The
last two, both dedicated to Shapcott, are distinctly connected by their
opening lines, and "Oberon's Chapel," dedicated to Mr.
last two, both dedicated to Shapcott, are distinctly connected by their
opening lines, and "Oberon's Chapel," dedicated to Mr.
Robert Herrick
_Printed by
M. S. sould by I. Hancock in Popes head Alley, 1650. _ 8vo. "
The printed title-page reads: "Recreations for Ingenious Head-peeces.
Or, A Pleasant Grove for their Wits to Walke in. Of Epigrams, 700:
Epitaphs, 200: Fancies, a number: Fantasticks, abundance. With their
Addition, Multiplication, and Division. _London, Printed by M.
Simmons_," etc. In this edition many of the Epigrams are omitted and
more than one hundred fresh ones added. Additions are also made to the
Epitaphs and Fancies and Fantasticks. Of the new Epigrams and Poems no
less than seventy-two had been printed two years earlier in Herrick's
_Hesperides_, and ten others were added in 1654 from the same source.
_Witts Recreations_ was again reprinted in 1663, 1667, and perhaps
oftener. In 1817 it was issued as vol. ii. of a collection of _Facetiae_,
of which Mennis and Smith's _Musarum Deliciae_ and _Wit Restor'd_ formed
vol. i. On the title-page _Witts Recreations_ is said to be printed from
edition 1640, with all the wood engravings and improvements of
subsequent editions, and in the preface it is explained to be "reprinted
after a collation of the four editions, 1640, 41, 54, and 63, for the
purpose of bringing together in one body all the various articles spread
throughout, and not to be found in any one edition". This 1817 reprint
was re-issued by Hotten in 1874, and this re-issue, as his references to
pagination show, was the one used by Dr. Grosart. The date 1640 on the
title-page may have caught his eye and led to his mistaken allusion to
the "prior publication" of the Herrick poems in 1640, whereas
_Hesperides_ was published in 1648, and the editions of _Witts
Recreations_ which contain anything of his besides the _Description of a
Woman_ and _A Farewell to Sack_, in 1650, 1654, etc.
In the Notes to the present edition I have drawn attention to all
variations in the text of the poems as printed by Herrick and the later
editors, and now subjoin a complete list of the poems under the titles
which they take in _Witts Recreations_, with their numbers in this
edition.
1645 Edition.
128. A Farewell to Sack.
[Not in _Hesp. _] The Description of a Woman.
1650 Edition Adds:--
123. A Tear sent to his M^is.
159. The Cruel Maid.
162. His Misery.
172. With a Ring to Julia.
200. On Gubbs.
206. On Bunce.
239. On Guesse.
241. On a Painted Madam.
310. On a Child.
311. On Sneape.
328. A Foolish Querie.
340. A Check to her Delay.
352. Nothing New.
357. Long and Lazy.
367. To a Stale Lady.
374. Gain and Gettings.
379. On Doll.
380. On Skrew.
381. On Linnit.
400. On Raspe.
407. On Himself.
408. Love and Liberty.
409. On Skinns.
428. On Craw.
434. On Jack and Jill.
517. Change.
534. To Julia.
572. On Umber.
600. Little and Loud.
616. Abroad with the Maids.
637. On Lungs.
640. On a Child.
644. On an Old Man, a Residentiary.
648. On Cob.
649. On Betty.
650. On Skoles.
661. Ambition.
666. On Zelot.
669. On Crab.
675. On Women's Denial.
676. Adversity.
693. On Tuck.
697. Adversity.
703. On Trigg.
711. Possessions.
735. Maids' Nays.
743. On Julia's Weeping.
752. No Pains No Gains.
761. Alvar and Anthea.
772. A Hymn to Bacchus.
776. Anger.
791. Verses.
795. On Bice.
796. On Trencherman.
797. Kisses.
832. On Punchin.
838. On a Maid.
840. Beauty.
846. Writing.
849. Satisfaction.
873. On Love.
881. ll. 13, 14, Sharp Sauce.
886. On Lulls.
902. Truth.
910. On Ben Jonson.
946. An Hymn to Love.
950. Leaven.
1025. On Boreman.
1084. On Love.
1085. On Gut.
1106. On Rump.
1119. Sauce for Sorrows.
1126. Of this Book.
1654 Edition Adds:--
49. Cherry Pit.
85. On Love.
92. The Bag of a Bee.
208. To make much of Time.
235. On an Old Batchelor.
238. Another. (On the Rose. )
253. Counsel not to Love.
260. How the Violets came blue.
337. A Vow to Cupid.
446. The Farewell to Love and to his Mistress.
APPENDIX II.
HERRICK'S FAIRY POEMS AND THE DESCRIPTION OF THE KING AND QUEENE OF
FAYRIES PUBLISHED 1635.
The publisher's freak, by which Herrick's three chief Fairy poems ("The
Fairy Temple; or, Oberon's Chapel," "Oberon's Feast," and "Oberon's
Palace") are separated from each other, is greatly to be regretted.
The
last two, both dedicated to Shapcott, are distinctly connected by their
opening lines, and "Oberon's Chapel," dedicated to Mr. John Merrifield,
Herrick's other fairy-loving lawyer, of course belongs to the same
group. All three were probably first written in 1626 and cannot be
dissociated from Drayton's _Nymphidia_, published in 1627, and Sir
Simeon Steward's "A Description of the King of Fayries clothes, brought
to him on New-yeares day in the morning, 1626 [O. S. ], by his Queenes
Chambermaids". In 1635 there was published a little book of a dozen
leaves, most kindly transcribed for this edition by Mr. E. Gordon Duff,
from the unique copy at the Bodleian Library. It is entitled:--
"A | Description | of the King and Queene of | Fayries, their habit,
fare, their | abode pompe and state. | Beeing very delightfull to
the sense, and | full of mirth. | [Wood-cut. ] London. | _Printed
for Richard Harper, and are to be sold | at his shop, at the
Hospitall gate. _ 1635. "
Fol. 1 is blank; fol. 2 occupied by the title-page; ff. 3, 4 (verso
blank) by a letter "To the Reader," signed: "Yours hereafter, If now
approved on, R. S. ," beginning: "Courteous Reader, I present thee here
with the Description of the King of the Fayries, of his Attendants,
Apparel, Gesture, and Victuals, which though comprehended in the brevity
of so short a volume, yet as the Proverbe truely averres, it hath as
mellifluous and pleasing discourse, as that whose amplitude contains the
fulnesse of a bigger composition"; on fol. 5 (verso blank) occurs the
following poem [spelling here modernised]:--
"Deep-skilled Geographers, whose art and skill
Do traverse all the world, and with their quill
Declare the strangeness of each several clime,
The nature, situation, and the time
Of being inhabited, yet all their art
And deep informed skill could not impart
In what set climate of this Orb or Isle,
The King of Fairies kept, whose honoured style
Is here inclosed, with the sincere description
Of his abode, his nature, and the region
In which he rules: read, and thou shalt find
Delightful mirth, fit to content thy mind.
May the contents thereof thy palate suit,
With its mellifluous and pleasing fruit:
For nought can more be sweetened to my mind
Than that this Pamphlet thy contentment find;
Which if it shall, my labour is sufficed,
In being by your liking highly prized.
"Yours to his power,
"R. S. "
This is followed (pp. 1-3) by: "A Description of the Kings [sic] of
Fayries Clothes, brought to him on New-Yeares day in the morning, 1626,
by his Queenes Chambermaids:--
"First a cobweb shirt, more thin
Than ever spider since could spin.
Changed to the whiteness of the snow,
By the stormy winds that blow
In the vast and frozen air,
No shirt half so fine, so fair;
A rich waistcoat they did bring,
Made of the Trout-fly's gilded wing:
At which his Elveship 'gan to fret
The wearing it would make him sweat
Even with its weight: he needs would wear
A waistcoat made of downy hair
New shaven off an Eunuch's chin,
That pleased him well, 'twas wondrous thin.
The outside of his doublet was
Made of the four-leaved, true-loved grass,
Changed into so fine a gloss,
With the oil of crispy moss:
It made a rainbow in the night
Which gave a lustre passing light.
On every seam there was a lace
Drawn by the unctuous snail's slow pace,
To which the finest, purest, silver thread
Compared, did look like dull pale lead.
His breeches of the Fleece was wrought,
Which from Colchos Jason brought:
Spun into so fine a yarn
No mortal wight might it discern,
Weaved by Arachne on her loom,
Just before she had her doom.
A rich Mantle he did wear,
Made of tinsel gossamer.
Beflowered over with a few
Diamond stars of morning dew:
Dyed crimson in a maiden's blush,
Lined with humble-bees' lost plush.
His cap was all of ladies' love,
So wondrous light, that it did move
If any humming gnat or fly
Buzzed the air in passing by,
About his neck a wreath of pearl,
Dropped from the eyes of some poor girl,
Pinched, because she had forgot
To leave clean water in the pot. "
The next page is occupied by a woodcut, and then (pp. 5, misnumbered 4,
and 6) comes the variation on Herrick's "Oberon's Feast":--
"A DESCRIPTION OF HIS DIET.
"Now they, the Elves, within a trice,
Prepared a feast less great than nice,
Where you may imagine first,
The Elves prepare to quench his thirst,
In pure seed pearl of infant dew
Brought and sweetened with a blue
And pregnant violet; which done,
His killing eyes begin to run
Quite o'er the table, where he spies
The horns of watered butterflies,
Of which he eats, but with a little
Neat cool allay of cuckoo's spittle.
Next this the red-cap worm that's shut
Within the concave of a nut.
Moles' eyes he tastes, then adders' ears;
To these for sauce the slain stags' tears,
A bloated earwig, and the pith
Of sugared rush he glads him with.
Then he takes a little moth,
Late fatted in a scarlet cloth,
A spinner's ham, the beards of mice,
Nits carbonadoed, a device
Before unknown; the blood of fleas,
Which gave his Elveship's stomach ease.
The unctuous dew-laps of a snail,
The broke heart of a nightingale
O'ercome in music, with the sag
And well-bestrutted bee's sweet bag.
Conserves of atoms, and the mites,
The silk-worm's sperm, and the delights
Of all that ever yet hath blest
Fairy-land: so ends his feast. "
On the next page is printed: "Orpheus. Thrice excelling, for the
finishment of this Feast, thou must music it so that the Deities may
descend to grace it. " This is succeeded by a page bearing a woodcut,
then we have "The Fairies Fegaries," a poem occupying three more pages
followed by another woodcut, and then "The Melancholly Lover's Song,"
and a third woodcut. The occurrence of the _Melancholy Lover's Song_
(the well-known lines beginning: "Hence all you vain delights") in print
in 1635 is interesting, as I believe that _The Nice Valour_, the play in
which they occur, was not printed till 1647, and Milton's _Il
Penseroso_, which they suggested, appeared in 1645. But the verses are
rather out of place in the little Fairy-Book.
APPENDIX III.
POOR ROBIN'S ALMANACK.
Herrick's name has been so persistently connected with _Poor Robert's
Almanack_ that a few words must be said on the subject. There is, we are
told, a Devonshire tradition ascribing the _Almanack_ to him, and this
is accepted by Nichols in his _Leicestershire_, and "accredited" by Dr.
Grosart. The tradition apparently rests on no better basis than
Herrick's Christian name, and of the poems in the issues of the
_Almanack_ which I have seen, it may be said, that, while the worst of
them, save for some lack of neatness of turn, might conceivably have
been by Herrick--on the principle that if Herrick could write some of
his epigrams, he could write anything--the more ambitious poems it is
quite impossible to attribute to the author of the _Hesperides_. But
apart from opinion, the negative evidence is overwhelming. Of the three
earliest issues in the British Museum, 1664, 1667 and 1669 (all in the
annual collections of Almanacs, issued by the Stationers' Company, and
all, it may be noted, bound for Charles II. ), I transcribe the
title-page of the first. "Poor Robin. 1664. An Almanack After a New
Fashion wherein the Reader may see (if he be not blinde) many remarkable
things worthy of Observation. Containing a two-fold Kalendar, viz. the
Iulian or English, and the Roundheads or Fanaticks: with their several
Saints daies and Observations, upon every month. Written by Poor Robin,
Knight of the burnt Island and a well-willer to the Mathematicks.
Calculated for the Meridian of Saffron Walden, where the Pole is
elevated 52 degrees and 6 minutes above the Horizon. London: Printed for
the Company of Stationers. "
In the 1667 issue the paragraph about the Pole runs: "Where the
Maypole is elevated (with a plumm cake on the top of it) 5 yards 3/4 above
the Market Cross". The mention of Saffron Walden had apparently been
ridiculed, and the author in this year joins in the laugh, and in 1669
omits the paragraph altogether. But what had Herrick at any time to do
with Saffron Walden, and why should the poet, whose politics, apart from
some personal devotion to Charles I. , were distinctly moderate, mix
himself up with an ultra-Cavalier publication? Also, if Herrick be "Poor
Robin" we must attribute to him, at least, the greater part of the
twenty-one "Poor Robin" publications, of which Mr. H. Ecroyd Smith gave
a list in _Notes and Queries_, 6th series, vii. 321-3, _e. g. _, "Poor
Robin's Perambulation from the Town of Saffron Walden to London" (1678),
"The Merrie Exploits of Poor Robin, the Merrie Saddler of Walden," etc.
These have been generally assigned to William Winstanley, the
barber-poet, on the ground of a supposed similarity of style, and from
"Poor Robin" having been written under a portrait of him. Mr. Ecroyd
Smith, however, attributes them to Robert Winstanley (born, 1646, at
Saffron Walden), younger brother of Henry Winstanley, the projector of
the Eddystone Lighthouse. He assigns the credit of the "identification"
to Mr. Joseph Clark, F. S. A. , of the Roos, Saffron Walden, but does not
state the grounds which led Mr. Clark to his conclusion, in itself
probable enough. In any case there is no valid ground for connecting
Herrick either with the _Almanack_ or with any of the other "Poor Robin"
publications.
INDEX TO PERSONS MENTIONED.
Abdie, Lady. [_See_ Soame, Anne. ]
Alabaster, Doctor, II. 70.
Baldwin, Prudence,
I. 152, 189, 251
II. 78.
Bartly, Arthur, II. 36.
Beaumont, Francis, II. 4, 276.
Berkley, Sir John, II. 63.
Bradshaw, Katharine, I. 116.
Bridgeman, I. 46.
Buckingham, Duke of, I. 123.
Carlisle, Countess of, I. 78.
Charles I. ,
I. 28, 29, 74, 133, 198;
II. 43, 87, 123, 202, 204, 207.
Charles II. ,
I. 1, 105;
II. 13, 66.
Cotton, Charles, the elder, II. 119.
Crew, Lady,
I. 237;
II. 128.
Crew, Sir Clipseby,
I. 139, 201, 228, 248;
II. 18.
Crofts, John, II. 83.
Denham, Sir John, II. 39.
Dorchester, Marquis of, II. 124, 125.
Dorset, Earl of, I. 235.
Falconbridge, Margaret, II. 81.
Falconbridge, Thomas, I. 226.
Finch, Elizabeth, II. 123.
Fish, Sir Edward, I. 191.
Fletcher, John, II. 4, 269.
Giles, Sir Edward, II. 272.
Gotiere [Gouter, Jacques], I. 47.
Hall, John, II. 122.
Hall, Joseph, Bishop of Exeter, I. 77.
Harmar, Joseph, II. 125.
Hastings, Henry, Lord, II. 270.
Heale, Sir Thomas, II. 98.
Henrietta Maria, I. 133.
Herrick, Bridget, I. 255.
Herrick, Elizabeth, I. 26, 182.
Herrick, Julia, II. 143.
Herrick, Mercy, II. 86.
Herrick, Nicholas, II. 161.
Herrick, Robert, Poem on his Father, I. 31.
Herrick, Robert, Poem to his Nephew, I. 188.
Herrick, Robert,
I. 229;
II. 153, 157, 159, 160, 164.
Herrick, Susanna,
I. 243;
II. 128.
Herrick, Thomas,
I. 40;
II. 129.
Herrick, William, I. 88.
Hopton, Lord, II. 136.
Jincks, J. , II. 96.
Jonson, Ben,
I. 188;
II. 4, 11, 30, 109, 110.
Kellam, II. 112.
Kennedy, Dorothy, I. 50.
Lamiere, Nicholas, I. 105.
Lawes, Henry, II. 94, 270.
Lawes, William, II. 108.
Lee, Elizabeth, II. 16.
Lowman, Bridget, I.
M. S. sould by I. Hancock in Popes head Alley, 1650. _ 8vo. "
The printed title-page reads: "Recreations for Ingenious Head-peeces.
Or, A Pleasant Grove for their Wits to Walke in. Of Epigrams, 700:
Epitaphs, 200: Fancies, a number: Fantasticks, abundance. With their
Addition, Multiplication, and Division. _London, Printed by M.
Simmons_," etc. In this edition many of the Epigrams are omitted and
more than one hundred fresh ones added. Additions are also made to the
Epitaphs and Fancies and Fantasticks. Of the new Epigrams and Poems no
less than seventy-two had been printed two years earlier in Herrick's
_Hesperides_, and ten others were added in 1654 from the same source.
_Witts Recreations_ was again reprinted in 1663, 1667, and perhaps
oftener. In 1817 it was issued as vol. ii. of a collection of _Facetiae_,
of which Mennis and Smith's _Musarum Deliciae_ and _Wit Restor'd_ formed
vol. i. On the title-page _Witts Recreations_ is said to be printed from
edition 1640, with all the wood engravings and improvements of
subsequent editions, and in the preface it is explained to be "reprinted
after a collation of the four editions, 1640, 41, 54, and 63, for the
purpose of bringing together in one body all the various articles spread
throughout, and not to be found in any one edition". This 1817 reprint
was re-issued by Hotten in 1874, and this re-issue, as his references to
pagination show, was the one used by Dr. Grosart. The date 1640 on the
title-page may have caught his eye and led to his mistaken allusion to
the "prior publication" of the Herrick poems in 1640, whereas
_Hesperides_ was published in 1648, and the editions of _Witts
Recreations_ which contain anything of his besides the _Description of a
Woman_ and _A Farewell to Sack_, in 1650, 1654, etc.
In the Notes to the present edition I have drawn attention to all
variations in the text of the poems as printed by Herrick and the later
editors, and now subjoin a complete list of the poems under the titles
which they take in _Witts Recreations_, with their numbers in this
edition.
1645 Edition.
128. A Farewell to Sack.
[Not in _Hesp. _] The Description of a Woman.
1650 Edition Adds:--
123. A Tear sent to his M^is.
159. The Cruel Maid.
162. His Misery.
172. With a Ring to Julia.
200. On Gubbs.
206. On Bunce.
239. On Guesse.
241. On a Painted Madam.
310. On a Child.
311. On Sneape.
328. A Foolish Querie.
340. A Check to her Delay.
352. Nothing New.
357. Long and Lazy.
367. To a Stale Lady.
374. Gain and Gettings.
379. On Doll.
380. On Skrew.
381. On Linnit.
400. On Raspe.
407. On Himself.
408. Love and Liberty.
409. On Skinns.
428. On Craw.
434. On Jack and Jill.
517. Change.
534. To Julia.
572. On Umber.
600. Little and Loud.
616. Abroad with the Maids.
637. On Lungs.
640. On a Child.
644. On an Old Man, a Residentiary.
648. On Cob.
649. On Betty.
650. On Skoles.
661. Ambition.
666. On Zelot.
669. On Crab.
675. On Women's Denial.
676. Adversity.
693. On Tuck.
697. Adversity.
703. On Trigg.
711. Possessions.
735. Maids' Nays.
743. On Julia's Weeping.
752. No Pains No Gains.
761. Alvar and Anthea.
772. A Hymn to Bacchus.
776. Anger.
791. Verses.
795. On Bice.
796. On Trencherman.
797. Kisses.
832. On Punchin.
838. On a Maid.
840. Beauty.
846. Writing.
849. Satisfaction.
873. On Love.
881. ll. 13, 14, Sharp Sauce.
886. On Lulls.
902. Truth.
910. On Ben Jonson.
946. An Hymn to Love.
950. Leaven.
1025. On Boreman.
1084. On Love.
1085. On Gut.
1106. On Rump.
1119. Sauce for Sorrows.
1126. Of this Book.
1654 Edition Adds:--
49. Cherry Pit.
85. On Love.
92. The Bag of a Bee.
208. To make much of Time.
235. On an Old Batchelor.
238. Another. (On the Rose. )
253. Counsel not to Love.
260. How the Violets came blue.
337. A Vow to Cupid.
446. The Farewell to Love and to his Mistress.
APPENDIX II.
HERRICK'S FAIRY POEMS AND THE DESCRIPTION OF THE KING AND QUEENE OF
FAYRIES PUBLISHED 1635.
The publisher's freak, by which Herrick's three chief Fairy poems ("The
Fairy Temple; or, Oberon's Chapel," "Oberon's Feast," and "Oberon's
Palace") are separated from each other, is greatly to be regretted.
The
last two, both dedicated to Shapcott, are distinctly connected by their
opening lines, and "Oberon's Chapel," dedicated to Mr. John Merrifield,
Herrick's other fairy-loving lawyer, of course belongs to the same
group. All three were probably first written in 1626 and cannot be
dissociated from Drayton's _Nymphidia_, published in 1627, and Sir
Simeon Steward's "A Description of the King of Fayries clothes, brought
to him on New-yeares day in the morning, 1626 [O. S. ], by his Queenes
Chambermaids". In 1635 there was published a little book of a dozen
leaves, most kindly transcribed for this edition by Mr. E. Gordon Duff,
from the unique copy at the Bodleian Library. It is entitled:--
"A | Description | of the King and Queene of | Fayries, their habit,
fare, their | abode pompe and state. | Beeing very delightfull to
the sense, and | full of mirth. | [Wood-cut. ] London. | _Printed
for Richard Harper, and are to be sold | at his shop, at the
Hospitall gate. _ 1635. "
Fol. 1 is blank; fol. 2 occupied by the title-page; ff. 3, 4 (verso
blank) by a letter "To the Reader," signed: "Yours hereafter, If now
approved on, R. S. ," beginning: "Courteous Reader, I present thee here
with the Description of the King of the Fayries, of his Attendants,
Apparel, Gesture, and Victuals, which though comprehended in the brevity
of so short a volume, yet as the Proverbe truely averres, it hath as
mellifluous and pleasing discourse, as that whose amplitude contains the
fulnesse of a bigger composition"; on fol. 5 (verso blank) occurs the
following poem [spelling here modernised]:--
"Deep-skilled Geographers, whose art and skill
Do traverse all the world, and with their quill
Declare the strangeness of each several clime,
The nature, situation, and the time
Of being inhabited, yet all their art
And deep informed skill could not impart
In what set climate of this Orb or Isle,
The King of Fairies kept, whose honoured style
Is here inclosed, with the sincere description
Of his abode, his nature, and the region
In which he rules: read, and thou shalt find
Delightful mirth, fit to content thy mind.
May the contents thereof thy palate suit,
With its mellifluous and pleasing fruit:
For nought can more be sweetened to my mind
Than that this Pamphlet thy contentment find;
Which if it shall, my labour is sufficed,
In being by your liking highly prized.
"Yours to his power,
"R. S. "
This is followed (pp. 1-3) by: "A Description of the Kings [sic] of
Fayries Clothes, brought to him on New-Yeares day in the morning, 1626,
by his Queenes Chambermaids:--
"First a cobweb shirt, more thin
Than ever spider since could spin.
Changed to the whiteness of the snow,
By the stormy winds that blow
In the vast and frozen air,
No shirt half so fine, so fair;
A rich waistcoat they did bring,
Made of the Trout-fly's gilded wing:
At which his Elveship 'gan to fret
The wearing it would make him sweat
Even with its weight: he needs would wear
A waistcoat made of downy hair
New shaven off an Eunuch's chin,
That pleased him well, 'twas wondrous thin.
The outside of his doublet was
Made of the four-leaved, true-loved grass,
Changed into so fine a gloss,
With the oil of crispy moss:
It made a rainbow in the night
Which gave a lustre passing light.
On every seam there was a lace
Drawn by the unctuous snail's slow pace,
To which the finest, purest, silver thread
Compared, did look like dull pale lead.
His breeches of the Fleece was wrought,
Which from Colchos Jason brought:
Spun into so fine a yarn
No mortal wight might it discern,
Weaved by Arachne on her loom,
Just before she had her doom.
A rich Mantle he did wear,
Made of tinsel gossamer.
Beflowered over with a few
Diamond stars of morning dew:
Dyed crimson in a maiden's blush,
Lined with humble-bees' lost plush.
His cap was all of ladies' love,
So wondrous light, that it did move
If any humming gnat or fly
Buzzed the air in passing by,
About his neck a wreath of pearl,
Dropped from the eyes of some poor girl,
Pinched, because she had forgot
To leave clean water in the pot. "
The next page is occupied by a woodcut, and then (pp. 5, misnumbered 4,
and 6) comes the variation on Herrick's "Oberon's Feast":--
"A DESCRIPTION OF HIS DIET.
"Now they, the Elves, within a trice,
Prepared a feast less great than nice,
Where you may imagine first,
The Elves prepare to quench his thirst,
In pure seed pearl of infant dew
Brought and sweetened with a blue
And pregnant violet; which done,
His killing eyes begin to run
Quite o'er the table, where he spies
The horns of watered butterflies,
Of which he eats, but with a little
Neat cool allay of cuckoo's spittle.
Next this the red-cap worm that's shut
Within the concave of a nut.
Moles' eyes he tastes, then adders' ears;
To these for sauce the slain stags' tears,
A bloated earwig, and the pith
Of sugared rush he glads him with.
Then he takes a little moth,
Late fatted in a scarlet cloth,
A spinner's ham, the beards of mice,
Nits carbonadoed, a device
Before unknown; the blood of fleas,
Which gave his Elveship's stomach ease.
The unctuous dew-laps of a snail,
The broke heart of a nightingale
O'ercome in music, with the sag
And well-bestrutted bee's sweet bag.
Conserves of atoms, and the mites,
The silk-worm's sperm, and the delights
Of all that ever yet hath blest
Fairy-land: so ends his feast. "
On the next page is printed: "Orpheus. Thrice excelling, for the
finishment of this Feast, thou must music it so that the Deities may
descend to grace it. " This is succeeded by a page bearing a woodcut,
then we have "The Fairies Fegaries," a poem occupying three more pages
followed by another woodcut, and then "The Melancholly Lover's Song,"
and a third woodcut. The occurrence of the _Melancholy Lover's Song_
(the well-known lines beginning: "Hence all you vain delights") in print
in 1635 is interesting, as I believe that _The Nice Valour_, the play in
which they occur, was not printed till 1647, and Milton's _Il
Penseroso_, which they suggested, appeared in 1645. But the verses are
rather out of place in the little Fairy-Book.
APPENDIX III.
POOR ROBIN'S ALMANACK.
Herrick's name has been so persistently connected with _Poor Robert's
Almanack_ that a few words must be said on the subject. There is, we are
told, a Devonshire tradition ascribing the _Almanack_ to him, and this
is accepted by Nichols in his _Leicestershire_, and "accredited" by Dr.
Grosart. The tradition apparently rests on no better basis than
Herrick's Christian name, and of the poems in the issues of the
_Almanack_ which I have seen, it may be said, that, while the worst of
them, save for some lack of neatness of turn, might conceivably have
been by Herrick--on the principle that if Herrick could write some of
his epigrams, he could write anything--the more ambitious poems it is
quite impossible to attribute to the author of the _Hesperides_. But
apart from opinion, the negative evidence is overwhelming. Of the three
earliest issues in the British Museum, 1664, 1667 and 1669 (all in the
annual collections of Almanacs, issued by the Stationers' Company, and
all, it may be noted, bound for Charles II. ), I transcribe the
title-page of the first. "Poor Robin. 1664. An Almanack After a New
Fashion wherein the Reader may see (if he be not blinde) many remarkable
things worthy of Observation. Containing a two-fold Kalendar, viz. the
Iulian or English, and the Roundheads or Fanaticks: with their several
Saints daies and Observations, upon every month. Written by Poor Robin,
Knight of the burnt Island and a well-willer to the Mathematicks.
Calculated for the Meridian of Saffron Walden, where the Pole is
elevated 52 degrees and 6 minutes above the Horizon. London: Printed for
the Company of Stationers. "
In the 1667 issue the paragraph about the Pole runs: "Where the
Maypole is elevated (with a plumm cake on the top of it) 5 yards 3/4 above
the Market Cross". The mention of Saffron Walden had apparently been
ridiculed, and the author in this year joins in the laugh, and in 1669
omits the paragraph altogether. But what had Herrick at any time to do
with Saffron Walden, and why should the poet, whose politics, apart from
some personal devotion to Charles I. , were distinctly moderate, mix
himself up with an ultra-Cavalier publication? Also, if Herrick be "Poor
Robin" we must attribute to him, at least, the greater part of the
twenty-one "Poor Robin" publications, of which Mr. H. Ecroyd Smith gave
a list in _Notes and Queries_, 6th series, vii. 321-3, _e. g. _, "Poor
Robin's Perambulation from the Town of Saffron Walden to London" (1678),
"The Merrie Exploits of Poor Robin, the Merrie Saddler of Walden," etc.
These have been generally assigned to William Winstanley, the
barber-poet, on the ground of a supposed similarity of style, and from
"Poor Robin" having been written under a portrait of him. Mr. Ecroyd
Smith, however, attributes them to Robert Winstanley (born, 1646, at
Saffron Walden), younger brother of Henry Winstanley, the projector of
the Eddystone Lighthouse. He assigns the credit of the "identification"
to Mr. Joseph Clark, F. S. A. , of the Roos, Saffron Walden, but does not
state the grounds which led Mr. Clark to his conclusion, in itself
probable enough. In any case there is no valid ground for connecting
Herrick either with the _Almanack_ or with any of the other "Poor Robin"
publications.
INDEX TO PERSONS MENTIONED.
Abdie, Lady. [_See_ Soame, Anne. ]
Alabaster, Doctor, II. 70.
Baldwin, Prudence,
I. 152, 189, 251
II. 78.
Bartly, Arthur, II. 36.
Beaumont, Francis, II. 4, 276.
Berkley, Sir John, II. 63.
Bradshaw, Katharine, I. 116.
Bridgeman, I. 46.
Buckingham, Duke of, I. 123.
Carlisle, Countess of, I. 78.
Charles I. ,
I. 28, 29, 74, 133, 198;
II. 43, 87, 123, 202, 204, 207.
Charles II. ,
I. 1, 105;
II. 13, 66.
Cotton, Charles, the elder, II. 119.
Crew, Lady,
I. 237;
II. 128.
Crew, Sir Clipseby,
I. 139, 201, 228, 248;
II. 18.
Crofts, John, II. 83.
Denham, Sir John, II. 39.
Dorchester, Marquis of, II. 124, 125.
Dorset, Earl of, I. 235.
Falconbridge, Margaret, II. 81.
Falconbridge, Thomas, I. 226.
Finch, Elizabeth, II. 123.
Fish, Sir Edward, I. 191.
Fletcher, John, II. 4, 269.
Giles, Sir Edward, II. 272.
Gotiere [Gouter, Jacques], I. 47.
Hall, John, II. 122.
Hall, Joseph, Bishop of Exeter, I. 77.
Harmar, Joseph, II. 125.
Hastings, Henry, Lord, II. 270.
Heale, Sir Thomas, II. 98.
Henrietta Maria, I. 133.
Herrick, Bridget, I. 255.
Herrick, Elizabeth, I. 26, 182.
Herrick, Julia, II. 143.
Herrick, Mercy, II. 86.
Herrick, Nicholas, II. 161.
Herrick, Robert, Poem on his Father, I. 31.
Herrick, Robert, Poem to his Nephew, I. 188.
Herrick, Robert,
I. 229;
II. 153, 157, 159, 160, 164.
Herrick, Susanna,
I. 243;
II. 128.
Herrick, Thomas,
I. 40;
II. 129.
Herrick, William, I. 88.
Hopton, Lord, II. 136.
Jincks, J. , II. 96.
Jonson, Ben,
I. 188;
II. 4, 11, 30, 109, 110.
Kellam, II. 112.
Kennedy, Dorothy, I. 50.
Lamiere, Nicholas, I. 105.
Lawes, Henry, II. 94, 270.
Lawes, William, II. 108.
Lee, Elizabeth, II. 16.
Lowman, Bridget, I.
