No More Learning

Then the smith with his tools in Sir John made a breach,
And the toper he hiccuped and ended his speech;
And pulled at the quart, till the snob he declared
When he went to drink next that the bottom was bared.
No matter for that, said the toper, and grinned;
I had but a soak and neer rested for wind.
That's the law, said the smith, with a look rather vexed,
But the quart was a forfeit; so pay for the next.

Thus they talked of their skill and their labour till noon
When the sober man's toil was exactly half done,
And there the plough lay--people hardly could pass
And the horses let loose polished up the short grass
And browsed on the bottle of flags lying there,
By the gipsey's old budget, for mending a chair.
The miller's horse tied to the old smithy door
Stood stamping his feet, by the flies bitten sore,
Awaiting the smith as he wanted a shoe;
And he stampt till another fell off and made two:

Till the miller, expecting that all would get loose,
Went to seek him and cursed him outright for a goose;
But he dipt his dry beak in the mug once or twice
And forgot all his passion and toil in a trice.
And the flybitten horse at the old smithy post
Might stamp till his shoes and his legs they were lost.
He sung his old songs and forgot his old mill--
Blow winds high or low, she might rest her at will.
And the cobbler, in spite of his bustle for pelf,
Left the shop all the day to take care of itself.

And the toper who carried his house on his head,
No wife to be teazing, no bairns to be fed,
Would sit out the week or the month or the year
Or a life-time so long as he'd credit for beer.
The ploughman he talked of his skill as divine,
How he could plough thurrows as straight as a line;
And the blacksmith he swore, had he but the command,
He could shoe the king's hunter the best in the land;
And the cobbler declared, was his skill but once seen,
He should soon get an order for shoes from the queen.

But the tinker he swore he could beat them all three,
For gi' me a pair of old bellows, says he,
And I'll make them roar out like the wind in a storm
And make them blow fire out of coal hardly warm.
The toper said nothing but wished the quart full
And swore he could toss it all off at a pull.
Have one, said the tinker; but wit was away,
When the bet was to bind him he'd nothing to pay.
And thus in the face of life's sun-and-shower weather
They drank, bragged, and sung, and got merry together.

The sun he went down--the last gleam from his brow
Flung a smile of repose on the holiday plough;
The glooms they approached, and the dews like a rain
Fell thick and hung pearls on the old sorrel mane
Of the horse that the miller had brought to be shod,
And the morning awoke, saw a sight rather odd--
For a bit of the halter still hung at the door,
Bit through by the horse now at feed on the moor;
And the old tinker's budget lay still in the weather,
While all kept on singing and drinking together.


_The Flitting_

I've left my own old home of homes,
Green fields and every pleasant place;
The summer like a stranger comes,
I pause and hardly know her face.
I miss the hazel's happy green,
The blue bell's quiet hanging blooms,
Where envy's sneer was never seen,
Where staring malice never comes.

I miss the heath, its yellow furze,
Molehills and rabbit tracks that lead
Through beesom, ling, and teazel burrs
That spread a wilderness indeed;
The woodland oaks and all below
That their white powdered branches shield,
The mossy paths: the very crow
Croaks music in my native field.

I sit me in my corner chair
That seems to feel itself from home,
And hear bird music here and there
From hawthorn hedge and orchard come;
I hear, but all is strange and new:
I sat on my old bench in June,
The sailing puddock's shrill "peelew"
On Royce Wood seemed a sweeter tune.

I walk adown the narrow lane,
The nightingale is singing now,
But like to me she seems at loss
For Royce Wood and its shielding bough.
I lean upon the window sill,
The trees and summer happy seem;
Green, sunny green they shine, but still
My heart goes far away to dream.

Of happiness, and thoughts arise
With home-bred pictures many a one,
Green lanes that shut out burning skies
And old crooked stiles to rest upon;
Above them hangs the maple tree,
Below grass swells a velvet hill,
And little footpaths sweet to see
Go seeking sweeter places still,

With bye and bye a brook to cross
Oer which a little arch is thrown:
No brook is here, I feel the loss
From home and friends and all alone.
--The stone pit with its shelvy sides
Seemed hanging rocks in my esteem;
I miss the prospect far and wide
From Langley Bush, and so I seem

Alone and in a stranger scene,
Far, far from spots my heart esteems,
The closen with their ancient green,
Heaths, woods, and pastures, sunny streams.
The hawthorns here were hung with may,
But still they seem in deader green,
The sun een seems to lose its way
Nor knows the quarter it is in.

I dwell in trifles like a child,
I feel as ill becomes a man,
And still my thoughts like weedlings wild
Grow up to blossom where they can.
They turn to places known so long
I feel that joy was dwelling there,
So home-fed pleasure fills the song
That has no present joys to hear.

I read in books for happiness,
But books are like the sea to joy,
They change--as well give age the glass
To hunt its visage when a boy.
For books they follow fashions new
And throw all old esteems away,
In crowded streets flowers never grew,
But many there hath died away.

Some sing the pomps of chivalry
As legends of the ancient time,
Where gold and pearls and mystery
Are shadows painted for sublime;
But passions of sublimity
Belong to plain and simpler things,
And David underneath a tree
Sought when a shepherd Salem's springs,

Where moss did into cushions spring,
Forming a seat of velvet hue,
A small unnoticed trifling thing
To all but heaven's hailing dew.
And David's crown hath passed away,
Yet poesy breathes his shepherd-skill,
His palace lost--and to this day
The little moss is blossoming still.

Strange scenes mere shadows are to me,
Vague impersonifying things;
I love with my old haunts to be
By quiet woods and gravel springs,
Where little pebbles wear as smooth
As hermits' beads by gentle floods,
Whose noises do my spirits soothe
And warm them into singing moods.

Here every tree is strange to me,
All foreign things where eer I go,
There's none where boyhood made a swee
Or clambered up to rob a crow.
No hollow tree or woodland bower
Well known when joy was beating high,
Where beauty ran to shun a shower
And love took pains to keep her dry,

And laid the sheaf upon the ground
To keep her from the dripping grass,
And ran for stocks and set them round
Till scarce a drop of rain could pass
Through; where the maidens they reclined
And sung sweet ballads now forgot,
Which brought sweet memories to the mind,
But here no memory knows them not.

There have I sat by many a tree
And leaned oer many a rural stile,
And conned my thoughts as joys to me,
Nought heeding who might frown or smile.
Twas nature's beauty that inspired
My heart with rapture not its own,
And she's a fame that never tires;
How could I feel myself alone?

No, pasture molehills used to lie
And talk to me of sunny days,
And then the glad sheep resting bye
All still in ruminating praise
Of summer and the pleasant place
And every weed and blossom too
Was looking upward in my face
With friendship's welcome "how do ye do? "

All tenants of an ancient place
And heirs of noble heritage,
Coeval they with Adam's race
And blest with more substantial age.
For when the world first saw the sun
These little flowers beheld him too,
And when his love for earth begun
They were the first his smiles to woo.

There little lambtoe bunches springs
In red tinged and begolden dye
For ever, and like China kings
They come but never seem to die.
There may-bloom with its little threads
Still comes upon the thorny bowers
And neer forgets those prickly heads
Like fairy pins amid the flowers.

And still they bloom as on the day
They first crowned wilderness and rock,
When Abel haply wreathed with may
The firstlings of his little flock,
And Eve might from the matted thorn
To deck her lone and lovely brow
Reach that same rose that heedless scorn
Misnames as the dog rosey now.

Give me no high-flown fangled things,
No haughty pomp in marching chime,
Where muses play on golden strings
And splendour passes for sublime,
Where cities stretch as far as fame
And fancy's straining eye can go,
And piled until the sky for shame
Is stooping far away below.

I love the verse that mild and bland
Breathes of green fields and open sky,
I love the muse that in her hand
Bears flowers of native poesy;
Who walks nor skips the pasture brook
In scorn, but by the drinking horse
Leans oer its little brig to look
How far the sallows lean across,

And feels a rapture in her breast
Upon their root-fringed grains to mark
A hermit morehen's sedgy nest
Just like a naiad's summer bark.
She counts the eggs she cannot reach
Admires the spot and loves it well,
And yearns, so nature's lessons teach,
Amid such neighbourhoods to dwell.

I love the muse who sits her down
Upon the molehill's little lap,
Who feels no fear to stain her gown
And pauses by the hedgerow gap;
Not with that affectation, praise
Of song, to sing and never see
A field flower grown in all her days
Or een a forest's aged tree.

Een here my simple feelings nurse
A love for every simple weed,
And een this little shepherd's purse
Grieves me to cut it up; indeed
I feel at times a love and joy
For every weed and every thing,
A feeling kindred from a boy,
A feeling brought with every Spring.

And why? this shepherd's purse that grows
In this strange spot, in days gone bye
Grew in the little garden rows
Of my old home now left; and I
Feel what I never felt before,
This weed an ancient neighbour here,
And though I own the spot no more
Its every trifle makes it dear.

The ivy at the parlour end,
The woodbine at the garden gate,
Are all and each affection's friend
That render parting desolate.
But times will change and friends must part
And nature still can make amends;
Their memory lingers round the heart
Like life whose essence is its friends.

Time looks on pomp with vengeful mood
Or killing apathy's disdain;
So where old marble cities stood
Poor persecuted weeds remain.
She feels a love for little things
That very few can feel beside,
And still the grass eternal springs
Where castles stood and grandeur died.

_Remembrances_

Summer's pleasures they are gone like to visions every one,
And the cloudy days of autumn and of winter cometh on.
I tried to call them back, but unbidden they are gone
Far away from heart and eye and forever far away.
Dear heart, and can it be that such raptures meet decay?
I thought them all eternal when by Langley Bush I lay,
I thought them joys eternal when I used to shout and play
On its bank at "clink and bandy," "chock" and "taw" and "ducking stone,"
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone.

When I used to lie and sing by old Eastwell's boiling spring,
When I used to tie the willow boughs together for a swing,
And fish with crooked pins and thread and never catch a thing,
With heart just like a feather, now as heavy as a stone;
When beneath old Lea Close oak I the bottom branches broke
To make our harvest cart like so many working folk,
And then to cut a straw at the brook to have a soak.
O I never dreamed of parting or that trouble had a sting,
Or that pleasures like a flock of birds would ever take to wing,
Leaving nothing but a little naked spring.

When jumping time away on old Crossberry Way,
And eating awes like sugarplums ere they had lost the may,
And skipping like a leveret before the peep of day
On the roly poly up and downs of pleasant Swordy Well,
When in Round Oak's narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain,
With our pockets full of peas we had stolen from the grain;
How delicious was the dinner time on such a showery day!
O words are poor receipts for what time hath stole away,
The ancient pulpit trees and the play.

When for school oer Little Field with its brook and wooden brig,
Where I swaggered like a man though I was not half so big,
While I held my little plough though twas but a willow twig,
And drove my team along made of nothing but a name,
"Gee hep" and "hoit" and "woi"--O I never call to mind
These pleasant names of places but I leave a sigh behind,
While I see little mouldiwarps hang sweeing to the wind
On the only aged willow that in all the field remains,
And nature hides her face while they're sweeing in their chains
And in a silent murmuring complains.

Here was commons for their hills, where they seek for freedom still,
Though every common's gone and though traps are set to kill
The little homeless miners--O it turns my bosom chill
When I think of old Sneap Green, Puddock's Nook and Hilly Snow,
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view,
Where we threw the pismire crumbs when we'd nothing else to do,
All levelled like a desert by the never weary plough,
All banished like the sun where that cloud is passing now
And settled here for ever on its brow.

O I never thought that joys would run away from boys,
Or that boys would change their minds and forsake such summer joys;
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone,
Till I found the pleasure past and a winter come at last,
Then the fields were sudden bare and the sky got overcast
And boyhood's pleasing haunt like a blossom in the blast
Was shrivelled to a withered weed and trampled down and done,
Till vanished was the morning spring and set the summer sun
And winter fought her battle strife and won.

By Langley Bush I roam, but the bush hath left its hill,
On Cowper Green I stray, tis a desert strange and chill,
And the spreading Lea Close oak, ere decay had penned its will,
To the axe of the spoiler and self-interest fell a prey,
And Crossberry Way and old Round Oak's narrow lane
With its hollow trees like pulpits I shall never see again,
Enclosure like a Buonaparte let not a thing remain,
It levelled every bush and tree and levelled every hill
And hung the moles for traitors--though the brook is running still
It runs a sicker brook, cold and chill.

O had I known as then joy had left the paths of men,
I had watched her night and day, be sure, and never slept agen,
And when she turned to go, O I'd caught her mantle then,
And wooed her like a lover by my lonely side to stay;
Ay, knelt and worshipped on, as love in beauty's bower,
And clung upon her smiles as a bee upon a flower,
And gave her heart my posies, all cropt in a sunny hour,
As keepsakes and pledges all to never fade away;
But love never heeded to treasure up the may,
So it went the common road to decay.


_The Cottager_

True as the church clock hand the hour pursues
He plods about his toils and reads the news,
And at the blacksmith's shop his hour will stand
To talk of "Lunun" as a foreign land.
For from his cottage door in peace or strife
He neer went fifty miles in all his life.
His knowledge with old notions still combined
Is twenty years behind the march of mind.
He views new knowledge with suspicious eyes
And thinks it blasphemy to be so wise.
On steam's almighty tales he wondering looks
As witchcraft gleaned from old blackletter books.
Life gave him comfort but denied him wealth,
He toils in quiet and enjoys his health,
He smokes a pipe at night and drinks his beer
And runs no scores on tavern screens to clear.
He goes to market all the year about
And keeps one hour and never stays it out.
Een at St. Thomas tide old Rover's bark
Hails Dapple's trot an hour before it's dark.
He is a simple-worded plain old man
Whose good intents take errors in their plan.
Oft sentimental and with saddened vein
He looks on trifles and bemoans their pain,
And thinks the angler mad, and loudly storms
With emphasis of speech oer murdered worms.
And hunters cruel--pleading with sad care
Pity's petition for the fox and hare,
Yet feels self-satisfaction in his woes
For war's crushed myriads of his slaughtered foes.
He is right scrupulous in one pretext
And wholesale errors swallows in the next.
He deems it sin to sing, yet not to say
A song--a mighty difference in his way.
And many a moving tale in antique rhymes
He has for Christmas and such merry times,
When "Chevy Chase," his masterpiece of song,
Is said so earnest none can think it long.
Twas the old vicar's way who should be right,
For the late vicar was his heart's delight,
And while at church he often shakes his head
To think what sermons the old vicar made,
Downright and orthodox that all the land
Who had their ears to hear might understand,
But now such mighty learning meets his ears
He thinks it Greek or Latin which he hears,
Yet church receives him every sabbath day
And rain or snow he never keeps away.
All words of reverence still his heart reveres,
Low bows his head when Jesus meets his ears,
And still he thinks it blasphemy as well
Such names without a capital to spell.
In an old corner cupboard by the wall
His books are laid, though good, in number small,
His Bible first in place; from worth and age
Whose grandsire's name adorns the title page,
And blank leaves once, now filled with kindred claims,
Display a world's epitome of names.
Parents and children and grandchildren all
Memory's affections in the lists recall.
And prayer-book next, much worn though strongly bound,
Proves him a churchman orthodox and sound.
The "Pilgrim's Progress" and the "Death of Abel"
Are seldom missing from his Sunday table,
And prime old Tusser in his homely trim,
The first of bards in all the world with him,
And only poet which his leisure knows;
Verse deals in fancy, so he sticks to prose.
These are the books he reads and reads again
And weekly hunts the almanacks for rain.
Here and no further learning's channels ran;
Still, neighbours prize him as the learned man.
His cottage is a humble place of rest
With one spare room to welcome every guest,
And that tall poplar pointing to the sky
His own hand planted when an idle boy,
It shades his chimney while the singing wind
Hums songs of shelter to his happy mind.
Within his cot the largest ears of corn
He ever found his picture frames adorn:
Brave Granby's head, De Grosse's grand defeat;
He rubs his hands and shows how Rodney beat.
And from the rafters upon strings depend
Beanstalks beset with pods from end to end,
Whose numbers without counting may be seen
Wrote on the almanack behind the screen.
Around the corner up on worsted strung
Pooties in wreaths above the cupboard hung.
Memory at trifling incidents awakes
And there he keeps them for his children's sakes,
Who when as boys searched every sedgy lane,
Traced every wood and shattered clothes again,
Roaming about on rapture's easy wing
To hunt those very pooty shells in spring.
And thus he lives too happy to be poor
While strife neer pauses at so mean a door.
Low in the sheltered valley stands his cot,
He hears the mountain storm and feels it not;
Winter and spring, toil ceasing ere tis dark,
Rests with the lamb and rises with the lark,
Content his helpmate to the day's employ
And care neer comes to steal a single joy.
Time, scarcely noticed, turns his hair to grey,
Yet leaves him happy as a child at play.


_Insects_

These tiny loiterers on the barley's beard,
And happy units of a numerous herd
Of playfellows, the laughing Summer brings,
Mocking the sunshine in their glittering wings,
How merrily they creep, and run, and fly!
No kin they bear to labour's drudgery,
Smoothing the velvet of the pale hedge-rose;
And where they fly for dinner no one knows--
The dew-drops feed them not--they love the shine
Of noon, whose sun may bring them golden wine.
All day they're playing in their Sunday dress--
Till night goes sleep, and they can do no less;
Then, to the heath bell's silken hood they fly,
And like to princes in their slumbers lie,
Secure from night, and dropping dews, and all,
In silken beds and roomy painted hall.
So merrily they spend their summer day,
Now in the cornfields, now the new-mown hay.
One almost fancies that such happy things,
With coloured hoods and richly burnished wings,
Are fairy folk, in splendid masquerade
Disguised, as if of mortal folk afraid,
Keeping their merry pranks a mystery still,
Lest glaring day should do their secrets ill.


_Sudden Shower_

Black grows the southern sky, betokening rain,
And humming hive-bees homeward hurry bye:
They feel the change; so let us shun the grain,
And take the broad road while our feet are dry.
Ay, there some dropples moistened on my face,
And pattered on my hat--tis coming nigh!
Let's look about, and find a sheltering place.
The little things around, like you and I,
Are hurrying through the grass to shun the shower.
Here stoops an ash-tree--hark! the wind gets high,
But never mind; this ivy, for an hour,
Rain as it may, will keep us dryly here:
That little wren knows well his sheltering bower,
Nor leaves his dry house though we come so near.


_Evening Primrose_

When once the sun sinks in the west,
And dew-drops pearl the evening's breast;
Almost as pale as moonbeams are,
Or its companionable star,
The evening primrose opes anew
Its delicate blossoms to the dew;
And, shunning-hermit of the light,
Wastes its fair bloom upon the night;
Who, blindfold to its fond caresses,
Knows not the beauty he possesses.
Thus it blooms on till night is bye
And day looks out with open eye,
Abashed at the gaze it cannot shun,
It faints and withers, and is done.


_The Shepherd's Tree_

Huge elm, with rifted trunk all notched and scarred,
Like to a warrior's destiny! I love
To stretch me often on thy shadowed sward,
And hear the laugh of summer leaves above;
Or on thy buttressed roots to sit, and lean
In careless attitude, and there reflect
On times, and deeds, and darings that have been--
Old castaways, now swallowed in neglect;
While thou art towering in thy strength of heart,
Stirring the soul to vain imaginings,
In which life's sordid being hath no part.
The wind of that eternal ditty sings,
Humming of future things, that burn the mind
To leave some fragment of itself behind.


_Wild Bees_

These children of the sun which summer brings
As pastoral minstrels in her merry train
Pipe rustic ballads upon busy wings
And glad the cotters' quiet toils again.
The white-nosed bee that bores its little hole
In mortared walls and pipes its symphonies,
And never absent couzen, black as coal,
That Indian-like bepaints its little thighs,
With white and red bedight for holiday,
Right earlily a-morn do pipe and play
And with their legs stroke slumber from their eyes.
And aye so fond they of their singing seem
That in their holes abed at close of day
They still keep piping in their honey dreams,
And larger ones that thrum on ruder pipe
Round the sweet smelling closen and rich woods
Where tawny white and red flush clover buds
Shine bonnily and bean fields blossom ripe,
Shed dainty perfumes and give honey food
To these sweet poets of the summer fields;
Me much delighting as I stroll along
The narrow path that hay laid meadow yields,
Catching the windings of their wandering song.
The black and yellow bumble first on wing
To buzz among the sallow's early flowers,
Hiding its nest in holes from fickle spring
Who stints his rambles with her frequent showers;
And one that may for wiser piper pass,
In livery dress half sables and half red,
Who laps a moss ball in the meadow grass
And hoards her stores when April showers have fled;
And russet commoner who knows the face
Of every blossom that the meadow brings,
Starting the traveller to a quicker pace
By threatening round his head in many rings:
These sweeten summer in their happy glee
By giving for her honey melody.


_The Firetail's Nest_

"Tweet" pipes the robin as the cat creeps by
Her nestling young that in the elderns lie,
And then the bluecap tootles in its glee,
Picking the flies from orchard apple tree,
And "pink" the chaffinch cries its well-known strain,
Urging its kind to utter "pink" again,
While in a quiet mood hedgesparrows try
An inward stir of shadowed melody.
Around the rotten tree the firetail mourns
As the old hedger to his toil returns,
Chopping the grain to stop the gap close by
The hole where her blue eggs in safety lie.
Of everything that stirs she dreameth wrong
And pipes her "tweet tut" fears the whole day long.


_The Fear of Flowers_

The nodding oxeye bends before the wind,
The woodbine quakes lest boys their flowers should find,
And prickly dogrose spite of its array
Can't dare the blossom-seeking hand away,
While thistles wear their heavy knobs of bloom
Proud as a warhorse wears its haughty plume,
And by the roadside danger's self defy;
On commons where pined sheep and oxen lie
In ruddy pomp and ever thronging mood
It stands and spreads like danger in a wood,
And in the village street where meanest weeds
Can't stand untouched to fill their husks with seeds,
The haughty thistle oer all danger towers,
In every place the very wasp of flowers.


_Summer Evening_

The frog half fearful jumps across the path,
And little mouse that leaves its hole at eve
Nimbles with timid dread beneath the swath;
My rustling steps awhile their joys deceive,
Till past,--and then the cricket sings more strong,
And grasshoppers in merry moods still wear
The short night weary with their fretting song.
Up from behind the molehill jumps the hare,
Cheat of his chosen bed, and from the bank
The yellowhammer flutters in short fears
From off its nest hid in the grasses rank,
And drops again when no more noise it hears.
Thus nature's human link and endless thrall,
Proud man, still seems the enemy of all.


_Emmonsail's Heath in Winter_

I love to see the old heath's withered brake
Mingle its crimpled leaves with furze and ling,
While the old heron from the lonely lake
Starts slow and flaps his melancholy wing,
And oddling crow in idle motions swing
On the half rotten ashtree's topmost twig,
Beside whose trunk the gipsy makes his bed.
Up flies the bouncing woodcock from the brig
Where a black quagmire quakes beneath the tread,
The fieldfares chatter in the whistling thorn
And for the awe round fields and closen rove,
And coy bumbarrels twenty in a drove
Flit down the hedgerows in the frozen plain
And hang on little twigs and start again.

_Pleasures of Fancy_

A path, old tree, goes by thee crooking on,
And through this little gate that claps and bangs
Against thy rifted trunk, what steps hath gone?
Though but a lonely way, yet mystery hangs
Oer crowds of pastoral scenes recordless here.
The boy might climb the nest in thy young boughs
That's slept half an eternity; in fear
The herdsman may have left his startled cows
For shelter when heaven's thunder voice was near;
Here too the woodman on his wallet laid
For pillow may have slept an hour away;
And poet pastoral, lover of the shade,
Here sat and mused half some long summer day
While some old shepherd listened to the lay.


_To Napoleon_

The heroes of the present and the past
Were puny, vague, and nothingness to thee:
Thou didst a span grasp mighty to the last,
And strain for glory when thy die was cast.
That little island, on the Atlantic sea,
Was but a dust-spot in a lake: thy mind
Swept space as shoreless as eternity.
Thy giant powers outstript this gaudy age
Of heroes; and, as looking at the sun,
So gazing on thy greatness, made men blind
To merits, that had adoration won
In olden times. The world was on thy page
Of victories but a comma. Fame could find
No parallel, thy greatness to presage.


_The Skylark_

Above the russet clods the corn is seen
Sprouting its spiry points of tender green,
Where squats the hare, to terrors wide awake,
Like some brown clod the harrows failed to break.
Opening their golden caskets to the sun,
The buttercups make schoolboys eager run,
To see who shall be first to pluck the prize--
Up from their hurry see the Skylark flies,
And oer her half-formed nest, with happy wings,
Winnows the air till in the cloud she sings,
Then hangs a dust spot in the sunny skies,
And drops and drops till in her nest she lies,
Which they unheeded passed--not dreaming then
That birds, which flew so high, would drop again
To nests upon the ground, which anything
May come at to destroy. Had they the wing
Like such a bird, themselves would be too proud
And build on nothing but a passing cloud!
As free from danger as the heavens are free
From pain and toil, there would they build and be,
And sail about the world to scenes unheard
Of and unseen,--O were they but a bird!
So think they, while they listen to its song,
And smile and fancy and so pass along;
While its low nest, moist with the dews of morn,
Lies safely, with the leveret, in the corn.


_The Flood_

Waves trough, rebound, and furious boil again,
Like plunging monsters rising underneath,
Who at the top curl up a shaggy mane,
A moment catching at a surer breath,
Then plunging headlong down and down, and on
Each following whirls the shadow of the last;
And other monsters rise when those are gone,
Crest their fringed waves, plunge onward and are past.
The chill air comes around me oceanly,
From bank to bank the waterstrife is spread;
Strange birds like snowspots oer the whizzing sea
Hang where the wild duck hurried past and fled.
On roars the flood, all restless to be free,
Like Trouble wandering to Eternity.


_The Thrush's Nest_

Within a thick and spreading hawthorn bush,
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and, often an intruding guest,
I watched her secret toils from day to day--
How true she warped the moss, to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted-over shells of greeny blue;
And there I witnessed in the sunny hours
A brood of nature's minstrels chirp and fly,
Glad as that sunshine and the laughing sky.


_November_

Sybil of months, and worshipper of winds,
I love thee, rude and boisterous as thou art;
And scraps of joy my wandering ever finds
Mid thy uproarious madness--when the start
Of sudden tempests stirs the forest leaves
Into hoarse fury, till the shower set free
Stills the huge swells. Then ebb the mighty heaves,
That sway the forest like a troubled sea.
I love thy wizard noise, and rave in turn
Half-vacant thoughts and rhymes of careless form;
Then hide me from the shower, a short sojourn,
Neath ivied oak; and mutter to the storm,
Wishing its melody belonged to me,
That I might breathe a living song to thee.


_Earth's Eternity_

Man, Earth's poor shadow! talks of Earth's decay:
But hath it nothing of eternal kin?
No majesty that shall not pass away?
No soul of greatness springing up within?
Thought marks without hoar shadows of sublime,
Pictures of power, which if not doomed to win
Eternity, stand laughing at old Time
For ages: in the grand ancestral line
Of things eternal, mounting to divine,
I read Magnificence where ages pay
Worship like conquered foes to the Apennine,
Because they could not conquer. There sits Day
Too high for Night to come at--mountains shine,
Outpeering Time, too lofty for decay.


_Autumn_

Autumn comes laden with her ripened load
Of fruitage and so scatters them abroad
That each fern-smothered heath and mole-hill waste
Are black with bramble berries--where in haste
The chubby urchins from the village hie
To feast them there, stained with the purple dye;
While painted woods around my rambles be
In draperies worthy of eternity.
Yet will the leaves soon patter on the ground,
And death's deaf voice awake at every sound:
One drops--then others--and the last that fell
Rings for those left behind their passing bell.
Thus memory every where her tidings brings
How sad death robs us of life's dearest things.


_Signs of Winter_

The cat runs races with her tail. The dog
Leaps oer the orchard hedge and knarls the grass.
The swine run round and grunt and play with straw,
Snatching out hasty mouthfuls from the stack.
Sudden upon the elmtree tops the crow
Unceremonious visit pays and croaks,
Then swops away. From mossy barn the owl
Bobs hasty out--wheels round and, scared as soon,
As hastily retires. The ducks grow wild
And from the muddy pond fly up and wheel
A circle round the village and soon, tired,
Plunge in the pond again. The maids in haste
Snatch from the orchard hedge the mizzled clothes
And laughing hurry in to keep them dry.


_Nightwind_

Darkness like midnight from the sobbing woods
Clamours with dismal tidings of the rain,
Roaring as rivers breaking loose in floods
To spread and foam and deluge all the plain.
The cotter listens at his door again,
Half doubting whether it be floods or wind,
And through the thickening darkness looks afraid,
Thinking of roads that travel has to find
Through night's black depths in danger's garb arrayed.
And the loud glabber round the flaze soon stops
When hushed to silence by the lifted hand
Of fearing dame who hears the noise in dread
And thinks a deluge comes to drown the land;
Nor dares she go to bed until the tempest drops.

NOTE. --The remaining poems in this section are taken from a series,
numbering several hundred brief pieces, written by Clare in the winter
of 1835-6. Perhaps it is unjust to Clare to consider them out of their
environment; it would be more unjust not to represent this phase of
his poetry.

_Birds in Alarm_

The firetail tells the boys when nests are nigh
And tweets and flies from every passer-bye.
The yellowhammer never makes a noise
But flies in silence from the noisy boys;
The boys will come and take them every day,
And still she lays as none were ta'en away.

The nightingale keeps tweeting-churring round
But leaves in silence when the nest is found.
The pewit hollos "chewrit" as she flies
And flops about the shepherd where he lies;
But when her nest is found she stops her song
And cocks [her] coppled crown and runs along.
Wrens cock their tails and chitter loud and play,
And robins hollo "tut" and fly away.


_Dyke Side_

The frog croaks loud, and maidens dare not pass
But fear the noisome toad and shun the grass;
And on the sunny banks they dare not go
Where hissing snakes run to the flood below.
The nuthatch noises loud in wood and wild,
Like women turning skreeking to a child.
The schoolboy hears and brushes through the trees
And runs about till drabbled to the knees.
The old hawk winnows round the old crow's nest;
The schoolboy hears and wonder fills his breast.
He throws his basket down to climb the tree
And wonders what the red blotched eggs can be:
The green woodpecker bounces from the view
And hollos as he buzzes bye "kew kew. "


_Badger_

When midnight comes a host of dogs and men
Go out and track the badger to his den,
And put a sack within the hole, and lie
Till the old grunting badger passes bye.
He comes and hears--they let the strongest loose.
The old fox hears the noise and drops the goose.
The poacher shoots and hurries from the cry,
And the old hare half wounded buzzes bye.
They get a forked stick to bear him down
And clap the dogs and take him to the town,
And bait him all the day with many dogs,
And laugh and shout and fright the scampering hogs.
He runs along and bites at all he meets:
They shout and hollo down the noisy streets.

He turns about to face the loud uproar
And drives the rebels to their very door.
The frequent stone is hurled where eer they go;
When badgers fight, then every one's a foe.
The dogs are clapt and urged to join the fray;
The badger turns and drives them all away.
Though scarcely half as big, demure and small,
He fights with dogs for bones and beats them all.
The heavy mastiff, savage in the fray,
Lies down and licks his feet and turns away.
The bulldog knows his match and waxes cold,
The badger grins and never leaves his hold.
He drives the crowd and follows at their heels
And bites them through--the drunkard swears and reels.

The frighted women take the boys away,
The blackguard laughs and hurries on the fray.
He tries to reach the woods, an awkward race,
But sticks and cudgels quickly stop the chace.
He turns agen and drives the noisy crowd
And beats the many dogs in noises loud.
He drives away and beats them every one,
And then they loose them all and set them on.
He falls as dead and kicked by boys and men,
Then starts and grins and drives the crowd agen;
Till kicked and torn and beaten out he lies
And leaves his hold and cackles, groans, and dies.


_The Fox_

The shepherd on his journey heard when nigh
His dog among the bushes barking high;
The ploughman ran and gave a hearty shout,
He found a weary fox and beat him out.
The ploughman laughed and would have ploughed him in
But the old shepherd took him for the skin.
He lay upon the furrow stretched for dead,
The old dog lay and licked the wounds that bled,
The ploughman beat him till his ribs would crack,
And then the shepherd slung him at his back;
And when he rested, to his dog's surprise,
The old fox started from his dead disguise;
And while the dog lay panting in the sedge
He up and snapt and bolted through the hedge.

He scampered to the bushes far away;
The shepherd called the ploughman to the fray;
The ploughman wished he had a gun to shoot.
The old dog barked and followed the pursuit.
The shepherd threw his hook and tottered past;
The ploughman ran but none could go so fast;
The woodman threw his faggot from the way
And ceased to chop and wondered at the fray.
But when he saw the dog and heard the cry
He threw his hatchet--but the fox was bye.
The shepherd broke his hook and lost the skin;
He found a badger hole and bolted in.
They tried to dig, but, safe from danger's way,
He lived to chase the hounds another day.


_The Vixen_

Among the taller wood with ivy hung,
The old fox plays and dances round her young.
She snuffs and barks if any passes bye
And swings her tail and turns prepared to fly.
The horseman hurries bye, she bolts to see,
And turns agen, from danger never free.
If any stands she runs among the poles
And barks and snaps and drives them in the holes.
The shepherd sees them and the boy goes bye
And gets a stick and progs the hole to try.
They get all still and lie in safety sure
And out again when every thing's secure
And start and snap at blackbirds bouncing bye
To fight and catch the great white butterfly.


_Turkeys_

The turkeys wade the close to catch the bees
In the old border full of maple trees
And often lay away and breed and come
And bring a brood of chelping chickens home.
The turkey gobbles loud and drops his rag
And struts and sprunts his tail and then lets drag
His wing on ground and makes a huzzing noise,
Nauntles at passer-bye and drives the boys
And bounces up and flies at passer-bye.
The old dog snaps and grins nor ventures nigh.
He gobbles loud and drives the boys from play;
They throw their sticks and kick and run away.


_The Poet's Death_

The world is taking little heed
And plods from day to day:
The vulgar flourish like a weed,
The learned pass away.

We miss him on the summer path
The lonely summer day,
Where mowers cut the pleasant swath
And maidens make the hay.

The vulgar take but little heed;
The garden wants his care;
There lies the book he used to read,
There stands the empty chair.

The boat laid up, the voyage oer,
And passed the stormy wave,
The world is going as before,
The poet in his grave.


_The Beautiful Stranger_

I cannot know what country owns thee now,
With France's forest lilies on thy brow.
When England knew thee thou wert passing fair;
I never knew a foreign face so rare.
The world of waters rolls and rushes bye,
Nor lets me wander where thy vallies lie.
But surely France must be a pleasant place
That greets the stranger with so fair a face;
The English maiden blushes down the dance,
But few can equal the fair maid of France.
I saw thee lovely and I wished thee mine,
And the last song I ever wrote is thine.

Thy country's honour on thy face attends;
Men may be foes but beauty makes us friends.


_The Tramp_

He eats (a moment's stoppage to his song)
The stolen turnip as he goes along;
And hops along and heeds with careless eye
The passing crowded stage coach reeling bye.
He talks to none but wends his silent way,
And finds a hovel at the close of day,
Or under any hedge his house is made.
He has no calling and he owns no trade.
An old smoaked blanket arches oer his head,
A whisp of straw or stubble makes his bed.
He knows a lawless law that claims no kin
But meet and plunder on and feel no sin--
No matter where they go or where they dwell
They dally with the winds and laugh at hell.


_Farmer's Boy_

He waits all day beside his little flock
And asks the passing stranger what's o'clock,
But those who often pass his daily tasks
Look at their watch and tell before he asks.
He mutters stories to himself and lies
Where the thick hedge the warmest house supplies,
And when he hears the hunters far and wide
He climbs the highest tree to see them ride--
He climbs till all the fields are blea and bare
And makes the old crow's nest an easy chair.
And soon his sheep are got in other grounds--
He hastens down and fears his master come,
He stops the gap and keeps them all in bounds
And tends them closely till it's time for home.


_Braggart_

With careful step to keep his balance up
He reels on warily along the street,
Slabbering at mouth and with a staggering stoop
Mutters an angry look at all he meets.
Bumptious and vain and proud he shoulders up
And would be something if he knew but how;
To any man on earth he will not stoop
But cracks of work, of horses and of plough.
Proud of the foolish talk, the ale he quaffs,
He never heeds the insult loud that laughs:
With rosy maid he tries to joke and play,--
Who shrugs and nettles deep his pomp and pride.
And calls him "drunken beast" and runs away--
King to himself and fool to all beside.


_Sunday Dip_

The morning road is thronged with merry boys
Who seek the water for their Sunday joys;
They run to seek the shallow pit, and wade
And dance about the water in the shade.
The boldest ventures first and dashes in,
And others go and follow to the chin,
And duck about, and try to lose their fears,
And laugh to hear the thunder in their ears.
They bundle up the rushes for a boat
And try across the deepest place to float:
Beneath the willow trees they ride and stoop--
The awkward load will scarcely bear them up.
Without their aid the others float away,
And play about the water half the day.


_Merry Maid_

Bonny and stout and brown, without a hat,
She frowns offended when they call her fat--
Yet fat she is, the merriest in the place,
And all can know she wears a pretty face.
But still she never heeds what praise can say,
But does the work, and oft runs out to play,
To run about the yard and ramp and noise
And spring the mop upon the servant boys.
When old hens noise and cackle every where
She hurries eager if the eggs are dear,
And runs to seek them when they lay away
To get them ready for the market day.
She gambols with the men and laughs aloud
And only quarrels when they call her proud.


_Scandal_

She hastens out and scarcely pins her clothes
To hear the news and tell the news she knows;
She talks of sluts, marks each unmended gown,
Her self the dirtiest slut in all the town.
She stands with eager haste at slander's tale,
And drinks the news as drunkards drink their ale.
Excuse is ready at the biggest lie--
She only heard it and it passes bye.
The very cat looks up and knows her face
And hastens to the chair to get the place;
When once set down she never goes away,
Till tales are done and talk has nought to say.
She goes from house to house the village oer,
Her slander bothers everybody's door.


_Quail's Nest_

I wandered out one rainy day
And heard a bird with merry joys
Cry "wet my foot" for half the way;
I stood and wondered at the noise,

When from my foot a bird did flee--
The rain flew bouncing from her breast
I wondered what the bird could be,
And almost trampled on her nest.

The nest was full of eggs and round--
I met a shepherd in the vales,
And stood to tell him what I found.
He knew and said it was a quail's,

For he himself the nest had found,
Among the wheat and on the green,
When going on his daily round,
With eggs as many as fifteen.

Among the stranger birds they feed,
Their summer flight is short and low;
There's very few know where they breed,
And scarcely any where they go.


_Market Day_

With arms and legs at work and gentle stroke
That urges switching tail nor mends his pace,
On an old ribbed and weather beaten horse,
The farmer goes jogtrotting to the fair.
Both keep their pace that nothing can provoke
Followed by brindled dog that snuffs the ground
With urging bark and hurries at his heels.
His hat slouched down, and great coat buttoned close
Bellied like hooped keg, and chuffy face
Red as the morning sun, he takes his round
And talks of stock: and when his jobs are done
And Dobbin's hay is eaten from the rack,
He drinks success to corn in language hoarse,
And claps old Dobbin's hide, and potters back.


_Stonepit_

The passing traveller with wonder sees
A deep and ancient stonepit full of trees;
So deep and very deep the place has been,
The church might stand within and not be seen.
The passing stranger oft with wonder stops
And thinks he een could walk upon their tops,
And often stoops to see the busy crow,
And stands above and sees the eggs below;
And while the wild horse gives its head a toss,
The squirrel dances up and runs across.
The boy that stands and kills the black nosed bee
Dares down as soon as magpies' nests are found,
And wonders when he climbs the highest tree
To find it reaches scarce above the ground.


_"The Lass With The Delicate Air"_

Timid and smiling, beautiful and shy,
She drops her head at every passer bye.
Afraid of praise she hurries down the streets
And turns away from every smile she meets.
The forward clown has many things to say
And holds her by the gown to make her stay,
The picture of good health she goes along,
Hale as the morn and happy as her song.
Yet there is one who never feels a fear
To whisper pleasing fancies in her ear;
Yet een from him she shuns a rude embrace,
And stooping holds her hands before her face,--
She even shuns and fears the bolder wind,
And holds her shawl, and often looks behind.


_The Lout_

For Sunday's play he never makes excuse,
But plays at taw, and buys his Spanish juice.
Hard as his toil, and ever slow to speak,
Yet he gives maidens many a burning cheek;
For none can pass him but his witless grace
Of bawdry brings the blushes in her face.
As vulgar as the dirt he treads upon
He calls his cows or drives his horses on;
He knows the lamest cow and strokes her side
And often tries to mount her back and ride,
And takes her tail at night in idle play,
And makes her drag him homeward all the way.
He knows of nothing but the football match,
And where hens lay, and when the duck will hatch.


_Hodge_

He plays with other boys when work is done,
But feels too clumsy and too stiff to run,
Yet where there's mischief he can find a way
The first to join and last [to run] away.
What's said or done he never hears or minds
But gets his pence for all the eggs he finds.
He thinks his master's horses far the best,
And always labours longer than the rest.
In frost and cold though lame he's forced to go--
The call's more urgent when he journeys slow.
In surly speed he helps the maids by force
And feeds the cows and hallos till he's hoarse;
And when he's lame they only jest and play
And bid him throw his kiby heels away.


_Farm Breakfast_

Maids shout to breakfast in a merry strife,
And the cat runs to hear the whetted knife,
And dogs are ever in the way to watch
The mouldy crust and falling bone to catch.
The wooden dishes round in haste are set,
And round the table all the boys are met;
All know their own save Hodge who would be first,
But every one his master leaves the worst.
On every wooden dish, a humble claim,
Two rude cut letters mark the owner's name;
From every nook the smile of plenty calls,
And rusty flitches decorate the walls,
Moore's Almanack where wonders never cease--
All smeared with candle snuff and bacon grease.


_Love and Solitude_

I hate the very noise of troublous man
Who did and does me all the harm he can.
Free from the world I would a prisoner be
And my own shadow all my company;
And lonely see the shooting stars appear,
Worlds rushing into judgment all the year.
O lead me onward to the loneliest shade,
The darkest place that quiet ever made,
Where kingcups grow most beauteous to behold
And shut up green and open into gold.
Farewell to poesy--and leave the will;
Take all the world away--and leave me still
The mirth and music of a woman's voice,
That bids the heart be happy and rejoice.





ASYLUM POEMS


_Gipsies_

The snow falls deep; the forest lies alone;
The boy goes hasty for his load of brakes,
Then thinks upon the fire and hurries back;
The gipsy knocks his hands and tucks them up,
And seeks his squalid camp, half hid in snow,
Beneath the oak which breaks away the wind,
And bushes close in snow-like hovel warm;
There tainted mutton wastes upon the coals,
And the half-wasted dog squats close and rubs,
Then feels the heat too strong, and goes aloof;
He watches well, but none a bit can spare,
And vainly waits the morsel thrown away.
Tis thus they live--a picture to the place,
A quiet, pilfering, unprotected race.


_The Frightened Ploughman_

I went in the fields with the leisure I got,
The stranger might smile but I heeded him not,
The hovel was ready to screen from a shower,
And the book in my pocket was read in an hour.

The bird came for shelter, but soon flew away;
The horse came to look, and seemed happy to stay;
He stood up in quiet, and hung down his head,
And seemed to be hearing the poem I read.

The ploughman would turn from his plough in the day
And wonder what being had come in his way,
To lie on a molehill and read the day long
And laugh out aloud when he'd finished his song.

The pewit turned over and stooped oer my head
Where the raven croaked loud like the ploughman ill-bred,
But the lark high above charmed me all the day long,
So I sat down and joined in the chorus of song.

The foolhardy ploughman I well could endure,
His praise was worth nothing, his censure was poor,
Fame bade me go on and I toiled the day long
Till the fields where he lived should be known in my song.


_Farewell_

Farewell to the bushy clump close to the river
And the flags where the butter-bump hides in for ever;
Farewell to the weedy nook, hemmed in by waters;
Farewell to the miller's brook and his three bonny daughters;
Farewell to them all while in prison I lie--
In the prison a thrall sees nought but the sky.

Shut out are the green fields and birds in the bushes;
In the prison yard nothing builds, blackbirds or thrushes,
Farewell to the old mill and dash of the waters,
To the miller and, dearer still, to his three bonny daughters.

In the nook, the large burdock grows near the green willow;
In the flood, round the moorcock dashes under the billow;
To the old mill farewell, to the lock, pens, and waters,
To the miller himsel', and his three bonny daughters.


_The Old Year_

The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.

All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall--
A guest to every heart's desire,
And now he's nought at all.

Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.


_The Yellowhammer_

When shall I see the white-thorn leaves agen,
And yellowhammers gathering the dry bents
By the dyke side, on stilly moor or fen,
Feathered with love and nature's good intents?
Rude is the tent this architect invents,
Rural the place, with cart ruts by dyke side.
Dead grass, horse hair, and downy-headed bents
Tied to dead thistles--she doth well provide,
Close to a hill of ants where cowslips bloom
And shed oer meadows far their sweet perfume.
In early spring, when winds blow chilly cold,
The yellowhammer, trailing grass, will come
To fix a place and choose an early home,
With yellow breast and head of solid gold.


_Autumn_

The thistle-down's flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red hot.

The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,
And gossamers twitter, flung from weed unto weed.

Hill tops like hot iron glitter bright in the sun,
And the rivers we're eying burn to gold as they run;
Burning hot is the ground, liquid gold is the air;
Whoever looks round sees Eternity there.


_Song_

I peeled bits of straws and I got switches too
From the grey peeling willow as idlers do,
And I switched at the flies as I sat all alone
Till my flesh, blood, and marrow was turned to dry bone.
My illness was love, though I knew not the smart,
But the beauty of love was the blood of my heart.
Crowded places, I shunned them as noises too rude
And fled to the silence of sweet solitude.
Where the flower in green darkness buds, blossoms, and fades,
Unseen of all shepherds and flower-loving maids--
The hermit bees find them but once and away.
There I'll bury alive and in silence decay.

I looked on the eyes of fair woman too long,
Till silence and shame stole the use of my tongue:
When I tried to speak to her I'd nothing to say,
So I turned myself round and she wandered away.
When she got too far off, why, I'd something to tell,
So I sent sighs behind her and walked to my cell.
Willow switches I broke and peeled bits of straws,
Ever lonely in crowds, in Nature's own laws--
My ball room the pasture, my music the bees,
My drink was the fountain, my church the tall trees.
Who ever would love or be tied to a wife
When it makes a man mad all the days of his life?


_The Winter's Come_

Sweet chestnuts brown like soling leather turn;
The larch trees, like the colour of the Sun;
That paled sky in the Autumn seemed to burn,
What a strange scene before us now does run--
Red, brown, and yellow, russet, black, and dun;
White thorn, wild cherry, and the poplar bare;
The sycamore all withered in the sun.
No leaves are now upon the birch tree there:
All now is stript to the cold wintry air.

See, not one tree but what has lost its leaves--
And yet the landscape wears a pleasing hue.
The winter chill on his cold bed receives
Foliage which once hung oer the waters blue.
Naked and bare the leafless trees repose.
Blue-headed titmouse now seeks maggots rare,
Sluggish and dull the leaf-strewn river flows;
That is not green, which was so through the year
Dark chill November draweth to a close.

Tis Winter, and I love to read indoors,
When the Moon hangs her crescent up on high;
While on the window shutters the wind roars,
And storms like furies pass remorseless by.
How pleasant on a feather bed to lie,
Or, sitting by the fire, in fancy soar
With Dante or with Milton to regions high,
Or read fresh volumes we've not seen before,
Or oer old Burton's Melancholy pore.


_Summer Winds_

The wind waves oer the meadows green
And shakes my own wild flowers
And shifts about the moving scene
Like the life of summer hours;
The little bents with reedy head,
The scarce seen shapes of flowers,
All kink about like skeins of thread
In these wind-shaken hours.

All stir and strife and life and bustle
In everything around one sees;
The rushes whistle, sedges rustle,
The grass is buzzing round like bees;
The butterflies are tossed about
Like skiffs upon a stormy sea;
The bees are lost amid the rout
And drop in [their] perplexity.

Wilt thou be mine, thou bonny lass?
Thy drapery floats so gracefully;
We'll walk along the meadow grass,
We'll stand beneath the willow tree.
We'll mark the little reeling bee
Along the grassy ocean rove,
Tossed like a little boat at sea,
And interchange our vows of love.


_Bonny Lassie O! _

O the evening's for the fair, bonny lassie O!
To meet the cooler air and walk an angel there,
With the dark dishevelled hair,
Bonny lassie O!

The bloom's on the brere, bonny lassie O!
Oak apples on the tree; and wilt thou gang to see
The shed I've made for thee,
Bonny lassie O!

Tis agen the running brook, bonny lassie O!
In a grassy nook hard by, with a little patch of sky,
And a bush to keep us dry,
Bonny lassie O!

There's the daisy all the year, bonny lassie O!
There's the king-cup bright as gold, and the speedwell never cold,
And the arum leaves unrolled,
Bonny lassie O!

O meet me at the shed, bonny lassie O!
With a woodbine peeping in, and the roses like thy skin
Blushing, thy praise to win,
Bonny lassie O!

I will meet thee there at e'en, bonny lassie O!
When the bee sips in the bean, and grey willow branches lean,
And the moonbeam looks between,
Bonny lassie O!


_Meet Me in the Green Glen_

Love, meet me in the green glen,
Beside the tall elm tree,
Where the sweet briar smells so sweet agen;
There come with me,
Meet me in the green glen.

Meet me at the sunset
Down in the green glen,
Where we've often met
By hawthorn tree and foxes' den,
Meet me in the green glen.

Meet me in the green glen,
By sweet briar bushes there;
Meet me by your own sen,
Where the wild thyme blossoms fair.
Meet me in the green glen.

Meet me by the sweet briar,
By the mole hill swelling there;
When the West glows like a fire
God's crimson bed is there.
Meet me in the green glen.


_Love Cannot Die_

In crime and enmity they lie
Who sin and tell us love can die,
Who say to us in slander's breath
That love belongs to sin and death.
From heaven it came on angel's wing
To bloom on earth, eternal spring;
In falsehood's enmity they lie
Who sin and tell us love can die.

Twas born upon an angel's breast.
The softest dreams, the sweetest rest,
The brightest sun, the bluest sky,
Are love's own home and canopy.
The thought that cheers this heart of mine
Is that of love; love so divine
They sin who say in slander's breath
That love belongs to sin and death.

The sweetest voice that lips contain,
The sweetest thought that leaves the brain,
The sweetest feeling of the heart--
There's pleasure in its very smart.
The scent of rose and cinnamon
Is not like love remembered on;
In falsehood's enmity they lie
Who sin and tell us love can die.


_Peggy_

Peggy said good morning and I said good bye,
When farmers dib the corn and laddies sow the rye.
Young Peggy's face was common sense and I was rather shy
When I met her in the morning when the farmers sow the rye.

Her half laced boots fit tightly as she tripped along the grass,
And she set her foot so lightly where the early bee doth pass.
Oh Peggy was a young thing, her face was common sense,
I courted her about the spring and loved her ever thence.

Oh Peggy was the young thing and bonny as to size;
Her lips were cherries of the spring and hazel were her eyes.
Oh Peggy she was straight and tall as is the poplar tree,
Smooth as the freestone of the wall, and very dear to me.

Oh Peggy's gown was chocolate and full of cherries white;
I keep a bit on't for her sake and love her day and night.
I drest myself just like a prince and Peggy went to woo,
But she's been gone some ten years since, and I know not what to do.


_The Crow Sat on the Willow_

The crow sat on the willow tree
A-lifting up his wings,
And glossy was his coat to see,
And loud the ploughman sings,
"I love my love because I know
The milkmaid she loves me";
And hoarsely croaked the glossy crow
Upon the willow tree.
"I love my love" the ploughman sung,
And all the fields with music rung.

"I love my love, a bonny lass,
She keeps her pails so bright,
And blythe she trips the dewy grass
At morning and at night.
A cotton dress her morning gown,
Her face was rosy health:
She traced the pastures up and down
And nature was her wealth. "
He sung, and turned each furrow down,
His sweetheart's love in cotton gown.

"My love is young and handsome
As any in the town,
She's worth a ploughman's ransom
In the drab cotton gown. "
He sang and turned his furrow oer
And urged his team along,
While on the willow as before
The old crow croaked his song:
The ploughman sung his rustic lay
And sung of Phoebe all the day.

The crow he was in love no doubt
And [so were] many things:
The ploughman finished many a bout,
And lustily he sings,
"My love she is a milking maid
With red rosy cheek;
Of cotton drab her gown was made,
I loved her many a week. "
His milking maid the ploughman sung
Till all the fields around him rung.


_Now is Past_

_Now_ is past--the happy _now_
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
The _now_ since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.

_Now_ is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.

_Now_ is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.


_Song_

I wish I was where I would be,
With love alone to dwell,
Was I but her or she but me,
Then love would all be well.
I wish to send my thoughts to her
As quick as thoughts can fly,
But as the winds the waters stir
The mirrors change and fly.


_First Love_

I ne'er was struck before that hour
With love so sudden and so sweet.
Her face it bloomed like a sweet flower
And stole my heart away complete.
My face turned pale as deadly pale,
My legs refused to walk away,
And when she looked "what could I ail? "
My life and all seemed turned to clay.

And then my blood rushed to my face
And took my sight away.
The trees and bushes round the place
Seemed midnight at noonday.
I could not see a single thing,
Words from my eyes did start;
They spoke as chords do from the string
And blood burnt round my heart.

Are flowers the winter's choice?
Is love's bed always snow?
She seemed to hear my silent voice
And love's appeal to know.
I never saw so sweet a face
As that I stood before:
My heart has left its dwelling-place
And can return no more.


_Mary Bayfield_

How beautiful the summer night
When birds roost on the mossy tree,
When moon and stars are shining bright
And home has gone the weary bee!
Then Mary Bayfield seeks the glen,
The white hawthorn and grey oak tree,
And nought but heaven can tell me then
How dear thy beauty is to me.

Dear is the dewdrop to the flower,
The old wall to the weary bee,
And silence to the evening hour,
And ivy to the stooping tree.
Dearer than these, than all beside,
Than blossoms to the moss-rose tree,
The maid who wanders by my side--
Sweet Mary Bayfield is to me.

Sweet is the moonlight on the tree,
The stars above the glassy lake,
That from the bottom look at me
Through shadows of the crimping brake.
Such are sweet things--but sweeter still
Than these and all beside I see
The maid whose look my heart can thrill,
My Mary Bayfield's look to me.

O Mary with the dark brown hair,
The rosy cheek, the beaming eye,
I would thy shade were ever near;
Then would I never grieve or sigh.
I love thee, Mary dearly love--
There's nought so fair on earth I see,
There's nought so dear in heaven above,
As Mary Bayfield is to me.


_The Maid of Jerusalem_

Maid of Jerusalem, by the Dead Sea,
I wandered all sorrowing thinking of thee,--
Thy city in ruins, thy kindred deplored,
All fallen and lost by the Ottoman's sword.

I saw thee sit there in disconsolate sighs,
Where the hall of thy fathers a ruined heap lies.