Your letter was addressed to my husband, you knowing
by your delicate true instinct where your praise would give most
pleasure; but I believe Robert had not the heart to write when I felt
that I should not have the spirits to add a word in the proper key.
by your delicate true instinct where your praise would give most
pleasure; but I believe Robert had not the heart to write when I felt
that I should not have the spirits to add a word in the proper key.
Selection of English Letters
Might I not at that very instant have been
cogitating on the characters of Saturn and Ops? It is a wretched thing
to confess, but it is a very fact, that not one word I ever utter can
be taken for granted as an opinion growing out of my identical nature.
How can it, when I have no nature? When I am in a room with people,
if I ever am free from speculating on creations of my own brain, then,
not myself goes home to myself, but the identity of every one in the
room begins to press upon me, [so] that I am in a very little time
annihilated--not only among men; it would be the same in a nursery of
children. I know not whether I make myself wholly understood: I hope
enough so to let you see that no dependence is to be placed on what I
said that day.
In the second place, I will speak of my views, and of the life I
purpose to myself. I am ambitious of doing the world some good: if
I should be spared, that may be the work of maturer years--in the
interval I will assay to reach to as high a summit in poetry as the
nerve bestowed upon me will suffer. The faint conceptions I have of
poems to come bring the blood frequently into my forehead. All I
hope is, that I may not lose all interest in human affairs--that
the solitary indifference I feel for applause, even from the finest
spirits, will not blunt any acuteness of vision I may have. I do not
think it will. I feel assured I should write from the mere yearning
and fondness I have for the beautiful, even if my night's labours
should be burnt every morning, and no eye ever shine upon them.
But even now I am perhaps not speaking from myself, but from some
character in whose soul I now live . . .
TO PERCY BYSSHE SHELLEY
_Returning advice_
Hampstead, 10 _Aug_. 1820.
MY DEAR SHELLEY,
I am very much gratified that you, in a foreign country, and with a
mind almost over-occupied, should write to me in the strain of the
letter beside me. If I do not take advantage of your invitation,
it will be prevented by a circumstance I have very much at heart to
prophesy. There is no doubt that an English winter would put an end to
me, and do so in a lingering, hateful manner. Therefore, I must either
voyage or journey to Italy, as a soldier marches up to a battery.
My nerves at present are the worst part of me, yet they feel soothed
that, come what extreme may, I shall not be destined to remain in one
spot long enough to take a hatred of any four particular bedposts. I
am glad you take any pleasure in my poor poem, which I would willingly
take the trouble to unwrite, if possible, did I care so much as I
have done about reputation. I received a copy of the _Cenci_, as from
yourself, from Hunt. There is only one part of it I am judge of--the
poetry and dramatic effect, which by many spirits nowadays is
considered the Mammon. A modern work, it is said, must have a purpose,
which may be the God. An artist must serve Mammon; he must have
'self-concentration'--selfishness, perhaps. You, I am sure,
will forgive me for sincerely remarking that you might curb your
magnanimity, and be more of an artist, and load every rift of your
subject with ore. The thought of such discipline must fall like cold
chains upon you, who perhaps never sat with your wings furled for six
months together. And is not this extraordinary talk for the writer of
_Endymion_, whose mind was like a pack of scattered cards? I am picked
up and sorted to a pip. My imagination is a monastery, and I am its
monk. I am in expectation of _Prometheus_ every day. Could I have my
own wish effected, you would have it still in manuscript, or be but
now putting an end to the second act. I remember you advising me not
to publish my first blights, on Hampstead Heath. I am returning advice
upon your hands. Most of the poems in the volume I send you have been
written above two years, and would never have been published but for a
hope of gain; so you see I am inclined enough to take your advice now.
I must express once more my deep sense of your kindness, adding my
sincere thanks and respects for Mrs. Shelley. In hope of soon seeing
you--
To CHARLES BROWN
_A despairing cry_
Naples, 1 _Nov_. [1820. ]
MY DEAR BROWN,
Yesterday we were let out of quarantine, during which my health
suffered more from bad air and the stifled cabin than it had done the
whole voyage. The fresh air revived me a little, and I hope I am well
enough this morning to write to you a short calm letter;--if that can
be called one, in which I am afraid to speak of what I would
fainest dwell upon. As I have gone thus far into it, I must go on
a little;--perhaps it may relieve the load of _wretchedness_ which
presses upon me. The persuasion that I shall see her no more will kill
me. My dear Brown, I should have had her when I was in health, and I
should have remained well. I can bear to die--I cannot bear to leave
her. Oh, God! God! God! Everything I have in my trunks that reminds
me of her goes through me like a spear. The silk lining she put in my
travelling cap scalds my head. My imagination is horribly vivid
about her--I see her--I hear her. There is nothing in the world of
sufficient interest to divert me from her a moment. This was the case
when I was in England: I cannot recollect, without shuddering, the
time that I was a prisoner at Hunt's, and used to keep my eyes
fixed on Hampstead all day. Then there was a good hope of seeing
her again--Now! --O that I could be buried near where she lives! I
am afraid to write to her--to receive a letter from her--to see her
handwriting would break my heart--even to hear of her anyhow, to see
her name written, would be more than I can bear. My dear Brown, what
am I to do? Where can I look for consolation or ease? If I had any
chance of recovery, this passion would kill me. Indeed, through the
whole of my illness, both at your house and at Kentish Town, this
fever has never ceased wearing me out. When you write to me, which you
will do immediately, write to Rome (_poste restante_)--if she is well
and happy, put a mark thus +; if--
Remember me to all. I will endeavour to bear my miseries patiently.
A person in my state of health should not have such miseries to bear.
Write a short note to my sister, saying you have heard from me. Severn
is very well. If I were in better health I would urge your coming to
Rome. I fear there is no one can give me any comfort. Is there any
news of George? O that something fortunate had ever happened to me or
my brothers! --then I might hope,--but despair is forced upon me as a
habit. My dear Brown, for my sake, be her advocate for ever. I
cannot say a word about Naples; I do not feel at all concerned in the
thousand novelties around me. I am afraid to write to her. I should
like her to know that I do not forget her. Oh, Brown, I have coals of
fire in my breast. It surprises me that the human heart is capable of
containing and bearing so much misery. Was I born for this end? God
bless her, and her mother, and my sister, and George, and his wife,
and you, and all! . . .
THOMAS HOOD
1799-1845
To CHARLES DICKENS
_American Notes_
17 Elm Tree Road, 12 _Oct_. 1842.
DEAR DICKENS,
Can you let me have an early copy of the _American Notes_ so that I
may review it in the _New Monthly_? Is it really likely to be ready
as advertised? I aim this at Devonshire Place, supposing you to be
returned, for with these winds 'tis no fit time for the coast. But
your bones are not so weather unwise (for ignorance _is_ bliss) as
mine. I should have asked this by word of mouth in Devonshire Place,
but the weather has kept me indoors. It is no fiction that the
complaint, derived from Dutch malaria seven years ago, is revived by
Easterly winds. Otherwise I have been better than usual, and 'never
say die'. Don't forget about the Yankee Notes. I never had but one
American friend, and lost him through _a good crop of pears_. He paid
us a visit in England; whereupon in honour of him, a pear tree, which
had never borne fruit to speak of within memory of man, was loaded
with ninety dozen of brown somethings. Our gardener said they were
a _keeping_ sort, and would be good at Christmas; whereupon, as our
Jonathan was on the eve of sailing for the States, we sent him a few
dozens to dessert him on the voyage. Some he put at the bottom of a
trunk (he wrote to us) to take to America; but he could not have been
gone above a day or two, when all _our_ pears began to rot! _His_
would, of course, by sympathy, and I presume spoilt his linen or
clothes, for I have never heard of him since. Perhaps he thought I had
_done_ him on purpose, and for sartin the tree, my accomplice, never
bore any more pears, good or bad, after that supernatural crop.
Pray present my respects for me to Mrs. Dickens. How she must enjoy
being at home and discovering her children, after her Columbusing, and
only discovering America!
TO THE MANCHESTER ATHENAEUM
_The uses of literature_
(From my bed)
17 Elm Tree Road, St. John's Wood, 18 _July_, 1843.
GENTLEMEN,
If my humble name can be of the least use for your purpose, it is
heartily at your service, with my best wishes for the prosperity of
the Manchester Athenaeum, and my warmest approval of the objects of
that Institution.
I have elsewhere recorded my own deep obligations to Literature--that
a natural turn for reading, and intellectual pursuits, probably
preserved me from the moral shipwreck so apt to befall those who are
deprived in early life of the paternal pilotage. At the very least my
books kept me aloof from the ring, the dog-pit, the tavern, and the
saloons, with their degrading orgies. For the closet associate of Pope
and Addison, the mind accustomed to the noble, though silent discourse
of Shakespeare and Milton, will hardly seek, or put up with low
company and slang. The reading animal will not be content with the
brutish wallowings that satisfy the unlearned pigs of the world.
Later experience enables me to depose to the comfort and blessing that
literature can prove in seasons of sickness and sorrow; how powerfully
intellectual pursuits can help in keeping the head from crazing, and
the heart from breaking; nay, not to be too grave, how generous mental
food can even atone for a meagre diet; rich fare on the paper, for
short commons on the cloth.
Poisoned by the malaria of the Dutch marshes, my stomach for many
months resolutely set itself against fish, flesh, or fowl; my appetite
had no more edge than the German knife placed before me. But luckily
the mental palate and digestion were still sensible and vigorous; and
whilst I passed untasted every dish at the Rhenish table-d'-hôte,
I could still enjoy my _Peregrine Pickle_, and the feast after the
manner of the Ancients. There was no yearning towards calf's head
_à la tortue_, or sheep's heart; but I could still relish Head _à la
Brunnen_, and the _Heart of Mid-Lothian. _ Still more recently it was
my misfortune, with a tolerable appetite, to be condemned to Lenten
fare, like Sancho Panza, by my physician, to a diet, in fact, lower
than any prescribed by the Poor-Law Commissioners, all animal food,
from a bullock to a rabbit, being strictly interdicted, as well as
all fluids stronger than that which lays dust, washes pinafores, and
waters polyanthus. But the feast of reason and the flow of soul were
still mine!
Denied beef, I had Bulwer and Cowper; forbidden mutton, there was
Lamb; and in lieu of pork, the great Bacon, or Hogg. Then as to
beverage; it was hard, doubtless, for a Christian to set his face,
like a Turk, against the juice of the grape. But, eschewing wine,
I had still my Butler; and in the absence of liquor, all the Choice
Spirits from Tom Browne to Tom Moore. Thus though confined physically
to the drink that drowns kittens, I quaffed mentally, not merely the
best of our own home-made, but the rich, racy, sparkling growths of
France and Italy, of Germany and Spain; the champagne of Molière, the
Monte Pulciano of Boccaccio, the hock of Schiller, and the sherry of
Cervantes. Depressed bodily by the fluid that damps everything, I got
intellectually elevated with Milton, a little merry with Swift, or
rather jolly with Rabelais, whose Pantagruel, by the way, is equal to
the best gruel with rum in it.
So far can Literature palliate, or compensate, for gastronomical
privations. But there are other evils, great and small, in this world,
which try the stomach less than the head, the heart, and the temper;
bowls that will not roll right, well-laid schemes that will 'gang
aglee', and ill winds that blow with the pertinacity of the monsoon.
Of these Providence has allotted me a full share, but still,
paradoxical as it may sound, my _burthen_ has been greatly lightened
by a _load of books_. The manner of this will be best understood by a
_feline_ illustration. Everybody has heard of the two Kilkenny cats,
who devoured each other; but it is not so generally known, that they
left behind them an orphan kitten, which, true to its breed, began to
eat itself up, till it was diverted from the operation by a mouse. Now
the human mind, under vexation, is like that kitten, for it is apt to
_prey upon itself_, unless drawn off by a new object, and none better
for the purpose than a book. For example, one of Defoe's; for who,
in reading his thrilling _History of the Great Plague_, would not be
reconciled to a few little ones?
Many, many a dreary weary hour have I got over--many a gloomy
misgiving postponed--many a mental and bodily annoyance forgotten by
help of the tragedies, and comedies, of our dramatists and novelists!
Many a trouble has been soothed by the still small voice of the moral
philosopher; many a dragon-like care charmed to sleep by the sweet
song of the poet! For all which I cry incessantly, not aloud, but in
my heart, 'Thanks and honour to the glorious masters of the pen, and
the great inventors of the press! ' Such has been my own experience of
the blessing and comfort of literature and intellectual pursuits;
and of the same mind, doubtless, was Sir Humphry Davy, who went for
_Consolations in Travel_, not to the inn, or the posting-house, but to
his library and his books.
To DR. MOIR
_A humourist to the last_
[1845. ]
DEAR MOIR,
God bless you and yours, and good-bye! I drop these few lines, as in a
bottle from a ship water-logged, and on the brink of foundering, being
in the last stage of dropsical debility; but though suffering in body,
serene in mind. So without reversing my union-jack, I await my last
lurch. Till which, believe me, dear Moir,
Yours most truly.
To SIR ROBERT PEEL
_A farewell letter_
Devonshire Lodge, New Finchley Road, [1845].
DEAR SIR,
We are not to meet in the flesh. Given over by my physicians and by
myself, I am only kept alive by frequent instalments of mulled port
wine. In this extremity I feel a comfort, for which I cannot refrain
from again thanking you, with all the sincerity of a dying man,--and,
at the same time, bidding you a respectful farewell.
Thank God my mind is composed and my reason undisturbed, but my race
as an author is run. My physical debility finds no tonic virtue in
a steel pen, otherwise I would have written one more paper--a
forewarning one--against an evil, or the danger of it, arising from
a literary movement in which I have had some share, a one-sided
humanity, opposite to that Catholic Shakespearian sympathy, which
felt with King as well as Peasant, and duly estimated the mortal
temptations of both stations. Certain classes at the poles of Society
are already too far asunder; it should be the duty of our writers to
draw them nearer by kindly attraction, not to aggravate the existing
repulsion, and place a wider moral gulf between Rich and Poor, with
Hate on the one side and Fear on the other. But I am too weak for this
task, the last I had set myself; it is death that stops my pen, you
see, and not the pension.
God bless you, Sir, and prosper all your measures for the benefit of
my beloved country.
ROBERT BROWNING
1812-1889
ELIZABETH BARRETT BROWNING
1806-1861
To LEIGH HUNT
_A joint epistle_
Bagni di Lucca, 6 _Oct_. 1857.
DEAR LEIGH HUNT,
(It is hard to write, but you bade me do so; yet I had better say
'Master Hunt', as they used to call Webster or Ford. ) A nine months'
silence after such a letter as yours seems too strange even to you
perhaps. So understand that you gave us more delight at once than we
could bear, that was the beginning of the waiting to recover spirit
and try and do one's feeling a little less injustice. But soon
followed unexpected sorrows to us and to you, and the expression of
even gratitude grew hard again. Certainly all this while your letter
has been laid before our very eyes, and we have waited for a brighter
day than ever came till we left Florence two months ago and more, then
we brought it to 'answer' among the chestnut trees; but immediately
on our arrival a friend was attacked by fever, and we were kept in
anxiety about him for six weeks. At last he recovered sufficiently to
leave for Florence, and (just think) our little boy became ill,
for the first time in his life, and gave us solicitude enough for a
fortnight: it is nothing now that it is over; he is going about now
almost as well as before, and we go away to-morrow, as I said. But I
will try and get one, at least, of the joys I came to find here, and
really write to you from this place, as I meant to do. '_I_'--you
know it is my wife that I write for, though you entangle and distract
either of us by the reverberations (so to speak) of pleasures over and
above the pleasure you give us. I intend to say, that you praise that
poem, and mix it up with praise of her very self, and then give it to
me directly, and then give it to _her_ with the pride you have just
given me, and then it somehow comes back to me increased so far, till
the effect is just as you probably intended. I wish my wife may know
you more: I wish you may see and know her more, but you cannot live
by her eleven years, as I have done--or yes, what cannot you do, being
the man, the poet you are? This last word, I dare think, I have a
right to say; I _have_ always venerated you as a poet; I believe your
poetry to be sure of its eventual reward; other people, not unlikely,
may feel like me, that there has been no need of getting into feverish
haste to cry out on what is; yet you, who wrote it, can leave it and
look at other poetry, and speak so of it: how well of you!
I am still too near the production of _Aurora Leigh_ to be quite able
to see it all; my wife used to write it, and lay it down to hear our
child spell, or when a visitor came,--it was thrust under the cushion
then. At Paris, a year ago last March, she gave me the first six books
to read, I having never seen a line before. She then wrote the rest,
and transcribed them in London, where I read them also. I wish, in
one sense, that I had written and she had read it. . . . I shall commend
myself to you by telling you this. Indeed, the proper acknowledgement
of your letter seems to be that one should do something, not say
something. If you were here, I might quite naturally begin repeating
_Giaffar_ or _Solomon_, and the rest. You would see whether I was not
capable of getting all the good out of your praise.
While I write, there is a strange thing that happened last night
impossible to get out of my thoughts. It may give you pain to tell you
of it, yet if with the pain come triumphant memories and hopes, as I
expect there will, you may choose the pain with them. What decides me
to tell it is that I heard you years ago allude to the destruction of
a volume of _Lamia, Isabella, &c. , to be restored to you yet_--now you
remember; also, I think, of your putting my name near Shelley's in the
end of your letter, where you say 'since I lost Shelley'. Is it not
strange that I should have transcribed for the first time, last night,
the _Indian Serenade_ that, together with some verses of Metastasio,
accompanied that book? That I should have been reserved to tell
the present possessor of them--to whom they were given by Captain
Roberts--_what_ the poem _was, and that it had been published_! It is
preserved religiously; but the characters are all but illegible, and
I needed a good magnifying-glass to be quite sure of such of them as
remain. The end is that I have rescued three or four variations in the
reading of that divine little poem, as one reads it, at least, in the
_Posthumous Poems_. It is headed the _Indian_ _Serenade_ (not _Lines
to an Indian Air_). In the first stanza the seventh line is 'Hath led
me'; in the second, the third line is 'And the champak's odours fail';
and the eighth, 'O! Beloved as thou art! ' In the last stanza, the
seventh line was, 'Oh, press it to thine own again. ' Are not all these
better readings? (even to the 'Hath' for 'Has'. ) There, I give them
you as you gave us Milton's hair. If I have mistaken in telling you,
you will understand and forgive.
I think I will ask my wife to say a word or two so I shall be sure
that you forgive. Now let my wife say the remainder. All I have
wished to do--know how little likely it was that I should succeed in
that--was to assure you of my pride and affectionate gratitude. --God
bless you ever,
R. B.
Dear friend, I will say; for I feel it must be something as good as
friendship that can forgive and understand this silence, so much like
the veriest human kind of ingratitude. When I look back and think--all
this time after that letter, and not a sign made--I wonder. Yet,
if you knew! First of all, we were silent because we waited for
information which you seemed to desire. . . . Then there were sadder
reasons. Poor _Aurora_, that you were so more than kind to (oh, how
can I think of it? ), has been steeped in tears, and some of them of a
very bitter sort.
Your letter was addressed to my husband, you knowing
by your delicate true instinct where your praise would give most
pleasure; but I believe Robert had not the heart to write when I felt
that I should not have the spirits to add a word in the proper key.
When we came here from Florence a few months ago to get repose and
cheerfulness from the sight of the mountains, we said to ourselves
that we would speak to you at ease--instead of which the word was
taken from our own mouth, and we have done little but sit by sick beds
and meditate on gastric fevers. So disturbed we have been--so sad! our
darling precious child the last victim. To see him lying still on his
golden curls, with cheeks too scarlet to suit the poor patient eyes,
looking so frightfully like an angel! It was very hard. But this is
over, I do thank God, and we are on the point of carrying back our
treasure with us to Florence to-morrow, quite recovered, if a little
thinner and weaker, and the young voice as merry as ever. You are
aware that that child I am more proud of than twenty _Auroras_, even
after Leigh Hunt has praised them. He is eight years old, has never
been '_crammed_', but reads English, Italian, French, German, and
plays the piano--then, is the sweetest child! sweeter than he looks.
When he was ill, he said to me, 'You pet! don't be unhappy about
_me_. Think it's a boy in the street, and be a little sorry, but not
unhappy. ' Who could not be unhappy, I wonder?
I never saw your book called the _Religion of the Heart. _ It's the
only book of yours I never saw, and I mean to wipe out that reproach
on the soonest day possible. I receive more dogmas, perhaps (my
'perhaps' being in the dark rather), than you do. I believe in the
divinity of Jesus Christ in the intensest sense--that he was God
absolutely. But for the rest, I am very unorthodox--about the spirit,
the flesh, and the devil, and if you would not let me sit by you, a
great many churchmen wouldn't; in fact, churches do all of them, as at
present constituted, seem too narrow and low to hold true Christianity
in its proximate developments. I, at least, cannot help believing them
so.
My dear friend, can we dare, after our sins against you--can we dare
_wish_ for a letter from you sometimes? Ask, we dare not. May God
bless you. Even if you had not praised me and made me so grateful,
I should be grateful to you for three things--for your poetry (that
first), then for Milton's hair, and then for the memory I have of
our visit to you, when you sat in that chair and spoke so mildly and
deeply at once.
Let me be ever affectionately yours,
ELIZABETH BARRETT BROWNING.
CHARLOTTE BRONTË
1816-1855
TO A FRIEND
_Trials of a governess_
_July_ 1839.
I cannot procure ink, without going into the drawing-room, where I do
not wish to go. . . . I should have written to you long since, and told
you every detail of the utterly new scene into which I have lately
been cast, had I not been daily expecting a letter from yourself, and
wondering and lamenting that you did not write; for you will remember
it was your turn. I must not bother you too much with my sorrows, of
which, I fear, you have heard an exaggerated account. If you were near
me, perhaps I might be tempted to tell you all, to grow egotistical,
and pour out the long history of a private governess's trials and
crosses in her first situation. As it is, I will only ask you to
imagine the miseries of a reserved wretch like me, thrown at once into
the midst of a large family--proud as peacocks and wealthy as Jews--at
a time when they were particularly gay--when the house was filled with
company--all strangers--people whose faces I had never seen before.
In this state I had charge given me of a set of pampered, spoilt,
turbulent children, whom I was expected constantly to amuse, as well
as to instruct. I soon found that the constant demand on my stock
of animal spirits reduced them to the lowest state of exhaustion; at
times I felt--and, I suppose, seemed--depressed. To my astonishment,
I was taken to task on the subject by Mrs. ----, with a sternness of
manner and a harshness of language scarcely credible; like a fool, I
cried most bitterly. I could not help it; my spirits quite failed me
at first. I thought I had done my best--strained every nerve to please
her; and to be treated in that way, merely because I was shy and
sometimes melancholy, was too bad. At first I was for giving all up
and going home. But, after a little reflection, I determined to summon
what energy I had, and to weather the storm. I said to myself, 'I have
never yet quitted a place without gaining a friend; adversity is
a good school; the poor are born to labour, and the dependent to
endure. ' I resolved to be patient, to command my feelings, and to take
what came; the ordeal, I reflected, would not last many weeks, and I
trusted it would do me good. I recollected the fable of the willow and
the oak; I bent quietly, and now, I trust, the storm is blowing over
me. Mrs. ---- is generally considered an agreeable woman; so she is, I
doubt not, in general society. Her health is sound, her animal spirits
good, consequently she is cheerful in company; but oh! does this
compensate for the absence of every fine feeling--of every gentle and
delicate sentiment? She behaves somewhat more civilly to me now than
she did at first, and the children are a little more manageable; but
she does not know my character, and she does not wish to know it.
I have never had five minutes' conversation with her since I came,
except while she was scolding me. I have no wish to be pitied, except
by yourself; if I were talking to you I could tell you much more.
To WILLIAM WORDSWORTH
_Thanks for advice_
[1840. ]
. . . Authors are generally very tenacious of their productions, but I
am not so much attached to this but that I can give it up without
much distress. No doubt, if I had gone on, I should have made quite
a Richardsonian concern of it. . . . I had materials in my head for
half-a-dozen volumes. . . . Of course, it is with considerable regret I
relinquish any scheme so charming as the one I have sketched. It is
very edifying and profitable to create a world out of your own brains,
and people it with inhabitants, who are so many Melchisedecs, and have
no father nor mother but your own imagination. . . . I am sorry I did
not exist fifty or sixty years ago, when the _Ladies' Magazine_ was
flourishing like a green bay tree. In that case, I make no doubt, my
aspirations after literary fame would have met with due encouragement,
and I should have had the pleasure of introducing Messrs. Percy and
West into the very best society, and recording all their sayings and
doings in double-columned close-printed pages. . . . I recollect, when I
was a child, getting hold of some antiquated volumes, and reading
them by stealth with the most exquisite pleasure. You give a correct
description of the patient Grisels of those days. My aunt was one of
them; and to this day she thinks the tales of the _Ladies' Magazine_
infinitely superior to any trash of modern literature. So do I; for
I read them in childhood, and childhood has a very strong faculty of
admiration, but a very weak one of criticism. . . . I am pleased that
you cannot quite decide whether I am an attorney's clerk or a
novel-reading dressmaker. I will not help you at all in the discovery;
and as to my handwriting, or the ladylike touches in my style and
imagery, you must not draw any conclusion from that--I may employ an
amanuensis. Seriously, sir, I am very much obliged to you for your
kind and candid letter. I almost wonder you took the trouble to read
and notice the novelette of an anonymous scribe, who had not even the
manners to tell you whether he was a man or a woman, or whether his
'C. T. ' meant Charles Timms or Charlotte Tomkins.
TO A FRIEND
_At school abroad_
Brussels [c. _May_ 1842].
I was twenty-six years old a week or two since; and at this ripe time
of life I am a school-girl, and, on the whole, very happy in that
capacity. It felt very strange at first to submit to authority instead
of exercising it--to obey orders instead of giving them; but I like
that state of things. I returned to it with the same avidity that a
cow, that has long been kept on dry hay, returns to fresh grass. Don't
laugh at my simile. It is natural to me to submit, and very unnatural
to command.
This is a large school, in which there are about forty externes, or
day-pupils, and twelve pensionnaires, or boarders. Madame Héger,
the head, is a lady of precisely the same cast of mind, degree of
cultivation, and quality of intellect as Miss ----. I think the severe
points are a little softened, because she has not been disappointed,
and consequently soured. In a word, she is a married instead of a
maiden lady. There are three teachers in the school--Mademoiselle
Blanche, Mademoiselle Sophie, and Mademoiselle Marie. The two first
have no particular character. One is an old maid, and the other will
be one. Mademoiselle Marie is talented and original, but of repulsive
and arbitrary manners, which have made the whole school, except myself
and Emily, her bitter enemies. No less than seven masters attend, to
teach the different branches of education--French, Drawing, Music,
Singing, Writing, Arithmetic, and German. All in the house are
Catholics except ourselves, one other girl, and the gouvernante
of Madame's children, an Englishwoman, in rank something between a
lady's-maid and a nursery governess. The difference in country and
religion makes a broad line of demarcation between us and all the
rest. We are completely isolated in the midst of numbers. Yet I think
I am never unhappy; my present life is so delightful, so congenial to
my own nature, compared to that of a governess. My time, constantly
occupied, passes too rapidly. Hitherto both Emily and I have had good
health, and therefore we have been able to work well. There is one
individual of whom I have not yet spoken--M. Héger, the husband of
Madame. He is professor of rhetoric, a man of power as to mind, but
very choleric and irritable in temperament. He is very angry with me
just at present, because I have written a translation which he chose
to stigmatize as '_peu correcte_'. He did not tell me so, but wrote
the word on the margin of my book, and asked, in brief stern phrase,
how it happened that my compositions were always better than my
translations? adding that the thing seemed to him inexplicable. The
fact is, some weeks ago, in a high-flown humour, he forbade me to use
either dictionary or grammar in translating the most difficult English
compositions into French. This makes the task rather arduous, and
compels me every now and then to introduce an English word, which
nearly plucks the eyes out of his head when he sees it. Emily and he
don't draw well together at all. Emily works like a horse, and she has
had great difficulties to contend with--far greater than I have
had. Indeed, those who come to a French school for instruction ought
previously to have acquired a considerable knowledge of the French
language, otherwise they will lose a great deal of time, for the
course of instruction is adapted to natives and not to foreigners;
and in these large establishments they will not change their ordinary
course for one or two strangers. The few private lessons that M. Héger
has vouchsafed to give us, are, I suppose, to be considered a great
favour; and I can perceive they have already excited much spite and
jealousy in the school.
You will abuse this letter for being short and dreary, and there are a
hundred things which I want to tell you, but I have not time. Brussels
is a beautiful city. The Belgians hate the English. Their external
morality is more rigid than ours. To lace the stays without a
handkerchief on the neck is considered a disgusting piece of
indelicacy.
To A FRIEND
_Curates to tea_
[1845. ]
You thought I refused you coldly, did you? It was a queer sort of
coldness, when I would have given my ears to say Yes, and was obliged
to say No. Matters, however, are now a little changed. Anne is come
home, and her presence certainly makes me feel more at liberty. Then,
if all be well, I will come and see you. Tell me only when I must
come. Mention the week and the day. Have the kindness also to answer
the following queries, if you can. How far is it from Leeds to
Sheffield? Can you give me a notion of the cost? Of course, when I
come, you will let me enjoy your own company in peace, and not drag me
out a-visiting. I have no desire at all to see your curate. I think he
must be like all the other curates I have seen; and they seem to me
a self-seeking, vain, empty race. At this blessed moment, we have no
less than three of them in Haworth parish--and there is not one to
mend another. The other day, they all three, accompanied by Mr. S. ,
dropped, or rather rushed, in unexpectedly to tea. It was Monday
(baking-day), and I was hot and tired; still, if they had behaved
quietly and decently, I would have served them out their tea in peace;
but they began glorifying themselves, and abusing Dissenters in such
a manner, that my temper lost its balance, and I pronounced a few
sentences sharply and rapidly, which struck them all dumb. Papa was
greatly horrified also, but I don't regret it.
To GEORGE HENRY LEWES
_Herself and Miss Austen_
12 _Jan_. 1848.
Dear Sir,
I thank you then sincerely for your generous review; and it is with
the sense of double content I express my gratitude, because I am now
sure the tribute is not superfluous or obtrusive. You were not severe
on _Jane Eyre_; you were very lenient. I am glad you told me my faults
plainly in private, for in your public notice you touch on them so
lightly, I should perhaps have passed them over, thus indicated, with
too little reflection.
I mean to observe your warning about being careful how I undertake new
works; my stock of materials is not abundant, but very slender; and
besides, neither my experience, my acquirements, nor my powers, are
sufficiently varied to justify my ever becoming a frequent writer. I
tell you this, because your article in _Fraser_ left in me an uneasy
impression that you were disposed to think better of the author of
_Jane Eyre_ than that individual deserved; and I would rather you had
a correct than a flattering opinion of me, even though I should never
see you.
If I ever _do_ write another book, I think I will have nothing of what
you call 'melodrama'; I _think_ so, but I am not sure. I _think_,
too, I will endeavour to follow the counsel which shines out of
Miss Austen's 'mild eyes', 'to finish more and be more subdued'; but
neither am I sure of that. When authors write best, or at least, when
they write most fluently, an influence seems to waken in them, which
becomes their master--which will have its own way--putting out of view
all behests but its own, dictating certain words, and insisting
on their being used, whether vehement or measured in their nature;
new-moulding characters, giving unthought-of turns to incidents,
rejecting carefully-elaborated old ideas, and suddenly creating and
adopting new ones.
Is it not so? And should we try to counteract this influence? Can we
indeed counteract it?
* * * * *
Why do you like Miss Austen so very much? I am puzzled on that point.
What induced you to say that you would have rather written _Pride and
Prejudice_, or _Tom Jones_, than any of the Waverley Novels?
I had not seen _Pride and Prejudice_ till I read that sentence of
yours, and then I got the book. And what did I find? An accurate,
daguerreotyped portrait of a commonplace face; a carefully-fenced,
highly-cultivated garden, with neat borders and delicate flowers; but
no glance of a bright, vivid physiognomy, no open country, no fresh
air, no blue hill, no bonny beck. I should hardly like to live with
her ladies and gentlemen, in their elegant but confined houses. These
observations will probably irritate you, but I shall run the risk.
Now I can understand admiration of George Sand; for though I never saw
any of her works which I admired throughout (even _Consuelo_, which
is the best, or the best that I have read, appears to me to couple
strange extravagance with wondrous excellence), yet she has a grasp of
mind, which, if I cannot fully comprehend, I can very deeply respect;
she is sagacious and profound;--Miss Austen is only shrewd and
observant.
Am I wrong--or, were you hasty in what you said? If you have time,
I should be glad to hear further on this subject; if not, or if you
think the questions frivolous, do not trouble yourself to reply.
TO THE SAME
_The argument continued_
18 _Jan_. 1848.
Dear Sir,
I must write you one more note, though I had not intended to trouble
you again so soon. I have to agree with you, and to differ from you.
You correct my crude remarks on the subject of the 'influence'; well,
I accept your definition of what the effects of that influence should
be; I recognize the wisdom of your rules for its regulation. . . .
What a strange lecture comes next in your letter! You say I must
familiarize my mind with the fact, that 'Miss Austen is not a poetess,
has no "sentiment"' (you scornfully enclose the word in inverted
commas), 'no eloquence, none of the ravishing enthusiasm of
poetry',--and then you add, I _must_ 'learn to acknowledge her as _one
of the greatest artists, of the greatest painters of human character_,
and one of the writers with the nicest sense of means to an end that
ever lived'.
The last point only will I ever acknowledge.
Can there be a great artist without poetry?
What I call--what I will bend to, as a great artist then--cannot
be destitute of the divine gift. But by _poetry_, I am sure, you
understand something different to what I do, as you do by 'sentiment'.
It is _poetry_, as I comprehend the word, which elevates that
masculine George Sand, and makes out of something coarse, something
Godlike. It is 'sentiment', in my sense of the term--sentiment
jealously hidden, but genuine, which extracts the venom from that
formidable Thackeray, and converts what might be corrosive poison into
purifying elixir.
If Thackeray did not cherish in his large heart deep feeling for his
kind, he would delight to exterminate; as it is, I believe, he wishes
only to reform. Miss Austen being, as you say, without 'sentiment',
without _poetry_, maybe _is_ sensible, real (more _real_ than _true_),
but she cannot be great.
I submit to your anger, which I have now excited (for have I not
questioned the perfection of your darling? ); the storm may pass over
me. Nevertheless, I will, when I can (I do not know when that will be,
as I have no access to a circulating library), diligently peruse all
Miss Austen's works, as you recommend. . . . You must forgive me for
not always being able to think as you do, and still believe me, Yours
gratefully.
TO A FRIEND
_Illness and death of Emily Brontë_
23 _Nov_. 1848.
I told you Emily was ill, in my last letter.
cogitating on the characters of Saturn and Ops? It is a wretched thing
to confess, but it is a very fact, that not one word I ever utter can
be taken for granted as an opinion growing out of my identical nature.
How can it, when I have no nature? When I am in a room with people,
if I ever am free from speculating on creations of my own brain, then,
not myself goes home to myself, but the identity of every one in the
room begins to press upon me, [so] that I am in a very little time
annihilated--not only among men; it would be the same in a nursery of
children. I know not whether I make myself wholly understood: I hope
enough so to let you see that no dependence is to be placed on what I
said that day.
In the second place, I will speak of my views, and of the life I
purpose to myself. I am ambitious of doing the world some good: if
I should be spared, that may be the work of maturer years--in the
interval I will assay to reach to as high a summit in poetry as the
nerve bestowed upon me will suffer. The faint conceptions I have of
poems to come bring the blood frequently into my forehead. All I
hope is, that I may not lose all interest in human affairs--that
the solitary indifference I feel for applause, even from the finest
spirits, will not blunt any acuteness of vision I may have. I do not
think it will. I feel assured I should write from the mere yearning
and fondness I have for the beautiful, even if my night's labours
should be burnt every morning, and no eye ever shine upon them.
But even now I am perhaps not speaking from myself, but from some
character in whose soul I now live . . .
TO PERCY BYSSHE SHELLEY
_Returning advice_
Hampstead, 10 _Aug_. 1820.
MY DEAR SHELLEY,
I am very much gratified that you, in a foreign country, and with a
mind almost over-occupied, should write to me in the strain of the
letter beside me. If I do not take advantage of your invitation,
it will be prevented by a circumstance I have very much at heart to
prophesy. There is no doubt that an English winter would put an end to
me, and do so in a lingering, hateful manner. Therefore, I must either
voyage or journey to Italy, as a soldier marches up to a battery.
My nerves at present are the worst part of me, yet they feel soothed
that, come what extreme may, I shall not be destined to remain in one
spot long enough to take a hatred of any four particular bedposts. I
am glad you take any pleasure in my poor poem, which I would willingly
take the trouble to unwrite, if possible, did I care so much as I
have done about reputation. I received a copy of the _Cenci_, as from
yourself, from Hunt. There is only one part of it I am judge of--the
poetry and dramatic effect, which by many spirits nowadays is
considered the Mammon. A modern work, it is said, must have a purpose,
which may be the God. An artist must serve Mammon; he must have
'self-concentration'--selfishness, perhaps. You, I am sure,
will forgive me for sincerely remarking that you might curb your
magnanimity, and be more of an artist, and load every rift of your
subject with ore. The thought of such discipline must fall like cold
chains upon you, who perhaps never sat with your wings furled for six
months together. And is not this extraordinary talk for the writer of
_Endymion_, whose mind was like a pack of scattered cards? I am picked
up and sorted to a pip. My imagination is a monastery, and I am its
monk. I am in expectation of _Prometheus_ every day. Could I have my
own wish effected, you would have it still in manuscript, or be but
now putting an end to the second act. I remember you advising me not
to publish my first blights, on Hampstead Heath. I am returning advice
upon your hands. Most of the poems in the volume I send you have been
written above two years, and would never have been published but for a
hope of gain; so you see I am inclined enough to take your advice now.
I must express once more my deep sense of your kindness, adding my
sincere thanks and respects for Mrs. Shelley. In hope of soon seeing
you--
To CHARLES BROWN
_A despairing cry_
Naples, 1 _Nov_. [1820. ]
MY DEAR BROWN,
Yesterday we were let out of quarantine, during which my health
suffered more from bad air and the stifled cabin than it had done the
whole voyage. The fresh air revived me a little, and I hope I am well
enough this morning to write to you a short calm letter;--if that can
be called one, in which I am afraid to speak of what I would
fainest dwell upon. As I have gone thus far into it, I must go on
a little;--perhaps it may relieve the load of _wretchedness_ which
presses upon me. The persuasion that I shall see her no more will kill
me. My dear Brown, I should have had her when I was in health, and I
should have remained well. I can bear to die--I cannot bear to leave
her. Oh, God! God! God! Everything I have in my trunks that reminds
me of her goes through me like a spear. The silk lining she put in my
travelling cap scalds my head. My imagination is horribly vivid
about her--I see her--I hear her. There is nothing in the world of
sufficient interest to divert me from her a moment. This was the case
when I was in England: I cannot recollect, without shuddering, the
time that I was a prisoner at Hunt's, and used to keep my eyes
fixed on Hampstead all day. Then there was a good hope of seeing
her again--Now! --O that I could be buried near where she lives! I
am afraid to write to her--to receive a letter from her--to see her
handwriting would break my heart--even to hear of her anyhow, to see
her name written, would be more than I can bear. My dear Brown, what
am I to do? Where can I look for consolation or ease? If I had any
chance of recovery, this passion would kill me. Indeed, through the
whole of my illness, both at your house and at Kentish Town, this
fever has never ceased wearing me out. When you write to me, which you
will do immediately, write to Rome (_poste restante_)--if she is well
and happy, put a mark thus +; if--
Remember me to all. I will endeavour to bear my miseries patiently.
A person in my state of health should not have such miseries to bear.
Write a short note to my sister, saying you have heard from me. Severn
is very well. If I were in better health I would urge your coming to
Rome. I fear there is no one can give me any comfort. Is there any
news of George? O that something fortunate had ever happened to me or
my brothers! --then I might hope,--but despair is forced upon me as a
habit. My dear Brown, for my sake, be her advocate for ever. I
cannot say a word about Naples; I do not feel at all concerned in the
thousand novelties around me. I am afraid to write to her. I should
like her to know that I do not forget her. Oh, Brown, I have coals of
fire in my breast. It surprises me that the human heart is capable of
containing and bearing so much misery. Was I born for this end? God
bless her, and her mother, and my sister, and George, and his wife,
and you, and all! . . .
THOMAS HOOD
1799-1845
To CHARLES DICKENS
_American Notes_
17 Elm Tree Road, 12 _Oct_. 1842.
DEAR DICKENS,
Can you let me have an early copy of the _American Notes_ so that I
may review it in the _New Monthly_? Is it really likely to be ready
as advertised? I aim this at Devonshire Place, supposing you to be
returned, for with these winds 'tis no fit time for the coast. But
your bones are not so weather unwise (for ignorance _is_ bliss) as
mine. I should have asked this by word of mouth in Devonshire Place,
but the weather has kept me indoors. It is no fiction that the
complaint, derived from Dutch malaria seven years ago, is revived by
Easterly winds. Otherwise I have been better than usual, and 'never
say die'. Don't forget about the Yankee Notes. I never had but one
American friend, and lost him through _a good crop of pears_. He paid
us a visit in England; whereupon in honour of him, a pear tree, which
had never borne fruit to speak of within memory of man, was loaded
with ninety dozen of brown somethings. Our gardener said they were
a _keeping_ sort, and would be good at Christmas; whereupon, as our
Jonathan was on the eve of sailing for the States, we sent him a few
dozens to dessert him on the voyage. Some he put at the bottom of a
trunk (he wrote to us) to take to America; but he could not have been
gone above a day or two, when all _our_ pears began to rot! _His_
would, of course, by sympathy, and I presume spoilt his linen or
clothes, for I have never heard of him since. Perhaps he thought I had
_done_ him on purpose, and for sartin the tree, my accomplice, never
bore any more pears, good or bad, after that supernatural crop.
Pray present my respects for me to Mrs. Dickens. How she must enjoy
being at home and discovering her children, after her Columbusing, and
only discovering America!
TO THE MANCHESTER ATHENAEUM
_The uses of literature_
(From my bed)
17 Elm Tree Road, St. John's Wood, 18 _July_, 1843.
GENTLEMEN,
If my humble name can be of the least use for your purpose, it is
heartily at your service, with my best wishes for the prosperity of
the Manchester Athenaeum, and my warmest approval of the objects of
that Institution.
I have elsewhere recorded my own deep obligations to Literature--that
a natural turn for reading, and intellectual pursuits, probably
preserved me from the moral shipwreck so apt to befall those who are
deprived in early life of the paternal pilotage. At the very least my
books kept me aloof from the ring, the dog-pit, the tavern, and the
saloons, with their degrading orgies. For the closet associate of Pope
and Addison, the mind accustomed to the noble, though silent discourse
of Shakespeare and Milton, will hardly seek, or put up with low
company and slang. The reading animal will not be content with the
brutish wallowings that satisfy the unlearned pigs of the world.
Later experience enables me to depose to the comfort and blessing that
literature can prove in seasons of sickness and sorrow; how powerfully
intellectual pursuits can help in keeping the head from crazing, and
the heart from breaking; nay, not to be too grave, how generous mental
food can even atone for a meagre diet; rich fare on the paper, for
short commons on the cloth.
Poisoned by the malaria of the Dutch marshes, my stomach for many
months resolutely set itself against fish, flesh, or fowl; my appetite
had no more edge than the German knife placed before me. But luckily
the mental palate and digestion were still sensible and vigorous; and
whilst I passed untasted every dish at the Rhenish table-d'-hôte,
I could still enjoy my _Peregrine Pickle_, and the feast after the
manner of the Ancients. There was no yearning towards calf's head
_à la tortue_, or sheep's heart; but I could still relish Head _à la
Brunnen_, and the _Heart of Mid-Lothian. _ Still more recently it was
my misfortune, with a tolerable appetite, to be condemned to Lenten
fare, like Sancho Panza, by my physician, to a diet, in fact, lower
than any prescribed by the Poor-Law Commissioners, all animal food,
from a bullock to a rabbit, being strictly interdicted, as well as
all fluids stronger than that which lays dust, washes pinafores, and
waters polyanthus. But the feast of reason and the flow of soul were
still mine!
Denied beef, I had Bulwer and Cowper; forbidden mutton, there was
Lamb; and in lieu of pork, the great Bacon, or Hogg. Then as to
beverage; it was hard, doubtless, for a Christian to set his face,
like a Turk, against the juice of the grape. But, eschewing wine,
I had still my Butler; and in the absence of liquor, all the Choice
Spirits from Tom Browne to Tom Moore. Thus though confined physically
to the drink that drowns kittens, I quaffed mentally, not merely the
best of our own home-made, but the rich, racy, sparkling growths of
France and Italy, of Germany and Spain; the champagne of Molière, the
Monte Pulciano of Boccaccio, the hock of Schiller, and the sherry of
Cervantes. Depressed bodily by the fluid that damps everything, I got
intellectually elevated with Milton, a little merry with Swift, or
rather jolly with Rabelais, whose Pantagruel, by the way, is equal to
the best gruel with rum in it.
So far can Literature palliate, or compensate, for gastronomical
privations. But there are other evils, great and small, in this world,
which try the stomach less than the head, the heart, and the temper;
bowls that will not roll right, well-laid schemes that will 'gang
aglee', and ill winds that blow with the pertinacity of the monsoon.
Of these Providence has allotted me a full share, but still,
paradoxical as it may sound, my _burthen_ has been greatly lightened
by a _load of books_. The manner of this will be best understood by a
_feline_ illustration. Everybody has heard of the two Kilkenny cats,
who devoured each other; but it is not so generally known, that they
left behind them an orphan kitten, which, true to its breed, began to
eat itself up, till it was diverted from the operation by a mouse. Now
the human mind, under vexation, is like that kitten, for it is apt to
_prey upon itself_, unless drawn off by a new object, and none better
for the purpose than a book. For example, one of Defoe's; for who,
in reading his thrilling _History of the Great Plague_, would not be
reconciled to a few little ones?
Many, many a dreary weary hour have I got over--many a gloomy
misgiving postponed--many a mental and bodily annoyance forgotten by
help of the tragedies, and comedies, of our dramatists and novelists!
Many a trouble has been soothed by the still small voice of the moral
philosopher; many a dragon-like care charmed to sleep by the sweet
song of the poet! For all which I cry incessantly, not aloud, but in
my heart, 'Thanks and honour to the glorious masters of the pen, and
the great inventors of the press! ' Such has been my own experience of
the blessing and comfort of literature and intellectual pursuits;
and of the same mind, doubtless, was Sir Humphry Davy, who went for
_Consolations in Travel_, not to the inn, or the posting-house, but to
his library and his books.
To DR. MOIR
_A humourist to the last_
[1845. ]
DEAR MOIR,
God bless you and yours, and good-bye! I drop these few lines, as in a
bottle from a ship water-logged, and on the brink of foundering, being
in the last stage of dropsical debility; but though suffering in body,
serene in mind. So without reversing my union-jack, I await my last
lurch. Till which, believe me, dear Moir,
Yours most truly.
To SIR ROBERT PEEL
_A farewell letter_
Devonshire Lodge, New Finchley Road, [1845].
DEAR SIR,
We are not to meet in the flesh. Given over by my physicians and by
myself, I am only kept alive by frequent instalments of mulled port
wine. In this extremity I feel a comfort, for which I cannot refrain
from again thanking you, with all the sincerity of a dying man,--and,
at the same time, bidding you a respectful farewell.
Thank God my mind is composed and my reason undisturbed, but my race
as an author is run. My physical debility finds no tonic virtue in
a steel pen, otherwise I would have written one more paper--a
forewarning one--against an evil, or the danger of it, arising from
a literary movement in which I have had some share, a one-sided
humanity, opposite to that Catholic Shakespearian sympathy, which
felt with King as well as Peasant, and duly estimated the mortal
temptations of both stations. Certain classes at the poles of Society
are already too far asunder; it should be the duty of our writers to
draw them nearer by kindly attraction, not to aggravate the existing
repulsion, and place a wider moral gulf between Rich and Poor, with
Hate on the one side and Fear on the other. But I am too weak for this
task, the last I had set myself; it is death that stops my pen, you
see, and not the pension.
God bless you, Sir, and prosper all your measures for the benefit of
my beloved country.
ROBERT BROWNING
1812-1889
ELIZABETH BARRETT BROWNING
1806-1861
To LEIGH HUNT
_A joint epistle_
Bagni di Lucca, 6 _Oct_. 1857.
DEAR LEIGH HUNT,
(It is hard to write, but you bade me do so; yet I had better say
'Master Hunt', as they used to call Webster or Ford. ) A nine months'
silence after such a letter as yours seems too strange even to you
perhaps. So understand that you gave us more delight at once than we
could bear, that was the beginning of the waiting to recover spirit
and try and do one's feeling a little less injustice. But soon
followed unexpected sorrows to us and to you, and the expression of
even gratitude grew hard again. Certainly all this while your letter
has been laid before our very eyes, and we have waited for a brighter
day than ever came till we left Florence two months ago and more, then
we brought it to 'answer' among the chestnut trees; but immediately
on our arrival a friend was attacked by fever, and we were kept in
anxiety about him for six weeks. At last he recovered sufficiently to
leave for Florence, and (just think) our little boy became ill,
for the first time in his life, and gave us solicitude enough for a
fortnight: it is nothing now that it is over; he is going about now
almost as well as before, and we go away to-morrow, as I said. But I
will try and get one, at least, of the joys I came to find here, and
really write to you from this place, as I meant to do. '_I_'--you
know it is my wife that I write for, though you entangle and distract
either of us by the reverberations (so to speak) of pleasures over and
above the pleasure you give us. I intend to say, that you praise that
poem, and mix it up with praise of her very self, and then give it to
me directly, and then give it to _her_ with the pride you have just
given me, and then it somehow comes back to me increased so far, till
the effect is just as you probably intended. I wish my wife may know
you more: I wish you may see and know her more, but you cannot live
by her eleven years, as I have done--or yes, what cannot you do, being
the man, the poet you are? This last word, I dare think, I have a
right to say; I _have_ always venerated you as a poet; I believe your
poetry to be sure of its eventual reward; other people, not unlikely,
may feel like me, that there has been no need of getting into feverish
haste to cry out on what is; yet you, who wrote it, can leave it and
look at other poetry, and speak so of it: how well of you!
I am still too near the production of _Aurora Leigh_ to be quite able
to see it all; my wife used to write it, and lay it down to hear our
child spell, or when a visitor came,--it was thrust under the cushion
then. At Paris, a year ago last March, she gave me the first six books
to read, I having never seen a line before. She then wrote the rest,
and transcribed them in London, where I read them also. I wish, in
one sense, that I had written and she had read it. . . . I shall commend
myself to you by telling you this. Indeed, the proper acknowledgement
of your letter seems to be that one should do something, not say
something. If you were here, I might quite naturally begin repeating
_Giaffar_ or _Solomon_, and the rest. You would see whether I was not
capable of getting all the good out of your praise.
While I write, there is a strange thing that happened last night
impossible to get out of my thoughts. It may give you pain to tell you
of it, yet if with the pain come triumphant memories and hopes, as I
expect there will, you may choose the pain with them. What decides me
to tell it is that I heard you years ago allude to the destruction of
a volume of _Lamia, Isabella, &c. , to be restored to you yet_--now you
remember; also, I think, of your putting my name near Shelley's in the
end of your letter, where you say 'since I lost Shelley'. Is it not
strange that I should have transcribed for the first time, last night,
the _Indian Serenade_ that, together with some verses of Metastasio,
accompanied that book? That I should have been reserved to tell
the present possessor of them--to whom they were given by Captain
Roberts--_what_ the poem _was, and that it had been published_! It is
preserved religiously; but the characters are all but illegible, and
I needed a good magnifying-glass to be quite sure of such of them as
remain. The end is that I have rescued three or four variations in the
reading of that divine little poem, as one reads it, at least, in the
_Posthumous Poems_. It is headed the _Indian_ _Serenade_ (not _Lines
to an Indian Air_). In the first stanza the seventh line is 'Hath led
me'; in the second, the third line is 'And the champak's odours fail';
and the eighth, 'O! Beloved as thou art! ' In the last stanza, the
seventh line was, 'Oh, press it to thine own again. ' Are not all these
better readings? (even to the 'Hath' for 'Has'. ) There, I give them
you as you gave us Milton's hair. If I have mistaken in telling you,
you will understand and forgive.
I think I will ask my wife to say a word or two so I shall be sure
that you forgive. Now let my wife say the remainder. All I have
wished to do--know how little likely it was that I should succeed in
that--was to assure you of my pride and affectionate gratitude. --God
bless you ever,
R. B.
Dear friend, I will say; for I feel it must be something as good as
friendship that can forgive and understand this silence, so much like
the veriest human kind of ingratitude. When I look back and think--all
this time after that letter, and not a sign made--I wonder. Yet,
if you knew! First of all, we were silent because we waited for
information which you seemed to desire. . . . Then there were sadder
reasons. Poor _Aurora_, that you were so more than kind to (oh, how
can I think of it? ), has been steeped in tears, and some of them of a
very bitter sort.
Your letter was addressed to my husband, you knowing
by your delicate true instinct where your praise would give most
pleasure; but I believe Robert had not the heart to write when I felt
that I should not have the spirits to add a word in the proper key.
When we came here from Florence a few months ago to get repose and
cheerfulness from the sight of the mountains, we said to ourselves
that we would speak to you at ease--instead of which the word was
taken from our own mouth, and we have done little but sit by sick beds
and meditate on gastric fevers. So disturbed we have been--so sad! our
darling precious child the last victim. To see him lying still on his
golden curls, with cheeks too scarlet to suit the poor patient eyes,
looking so frightfully like an angel! It was very hard. But this is
over, I do thank God, and we are on the point of carrying back our
treasure with us to Florence to-morrow, quite recovered, if a little
thinner and weaker, and the young voice as merry as ever. You are
aware that that child I am more proud of than twenty _Auroras_, even
after Leigh Hunt has praised them. He is eight years old, has never
been '_crammed_', but reads English, Italian, French, German, and
plays the piano--then, is the sweetest child! sweeter than he looks.
When he was ill, he said to me, 'You pet! don't be unhappy about
_me_. Think it's a boy in the street, and be a little sorry, but not
unhappy. ' Who could not be unhappy, I wonder?
I never saw your book called the _Religion of the Heart. _ It's the
only book of yours I never saw, and I mean to wipe out that reproach
on the soonest day possible. I receive more dogmas, perhaps (my
'perhaps' being in the dark rather), than you do. I believe in the
divinity of Jesus Christ in the intensest sense--that he was God
absolutely. But for the rest, I am very unorthodox--about the spirit,
the flesh, and the devil, and if you would not let me sit by you, a
great many churchmen wouldn't; in fact, churches do all of them, as at
present constituted, seem too narrow and low to hold true Christianity
in its proximate developments. I, at least, cannot help believing them
so.
My dear friend, can we dare, after our sins against you--can we dare
_wish_ for a letter from you sometimes? Ask, we dare not. May God
bless you. Even if you had not praised me and made me so grateful,
I should be grateful to you for three things--for your poetry (that
first), then for Milton's hair, and then for the memory I have of
our visit to you, when you sat in that chair and spoke so mildly and
deeply at once.
Let me be ever affectionately yours,
ELIZABETH BARRETT BROWNING.
CHARLOTTE BRONTË
1816-1855
TO A FRIEND
_Trials of a governess_
_July_ 1839.
I cannot procure ink, without going into the drawing-room, where I do
not wish to go. . . . I should have written to you long since, and told
you every detail of the utterly new scene into which I have lately
been cast, had I not been daily expecting a letter from yourself, and
wondering and lamenting that you did not write; for you will remember
it was your turn. I must not bother you too much with my sorrows, of
which, I fear, you have heard an exaggerated account. If you were near
me, perhaps I might be tempted to tell you all, to grow egotistical,
and pour out the long history of a private governess's trials and
crosses in her first situation. As it is, I will only ask you to
imagine the miseries of a reserved wretch like me, thrown at once into
the midst of a large family--proud as peacocks and wealthy as Jews--at
a time when they were particularly gay--when the house was filled with
company--all strangers--people whose faces I had never seen before.
In this state I had charge given me of a set of pampered, spoilt,
turbulent children, whom I was expected constantly to amuse, as well
as to instruct. I soon found that the constant demand on my stock
of animal spirits reduced them to the lowest state of exhaustion; at
times I felt--and, I suppose, seemed--depressed. To my astonishment,
I was taken to task on the subject by Mrs. ----, with a sternness of
manner and a harshness of language scarcely credible; like a fool, I
cried most bitterly. I could not help it; my spirits quite failed me
at first. I thought I had done my best--strained every nerve to please
her; and to be treated in that way, merely because I was shy and
sometimes melancholy, was too bad. At first I was for giving all up
and going home. But, after a little reflection, I determined to summon
what energy I had, and to weather the storm. I said to myself, 'I have
never yet quitted a place without gaining a friend; adversity is
a good school; the poor are born to labour, and the dependent to
endure. ' I resolved to be patient, to command my feelings, and to take
what came; the ordeal, I reflected, would not last many weeks, and I
trusted it would do me good. I recollected the fable of the willow and
the oak; I bent quietly, and now, I trust, the storm is blowing over
me. Mrs. ---- is generally considered an agreeable woman; so she is, I
doubt not, in general society. Her health is sound, her animal spirits
good, consequently she is cheerful in company; but oh! does this
compensate for the absence of every fine feeling--of every gentle and
delicate sentiment? She behaves somewhat more civilly to me now than
she did at first, and the children are a little more manageable; but
she does not know my character, and she does not wish to know it.
I have never had five minutes' conversation with her since I came,
except while she was scolding me. I have no wish to be pitied, except
by yourself; if I were talking to you I could tell you much more.
To WILLIAM WORDSWORTH
_Thanks for advice_
[1840. ]
. . . Authors are generally very tenacious of their productions, but I
am not so much attached to this but that I can give it up without
much distress. No doubt, if I had gone on, I should have made quite
a Richardsonian concern of it. . . . I had materials in my head for
half-a-dozen volumes. . . . Of course, it is with considerable regret I
relinquish any scheme so charming as the one I have sketched. It is
very edifying and profitable to create a world out of your own brains,
and people it with inhabitants, who are so many Melchisedecs, and have
no father nor mother but your own imagination. . . . I am sorry I did
not exist fifty or sixty years ago, when the _Ladies' Magazine_ was
flourishing like a green bay tree. In that case, I make no doubt, my
aspirations after literary fame would have met with due encouragement,
and I should have had the pleasure of introducing Messrs. Percy and
West into the very best society, and recording all their sayings and
doings in double-columned close-printed pages. . . . I recollect, when I
was a child, getting hold of some antiquated volumes, and reading
them by stealth with the most exquisite pleasure. You give a correct
description of the patient Grisels of those days. My aunt was one of
them; and to this day she thinks the tales of the _Ladies' Magazine_
infinitely superior to any trash of modern literature. So do I; for
I read them in childhood, and childhood has a very strong faculty of
admiration, but a very weak one of criticism. . . . I am pleased that
you cannot quite decide whether I am an attorney's clerk or a
novel-reading dressmaker. I will not help you at all in the discovery;
and as to my handwriting, or the ladylike touches in my style and
imagery, you must not draw any conclusion from that--I may employ an
amanuensis. Seriously, sir, I am very much obliged to you for your
kind and candid letter. I almost wonder you took the trouble to read
and notice the novelette of an anonymous scribe, who had not even the
manners to tell you whether he was a man or a woman, or whether his
'C. T. ' meant Charles Timms or Charlotte Tomkins.
TO A FRIEND
_At school abroad_
Brussels [c. _May_ 1842].
I was twenty-six years old a week or two since; and at this ripe time
of life I am a school-girl, and, on the whole, very happy in that
capacity. It felt very strange at first to submit to authority instead
of exercising it--to obey orders instead of giving them; but I like
that state of things. I returned to it with the same avidity that a
cow, that has long been kept on dry hay, returns to fresh grass. Don't
laugh at my simile. It is natural to me to submit, and very unnatural
to command.
This is a large school, in which there are about forty externes, or
day-pupils, and twelve pensionnaires, or boarders. Madame Héger,
the head, is a lady of precisely the same cast of mind, degree of
cultivation, and quality of intellect as Miss ----. I think the severe
points are a little softened, because she has not been disappointed,
and consequently soured. In a word, she is a married instead of a
maiden lady. There are three teachers in the school--Mademoiselle
Blanche, Mademoiselle Sophie, and Mademoiselle Marie. The two first
have no particular character. One is an old maid, and the other will
be one. Mademoiselle Marie is talented and original, but of repulsive
and arbitrary manners, which have made the whole school, except myself
and Emily, her bitter enemies. No less than seven masters attend, to
teach the different branches of education--French, Drawing, Music,
Singing, Writing, Arithmetic, and German. All in the house are
Catholics except ourselves, one other girl, and the gouvernante
of Madame's children, an Englishwoman, in rank something between a
lady's-maid and a nursery governess. The difference in country and
religion makes a broad line of demarcation between us and all the
rest. We are completely isolated in the midst of numbers. Yet I think
I am never unhappy; my present life is so delightful, so congenial to
my own nature, compared to that of a governess. My time, constantly
occupied, passes too rapidly. Hitherto both Emily and I have had good
health, and therefore we have been able to work well. There is one
individual of whom I have not yet spoken--M. Héger, the husband of
Madame. He is professor of rhetoric, a man of power as to mind, but
very choleric and irritable in temperament. He is very angry with me
just at present, because I have written a translation which he chose
to stigmatize as '_peu correcte_'. He did not tell me so, but wrote
the word on the margin of my book, and asked, in brief stern phrase,
how it happened that my compositions were always better than my
translations? adding that the thing seemed to him inexplicable. The
fact is, some weeks ago, in a high-flown humour, he forbade me to use
either dictionary or grammar in translating the most difficult English
compositions into French. This makes the task rather arduous, and
compels me every now and then to introduce an English word, which
nearly plucks the eyes out of his head when he sees it. Emily and he
don't draw well together at all. Emily works like a horse, and she has
had great difficulties to contend with--far greater than I have
had. Indeed, those who come to a French school for instruction ought
previously to have acquired a considerable knowledge of the French
language, otherwise they will lose a great deal of time, for the
course of instruction is adapted to natives and not to foreigners;
and in these large establishments they will not change their ordinary
course for one or two strangers. The few private lessons that M. Héger
has vouchsafed to give us, are, I suppose, to be considered a great
favour; and I can perceive they have already excited much spite and
jealousy in the school.
You will abuse this letter for being short and dreary, and there are a
hundred things which I want to tell you, but I have not time. Brussels
is a beautiful city. The Belgians hate the English. Their external
morality is more rigid than ours. To lace the stays without a
handkerchief on the neck is considered a disgusting piece of
indelicacy.
To A FRIEND
_Curates to tea_
[1845. ]
You thought I refused you coldly, did you? It was a queer sort of
coldness, when I would have given my ears to say Yes, and was obliged
to say No. Matters, however, are now a little changed. Anne is come
home, and her presence certainly makes me feel more at liberty. Then,
if all be well, I will come and see you. Tell me only when I must
come. Mention the week and the day. Have the kindness also to answer
the following queries, if you can. How far is it from Leeds to
Sheffield? Can you give me a notion of the cost? Of course, when I
come, you will let me enjoy your own company in peace, and not drag me
out a-visiting. I have no desire at all to see your curate. I think he
must be like all the other curates I have seen; and they seem to me
a self-seeking, vain, empty race. At this blessed moment, we have no
less than three of them in Haworth parish--and there is not one to
mend another. The other day, they all three, accompanied by Mr. S. ,
dropped, or rather rushed, in unexpectedly to tea. It was Monday
(baking-day), and I was hot and tired; still, if they had behaved
quietly and decently, I would have served them out their tea in peace;
but they began glorifying themselves, and abusing Dissenters in such
a manner, that my temper lost its balance, and I pronounced a few
sentences sharply and rapidly, which struck them all dumb. Papa was
greatly horrified also, but I don't regret it.
To GEORGE HENRY LEWES
_Herself and Miss Austen_
12 _Jan_. 1848.
Dear Sir,
I thank you then sincerely for your generous review; and it is with
the sense of double content I express my gratitude, because I am now
sure the tribute is not superfluous or obtrusive. You were not severe
on _Jane Eyre_; you were very lenient. I am glad you told me my faults
plainly in private, for in your public notice you touch on them so
lightly, I should perhaps have passed them over, thus indicated, with
too little reflection.
I mean to observe your warning about being careful how I undertake new
works; my stock of materials is not abundant, but very slender; and
besides, neither my experience, my acquirements, nor my powers, are
sufficiently varied to justify my ever becoming a frequent writer. I
tell you this, because your article in _Fraser_ left in me an uneasy
impression that you were disposed to think better of the author of
_Jane Eyre_ than that individual deserved; and I would rather you had
a correct than a flattering opinion of me, even though I should never
see you.
If I ever _do_ write another book, I think I will have nothing of what
you call 'melodrama'; I _think_ so, but I am not sure. I _think_,
too, I will endeavour to follow the counsel which shines out of
Miss Austen's 'mild eyes', 'to finish more and be more subdued'; but
neither am I sure of that. When authors write best, or at least, when
they write most fluently, an influence seems to waken in them, which
becomes their master--which will have its own way--putting out of view
all behests but its own, dictating certain words, and insisting
on their being used, whether vehement or measured in their nature;
new-moulding characters, giving unthought-of turns to incidents,
rejecting carefully-elaborated old ideas, and suddenly creating and
adopting new ones.
Is it not so? And should we try to counteract this influence? Can we
indeed counteract it?
* * * * *
Why do you like Miss Austen so very much? I am puzzled on that point.
What induced you to say that you would have rather written _Pride and
Prejudice_, or _Tom Jones_, than any of the Waverley Novels?
I had not seen _Pride and Prejudice_ till I read that sentence of
yours, and then I got the book. And what did I find? An accurate,
daguerreotyped portrait of a commonplace face; a carefully-fenced,
highly-cultivated garden, with neat borders and delicate flowers; but
no glance of a bright, vivid physiognomy, no open country, no fresh
air, no blue hill, no bonny beck. I should hardly like to live with
her ladies and gentlemen, in their elegant but confined houses. These
observations will probably irritate you, but I shall run the risk.
Now I can understand admiration of George Sand; for though I never saw
any of her works which I admired throughout (even _Consuelo_, which
is the best, or the best that I have read, appears to me to couple
strange extravagance with wondrous excellence), yet she has a grasp of
mind, which, if I cannot fully comprehend, I can very deeply respect;
she is sagacious and profound;--Miss Austen is only shrewd and
observant.
Am I wrong--or, were you hasty in what you said? If you have time,
I should be glad to hear further on this subject; if not, or if you
think the questions frivolous, do not trouble yourself to reply.
TO THE SAME
_The argument continued_
18 _Jan_. 1848.
Dear Sir,
I must write you one more note, though I had not intended to trouble
you again so soon. I have to agree with you, and to differ from you.
You correct my crude remarks on the subject of the 'influence'; well,
I accept your definition of what the effects of that influence should
be; I recognize the wisdom of your rules for its regulation. . . .
What a strange lecture comes next in your letter! You say I must
familiarize my mind with the fact, that 'Miss Austen is not a poetess,
has no "sentiment"' (you scornfully enclose the word in inverted
commas), 'no eloquence, none of the ravishing enthusiasm of
poetry',--and then you add, I _must_ 'learn to acknowledge her as _one
of the greatest artists, of the greatest painters of human character_,
and one of the writers with the nicest sense of means to an end that
ever lived'.
The last point only will I ever acknowledge.
Can there be a great artist without poetry?
What I call--what I will bend to, as a great artist then--cannot
be destitute of the divine gift. But by _poetry_, I am sure, you
understand something different to what I do, as you do by 'sentiment'.
It is _poetry_, as I comprehend the word, which elevates that
masculine George Sand, and makes out of something coarse, something
Godlike. It is 'sentiment', in my sense of the term--sentiment
jealously hidden, but genuine, which extracts the venom from that
formidable Thackeray, and converts what might be corrosive poison into
purifying elixir.
If Thackeray did not cherish in his large heart deep feeling for his
kind, he would delight to exterminate; as it is, I believe, he wishes
only to reform. Miss Austen being, as you say, without 'sentiment',
without _poetry_, maybe _is_ sensible, real (more _real_ than _true_),
but she cannot be great.
I submit to your anger, which I have now excited (for have I not
questioned the perfection of your darling? ); the storm may pass over
me. Nevertheless, I will, when I can (I do not know when that will be,
as I have no access to a circulating library), diligently peruse all
Miss Austen's works, as you recommend. . . . You must forgive me for
not always being able to think as you do, and still believe me, Yours
gratefully.
TO A FRIEND
_Illness and death of Emily Brontë_
23 _Nov_. 1848.
I told you Emily was ill, in my last letter.
