I am all the
daughters
of my father's house,
And all the brothers too- and yet I know not.
And all the brothers too- and yet I know not.
Shakespeare
MALVOLIO. This is much credit to you.
SIR TOBY. [Sings] Shall I bid him go?
CLOWN. [Sings] What an if you do?
SIR TOBY. [Sings] Shall I bid him go, and spare not?
CLOWN. [Sings] O, no, no, no, no, you dare not.
SIR TOBY. [Rising] Out o' tune, sir! Ye lie. Art any more than a
steward? Dost thou think, because thou art virtuous, there shall
be no more cakes and ale?
CLOWN. Yes, by Saint Anne; and ginger shall be hot i' th' mouth
too.
SIR TOBY. Th' art i' th' right. Go, sir, rub your chain with crumbs.
A stoup of wine, Maria!
MALVOLIO. Mistress Mary, if you priz'd my lady's favour at anything
more than contempt, you would not give means for this uncivil
rule; she shall know of it, by this hand.
Exit
MARIA. Go shake your ears.
AGUECHEEK. 'Twere as good a deed as to drink when a man's ahungry,
to challenge him the field, and then to break promise with him
and make a fool of him.
SIR TOBY. Do't, knight. I'll write thee a challenge; or I'll
deliver thy indignation to him by word of mouth.
MARIA. Sweet Sir Toby, be patient for to-night; since the youth of
the Count's was to-day with my lady, she is much out of quiet.
For Monsieur Malvolio, let me alone with him; if I do not gull
him into a nayword, and make him a common recreation, do not
think I have wit enough to lie straight in my bed. I know I can
do it.
SIR TOBY. Possess us, possess us; tell us something of him.
MARIA. Marry, sir, sometimes he is a kind of Puritan.
AGUECHEEK. O, if I thought that, I'd beat him like a dog.
SIR TOBY. What, for being a Puritan? Thy exquisite reason, dear
knight?
AGUECHEEK. I have no exquisite reason for't, but I have reason good
enough.
MARIA. The devil a Puritan that he is, or anything constantly but a
time-pleaser; an affection'd ass that cons state without book and
utters it by great swarths; the best persuaded of himself, so
cramm'd, as he thinks, with excellencies that it is his grounds
of faith that all that look on him love him; and on that vice in
him will my revenge find notable cause to work.
SIR TOBY. What wilt thou do?
MARIA. I will drop in his way some obscure epistles of love;
wherein, by the colour of his beard, the shape of his leg, the
manner of his gait, the expressure of his eye, forehead, and
complexion, he shall find himself most feelingly personated. I
can write very like my lady, your niece; on forgotten matter we
can hardly make distinction of our hands.
SIR TOBY. Excellent! I smell a device.
AGUECHEEK. I have't in my nose too.
SIR TOBY. He shall think, by the letters that thou wilt drop, that
they come from my niece, and that she's in love with him.
MARIA. My purpose is, indeed, a horse of that colour.
AGUECHEEK. And your horse now would make him an ass.
MARIA. Ass, I doubt not.
AGUECHEEK. O, 'twill be admirable!
MARIA. Sport royal, I warrant you. I know my physic will work with
him. I will plant you two, and let the fool make a third, where
he shall find the letter; observe his construction of it. For
this night, to bed, and dream on the event. Farewell.
Exit
SIR TOBY. Good night, Penthesilea.
AGUECHEEK. Before me, she's a good wench.
SIR TOBY. She's a beagle true-bred, and one that adores me.
What o' that?
AGUECHEEK. I was ador'd once too.
SIR TOBY. Let's to bed, knight. Thou hadst need send for more
money.
AGUECHEEK. If I cannot recover your niece, I am a foul way out.
SIR TOBY. Send for money, knight; if thou hast her not i' th' end,
call me Cut.
AGUECHEEK. If I do not, never trust me; take it how you will.
SIR TOBY. Come, come, I'll go burn some sack; 'tis too late to go
to bed now. Come, knight; come, knight.
Exeunt
SCENE IV.
The DUKE'S palace
Enter DUKE, VIOLA, CURIO, and OTHERS
DUKE. Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night;
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times.
Come, but one verse.
CURIO. He is not here, so please your lordship, that should sing
it.
DUKE. Who was it?
CURIO. Feste, the jester, my lord; a fool that the Lady Olivia's
father took much delight in. He is about the house.
DUKE. Seek him out, and play the tune the while.
Exit CURIO. [Music plays]
Come hither, boy. If ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am all true lovers are,
Unstaid and skittish in all motions else
Save in the constant image of the creature
That is belov'd. How dost thou like this tune?
VIOLA. It gives a very echo to the seat
Where Love is thron'd.
DUKE. Thou dost speak masterly.
My life upon't, young though thou art, thine eye
Hath stay'd upon some favour that it loves;
Hath it not, boy?
VIOLA. A little, by your favour.
DUKE. What kind of woman is't?
VIOLA. Of your complexion.
DUKE. She is not worth thee, then. What years, i' faith?
VIOLA. About your years, my lord.
DUKE. Too old, by heaven! Let still the woman take
An elder than herself; so wears she to him,
So sways she level in her husband's heart.
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and won,
Than women's are.
VIOLA. I think it well, my lord.
DUKE. Then let thy love be younger than thyself,
Or thy affection cannot hold the bent;
For women are as roses, whose fair flow'r
Being once display'd doth fall that very hour.
VIOLA. And so they are; alas, that they are so!
To die, even when they to perfection grow!
Re-enter CURIO and CLOWN
DUKE. O, fellow, come, the song we had last night.
Mark it, Cesario; it is old and plain;
The spinsters and the knitters in the sun,
And the free maids that weave their thread with bones,
Do use to chant it; it is silly sooth,
And dallies with the innocence of love,
Like the old age.
CLOWN. Are you ready, sir?
DUKE. Ay; prithee, sing. [Music]
FESTE'S SONG
Come away, come away, death;
And in sad cypress let me be laid;
Fly away, fly away, breath,
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse where my bones shall be thrown;
A thousand thousand to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there!
DUKE. There's for thy pains.
CLOWN. No pains, sir; I take pleasure in singing, sir.
DUKE. I'll pay thy pleasure, then.
CLOWN. Truly, sir, and pleasure will be paid one time or another.
DUKE. Give me now leave to leave thee.
CLOWN. Now the melancholy god protect thee; and the tailor make thy
doublet of changeable taffeta, for thy mind is a very opal. I
would have men of such constancy put to sea, that their business
might be everything, and their intent everywhere: for that's it
that always makes a good voyage of nothing. Farewell.
Exit CLOWN
DUKE. Let all the rest give place.
Exeunt CURIO and ATTENDANTS
Once more, Cesario,
Get thee to yond same sovereign cruelty.
Tell her my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow'd upon her,
Tell her I hold as giddily as Fortune;
But 'tis that miracle and queen of gems
That Nature pranks her in attracts my soul.
VIOLA. But if she cannot love you, sir?
DUKE. I cannot be so answer'd.
VIOLA. Sooth, but you must.
Say that some lady, as perhaps there is,
Hath for your love as great a pang of heart
As you have for Olivia. You cannot love her;
You tell her so. Must she not then be answer'd?
DUKE. There is no woman's sides
Can bide the beating of so strong a passion
As love doth give my heart; no woman's heart
So big to hold so much; they lack retention.
Alas, their love may be call'd appetite-
No motion of the liver, but the palate-
That suffer surfeit, cloyment, and revolt;
But mine is all as hungry as the sea,
And can digest as much. Make no compare
Between that love a woman can bear me
And that I owe Olivia.
VIOLA. Ay, but I know-
DUKE. What dost thou know?
VIOLA. Too well what love women to men may owe.
In faith, they are as true of heart as we.
My father had a daughter lov'd a man,
As it might be perhaps, were I a woman,
I should your lordship.
DUKE. And what's her history?
VIOLA. A blank, my lord. She never told her love,
But let concealment, like a worm i' th' bud,
Feed on her damask cheek. She pin'd in thought;
And with a green and yellow melancholy
She sat like Patience on a monument,
Smiling at grief. Was not this love indeed?
We men may say more, swear more, but indeed
Our shows are more than will; for still we prove
Much in our vows, but little in our love.
DUKE. But died thy sister of her love, my boy?
VIOLA.
I am all the daughters of my father's house,
And all the brothers too- and yet I know not.
Sir, shall I to this lady?
DUKE. Ay, that's the theme.
To her in haste. Give her this jewel; say
My love can give no place, bide no denay. Exeunt
SCENE V.
OLIVIA'S garden
Enter SIR TOBY, SIR ANDREW, and FABIAN
SIR TOBY. Come thy ways, Signior Fabian.
FABIAN. Nay, I'll come; if I lose a scruple of this sport let me be
boil'd to death with melancholy.
SIR TOBY. Wouldst thou not be glad to have the niggardly rascally
sheep-biter come by some notable shame?
FABIAN. I would exult, man; you know he brought me out o' favour
with my lady about a bear-baiting here.
SIR TOBY. To anger him we'll have the bear again; and we will fool
him black and blue- shall we not, Sir Andrew?
AGUECHEEK. And we do not, it is pity of our lives.
Enter MARIA
SIR TOBY. Here comes the little villain.
How now, my metal of India!
MARIA. Get ye all three into the box-tree. Malvolio's coming down
this walk. He has been yonder i' the sun practising behaviour to
his own shadow this half hour. Observe him, for the love of
mockery, for I know this letter will make a contemplative idiot
of him. Close, in the name of jesting! [As the men hide she drops
a letter] Lie thou there; for here comes the trout that must be
caught with tickling.
Exit
Enter MALVOLIO
MALVOLIO. 'Tis but fortune; all is fortune. Maria once told me she
did affect me; and I have heard herself come thus near, that,
should she fancy, it should be one of my complexion. Besides, she
uses me with a more exalted respect than any one else that
follows her. What should I think on't?
SIR TOBY. Here's an overweening rogue!
FABIAN. O, peace! Contemplation makes a rare turkey-cock of him;
how he jets under his advanc'd plumes!
AGUECHEEK. 'Slight, I could so beat the rogue-
SIR TOBY. Peace, I say.
MALVOLIO. To be Count Malvolio!
SIR TOBY. Ah, rogue!
AGUECHEEK. Pistol him, pistol him.
SIR TOBY. Peace, peace!
MALVOLIO. There is example for't: the Lady of the Strachy married
the yeoman of the wardrobe.
AGUECHEEK. Fie on him, Jezebel!
FABIAN. O, peace! Now he's deeply in; look how imagination blows
him.
MALVOLIO. Having been three months married to her, sitting in my
state-
SIR TOBY. O, for a stone-bow to hit him in the eye!
MALVOLIO. Calling my officers about me, in my branch'd velvet gown,
having come from a day-bed- where I have left Olivia sleeping-
SIR TOBY. Fire and brimstone!
FABIAN. O, peace, peace!
MALVOLIO. And then to have the humour of state; and after a demure
travel of regard, telling them I know my place as I would they
should do theirs, to ask for my kinsman Toby-
SIR TOBY. Bolts and shackles!
FABIAN. O, peace, peace, peace! Now, now.
MALVOLIO. Seven of my people, with an obedient start, make out for
him. I frown the while, and perchance wind up my watch, or play
with my- some rich jewel. Toby approaches; curtsies there to me-
SIR TOBY. Shall this fellow live?
FABIAN. Though our silence be drawn from us with cars, yet peace.
MALVOLIO. I extend my hand to him thus, quenching my familiar smile
with an austere regard of control-
SIR TOBY. And does not Toby take you a blow o' the lips then?
MALVOLIO. Saying 'Cousin Toby, my fortunes having cast me on your
niece give me this prerogative of speech'-
SIR TOBY. What, what?
MALVOLIO. 'You must amend your drunkenness'-
SIR TOBY. Out, scab!
FABIAN. Nay, patience, or we break the sinews of our plot.
MALVOLIO. 'Besides, you waste the treasure of your time with a
foolish knight'-
AGUECHEEK. That's me, I warrant you.
MALVOLIO. 'One Sir Andrew. '
AGUECHEEK. I knew 'twas I; for many do call me fool.
MALVOLIO. What employment have we here?
[Taking up the letter]
FABIAN. Now is the woodcock near the gin.
SIR TOBY. O, peace! And the spirit of humours intimate reading
aloud to him!
MALVOLIO. By my life, this is my lady's hand: these be her very
C's, her U's, and her T's; and thus makes she her great P's. It
is, in contempt of question, her hand.
AGUECHEEK. Her C's, her U's, and her T's. Why that?
MALVOLIO. [Reads] 'To the unknown belov'd, this, and my good
wishes. ' Her very phrases! By your leave, wax. Soft! And the
impressure her Lucrece with which she uses to seal; 'tis my lady.
To whom should this be?
FABIAN. This wins him, liver and all.
MALVOLIO. [Reads]
Jove knows I love,
But who?
Lips, do not move;
No man must know. '
'No man must know. ' What follows? The numbers alter'd!
'No man must know. ' If this should be thee, Malvolio?
SIR TOBY. Marry, hang thee, brock!
MALVOLIO. [Reads]
'I may command where I adore;
But silence, like a Lucrece knife,
With bloodless stroke my heart doth gore;
M. O. A. I. doth sway my life. '
FABIAN. A fustian riddle!
SIR TOBY. Excellent wench, say I.
MALVOLIO. 'M. O. A. I. doth sway my life. '
Nay, but first let me see, let me see, let me see.
FABIAN. What dish o' poison has she dress'd him!
SIR TOBY. And with what wing the staniel checks at it!
MALVOLIO. 'I may command where I adore. ' Why, she may command me: I
serve her; she is my lady. Why, this is evident to any formal
capacity; there is no obstruction in this. And the end- what
should that alphabetical position portend? If I could make that
resemble something in me. Softly! M. O. A. I. -
SIR TOBY. O, ay, make up that! He is now at a cold scent.
FABIAN. Sowter will cry upon't for all this, though it be as rank
as a fox.
MALVOLIO. M- Malvolio; M- why, that begins my name.
FABIAN. Did not I say he would work it out?
The cur is excellent at faults.
MALVOLIO. M- But then there is no consonancy in the sequel; that
suffers under probation: A should follow, but O does.
FABIAN. And O shall end, I hope.
SIR TOBY. Ay, or I'll cudgel him, and make him cry 'O! '
MALVOLIO. And then I comes behind.
FABIAN. Ay, an you had any eye behind you, you might see more
detraction at your heels than fortunes before you.
MALVOLIO. M. O. A. I. This simulation is not as the former; and
yet, to crush this a little, it would bow to me, for every one of
these letters are in my name. Soft! here follows prose.
[Reads]
'If this fall into thy hand, revolve. In my stars I am above
thee; but be not afraid of greatness. Some are born great, some
achieve greatness, and some have greatness thrust upon 'em. Thy
Fates open their hands; let thy blood and spirit embrace them;
and, to inure thyself to what thou art like to be, cast thy
humble slough and appear fresh. Be opposite with a kinsman, surly
with servants; let thy tongue tang arguments of state; put
thyself into the trick of singularity. She thus advises thee that
sighs for thee. Remember who commended thy yellow stockings, and
wish'd to see thee ever cross-garter'd. I say, remember, Go to,
thou art made, if thou desir'st to be so; if not, let me see thee
a steward still, the fellow of servants, and not worthy to touch
Fortune's fingers. Farewell. She that would alter services with
thee,
THE FORTUNATE-UNHAPPY. '
Daylight and champain discovers not more. This is open. I will be
proud, I will read politic authors, I will baffle Sir Toby, I
will wash off gross acquaintance, I will be point-devise the very
man.