No More Learning

We were divided. As I could,
I stilled the tingling of my blood,
And followed him in their despite, _875
As a widow follows, pale and wild,
The murderers and corse of her only child;
And when we came to the prison door
And I prayed to share his dungeon floor
With prayers which rarely have been spurned, _880
And when men drove me forth and I
Stared with blank frenzy on the sky,
A farewell look of love he turned,
Half calming me; then gazed awhile,
As if thro' that black and massy pile, _885
And thro' the crowd around him there,
And thro' the dense and murky air,
And the thronged streets, he did espy
What poets know and prophesy;
And said, with voice that made them shiver _890
And clung like music in my brain,
And which the mute walls spoke again
Prolonging it with deepened strain:
'Fear not the tyrants shall rule for ever,
Or the priests of the bloody faith; _895
They stand on the brink of that mighty river,
Whose waves they have tainted with death:
It is fed from the depths of a thousand dells,
Around them it foams, and rages, and swells,
And their swords and their sceptres I floating see, _900
Like wrecks in the surge of eternity. '

I dwelt beside the prison gate;
And the strange crowd that out and in
Passed, some, no doubt, with mine own fate,
Might have fretted me with its ceaseless din, _905
But the fever of care was louder within.
Soon, but too late, in penitence
Or fear, his foes released him thence:
I saw his thin and languid form,
As leaning on the jailor's arm, _910
Whose hardened eyes grew moist the while,
To meet his mute and faded smile,
And hear his words of kind farewell,
He tottered forth from his damp cell.
Many had never wept before, _915
From whom fast tears then gushed and fell:
Many will relent no more,
Who sobbed like infants then; aye, all
Who thronged the prison's stony hall,
The rulers or the slaves of law, _920
Felt with a new surprise and awe
That they were human, till strong shame
Made them again become the same.
The prison blood-hounds, huge and grim,
From human looks the infection caught, _925
And fondly crouched and fawned on him;
And men have heard the prisoners say,
Who in their rotting dungeons lay,
That from that hour, throughout one day,
The fierce despair and hate which kept _930
Their trampled bosoms almost slept:
Where, like twin vultures, they hung feeding
On each heart's wound, wide torn and bleeding,--
Because their jailors' rule, they thought,
Grew merciful, like a parent's sway. _935

I know not how, but we were free:
And Lionel sate alone with me,
As the carriage drove thro' the streets apace;
And we looked upon each other's face;
And the blood in our fingers intertwined _940
Ran like the thoughts of a single mind,
As the swift emotions went and came
Thro' the veins of each united frame.
So thro' the long long streets we passed
Of the million-peopled City vast; _945
Which is that desert, where each one
Seeks his mate yet is alone,
Beloved and sought and mourned of none;
Until the clear blue sky was seen,
And the grassy meadows bright and green, _950
And then I sunk in his embrace,
Enclosing there a mighty space
Of love: and so we travelled on
By woods, and fields of yellow flowers,
And towns, and villages, and towers, _955
Day after day of happy hours.
It was the azure time of June,
When the skies are deep in the stainless noon,
And the warm and fitful breezes shake
The fresh green leaves of the hedgerow briar, _960
And there were odours then to make
The very breath we did respire
A liquid element, whereon
Our spirits, like delighted things
That walk the air on subtle wings, _965
Floated and mingled far away,
'Mid the warm winds of the sunny day.
And when the evening star came forth
Above the curve of the new bent moon,
And light and sound ebbed from the earth, _970
Like the tide of the full and the weary sea
To the depths of its own tranquillity,
Our natures to its own repose
Did the earth's breathless sleep attune:
Like flowers, which on each other close _975
Their languid leaves when daylight's gone,
We lay, till new emotions came,
Which seemed to make each mortal frame
One soul of interwoven flame,
A life in life, a second birth _980
In worlds diviner far than earth,
Which, like two strains of harmony
That mingle in the silent sky
Then slowly disunite, passed by
And left the tenderness of tears, _985
A soft oblivion of all fears,
A sweet sleep: so we travelled on
Till we came to the home of Lionel,
Among the mountains wild and lone,
Beside the hoary western sea, _990
Which near the verge of the echoing shore
The massy forest shadowed o'er.

The ancient steward, with hair all hoar,
As we alighted, wept to see
His master changed so fearfully; _995
And the old man's sobs did waken me
From my dream of unremaining gladness;
The truth flashed o'er me like quick madness
When I looked, and saw that there was death
On Lionel: yet day by day _1000
He lived, till fear grew hope and faith,
And in my soul I dared to say,
Nothing so bright can pass away:
Death is dark, and foul, and dull,
But he is--O how beautiful! _1005
Yet day by day he grew more weak,
And his sweet voice, when he might speak,
Which ne'er was loud, became more low;
And the light which flashed through his waxen cheek
Grew faint, as the rose-like hues which flow _1010
From sunset o'er the Alpine snow:
And death seemed not like death in him,
For the spirit of life o'er every limb
Lingered, a mist of sense and thought.
When the summer wind faint odours brought _1015
From mountain flowers, even as it passed
His cheek would change, as the noonday sea
Which the dying breeze sweeps fitfully.
If but a cloud the sky o'ercast,
You might see his colour come and go, _1020
And the softest strain of music made
Sweet smiles, yet sad, arise and fade
Amid the dew of his tender eyes;
And the breath, with intermitting flow,
Made his pale lips quiver and part. _1025
You might hear the beatings of his heart,
Quick, but not strong; and with my tresses
When oft he playfully would bind
In the bowers of mossy lonelinesses
His neck, and win me so to mingle _1030
In the sweet depth of woven caresses,
And our faint limbs were intertwined,
Alas! the unquiet life did tingle
From mine own heart through every vein,
Like a captive in dreams of liberty, _1035
Who beats the walls of his stony cell.
But his, it seemed already free,
Like the shadow of fire surrounding me!
On my faint eyes and limbs did dwell
That spirit as it passed, till soon, _1040
As a frail cloud wandering o'er the moon,
Beneath its light invisible,
Is seen when it folds its gray wings again
To alight on midnight's dusky plain,
I lived and saw, and the gathering soul _1045
Passed from beneath that strong control,
And I fell on a life which was sick with fear
Of all the woe that now I bear.

Amid a bloomless myrtle wood,
On a green and sea-girt promontory, _1050
Not far from where we dwelt, there stood
In record of a sweet sad story,
An altar and a temple bright
Circled by steps, and o'er the gate
Was sculptured, 'To Fidelity;' _1055
And in the shrine an image sate,
All veiled: but there was seen the light
Of smiles which faintly could express
A mingled pain and tenderness
Through that ethereal drapery. _1060
The left hand held the head, the right--
Beyond the veil, beneath the skin,
You might see the nerves quivering within--
Was forcing the point of a barbed dart
Into its side-convulsing heart. _1065
An unskilled hand, yet one informed
With genius, had the marble warmed
With that pathetic life. This tale
It told: A dog had from the sea,
When the tide was raging fearfully, _1070
Dragged Lionel's mother, weak and pale,
Then died beside her on the sand,
And she that temple thence had planned;
But it was Lionel's own hand
Had wrought the image. Each new moon _1075
That lady did, in this lone fane,
The rites of a religion sweet,
Whose god was in her heart and brain:
The seasons' loveliest flowers were strewn
On the marble floor beneath her feet, _1080
And she brought crowns of sea-buds white
Whose odour is so sweet and faint,
And weeds, like branching chrysolite,
Woven in devices fine and quaint.
And tears from her brown eyes did stain _1085
The altar: need but look upon
That dying statue fair and wan,
If tears should cease, to weep again:
And rare Arabian odours came,
Through the myrtle copses steaming thence _1090
From the hissing frankincense,
Whose smoke, wool-white as ocean foam,
Hung in dense flocks beneath the dome--
That ivory dome, whose azure night
With golden stars, like heaven, was bright-- _1095
O'er the split cedar's pointed flame;
And the lady's harp would kindle there
The melody of an old air,
Softer than sleep; the villagers
Mixed their religion up with hers, _1100
And, as they listened round, shed tears.

One eve he led me to this fane:
Daylight on its last purple cloud
Was lingering gray, and soon her strain
The nightingale began; now loud, _1105
Climbing in circles the windless sky,
Now dying music; suddenly
'Tis scattered in a thousand notes,
And now to the hushed ear it floats
Like field smells known in infancy, _1110
Then failing, soothes the air again.
We sate within that temple lone,
Pavilioned round with Parian stone:
His mother's harp stood near, and oft
I had awakened music soft _1115
Amid its wires: the nightingale
Was pausing in her heaven-taught tale:
'Now drain the cup,' said Lionel,
'Which the poet-bird has crowned so well
With the wine of her bright and liquid song! _1120
Heardst thou not sweet words among
That heaven-resounding minstrelsy?
Heard'st thou not that those who die
Awake in a world of ecstasy?
That love, when limbs are interwoven, _1125
And sleep, when the night of life is cloven,
And thought, to the world's dim boundaries clinging,
And music, when one beloved is singing,
Is death? Let us drain right joyously
The cup which the sweet bird fills for me. ' _1130
He paused, and to my lips he bent
His own: like spirit his words went
Through all my limbs with the speed of fire;
And his keen eyes, glittering through mine,
Filled me with the flame divine, _1135
Which in their orbs was burning far,
Like the light of an unmeasured star,
In the sky of midnight dark and deep:
Yes, 'twas his soul that did inspire
Sounds, which my skill could ne'er awaken; _1140
And first, I felt my fingers sweep
The harp, and a long quivering cry
Burst from my lips in symphony:
The dusk and solid air was shaken,
As swift and swifter the notes came _1145
From my touch, that wandered like quick flame,
And from my bosom, labouring
With some unutterable thing:
The awful sound of my own voice made
My faint lips tremble; in some mood _1150
Of wordless thought Lionel stood
So pale, that even beside his cheek
The snowy column from its shade
Caught whiteness: yet his countenance,
Raised upward, burned with radiance _1155
Of spirit-piercing joy, whose light,
Like the moon struggling through the night
Of whirlwind-rifted clouds, did break
With beams that might not be confined.
I paused, but soon his gestures kindled _1160
New power, as by the moving wind
The waves are lifted, and my song
To low soft notes now changed and dwindled,
And from the twinkling wires among,
My languid fingers drew and flung _1165
Circles of life-dissolving sound,
Yet faint; in aery rings they bound
My Lionel, who, as every strain
Grew fainter but more sweet, his mien
Sunk with the sound relaxedly; _1170
And slowly now he turned to me,
As slowly faded from his face
That awful joy: with looks serene
He was soon drawn to my embrace,
And my wild song then died away _1175
In murmurs: words I dare not say
We mixed, and on his lips mine fed
Till they methought felt still and cold:
'What is it with thee, love? ' I said:
No word, no look, no motion! yes, _1180
There was a change, but spare to guess,
Nor let that moment's hope be told.
I looked, and knew that he was dead,
And fell, as the eagle on the plain
Falls when life deserts her brain, _1185
And the mortal lightning is veiled again.

O that I were now dead! but such
(Did they not, love, demand too much,
Those dying murmurs? ) he forbade.
O that I once again were mad! _1190
And yet, dear Rosalind, not so,
For I would live to share thy woe.
Sweet boy! did I forget thee too?
Alas, we know not what we do
When we speak words.
No memory more _1195
Is in my mind of that sea shore.
Madness came on me, and a troop
Of misty shapes did seem to sit
Beside me, on a vessel's poop,
And the clear north wind was driving it. _1200
Then I heard strange tongues, and saw strange flowers,
And the stars methought grew unlike ours,
And the azure sky and the stormless sea
Made me believe that I had died,
And waked in a world, which was to me _1205
Drear hell, though heaven to all beside:
Then a dead sleep fell on my mind,
Whilst animal life many long years
Had rescued from a chasm of tears;
And when I woke, I wept to find _1210
That the same lady, bright and wise,
With silver locks and quick brown eyes,
The mother of my Lionel,
Had tended me in my distress,
And died some months before. Nor less _1215
Wonder, but far more peace and joy,
Brought in that hour my lovely boy;
For through that trance my soul had well
The impress of thy being kept;
And if I waked, or if I slept, _1220
No doubt, though memory faithless be,
Thy image ever dwelt on me;
And thus, O Lionel, like thee
Is our sweet child. 'Tis sure most strange
I knew not of so great a change, _1225
As that which gave him birth, who now
Is all the solace of my woe.

That Lionel great wealth had left
By will to me, and that of all
The ready lies of law bereft _1230
My child and me, might well befall.
But let me think not of the scorn,
Which from the meanest I have borne,
When, for my child's beloved sake,
I mixed with slaves, to vindicate _1235
The very laws themselves do make:
Let me not say scorn is my fate,
Lest I be proud, suffering the same
With those who live in deathless fame.

She ceased. --'Lo, where red morning thro' the woods _1240
Is burning o'er the dew;' said Rosalind.
And with these words they rose, and towards the flood
Of the blue lake, beneath the leaves now wind
With equal steps and fingers intertwined:
Thence to a lonely dwelling, where the shore _1245
Is shadowed with steep rocks, and cypresses
Cleave with their dark green cones the silent skies,
And with their shadows the clear depths below,
And where a little terrace from its bowers,
Of blooming myrtle and faint lemon-flowers, _1250
Scatters its sense-dissolving fragrance o'er
The liquid marble of the windless lake;
And where the aged forest's limbs look hoar,
Under the leaves which their green garments make,
They come: 'Tis Helen's home, and clean and white, _1255
Like one which tyrants spare on our own land
In some such solitude, its casements bright
Shone through their vine-leaves in the morning sun,
And even within 'twas scarce like Italy.
And when she saw how all things there were planned, _1260
As in an English home, dim memory
Disturbed poor Rosalind: she stood as one
Whose mind is where his body cannot be,
Till Helen led her where her child yet slept,
And said, 'Observe, that brow was Lionel's, _1265
Those lips were his, and so he ever kept
One arm in sleep, pillowing his head with it.
You cannot see his eyes--they are two wells
Of liquid love: let us not wake him yet. '
But Rosalind could bear no more, and wept _1270
A shower of burning tears, which fell upon
His face, and so his opening lashes shone
With tears unlike his own, as he did leap
In sudden wonder from his innocent sleep.

So Rosalind and Helen lived together _1275
Thenceforth, changed in all else, yet friends again,
Such as they were, when o'er the mountain heather
They wandered in their youth, through sun and rain.
And after many years, for human things
Change even like the ocean and the wind, _1280
Her daughter was restored to Rosalind,
And in their circle thence some visitings
Of joy 'mid their new calm would intervene:
A lovely child she was, of looks serene,
And motions which o'er things indifferent shed _1285
The grace and gentleness from whence they came.
And Helen's boy grew with her, and they fed
From the same flowers of thought, until each mind
Like springs which mingle in one flood became,
And in their union soon their parents saw _1290
The shadow of the peace denied to them.
And Rosalind, for when the living stem
Is cankered in its heart, the tree must fall,
Died ere her time; and with deep grief and awe
The pale survivors followed her remains _1295
Beyond the region of dissolving rains,
Up the cold mountain she was wont to call
Her tomb; and on Chiavenna's precipice
They raised a pyramid of lasting ice,
Whose polished sides, ere day had yet begun, _1300
Caught the first glow of the unrisen sun,
The last, when it had sunk; and thro' the night
The charioteers of Arctos wheeled round
Its glittering point, as seen from Helen's home,
Whose sad inhabitants each year would come, _1305
With willing steps climbing that rugged height,
And hang long locks of hair, and garlands bound
With amaranth flowers, which, in the clime's despite,
Filled the frore air with unaccustomed light:
Such flowers, as in the wintry memory bloom _1310
Of one friend left, adorned that frozen tomb.

Helen, whose spirit was of softer mould,
Whose sufferings too were less, Death slowlier led
Into the peace of his dominion cold:
She died among her kindred, being old. _1315
And know, that if love die not in the dead
As in the living, none of mortal kind
Are blest, as now Helen and Rosalind.


NOTES:
_63 from there]from thee edition 1819.
_366 fell]ran edition 1819.
_405-_408 See Editor's Note on this passage.
_551 Where]When edition 1819.
_572 Ay, overflowing]Aye overflowing edition 1819.
_612 dear]clear cj. Bradley.
_711 gore editions 1819, 1839. See Editor's Note.
_932 Where]When edition 1819.
_1093-_1096 See Editor's Note.
_1168-_1171] See Editor's Note.
_1209 rescue]rescued edition 1819. See Editor's Note.


NOTE BY MRS. SHELLEY.

"Rosalind and Helen" was begun at Marlow, and thrown aside--till I
found it; and, at my request, it was completed. Shelley had no care
for any of his poems that did not emanate from the depths of his mind,
and develop some high or abstruse truth. When he does touch on human
life and the human heart, no pictures can be more faithful, more
delicate, more subtle, or more pathetic. He never mentioned Love but
he shed a grace borrowed from his own nature, that scarcely any other
poet has bestowed on that passion. When he spoke of it as the law of
life, which inasmuch as we rebel against we err and injure ourselves
and others, he promulgated that which he considered an irrefragable
truth. In his eyes it was the essence of our being, and all woe and
pain arose from the war made against it by selfishness, or
insensibility, or mistake. By reverting in his mind to this first
principle, he discovered the source of many emotions, and could
disclose the secrets of all hearts, and his delineations of passion
and emotion touch the finest chords of our nature.

"Rosalind and Helen" was finished during the summer of 1818, while we
were at the Baths of Lucca.

***


JULIAN AND MADDALO.

A CONVERSATION.

[Composed at Este after Shelley's first visit to Venice, 1818
(Autumn); first published in the "Posthumous Poems", London, 1824
(edition Mrs. Shelley). Shelley's original intention had been to print
the poem in Leigh Hunt's "Examiner"; but he changed his mind and, on
August 15, 1819, sent the manuscript to Hunt to be published
anonymously by Ollier. This manuscript, found by Mr. Townshend Mayer,
and by him placed in the hands of Mr. H. Buxton Forman, C. B. , is
described at length in Mr. Forman's Library Edition of the poems
(volume 3 page 107). The date, 'May, 1819,' affixed to "Julian and
Maddalo" in the "Posthumous Poems", 1824, indicates the time when the
text was finally revised by Shelley. Sources of the text are (1)
"Posthumous Poems", 1824; (2) the Hunt manuscript; (3) a fair draft of
the poem amongst the Boscombe manuscripts; (4) "Poetical Works", 1839,
1st and 2nd editions (Mrs. Shelley). Our text is that of the Hunt
manuscript, as printed in Forman's Library Edition of the Poems, 1876,
volume 3, pages 103-30; variants of 1824 are indicated in the
footnotes; questions of punctuation are dealt with in the notes at the
end of the volume. ]

PREFACE.

The meadows with fresh streams, the bees with thyme,
The goats with the green leaves of budding Spring,
Are saturated not--nor Love with tears. --VIRGIL'S "Gallus".

Count Maddalo is a Venetian nobleman of ancient family and of great
fortune, who, without mixing much in the society of his countrymen,
resides chiefly at his magnificent palace in that city. He is a person
of the most consummate genius, and capable, if he would direct his
energies to such an end, of becoming the redeemer of his degraded
country. But it is his weakness to be proud: he derives, from a
comparison of his own extraordinary mind with the dwarfish intellects
that surround him, an intense apprehension of the nothingness of human
life. His passions and his powers are incomparably greater than those
of other men; and, instead of the latter having been employed in
curbing the former, they have mutually lent each other strength. His
ambition preys upon itself, for want of objects which it can consider
worthy of exertion. I say that Maddalo is proud, because I can find no
other word to express the concentred and impatient feelings which
consume him; but it is on his own hopes and affections only that he
seems to trample, for in social life no human being can be more
gentle, patient and unassuming than Maddalo. He is cheerful, frank and
witty. His more serious conversation is a sort of intoxication; men
are held by it as by a spell. He has travelled much; and there is an
inexpressible charm in his relation of his adventures in different
countries.

Julian is an Englishman of good family, passionately attached to those
philosophical notions which assert the power of man over his own mind,
and the immense improvements of which, by the extinction of certain
moral superstitions, human society may be yet susceptible. Without
concealing the evil in the world he is for ever speculating how good
may be made superior. He is a complete infidel, and a scoffer at all
things reputed holy; and Maddalo takes a wicked pleasure in drawing
out his taunts against religion. What Maddalo thinks on these matters
is not exactly known. Julian, in spite of his heterodox opinions, is
conjectured by his friends to possess some good qualities. How far
this is possible the pious reader will determine. Julian is rather
serious.

Of the Maniac I can give no information. He seems, by his own account,
to have been disappointed in love. He was evidently a very cultivated
and amiable person when in his right senses. His story, told at
length, might be like many other stories of the same kind: the
unconnected exclamations of his agony will perhaps be found a
sufficient comment for the text of every heart.


I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heaped from ever-shifting sand,
Matted with thistles and amphibious weeds, _5
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes _10
Broken and unrepaired, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste _15
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remembered friend I love _20
To ride as then I rode;--for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripped to their depths by the awakening north;
And, from the waves, sound like delight broke forth _25
Harmonising with solitude, and sent
Into our hearts aereal merriment.
So, as we rode, we talked; and the swift thought,
Winging itself with laughter, lingered not,
But flew from brain to brain,--such glee was ours, _30
Charged with light memories of remembered hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also. _35
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: --'twas forlorn,
Yet pleasing, such as once, so poets tell, _40
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve, _45
We descanted; and I (for ever still
Is it not wise to make the best of ill? )
Argued against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind _50
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paused ere it should alight,
Over the horizon of the mountains;--Oh,
How beautiful is sunset, when the glow _55
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas and vineyards, and the towers
Of cities they encircle! --it was ours
To stand on thee, beholding it: and then, _60
Just where we had dismounted, the Count's men
Were waiting for us with the gondola. --
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood _65
Which lay between the city and the shore,
Paved with the image of the sky. . . the hoar
And aery Alps towards the North appeared
Through mist, an heaven-sustaining bulwark reared
Between the East and West; and half the sky _70
Was roofed with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paused in his descent _75
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peaked isles--
And then--as if the Earth and Sea had been _80
Dissolved into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. 'Ere it fade,' _85
Said my companion, 'I will show you soon
A better station'--so, o'er the lagune
We glided; and from that funereal bark
I leaned, and saw the city, and could mark
How from their many isles, in evening's gleam, _90
Its temples and its palaces did seem
Like fabrics of enchantment piled to Heaven.
I was about to speak, when--'We are even
Now at the point I meant,' said Maddalo,
And bade the gondolieri cease to row. _95
'Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell. '
I looked, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile, _100
A windowless, deformed and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance swayed and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it tolled _105
In strong and black relief. --'What we behold
Shall be the madhouse and its belfry tower,'
Said Maddalo, 'and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell, _110
To vespers. '--'As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern maker,' I replied. 'O ho!
You talk as in years past,' said Maddalo.
''Tis strange men change not. You were ever still _115
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence. ' I looked on him,
But the gay smile had faded in his eye.
'And such,'--he cried, 'is our mortality, _120
And this must be the emblem and the sign
Of what should be eternal and divine! --
And like that black and dreary bell, the soul,
Hung in a heaven-illumined tower, must toll
Our thoughts and our desires to meet below _125
Round the rent heart and pray--as madmen do
For what? they know not,--till the night of death
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled. ' I recall _130
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower looked gray, and all between _135
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Conveyed me to my lodging by the way. _140
The following morn was rainy, cold, and dim:
Ere Maddalo arose, I called on him,
And whilst I waited with his child I played;
A lovelier toy sweet Nature never made;
A serious, subtle, wild, yet gentle being, _145
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes! --which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me _150
She was a special favourite: I had nursed
Her fine and feeble limbs when she came first
To this bleak world; and she yet seemed to know
On second sight her ancient playfellow,
Less changed than she was by six months or so; _155
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count entered. Salutations past--
'The word you spoke last night might well have cast
A darkness on my spirit--if man be _160
The passive thing you say, I should not see
Much harm in the religions and old saws
(Tho' I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith. '--thus much I spoke _165
And noting he replied not, added: 'See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will _170
That thus enchains us to permitted ill--
We might be otherwise--we might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek,
But in our mind? and if we were not weak _175
Should we be less in deed than in desire? '
'Ay, if we were not weak--and we aspire
How vainly to be strong! ' said Maddalo:
'You talk Utopia. ' 'It remains to know,'
I then rejoined, 'and those who try may find _180
How strong the chains are which our spirit bind;
Brittle perchance as straw. . . We are assured
Much may be conquered, much may be endured,
Of what degrades and crushes us. We know
That we have power over ourselves to do _185
And suffer--what, we know not till we try;
But something nobler than to live and die--
So taught those kings of old philosophy
Who reigned, before Religion made men blind;
And those who suffer with their suffering kind _190
Yet feel their faith, religion. ' 'My dear friend,'
Said Maddalo, 'my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you _195
Who to this city came some months ago,
With whom I argued in this sort, and he
Is now gone mad,--and so he answered me,--
Poor fellow! but if you would like to go,
We'll visit him, and his wild talk will show _200
How vain are such aspiring theories. '
'I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a "soul of goodness" in things ill
Or in himself or others, has thus bowed _205
His being--there are some by nature proud,
Who patient in all else demand but this--
To love and be beloved with gentleness;
And being scorned, what wonder if they die
Some living death? this is not destiny _210
But man's own wilful ill. '
As thus I spoke
Servants announced the gondola, and we
Through the fast-falling rain and high-wrought sea
Sailed to the island where the madhouse stands.
We disembarked. The clap of tortured hands, _215
Fierce yells and howlings and lamentings keen,
And laughter where complaint had merrier been,
Moans, shrieks, and curses, and blaspheming prayers
Accosted us. We climbed the oozy stairs
Into an old courtyard. I heard on high, _220
Then, fragments of most touching melody,
But looking up saw not the singer there--
Through the black bars in the tempestuous air
I saw, like weeds on a wrecked palace growing,
Long tangled locks flung wildly forth, and flowing, _225
Of those who on a sudden were beguiled
Into strange silence, and looked forth and smiled
Hearing sweet sounds. Then I: 'Methinks there were
A cure of these with patience and kind care,
If music can thus move. . . but what is he _230
Whom we seek here? ' 'Of his sad history
I know but this,' said Maddalo: 'he came
To Venice a dejected man, and fame
Said he was wealthy, or he had been so;
Some thought the loss of fortune wrought him woe; _235
But he was ever talking in such sort
As you do--far more sadly--he seemed hurt,
Even as a man with his peculiar wrong,
To hear but of the oppression of the strong,
Or those absurd deceits (I think with you _240
In some respects, you know) which carry through
The excellent impostors of this earth
When they outface detection--he had worth,
Poor fellow! but a humorist in his way'--
'Alas, what drove him mad? ' 'I cannot say: _245
A lady came with him from France, and when
She left him and returned, he wandered then
About yon lonely isles of desert sand
Till he grew wild--he had no cash or land
Remaining,--the police had brought him here-- _250
Some fancy took him and he would not bear
Removal; so I fitted up for him
Those rooms beside the sea, to please his whim,
And sent him busts and books and urns for flowers,
Which had adorned his life in happier hours, _255
And instruments of music--you may guess
A stranger could do little more or less
For one so gentle and unfortunate:
And those are his sweet strains which charm the weight
From madmen's chains, and make this Hell appear _260
A heaven of sacred silence, hushed to hear. '--
'Nay, this was kind of you--he had no claim,
As the world says'--'None--but the very same
Which I on all mankind were I as he
Fallen to such deep reverse;--his melody _265
Is interrupted--now we hear the din
Of madmen, shriek on shriek, again begin;
Let us now visit him; after this strain
He ever communes with himself again,
And sees nor hears not any. ' Having said _270
These words, we called the keeper, and he led
To an apartment opening on the sea--
There the poor wretch was sitting mournfully
Near a piano, his pale fingers twined
One with the other, and the ooze and wind _275
Rushed through an open casement, and did sway
His hair, and starred it with the brackish spray;
His head was leaning on a music book,
And he was muttering, and his lean limbs shook;
His lips were pressed against a folded leaf _280
In hue too beautiful for health, and grief
Smiled in their motions as they lay apart--
As one who wrought from his own fervid heart
The eloquence of passion, soon he raised
His sad meek face and eyes lustrous and glazed _285
And spoke--sometimes as one who wrote, and thought
His words might move some heart that heeded not,
If sent to distant lands: and then as one
Reproaching deeds never to be undone
With wondering self-compassion; then his speech _290
Was lost in grief, and then his words came each
Unmodulated, cold, expressionless,--
But that from one jarred accent you might guess
It was despair made them so uniform:
And all the while the loud and gusty storm _295
Hissed through the window, and we stood behind
Stealing his accents from the envious wind
Unseen. I yet remember what he said
Distinctly: such impression his words made.

'Month after month,' he cried, 'to bear this load _300
And as a jade urged by the whip and goad
To drag life on, which like a heavy chain
Lengthens behind with many a link of pain! --
And not to speak my grief--O, not to dare
To give a human voice to my despair, _305
But live, and move, and, wretched thing! smile on
As if I never went aside to groan,
And wear this mask of falsehood even to those
Who are most dear--not for my own repose--
Alas! no scorn or pain or hate could be _310
So heavy as that falsehood is to me--
But that I cannot bear more altered faces
Than needs must be, more changed and cold embraces,
More misery, disappointment, and mistrust
To own me for their father. . . Would the dust _315
Were covered in upon my body now!
That the life ceased to toil within my brow!
And then these thoughts would at the least be fled;
Let us not fear such pain can vex the dead.
'What Power delights to torture us? I know _320
That to myself I do not wholly owe
What now I suffer, though in part I may.
Alas! none strewed sweet flowers upon the way
Where wandering heedlessly, I met pale Pain
My shadow, which will leave me not again-- _325
If I have erred, there was no joy in error,
But pain and insult and unrest and terror;
I have not as some do, bought penitence
With pleasure, and a dark yet sweet offence,
For then,--if love and tenderness and truth _330
Had overlived hope's momentary youth,
My creed should have redeemed me from repenting;
But loathed scorn and outrage unrelenting
Met love excited by far other seeming
Until the end was gained. . . as one from dreaming _335
Of sweetest peace, I woke, and found my state
Such as it is. --
'O Thou, my spirit's mate
Who, for thou art compassionate and wise,
Wouldst pity me from thy most gentle eyes
If this sad writing thou shouldst ever see-- _340
My secret groans must be unheard by thee,
Thou wouldst weep tears bitter as blood to know
Thy lost friend's incommunicable woe.

'Ye few by whom my nature has been weighed
In friendship, let me not that name degrade _345
By placing on your hearts the secret load
Which crushes mine to dust. There is one road
To peace and that is truth, which follow ye!
Love sometimes leads astray to misery.
Yet think not though subdued--and I may well _350
Say that I am subdued--that the full Hell
Within me would infect the untainted breast
Of sacred nature with its own unrest;
As some perverted beings think to find
In scorn or hate a medicine for the mind _355
Which scorn or hate have wounded--O how vain!
The dagger heals not but may rend again. . .
Believe that I am ever still the same
In creed as in resolve, and what may tame
My heart, must leave the understanding free, _360
Or all would sink in this keen agony--
Nor dream that I will join the vulgar cry;
Or with my silence sanction tyranny;
Or seek a moment's shelter from my pain
In any madness which the world calls gain, _365
Ambition or revenge or thoughts as stern
As those which make me what I am; or turn
To avarice or misanthropy or lust. . .
Heap on me soon, O grave, thy welcome dust!
Till then the dungeon may demand its prey, _370
And Poverty and Shame may meet and say--
Halting beside me on the public way--
"That love-devoted youth is ours--let's sit
Beside him--he may live some six months yet. "
Or the red scaffold, as our country bends, _375
May ask some willing victim; or ye friends
May fall under some sorrow which this heart
Or hand may share or vanquish or avert;
I am prepared--in truth, with no proud joy--
To do or suffer aught, as when a boy _380
I did devote to justice and to love
My nature, worthless now! . . .
'I must remove
A veil from my pent mind. 'Tis torn aside!
O, pallid as Death's dedicated bride,
Thou mockery which art sitting by my side, _385
Am I not wan like thee? at the grave's call
I haste, invited to thy wedding-ball
To greet the ghastly paramour, for whom
Thou hast deserted me. . . and made the tomb
Thy bridal bed. . . But I beside your feet _390
Will lie and watch ye from my winding-sheet--
Thus. . . wide awake tho' dead. . . yet stay, O stay!
Go not so soon--I know not what I say--
Hear but my reasons. . . I am mad, I fear,
My fancy is o'erwrought. . . thou art not here. . . _395
Pale art thou, 'tis most true. . . but thou art gone,
Thy work is finished. . . I am left alone! --
. . .
'Nay, was it I who wooed thee to this breast
Which, like a serpent, thou envenomest
As in repayment of the warmth it lent? _400
Didst thou not seek me for thine own content?
Did not thy love awaken mine? I thought
That thou wert she who said, "You kiss me not
Ever, I fear you do not love me now"--
In truth I loved even to my overthrow _405
Her, who would fain forget these words: but they
Cling to her mind, and cannot pass away.
. . .
'You say that I am proud--that when I speak
My lip is tortured with the wrongs which break
The spirit it expresses. . . Never one _410
Humbled himself before, as I have done!
Even the instinctive worm on which we tread
Turns, though it wound not--then with prostrate head
Sinks in the dusk and writhes like me--and dies?
No: wears a living death of agonies! _415
As the slow shadows of the pointed grass
Mark the eternal periods, his pangs pass,
Slow, ever-moving,--making moments be
As mine seem--each an immortality!
. . .
'That you had never seen me--never heard _420
My voice, and more than all had ne'er endured
The deep pollution of my loathed embrace--
That your eyes ne'er had lied love in my face--
That, like some maniac monk, I had torn out
The nerves of manhood by their bleeding root _425
With mine own quivering fingers, so that ne'er
Our hearts had for a moment mingled there
To disunite in horror--these were not
With thee, like some suppressed and hideous thought
Which flits athwart our musings, but can find _430
No rest within a pure and gentle mind. . .
Thou sealedst them with many a bare broad word,
And searedst my memory o'er them,--for I heard
And can forget not. . . they were ministered
One after one, those curses. Mix them up _435
Like self-destroying poisons in one cup,
And they will make one blessing which thou ne'er
Didst imprecate for, on me,--death.
. . .
'It were
A cruel punishment for one most cruel,
If such can love, to make that love the fuel _440
Of the mind's hell; hate, scorn, remorse, despair:
But ME--whose heart a stranger's tear might wear
As water-drops the sandy fountain-stone,
Who loved and pitied all things, and could moan
For woes which others hear not, and could see _445
The absent with the glance of phantasy,
And with the poor and trampled sit and weep,
Following the captive to his dungeon deep;
ME--who am as a nerve o'er which do creep
The else unfelt oppressions of this earth, _450
And was to thee the flame upon thy hearth,
When all beside was cold--that thou on me
Shouldst rain these plagues of blistering agony--
Such curses are from lips once eloquent
With love's too partial praise--let none relent _455
Who intend deeds too dreadful for a name
Henceforth, if an example for the same
They seek. . . for thou on me lookedst so, and so--
And didst speak thus. . . and thus. . . I live to show
How much men bear and die not!
. . .
'Thou wilt tell _460
With the grimace of hate, how horrible
It was to meet my love when thine grew less;
Thou wilt admire how I could e'er address
Such features to love's work. . . this taunt, though true,
(For indeed Nature nor in form nor hue _465
Bestowed on me her choicest workmanship)
Shall not be thy defence. . . for since thy lip
Met mine first, years long past, since thine eye kindled
With soft fire under mine, I have not dwindled
Nor changed in mind or body, or in aught _470
But as love changes what it loveth not
After long years and many trials.

'How vain
Are words! I thought never to speak again,
Not even in secret,--not to mine own heart--
But from my lips the unwilling accents start, _475
And from my pen the words flow as I write,
Dazzling my eyes with scalding tears. . . my sight
Is dim to see that charactered in vain
On this unfeeling leaf which burns the brain
And eats into it. . . blotting all things fair _480
And wise and good which time had written there.

'Those who inflict must suffer, for they see
The work of their own hearts, and this must be
Our chastisement or recompense--O child!
I would that thine were like to be more mild _485
For both our wretched sakes. . . for thine the most
Who feelest already all that thou hast lost
Without the power to wish it thine again;
And as slow years pass, a funereal train
Each with the ghost of some lost hope or friend _490
Following it like its shadow, wilt thou bend
No thought on my dead memory?
. . .
'Alas, love!
Fear me not. . . against thee I would not move
A finger in despite. Do I not live
That thou mayst have less bitter cause to grieve? _495
I give thee tears for scorn and love for hate;
And that thy lot may be less desolate
Than his on whom thou tramplest, I refrain
From that sweet sleep which medicines all pain.
Then, when thou speakest of me, never say _500
"He could forgive not. " Here I cast away
All human passions, all revenge, all pride;
I think, speak, act no ill; I do but hide
Under these words, like embers, every spark
Of that which has consumed me--quick and dark _505
The grave is yawning. . . as its roof shall cover
My limbs with dust and worms under and over
So let Oblivion hide this grief. . . the air
Closes upon my accents, as despair
Upon my heart--let death upon despair! ' _510

He ceased, and overcome leant back awhile,
Then rising, with a melancholy smile
Went to a sofa, and lay down, and slept
A heavy sleep, and in his dreams he wept
And muttered some familiar name, and we _515
Wept without shame in his society.
I think I never was impressed so much;
The man who were not, must have lacked a touch
Of human nature. . . then we lingered not,
Although our argument was quite forgot, _520
But calling the attendants, went to dine
At Maddalo's; yet neither cheer nor wine
Could give us spirits, for we talked of him
And nothing else, till daylight made stars dim;
And we agreed his was some dreadful ill _525
Wrought on him boldly, yet unspeakable,
By a dear friend; some deadly change in love
Of one vowed deeply which he dreamed not of;
For whose sake he, it seemed, had fixed a blot
Of falsehood on his mind which flourished not _530
But in the light of all-beholding truth;
And having stamped this canker on his youth
She had abandoned him--and how much more
Might be his woe, we guessed not--he had store
Of friends and fortune once, as we could guess _535
From his nice habits and his gentleness;
These were now lost. . . it were a grief indeed
If he had changed one unsustaining reed
For all that such a man might else adorn.
The colours of his mind seemed yet unworn; _540
For the wild language of his grief was high,
Such as in measure were called poetry;
And I remember one remark which then
Maddalo made. He said: 'Most wretched men
Are cradled into poetry by wrong, _545
They learn in suffering what they teach in song. '

If I had been an unconnected man,
I, from this moment, should have formed some plan
Never to leave sweet Venice,--for to me
It was delight to ride by the lone sea; _550
And then, the town is silent--one may write
Or read in gondolas by day or night,
Having the little brazen lamp alight,
Unseen, uninterrupted; books are there,
Pictures, and casts from all those statues fair _555
Which were twin-born with poetry, and all
We seek in towns, with little to recall
Regrets for the green country. I might sit
In Maddalo's great palace, and his wit
And subtle talk would cheer the winter night _560
And make me know myself, and the firelight
Would flash upon our faces, till the day
Might dawn and make me wonder at my stay:
But I had friends in London too: the chief
Attraction here, was that I sought relief _565
From the deep tenderness that maniac wrought
Within me--'twas perhaps an idle thought--
But I imagined that if day by day
I watched him, and but seldom went away,
And studied all the beatings of his heart _570
With zeal, as men study some stubborn art
For their own good, and could by patience find
An entrance to the caverns of his mind,
I might reclaim him from this dark estate:
In friendships I had been most fortunate-- _575
Yet never saw I one whom I would call
More willingly my friend; and this was all
Accomplished not; such dreams of baseless good
Oft come and go in crowds or solitude
And leave no trace--but what I now designed _580
Made for long years impression on my mind.
The following morning, urged by my affairs,
I left bright Venice.
After many years
And many changes I returned; the name
Of Venice, and its aspect, was the same; _585
But Maddalo was travelling far away
Among the mountains of Armenia.
His dog was dead. His child had now become
A woman; such as it has been my doom
To meet with few,--a wonder of this earth, _590
Where there is little of transcendent worth,
Like one of Shakespeare's women: kindly she,
And, with a manner beyond courtesy,
Received her father's friend; and when I asked
Of the lorn maniac, she her memory tasked, _595
And told as she had heard the mournful tale:
'That the poor sufferer's health began to fail
Two years from my departure, but that then
The lady who had left him, came again.
Her mien had been imperious, but she now _600
Looked meek--perhaps remorse had brought her low.
Her coming made him better, and they stayed
Together at my father's--for I played,
As I remember, with the lady's shawl--
I might be six years old--but after all _605
She left him. '. . . 'Why, her heart must have been tough:
How did it end? ' 'And was not this enough?
They met--they parted. '--'Child, is there no more? '
'Something within that interval which bore
The stamp of WHY they parted, HOW they met: _610
Yet if thine aged eyes disdain to wet
Those wrinkled cheeks with youth's remembered tears,
Ask me no more, but let the silent years
Be closed and cered over their memory
As yon mute marble where their corpses lie. ' _615
I urged and questioned still, she told me how
All happened--but the cold world shall not know.


CANCELLED FRAGMENTS OF JULIAN AND MADDALO.

'What think you the dead are? ' 'Why, dust and clay,
What should they be? ' ''Tis the last hour of day.
Look on the west, how beautiful it is _620
Vaulted with radiant vapours! The deep bliss
Of that unutterable light has made
The edges of that cloud . . . fade
Into a hue, like some harmonious thought,
Wasting itself on that which it had wrought, _625
Till it dies . . . and . . . between
The light hues of the tender, pure, serene,
And infinite tranquillity of heaven.
Ay, beautiful! but when not. . . '
. . .
'Perhaps the only comfort which remains _630
Is the unheeded clanking of my chains,
The which I make, and call it melody. '


NOTES:
_45 may Hunt manuscript; can 1824.
_99 a one Hunt manuscript; an one 1824.
_105 sunk Hunt manuscript; sank 1824.
_108 ever Hunt manuscript; even 1824.
_119 in Hunt manuscript; from 1824.
_124 a Hunt manuscript; an 1824.
_171 That Hunt manuscript; Which 1824.
_175 mind Hunt manuscript; minds 1824.
_179 know 1824; see Hunt manuscript.
_188 those Hunt manuscript; the 1824.
_191 their Hunt manuscript; this 1824.
_218 Moons, etc. , Hunt manuscript;
The line is wanting in editions 1824 and 1839.