No More Learning

=1. 6. 216, 7 Black-Fryers, Visit the Painters. = A church,
precinct, and sanctuary with four gates, lying between Ludgate
Hill and the Thames and extending westward from Castle Baynard
(St. Andrew's Hill) to the Fleet river. It was so called from
the settlement there of the Black or Dominican Friars in 1276.
Sir A. Vandyck lived here 1632-1641. 'Before Vandyck, however,
Blackfriars was the recognized abode of painters. Cornelius
Jansen (d. 1665) lived in the Blackfriars for several years.
Isaac Oliver, the miniature painter, was a still earlier
resident. ' Painters on glass, or glass stainers, and collectors
were also settled here. --Wh-C.

=1. 6. 219 a middling Gossip. = 'A go-between, an
_internuntia_, as the Latin writers would have called her. '--W.

=1. 6. 224 the cloake is mine. = The reading in the folio
belonging to Dr. J. M. Berdan of Yale is: 'the cloake is mine
owne. ' This accounts for the variant readings.

=1. 6. 230 motion. = Spoken derogatively, a 'performance. '
Lit. , a puppet-show. The motion was a descendent of the
morality, and exceedingly popular in England at this time.
See Dr. Winter, _Staple of News_, p. 161; Strutt, _Sports and
Pastimes_, p. 166 f. ; Knight, _London_ 1. 42. Jonson makes
frequent mention of the motion. _Bartholomew Fair_ 5. 5 is
largely devoted to the description of one, and _Tale Tub_ 5. 5
presents a series of them.

=1. 7. 4 more cheats? = See note on _Cheaters_, 5. 6. 64,
and Gloss.

=1. 7. 16 The state hath tane such note of 'hem. =
See note 1. 2. 22.

=1. 7. 25 Your Almanack-Men. = An excellent account of the
Almanac-makers of the 17th century is given by H. R. Plomer in
_N. & Q. _,6th Ser. 12. 243, from which the following is abridged:

'Almanac-making had become an extensive and profitable trade
in this country at the beginning of the 17th century, and with
the exception of some fifteen or twenty years at the time of
the Rebellion continued to flourish until its close. There
were three distinct classes of almanacs published during the
seventeenth century--the common almanacs, which preceded and
followed the period of the Rebellion, and the political and
satirical almanacs that were the direct outcome of that event.

'The common almanacs came out year after year in unbroken
uniformity. They were generally of octavo size and consisted
of two parts, an almanac and a prognostication. Good and evil
days were recorded, and they contained rules as to bathing,
purging, etc. , descriptions of the four seasons and rules to
know the weather, and during the latter half of the century an
astrological prediction and "scheme" of the ensuing year.

'In the preceding century the makers of almanacs were "Physitians and
Preests", but they now adopted many other titles, such as "Student in
Astrology", "Philomath", "Well Willer to the Mathematics. " The majority
of them were doubtless astrologers, but not a few were quack doctors,
who only published their almanacs as advertisements. ' (Almanac, a
character in _The Staple of News_, is described as a 'doctor in
physic. ')

Among the more famous almanac-makers the names of William Lilly, John
Partridge and Bretnor may be mentioned. For the last see note 2. 1.
1, and B. & Fl. , _Rollo, Duke of Normandy_, where Fiske and Bretnor
appear again. Cf. also _Alchemist_, _Wks. _ 4. 41; _Every Man out_,
_Wks. _ 2. 39-40; _Mag. La. _, _Wks. _ 6. 74, 5. In Sir Thomas Overbury's
_Character_ of _The Almanac-Maker_ (Morley, p. 56) we read: 'The verses
of his book have a worse pace than ever had Rochester hackney; for his
prose, 'tis dappled with ink-horn terms, and may serve for an almanac;
but for his judging at the uncertainty of weather, any old shepherd
shall make a dunce of him. '


ACT II.

=2. 1. 1 Sir, money's a whore=, etc. Coleridge, _Notes_,
p. 280. emends: 'Money, sir, money's a', &c. Cunningham, on the
other hand, thinks that 'the 9-syllable arrangement is quite in
Jonson's manner, and that it forces an emphasis upon every word
especially effective at the beginning of an act. ' See variants.

Money is again designated as a whore in the _Staple of News_
4. 1: 'Saucy Jack, away: Pecunia is a whore. ' In the same
play Pennyboy, the usurer, is called a 'money-bawd. ' Dekker
(_Non-dram. Wks. _ 2. 137) speaks of keeping a bawdy-house for
Lady Pecunia. The figure is a common one.

=2. 1 . 3 Via. = This exclamation is quite common among the dramatists
and is explained by Nares as derived from the Italian exclamation
_via! _ 'away, on! ' with a quibble on the literal of L. _via_, a way.
The _Century Dictionary_ agrees substantially with this derivation.
Abundant examples of its use are given by the authorities quoted, to
which may be added _Merry Devil of Edmonton_ 1. 2. 5, and Marston,
_Dutch Courtezan_, _Wks. _ 2. 20:

O, yes, come, _via_! --away, boy--on!

=2. 1. 5 With Aqua-vitae. = Perhaps used with especial reference to
line 1, where he has just called money a bawd Compare:

O, ay, as a bawd with aqua-vitae.
--Marston, _The Malcontent_, _Wks_. 1. 294.

'Her face is full of those red pimples with drinking Aquauite,
the common drinke of all bawdes. '--Dekker, _Whore of Babylon_,
_Wks. _ 2. 246.

=2. 1. 17. See variants. = Line 15 shows that the original
reading is correct.

=2. 1. 19 it shall be good in law. = See note 1. 2. 22.

=2. 1. 20 Wood-cock. = A cant term for a simpleton or dupe.

=2. 1. 21 th' Exchange. = This was the first Royal Exchange,
founded by Sir Thomas Gresham in 1566, opened by Queen Elizabeth
in 1570-1, and destroyed in the great fire of 1666 (Wh-C. ).
Howes (1631) says that it was 'plenteously stored with all kinds
of rich wares and fine commodities,' and Paul Hentzner (p. 40)
speaks of it with enthusiasm.

It was a favorite lounging-place, especially in the evening.
Wheatley quotes Hayman, _Quodlibet_, 1628, p. 6:

Though little coin thy purseless pockets line,
Yet with great company thou'rt taken up;
For often with Duke Humfray thou dost dine,
And often with Sir Thomas Gresham sup.

'We are told in _London_ and _Country Carbonadoed_, 1632, that at the
exchange there were usually more coaches attendant than at church
doors. ' Cf. also _Bart. Fair_, _Wks. _ 4. 357: 'I challenge all
Cheapside to shew such another: Moor-fields, Pimlico-path, Or the
Exchange, in a summer evening. ' Also _Ev. Man in_, _Wks. _ 1. 39.

=2. 1. 30 do you doubt his eares? = Ingine's speech is capable of a
double interpretation. Pug has already spoken of the 'liberal ears' of
his asinine master.

=2. 1. 41 a string of's purse. = Purses, of course, used to
be hung at the girdle. A thief was called a cut-purse. See the
amusing scene in _Bart. Fair_, _Wks. _ 5. 406.

=2. 1. 53, 4 at the Pan, Not, at the skirts. = '_Pan_ is not
easily distinguished from _skirt_. Both words seem to refer to
the outer parts, or extremities. Possibly Meercraft means--on
a broader scale, on a more extended front. '--G.

'The pan is evidently the deepest part of the swamp, which
continues to hold water when the _skirts_ dry up, like the hole
in the middle of the tray under a joint when roasting, which
collects all the dripping. Meercraft proposed to grapple with
the main difficulty at once. '--C.

I had already arrived at the same conclusion before reading
Cunningham's note. The _NED. _ gives: 'Pan. A hollow or depression in
the ground, esp. one in which water stands.

1594 Plat, _Jewell-ho_ 1. 32 Of all Channels, Pondes, Pooles,
Riuers, and Ditches, and of all other pannes and bottomes
whatsoeuer.
'

_Pan_, however, is also an obsolete form of _pane_, a cloth
or skirt. The use is evidently a quibble. The word _pan_ suggested
to Jonson the word _skirt_, which he accordingly employed not
unaptly.

=2. 1. 63 his black bag of papers, there, in Buckram. = The
buckram bag was the usual sign of the pettifogger. Cf. Marston,
_Malcontent_, _Wks. _ 1. 235:

_Pass. _ Ay, as a pettifogger by his buckram bag.

Dekker, _If this be not a good Play_, _Wks. _ 3. 274: 'We must all
turn pettifoggers and in stead of gilt rapiers, hang buckram bags at
our girdles. ' Nash refers to the same thing in _Pierce Pennilesse_,
_Wks. _ 2. 17.

=2. 1. 64 th' Earledome of Pancridge. = Pancridge is a corruption
of Pancras. The Earl of Pancridge was 'one of the "Worthies" who
annually rode to Mile End, or the Artillery Ground, in the ridiculous
procession called _Arthurs Shew_' (G. ). Cf. _To Inigo Marquis
Would-be_, _Wks. _ 8. 115:

Content thee to be Pancridge earl the while.

_Tale Tub_, _Wks. _ 6. 175:

--next our St. George,
Who rescued the king's daughter, I will ride;
Above Prince Arthur.
_Clench. _ Or our own Shoreditch duke.
_Med. _. Or Pancridge earl.
_Pan. _ Or Bevis or Sir Guy.

For _Arthur's Show_ see Entick's _Survey_ 1. 497; Wh-C. 1. 65;
and Nares 1. 36. Cf. note 4. 7. 65?

=2. 1. 71, 2 Your Borachio Of Spaine. = '"_Borachio_ (says
Min-shieu) is a bottle commonly of a pigges skin, with the hair
inward, dressed inwardly with rozen, to keep wine or liquor
sweet:"--Wines preserved in these bottles contract a peculiar
flavour, and are then said _to taste of the borachio_. '--G.

Florio says: 'a boracho, or a bottle made of a goates skin such
as they vse in Spaine. ' The word occurs somewhat frequently
(see _NED. _) and apparently always with this meaning, or in the
figurative sense of 'drunkard'. It is evident, however, from
Engine's question, 'Of the King's glouer? ' either that it is
used here in a slightly different sense, or more probably that
Merecraft is relying on Fitzdottrel's ignorance of the subject.
Spanish leather for wearing apparel was at this time held in
high esteem. See note 4. 4. 71, 2.

=2. 1. 83 a Harrington. = 'In 1613, a patent was granted to John
Stanhope, lord Harrington, Treasurer of the Chambers, for the
coinage of royal farthing tokens, of which he seems to have availed
himself with sufficient liberality. Some clamour was excited on the
occasion: but it speedily subsided; for the Star Chamber kept a
watchful eye on the first symptoms of discontent at these pernicious
indulgences. From this nobleman they took the name of Harrington
in common conversation. '--G.

'Now (1613) my lord Harrington obtained a patent from the
King for the making of Brasse Farthings, a thing that brought with
it some contempt through lawfull. '--Sparke, _Hist. Narration_,
Somer's _Tracts_ 2. 294.

A reference to this coin is made in _Drunken Barnaby's Journal_
in the _Oxoniana_ (quoted by Gifford) and in Sir Henry Wotton's
Letters (p. 558, quoted by Whalley). Cf. also _Mag. La. _, _Wks. _
6. 89: 'I will note bate you a single Harrington,' and _ibid. _,
_Wks. _ 6. 43.

=2. 1. 102 muscatell. = The grape was usually called
_muscat_. So in Pepys' _Diary_, 1662: 'He hath also sent each of
us some anchovies, olives and muscatt. ' The wine was variously
written _muscatel_, _muscadel_, and _muscadine_. Muscadine and
eggs are often mentioned together (cf. Text, 2. 2. 95-96; _New
Inn_ 3. 1; Middleton, _Wks. _ 2. 290; 3. 94; and 8. 36), and were
used as an aphrodisiac (Bullen). Nares quotes Minsheu: 'Vinum
muscatum, quod moschi odorem referat; for the sweetnesse and
smell it resembles muske. '

=2. 1. 116, 7 the receiu'd heresie, That England beares no Dukes. =
'I know not when this _heresy_ crept in. There was apparently some
unwillingness to create dukes, as a title of honour, in the Norman
race; probably because the Conqueror and his immediate successors were
dukes of Normandy, and did not choose that a subject should enjoy
similar dignities with themselves. The first of the English who bore
the title was Edward the black prince, (son of Edward III. ) who was
created duke of Cornwall, by charter, as Collins says, in 1337. The
dignity being subsequently conferred on several of the blood-royal,
and of the nobility, who came to untimely ends, an idea seems to have
been entertained by the vulgar, that the title itself was ominous. At
the accession of James I. to the crown of this country, there was, I
believe, no English peer of ducal dignity. '--G.

The last duke had been created in the reign of Henry VIII. , who made
his illegitimate son the Duke of Richmond, and Charles Brandon, who
married his sister Mary, Duke of Suffolk. After the attainder and
execution of Thomas Howard, Duke of Norfolk, in 1572, there was no duke
in England except the king's sons, until the creation of the Duke of
Richmond in 1623. (See _New Int. Cyc. _ 6. 349. )

=2. 1. 144 Bermudas. = 'This was a cant term for some places in
the town with the same kind of privilege as the mint of old, or the
purlieus of the Fleet. '--W.

'These _streights_ consisted of a nest of obscure courts,
alleys, and avenues, running between the bottom of St. Martin's
Lane, Half-moon, and Chandos-street. In Justice Overdo's time,
they were the receptacles of fraudulent debtors, thieves and
prostitutes. '--G. (Note on _Bart. Fair_, _Wks. _ 4. 407. )

'On Wednesday at the Bermudas Court, Sir Edwin Sandys fell foul
of the Earl of Warwick. The Lord Cavendish seconded Sandys and
the Earl told the Lord, "By his favour he believed he lied. "
Hereupon, it is said, they rode out yesterday, and, as it is
thought, gone beyond sea to fight. --_Leigh to Rev. Joseph Mede_,
July 18, 1623. ' (Quoted Wh-C. 1. 169. ) So in _Underwoods_,
_Wks. _ 8. 348:

turn pirates here at land,
Have their Bermudas and their Streights i' the Strand.

_Bart. Fair_, _Wks. _ 4. 407: "The Streights, or the Bermudas,
where the quarrelling lesson is read. "

It is evident from the present passage and the above quotations that
ruffians like Everill kept regular quarters in the 'Bermudas', where
they might be consulted with reference to the settlement of affairs
of honor.

=2. 1. 151 puts off man, and kinde. = 'I. e. , human nature. '--G. Cf.
_Catiline_, _Wks. _ 4. 212:

--so much, that kind
May seek itself there, and not find.

=2. 1. 162 French-masques. = 'Masks do not appear as ordinary
articles of female costume in England previous to the reign of
Queen Elizabeth. . . . French masks are alluded to by Ben Jonson
in _The Devil is an Ass_. They were probably the half masks
called in France 'loups,' whence the English term 'loo masks. '

Loo masks and whole as wind do blow,
And Miss abroad's disposed to go.
_Mundus Muliebris_, 1690.
--Planche _Cycl. of Costume_ 1. 365.

'Black masks were frequently worn by ladies in public in the
time of Shakespeare, particularly, and perhaps universally at
the theatres. '--Nares.

=2. 1. 163 Cut-works. = A very early sort of lace deriving
its name from the mode of its manufacture, the fine cloth on
which the pattern was worked being cut away, leaving the design
perfect. It is supposed to have been identical with what was
known as Greek work, and made by the nuns of Italy in the
twelfth century. It was introduced into England during the
reign of Queen Elizabeth, and continued in fashion during those
of James I. and Charles I. Later it fell under the ban of the
Puritans, and after that period is rarely heard of. (Abridged
from Planche, _Cycl. _)

=2. 1. 168 ff. nor turne the key=, etc. Gifford points out that the
source of this passage is Plautus, _Aulularia_ [ll. 90-100]:

Caue quemquam alienum in aedis intromiseris.
Quod quispiam ignem quaerat, extingui uolo,
Ne causae quid sit quod te quispiam quaeritet.
Nam si ignis uiuet, tu extinguere extempulo,
Tum aquam aufugisse dicito, si quis petet.
Cultrum, securim, pistillum, mortarium,
Quae utenda uasa semper uicini rogant,
Fures uenisse atque abstulisse dicito.
Profecto in aedis meas me absente neminem
Volo intromitti, atque etiam hoc praedico tibi,
Si Bona Fortuna ueniat, ne intromiseris.

Jonson had already made use of a part of this passage:

Put out the fire, kill the chimney's heart,
That it may breathe no more than a dead man.
_Case is Altered_ 2. 1, _Wks. _ 6. 328.

Wilson imitated the same passage in his _Projectors_, Act 2, Sc.
1: 'Shut the door after me, bolt it and bar it, and see you let
no one in in my absence. Put out the fire, if there be any, for
fear somebody, seeing the smoke, may come to borrow some!