No More Learning

Contemporary verse.
Philadelphia [etc. ].
http://hdl. handle. net/2027/hvd. hwxyx7
Public Domain, Google-digitized
http://www. hathitrust. org/access_use#pd-google
We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes.
HARVARD COLLEGE LIBRARY
r
CONTEMPORARY VERSE
offers a particularly remarkable series of the year 1917. Among those who will forthcoming numbers a
volumes for contribute to
Scudder Middleton Marguerite Wilkinson John Russell McCarthy Phoebe Hoffman Ellwood Lindsay Haines Esther Morton Smith Howard Buck
Mary Humphreys Samuel Roth
John Hall Wheelock Laura Benet
Fullerton L. Waldo Abigail Fithian Halsey Louis Ginsberg Marjorie Allen Seiffert J. M. Batchelor
"A. G. H. S. Mary Morris Duane
Freshness, strength, beauty and dignity characterize the poems in store for subscribers. The editors are confid ent that the magazine's year will be regarded as notable in American literature.
Among recent contributors to CONTEMPORARY have been :
Max Eastman
William Rose Benet Witter Bynner
Hermann Hagedorn Maxwell Struthers Burt
Salomon de la Selva
NO OTHER MAGAZINE IN THE UNITED STATES IS DEVOTED WHOLLY TO THE PUBLICATION OF POETRY.
Louis Untermeyer
Orrick Johns
Margaret Widdemer
Percival Allen
William Alexander Percy Helen Hoyt Howard Mumford Jones Amory Hare Cook
622 Washington Square
Philadelphia
J
]
Clinton Scollard Joyce Kilmer Leonard Bacon Edward J. O'Brien
VERSE
\C©HTEMF
Volume III JANUARY, 1017
THE POETS By Scudder Middleton
<AL LIBRARY
^Zl . A Number 1
HARVARD^ 'university]
We need you now, strong guardians of our hearts, Now, when a darkness lies on sea and land,
When we of weakening faith forget our parts And bow before the falling of the sand.
Be with us now or we betray our trust — And say, "There is no wisdom but in death"
—
The changeless regions of our empery,
Where once we moved in friendship with the stars.
O children of the light, now in our grief Give us again the solace of belief.
Remembering lovely eyes now closed with dust "There is no beauty that outlasts the breath. "
For we are growing blind and cannot see,
Beyond the clouds that stand like prison bars,
EN PASSANT By Marx Sabel
Out of the sultry night she came, With tired lips aflame;
Deep in her mutineering eyes The nervous anger of emprise
Wakened and fought the black, Ice-cold oppression back;
Fought in the hope of hopelessness, And fought for Artemis;
Fought in the. trust the fight would let Her weary heart forget;
Fought in the faith that some fair day True love would find its way
Over the wall that stood By her lost maidenhood.
Out of the heavy night she came, Silently calling his name;
Deep in her mutineering eyes Love chanting lullabies,
Timidly questioning
One who was wont to sing,
Stilling the songs upon his lips, Freezing his finger tips,
Stabbing his heart, and nailing his feet Fast to the iron street,
Trustingly going then
Down the dark street again.
8•
Of stinking stories; a tale, a dream.
The Priests are singing in their stalls,
Their singing lifts, their incense burns, their praying clamours; Yet God is as the sparrow falls;
The ivy drifts,
The votive urns
Are all left void when Fortune turns,
The god is but a marble for the kerns
To break with hammers; a tale, a dream.
O Beauty, let me know again
The green earth cold, the April rain, the quiet waters figuring sky, The one star risen.
So shall I pass into the feast
Not touched by King, Merchant or Priest;
Know the red spirit of the beast,
Be the green grain;
Escape from prison.
(Copyright, 1917, by John Masefield)
3
THE CHOICE By John Masefield
The Kings go by with jewelled crowns;
Their horses gleam, their banners shake, their spears are many. The sack of many-peopled towns
Is all their dream:
The way they take
Leaves but a ruin in the brake,
And, in the furrow that the plowmen make,
A stampless penny; a tale, a dream.
The Merchants reckon up their gold,
Their letters come, their ships arrive, their freights are glories: The profits of their treasures sold,
They tell and sum ;
Their foremen drive
, Their servants, starved to half-alive,
"
Whose labors do but make the earth a hive
THE GHOST
By Marjorie Allen Seiffert
Quiet dust is every vow We have spoken,
All alike forgotten now, Kept or broken.
One small ghost still haunts the vast Empty night,
Mutely seeking for its last Burial rite.
Just the love I long ago Ceased to mourn,
Begging that I let you know It was born.
TO BLANCHE By John Hall Wheelock
What is this memory, this homesickness, That draws me to yourself resistlessly
As to some far place where I long to be—
This exile's hungering for loveliness? Here in the night the face that I caress
Lies like a moonlit land beyond the sea,
A kingdom lost, toward which the heart of me, Shipwrecked and worn, beats backward in distress.
Have I been here before? How long ago,
And on what pilgrimage and journey far Was lost this land remembered ? By what star
Did I steer homeward? Only this I know, That all my being from my breast would go
To the dear home and heaven where you are.
4
THE SALVATION ARMY'S SONG By Phoebe Hoffman
"It's Christmas time, it's Christmas time," Echo the feet in the dusty street.
"It's Christmas time, it's Christmas time," The quavering tambourines repeat.
"God looks down from His judgment seat, 'Good will on earth' is His message sweet,
Turn your hearts to the Lord.
"The chimes will ring on Christmas Day, The chimes will ring on Christmas Day, And rich and poor will kneel and pray. The rich will feast on Christmas Day;
The poor will fast on Christmas Day.
Have you no mite to give away,
So the poor may eat on Christmas Day?
If you've only a penny, or a nickel, or a dime, Drop it in, drop it in, listen to it chime.
Take a silver minute from your treasured time; Listen to it tinkle a little chime
For the poor lost sheep of the Lord. "
There's wind and sleet on the bitter street, And it nips the fingers and numbs the feet. Electric signs flash on and out,
And gold-eyed motors dart about,
And trolleys jangle,
And crowds untangle,
And still they stand on their icy beat,
And still the tambourines repeat,
"God looks down from His judgment seat,
'Good will on earth' is His message sweet.
O give, O give, so the poor may eat. "
They are caked with ice from the driving sleet,
And they sling their arms, and they stamp their feet And glory in the pain and the freezing sleet,
For they are the soldiers of the Lord!
5
LIBATION
By Marjorie Allen Seiffert .
This hour shall pass,
Bearing beneath its heart
Our love, unborn;
Nor shall I mourn.
Like wind, leaving no footsteps in the grass, It will depart.
It came like light
Pouring into my eyes, —
This thought from yours
"Such passion might,
If we had faith —" Alas, we are too wise; No dream endures.
I shall forget
Your dream and mine.
This hour shall be
A glass of wine
Poured out into the unremembering sea Without regret.
6
THE TIDE
By Jeannette Marks
I shall find you when the tide comes in— A shell, a sound, a flash of light,
To live with me by day,
To dream with me by night.
You come and go As waters flow;
You lap me 'round And pour me full; A shell at rest,
You touch my breast. I feel your will,
And I am bound
By light, by sound; You love me still.
I shall find you when the tide comes in— A shell, a sound, a flash of light.
Men say you died.
They knew not what to say.
I hear the tide, I hear the tide!
7
THE PROOF
By Abigail Fithian Halsey How would I prove my love?
By some fair deed,
Some joyous sacrifice,
Some swift relief
Unto your utmost need,
Some glowing revelation
That, like sunlight on a distant hill, Should show you all my heart
In one glad moment yours.
How do I prove my love?
By standing just aside,
By seeing you go on,
Day after day,
In ways I may not tread; By watching your dear feet Stumble in paths
My word could save you from, Yet never speaking it;
By knowing past all doubting That the day will come, When, all else gone,
Alone,
Deserted,
You will turn your face To meet my waiting eyes, And there
Behold your own.
8
THE SOURCE
By Abigail Fithian Halsey
Dear comrade, do they call you dead? Ah no, not I.
Last night the moon lay white on all the land, A boat was anchored
Here beside the stream.
Oh, 'twas a merry party
Setting forth,
And you were here, And those we loved, And I.
One took the oars
And rowed us toward the hills.
The woods closed in,
The stream grew dark,
And then
The boat was grounded sudden on the shoals,
And I
Said quickly that perhaps
We'd come too far.
Too far, they all agreed,
And turned us back.
Then quietly you rose and stepped ashore, And with a smile to me,
Said,
"I am going on
To find the source,"
And left us there,
And I —
Dear comrade, do they call you dead ? Ah no, not I!
9
YOUR EYES ARE LIKE THE SEA By Leslie Nelson Jennings
Your eyes are like the sea
When air and sky, by some old alchemy,
Draw from the fires of spring The very substance of infinity—
The color of the stars' own conjuring.
. . .
Lost on a desert's parched immensity,
Your eyes
I seemed to be
And thirst had clutched my throat
Like strangler's fingers, while unpityingly
The arrows of the sun upon me smote.
Green promise there was none,
Nor hill to cast a shade, nor upright stone.
And I was dying there
Like some poor stricken beast, unmissed, alone
In God-forgotten vasts of yellow glare.
And then I thought there grew
Still waters on my sight, unshored and blue.
Now, Christ be thanked! I cried,
And ran to plunge my cracking flesh into That blessed lake, to quaff it undenied.
I knelt there, and it seemed, — One moment, that my torture had been dreamed
I drank most thankfully . . .
The blood-red sun bent over me
Your eyes are like the sea—the bitter sea!
. . .
Iscreamed. . .
EASTWARD IN THE "COMMONWEALTH" By Esther Morton Smith
She churns her way down the foaming sound; Her feathering paddles dip and shove
And rise again on their endless round
From the nether plunge to the heights above.
Swiftly and quietly down she slips,
A lighthouse to starboard, and one to port,
The colored lanterns of passing ships, A tow of barges, an old gray fort;
And we aboard her are lulled to rest
By the rhythmic beat of her mighty heart,
By the song of the winds from the salt southwest And the wash of the waters her great prows part.
Hark! she is speaking; a fog has fallen, Drifting in from the outer sea.
Mightily over the deep she's calling, "Coming! coming! make way for me! "
Far and faint, yet each moment clearer, Straight as an arrow down the sound,
An old-time freighter is drawing nearer, "City of Taunton" westward bound.
"B-o-o-m" and "B-o-o-m" from afar she hears us, She will pass on our starboard bow,
Out of the drifting fog she nears us, With rush of waters she's passing now.
Then farther, fainter, till she is lost, Forging to westward through the night;
Westward her deep-voiced tones are tossed,
And the ghostly glare of her great searchlight.
While to the eastward holding straight,
With rhythmical thrust and mighty drive,
Every inch of her palpitate, Keenly, powerfully alive,
The "Commonwealth" speeds over the sound As a strong swimmer breasts the sea,
Alert and sure, through a world around,
Wrapped in silence and mystery.
'
And I saw long ships, with their smokestacks leaning
In the white scud and the white foam and the smoky swift spray!
AS I CAME DOWN IN THE HARBOR By Louis Ginsberg
As I came down in the harbor, I saw ships careening — Tall ships with taut sails, bulging slowly away;
As I came down in the harbor, like far swallows flying, Delicate were the sails I saw, poised faint and dim !
. And who —Oh who will it be that will know how my heart went crying With the far ships and to far Spain beneath the sky's frail rim !
THREE POEMS By Mary Morris Duane
In My Need
Once in my need you gave to me A radiant smile,
And I made pause to bide in little while.
Perchance was passing thought, trick of eyes;
But on such hidden wings The gods arise.
Happiness
"O, Happiness, thou fickle maid, gay farewell to thee—"
But Happiness, that fickle maid, Came smiling back to me
Dreamt
dreamt that thou didst come
When was dead and lay pale violets About my head; —
And on my folded hands,
Where once did live
Thy kiss, — felt thy tears
And heard, "Forgive! 1'
1
A itAA I is
I I it a
!
it,
SONNETS By Samuel Roth
Trifles
The road is clear tonight, and all is still.
I do not mind the stars; the only thing
Alive, the moon, perched full upon her wing, Is drifting languidly over the hill.
I think if the eternal grasp should will
To loose one moment in the iron ring
Of law and place, she too would fall and cling To the dead ashes, and she would not thrill. Nor would I stir to see the death, were't not That in the circle of this very moon
And in this hill's shade sleep my heart and you. Such loves have been, I know, and are forgot, Death comes to all and never comes too soon, Yet in these trifles, dear, let us be true.
If I Should Speak
If I should speak you would not understand. You'd only hear my voice and see my eyes And the remembrance of old ecstasies Awakening within you solemn-grand
Would flood my words; you would forget my hand Lay tremulous on yours, you would arise
And go from me as night when silence dies
And dawn and shouting harrow all the land. How can you understand that this my heart
Is but a sparrow in an eagle's nest?
So far it is from both the sky and land,
It cannot rise, it dare not fall, so lives apart
From fear of conquest and from hope of rest. . . I will not speak; you could not understand.
'4
THE GOOSE GIRL'S SONG By Laura Benet
Last morn as I was bleaching the queen's linen On the moor-grass sere and dry,
A breath of summer breeze it blew my apron To the four parts of the sky;
And as I started up tiptoe with wonder And gazed towards the town,
A little round well opened to my footsteps With water clear and brown.
'
Oh the well sweet, the well deep, the zvell with the water so fine! "
Last eve, as I was leading the king's children From the pasture where they played,
A fairy bugle sounded from an oak-tree Where tired elves had strayed;
And as it thrilled across the purple uplands And dropped to one soft note,
A golden birdie darted from the branches With white and silver throat.
Oh the bird white, the bird light, the bird with the fairy voice! "
Last night, as I was combing out my tresses In the turret chamber grey,
I saw a fairy ship, a-sailing, sailing, Through the crimson sunset gay;
And common people say it is the new moon, But full well do I ken
It is the sail the pixies are a-speeding To bear me off from men.
Oh tlie moon light, the sail bright thafs coming to me again! "
PINE
By John Russell McCarthy
You must have dreamed a little every year For fifty years: you must have been a child, Shy and diffident with the violets, School-girlish with the daisies, or perhaps
A youthful Indian with the hickory tree;
You must have been a lover with the beech, A wise young father walking with your sons Beneath the maple; then have battled long Grim and defiant with the oak : all these
You must have been for fifty dreaming years Before you may hold converse with the pine.
And then, maybe, if you have dreamed enough, If there are strange old terrors in your eyes
And wild new fancies singing prophecies,
You may bring tribute to the king of dreams; And -he will read your eyes' weird mysteries And give you stranger terrors of your own, And chant you wilder fancies — 'til you know The vague old magic of the haunted wood.
Published monthly at 622 South Washington Square, Philadelphia, Pa.
Subscription rates, one year, $1. 50; single copy, 15 cents.
Edited by James E. Richardson, Charles Wharton Stork and Samuel McCoy. Copyright, 1916, by the editors, trading as CONTEMPORARY VERSE.
16
THE CONTRIBUTORS
Scudder Middleton's poem, 'The Clerk," published in the June number of Contemporary Verse, is ranked in "An Anthology of Magazine Verse" as one of the thirty most distinguished poems published in the United States in 1916. Other previous contributors are Marguerite Wilkin son, John Hall Wheelock, Louis Ginsberg, Fhoebe Hcffman, John Russell McCarthy and Marjorie Allen Seiffert. Jeannette Marks, novelist, as well as poet, is a member of the faculty of Mt. Holyoke College. Leslie Nelson Jennings makes his home in California. Mary Morris Duane is a Phila- delphian. Abigail Fithian Halsey makes her home in Southampton, Long Island. Samuel Roth writes from New York. Marx Sabel's home is in Jacksonville, Florida. John Masefield is the author of "The Widow in the the Bye Street," "Good Friday," "The Everlasting Mercy," "Saltwater Ballads," "The Tragedy of Nan," and other volumes.
Here critics say
"The contents are of very good
Contemporary Verse.
"Slender in bulk—but it contains good poems. "
— New Orleans, Louisiana, Times-Picayune
" 'Contemporary Verse' is here, and, we hope, to stay. It came without a flourish — dimply print ed some very good contributions. That ought to be sufficient for those American Intellectuals who are bemoaning the deca dence of poetry. "
—The Rochester Herald, Rochester, New York
— The Literary Digest, New York Rates, $1. 50 a year
Address: 622 South Washington Square, Philadelphia
quality indeed. "
— Current Opinion, New
York
"Each contribution is a gem. " —Sioux City, Iowa, Daily Tribune
"Has in it finer stuff than we've seen in many another more pre tentious journal. "
—T. A. Daly,
Philadelphia Evening Ledger
"All the contents are interesting. " —Chicago Record-Herald
"Its poetry is admirably selected
to find any other American magazine verse more notable for originality and imagination. . . . "
It would be difficult
Application for entry at Second Clan matter at the Post Office i
By JOHN HALL WHEELOCK
Love and Liberation $1. 50 net
"Sleep on, I lie at heaven's high oriels Over the stars that mumur as they go Lighting your lattice window (ar b low;
And every star some of the glory spells Whereof I know.
I have forgotten you long, long ago.
Like the sweet, silver singing of thin bells Vanished, or music fading faint and low.
Sleep on. I lie at heaven's high oriels Who loved you so. "
Sherman, French & Co.
cm Street Boston
SELECTED POEMS OF
Gustaf Froeding
The greatest poet of a great poetic literature, adequately introduced to English readers.
FROM THE LIMBO OF FORGOTTEN
THINGS
A BOOK OF VERSE BY MARY STUART TYSON
Two plays have chief place in this volume. Because France to. day — perhaps more than ever in her history—is in the minds and hearts of other nations, these two poetic and romantic episodes of her past are timely.
Poems in various moods are also included in the book and add variety to its feast. Among them are Miss Tyson's contribu tions to "Contemporary Verse. "
Paper boards, 12 mo; $1. 00 net
Sherman, French & Company Baste*
JOHN MASEFIELD'S
New Book Is
"A piece of literature so magnifi
cent, so heroic so heart-breaking that it sends us back to the Greek epics for comparison, and sweeps us again, breathless and with tears in our eyes, to look upon the brave deeds and the agonies of our time. "— TV. Y. Times.
GALLIPOLI iNow Second Edition)
BY JOHN MASBFIEI. 0 Illustrated, $1.
6
THE TIDE
By Jeannette Marks
I shall find you when the tide comes in— A shell, a sound, a flash of light,
To live with me by day,
To dream with me by night.
You come and go As waters flow;
You lap me 'round And pour me full; A shell at rest,
You touch my breast. I feel your will,
And I am bound
By light, by sound; You love me still.
I shall find you when the tide comes in— A shell, a sound, a flash of light.
Men say you died.
They knew not what to say.
I hear the tide, I hear the tide!
7
THE PROOF
By Abigail Fithian Halsey How would I prove my love?
By some fair deed,
Some joyous sacrifice,
Some swift relief
Unto your utmost need,
Some glowing revelation
That, like sunlight on a distant hill, Should show you all my heart
In one glad moment yours.
How do I prove my love?
By standing just aside,
By seeing you go on,
Day after day,
In ways I may not tread; By watching your dear feet Stumble in paths
My word could save you from, Yet never speaking it;
By knowing past all doubting That the day will come, When, all else gone,
Alone,
Deserted,
You will turn your face To meet my waiting eyes, And there
Behold your own.
8
THE SOURCE
By Abigail Fithian Halsey
Dear comrade, do they call you dead? Ah no, not I.
Last night the moon lay white on all the land, A boat was anchored
Here beside the stream.
Oh, 'twas a merry party
Setting forth,
And you were here, And those we loved, And I.
One took the oars
And rowed us toward the hills.
The woods closed in,
The stream grew dark,
And then
The boat was grounded sudden on the shoals,
And I
Said quickly that perhaps
We'd come too far.
Too far, they all agreed,
And turned us back.
Then quietly you rose and stepped ashore, And with a smile to me,
Said,
"I am going on
To find the source,"
And left us there,
And I —
Dear comrade, do they call you dead ? Ah no, not I!
9
YOUR EYES ARE LIKE THE SEA By Leslie Nelson Jennings
Your eyes are like the sea
When air and sky, by some old alchemy,
Draw from the fires of spring The very substance of infinity—
The color of the stars' own conjuring.
. . .
Lost on a desert's parched immensity,
Your eyes
I seemed to be
And thirst had clutched my throat
Like strangler's fingers, while unpityingly
The arrows of the sun upon me smote.
Green promise there was none,
Nor hill to cast a shade, nor upright stone.
And I was dying there
Like some poor stricken beast, unmissed, alone
In God-forgotten vasts of yellow glare.
And then I thought there grew
Still waters on my sight, unshored and blue.
Now, Christ be thanked! I cried,
And ran to plunge my cracking flesh into That blessed lake, to quaff it undenied.
I knelt there, and it seemed, — One moment, that my torture had been dreamed
I drank most thankfully . . .
The blood-red sun bent over me
Your eyes are like the sea—the bitter sea!
. . .
Iscreamed. . .
EASTWARD IN THE "COMMONWEALTH" By Esther Morton Smith
She churns her way down the foaming sound; Her feathering paddles dip and shove
And rise again on their endless round
From the nether plunge to the heights above.
Swiftly and quietly down she slips,
A lighthouse to starboard, and one to port,
The colored lanterns of passing ships, A tow of barges, an old gray fort;
And we aboard her are lulled to rest
By the rhythmic beat of her mighty heart,
By the song of the winds from the salt southwest And the wash of the waters her great prows part.
Hark! she is speaking; a fog has fallen, Drifting in from the outer sea.
Mightily over the deep she's calling, "Coming! coming! make way for me! "
Far and faint, yet each moment clearer, Straight as an arrow down the sound,
An old-time freighter is drawing nearer, "City of Taunton" westward bound.
"B-o-o-m" and "B-o-o-m" from afar she hears us, She will pass on our starboard bow,
Out of the drifting fog she nears us, With rush of waters she's passing now.
Then farther, fainter, till she is lost, Forging to westward through the night;
Westward her deep-voiced tones are tossed,
And the ghostly glare of her great searchlight.
While to the eastward holding straight,
With rhythmical thrust and mighty drive,
Every inch of her palpitate, Keenly, powerfully alive,
The "Commonwealth" speeds over the sound As a strong swimmer breasts the sea,
Alert and sure, through a world around,
Wrapped in silence and mystery.
'
And I saw long ships, with their smokestacks leaning
In the white scud and the white foam and the smoky swift spray!
AS I CAME DOWN IN THE HARBOR By Louis Ginsberg
As I came down in the harbor, I saw ships careening — Tall ships with taut sails, bulging slowly away;
As I came down in the harbor, like far swallows flying, Delicate were the sails I saw, poised faint and dim !
. And who —Oh who will it be that will know how my heart went crying With the far ships and to far Spain beneath the sky's frail rim !
THREE POEMS By Mary Morris Duane
In My Need
Once in my need you gave to me A radiant smile,
And I made pause to bide in little while.
Perchance was passing thought, trick of eyes;
But on such hidden wings The gods arise.
Happiness
"O, Happiness, thou fickle maid, gay farewell to thee—"
But Happiness, that fickle maid, Came smiling back to me
Dreamt
dreamt that thou didst come
When was dead and lay pale violets About my head; —
And on my folded hands,
Where once did live
Thy kiss, — felt thy tears
And heard, "Forgive! 1'
1
A itAA I is
I I it a
!
it,
SONNETS By Samuel Roth
Trifles
The road is clear tonight, and all is still.
I do not mind the stars; the only thing
Alive, the moon, perched full upon her wing, Is drifting languidly over the hill.
I think if the eternal grasp should will
To loose one moment in the iron ring
Of law and place, she too would fall and cling To the dead ashes, and she would not thrill. Nor would I stir to see the death, were't not That in the circle of this very moon
And in this hill's shade sleep my heart and you. Such loves have been, I know, and are forgot, Death comes to all and never comes too soon, Yet in these trifles, dear, let us be true.
If I Should Speak
If I should speak you would not understand. You'd only hear my voice and see my eyes And the remembrance of old ecstasies Awakening within you solemn-grand
Would flood my words; you would forget my hand Lay tremulous on yours, you would arise
And go from me as night when silence dies
And dawn and shouting harrow all the land. How can you understand that this my heart
Is but a sparrow in an eagle's nest?
So far it is from both the sky and land,
It cannot rise, it dare not fall, so lives apart
From fear of conquest and from hope of rest. . . I will not speak; you could not understand.
'4
THE GOOSE GIRL'S SONG By Laura Benet
Last morn as I was bleaching the queen's linen On the moor-grass sere and dry,
A breath of summer breeze it blew my apron To the four parts of the sky;
And as I started up tiptoe with wonder And gazed towards the town,
A little round well opened to my footsteps With water clear and brown.
'
Oh the well sweet, the well deep, the zvell with the water so fine! "
Last eve, as I was leading the king's children From the pasture where they played,
A fairy bugle sounded from an oak-tree Where tired elves had strayed;
And as it thrilled across the purple uplands And dropped to one soft note,
A golden birdie darted from the branches With white and silver throat.
Oh the bird white, the bird light, the bird with the fairy voice! "
Last night, as I was combing out my tresses In the turret chamber grey,
I saw a fairy ship, a-sailing, sailing, Through the crimson sunset gay;
And common people say it is the new moon, But full well do I ken
It is the sail the pixies are a-speeding To bear me off from men.
Oh tlie moon light, the sail bright thafs coming to me again! "
PINE
By John Russell McCarthy
You must have dreamed a little every year For fifty years: you must have been a child, Shy and diffident with the violets, School-girlish with the daisies, or perhaps
A youthful Indian with the hickory tree;
You must have been a lover with the beech, A wise young father walking with your sons Beneath the maple; then have battled long Grim and defiant with the oak : all these
You must have been for fifty dreaming years Before you may hold converse with the pine.
And then, maybe, if you have dreamed enough, If there are strange old terrors in your eyes
And wild new fancies singing prophecies,
You may bring tribute to the king of dreams; And -he will read your eyes' weird mysteries And give you stranger terrors of your own, And chant you wilder fancies — 'til you know The vague old magic of the haunted wood.
Published monthly at 622 South Washington Square, Philadelphia, Pa.
Subscription rates, one year, $1. 50; single copy, 15 cents.
Edited by James E. Richardson, Charles Wharton Stork and Samuel McCoy. Copyright, 1916, by the editors, trading as CONTEMPORARY VERSE.
16
THE CONTRIBUTORS
Scudder Middleton's poem, 'The Clerk," published in the June number of Contemporary Verse, is ranked in "An Anthology of Magazine Verse" as one of the thirty most distinguished poems published in the United States in 1916. Other previous contributors are Marguerite Wilkin son, John Hall Wheelock, Louis Ginsberg, Fhoebe Hcffman, John Russell McCarthy and Marjorie Allen Seiffert. Jeannette Marks, novelist, as well as poet, is a member of the faculty of Mt. Holyoke College. Leslie Nelson Jennings makes his home in California. Mary Morris Duane is a Phila- delphian. Abigail Fithian Halsey makes her home in Southampton, Long Island. Samuel Roth writes from New York. Marx Sabel's home is in Jacksonville, Florida. John Masefield is the author of "The Widow in the the Bye Street," "Good Friday," "The Everlasting Mercy," "Saltwater Ballads," "The Tragedy of Nan," and other volumes.
Here critics say
"The contents are of very good
Contemporary Verse.
"Slender in bulk—but it contains good poems. "
— New Orleans, Louisiana, Times-Picayune
" 'Contemporary Verse' is here, and, we hope, to stay. It came without a flourish — dimply print ed some very good contributions. That ought to be sufficient for those American Intellectuals who are bemoaning the deca dence of poetry. "
—The Rochester Herald, Rochester, New York
— The Literary Digest, New York Rates, $1. 50 a year
Address: 622 South Washington Square, Philadelphia
quality indeed. "
— Current Opinion, New
York
"Each contribution is a gem. " —Sioux City, Iowa, Daily Tribune
"Has in it finer stuff than we've seen in many another more pre tentious journal. "
—T. A. Daly,
Philadelphia Evening Ledger
"All the contents are interesting. " —Chicago Record-Herald
"Its poetry is admirably selected
to find any other American magazine verse more notable for originality and imagination. . . . "
It would be difficult
Application for entry at Second Clan matter at the Post Office i
By JOHN HALL WHEELOCK
Love and Liberation $1. 50 net
"Sleep on, I lie at heaven's high oriels Over the stars that mumur as they go Lighting your lattice window (ar b low;
And every star some of the glory spells Whereof I know.
I have forgotten you long, long ago.
Like the sweet, silver singing of thin bells Vanished, or music fading faint and low.
Sleep on. I lie at heaven's high oriels Who loved you so. "
Sherman, French & Co.
cm Street Boston
SELECTED POEMS OF
Gustaf Froeding
The greatest poet of a great poetic literature, adequately introduced to English readers.
FROM THE LIMBO OF FORGOTTEN
THINGS
A BOOK OF VERSE BY MARY STUART TYSON
Two plays have chief place in this volume. Because France to. day — perhaps more than ever in her history—is in the minds and hearts of other nations, these two poetic and romantic episodes of her past are timely.
Poems in various moods are also included in the book and add variety to its feast. Among them are Miss Tyson's contribu tions to "Contemporary Verse. "
Paper boards, 12 mo; $1. 00 net
Sherman, French & Company Baste*
JOHN MASEFIELD'S
New Book Is
"A piece of literature so magnifi
cent, so heroic so heart-breaking that it sends us back to the Greek epics for comparison, and sweeps us again, breathless and with tears in our eyes, to look upon the brave deeds and the agonies of our time. "— TV. Y. Times.
GALLIPOLI iNow Second Edition)
BY JOHN MASBFIEI. 0 Illustrated, $1. 25
The Macmillan Co. , Pubs. , N. Y.
A complete list of Masefield's works sent on request.
Translated from the Swedish by
STORK, author of "Sea and Bay," etc.
CHARLES WHARTON
"Like a fresh wind out of the north- land. " —Pittsburgh Post.
"The most powerful, the most finely imaginative Ihe most powerful" (l, e. , of Swedish poets)" —N. Y. Post.
"His folk-songs have the rare ele
mental touch. "
—
Review of Reviews.
"The workmanship of the transla tions is excellent. " — Brooklyn Eagle.
"The thirsty'may drink liquid lines to his heart's content. " —N. Y. World.
The Macmillan Co. , New York
CONTEMPORARY VERSE
offers a particularly remarkable series of poems for
the year 1917. Among those forthcoming numbers are:
Conrad Aiken
Louis Untermeyer
Orrick Johns
Margaret Widdemer Percival Allen
William Alexander Percy Scudder Middleton Marguerite Wilkinson John Russell McCarthy Phoebe Hoffman
Elwood Lindsay Haines Esther Morton Smith Howard Buck
Mary Humphreys
Samuel Roth
Mary Eleanor Roberts
who will contribute to
Howard Mumford Jones Clinton Scollard
John Luther Long Clement Wood
Arthur Davison Ficke Joyce Kilmer
Maxwell Struthers Burt John Hall Wheelock Laura Benet
Fullerton L. Waldo Abigail Fithian Halsey Louis Ginsberg Marjorie Allen Seiffert J. M. Batchelor
Mary Morris Duane William Laird
Freshness, strength, beauty and dignity characterize the poems in store for subscribers. The editors are confid ent that the magazine's year will be regarded as notable in American literature.
The Literary Digest says, in a recent issue :
"There are many "poetry magazines,' but so far as we know Contemporary Verse is the only Ameriean magazine devoted wholly to the publication of poetry.
"It contains no criticism, no letters, nothing but verse, and that usually of a high order of excellence. In every issue there is sure to be at least one poem so interesting as to justify the publication of that number of the magazine. "
Rates $1. 50 a Year
622 Washington Square Philadelphia
r HARVARD
UNIVERSITY! LIBRARY
> jW3 . . /)
CONTEMPORARY VERSE VOtUMK III FEBRUARY, 1917 Number 3
THE MAN TO HIS DEAD POET By John Hall Wheelock
In the small, bare room brimmed up with twilight Hours long in silence I had sat
By the bed on which my youth lay dying And the poet that I once had been.
•
Many and many a day he had been failing, And I knew the end must come at last—
The poor fellow—I had loved him dearly, It was hard for me to see him go.
He was both my rapture and my sorrow — O how love unto its sorrow clings!
Many a bitter hour had he brought me, Loneliness, and shipwreck of the heart;
And I loved him. But my mind was weary Almost as the twilight of the day,
And my soul was sullen, and a little Tired of his everlasting talk.
Still from side to side his eyes went roaming, As in fever earnestly he moaned
Old forgotten ecstasies and splendors Ebbed from out my heart forevermore.
His poor fingers aimlessly and awkward Fumbled with the covers, and a look
On his features, fatuous and fervent, Foolish seemed and laughable enough.
«7
Softly stirred the curtains. From the river Came a sound of whistles. In the street Flared the first few lamps. A barrel-organ
Rasped a mournful measure. Night was here.
"Ah, the cities," cried he, "and the faces Like an endless river rolling on —
From what unknown deeps of being risen
All those myriads, to what shadowy coast
"Of huge doom in sullen grandeur moving, The vast waters of the human soul!
Can you see it still—as in an ocean Every sea-drop sparkles of the sea,
"Foams, and perishes—, so for a moment From each living face the dauntless, dear
Eyes of life look out at us to greet us, Shine —and hurry by into the night!
"Is it beautiful," he cried, "my brother? " With such fiery question burned his glance,
That to quiet him in haste I answered,
"All that you have said is doubtless so;
"But, pray, calm yourself, my dear, good fellow, Let it be, and let it go at that. "
And I drew the covers 'round him closer, Smoothed his pillow for him. He began:
"Do you 'mind that night beside the beaches When the whole world in one brimming cup,
Earth and sky, the sea, clouds, dews, and starlight, To our lips was lifted, and we drank,
"Dizzy with dread joy and sacrificial Rapture of self-loss and sorrow dear,
Deep of beauty's draught, divine nirvana, The bewildering wine of all the world? "
"I remember certain lonely beaches," Wearily I answered, "nothing more.
Starlight is a usual occurrence
Any pleasant night beside the sea. "
18
For my heart was sick and sore within me, — The poor fellow, every word he spoke
Shamed me, there was something in his gesture Almost comic that I could not bear.
Yet I feared this time that I had hurt him, Such offended silence long he kept:
On his hand I laid my hand in pity, Penitent, —and softly he began,
"Ah that night in May, do you remember? Nightingales are singing from the wood — —
And the moonlight through the lattice streaming Silence —and deep midnight —and one face
"Like a moonlit land, desire's kingdom, Luring from the breast the homesick self! "
Can you see it still," he cried, "my brother? Then in anger broke my wounded heart.
"Streets I see," I said, "and squalid alleys Where one lamp flares foully in the night,
Darkened windows full of empty faces — The sad jest and tragedy of man! "
"This," he cried aloud, "this, too, is holy— O dear beauty in what beggar's guise
You may hide your splendor, yet I know you; Though the ears be deaf, the eyes be blind,
"Glorious are all things, and forever Beautiful and holy is the real! "
Now I could not answer him, most strangely Touched me those old words I knew so well.
And I felt the night between us deepen,
Heard the clock that ticked upon the shelf,
The great silence closing in around us,
And his hand that he withdrew from mine.
Suddenly he struggled upward laughing,
Tears of joy were streaming down his face:
In my breast the pang of some departure Seized me, and I wept, I know not why.
19
From a gully of the jaded city
Drunken laughter filtered through the night
Where I knelt, and toward the open window Reached my hands before me as in prayer.
"Yes" I whispered "this, too, holy, Even this holy and divine,
Though to poets known and lovers only
The dear face that looks from meanest things
"And the majesty that moves about us,
The bright splendor what common guise.
O dear beauty, though forever banished, Your lost angel by the outer gate,
"Though no more see, no more may sound The lost truth that was my very soul,
Let me, baffled still yet still believing, In the darkness loyal to the light,
"Deep within this exiled bosom bear Silent, the great faith forevermore:
Beautiful are all things, and forever Holy, holy, holy the real! "
From the proud, pale east the patient morning Glimmered sadly on million rooves.
'Round me the old sorrow was awaking, And the breaking of some mighty heart.
On his breast his hands in peace folded Decently, and closed the staring eyes.