[Exeunt
VICTORIAN
and HYPOLITO.
Longfellow
I imagine nothing;
I see how 't is thou whilest the time away
When I am gone!
Prec. O speak not in that tone!
It wounds me deeply.
Vict. 'T was not meant to flatter.
Prec. Too well thou knowest the presence of that man
Is hateful to me!
Vict. Yet I saw thee stand
And listen to him, when he told his love.
Prec. I did not heed his words.
Vict. Indeed thou didst,
And answeredst them with love.
Prec. Hadst thou heard all--
Vict. I heard enough.
Prec. Be not so angry with me.
Vict. I am not angry; I am very calm.
Prec. If thou wilt let me speak--
Vict. Nay, say no more.
I know too much already. Thou art false!
I do not like these Gypsy marriages!
Where is the ring I gave thee?
Prec. In my casket.
Vict. There let it rest! I would not have thee wear it:
I thought thee spotless, and thou art polluted!
Prec. I call the Heavens to witness--
Vict. Nay, nay, nay!
Take not the name of Heaven upon thy lips!
They are forsworn!
Prec. Victorian! dear Victorian!
Vict. I gave up all for thee; myself, my fame,
My hopes of fortune, ay, my very soul!
And thou hast been my ruin! Now, go on!
Laugh at my folly with thy paramour,
And, sitting on the Count of Lara's knee,
Say what a poor, fond fool Victorian was!
(He casts her from him and rushes out. )
Prec. And this from thee!
(Scene closes. )
SCENE V. -- The COUNT OF LARA'S rooms. Enter the COUNT.
Lara. There's nothing in this world so sweet as love,
And next to love the sweetest thing is hate!
I've learned to hate, and therefore am revenged.
A silly girl to play the prude with me!
The fire that I have kindled--
(Enter FRANCISCO. )
Well, Francisco,
What tidings from Don Juan?
Fran. Good, my lord;
He will be present.
Lara. And the Duke of Lermos?
Fran. Was not at home.
Lara. How with the rest?
Fran. I've found
The men you wanted. They will all be there,
And at the given signal raise a whirlwind
Of such discordant noises, that the dance
Must cease for lack of music.
Lara. Bravely done.
Ah! little dost thou dream, sweet Preciosa,
What lies in wait for thee. Sleep shall not close
Thine eyes this night! Give me my cloak and sword. [Exeunt.
SCENE VI. -- A retired spot beyond the city gates. Enter
VICTORIAN and HYPOLITO.
Vict. O shame! O shame! Why do I walk abroad
By daylight, when the very sunshine mocks me,
And voices, and familiar sights and sounds
Cry, "Hide thyself! " O what a thin partition
Doth shut out from the curious world the knowledge
Of evil deeds that have been done in darkness!
Disgrace has many tongues. My fears are windows,
Through which all eyes seem gazing. Every face
Expresses some suspicion of my shame,
And in derision seems to smile at me!
Hyp. Did I not caution thee? Did I not tell thee
I was but half persuaded of her virtue?
Vict. And yet, Hypolito, we may be wrong,
We may be over-hasty in condemning!
The Count of Lara is a cursed villain.
Hyp. And therefore is she cursed, loving him.
Vid. She does not love him! 'T is for gold! for gold!
Hyp. Ay, but remember, in the public streets
He shows a golden ring the Gypsy gave him,
A serpent with a ruby in its mouth.
Vict. She had that ring from me! God! she is false!
But I will be revenged! The hour is passed.
Where stays the coward?
Hyp. Nay, he is no coward;
A villain, if thou wilt, but not a coward.
I've seen him play with swords; it is his pastime.
And therefore be not over-confident,
He'll task thy skill anon. Look, here he comes.
(Enter LARA followed by FRNANCISCO)
Lara. Good evening, gentlemen.
Hyp. Good evening, Count.
Lara. I trust I have not kept you long in waiting.
Vict. Not long, and yet too long. Are you prepared?
Lara. I am.
Hyp. It grieves me much to see this quarrel
Between you, gentlemen. Is there no way
Left open to accord this difference,
But you must make one with your swords?
Vict. No! none!
I do entreat thee, dear Hypolito,
Stand not between me an my foe. Too long
Our tongues have spoken. Let these tongues of steel
End our debate. Upon your guard, Sir Count.
(They fight. VICTORIAN disarms the COUNT. )
Your life is mine; and what shall now withhold me
From sending your vile soul to its account?
Lara. Strike! strike!
Vict. You are disarmed. I will not kill you.
I will not murder you. Take up your sword.
(FRANCISCO hands the COUNT his sword, and HYPOLITO interposes. )
Hyp. Enough! Let it end here! The Count of Lara
Has shown himself a brave man, and Victorian
A generous one, as ever. Now be friends.
Put up your swords; for, to speak frankly to you,
Your cause of quarrel is too slight a thing
To move you to extremes.
Lara. I am content,
I sought no quarrel. A few hasty words,
Spoken in the heat of blood, have led to this.
Vict. Nay, something more than that.
Lara. I understand you.
Therein I did not mean to cross your path.
To me the door stood open, as to others.
But, had I known the girl belonged to you,
Never would I have sought to win her from you.
The truth stands now revealed; she has been false
To both of us.
Vict. Ay, false as hell itself!
Lara. In truth, I did not seek her; she sought me;
And told me how to win her, telling me
The hours when she was oftenest left alone.
Vict. Say, can you prove this to me? O, pluck out
These awful doubts, that goad me into madness!
Let me know all! all! all!
Lara. You shall know all.
Here is my page, who was the messenger
Between us. Question him. Was it not so,
Francisco?
Fran. Ay, my lord.
Lara. If further proof
Is needful, I have here a ring she gave me.
Vict. Pray let me see that ring! It is the same!
(Throws it upon the ground, and tramples upon it. )
Thus may she perish who once wore that ring!
Thus do I spurn her from me; do thus trample
Her memory in the dust! O Count of Lara,
We both have been abused, been much abused!
I thank you for your courtesy and frankness.
Though, like the surgeon's hand, yours gave me pain,
Yet it has cured my blindness, and I thank you.
I now can see the folly I have done,
Though 't is, alas! too late. So fare you well!
To-night I leave this hateful town forever.
Regard me as your friend. Once more farewell!
Hyp. Farewell, Sir Count.
[Exeunt VICTORIAN and HYPOLITO.
Lara. Farewell! farewell! farewell!
Thus have I cleared the field of my worst foe!
I have none else to fear; the fight is done,
The citadel is stormed, the victory won!
[Exit with FRANCISCO.
SCENE VII. -- A lane in the suburbs. Night. Enter CRUZADO and
BARTOLOME.
Cruz. And so, Bartolome, the expedition failed. But where
wast thou for the most part?
Bart. In the Guadarrama mountains, near San Ildefonso.
Cruz. And thou bringest nothing back with thee? Didst thou
rob no one?
Bart. There was no one to rob, save a party of students from
Segovia, who looked as if they would rob us; and a jolly little
friar, who had nothing in his pockets but a missal and a loaf of
bread.
Cruz. Pray, then, what brings thee back to Madrid?
Bart. First tell me what keeps thee here?
Cruz. Preciosa.
Bart. And she brings me back. Hast thou forgotten thy
promise?
Cruz. The two years are not passed yet. Wait patiently. The
girl shall be thine.
Bart. I hear she has a Busne lover.
Cruz. That is nothing.
Bart. I do not like it. I hate him,--the son of a Busne
harlot. He goes in and out, and speaks with her alone, and I
must stand aside, and wait his pleasure.
Cruz. Be patient, I say. Thou shalt have thy revenge. When
the time comes, thou shalt waylay him.
Bart. Meanwhile, show me her house.
Cruz. Come this way. But thou wilt not find her. She dances
at the play to-night.
Bart. No matter. Show me the house.
[Exeunt.
SCENE VIII. -- The Theatre. The orchestra plays the cachucha.
Sound of castanets behind the scenes. The curtain rises, and
discovers PRECIOSA in the attitude of commencing the dance. The
cachucha. Tumult; hisses; cries of "Brava! " and "Afuera! " She
falters and pauses. The music stops. General confusion.
PRECIOSA faints.
SCENE IX. -- The COUNT OF LARA'S chambers. LARA and his friends
at supper.
Lara. So, Caballeros, once more many thanks!
You have stood by me bravely in this matter.
Pray fill your glasses.
Don J. Did you mark, Don Luis,
How pale she looked, when first the noise began,
And then stood still, with her large eyes dilated!
Her nostrils spread! her lips apart! Her bosom
Tumultuous as the sea!
Don L. I pitied her.
Lara. Her pride is humbled; and this very night
I mean to visit her.
Don J. Will you serenade her?
Lara. No music! no more music!
Don L. Why not music?
It softens many hearts.
Lara. Not in the humor
She now is in. Music would madden her.
Don J. Try golden cymbals.
Don L. Yes, try Don Dinero;
A mighty wooer is your Don Dinero.
Lara. To tell the truth, then, I have bribed her maid.
But, Caballeros, you dislike this wine.
A bumper and away; for the night wears.
A health to Preciosa.
(They rise and drink. )
All. Preciosa.
Lara. (holding up his glass).
Thou bright and flaming minister of Love!
Thou wonderful magician! who hast stolen
My secret from me, and mid sighs of passion
Caught from my lips, with red and fiery tongue,
Her precious name! O nevermore henceforth
Shall mortal lips press thine; and nevermore
A mortal name be whispered in thine ear.
Go! keep my secret!
(Drinks and dashes the goblet down. )
Don J. Ite! missa est!
(Scene closes. )
SCENE X. -- Street and garden wall. Night. Enter CRUZADO and
BARTOLOME.
Cruz. This is the garden wall, and above it, yonder, is her
house. The window in which thou seest the light is her window.
But we will not go in now.
Bart. Why not?
Cruz. Because she is not at home.
Bart. No matter; we can wait. But how is this? The gate is
bolted. (Sound of guitars and voices in a neighboring street. )
Hark! There comes her lover with his infernal serenade! Hark!
SONG.
Good night! Good night, beloved!
I come to watch o'er thee!
To be near thee,--to be near thee,
Alone is peace for me.
Thine eyes are stars of morning,
Thy lips are crimson flowers!
Good night! Good night beloved,
While I count the weary hours.
Cruz. They are not coming this way.
Bart. Wait, they begin again.
SONG (coming nearer).
Ah! thou moon that shinest
Argent-clear above!
All night long enlighten
My sweet lady-love!
Moon that shinest,
All night long enlighten!
Bart. Woe be to him, if he comes this way!
Cruz. Be quiet, they are passing down the street.
SONG (dying away).
The nuns in the cloister
Sang to each other;
For so many sisters
Is there not one brother!
Ay, for the partridge, mother!
The cat has run away with the partridge!
Puss! puss! puss!
Bart. Follow that! follow that!
Come with me. Puss! puss!
(Exeunt. On the opposite side enter the COUNT OF LARA and
gentlemen, with FRANCISCO. )
Lara. The gate is fast. Over the wall, Francisco,
And draw the bolt. There, so, and so, and over.
Now, gentlemen, come in, and help me scale
Yon balcony. How now? Her light still burns.
Move warily. Make fast the gate, Francisco.
(Exeunt. Re-enter CRUZADO and BARTOLOME. )
Bart. They went in at the gate. Hark! I hear them in the
garden. (Tries the gate. ) Bolted again! Vive Cristo! Follow me
over the wall.
(They climb the wall. )
SCENE XI. -- PRECIOSA'S bedchamber. Midnight. She is sleeping in
an armchair, in an undress.
I see how 't is thou whilest the time away
When I am gone!
Prec. O speak not in that tone!
It wounds me deeply.
Vict. 'T was not meant to flatter.
Prec. Too well thou knowest the presence of that man
Is hateful to me!
Vict. Yet I saw thee stand
And listen to him, when he told his love.
Prec. I did not heed his words.
Vict. Indeed thou didst,
And answeredst them with love.
Prec. Hadst thou heard all--
Vict. I heard enough.
Prec. Be not so angry with me.
Vict. I am not angry; I am very calm.
Prec. If thou wilt let me speak--
Vict. Nay, say no more.
I know too much already. Thou art false!
I do not like these Gypsy marriages!
Where is the ring I gave thee?
Prec. In my casket.
Vict. There let it rest! I would not have thee wear it:
I thought thee spotless, and thou art polluted!
Prec. I call the Heavens to witness--
Vict. Nay, nay, nay!
Take not the name of Heaven upon thy lips!
They are forsworn!
Prec. Victorian! dear Victorian!
Vict. I gave up all for thee; myself, my fame,
My hopes of fortune, ay, my very soul!
And thou hast been my ruin! Now, go on!
Laugh at my folly with thy paramour,
And, sitting on the Count of Lara's knee,
Say what a poor, fond fool Victorian was!
(He casts her from him and rushes out. )
Prec. And this from thee!
(Scene closes. )
SCENE V. -- The COUNT OF LARA'S rooms. Enter the COUNT.
Lara. There's nothing in this world so sweet as love,
And next to love the sweetest thing is hate!
I've learned to hate, and therefore am revenged.
A silly girl to play the prude with me!
The fire that I have kindled--
(Enter FRANCISCO. )
Well, Francisco,
What tidings from Don Juan?
Fran. Good, my lord;
He will be present.
Lara. And the Duke of Lermos?
Fran. Was not at home.
Lara. How with the rest?
Fran. I've found
The men you wanted. They will all be there,
And at the given signal raise a whirlwind
Of such discordant noises, that the dance
Must cease for lack of music.
Lara. Bravely done.
Ah! little dost thou dream, sweet Preciosa,
What lies in wait for thee. Sleep shall not close
Thine eyes this night! Give me my cloak and sword. [Exeunt.
SCENE VI. -- A retired spot beyond the city gates. Enter
VICTORIAN and HYPOLITO.
Vict. O shame! O shame! Why do I walk abroad
By daylight, when the very sunshine mocks me,
And voices, and familiar sights and sounds
Cry, "Hide thyself! " O what a thin partition
Doth shut out from the curious world the knowledge
Of evil deeds that have been done in darkness!
Disgrace has many tongues. My fears are windows,
Through which all eyes seem gazing. Every face
Expresses some suspicion of my shame,
And in derision seems to smile at me!
Hyp. Did I not caution thee? Did I not tell thee
I was but half persuaded of her virtue?
Vict. And yet, Hypolito, we may be wrong,
We may be over-hasty in condemning!
The Count of Lara is a cursed villain.
Hyp. And therefore is she cursed, loving him.
Vid. She does not love him! 'T is for gold! for gold!
Hyp. Ay, but remember, in the public streets
He shows a golden ring the Gypsy gave him,
A serpent with a ruby in its mouth.
Vict. She had that ring from me! God! she is false!
But I will be revenged! The hour is passed.
Where stays the coward?
Hyp. Nay, he is no coward;
A villain, if thou wilt, but not a coward.
I've seen him play with swords; it is his pastime.
And therefore be not over-confident,
He'll task thy skill anon. Look, here he comes.
(Enter LARA followed by FRNANCISCO)
Lara. Good evening, gentlemen.
Hyp. Good evening, Count.
Lara. I trust I have not kept you long in waiting.
Vict. Not long, and yet too long. Are you prepared?
Lara. I am.
Hyp. It grieves me much to see this quarrel
Between you, gentlemen. Is there no way
Left open to accord this difference,
But you must make one with your swords?
Vict. No! none!
I do entreat thee, dear Hypolito,
Stand not between me an my foe. Too long
Our tongues have spoken. Let these tongues of steel
End our debate. Upon your guard, Sir Count.
(They fight. VICTORIAN disarms the COUNT. )
Your life is mine; and what shall now withhold me
From sending your vile soul to its account?
Lara. Strike! strike!
Vict. You are disarmed. I will not kill you.
I will not murder you. Take up your sword.
(FRANCISCO hands the COUNT his sword, and HYPOLITO interposes. )
Hyp. Enough! Let it end here! The Count of Lara
Has shown himself a brave man, and Victorian
A generous one, as ever. Now be friends.
Put up your swords; for, to speak frankly to you,
Your cause of quarrel is too slight a thing
To move you to extremes.
Lara. I am content,
I sought no quarrel. A few hasty words,
Spoken in the heat of blood, have led to this.
Vict. Nay, something more than that.
Lara. I understand you.
Therein I did not mean to cross your path.
To me the door stood open, as to others.
But, had I known the girl belonged to you,
Never would I have sought to win her from you.
The truth stands now revealed; she has been false
To both of us.
Vict. Ay, false as hell itself!
Lara. In truth, I did not seek her; she sought me;
And told me how to win her, telling me
The hours when she was oftenest left alone.
Vict. Say, can you prove this to me? O, pluck out
These awful doubts, that goad me into madness!
Let me know all! all! all!
Lara. You shall know all.
Here is my page, who was the messenger
Between us. Question him. Was it not so,
Francisco?
Fran. Ay, my lord.
Lara. If further proof
Is needful, I have here a ring she gave me.
Vict. Pray let me see that ring! It is the same!
(Throws it upon the ground, and tramples upon it. )
Thus may she perish who once wore that ring!
Thus do I spurn her from me; do thus trample
Her memory in the dust! O Count of Lara,
We both have been abused, been much abused!
I thank you for your courtesy and frankness.
Though, like the surgeon's hand, yours gave me pain,
Yet it has cured my blindness, and I thank you.
I now can see the folly I have done,
Though 't is, alas! too late. So fare you well!
To-night I leave this hateful town forever.
Regard me as your friend. Once more farewell!
Hyp. Farewell, Sir Count.
[Exeunt VICTORIAN and HYPOLITO.
Lara. Farewell! farewell! farewell!
Thus have I cleared the field of my worst foe!
I have none else to fear; the fight is done,
The citadel is stormed, the victory won!
[Exit with FRANCISCO.
SCENE VII. -- A lane in the suburbs. Night. Enter CRUZADO and
BARTOLOME.
Cruz. And so, Bartolome, the expedition failed. But where
wast thou for the most part?
Bart. In the Guadarrama mountains, near San Ildefonso.
Cruz. And thou bringest nothing back with thee? Didst thou
rob no one?
Bart. There was no one to rob, save a party of students from
Segovia, who looked as if they would rob us; and a jolly little
friar, who had nothing in his pockets but a missal and a loaf of
bread.
Cruz. Pray, then, what brings thee back to Madrid?
Bart. First tell me what keeps thee here?
Cruz. Preciosa.
Bart. And she brings me back. Hast thou forgotten thy
promise?
Cruz. The two years are not passed yet. Wait patiently. The
girl shall be thine.
Bart. I hear she has a Busne lover.
Cruz. That is nothing.
Bart. I do not like it. I hate him,--the son of a Busne
harlot. He goes in and out, and speaks with her alone, and I
must stand aside, and wait his pleasure.
Cruz. Be patient, I say. Thou shalt have thy revenge. When
the time comes, thou shalt waylay him.
Bart. Meanwhile, show me her house.
Cruz. Come this way. But thou wilt not find her. She dances
at the play to-night.
Bart. No matter. Show me the house.
[Exeunt.
SCENE VIII. -- The Theatre. The orchestra plays the cachucha.
Sound of castanets behind the scenes. The curtain rises, and
discovers PRECIOSA in the attitude of commencing the dance. The
cachucha. Tumult; hisses; cries of "Brava! " and "Afuera! " She
falters and pauses. The music stops. General confusion.
PRECIOSA faints.
SCENE IX. -- The COUNT OF LARA'S chambers. LARA and his friends
at supper.
Lara. So, Caballeros, once more many thanks!
You have stood by me bravely in this matter.
Pray fill your glasses.
Don J. Did you mark, Don Luis,
How pale she looked, when first the noise began,
And then stood still, with her large eyes dilated!
Her nostrils spread! her lips apart! Her bosom
Tumultuous as the sea!
Don L. I pitied her.
Lara. Her pride is humbled; and this very night
I mean to visit her.
Don J. Will you serenade her?
Lara. No music! no more music!
Don L. Why not music?
It softens many hearts.
Lara. Not in the humor
She now is in. Music would madden her.
Don J. Try golden cymbals.
Don L. Yes, try Don Dinero;
A mighty wooer is your Don Dinero.
Lara. To tell the truth, then, I have bribed her maid.
But, Caballeros, you dislike this wine.
A bumper and away; for the night wears.
A health to Preciosa.
(They rise and drink. )
All. Preciosa.
Lara. (holding up his glass).
Thou bright and flaming minister of Love!
Thou wonderful magician! who hast stolen
My secret from me, and mid sighs of passion
Caught from my lips, with red and fiery tongue,
Her precious name! O nevermore henceforth
Shall mortal lips press thine; and nevermore
A mortal name be whispered in thine ear.
Go! keep my secret!
(Drinks and dashes the goblet down. )
Don J. Ite! missa est!
(Scene closes. )
SCENE X. -- Street and garden wall. Night. Enter CRUZADO and
BARTOLOME.
Cruz. This is the garden wall, and above it, yonder, is her
house. The window in which thou seest the light is her window.
But we will not go in now.
Bart. Why not?
Cruz. Because she is not at home.
Bart. No matter; we can wait. But how is this? The gate is
bolted. (Sound of guitars and voices in a neighboring street. )
Hark! There comes her lover with his infernal serenade! Hark!
SONG.
Good night! Good night, beloved!
I come to watch o'er thee!
To be near thee,--to be near thee,
Alone is peace for me.
Thine eyes are stars of morning,
Thy lips are crimson flowers!
Good night! Good night beloved,
While I count the weary hours.
Cruz. They are not coming this way.
Bart. Wait, they begin again.
SONG (coming nearer).
Ah! thou moon that shinest
Argent-clear above!
All night long enlighten
My sweet lady-love!
Moon that shinest,
All night long enlighten!
Bart. Woe be to him, if he comes this way!
Cruz. Be quiet, they are passing down the street.
SONG (dying away).
The nuns in the cloister
Sang to each other;
For so many sisters
Is there not one brother!
Ay, for the partridge, mother!
The cat has run away with the partridge!
Puss! puss! puss!
Bart. Follow that! follow that!
Come with me. Puss! puss!
(Exeunt. On the opposite side enter the COUNT OF LARA and
gentlemen, with FRANCISCO. )
Lara. The gate is fast. Over the wall, Francisco,
And draw the bolt. There, so, and so, and over.
Now, gentlemen, come in, and help me scale
Yon balcony. How now? Her light still burns.
Move warily. Make fast the gate, Francisco.
(Exeunt. Re-enter CRUZADO and BARTOLOME. )
Bart. They went in at the gate. Hark! I hear them in the
garden. (Tries the gate. ) Bolted again! Vive Cristo! Follow me
over the wall.
(They climb the wall. )
SCENE XI. -- PRECIOSA'S bedchamber. Midnight. She is sleeping in
an armchair, in an undress.
