr. Carey, and which is in every
point of view deserving of being reprinted in this country.
The student will also observe, that an index is given at the
end of the volume, to all the lines, other than Hexameters,
which are cited in it as illustrative of the quantities of words,
by referring to which, he will be directed to the proper measure
to which the lines in question respectively belong.
In conclusion, it is hoped that the imperfections of the pre-
sent work will be viewed with indulgence, in consideration of
the motive which has given rise to its publication. Should it
have the good fortune to reach a second edition, the compiler
will gratefully avail himself of every judicious emendation
which may be offered for its improvement.
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? METRICAL INDEX
TO THE LINES, OTHER THAU HEXAMETERS, WHICH ARE CITED
THROUGHOUT THE WORK AS ILLUSTRATIVE OF THE
QUANTITIES OF WORDS, &C.
The numbers refer to the general list of metres.
Abitnrns illuc,
Abscidit vultus, .
Accendit geminas,
Addas hexameter,
Ah ego non possum,
An ideo tantum, .
Brevi docebo,
Cserula quot baccas,
Carpere causidicus,
Cam quibus Alcides,
Cum semel in partes
Cum subito nostros,
Cam subito thalami,
Cur facunda parum,
Datur tibi puella,
Dices 6 quoties, .
Die inquam,
Differat in putros,
Dissidens plebi, .
Drusorum cui,
Kgo primam tollcv
Kmi hortOBj
Kt bibis immundam,
Et credit cui,
Kt domus intactte,
a Et earum omnia,
Kt gelklum subito,
Et mala radices, .
Et mecum Erinuys,
Kt pictis anas,
Et thuris pipeiisqiie,
Excitor et summa,
Eximit virtus,
20.
4.
?
4,
S3.
4.
21.
20.
4.
4.
4.
4.
20.
20.
40.
20.
39.
4.
4.
32.
33.
20.
4.
?
4.
JO,
4.
30.
4.
4.
20.
? ? 33.
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? METRICAL INDEX.
Non sal oxyporiimYe,'
Non tu Poraponii
Nostrapte culpa,
Nulla queat,
Nunc ades, .
Nunc Celtiber, .
Nunc mare,
O factum male, .
Ohe jam satis est,
Pars thyma,
Partes fere nox, .
Parvamne Iolcon,
Parvum tigillura,
Prxmia de lacubus,
Propellit Boreas,
Quae fama modo,
Quid hoc hie,
Quid tibi cum patria,
Quod si pudica, .
Quod peto da Cat,
33.
4
84
4
4.
31.
13.
33.
33.
4
30.
30.
30.
4.
4.
16.
80.
4
30.
4
Quo levis a nobis,
Quo non dignior,
Sal, oleum, panis,
Sero domain,
Sed norunt cui, .
Sed nunc rogare,
Sibique melius, .
Si auctoritatetn, .
Si gaudet, si flet, .
Si totus tibi,
Signa rariuS,
Sintvultus, .
Tecum mihi,
Tethya et, .
Thyrsin et, .
Tu tibi dux,
c Unde retro nemo,
Vendere nil debet,
Vide ne dolone, .
Vir Celtiberis,
c An error of the press occurs in this line, as cited at page 43: the fitful
syllable of retro should he there marked with >> thort quantity.
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? ERRATA.
Page 26, line 28, for plantandnat, read platanigat.
59, note d, line 17, for verbs, read verses.
95, line 1, read Dirige o\dorise | guos, &c.
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? SECT. L
PROSODY teaches the proper accent and quantity of
syllables, and the right pronunciation of words.
Syllables are composed of one or more letters, as 2, e-runt.
Letters are divided into vowels and consonants.
The vowels are six, A, E, I, O, U, Y.
From the vowels are formed six diphthongs, M, AU, El,
EU, CE, YI.
The consonants are divided into mutes and semivowels.
The mutes are eight, B, C, D, G, K, P, Q, T. >>
The semivowels are likewise eight, F, L, M,b N, R, S,c
X, Z.
Of the semivowels four are liquids, L, M, N, R.
Two are double letters, viz. X and Z; the X being equal
to CS, GS, or KS, and the Z to DS or TS.
a The letter C was pronounced hard before E, I, and Y, as well as
before A, O, and IT, having the sound of It. In Coins, however, it was
pronounced as G, which peculiarity is noticed by Terentianus, ,de Syllab.
617: hence the Greek writers uniformly spell the name Taioc.
b The final M and final X were pronounced with a slight nasal sound,
as in the French words Faim and Pain, so as to be hardly or not at all
distinguishable from each other. The Portuguese give this sound to the
M, even at the present day, in Latin words. On this principle Dr. Carey
explains the use of the figure EcthUpsis. Thus also, in words derived from
the Greek, the terminations ay, ft, and or, became, in Latin, am, im, and
on or om. So tusum is written for twtmm, conjux for conjunx, to ties for
totiens, fas for Jane; and Greek names in at, sometimes drop the v
in Latin, and sometimes retain it.
c The early Romans did not, in many cases, pronounce the final S,
unless the following word began with a vowel: thus--
Suavis hom*, facundu', suo contenlu', beatus. Ennius.
About Cicero's time it began to be generally sounded, though Cicero him-
self, as well as his contemporaries, Catullus and Lucretius, sometimes
omit it.
A
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? 2
OF LETTERS.
The letter H is generally considered as only a note of
aspiration or breathing. Some ancient grammarians, how-
ever, regarded H as a consonant, and ranked it with the
semivowels.
The letter J was nothing more than the I less fully pro-
nounced, though considered by some of the old grammari-
ans as a species of consonant.
In words of Greek origin, the I is always a vowel; as
Iason, Iocasta, Deianira. A
The U was pronounced like our OO, or broad U, as in
Fool, Rule ; hence the easy transition, in many words, from
O to U, as vulc for volt, virulentua for virolenlus. The
letter U, when it follows G or Q, becomes a liquid vowel,
hardly perceptible in pronunciation, and losing, according
to Priscian, its whole force as a letter in the verse.
The letter V derives its power from the iEolic or Tuscan
digamma. It was used until the time of Claudius, both as a
vowel and a consonant. ; as a consonant having the power of
the iEolic digamma or our W, as a vowel of the common
17. e The Emperor Claudius, disliking this double use of
V, endeavoured to introduce the old ^Eolic or Tuscan cha-
racter of the digamma, and so leave V a vowel only. This
new letter, however, was not used long, but gave way to the
consonant V, which again resumed its double power of
digamma and U.
In English, we have the sound of the
W where we use no character at all: the word one, we
pronounce as if it were toonef
d Quinctillan, I. 4, considers the J and I in conjicio as the same vowel
doubled. It has been supposed that the letter J was sounded by the Ro-
mans as it now is by the Germans in Johr, Jena, i. e. exactly like the
Knglish initial Y in Youth, Tear, vit. Yahr, Yena; so that Jupiter, Jbcui,
Jaculum, were pronounced Yupittr, Yocus, Yaculum. Hence the easy
derivation of Julius from lulus. JEncid, I. 292.
e Hence A-n>ispex, avi'spex, auspex; Ca-vri-tum, cavftwn, cautum,
See.
f That the -35olic djgamma resembled most our W in sound, has been
affirmed by writers ot the best authority, as Erasmus, Lipsius, Beotley,
Dawes, and many others. The formation of the sound of the Latin con-
sonant V, as described by Terentianus, corresponds exactly with that of our
W, both being uttered, according to his words, " productius coeuntibua
labellis. " Many words beginning with V in Latin, which have passed into
our own language, are by us used with the W. Thus vinum, -wine ; vasto,
to waste i via, -way; vicus, viick (a terainatiou to several names of
places) j ventus, -wind; vespa, -wasp, &c.
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? ( 3)
SECT. II.
QUANTITY OF SYLLABLES.
SYLLABLES are either short, long, or common.
The quantity of a syllable is the time taken up in pro-
nouncing it.
A short syllable is rapidly pronounced, and consists of one
time; as ci in concido, to fall.
A long syllable is slowly pronounced, requiring generally
double the time occupied in the pronunciation of a short
one; as ci in concido, to cut to pieces.
A common syllable is that which may be made either
short or long, at the option of the poet; as Pafiyrus or
Papyrus, Fuerimus or Fuerimus.
A short syllable is marked thus >>, a long one thus -,
and a common syllable thus a, or thus -<<. b
The quantity of syllables is ascertained either by estab-
lished rules, or by the authority of the best writers.
Quantity is distinct from accent, though not inconsistent
with it. Accent relates merely to the particular elevation
or depression of the voice upon certain syllables; quantity
regards only the period of time occupied in expressing any
one of them. h
In polysyllables, er long words, the last syllable except
one is called the fienultima, or, by contraction, the fienutt,
and the last syllable except two, the ante fienultima.
SECT. III.
A VOWEL BEFORE ANOTHER VOWEL.
Vocalem breviant alia subeunte Latini.
Produc (ni sequitur R) Fio et nomina quintis,
Qua geminos casus, E longo, assumit in Ei:
Verum E corrifiiunt Fideique, speique, reique.
g The reason of these marks having been used, may be seen in Scaliger
de causis Ling. hat. ii. 55.
h See Foster on Jlccent and Quantity, chap. i. J 2; and SanctU
Minerva, vol. i. p. 37, erf. Baver.
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? 4
A VOWEL BEFORE ANOTHER VOWEL.
IUS commune est Vati: firoducilo alius :
Alterius brcvia : Pompei et talia firoduc.
Protrahitiirque Eheu ; sed 16 variatur et Ohe.
Nomina Gracorum certd sine lege vagantur :
Qutcdam etenim longis, ceu DIa, Chorea, Platea ;
Quxdam etiam brevibus, veluti Symphonia, gaudent.
A VOWEL before another vowel, in words of Latin
origin, is short; as Puer, fuit, ruit.
Virg. Disce fiucr virtutem ex me verumque laborem.
The letter H is merely a note of aspiration or breathing;
hence, when it stands between two vowels, the preceding
vowel is short; as nihil.
Exception I. --Flo has the I long in all its tenses, except
5n those in which it is followed by ER ; as fiebam, fiam.
Juv. Fiant ista ftalam cufiient et in acta referri.
If ER follow, the I is short; as fierem, fieri, eonfieri. *
Virg. Confieri fiossit, fiaucis adverte docebo.
Exception II. --The genitives and datives singular of the
fifth declension make E long before I, as Dili, S/ieciei. But
it is found short in S/iei, and both long and short in Rei and
Fidei. k
Ilorat. Vcntum erat ad Vesta quarta jam fiarte diei.
Exception III. --Genitives in IUS have the I long in
prose, though in poetry it is common. Alterius, however,
has the I always short, alius always long.
Virg. Unius ob noxam et Furias Ajacis Oilei.
Horat. Nullius addictus jurare in verba Magistri.
Virg. Quam nostro illius labatur fiectore vultus.
i Yet Terence and PlimtUs make it long. Vide Ter. Ail. i. 2, 26;
Plant. Trin. 2. 4. 131; Bacch. 2. 3. 65; Casin. 4. 1. 2; Amph. 1. 2. 25.
k Rei is found long in Lucretius and Plautus. Fidei is also found long
in Lucretius and Ennms. Dr. Carey supposes that these cases were an-
ciently written both e-i and ei-i, and hence accounts for the variation in the
quantity.
1 Alterius is three times long in Terent. Muurus, tie Syllab. 1072, <fc
JUelr. 32 and 464. Alius is formed by Oasis from Aliius.
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? A VOWEL BEFORE ANOTHER VOWEL.
Tibul. Illius et niticlo stillent unguenta cafiillo.
Prop. Si non unius, quaso, miserere duorum.
Germ. JVulliusgue larem, nullos adit ilia ftenates.
Exception IV. --Such proper names as Ca'ius, Pomfieius,
Vulteius, (supposed to have been originally written with a
diphthong, Cai-ius, Pomfiei-ius, Vultei-ius,) as also Graiust
Veius, 8cc. have the A or E long before I. --The A is also
long in the old genitives auldi, terrdi, &c.
Mart. Quad fieto, da Cat, non fieto consilium.
Ovid. Accifie, Pomfie'i, deductum carmen ab illo.
Manil. Ilia domus flrincefis Trojani Grata belli.
Virg. Auldi in medio libubant ftocula Bacchi.
Exception V. --In Ohe, Io (whether interjection or pro-
per name), and in Diana, the first syllable is common: io
elieu it is long.
Mart. Ohe jam satis est, ohe, libelle . '
Idem. Rursus, id, magnos clamat tibi Roma triumfihos.
Sil. Quaque ferebatur ductor Sidonius, id.
Prop. Qua tibi causa fuga ? quid, 16,freta longa fiererras ?
Idem. Id, versa cafiut, firimos mugiverat annos.
Mart. Exfierta est numen moriens utriusque Diane.
Ennius. Juno, Vesta, Ceres, Diana, Minerva, Venus, Mars.
Exception VI. --In many Greek words, a vowel is long,
though immediately followed by another; as air, Achaia,
Achetdus, Laertes, Ldodice, and other words compounded
with a. oof, Latous, Enyd, Panchdia, Threicius, Tdygetus,
Trdas, Troius, &c.
Virg. Ifisis est der avibus non aquus, et illte.
Claud. Erubuit Mavors, aversaque risit Enyd,
Exception VII. --Those words which are written in-Greek
with the diphthong EI, and in Latin with a single E or I,
have that E or I long; as JEneas, Alexandria, Antiochia,
Afiamea, Ctssarea, Clio, Darius, Elegia, Laodicea, Mauso-
leum, Museum, Qreades, Panacea, Thalia. "--On the same
principle, most adjectives in EUS, formed from Greek pro-
per names, have the E long; and it continues long, when
m Many words of this class, such as names of towns, temples, or mon.
uments, are in reality only adjectives, with the noun understood;
AMjavifgwa (Vow), Mevruer (''5<<v)> MnwroMiiv (fiinpmv),
A2
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? A VOWEL BEFORE ANOTHER VOWEL.
resolved into EI; as Cythereus, Cythereius; Pagaseus, P*~
gaseius; Pelofieus, Pelofieius ; &c. (See Diaeresis).
Exception VIII. -- Dia, though formed from the Greek
Si>>s, has the penult long--Chorea and filatea, from x? iua anc*
srXanta, have the penult properly long, though in some few
instances it is made short--4cademia and Malea have the
penult common--Idea, fihilosofihic^ eymfihonia, Sec have it
short.
Exception IX. --Greek genitives in EOS, and accusa-
tives in EA, from nominatives in EUS, have the penult
short according to the common dialect, but long according
to the Ionic.
Stat. Tydeos ilia dies : ilium fugiuntque tremuntque.
Ovid. Excitor; et summa Thesea voce voco.
Germ. Regula. Cefihlos vestigia balteus ambit.
Virg. Ilionea fietit dextrd, Unique Serestum.
SECT. IV.
DIPHTHONGS.
Difihthongus longa est in Grecis atque Latinis. --
Prse brevis est, si comfiositum vocalibus anteit.
A Diphthong is long, whether in a Greek or Latin word;
as MHonides, Melibolus, luus, Graius, cilum, firemium.
Virg. O Melibxe, Deus nobis htec otia fecit.