What linked us once together, one hope's tie--
(Who now doth con
Those lines, now fading, Love once wrote thereon?
(Who now doth con
Those lines, now fading, Love once wrote thereon?
Niezsche - Beyond Good and Evil
what
hast thou done? Rest thee here: this place has hospitality for every
one--refresh thyself! And whoever thou art, what is it that now pleases
thee? What will serve to refresh thee? Only name it, whatever I have
I offer thee! "To refresh me? To refresh me? Oh, thou prying one,
what sayest thou! But give me, I pray thee---" What? what? Speak out!
"Another mask! A second mask! "
279. Men of profound sadness betray themselves when they are happy: they
have a mode of seizing upon happiness as though they would choke and
strangle it, out of jealousy--ah, they know only too well that it will
flee from them!
280. "Bad! Bad! What? Does he not--go back? " Yes! But you misunderstand
him when you complain about it. He goes back like every one who is about
to make a great spring.
281. --"Will people believe it of me? But I insist that they believe it
of me: I have always thought very unsatisfactorily of myself and about
myself, only in very rare cases, only compulsorily, always without
delight in 'the subject,' ready to digress from 'myself,' and always
without faith in the result, owing to an unconquerable distrust of the
POSSIBILITY of self-knowledge, which has led me so far as to feel a
CONTRADICTIO IN ADJECTO even in the idea of 'direct knowledge' which
theorists allow themselves:--this matter of fact is almost the most
certain thing I know about myself. There must be a sort of repugnance
in me to BELIEVE anything definite about myself. --Is there perhaps
some enigma therein? Probably; but fortunately nothing for my own
teeth. --Perhaps it betrays the species to which I belong? --but not to
myself, as is sufficiently agreeable to me. "
282. --"But what has happened to you? "--"I do not know," he said,
hesitatingly; "perhaps the Harpies have flown over my table. "--It
sometimes happens nowadays that a gentle, sober, retiring man becomes
suddenly mad, breaks the plates, upsets the table, shrieks, raves,
and shocks everybody--and finally withdraws, ashamed, and raging at
himself--whither? for what purpose? To famish apart? To suffocate with
his memories? --To him who has the desires of a lofty and dainty soul,
and only seldom finds his table laid and his food prepared, the danger
will always be great--nowadays, however, it is extraordinarily so.
Thrown into the midst of a noisy and plebeian age, with which he does
not like to eat out of the same dish, he may readily perish of hunger
and thirst--or, should he nevertheless finally "fall to," of sudden
nausea. --We have probably all sat at tables to which we did not belong;
and precisely the most spiritual of us, who are most difficult to
nourish, know the dangerous DYSPEPSIA which originates from a sudden
insight and disillusionment about our food and our messmates--the
AFTER-DINNER NAUSEA.
283. If one wishes to praise at all, it is a delicate and at the
same time a noble self-control, to praise only where one DOES NOT
agree--otherwise in fact one would praise oneself, which is contrary
to good taste:--a self-control, to be sure, which offers excellent
opportunity and provocation to constant MISUNDERSTANDING. To be able to
allow oneself this veritable luxury of taste and morality, one must
not live among intellectual imbeciles, but rather among men whose
misunderstandings and mistakes amuse by their refinement--or one will
have to pay dearly for it! --"He praises me, THEREFORE he acknowledges me
to be right"--this asinine method of inference spoils half of the life
of us recluses, for it brings the asses into our neighbourhood and
friendship.
284. To live in a vast and proud tranquility; always beyond. . . To have,
or not to have, one's emotions, one's For and Against, according to
choice; to lower oneself to them for hours; to SEAT oneself on them as
upon horses, and often as upon asses:--for one must know how to make
use of their stupidity as well as of their fire. To conserve one's
three hundred foregrounds; also one's black spectacles: for there are
circumstances when nobody must look into our eyes, still less into our
"motives. " And to choose for company that roguish and cheerful vice,
politeness. And to remain master of one's four virtues, courage,
insight, sympathy, and solitude. For solitude is a virtue with us, as
a sublime bent and bias to purity, which divines that in the contact of
man and man--"in society"--it must be unavoidably impure. All society
makes one somehow, somewhere, or sometime--"commonplace. "
285. The greatest events and thoughts--the greatest thoughts, however,
are the greatest events--are longest in being comprehended: the
generations which are contemporary with them do not EXPERIENCE such
events--they live past them. Something happens there as in the realm of
stars. The light of the furthest stars is longest in reaching man; and
before it has arrived man DENIES--that there are stars there. "How
many centuries does a mind require to be understood? "--that is also a
standard, one also makes a gradation of rank and an etiquette therewith,
such as is necessary for mind and for star.
286. "Here is the prospect free, the mind exalted. " [FOOTNOTE: Goethe's
"Faust," Part II, Act V. The words of Dr. Marianus. ]--But there is a
reverse kind of man, who is also upon a height, and has also a free
prospect--but looks DOWNWARDS.
287. What is noble? What does the word "noble" still mean for us
nowadays? How does the noble man betray himself, how is he recognized
under this heavy overcast sky of the commencing plebeianism, by which
everything is rendered opaque and leaden? --It is not his actions which
establish his claim--actions are always ambiguous, always inscrutable;
neither is it his "works. " One finds nowadays among artists and scholars
plenty of those who betray by their works that a profound longing for
nobleness impels them; but this very NEED of nobleness is radically
different from the needs of the noble soul itself, and is in fact the
eloquent and dangerous sign of the lack thereof. It is not the works,
but the BELIEF which is here decisive and determines the order of
rank--to employ once more an old religious formula with a new and deeper
meaning--it is some fundamental certainty which a noble soul has about
itself, something which is not to be sought, is not to be found, and
perhaps, also, is not to be lost. --THE NOBLE SOUL HAS REVERENCE FOR
ITSELF. --
288. There are men who are unavoidably intellectual, let them turn
and twist themselves as they will, and hold their hands before their
treacherous eyes--as though the hand were not a betrayer; it always
comes out at last that they have something which they hide--namely,
intellect. One of the subtlest means of deceiving, at least as long as
possible, and of successfully representing oneself to be stupider
than one really is--which in everyday life is often as desirable as
an umbrella,--is called ENTHUSIASM, including what belongs to it, for
instance, virtue. For as Galiani said, who was obliged to know it: VERTU
EST ENTHOUSIASME.
289. In the writings of a recluse one always hears something of the echo
of the wilderness, something of the murmuring tones and timid vigilance
of solitude; in his strongest words, even in his cry itself, there
sounds a new and more dangerous kind of silence, of concealment. He who
has sat day and night, from year's end to year's end, alone with his
soul in familiar discord and discourse, he who has become a cave-bear,
or a treasure-seeker, or a treasure-guardian and dragon in his cave--it
may be a labyrinth, but can also be a gold-mine--his ideas themselves
eventually acquire a twilight-colour of their own, and an odour, as much
of the depth as of the mould, something uncommunicative and repulsive,
which blows chilly upon every passer-by. The recluse does not believe
that a philosopher--supposing that a philosopher has always in the first
place been a recluse--ever expressed his actual and ultimate opinions in
books: are not books written precisely to hide what is in us? --indeed,
he will doubt whether a philosopher CAN have "ultimate and actual"
opinions at all; whether behind every cave in him there is not, and must
necessarily be, a still deeper cave: an ampler, stranger, richer
world beyond the surface, an abyss behind every bottom, beneath every
"foundation. " Every philosophy is a foreground philosophy--this is a
recluse's verdict: "There is something arbitrary in the fact that the
PHILOSOPHER came to a stand here, took a retrospect, and looked around;
that he HERE laid his spade aside and did not dig any deeper--there
is also something suspicious in it. " Every philosophy also CONCEALS a
philosophy; every opinion is also a LURKING-PLACE, every word is also a
MASK.
290. Every deep thinker is more afraid of being understood than of being
misunderstood. The latter perhaps wounds his vanity; but the former
wounds his heart, his sympathy, which always says: "Ah, why would you
also have as hard a time of it as I have? "
291. Man, a COMPLEX, mendacious, artful, and inscrutable animal, uncanny
to the other animals by his artifice and sagacity, rather than by his
strength, has invented the good conscience in order finally to enjoy his
soul as something SIMPLE; and the whole of morality is a long, audacious
falsification, by virtue of which generally enjoyment at the sight of
the soul becomes possible. From this point of view there is perhaps much
more in the conception of "art" than is generally believed.
292. A philosopher: that is a man who constantly experiences, sees,
hears, suspects, hopes, and dreams extraordinary things; who is struck
by his own thoughts as if they came from the outside, from above and
below, as a species of events and lightning-flashes PECULIAR TO HIM; who
is perhaps himself a storm pregnant with new lightnings; a portentous
man, around whom there is always rumbling and mumbling and gaping and
something uncanny going on. A philosopher: alas, a being who often
runs away from himself, is often afraid of himself--but whose curiosity
always makes him "come to himself" again.
293. A man who says: "I like that, I take it for my own, and mean to
guard and protect it from every one"; a man who can conduct a case,
carry out a resolution, remain true to an opinion, keep hold of a woman,
punish and overthrow insolence; a man who has his indignation and his
sword, and to whom the weak, the suffering, the oppressed, and even the
animals willingly submit and naturally belong; in short, a man who is a
MASTER by nature--when such a man has sympathy, well! THAT sympathy has
value! But of what account is the sympathy of those who suffer! Or of
those even who preach sympathy! There is nowadays, throughout almost the
whole of Europe, a sickly irritability and sensitiveness towards pain,
and also a repulsive irrestrainableness in complaining, an effeminizing,
which, with the aid of religion and philosophical nonsense, seeks
to deck itself out as something superior--there is a regular cult of
suffering. The UNMANLINESS of that which is called "sympathy" by such
groups of visionaries, is always, I believe, the first thing that
strikes the eye. --One must resolutely and radically taboo this latest
form of bad taste; and finally I wish people to put the good amulet,
"GAI SABER" ("gay science," in ordinary language), on heart and neck, as
a protection against it.
294. THE OLYMPIAN VICE. --Despite the philosopher who, as a genuine
Englishman, tried to bring laughter into bad repute in all thinking
minds--"Laughing is a bad infirmity of human nature, which every
thinking mind will strive to overcome" (Hobbes),--I would even
allow myself to rank philosophers according to the quality of their
laughing--up to those who are capable of GOLDEN laughter. And supposing
that Gods also philosophize, which I am strongly inclined to believe,
owing to many reasons--I have no doubt that they also know how to laugh
thereby in an overman-like and new fashion--and at the expense of all
serious things! Gods are fond of ridicule: it seems that they cannot
refrain from laughter even in holy matters.
295. The genius of the heart, as that great mysterious one possesses
it, the tempter-god and born rat-catcher of consciences, whose voice can
descend into the nether-world of every soul, who neither speaks a word
nor casts a glance in which there may not be some motive or touch
of allurement, to whose perfection it pertains that he knows how to
appear,--not as he is, but in a guise which acts as an ADDITIONAL
constraint on his followers to press ever closer to him, to follow him
more cordially and thoroughly;--the genius of the heart, which imposes
silence and attention on everything loud and self-conceited, which
smoothes rough souls and makes them taste a new longing--to lie placid
as a mirror, that the deep heavens may be reflected in them;--the genius
of the heart, which teaches the clumsy and too hasty hand to hesitate,
and to grasp more delicately; which scents the hidden and forgotten
treasure, the drop of goodness and sweet spirituality under thick dark
ice, and is a divining-rod for every grain of gold, long buried and
imprisoned in mud and sand; the genius of the heart, from contact with
which every one goes away richer; not favoured or surprised, not as
though gratified and oppressed by the good things of others; but richer
in himself, newer than before, broken up, blown upon, and sounded by a
thawing wind; more uncertain, perhaps, more delicate, more fragile, more
bruised, but full of hopes which as yet lack names, full of a new will
and current, full of a new ill-will and counter-current. . . but what am I
doing, my friends? Of whom am I talking to you? Have I forgotten myself
so far that I have not even told you his name? Unless it be that you
have already divined of your own accord who this questionable God
and spirit is, that wishes to be PRAISED in such a manner? For, as it
happens to every one who from childhood onward has always been on his
legs, and in foreign lands, I have also encountered on my path many
strange and dangerous spirits; above all, however, and again and again,
the one of whom I have just spoken: in fact, no less a personage than
the God DIONYSUS, the great equivocator and tempter, to whom, as you
know, I once offered in all secrecy and reverence my first-fruits--the
last, as it seems to me, who has offered a SACRIFICE to him, for I
have found no one who could understand what I was then doing. In
the meantime, however, I have learned much, far too much, about the
philosophy of this God, and, as I said, from mouth to mouth--I, the last
disciple and initiate of the God Dionysus: and perhaps I might at last
begin to give you, my friends, as far as I am allowed, a little taste of
this philosophy? In a hushed voice, as is but seemly: for it has to do
with much that is secret, new, strange, wonderful, and uncanny. The
very fact that Dionysus is a philosopher, and that therefore Gods also
philosophize, seems to me a novelty which is not unensnaring, and might
perhaps arouse suspicion precisely among philosophers;--among you, my
friends, there is less to be said against it, except that it comes too
late and not at the right time; for, as it has been disclosed to me, you
are loth nowadays to believe in God and gods. It may happen, too, that
in the frankness of my story I must go further than is agreeable to the
strict usages of your ears? Certainly the God in question went further,
very much further, in such dialogues, and was always many paces ahead of
me. . . Indeed, if it were allowed, I should have to give him, according
to human usage, fine ceremonious tides of lustre and merit, I should
have to extol his courage as investigator and discoverer, his fearless
honesty, truthfulness, and love of wisdom. But such a God does not know
what to do with all that respectable trumpery and pomp. "Keep that," he
would say, "for thyself and those like thee, and whoever else require
it! I--have no reason to cover my nakedness! " One suspects that this
kind of divinity and philosopher perhaps lacks shame? --He once said:
"Under certain circumstances I love mankind"--and referred thereby to
Ariadne, who was present; "in my opinion man is an agreeable, brave,
inventive animal, that has not his equal upon earth, he makes his way
even through all labyrinths. I like man, and often think how I can
still further advance him, and make him stronger, more evil, and more
profound. "--"Stronger, more evil, and more profound? " I asked in horror.
"Yes," he said again, "stronger, more evil, and more profound; also more
beautiful"--and thereby the tempter-god smiled with his halcyon smile,
as though he had just paid some charming compliment. One here sees at
once that it is not only shame that this divinity lacks;--and in general
there are good grounds for supposing that in some things the Gods could
all of them come to us men for instruction. We men are--more human. --
296. Alas! what are you, after all, my written and painted thoughts! Not
long ago you were so variegated, young and malicious, so full of thorns
and secret spices, that you made me sneeze and laugh--and now? You
have already doffed your novelty, and some of you, I fear, are ready
to become truths, so immortal do they look, so pathetically honest, so
tedious! And was it ever otherwise? What then do we write and paint,
we mandarins with Chinese brush, we immortalisers of things which LEND
themselves to writing, what are we alone capable of painting? Alas, only
that which is just about to fade and begins to lose its odour! Alas,
only exhausted and departing storms and belated yellow sentiments! Alas,
only birds strayed and fatigued by flight, which now let themselves be
captured with the hand--with OUR hand! We immortalize what cannot live
and fly much longer, things only which are exhausted and mellow! And it
is only for your AFTERNOON, you, my written and painted thoughts, for
which alone I have colours, many colours, perhaps, many variegated
softenings, and fifty yellows and browns and greens and reds;--but
nobody will divine thereby how ye looked in your morning, you sudden
sparks and marvels of my solitude, you, my old, beloved--EVIL thoughts!
FROM THE HEIGHTS
By F W Nietzsche
Translated by L. A. Magnus
1.
MIDDAY of Life! Oh, season of delight!
My summer's park!
Uneaseful joy to look, to lurk, to hark--
I peer for friends, am ready day and night,--
Where linger ye, my friends? The time is right!
2.
Is not the glacier's grey today for you
Rose-garlanded?
The brooklet seeks you, wind, cloud, with longing thread
And thrust themselves yet higher to the blue,
To spy for you from farthest eagle's view.
3.
My table was spread out for you on high--
Who dwelleth so
Star-near, so near the grisly pit below? --
My realm--what realm hath wider boundary?
My honey--who hath sipped its fragrancy?
4.
Friends, ye are there! Woe me,--yet I am not
He whom ye seek?
Ye stare and stop--better your wrath could speak!
I am not I? Hand, gait, face, changed? And what
I am, to you my friends, now am I not?
5.
Am I an other? Strange am I to Me?
Yet from Me sprung?
A wrestler, by himself too oft self-wrung?
Hindering too oft my own self's potency,
Wounded and hampered by self-victory?
6.
I sought where-so the wind blows keenest. There
I learned to dwell
Where no man dwells, on lonesome ice-lorn fell,
And unlearned Man and God and curse and prayer?
Became a ghost haunting the glaciers bare?
7.
Ye, my old friends! Look! Ye turn pale, filled o'er
With love and fear!
Go! Yet not in wrath. Ye could ne'er live here.
Here in the farthest realm of ice and scaur,
A huntsman must one be, like chamois soar.
8.
An evil huntsman was I? See how taut
My bow was bent!
Strongest was he by whom such bolt were sent--
Woe now! That arrow is with peril fraught,
Perilous as none. --Have yon safe home ye sought!
9.
Ye go! Thou didst endure enough, oh, heart;--
Strong was thy hope;
Unto new friends thy portals widely ope,
Let old ones be. Bid memory depart!
Wast thou young then, now--better young thou art!
10.
What linked us once together, one hope's tie--
(Who now doth con
Those lines, now fading, Love once wrote thereon? )--
Is like a parchment, which the hand is shy
To touch--like crackling leaves, all seared, all dry.
11.
Oh! Friends no more! They are--what name for those? --
Friends' phantom-flight
Knocking at my heart's window-pane at night,
Gazing on me, that speaks "We were" and goes,--
Oh, withered words, once fragrant as the rose!
12.
Pinings of youth that might not understand!
For which I pined,
Which I deemed changed with me, kin of my kind:
But they grew old, and thus were doomed and banned:
None but new kith are native of my land!
13.
Midday of life! My second youth's delight!
My summer's park!
Unrestful joy to long, to lurk, to hark!
I peer for friends! --am ready day and night,
For my new friends. Come! Come! The time is right!
14.
This song is done,--the sweet sad cry of rue
Sang out its end;
A wizard wrought it, he the timely friend,
The midday-friend,--no, do not ask me who;
At midday 'twas, when one became as two.
15.
We keep our Feast of Feasts, sure of our bourne,
Our aims self-same:
The Guest of Guests, friend Zarathustra, came!
The world now laughs, the grisly veil was torn,
And Light and Dark were one that wedding-morn.
hast thou done? Rest thee here: this place has hospitality for every
one--refresh thyself! And whoever thou art, what is it that now pleases
thee? What will serve to refresh thee? Only name it, whatever I have
I offer thee! "To refresh me? To refresh me? Oh, thou prying one,
what sayest thou! But give me, I pray thee---" What? what? Speak out!
"Another mask! A second mask! "
279. Men of profound sadness betray themselves when they are happy: they
have a mode of seizing upon happiness as though they would choke and
strangle it, out of jealousy--ah, they know only too well that it will
flee from them!
280. "Bad! Bad! What? Does he not--go back? " Yes! But you misunderstand
him when you complain about it. He goes back like every one who is about
to make a great spring.
281. --"Will people believe it of me? But I insist that they believe it
of me: I have always thought very unsatisfactorily of myself and about
myself, only in very rare cases, only compulsorily, always without
delight in 'the subject,' ready to digress from 'myself,' and always
without faith in the result, owing to an unconquerable distrust of the
POSSIBILITY of self-knowledge, which has led me so far as to feel a
CONTRADICTIO IN ADJECTO even in the idea of 'direct knowledge' which
theorists allow themselves:--this matter of fact is almost the most
certain thing I know about myself. There must be a sort of repugnance
in me to BELIEVE anything definite about myself. --Is there perhaps
some enigma therein? Probably; but fortunately nothing for my own
teeth. --Perhaps it betrays the species to which I belong? --but not to
myself, as is sufficiently agreeable to me. "
282. --"But what has happened to you? "--"I do not know," he said,
hesitatingly; "perhaps the Harpies have flown over my table. "--It
sometimes happens nowadays that a gentle, sober, retiring man becomes
suddenly mad, breaks the plates, upsets the table, shrieks, raves,
and shocks everybody--and finally withdraws, ashamed, and raging at
himself--whither? for what purpose? To famish apart? To suffocate with
his memories? --To him who has the desires of a lofty and dainty soul,
and only seldom finds his table laid and his food prepared, the danger
will always be great--nowadays, however, it is extraordinarily so.
Thrown into the midst of a noisy and plebeian age, with which he does
not like to eat out of the same dish, he may readily perish of hunger
and thirst--or, should he nevertheless finally "fall to," of sudden
nausea. --We have probably all sat at tables to which we did not belong;
and precisely the most spiritual of us, who are most difficult to
nourish, know the dangerous DYSPEPSIA which originates from a sudden
insight and disillusionment about our food and our messmates--the
AFTER-DINNER NAUSEA.
283. If one wishes to praise at all, it is a delicate and at the
same time a noble self-control, to praise only where one DOES NOT
agree--otherwise in fact one would praise oneself, which is contrary
to good taste:--a self-control, to be sure, which offers excellent
opportunity and provocation to constant MISUNDERSTANDING. To be able to
allow oneself this veritable luxury of taste and morality, one must
not live among intellectual imbeciles, but rather among men whose
misunderstandings and mistakes amuse by their refinement--or one will
have to pay dearly for it! --"He praises me, THEREFORE he acknowledges me
to be right"--this asinine method of inference spoils half of the life
of us recluses, for it brings the asses into our neighbourhood and
friendship.
284. To live in a vast and proud tranquility; always beyond. . . To have,
or not to have, one's emotions, one's For and Against, according to
choice; to lower oneself to them for hours; to SEAT oneself on them as
upon horses, and often as upon asses:--for one must know how to make
use of their stupidity as well as of their fire. To conserve one's
three hundred foregrounds; also one's black spectacles: for there are
circumstances when nobody must look into our eyes, still less into our
"motives. " And to choose for company that roguish and cheerful vice,
politeness. And to remain master of one's four virtues, courage,
insight, sympathy, and solitude. For solitude is a virtue with us, as
a sublime bent and bias to purity, which divines that in the contact of
man and man--"in society"--it must be unavoidably impure. All society
makes one somehow, somewhere, or sometime--"commonplace. "
285. The greatest events and thoughts--the greatest thoughts, however,
are the greatest events--are longest in being comprehended: the
generations which are contemporary with them do not EXPERIENCE such
events--they live past them. Something happens there as in the realm of
stars. The light of the furthest stars is longest in reaching man; and
before it has arrived man DENIES--that there are stars there. "How
many centuries does a mind require to be understood? "--that is also a
standard, one also makes a gradation of rank and an etiquette therewith,
such as is necessary for mind and for star.
286. "Here is the prospect free, the mind exalted. " [FOOTNOTE: Goethe's
"Faust," Part II, Act V. The words of Dr. Marianus. ]--But there is a
reverse kind of man, who is also upon a height, and has also a free
prospect--but looks DOWNWARDS.
287. What is noble? What does the word "noble" still mean for us
nowadays? How does the noble man betray himself, how is he recognized
under this heavy overcast sky of the commencing plebeianism, by which
everything is rendered opaque and leaden? --It is not his actions which
establish his claim--actions are always ambiguous, always inscrutable;
neither is it his "works. " One finds nowadays among artists and scholars
plenty of those who betray by their works that a profound longing for
nobleness impels them; but this very NEED of nobleness is radically
different from the needs of the noble soul itself, and is in fact the
eloquent and dangerous sign of the lack thereof. It is not the works,
but the BELIEF which is here decisive and determines the order of
rank--to employ once more an old religious formula with a new and deeper
meaning--it is some fundamental certainty which a noble soul has about
itself, something which is not to be sought, is not to be found, and
perhaps, also, is not to be lost. --THE NOBLE SOUL HAS REVERENCE FOR
ITSELF. --
288. There are men who are unavoidably intellectual, let them turn
and twist themselves as they will, and hold their hands before their
treacherous eyes--as though the hand were not a betrayer; it always
comes out at last that they have something which they hide--namely,
intellect. One of the subtlest means of deceiving, at least as long as
possible, and of successfully representing oneself to be stupider
than one really is--which in everyday life is often as desirable as
an umbrella,--is called ENTHUSIASM, including what belongs to it, for
instance, virtue. For as Galiani said, who was obliged to know it: VERTU
EST ENTHOUSIASME.
289. In the writings of a recluse one always hears something of the echo
of the wilderness, something of the murmuring tones and timid vigilance
of solitude; in his strongest words, even in his cry itself, there
sounds a new and more dangerous kind of silence, of concealment. He who
has sat day and night, from year's end to year's end, alone with his
soul in familiar discord and discourse, he who has become a cave-bear,
or a treasure-seeker, or a treasure-guardian and dragon in his cave--it
may be a labyrinth, but can also be a gold-mine--his ideas themselves
eventually acquire a twilight-colour of their own, and an odour, as much
of the depth as of the mould, something uncommunicative and repulsive,
which blows chilly upon every passer-by. The recluse does not believe
that a philosopher--supposing that a philosopher has always in the first
place been a recluse--ever expressed his actual and ultimate opinions in
books: are not books written precisely to hide what is in us? --indeed,
he will doubt whether a philosopher CAN have "ultimate and actual"
opinions at all; whether behind every cave in him there is not, and must
necessarily be, a still deeper cave: an ampler, stranger, richer
world beyond the surface, an abyss behind every bottom, beneath every
"foundation. " Every philosophy is a foreground philosophy--this is a
recluse's verdict: "There is something arbitrary in the fact that the
PHILOSOPHER came to a stand here, took a retrospect, and looked around;
that he HERE laid his spade aside and did not dig any deeper--there
is also something suspicious in it. " Every philosophy also CONCEALS a
philosophy; every opinion is also a LURKING-PLACE, every word is also a
MASK.
290. Every deep thinker is more afraid of being understood than of being
misunderstood. The latter perhaps wounds his vanity; but the former
wounds his heart, his sympathy, which always says: "Ah, why would you
also have as hard a time of it as I have? "
291. Man, a COMPLEX, mendacious, artful, and inscrutable animal, uncanny
to the other animals by his artifice and sagacity, rather than by his
strength, has invented the good conscience in order finally to enjoy his
soul as something SIMPLE; and the whole of morality is a long, audacious
falsification, by virtue of which generally enjoyment at the sight of
the soul becomes possible. From this point of view there is perhaps much
more in the conception of "art" than is generally believed.
292. A philosopher: that is a man who constantly experiences, sees,
hears, suspects, hopes, and dreams extraordinary things; who is struck
by his own thoughts as if they came from the outside, from above and
below, as a species of events and lightning-flashes PECULIAR TO HIM; who
is perhaps himself a storm pregnant with new lightnings; a portentous
man, around whom there is always rumbling and mumbling and gaping and
something uncanny going on. A philosopher: alas, a being who often
runs away from himself, is often afraid of himself--but whose curiosity
always makes him "come to himself" again.
293. A man who says: "I like that, I take it for my own, and mean to
guard and protect it from every one"; a man who can conduct a case,
carry out a resolution, remain true to an opinion, keep hold of a woman,
punish and overthrow insolence; a man who has his indignation and his
sword, and to whom the weak, the suffering, the oppressed, and even the
animals willingly submit and naturally belong; in short, a man who is a
MASTER by nature--when such a man has sympathy, well! THAT sympathy has
value! But of what account is the sympathy of those who suffer! Or of
those even who preach sympathy! There is nowadays, throughout almost the
whole of Europe, a sickly irritability and sensitiveness towards pain,
and also a repulsive irrestrainableness in complaining, an effeminizing,
which, with the aid of religion and philosophical nonsense, seeks
to deck itself out as something superior--there is a regular cult of
suffering. The UNMANLINESS of that which is called "sympathy" by such
groups of visionaries, is always, I believe, the first thing that
strikes the eye. --One must resolutely and radically taboo this latest
form of bad taste; and finally I wish people to put the good amulet,
"GAI SABER" ("gay science," in ordinary language), on heart and neck, as
a protection against it.
294. THE OLYMPIAN VICE. --Despite the philosopher who, as a genuine
Englishman, tried to bring laughter into bad repute in all thinking
minds--"Laughing is a bad infirmity of human nature, which every
thinking mind will strive to overcome" (Hobbes),--I would even
allow myself to rank philosophers according to the quality of their
laughing--up to those who are capable of GOLDEN laughter. And supposing
that Gods also philosophize, which I am strongly inclined to believe,
owing to many reasons--I have no doubt that they also know how to laugh
thereby in an overman-like and new fashion--and at the expense of all
serious things! Gods are fond of ridicule: it seems that they cannot
refrain from laughter even in holy matters.
295. The genius of the heart, as that great mysterious one possesses
it, the tempter-god and born rat-catcher of consciences, whose voice can
descend into the nether-world of every soul, who neither speaks a word
nor casts a glance in which there may not be some motive or touch
of allurement, to whose perfection it pertains that he knows how to
appear,--not as he is, but in a guise which acts as an ADDITIONAL
constraint on his followers to press ever closer to him, to follow him
more cordially and thoroughly;--the genius of the heart, which imposes
silence and attention on everything loud and self-conceited, which
smoothes rough souls and makes them taste a new longing--to lie placid
as a mirror, that the deep heavens may be reflected in them;--the genius
of the heart, which teaches the clumsy and too hasty hand to hesitate,
and to grasp more delicately; which scents the hidden and forgotten
treasure, the drop of goodness and sweet spirituality under thick dark
ice, and is a divining-rod for every grain of gold, long buried and
imprisoned in mud and sand; the genius of the heart, from contact with
which every one goes away richer; not favoured or surprised, not as
though gratified and oppressed by the good things of others; but richer
in himself, newer than before, broken up, blown upon, and sounded by a
thawing wind; more uncertain, perhaps, more delicate, more fragile, more
bruised, but full of hopes which as yet lack names, full of a new will
and current, full of a new ill-will and counter-current. . . but what am I
doing, my friends? Of whom am I talking to you? Have I forgotten myself
so far that I have not even told you his name? Unless it be that you
have already divined of your own accord who this questionable God
and spirit is, that wishes to be PRAISED in such a manner? For, as it
happens to every one who from childhood onward has always been on his
legs, and in foreign lands, I have also encountered on my path many
strange and dangerous spirits; above all, however, and again and again,
the one of whom I have just spoken: in fact, no less a personage than
the God DIONYSUS, the great equivocator and tempter, to whom, as you
know, I once offered in all secrecy and reverence my first-fruits--the
last, as it seems to me, who has offered a SACRIFICE to him, for I
have found no one who could understand what I was then doing. In
the meantime, however, I have learned much, far too much, about the
philosophy of this God, and, as I said, from mouth to mouth--I, the last
disciple and initiate of the God Dionysus: and perhaps I might at last
begin to give you, my friends, as far as I am allowed, a little taste of
this philosophy? In a hushed voice, as is but seemly: for it has to do
with much that is secret, new, strange, wonderful, and uncanny. The
very fact that Dionysus is a philosopher, and that therefore Gods also
philosophize, seems to me a novelty which is not unensnaring, and might
perhaps arouse suspicion precisely among philosophers;--among you, my
friends, there is less to be said against it, except that it comes too
late and not at the right time; for, as it has been disclosed to me, you
are loth nowadays to believe in God and gods. It may happen, too, that
in the frankness of my story I must go further than is agreeable to the
strict usages of your ears? Certainly the God in question went further,
very much further, in such dialogues, and was always many paces ahead of
me. . . Indeed, if it were allowed, I should have to give him, according
to human usage, fine ceremonious tides of lustre and merit, I should
have to extol his courage as investigator and discoverer, his fearless
honesty, truthfulness, and love of wisdom. But such a God does not know
what to do with all that respectable trumpery and pomp. "Keep that," he
would say, "for thyself and those like thee, and whoever else require
it! I--have no reason to cover my nakedness! " One suspects that this
kind of divinity and philosopher perhaps lacks shame? --He once said:
"Under certain circumstances I love mankind"--and referred thereby to
Ariadne, who was present; "in my opinion man is an agreeable, brave,
inventive animal, that has not his equal upon earth, he makes his way
even through all labyrinths. I like man, and often think how I can
still further advance him, and make him stronger, more evil, and more
profound. "--"Stronger, more evil, and more profound? " I asked in horror.
"Yes," he said again, "stronger, more evil, and more profound; also more
beautiful"--and thereby the tempter-god smiled with his halcyon smile,
as though he had just paid some charming compliment. One here sees at
once that it is not only shame that this divinity lacks;--and in general
there are good grounds for supposing that in some things the Gods could
all of them come to us men for instruction. We men are--more human. --
296. Alas! what are you, after all, my written and painted thoughts! Not
long ago you were so variegated, young and malicious, so full of thorns
and secret spices, that you made me sneeze and laugh--and now? You
have already doffed your novelty, and some of you, I fear, are ready
to become truths, so immortal do they look, so pathetically honest, so
tedious! And was it ever otherwise? What then do we write and paint,
we mandarins with Chinese brush, we immortalisers of things which LEND
themselves to writing, what are we alone capable of painting? Alas, only
that which is just about to fade and begins to lose its odour! Alas,
only exhausted and departing storms and belated yellow sentiments! Alas,
only birds strayed and fatigued by flight, which now let themselves be
captured with the hand--with OUR hand! We immortalize what cannot live
and fly much longer, things only which are exhausted and mellow! And it
is only for your AFTERNOON, you, my written and painted thoughts, for
which alone I have colours, many colours, perhaps, many variegated
softenings, and fifty yellows and browns and greens and reds;--but
nobody will divine thereby how ye looked in your morning, you sudden
sparks and marvels of my solitude, you, my old, beloved--EVIL thoughts!
FROM THE HEIGHTS
By F W Nietzsche
Translated by L. A. Magnus
1.
MIDDAY of Life! Oh, season of delight!
My summer's park!
Uneaseful joy to look, to lurk, to hark--
I peer for friends, am ready day and night,--
Where linger ye, my friends? The time is right!
2.
Is not the glacier's grey today for you
Rose-garlanded?
The brooklet seeks you, wind, cloud, with longing thread
And thrust themselves yet higher to the blue,
To spy for you from farthest eagle's view.
3.
My table was spread out for you on high--
Who dwelleth so
Star-near, so near the grisly pit below? --
My realm--what realm hath wider boundary?
My honey--who hath sipped its fragrancy?
4.
Friends, ye are there! Woe me,--yet I am not
He whom ye seek?
Ye stare and stop--better your wrath could speak!
I am not I? Hand, gait, face, changed? And what
I am, to you my friends, now am I not?
5.
Am I an other? Strange am I to Me?
Yet from Me sprung?
A wrestler, by himself too oft self-wrung?
Hindering too oft my own self's potency,
Wounded and hampered by self-victory?
6.
I sought where-so the wind blows keenest. There
I learned to dwell
Where no man dwells, on lonesome ice-lorn fell,
And unlearned Man and God and curse and prayer?
Became a ghost haunting the glaciers bare?
7.
Ye, my old friends! Look! Ye turn pale, filled o'er
With love and fear!
Go! Yet not in wrath. Ye could ne'er live here.
Here in the farthest realm of ice and scaur,
A huntsman must one be, like chamois soar.
8.
An evil huntsman was I? See how taut
My bow was bent!
Strongest was he by whom such bolt were sent--
Woe now! That arrow is with peril fraught,
Perilous as none. --Have yon safe home ye sought!
9.
Ye go! Thou didst endure enough, oh, heart;--
Strong was thy hope;
Unto new friends thy portals widely ope,
Let old ones be. Bid memory depart!
Wast thou young then, now--better young thou art!
10.
What linked us once together, one hope's tie--
(Who now doth con
Those lines, now fading, Love once wrote thereon? )--
Is like a parchment, which the hand is shy
To touch--like crackling leaves, all seared, all dry.
11.
Oh! Friends no more! They are--what name for those? --
Friends' phantom-flight
Knocking at my heart's window-pane at night,
Gazing on me, that speaks "We were" and goes,--
Oh, withered words, once fragrant as the rose!
12.
Pinings of youth that might not understand!
For which I pined,
Which I deemed changed with me, kin of my kind:
But they grew old, and thus were doomed and banned:
None but new kith are native of my land!
13.
Midday of life! My second youth's delight!
My summer's park!
Unrestful joy to long, to lurk, to hark!
I peer for friends! --am ready day and night,
For my new friends. Come! Come! The time is right!
14.
This song is done,--the sweet sad cry of rue
Sang out its end;
A wizard wrought it, he the timely friend,
The midday-friend,--no, do not ask me who;
At midday 'twas, when one became as two.
15.
We keep our Feast of Feasts, sure of our bourne,
Our aims self-same:
The Guest of Guests, friend Zarathustra, came!
The world now laughs, the grisly veil was torn,
And Light and Dark were one that wedding-morn.
