No More Learning

Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve.
If she slight me, when I woo,
I can scorn, and let her go.
For, if she be not for me,
What care I for whom she be.


"Amarillis I Did Woo"

Amarillis I did woo,
And I courted Phillis too;
Daphne, for her love, I chose;
Cloris, for that damask rose
In her cheek, I held as dear;
Yea, a thousand liked well near.
And, in love with all together,
Fearèd the enjoying either;
'Cause to be of one possest,
Barred the hope of all the rest.


Sonnet: On A Stolen Kiss

Now gentle sleep hath closèd up those eyes,
Which waking kept my boldest thoughts in awe,
And free access unto that sweet lip lies
From whence I long the rosy breath to draw.
Methinks no wrong it were if I should steal,
From those two melting rubies, one poor kiss.
None sees the theft that would the thief reveal,
Nor rob I her of aught which she can miss.
Nay, should I twenty kisses take away,
There would be little sign I had done so.
Why then should I this robbery delay?
Oh, she may wake, and therewith angry grow.
Well, if she do, I'll back restore that one,
And twenty hundred thousand more for loan.


A Christmas Carol

So now is come our joyful feast,
Let every man be jolly;
Each room with ivy leaves is drest,
And every post with holly.
Though some churls at our mirth repine,
Round your foreheads garlands twine,
Drown sorrow in a cup of wine,
And let us all be merry.

Now all our neighbours' chimnies smoke,
And Christmas blocks are burning;
Their ovens they with baked meats choke,
And all their spits are turning.
Without the door let sorrow lie,
And if for cold it hap to die,
We'll bury it in a Christmas pie;
And evermore be merry.

Now every lad is wondrous trim,
And no man minds his labour;
Our lasses have provided them
A bagpipe and a tabour.
Young men and maids, and girls and boys
Give life to one another's joys;
And you anon shall by their noise
Perceive that they are merry.

Rank misers now do sparing shun,
Their hall of music soundeth;
And dogs thence with whole shoulders run,
So all things there aboundeth.
The country-folk themselves advance,
For Crowdy-Mutton's come out of France;
And Jack shall pipe and Jill shall dance,
And all the town be merry.

Ned Swatch hath fetched his bands from pawn,
And all his best apparel;
Brisk Nell hath bought a ruff of lawn
With droppings of the barrel.
And those that hardly all the year
Had bread to eat or rags to wear,
Will have both clothes and dainty fare,
And all the day be merry.

Now poor men to the justices
With capons make their errands;
And if they hap to fail of these,
They plague them with their warrants.
But now they feed them with good cheer,
And what they want they take in beer,
For Christmas comes but once a year,
And then they shall be merry.

Good farmers in the country nurse
The poor, that else were undone;
Some landlords spend their money worse,
On lust and pride at London.
There the roysters they do play,
Drab and dice their land away,
Which may be ours another day;
And therefore let's be merry.

The client now his suit forbears,
The prisoner's heart is easèd;
The debtor drinks away his cares,
And for the time is pleasèd.
Though others' purses be more fat,
Why should we pine or grieve at that;
Hang sorrow, care will kill a cat,
And therefore let's be merry.

Hark how the wags abroad do call
Each other forth to rambling;
Anon you'll see them in the hall,
For nuts and apples scrambling,
Hark how the roofs with laughters sound,
Anon they'll think the house goes round:
For they the cellar's depths have found,
And there they will be merry.

The wenches with their wassel-bowls
About the streets are singing;
The boys are come to catch the owls,
The wild mare in is bringing.
Our kitchen boy hath broke his box,
And to the dealing of the ox
Our honest neighbours come by flocks,
And here they will be merry.

Now kings and queens poor sheep-cotes have,
And mate with everybody;
The honest now may play the knave,
And wise men play at noddy.
Some youths will now a mumming go,
Some others play at rowland-hoe,
And twenty other gameboys moe;
Because they will be merry.

Then wherefore in these merry days
Should we, I pray, be duller?
No, let us sing some roundelays
To make our mirth the fuller.
And whilst we thus inspirèd sing,
Let all the streets with echoes ring;
Woods, and hills, and everything
Bear witness we are merry.


A Rocking Hymn

Sweet baby, sleep! what ails my dear,
What ails my darling thus to cry?
Be still, my child, and lend thine ear
To hear me sing thy lullaby.
My pretty lamb, forbear to weep;
Be still, my dear; sweet baby, sleep.

Thou blessed soul, what canst thou fear?
What thing to thee can mischief do?
Thy God is now thy father dear,
His holy Spouse, thy mother too.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

Though thy conception was in sin,
A sacred bathing thou hast had;
And, though thy birth unclean hath been,
A blameless babe thou now art made.
Sweet baby, then forbear to weep;
Be still, my dear; sweet baby, sleep,

While thus thy lullaby I sing,
For thee great blessings ripening be;
Thine eldest brother is a King,
And hath a kingdom bought for thee.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

Sweet baby, sleep and nothing fear,
For whosoever thee offends,
By thy protector threat'ned are,
And God and angels are thy friends.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

When God with us was dwelling here,
In little babes he took delight;
Such innocents as thou, my dear,
Are ever precious in His sight.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

A little infant once was He,
And, strength in weakness, then was laid
Upon His virgin-mother's knee,
That power to thee might be conveyed.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

In this, thy frailty and thy need,
He friends and helpers doth prepare,
Which thee shall cherish, clothe and feed;
For of thy weal they tender are.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

The King of kings, when he was born,
Had not so much for outward ease;
By Him such dressings were not worn,
Nor such like swaddling-clothes as these.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

Within a manger lodged thy Lord
Where oxen lay and asses fed;
Warm rooms we do to thee afford,
An easy cradle or a bed.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

The wants that He did then sustain
Have purchased wealth, my babe, for thee;
And by His torments and His pain
Thy rest and ease securèd be.
My baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.

Thou hast (yet more) to perfect this,
A promise and an earnest got
Of gaining everlasting bliss,
Though thou, my babe, perceiv'st it not;
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.


The Marigold

When with a serious musing I behold
The grateful and obsequious marigold,
How duly every morning she displays
Her open breast, when Titan spreads his rays;
How she observes him in his daily walk,
Still bending towards him her small slender stalk;
How when he down declines, she droops and mourns,
Bedewed, as 'twere with tears, till he returns;
And how she veils her flowers when he is gone,
As if she scornèd to be lookèd on
By an inferior eye; or did contemn
To wait upon a meaner light than him.
When this I meditate, methinks the flowers
Have spirits far more generous than ours,
And give us fair examples to despise
The servile fawnings and idolatries,
Wherewith we court these earthly things below,
Which merit not the service we bestow. . . .


Sonnet: On the Death of Prince Henry

Methought his royal person did foretell
A kingly stateliness, from all pride clear;
His look majestic seemèd to compel
All men to love him, rather than to fear.
And yet though he were every good man's joy,
And the alonely comfort of his own,
His very name with terror did annoy
His foreign foes so far as he was known.
Hell drooped for fear; the Turkey moon looked pale;
Spain trembled; and the most tempestuous sea,
(Where Behemoth, the Babylonish whale,
Keeps all his bloody and imperious plea)
Was swoln with rage, for fear he'd stop the tide
Of her o'er-daring and insulting pride.


From a Satire written to King James I

Did I not know a great man's power and might
In spite of innocence can smother right,
Colour his villainies to get esteem,
And make the honest man the villain seem?
I know it, and the world doth know 'tis true,
Yet I protest if such a man I knew,
That might my country prejudice or thee
Were he the greatest or the proudest he,
That breathes this day; if so it might be found
That any good to either might redound,
I unappalled, dare in such a case
Rip up his foulest crimes before his face,
Though for my labour I were sure to drop
Into the mouth of ruin without hope.




William Browne


To England

Hail, thou my native soil! thou blessed plot
Whose equal all the world affordeth not!
Show me who can so many crystal rills,
Such sweet-clothed valleys or aspiring hills;
Such wood-ground, pastures, quarries, wealthy mines;
Such rocks in whom the diamond fairly shines;
And if the earth can show the like again,
Yet will she fail in her sea-ruling men.

From _Britannia's Pastorals_.


The Seasons

The year hath first his jocund spring,
Wherein the leaves, to birds' sweet carolling,
Dance with the wind; then sees the summer's day
Perfect the embryon blossom of each spray;
Next cometh autumn, when the threshèd sheaf
Loseth his grain, and every tree his leaf;
Lastly, cold winter's rage, with many a storm,
Threats the proud pines which Ida's top adorn,
And makes the sap leave succourless the shoot,
Shrinking to comfort his decaying root.

From _Britannia's Pastorals_.


May Day Customs

I have seen the Lady of the May
Set in an arbour, on a holiday,
Built by the May-pole, where the jocund swains
Dance with the maidens to the bagpipe's strains,
When envious night commands them to be gone
Call for the merry youngsters one by one,
And for their well performance soon disposes:
To this a garland interwove with roses,
To that a carvèd hook or well-wrought scrip,
Gracing another with her cherry lip;
To one her garter, to another then
A handkerchief cast o'er and o'er again;
And none returneth empty that hath spent
His pains to fill their rural merriment.

From _Britannia's Pastorals_.


Birds in May

As (woo'd by May's delights) I have been borne
To take the kind air of a wistful morn
Near Tavy's voiceful stream (to whom I owe
More strains than from my pipe can ever flow),
Here have I heard a sweet bird never lin
To chide the river for his clam'rous din;
There seem'd another in his song to tell,
That what the fair stream did he liked well;
And going further heard another too,
All varying still in what the others do;
A little thence, a fourth with little pain
Conn'd all their lessons, and them sung again;
So numberless the songsters are that sing
In the sweet groves of the too-careless spring,
That I no sooner could the hearing lose
Of one of them, but straight another rose,
And perching deftly on a quaking spray,
Nigh tir'd herself to make her hearer stay.
. . . . .
Shrill as a thrush upon a morn of May.

From _Britannia's Pastorals_.


Music on the Thames

As I have seen when on the breast of Thames
A heavenly bevy of sweet English dames,
In some calm ev'ning of delightful May,
With music give a farewell to the day,
Or as they would, with an admired tone,
Greet Night's ascension to her ebon throne,
Rapt with their melody a thousand more
Run to be wafted from the bounding shore.

From _Britannia's Pastorals_.


A Concert of Birds

The mounting lark (day's herald) got on wing,
Bidding each bird choose out his bough and sing.
The lofty treble sung the little wren;
Robin the mean, that best of all loves men;
The nightingale the tenor, and the thrush
The counter-tenor sweetly in a bush.
And that the music might be full in parts,
Birds from the groves flew with right willing hearts;
But (as it seem'd) they thought (as do the swains,
Which tune their pipes on sack'd Hibernia's plains)
There should some droning part be, therefore will'd
Some bird to fly into a neighb'ring field,
In embassy unto the King of Bees,
To aid his partners on the flowers and trees
Who, condescending, gladly flew along
To bear the bass to his well-tuned song.
The crow was willing they should be beholding
For his deep voice, but being hoarse with scolding,
He thus lends aid; upon an oak doth climb,
And nodding with his head, so keepeth time.

From _Britannia's Pastorals_.


Flowers

The daisy scatter'd on each mead and down,
A golden tuft within a silver crown;
(Fair fall that dainty flower! and may there be
No shepherd grac'd that doth not honour thee! )
The primrose, when with six leaves gotten grace
Maids as a true-love in their bosoms place;
The spotless lily, by whose pure leaves be
Noted the chaste thoughts of virginity;
Carnations sweet with colour like the fire,
The fit impresas for inflam'd desire;
The harebell for her stainless azur'd hue
Claims to be worn of none but those are true;
The rose, like ready youth, enticing stands,
And would be cropp'd if it might choose the hands,
The yellow kingcup Flora them assign'd
To be the badges of a jealous mind;
The orange-tawny marigold: the night
Hides not her colour from a searching sight. . . .
The columbine in tawny often taken,
Is then ascrib'd to such as are forsaken;
Flora's choice buttons of a russet dye
Is hope even in the depth of misery.

From _Britannia's Pastorals_.


Morning

The Muses' friend (grey-eyed Aurora) yet
Held all the meadows in a cooling sweat,
The milk-white gossamers not upwards snow'd,
Nor was the sharp and useful-steering goad
Laid on the strong-neck'd ox; no gentle bud
The sun had dried; the cattle chew'd the cud
Low levell'd on the grass; no fly's quick sting
Enforc'd the stonehorse in a furious ring
To tear the passive earth, nor lash his tail
About his buttocks broad; the slimy snail
Might on the wainscot, by his many mazes,
Winding meanders and self-knitting traces,
Be follow'd where he stuck, his glittering slime
Not yet wip'd off. It was so early time,
The careful smith had in his sooty forge
Kindled no coal; nor did his hammers urge
His neighbours' patience: owls abroad did fly,
And day as then might plead his in fancy.

From _Britannia's Pastorals_.


Night

Now great Hyperion left his golden throne
That on the dancing waves in glory shone,
For whose declining on the western shore
The oriental hills black mantles wore,
And thence apace the gentle twilight fled,
That had from hideous caverns ushered
All-drowsy Night, who in a car of jet,
By steeds of iron-grey, which mainly sweat
Moist drops on all the world, drawn through the sky,
The helps of darkness waited orderly.
First thick clouds rose from all the liquid plains;
Then mists from marishes, and grounds whose veins
Were conduit-pipes to many a crystal spring;
From standing pools and fens were following
Unhealthy fogs; each river, every rill
Sent up their vapours to attend her will
These pitchy curtains drew 'twixt earth and heaven
And as Night's chariot through the air was driven,
Clamour grew dumb, unheard was shepherd's song
And silence girt the woods; no warbling tongue
Talk'd to the Echo; satyrs broke their dance,
And all the upper world lay in a trance.
Only the curled streams soft chidings kept;
And little gales that from the green leaf swept
Dry summer's dust, in fearful whisp'rings stirred.
As loath to waken any singing bird.

From _Britannia's Pastorals_.


A Pleasant Grove

Unto a pleasant grove or such like place,
Where here the curious cutting of a hedge:
There, by a pond, the trimming of the sedge:
Here the fine setting of well-shading trees:
The walks there mounting up by small degrees,
The gravel and the green so equal lie,
It, with the rest, draws on your ling'ring eye:
Here the sweet smells that do perfume the air,
Arising from the infinite repair
Of odoriferous buds and herbs of price,
(As if it were another Paradise)
So please the smelling sense, that you are fain
Where last you walk'd to turn and walk again.
There the small birds with their harmonious notes
Sing to a spring that smileth as she floats:
For in her face a many dimples show,
And often skips as it did dancing go:
Here further down an over-arched alley,
That from a hill goes winding in a valley,
You spy at end thereof a standing lake,
Where some ingenious artist strives to make
The water (brought in turning pipes of lead
Through birds of earth most lively fashioned)
To counterfeit and mock the sylvans all,
In singing well their own set madrigal.
This with no small delight retains your ear,
And makes you think none blest but who live there.
Then in another place the fruits that be
In gallant clusters decking each good tree,
Invite your hand to crop some from the stem,
And liking one, taste every sort of them:
Then to the arbours walk, then to the bowers,
Thence to the walks again, thence to the flowers,
Then to birds, and to the clear spring thence,
Now pleasing one, and then another sense.
Here one walks oft, and yet anew begin'th,
As if it were some hidden labyrinth;
So loath to part and so content to stay,
That when the gard'ner knocks for you away,
It grieves you so to leave the pleasures in it,
That you could wish that you had never seen it.

From _Britannia's Pastorals_.


An Angler

Now as an angler melancholy standing
Upon a green bank yielding room for landing,
A wriggling yellow worm thrust on his hook,
Now in the midst he throws, then in a nook:
Here pulls his line, there throws it in again,
Mendeth his cork and bait, but all in vain,
He long stands viewing of the curled stream;
At last a hungry pike, or well-grown bream
Snatch at the worm, and hasting fast away,
He knowing it a fish of stubborn sway,
Pulls up his rod, but soft, as having skill,
Wherewith the hook fast holds the fish's gill;
Then all his line he freely yieldeth him,
Whilst furiously all up and down doth swim
Th' insnared fish, here on the top doth scud,
There underneath the banks, then in the mud,
And with his frantic fits so scares the shoal,
That each one takes his hide, or starting hole:
By this the pike, clean wearied, underneath
A willow lies.

From _Britannia's Pastorals_.


A Rill

So when the pretty rill a place espies,
Where with the pebbles she would wantonize,
And that her upper stream so much doth wrong her
To drive her thence, and let her play no longer;
If she with too loud mutt'ring ran away,
As being much incens'd to leave her play,
A western, mild and pretty whispering gale
Came dallying with the leaves along the dale,
And seem'd as with the water it did chide,
Because it ran so long unpacified:
Yea, and methought it bade her leave that coil,
Or he would choke her up with leaves and soil:
Whereat the riv'let in my mind did weep,
And hurl'd her head into a silent deep.

From _Britannia's Pastorals_.


"Glide soft, ye Silver Floods"

Glide soft, ye silver floods,
And every spring:
Within the shady woods
Let no bird sing!
Nor from the grove a turtle-dove
Be seen to couple with her love;
But silence on each dale and mountain dwell,
Whilst Willy bids his friend and joy farewell.

But (of great Thetis' train)
Ye mermaids fair,
That on the shores do plain
Your sea-green hair,
As ye in trammels knit your locks,
Weep ye; and so enforce the rocks
In heavy murmurs through the broad shores tell
How Willy bade his friend and joy farewell.

Cease, cease, ye murd'ring winds,
To move a wave;
But if with troubled minds
You seek his grave;
Know 'tis as various as yourselves,
Now in the deep, then on the shelves,
His coffin toss'd by fish and surges fell,
Whilst Willy weeps and bids all joy farewell.

Had he Arion-like
Been judged to drown,
He on his lute could strike
So rare a sowne,
A thousand dolphins would have come
And jointly strive to bring him home.
But he on shipboard died, by sickness fell,
Since when his Willy bade all joy farewell.

Great Neptune, hear a swain!
His coffin take,
And with a golden chain
For pity make
It fast unto a rock near land!
Where ev'ry calmy morn I'll stand,
And ere one sheep out of my fold I tell,
Sad Willy's pipe shall bid his friend farewell.


"Venus by Adonis' Side"

Venus by Adonis' side
Crying kiss'd, and kissing cried,
Wrung her hands and tore her hair
For Adonis dying there.

Stay (quoth she) O stay and live!
Nature surely doth not give
To the earth her sweetest flowers
To be seen but some few hours.

On his face, still as he bled
For each drop a tear she shed,
Which she kiss'd or wip'd away,
Else had drown'd him where he lay.

Fair Proserpina (quoth she)
Shall not have thee yet from me;
Nor my soul to fly begin
While my lips can keep it in.

Here she clos'd again. And some
Say Apollo would have come
To have cur'd his wounded limb,
But that she had smothered him.

From _Britannia's Pastorals_.


A Song

Gentle nymphs, be not refusing,
Love's neglect is time's abusing,
They and beauty are but lent you;
Take the one and keep the other;
Love keeps fresh what age doth smother;
Beauty gone you will repent you.

'Twill be said when ye have proved,
Never swains more truly loved:
Oh then fly all nice behaviour!
Pity fain would (as her duty)
Be attending still on Beauty,
Let her not be out of favour.

From _Britannia's Pastorals_.


Spring Morning--I

_Thomalin. _

Where is every piping lad
That the fields are not yclad
With their milk-white sheep?

Tell me: is it holiday,
Or if in the month of May
Use they long to sleep?

_Piers. _

Thomalin, 'tis not too late,
For the turtle and her mate
Sitten yet in nest:
And the thrustle hath not been
Gath'ring worms yet on the green,
But attends her rest.
Not a bird hath taught her young,
Nor her morning's lesson sung
In the shady grove:
But the nightingale in dark
Singing woke the mounting lark:
She records her love.
Not the sun hath with his beams
Gilded yet our crystal streams;
Rising from the sea,
Mists do crown the mountains' tops,
And each pretty myrtle drops:
'Tis but newly day.

_The Shepherd's Pipe. _


Spring Morning--II

_Willie. _

Roget, droop not, see the spring
Is the earth enamelling,
And the birds on every tree
Greet this morn with melody:
Hark, how yonder thrustle chants it,
And her mate as proudly vants it
See how every stream is dress'd
By her margin with the best
Of Flora's gifts; she seems glad
For such brooks such flow'rs she had.
All the trees are quaintly tired
With green buds, of all desired;
And the hawthorn every day
Spreads some little show of May:
See the primrose sweetly set
By the much-lov'd violet,
All the banks do sweetly cover,
As they would invite a lover
With his lass to see their dressing
And to grace them by their pressing:
Yet in all this merry tide
When all cares are laid aside,
Roget sits as if his blood
Had not felt the quick'ning good
Of the sun, nor cares to play,
Or with songs to pass the day
As he wont: fie, Roget, fie,
Raise thy head, and merrily
Tune us somewhat to thy reed:
See our flocks do freely feed,
Here we may together sit,
And for music very fit
Is this place; from yonder wood
Comes an echo shrill and good,
Twice full perfectly it will
Answer to thine oaten quill.
Roget, droop not then, but sing
Some kind welcome to the spring.

_The Shepherd's Pipe. _


A Round

_All. _

Now that the Spring hath fill'd our veins
With kind and active fire,
And made green liv'ries for the plains,
And every grove a quire:

Sing me a song of merry glee,
And Bacchus fill the bowl.
1. Then here's to thee: 2. And thou to me
And every thirsty soul.

Nor Care nor Sorrow e'er paid debt,
Nor never shall do mine;
I have no cradle going yet,
Not I, by this good wine.

No wife at home to send for me,
No hogs are in my ground,
No suit in law to pay a fee,
Then round, old Jocky, round.

_All. _

Shear sheep that have them, cry we still,
But see that no man 'scape
To drink of the sherry,
That makes us so merry,
And plump as the lusty grape.

* * * * *

_Welcome, welcome, do I sing,
Far more welcome than the spring;
He that parteth from you never
Shall enjoy a spring for ever. _

Love, that to the voice is near
Breaking from your iv'ry pale,
Need not walk abroad to hear
The delightful nightingale.
Welcome, welcome, then I sing,
Far more welcome than the spring;
He that parteth from you never
Shall enjoy a spring for ever.

Love, that looks still on your eyes,
Though the winter have begun
To benumb our arteries,
Shall not want the summer's sun.
Welcome, welcome, then I sing, &c.

Love that still may see your cheeks,
Where all rareness still reposes,
Is a fool, if e'er he seeks
Other lilies, other roses.
Welcome, welcome, &c.

Love, to whom your soft lip yields,
And perceives your breath in kissing,
All the odours of the fields
Never, never shall be missing.
Welcome, welcome, &c.

Love, that question would anew
What fair Eden was of old,
Let him rightly study you,
And a brief of that behold.
Welcome, welcome, then I, &c.


Autumn

Autumn it was when droop'd the sweetest flow'rs,
And rivers, swoll'n with pride, o'erlook'd the banks;
Poor grew the day of summer's golden hours,
And void of sap stood Ida's cedar-ranks.
The pleasant meadows sadly lay
In chill and cooling sweats
By rising fountains, or as they
Fear'd winter's wastfull threats.

_The Shepherd's Pipe. _


The Siren's Song

Steer hither, steer your wingèd pines,
All beaten mariners,
Here lie Love's undiscover'd mines,
A prey to passengers;
Perfumes far sweeter than the best
Which makes the Phoenix' urn and nest.
Fear not your ships,
Nor any to oppose you save our lips,
But come on shore,
Where no joy dies till love hath gotten more.

For swelling waves our panting breasts,
Where never storms arise,
Exchange; and be awhile our guests:
For stars gaze on our eyes.
The compass love shall hourly sing,
And as he goes about the ring,
We will not miss
To tell each point he nameth with a kiss.

CHORUS.

Then come on shore,
Where no joy dies till love hath gotten more.

_The Inner Temple Masque. _


The Charm

Son of Erebus and Night,
Hie away; and aim thy flight
Where consort none other fowl
Than the bat and sullen owl;
Where upon the limber grass
Poppy and mandragoras
With like simples not a few
Hang for ever drops of dew.
Where flows Lethe without coil
Softly like a stream of oil.
Hie thee thither, gentle Sleep:
With this Greek no longer keep.
Thrice I charge thee by my wand;
Thrice with moly from my hand
Do I touch Ulysses' eyes,
And with the jaspis: Then arise,
Sagest Greek. . . .

_The Inner Temple Masque. _


Cælia

(Sonnets)

Lo, I the man that whilom lov'd and lost,
Not dreading loss, do sing again of love;
And like a man but lately tempest-toss'd,
Try if my stars still inauspicious prove:
Not to make good that poets never can
Long time without a chosen mistress be,
Do I sing thus; or my affections ran
Within the maze of mutability;
What last I lov'd was beauty of the mind,
And that lodg'd in a temple truly fair,
Which ruin'd now by death, if I can find
The saint that liv'd therein some otherwhere,
I may adore it there, and love the cell
For entertaining what I lov'd so well.

* * * * *

Why might I not for once be of that sect,
Which hold that souls, when Nature hath her right,
Some other bodies to themselves elect;
And sunlike make the day, and license night?
That soul, whose setting in one hemisphere
Was to enlighten straight another part;
In that horizon, if I see it there,
Calls for my first respect and its desert;
Her virtue is the same and may be more;
For as the sun is distant, so his power
In operation differs, and the store
Of thick clouds interpos'd make him less our.
And verily I think her climate such,
Since to my former flame it adds so much.

* * * * *

Fairest, when by the rules of palmistry
You took my hand to try if you could guess
By lines therein if any wight there be
Ordain'd to make me know some happiness;
I wish'd that those characters could explain,
Whom I will never wrong with hope to win;
Or that by them a copy might be ta'en,
By you alone what thoughts I have within.
But since the hand of Nature did not set
(As providently loath to have it known)
The means to find that hidden alphabet.
Mine eyes shall be th' interpreters alone:
By them conceive my thoughts, and tell me, fair,
If now you see her that doth love me there.
* * * * *

Were't not for you, here should my pen have rest
And take a long leave of sweet poesy;
Britannia's swains, and rivers far by west,
Should hear no more mine oaten melody;
Yet shall the song I sung of them awhile
Unperfect lie, and make no further known
The happy loves of this our pleasant Isle;
Till I have left some record of mine own.
You are the subject now, and, writing you,
I well may versify, not poetize:
Here needs no fiction: for the graces true
And virtues clip not with base flatteries.
Here could I write what you deserve of praise,
Others might wear, but I should win the bays.

* * * * *

Sing soft, ye pretty birds, while Cælia sleeps,
And gentle gales play gently with the leaves;
Learn of the neighbour brooks, whose silent deeps
Would teach him fear, that her soft sleep bereaves
Mine oaten reed, devoted to her praise,
(A theme that would befit the Delphian lyre)
Give way, that I in silence may admire.
Is not her sleep like that of innocents,
Sweet as herself; and is she not more fair,
Almost in death, than are the ornaments
Of fruitful trees, which newly budding are?
She is, and tell it, Truth, when she shall lie
And sleep for ever, for she cannot die.


Visions

(Sonnets)

I saw a silver swan swim down the Lea,
Singing a sad farewell unto the vale,
While fishes leapt to hear her melody,
And on each thorn a gentle nightingale
And many other birds forbore their notes,
Leaping from tree to tree, as she along
The panting bosom of the current floats,
Rapt with the music of her dying song:
When from a thick and all-entangled spring
A neatherd rude came with no small ado,
Dreading an ill presage to hear her sing,
And quickly struck her tender neck in two;
Whereat the birds, methought, flew thence with speed,
And inly griev'd for such a cruel deed.

* * * * *

A rose, as fair as ever saw the North,
Grew in a little garden all alone;
A sweeter flower did Nature ne'er put forth,
Nor fairer garden yet was never known:
The maidens danc'd about it morn and noon,
And learned bards of it their ditties made;
The nimble fairies by the pale-faced moon
Water'd the root and kiss'd her pretty shade.
But well-a-day, the gard'ner careless grew;
The maids and fairies both were kept away,
And in a drought the caterpillars threw
Themselves upon the bud and every spray.
God shield the stock! if heaven send no supplies,
The fairest blossom of the garden dies.

* * * * *

Down in a valley, by a forest's side,
Near where the crystal Thames rolls on her waves,
I saw a mushroom stand in haughty pride,
As if the lilies grew to be his slaves;
The gentle daisy, with her silver crown,
Worn in the breast of many a shepherd's lass;
The humble violet, that lowly down
Salutes the gay nymphs as they trimly pass:
These, with a many more, methought, complain'd
That Nature should those needless things produce,
Which not alone the sun from others gain'd
But turn it wholly to their proper use:
I could not choose but grieve that Nature made
So glorious flowers to live in such a shade.

* * * * *

A gentle shepherd, born in Arcady,
That well could tune his pipe, and deftly play
The nymphs asleep with rural minstrelsy,
Methought I saw, upon a summer's day,
Take up a little satyr in a wood,
All masterless forlorn as none did know him,
And nursing him with those of his own blood,
On mighty Pan he lastly did bestow him;
But with the god he long time had not been,
Ere he the shepherd and himself forgot,
And most ingrateful, ever stepp'd between
Pan and all good befell the poor man's lot:
Whereat all good men griev'd, and strongly swore
They never would be foster-fathers more.


Epitaphs

In Obitum M S, X° Maij,
1614

May! Be thou never grac'd with birds that sing,
Nor Flora's pride!
In thee all flowers and roses spring,
Mine only died.

W. B.


On the Countess Dowager of Pembroke

Underneath this sable herse
Lies the subject of all verse:
Sidney's sister, Pembroke's mother:
Death, ere thou hast slain another,
Fair and learn'd, and good as she,
Time shall throw a dart at thee.

Marble piles let no man raise
To her name: for after days
Some kind woman born as she,
Reading this, like Niobe
Shall turn marble, and become
Both her mourner and her tomb.





End of the Project Gutenberg EBook of Pastoral Poems by Nicholas Breton,
Selected Poetry by George Wither, and Pastoral Poetry by William Browne
(of Tavistock)

*** END OF THIS PROJECT GUTENBERG EBOOK PASTORAL AND OTHER POEMS ***

***** This file should be named 22001-8. txt or 22001-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. net/2/2/0/0/22001/

Produced by Irma Spehar, Ralf Stephan and the Online Distributed
Proofreading Team at http://www. pgdp. net (This file was produced
from images generously made available by The Internet Archive/Canadian
Libraries)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.


Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.