The
magnanimous and most illustrate king Cophetua set eye upon the
pernicious and indubitate beggar Zenelophon; and he it was that
might rightly say, 'Veni, vidi, vici'; which to annothanize in
the vulgar,- O base and obscure vulgar!
magnanimous and most illustrate king Cophetua set eye upon the
pernicious and indubitate beggar Zenelophon; and he it was that
might rightly say, 'Veni, vidi, vici'; which to annothanize in
the vulgar,- O base and obscure vulgar!
Shakespeare
I will add the l'envoy.
Say the moral again.
ARMADO. The fox, the ape, and the humble-bee,
Were still at odds, being but three.
MOTH. Until the goose came out of door,
And stay'd the odds by adding four.
Now will I begin your moral, and do you follow with my l'envoy.
The fox, the ape, and the humble-bee,
Were still at odds, being but three.
ARMADO. Until the goose came out of door,
Staying the odds by adding four.
MOTH. A good l'envoy, ending in the goose; would you desire more?
COSTARD. The boy hath sold him a bargain, a goose, that's flat.
Sir, your pennyworth is good, an your goose be fat.
To sell a bargain well is as cunning as fast and loose;
Let me see: a fat l'envoy; ay, that's a fat goose.
ARMADO. Come hither, come hither. How did this argument begin?
MOTH. By saying that a costard was broken in a shin.
Then call'd you for the l'envoy.
COSTARD. True, and I for a plantain. Thus came your argument in;
Then the boy's fat l'envoy, the goose that you bought;
And he ended the market.
ARMADO. But tell me: how was there a costard broken in a shin?
MOTH. I will tell you sensibly.
COSTARD. Thou hast no feeling of it, Moth; I will speak that
l'envoy.
I, Costard, running out, that was safely within,
Fell over the threshold and broke my shin.
ARMADO. We will talk no more of this matter.
COSTARD. Till there be more matter in the shin.
ARMADO. Sirrah Costard. I will enfranchise thee.
COSTARD. O, Marry me to one Frances! I smell some l'envoy, some
goose, in this.
ARMADO. By my sweet soul, I mean setting thee at liberty,
enfreedoming thy person; thou wert immured, restrained,
captivated, bound.
COSTARD. True, true; and now you will be my purgation, and let me
loose.
ARMADO. I give thee thy liberty, set thee from durance; and, in
lieu thereof, impose on thee nothing but this: bear this
significant [giving a letter] to the country maid Jaquenetta;
there is remuneration, for the best ward of mine honour is
rewarding my dependents. Moth, follow. Exit
MOTH. Like the sequel, I. Signior Costard, adieu.
COSTARD. My sweet ounce of man's flesh, my incony Jew!
Exit MOTH
Now will I look to his remuneration. Remuneration! O, that's the
Latin word for three farthings. Three farthings- remuneration.
'What's the price of this inkle? '- 'One penny. '- 'No, I'll give
you a remuneration. ' Why, it carries it. Remuneration! Why, it is
a fairer name than French crown. I will never buy and sell out of
this word.
Enter BEROWNE
BEROWNE. My good knave Costard, exceedingly well met!
COSTARD. Pray you, sir, how much carnation ribbon may a man buy for
a remuneration?
BEROWNE. What is a remuneration?
COSTARD. Marry, sir, halfpenny farthing.
BEROWNE. Why, then, three-farthing worth of silk.
COSTARD. I thank your worship. God be wi' you!
BEROWNE. Stay, slave; I must employ thee.
As thou wilt win my favour, good my knave,
Do one thing for me that I shall entreat.
COSTARD. When would you have it done, sir?
BEROWNE. This afternoon.
COSTARD. Well, I will do it, sir; fare you well.
BEROWNE. Thou knowest not what it is.
COSTARD. I shall know, sir, when I have done it.
BEROWNE. Why, villain, thou must know first.
COSTARD. I will come to your worship to-morrow morning.
BEROWNE. It must be done this afternoon.
Hark, slave, it is but this:
The Princess comes to hunt here in the park,
And in her train there is a gentle lady;
When tongues speak sweetly, then they name her name,
And Rosaline they call her. Ask for her,
And to her white hand see thou do commend
This seal'd-up counsel. There's thy guerdon; go.
[Giving him a shilling]
COSTARD. Gardon, O sweet gardon! better than remuneration; a
'leven-pence farthing better; most sweet gardon! I will do it,
sir, in print. Gardon- remuneration! Exit
BEROWNE. And I, forsooth, in love; I, that have been love's whip;
A very beadle to a humorous sigh;
A critic, nay, a night-watch constable;
A domineering pedant o'er the boy,
Than whom no mortal so magnificent!
This wimpled, whining, purblind, wayward boy,
This senior-junior, giant-dwarf, Dan Cupid;
Regent of love-rhymes, lord of folded arms,
Th' anointed sovereign of sighs and groans,
Liege of all loiterers and malcontents,
Dread prince of plackets, king of codpieces,
Sole imperator, and great general
Of trotting paritors. O my little heart!
And I to be a corporal of his field,
And wear his colours like a tumbler's hoop!
What! I love, I sue, I seek a wife-
A woman, that is like a German clock,
Still a-repairing, ever out of frame,
And never going aright, being a watch,
But being watch'd that it may still go right!
Nay, to be perjur'd, which is worst of all;
And, among three, to love the worst of all,
A whitely wanton with a velvet brow,
With two pitch balls stuck in her face for eyes;
Ay, and, by heaven, one that will do the deed,
Though Argus were her eunuch and her guard.
And I to sigh for her! to watch for her!
To pray for her! Go to; it is a plague
That Cupid will impose for my neglect
Of his almighty dreadful little might.
Well, I will love, write, sigh, pray, sue, and groan:
Some men must love my lady, and some Joan. Exit
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC. , AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
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ACT IV. SCENE I.
The park
Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS,
and a FORESTER
PRINCESS OF FRANCE. Was that the King that spurr'd his horse so
hard
Against the steep uprising of the hill?
BOYET. I know not; but I think it was not he.
PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.
Well, lords, to-day we shall have our dispatch;
On Saturday we will return to France.
Then, forester, my friend, where is the bush
That we must stand and play the murderer in?
FORESTER. Hereby, upon the edge of yonder coppice;
A stand where you may make the fairest shoot.
PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,
And thereupon thou speak'st the fairest shoot.
FORESTER. Pardon me, madam, for I meant not so.
PRINCESS OF FRANCE. What, what? First praise me, and again say no?
O short-liv'd pride! Not fair? Alack for woe!
FORESTER. Yes, madam, fair.
PRINCESS OF FRANCE. Nay, never paint me now;
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
[ Giving him money]
Fair payment for foul words is more than due.
FORESTER. Nothing but fair is that which you inherit.
PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise.
But come, the bow. Now mercy goes to kill,
And shooting well is then accounted ill;
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do't;
If wounding, then it was to show my skill,
That more for praise than purpose meant to kill.
And, out of question, so it is sometimes:
Glory grows guilty of detested crimes,
When, for fame's sake, for praise, an outward part,
We bend to that the working of the heart;
As I for praise alone now seek to spill
The poor deer's blood that my heart means no ill.
BOYET. Do not curst wives hold that self-sovereignty
Only for praise sake, when they strive to be
Lords o'er their lords?
PRINCESS OF FRANCE. Only for praise; and praise we may afford
To any lady that subdues a lord.
Enter COSTARD
BOYET. Here comes a member of the commonwealth.
COSTARD. God dig-you-den all! Pray you, which is the head lady?
PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that
have no heads.
COSTARD. Which is the greatest lady, the highest?
PRINCESS OF FRANCE. The thickest and the tallest.
COSTARD. The thickest and the tallest! It is so; truth is truth.
An your waist, mistress, were as slender as my wit,
One o' these maids' girdles for your waist should be fit.
Are not you the chief woman? You are the thickest here.
PRINCESS OF FRANCE. What's your will, sir? What's your will?
COSTARD. I have a letter from Monsieur Berowne to one
Lady Rosaline.
PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend
of mine.
Stand aside, good bearer. Boyet, you can carve.
Break up this capon.
BOYET. I am bound to serve.
This letter is mistook; it importeth none here.
It is writ to Jaquenetta.
PRINCESS OF FRANCE. We will read it, I swear.
Break the neck of the wax, and every one give ear.
BOYET. [Reads] 'By heaven, that thou art fair is most infallible;
true that thou art beauteous; truth itself that thou art lovely.
More fairer than fair, beautiful than beauteous, truer than truth
itself, have commiseration on thy heroical vassal.
The
magnanimous and most illustrate king Cophetua set eye upon the
pernicious and indubitate beggar Zenelophon; and he it was that
might rightly say, 'Veni, vidi, vici'; which to annothanize in
the vulgar,- O base and obscure vulgar! - videlicet, He came, saw,
and overcame. He came, one; saw, two; overcame, three. Who came? -
the king. Why did he come? - to see. Why did he see? -to overcome.
To whom came he? - to the beggar. What saw he? - the beggar. Who
overcame he? - the beggar. The conclusion is victory; on whose
side? - the king's. The captive is enrich'd; on whose side? - the
beggar's. The catastrophe is a nuptial; on whose side? - the
king's. No, on both in one, or one in both. I am the king, for so
stands the comparison; thou the beggar, for so witnesseth thy
lowliness. Shall I command thy love? I may. Shall I enforce thy
love? I could. Shall I entreat thy love? I will. What shalt thou
exchange for rags? - robes, for tittles? - titles, for thyself?
-me. Thus expecting thy reply, I profane my lips on thy foot, my
eyes on thy picture, and my heart on thy every part.
Thine in the dearest design of industry,
DON ADRIANO DE ARMADO.
'Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey;
Submissive fall his princely feet before,
And he from forage will incline to play.
But if thou strive, poor soul, what are thou then?
Food for his rage, repasture for his den. '
PRINCESS OF FRANCE. What plume of feathers is he that indited this
letter?
What vane? What weathercock? Did you ever hear better?
BOYET. I am much deceived but I remember the style.
PRINCESS OF FRANCE. Else your memory is bad, going o'er it
erewhile.
BOYET. This Armado is a Spaniard, that keeps here in court;
A phantasime, a Monarcho, and one that makes sport
To the Prince and his book-mates.
PRINCESS OF FRANCE. Thou fellow, a word.
Who gave thee this letter?
COSTARD. I told you: my lord.
PRINCESS OF FRANCE. To whom shouldst thou give it?
COSTARD. From my lord to my lady.
PRINCESS OF FRANCE. From which lord to which lady?
COSTARD. From my Lord Berowne, a good master of mine,
To a lady of France that he call'd Rosaline.
PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,
away.
[To ROSALINE] Here, sweet, put up this; 'twill be thine another
day. Exeunt PRINCESS and TRAIN
BOYET. Who is the shooter? who is the shooter?
ROSALINE. Shall I teach you to know?
BOYET. Ay, my continent of beauty.
ROSALINE. Why, she that bears the bow.
Finely put off!
BOYET. My lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry.
Finely put on!
ROSALINE. Well then, I am the shooter.
BOYET. And who is your deer?
ROSALINE. If we choose by the horns, yourself come not near.
Finely put on indeed!
MARIA. You Still wrangle with her, Boyet, and she strikes at the
brow.
BOYET. But she herself is hit lower. Have I hit her now?
ROSALINE. Shall I come upon thee with an old saying, that was a man
when King Pepin of France was a little boy, as touching the hit
it?
BOYET. So I may answer thee with one as old, that was a woman when
Queen Guinever of Britain was a little wench, as touching the hit
it.
ROSALINE. [Singing]
Thou canst not hit it, hit it, hit it,
Thou canst not hit it, my good man.
BOYET. An I cannot, cannot, cannot,
An I cannot, another can.
Exeunt ROSALINE and KATHARINE
COSTARD. By my troth, most pleasant! How both did fit it!
MARIA. A mark marvellous well shot; for they both did hit it.
BOYET. A mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in't, to mete at, if it may be.
MARIA. Wide o' the bow-hand! I' faith, your hand is out.
COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the
clout.
BOYET. An if my hand be out, then belike your hand is in.
COSTARD. Then will she get the upshoot by cleaving the pin.
MARIA. Come, come, you talk greasily; your lips grow foul.
COSTARD. She's too hard for you at pricks, sir; challenge her to
bowl.
BOYET. I fear too much rubbing; good-night, my good owl.
Exeunt BOYET and MARIA
COSTARD. By my soul, a swain, a most simple clown!
Lord, Lord! how the ladies and I have put him down!
O' my troth, most sweet jests, most incony vulgar wit!
When it comes so smoothly off, so obscenely, as it were, so fit.
Armado a th' t'one side- O, a most dainty man!
To see him walk before a lady and to bear her fan!
To see him kiss his hand, and how most sweetly 'a will swear!
And his page a t' other side, that handful of wit!
Ah, heavens, it is a most pathetical nit!
Sola, sola! Exit COSTARD
SCENE II.
The park
From the shooting within, enter HOLOFERNES, SIR NATHANIEL, and DULL
NATHANIEL. Very reverent sport, truly; and done in the testimony of
a good conscience.
HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as
the pomewater, who now hangeth like a jewel in the ear of caelo,
the sky, the welkin, the heaven; and anon falleth like a crab on
the face of terra, the soil, the land, the earth.
NATHANIEL. Truly, Master Holofernes, the epithets are sweetly
varied, like a scholar at the least; but, sir, I assure ye it was
a buck of the first head.
HOLOFERNES. Sir Nathaniel, haud credo.
DULL. 'Twas not a haud credo; 'twas a pricket.
HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,
as it were, in via, in way, of explication; facere, as it were,
replication, or rather, ostentare, to show, as it were, his
inclination, after his undressed, unpolished, uneducated,
unpruned, untrained, or rather unlettered, or ratherest
unconfirmed fashion, to insert again my haud credo for a deer.
DULL. I Said the deer was not a haud credo; 'twas a pricket.
HOLOFERNES. Twice-sod simplicity, bis coctus!
O thou monster Ignorance, how deformed dost thou look!
NATHANIEL. Sir, he hath never fed of the dainties that are bred in
a book;
He hath not eat paper, as it were; he hath not drunk ink; his
intellect is not replenished; he is only an animal, only sensible
in the duller parts;
And such barren plants are set before us that we thankful should
be-
Which we of taste and feeling are- for those parts that do
fructify in us more than he.
For as it would ill become me to be vain, indiscreet, or a fool,
So, were there a patch set on learning, to see him in a school.
But, omne bene, say I, being of an old father's mind:
Many can brook the weather that love not the wind.
DULL. You two are book-men: can you tell me by your wit
What was a month old at Cain's birth that's not five weeks old as
yet?
HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.
DULL. What is Dictynna?
NATHANIEL. A title to Phoebe, to Luna, to the moon.
HOLOFERNES. The moon was a month old when Adam was no more,
And raught not to five weeks when he came to five-score.
Th' allusion holds in the exchange.
DULL. 'Tis true, indeed; the collusion holds in the exchange.
HOLOFERNES. God comfort thy capacity! I say th' allusion holds in
the exchange.
DULL. And I say the polusion holds in the exchange; for the moon is
never but a month old; and I say, beside, that 'twas a pricket
that the Princess kill'd.
HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on
the death of the deer? And, to humour the ignorant, call the deer
the Princess kill'd a pricket.
NATHANIEL. Perge, good Master Holofernes, perge, so it shall please
you to abrogate scurrility.
HOLOFERNES. I Will something affect the letter, for it argues
facility.
The preyful Princess pierc'd and prick'd a pretty pleasing
pricket.
Some say a sore; but not a sore till now made sore with shooting.
The dogs did yell; put el to sore, then sorel jumps from thicket-
Or pricket sore, or else sorel; the people fall a-hooting.
If sore be sore, then L to sore makes fifty sores o' sorel.
Of one sore I an hundred make by adding but one more L.
NATHANIEL. A rare talent!
DULL. [Aside] If a talent be a claw, look how he claws him with a
talent.
HOLOFERNES. This is a gift that I have, simple, simple; a foolish
extravagant spirit, full of forms, figures, shapes, objects,
ideas, apprehensions, motions, revolutions. These are begot in
the ventricle of memory, nourish'd in the womb of pia mater, and
delivered upon the mellowing of occasion. But the gift is good in
those in whom it is acute, and I am thankful for it.
NATHANIEL. Sir, I praise the Lord for you, and so may my
parishioners; for their sons are well tutor'd by you, and their
daughters profit very greatly under you. You are a good member of
the commonwealth.
HOLOFERNES.
ARMADO. The fox, the ape, and the humble-bee,
Were still at odds, being but three.
MOTH. Until the goose came out of door,
And stay'd the odds by adding four.
Now will I begin your moral, and do you follow with my l'envoy.
The fox, the ape, and the humble-bee,
Were still at odds, being but three.
ARMADO. Until the goose came out of door,
Staying the odds by adding four.
MOTH. A good l'envoy, ending in the goose; would you desire more?
COSTARD. The boy hath sold him a bargain, a goose, that's flat.
Sir, your pennyworth is good, an your goose be fat.
To sell a bargain well is as cunning as fast and loose;
Let me see: a fat l'envoy; ay, that's a fat goose.
ARMADO. Come hither, come hither. How did this argument begin?
MOTH. By saying that a costard was broken in a shin.
Then call'd you for the l'envoy.
COSTARD. True, and I for a plantain. Thus came your argument in;
Then the boy's fat l'envoy, the goose that you bought;
And he ended the market.
ARMADO. But tell me: how was there a costard broken in a shin?
MOTH. I will tell you sensibly.
COSTARD. Thou hast no feeling of it, Moth; I will speak that
l'envoy.
I, Costard, running out, that was safely within,
Fell over the threshold and broke my shin.
ARMADO. We will talk no more of this matter.
COSTARD. Till there be more matter in the shin.
ARMADO. Sirrah Costard. I will enfranchise thee.
COSTARD. O, Marry me to one Frances! I smell some l'envoy, some
goose, in this.
ARMADO. By my sweet soul, I mean setting thee at liberty,
enfreedoming thy person; thou wert immured, restrained,
captivated, bound.
COSTARD. True, true; and now you will be my purgation, and let me
loose.
ARMADO. I give thee thy liberty, set thee from durance; and, in
lieu thereof, impose on thee nothing but this: bear this
significant [giving a letter] to the country maid Jaquenetta;
there is remuneration, for the best ward of mine honour is
rewarding my dependents. Moth, follow. Exit
MOTH. Like the sequel, I. Signior Costard, adieu.
COSTARD. My sweet ounce of man's flesh, my incony Jew!
Exit MOTH
Now will I look to his remuneration. Remuneration! O, that's the
Latin word for three farthings. Three farthings- remuneration.
'What's the price of this inkle? '- 'One penny. '- 'No, I'll give
you a remuneration. ' Why, it carries it. Remuneration! Why, it is
a fairer name than French crown. I will never buy and sell out of
this word.
Enter BEROWNE
BEROWNE. My good knave Costard, exceedingly well met!
COSTARD. Pray you, sir, how much carnation ribbon may a man buy for
a remuneration?
BEROWNE. What is a remuneration?
COSTARD. Marry, sir, halfpenny farthing.
BEROWNE. Why, then, three-farthing worth of silk.
COSTARD. I thank your worship. God be wi' you!
BEROWNE. Stay, slave; I must employ thee.
As thou wilt win my favour, good my knave,
Do one thing for me that I shall entreat.
COSTARD. When would you have it done, sir?
BEROWNE. This afternoon.
COSTARD. Well, I will do it, sir; fare you well.
BEROWNE. Thou knowest not what it is.
COSTARD. I shall know, sir, when I have done it.
BEROWNE. Why, villain, thou must know first.
COSTARD. I will come to your worship to-morrow morning.
BEROWNE. It must be done this afternoon.
Hark, slave, it is but this:
The Princess comes to hunt here in the park,
And in her train there is a gentle lady;
When tongues speak sweetly, then they name her name,
And Rosaline they call her. Ask for her,
And to her white hand see thou do commend
This seal'd-up counsel. There's thy guerdon; go.
[Giving him a shilling]
COSTARD. Gardon, O sweet gardon! better than remuneration; a
'leven-pence farthing better; most sweet gardon! I will do it,
sir, in print. Gardon- remuneration! Exit
BEROWNE. And I, forsooth, in love; I, that have been love's whip;
A very beadle to a humorous sigh;
A critic, nay, a night-watch constable;
A domineering pedant o'er the boy,
Than whom no mortal so magnificent!
This wimpled, whining, purblind, wayward boy,
This senior-junior, giant-dwarf, Dan Cupid;
Regent of love-rhymes, lord of folded arms,
Th' anointed sovereign of sighs and groans,
Liege of all loiterers and malcontents,
Dread prince of plackets, king of codpieces,
Sole imperator, and great general
Of trotting paritors. O my little heart!
And I to be a corporal of his field,
And wear his colours like a tumbler's hoop!
What! I love, I sue, I seek a wife-
A woman, that is like a German clock,
Still a-repairing, ever out of frame,
And never going aright, being a watch,
But being watch'd that it may still go right!
Nay, to be perjur'd, which is worst of all;
And, among three, to love the worst of all,
A whitely wanton with a velvet brow,
With two pitch balls stuck in her face for eyes;
Ay, and, by heaven, one that will do the deed,
Though Argus were her eunuch and her guard.
And I to sigh for her! to watch for her!
To pray for her! Go to; it is a plague
That Cupid will impose for my neglect
Of his almighty dreadful little might.
Well, I will love, write, sigh, pray, sue, and groan:
Some men must love my lady, and some Joan. Exit
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC. , AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP. >>
ACT IV. SCENE I.
The park
Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS,
and a FORESTER
PRINCESS OF FRANCE. Was that the King that spurr'd his horse so
hard
Against the steep uprising of the hill?
BOYET. I know not; but I think it was not he.
PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.
Well, lords, to-day we shall have our dispatch;
On Saturday we will return to France.
Then, forester, my friend, where is the bush
That we must stand and play the murderer in?
FORESTER. Hereby, upon the edge of yonder coppice;
A stand where you may make the fairest shoot.
PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,
And thereupon thou speak'st the fairest shoot.
FORESTER. Pardon me, madam, for I meant not so.
PRINCESS OF FRANCE. What, what? First praise me, and again say no?
O short-liv'd pride! Not fair? Alack for woe!
FORESTER. Yes, madam, fair.
PRINCESS OF FRANCE. Nay, never paint me now;
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
[ Giving him money]
Fair payment for foul words is more than due.
FORESTER. Nothing but fair is that which you inherit.
PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise.
But come, the bow. Now mercy goes to kill,
And shooting well is then accounted ill;
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do't;
If wounding, then it was to show my skill,
That more for praise than purpose meant to kill.
And, out of question, so it is sometimes:
Glory grows guilty of detested crimes,
When, for fame's sake, for praise, an outward part,
We bend to that the working of the heart;
As I for praise alone now seek to spill
The poor deer's blood that my heart means no ill.
BOYET. Do not curst wives hold that self-sovereignty
Only for praise sake, when they strive to be
Lords o'er their lords?
PRINCESS OF FRANCE. Only for praise; and praise we may afford
To any lady that subdues a lord.
Enter COSTARD
BOYET. Here comes a member of the commonwealth.
COSTARD. God dig-you-den all! Pray you, which is the head lady?
PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that
have no heads.
COSTARD. Which is the greatest lady, the highest?
PRINCESS OF FRANCE. The thickest and the tallest.
COSTARD. The thickest and the tallest! It is so; truth is truth.
An your waist, mistress, were as slender as my wit,
One o' these maids' girdles for your waist should be fit.
Are not you the chief woman? You are the thickest here.
PRINCESS OF FRANCE. What's your will, sir? What's your will?
COSTARD. I have a letter from Monsieur Berowne to one
Lady Rosaline.
PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend
of mine.
Stand aside, good bearer. Boyet, you can carve.
Break up this capon.
BOYET. I am bound to serve.
This letter is mistook; it importeth none here.
It is writ to Jaquenetta.
PRINCESS OF FRANCE. We will read it, I swear.
Break the neck of the wax, and every one give ear.
BOYET. [Reads] 'By heaven, that thou art fair is most infallible;
true that thou art beauteous; truth itself that thou art lovely.
More fairer than fair, beautiful than beauteous, truer than truth
itself, have commiseration on thy heroical vassal.
The
magnanimous and most illustrate king Cophetua set eye upon the
pernicious and indubitate beggar Zenelophon; and he it was that
might rightly say, 'Veni, vidi, vici'; which to annothanize in
the vulgar,- O base and obscure vulgar! - videlicet, He came, saw,
and overcame. He came, one; saw, two; overcame, three. Who came? -
the king. Why did he come? - to see. Why did he see? -to overcome.
To whom came he? - to the beggar. What saw he? - the beggar. Who
overcame he? - the beggar. The conclusion is victory; on whose
side? - the king's. The captive is enrich'd; on whose side? - the
beggar's. The catastrophe is a nuptial; on whose side? - the
king's. No, on both in one, or one in both. I am the king, for so
stands the comparison; thou the beggar, for so witnesseth thy
lowliness. Shall I command thy love? I may. Shall I enforce thy
love? I could. Shall I entreat thy love? I will. What shalt thou
exchange for rags? - robes, for tittles? - titles, for thyself?
-me. Thus expecting thy reply, I profane my lips on thy foot, my
eyes on thy picture, and my heart on thy every part.
Thine in the dearest design of industry,
DON ADRIANO DE ARMADO.
'Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey;
Submissive fall his princely feet before,
And he from forage will incline to play.
But if thou strive, poor soul, what are thou then?
Food for his rage, repasture for his den. '
PRINCESS OF FRANCE. What plume of feathers is he that indited this
letter?
What vane? What weathercock? Did you ever hear better?
BOYET. I am much deceived but I remember the style.
PRINCESS OF FRANCE. Else your memory is bad, going o'er it
erewhile.
BOYET. This Armado is a Spaniard, that keeps here in court;
A phantasime, a Monarcho, and one that makes sport
To the Prince and his book-mates.
PRINCESS OF FRANCE. Thou fellow, a word.
Who gave thee this letter?
COSTARD. I told you: my lord.
PRINCESS OF FRANCE. To whom shouldst thou give it?
COSTARD. From my lord to my lady.
PRINCESS OF FRANCE. From which lord to which lady?
COSTARD. From my Lord Berowne, a good master of mine,
To a lady of France that he call'd Rosaline.
PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,
away.
[To ROSALINE] Here, sweet, put up this; 'twill be thine another
day. Exeunt PRINCESS and TRAIN
BOYET. Who is the shooter? who is the shooter?
ROSALINE. Shall I teach you to know?
BOYET. Ay, my continent of beauty.
ROSALINE. Why, she that bears the bow.
Finely put off!
BOYET. My lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry.
Finely put on!
ROSALINE. Well then, I am the shooter.
BOYET. And who is your deer?
ROSALINE. If we choose by the horns, yourself come not near.
Finely put on indeed!
MARIA. You Still wrangle with her, Boyet, and she strikes at the
brow.
BOYET. But she herself is hit lower. Have I hit her now?
ROSALINE. Shall I come upon thee with an old saying, that was a man
when King Pepin of France was a little boy, as touching the hit
it?
BOYET. So I may answer thee with one as old, that was a woman when
Queen Guinever of Britain was a little wench, as touching the hit
it.
ROSALINE. [Singing]
Thou canst not hit it, hit it, hit it,
Thou canst not hit it, my good man.
BOYET. An I cannot, cannot, cannot,
An I cannot, another can.
Exeunt ROSALINE and KATHARINE
COSTARD. By my troth, most pleasant! How both did fit it!
MARIA. A mark marvellous well shot; for they both did hit it.
BOYET. A mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in't, to mete at, if it may be.
MARIA. Wide o' the bow-hand! I' faith, your hand is out.
COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the
clout.
BOYET. An if my hand be out, then belike your hand is in.
COSTARD. Then will she get the upshoot by cleaving the pin.
MARIA. Come, come, you talk greasily; your lips grow foul.
COSTARD. She's too hard for you at pricks, sir; challenge her to
bowl.
BOYET. I fear too much rubbing; good-night, my good owl.
Exeunt BOYET and MARIA
COSTARD. By my soul, a swain, a most simple clown!
Lord, Lord! how the ladies and I have put him down!
O' my troth, most sweet jests, most incony vulgar wit!
When it comes so smoothly off, so obscenely, as it were, so fit.
Armado a th' t'one side- O, a most dainty man!
To see him walk before a lady and to bear her fan!
To see him kiss his hand, and how most sweetly 'a will swear!
And his page a t' other side, that handful of wit!
Ah, heavens, it is a most pathetical nit!
Sola, sola! Exit COSTARD
SCENE II.
The park
From the shooting within, enter HOLOFERNES, SIR NATHANIEL, and DULL
NATHANIEL. Very reverent sport, truly; and done in the testimony of
a good conscience.
HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as
the pomewater, who now hangeth like a jewel in the ear of caelo,
the sky, the welkin, the heaven; and anon falleth like a crab on
the face of terra, the soil, the land, the earth.
NATHANIEL. Truly, Master Holofernes, the epithets are sweetly
varied, like a scholar at the least; but, sir, I assure ye it was
a buck of the first head.
HOLOFERNES. Sir Nathaniel, haud credo.
DULL. 'Twas not a haud credo; 'twas a pricket.
HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,
as it were, in via, in way, of explication; facere, as it were,
replication, or rather, ostentare, to show, as it were, his
inclination, after his undressed, unpolished, uneducated,
unpruned, untrained, or rather unlettered, or ratherest
unconfirmed fashion, to insert again my haud credo for a deer.
DULL. I Said the deer was not a haud credo; 'twas a pricket.
HOLOFERNES. Twice-sod simplicity, bis coctus!
O thou monster Ignorance, how deformed dost thou look!
NATHANIEL. Sir, he hath never fed of the dainties that are bred in
a book;
He hath not eat paper, as it were; he hath not drunk ink; his
intellect is not replenished; he is only an animal, only sensible
in the duller parts;
And such barren plants are set before us that we thankful should
be-
Which we of taste and feeling are- for those parts that do
fructify in us more than he.
For as it would ill become me to be vain, indiscreet, or a fool,
So, were there a patch set on learning, to see him in a school.
But, omne bene, say I, being of an old father's mind:
Many can brook the weather that love not the wind.
DULL. You two are book-men: can you tell me by your wit
What was a month old at Cain's birth that's not five weeks old as
yet?
HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.
DULL. What is Dictynna?
NATHANIEL. A title to Phoebe, to Luna, to the moon.
HOLOFERNES. The moon was a month old when Adam was no more,
And raught not to five weeks when he came to five-score.
Th' allusion holds in the exchange.
DULL. 'Tis true, indeed; the collusion holds in the exchange.
HOLOFERNES. God comfort thy capacity! I say th' allusion holds in
the exchange.
DULL. And I say the polusion holds in the exchange; for the moon is
never but a month old; and I say, beside, that 'twas a pricket
that the Princess kill'd.
HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on
the death of the deer? And, to humour the ignorant, call the deer
the Princess kill'd a pricket.
NATHANIEL. Perge, good Master Holofernes, perge, so it shall please
you to abrogate scurrility.
HOLOFERNES. I Will something affect the letter, for it argues
facility.
The preyful Princess pierc'd and prick'd a pretty pleasing
pricket.
Some say a sore; but not a sore till now made sore with shooting.
The dogs did yell; put el to sore, then sorel jumps from thicket-
Or pricket sore, or else sorel; the people fall a-hooting.
If sore be sore, then L to sore makes fifty sores o' sorel.
Of one sore I an hundred make by adding but one more L.
NATHANIEL. A rare talent!
DULL. [Aside] If a talent be a claw, look how he claws him with a
talent.
HOLOFERNES. This is a gift that I have, simple, simple; a foolish
extravagant spirit, full of forms, figures, shapes, objects,
ideas, apprehensions, motions, revolutions. These are begot in
the ventricle of memory, nourish'd in the womb of pia mater, and
delivered upon the mellowing of occasion. But the gift is good in
those in whom it is acute, and I am thankful for it.
NATHANIEL. Sir, I praise the Lord for you, and so may my
parishioners; for their sons are well tutor'd by you, and their
daughters profit very greatly under you. You are a good member of
the commonwealth.
HOLOFERNES.