No More Learning

"

59 Salt water was chiefly used in lustrations, from its being supposed
to possess certain fiery particles. Hence, if sea-water could not be
obtained, salt was thrown into the fresh water to be used for the
lustration. Menander, in Clem. Alex. vii. p. 713, hydati perriranai,
embalon alas, phakois.

60 The persons of heralds were held inviolable, and they were at
liberty to travel whither they would without fear of molestation.
Pollux, Onom. viii. p. 159. The office was generally given to old
men, and they were believed to be under the especial protection of
Jove and Mercury.

61 His mother, Thetis, the daughter of Nereus and Doris, who was
courted by Neptune and Jupiter. When, however, it was known that the
son to whom she would give birth must prove greater than his father,
it was determined to wed her to a mortal, and Peleus, with great
difficulty, succeeded in obtaining her hand, as she eluded him by
assuming various forms. Her children were all destroyed by fire
through her attempts to see whether they were immortal, and Achilles
would have shared the same fate had not his father rescued him. She
afterwards rendered him invulnerable by plunging him into the waters
of the Styx, with the exception of that part of the heel by which
she held him. Hygin. Fab. 54

62 Thebe was a city of Mysia, north of Adramyttium.

63 That is, defrauds me of the prize allotted me by their votes.

64 Quintus Calaber goes still further in his account of the service
rendered to Jove by Thetis:

"Nay more, the fetters of Almighty Jove
She loosed"--Dyce's "Calaber," s. 58.

65 --_To Fates averse. _ Of the gloomy destiny reigning throughout the
Homeric poems, and from which even the gods are not exempt, Schlegel
well observes, "This power extends also to the world of gods-- for
the Grecian gods are mere powers of nature--and although immeasurably
higher than mortal man, yet, compared with infinitude, they are on
an equal footing with himself. "--'Lectures on the Drama' v. p. 67.

66 It has been observed that the annual procession of the sacred ship
so often represented on Egyptian monuments, and the return of the
deity from Ethiopia after some days' absence, serves to show the
Ethiopian origin of Thebes, and of the worship of Jupiter Ammon. "I
think," says Heeren, after quoting a passage from Diodorus about the
holy ship, "that this procession is represented in one of the great
sculptured reliefs on the temple of Karnak. The sacred ship of Ammon
is on the shore with its whole equipment, and is towed along by
another boat. It is therefore on its voyage. This must have been one
of the most celebrated festivals, since, even according to the
interpretation of antiquity, Homer alludes to it when he speaks of
Jupiter's visit to the Ethiopians, and his twelve days'
absence. "--Long, "Egyptian Antiquities" vol. 1 p. 96. Eustathius,
vol. 1 p. 98, sq. (ed. Basil) gives this interpretation, and
likewise an allegorical one, which we will spare the reader.

67 --_Atoned,_ i. e. reconciled. This is the proper and most natural
meaning of the word, as may be seen from Taylor's remarks in
Calmet's Dictionary, p. 110, of my edition.

68 That is, drawing back their necks while they cut their throats. "If
the sacrifice was in honour of the celestial gods, the throat was
bent upwards towards heaven; but if made to the heroes, or infernal
deities, it was killed with its throat toward the ground. "-- "Elgin
Marbles," vol i. p. 81.

"The jolly crew, unmindful of the past,
The quarry share, their plenteous dinner haste,
Some strip the skin; some portion out the spoil;
The limbs yet trembling, in the caldrons boil;
Some on the fire the reeking entrails broil.
Stretch'd on the grassy turf, at ease they dine,
Restore their strength with meat, and cheer their souls with
wine. "

Dryden's "Virgil," i. 293.

69 --_Crown'd, i. e. _ filled to the brim. The custom of adorning goblets
with flowers was of later date.

70 --_He spoke,_ &c. "When a friend inquired of Phidias what pattern he
had formed his Olympian Jupiter, he is said to have answered by
repeating the lines of the first Iliad in which the poet represents
the majesty of the god in the most sublime terms; thereby signifying
that the genius of Homer had inspired him with it. Those who beheld
this statue are said to have been so struck with it as to have asked
whether Jupiter had descended from heaven to show himself to
Phidias, or whether Phidias had been carried thither to contemplate
the god. "-- "Elgin Marbles," vol. xii p. 124.

71 "So was his will
Pronounced among the gods, and by an oath,
That shook heav'n's whole circumference, confirm'd. "

"Paradise Lost" ii. 351.

72 --_A double bowl, i. e. _ a vessel with a cup at both ends, something
like the measures by which a halfpenny or pennyworth of nuts is
sold. See Buttmann, Lexic. p. 93 sq.

73 "Paradise Lost," i. 44.

"Him th' Almighty power
Hurl'd headlong flaming from th ethereal sky,
With hideous ruin and combustion"

74 The occasion on which Vulcan incurred Jove's displeasure was
this--After Hercules, had taken and pillaged Troy, Juno raised a
storm, which drove him to the island of Cos, having previously cast
Jove into a sleep, to prevent him aiding his son. Jove, in revenge,
fastened iron anvils to her feet, and hung her from the sky, and
Vulcan, attempting to relieve her, was kicked down from Olympus in
the manner described. The allegorists have gone mad in finding deep
explanations for this amusing fiction. See Heraclides, 'Ponticus,"
p. 463 sq. , ed Gale. The story is told by Homer himself in Book xv.
The Sinthians were a race of robbers, the ancient inhabitants of
Lemnos which island was ever after sacred to Vulcan.

"Nor was his name unheard or unadored
In ancient Greece, and in Ausonian land
Men call'd him Mulciber, and how he fell
From heaven, they fabled, thrown by angry Jove
Sheer o'er the crystal battlements from morn
To noon he fell, from noon to dewy eve,
A summer's day and with the setting sun
Dropp'd from the zenith like a falling star
On Lemnos, th' Aegean isle thus they relate. "

"Paradise Lost," i. 738

75 It is ingeniously observed by Grote, vol i p. 463, that "The gods
formed a sort of political community of their own which had its
hierarchy, its distribution of ranks and duties, its contentions for
power and occasional revolutions, its public meetings in the agora
of Olympus, and its multitudinous banquets or festivals. "

76 Plato, Rep. iii. p. 437, was so scandalized at this deception of
Jupiter's, and at his other attacks on the character of the gods,
that he would fain sentence him to an honourable banishment. (See
Minucius Felix, Section 22. ) Coleridge, Introd. p. 154, well
observes, that the supreme father of gods and men had a full right
to employ a lying spirit to work out his ultimate will. Compare
"Paradise Lost," v. 646:

"And roseate dews disposed
All but the unsleeping eyes of God to rest. "

77 --_Dream_ ought to be spelt with a capital letter, being, I think,
evidently personified as the god of dreams. See Anthon and others.

"When, by Minerva sent, a _fraudful_ Dream
Rush'd from the skies, the bane of her and Troy. "

Dyce's "Select Translations from Quintus Calaber," p. 10.

78 "Sleep'st thou, companion dear, what sleep can close
Thy eye-lids? "

--"Paradise Lost," v. 673.

79 This truly military sentiment has been echoed by the approving voice
of many a general and statesman of antiquity. See Pliny's Panegyric
on Trajan. Silius neatly translates it,


"Turpe duci totam somno consumere noctem. "


80 --_The same in habit, &c. _

"To whom once more the winged god appears;
His former youthful mien and shape he wears. "

Dryden's Virgil, iv. 803.

81 "As bees in spring-time, when
The sun with Taurus rides,
Pour forth their populous youth about the hive
In clusters; they among fresh dews and flowers
Fly to and fro, or on the smoothed plank,
The suburb of this straw-built citadel,
New-nibb'd with balm, expatiate and confer
Their state affairs. So thick the very crowd
Swarm'd and were straiten'd. "--"Paradise Lost" i. 768.

82 It was the herald's duty to make the people sit down. "A _standing_
agora is a symptom of manifest terror (II. Xviii. 246) an evening
agora, to which men came elevated by wine, is also the forerunner of
mischief ('Odyssey,' iii. 138). "--Grote, ii. p. 91, _note. _

83 This sceptre, like that of Judah (Genesis xlix. 10), is a type of
the supreme and far-spread dominion of the house of the Atrides. See
Thucydides i. 9. "It is traced through the hands of Hermes, he being
the wealth giving god, whose blessing is most efficacious in
furthering the process of acquisition. "--Grote, i. p. 212. Compare
Quintus Calaber (Dyce's Selections, p. 43).

"Thus the monarch spoke,
Then pledged the chief in a capacious cup,
Golden, and framed by art divine (a gift
Which to Almighty Jove lame Vulcan brought
Upon his nuptial day, when he espoused
The Queen of Love), the sire of gods bestow'd
The cup on Dardanus, who gave it next
To Ericthonius Tros received it then,
And left it, with his wealth, to be possess'd
By Ilus he to great Laomedon
Gave it, and last to Priam's lot it fell. "

84 Grote, i, p. 393, states the number of the Grecian forces at upwards
of 100,000 men. Nichols makes a total of 135,000.

85 "As thick as when a field
Of Ceres, ripe for harvest, waving bends
His bearded grove of ears, which way the wind
Sways them. "--Paradise Lost," iv. 980, sqq.

86 This sentiment used to be a popular one with some of the greatest
tyrants, who abused it into a pretext for unlimited usurpation of
power. Dion, Caligula, and Domitian were particularly fond of it,
and, in an extended form, we find the maxim propounded by Creon in
the Antigone of Sophocles. See some important remarks of Heeren,
"Ancient Greece," ch. vi. p. 105.

87 It may be remarked, that the character of Thersites, revolting and
contemptible as it is, serves admirably to develop the disposition
of Ulysses in a new light, in which mere cunning is less prominent.
Of the gradual and individual development of Homer's heroes,
Schlegel well observes, "In bas-relief the figures are usually in
profile, and in the epos all are characterized in the simplest
manner in relief; they are not grouped together, but follow one
another; so Homer's heroes advance, one by one, in succession before
us. It has been remarked that the _Iliad_ is not definitively
closed, but that we are left to suppose something both to precede
and to follow it. The bas-relief is equally without limit, and may
be continued _ad infinitum,_ either from before or behind, on which
account the ancients preferred for it such subjects as admitted of
an indefinite extension, sacrificial processions, dances, and lines
of combatants, and hence they also exhibit bas-reliefs on curved
surfaces, such as vases, or the frieze of a rotunda, where, by the
curvature, the two ends are withdrawn from our sight, and where,
while we advance, one object appears as another disappears. Reading
Homer is very much like such a circuit; the present object alone
arresting our attention, we lose sight of what precedes, and do not
concern ourselves about what is to follow. "--"Dramatic Literature,"
p. 75.

88 "There cannot be a clearer indication than this description --so
graphic in the original poem--of the true character of the Homeric
agora. The multitude who compose it are listening and acquiescent,
not often hesitating, and never refractory to the chief. The fate
which awaits a presumptuous critic, even where his virulent
reproaches are substantially well-founded, is plainly set forth in
the treatment of Thersites; while the unpopularity of such a
character is attested even more by the excessive pains which Homer
takes to heap upon him repulsive personal deformities, than by the
chastisement of Odysseus he is lame, bald, crook-backed, of
misshapen head, and squinting vision. "--Grote, vol. i. p. 97.

89 According to Pausanias, both the sprig and the remains of the tree
were exhibited in his time. The tragedians, Lucretius and others,
adopted a different fable to account for the stoppage at Aulis, and
seem to have found the sacrifice of Iphigena better suited to form
the subject of a tragedy. Compare Dryden's "? neid," vol. iii. sqq.

90 --_Full of his god, i. e. ,_ Apollo, filled with the prophetic spirit.
"_The_ god" would be more simple and emphatic.

91 Those critics who have maintained that the "Catalogue of Ships" is
an interpolation, should have paid more attention to these lines,
which form a most natural introduction to their enumeration.

92 The following observation will be useful to Homeric readers:
"Particular animals were, at a later time, consecrated to particular
deities. To Jupiter, Ceres, Juno, Apollo, and Bacchus victims of
advanced age might be offered. An ox of five years old was
considered especially acceptable to Jupiter. A black bull, a ram, or
a boar pig, were offerings for Neptune. A heifer, or a sheep, for
Minerva. To Ceres a sow was sacrificed, as an enemy to corn. The
goat to Bacchus, because he fed on vines. Diana was propitiated with
a stag; and to Venus the dove was consecrated. The infernal and evil
deities were to be appeased with black victims. The most acceptable
of all sacrifices was the heifer of a year old, which had never
borne the yoke. It was to be perfect in every limb, healthy, and
without blemish. "--"Elgin Marbles," vol. i. p. 78.

93 --_Idomeneus,_ son of Deucalion, was king of Crete. Having vowed,
during a tempest, on his return from Troy, to sacrifice to Neptune
the first creature that should present itself to his eye on the
Cretan shore, his son fell a victim to his rash vow.

94 --_Tydeus' son, i. e. _ Diomed.

95 That is, Ajax, the son of Oileus, a Locrian. He must be
distinguished from the other, who was king of Salamis.

96 A great deal of nonsense has been written to account for the word
_unbid,_ in this line. Even Plato, "Sympos. " p. 315, has found some
curious meaning in what, to us, appears to need no explanation. Was
there any _heroic_ rule of etiquette which prevented one
brother-king visiting another without a formal invitation?
97 Fresh water fowl, especially swans, were found in great numbers
about the Asian Marsh, a fenny tract of country in Lydia, formed by
the river Cayster, near its mouth. See Virgil, "Georgics," vol. i.
383, sq.

98 --_Scamander,_ or Scamandros, was a river of Troas, rising, according
to Strabo, on the highest part of Mount Ida, in the same hill with
the Granicus and the OEdipus, and falling into the sea at Sigaeum;
everything tends to identify it with Mendere, as Wood, Rennell, and
others maintain; the Mendere is 40 miles long, 300 feet broad, deep
in the time of flood, nearly dry in the summer. Dr. Clarke
successfully combats the opinion of those who make the Scamander to
have arisen from the springs of Bounabarshy, and traces the source
of the river to the highest mountain in the chain of Ida, now
Kusdaghy; receives the Simois in its course; towards its mouth it is
very muddy, and flows through marshes. Between the Scamander and
Simois, Homer's Troy is supposed to have stood: this river,
according to Homer, was called Xanthus by the gods, Scamander by
men. The waters of the Scamander had the singular property of giving
a beautiful colour to the hair or wool of such animals as bathed in
them; hence the three goddesses, Minerva, Juno, and Venus, bathed
there before they appeared before Paris to obtain the golden apple:
the name Xanthus, "yellow," was given to the Scamander, from the
peculiar colour of its waters, still applicable to the Mendere, the
yellow colour of whose waters attracts the attention of travellers.

99 It should be "his _chest_ like Neptune. " The torso of Neptune, in
the "Elgin Marbles," No. 103, (vol. ii. p. 26,) is remarkable for
its breadth and massiveness of development.

100 "Say first, for heav'n hides nothing from thy view. "

--"Paradise Lost," i. 27.

"Ma di' tu, Musa, come i primi danni
Mandassero a Cristiani, e di quai parti:
Tu 'l sai; ma di tant' opra a noi si lunge
Debil aura di fama appena giunge. "

--"Gier. Lib. " iv. 19.

101 "The Catalogue is, perhaps, the portion of the poem in favour of
which a claim to separate authorship has been most plausibly urged.
Although the example of Homer has since rendered some such formal
enumeration of the forces engaged, a common practice in epic poems
descriptive of great warlike adventures, still so minute a
statistical detail can neither be considered as imperatively
required, nor perhaps such as would, in ordinary cases, suggest
itself to the mind of a poet. Yet there is scarcely any portion of
the Iliad where both historical and internal evidence are more
clearly in favour of a connection from the remotest period, with the
remainder of the work. The composition of the Catalogue, whensoever
it may have taken place, necessarily presumes its author's
acquaintance with a previously existing Iliad. It were impossible
otherwise to account for the harmony observable in the recurrence of
so vast a number of proper names, most of them historically
unimportant, and not a few altogether fictitious: or of so many
geographical and genealogical details as are condensed in these few
hundred lines, and incidentally scattered over the thousands which
follow: equally inexplicable were the pointed allusions occurring in
this episode to events narrated in the previous and subsequent text,
several of which could hardly be of traditional notoriety, but
through the medium of the Iliad. "--Mure, "Language and Literature of
Greece," vol. i. p. 263.

102 --_Twice Sixty:_ "Thucydides observes that the Boeotian vessels,
which carried one hundred and twenty men each, were probably meant
to be the largest in the fleet, and those of Philoctetes, carrying
fifty each, the smallest. The average would be eighty-five, and
Thucydides supposes the troops to have rowed and navigated
themselves; and that very few, besides the chiefs, went as mere
passengers or landsmen. In short, we have in the Homeric
descriptions the complete picture of an Indian or African war canoe,
many of which are considerably larger than the largest scale
assigned to those of the Greeks. If the total number of the Greek
ships be taken at twelve hundred, according to Thucydides, although
in point of fact there are only eleven hundred and eighty-six in the
Catalogue, the amount of the army, upon the foregoing average, will
be about a hundred and two thousand men. The historian considers
this a small force as representing all Greece. Bryant, comparing it
with the allied army at Platae, thinks it so large as to prove the
entire falsehood of the whole story; and his reasonings and
calculations are, for their curiosity, well worth a careful
perusal. "--Coleridge, p. 211, sq.

103 The mention of Corinth is an anachronism, as that city was called
Ephyre before its capture by the Dorians. But Velleius, vol. i. p.
3, well observes, that the poet would naturally speak of various
towns and cities by the names by which they were known in his own
time.

104 "Adam, the goodliest man of men since born,
His sons, the fairest of her daughters Eve. '

--"Paradise Lost," iv. 323.

105 --_? setes' tomb. _ Monuments were often built on the sea-coast, and of
a considerable height, so as to serve as watch-towers or land marks.
See my notes to my prose translations of the "Odyssey," ii. p. 21,
or on Eur. "Alcest. " vol. i. p. 240.

106 --_Zeleia,_ another name for Lycia. The inhabitants were greatly
devoted to the worship of Apollo. See Muller, "Dorians," vol. i. p.
248.

107 --_Barbarous tongues. _ "Various as were the dialects of the
Greeks--and these differences existed not only between the several
tribes, but even between neighbouring cities--they yet acknowledged
in their language that they formed but one nation were but branches
of the same family. Homer has 'men of other tongues:' and yet Homer
had no general name for the Greek nation. "--Heeren, "Ancient Greece,"
Section vii. p. 107, sq.

_ 108 The cranes. _
"Marking the tracts of air, the clamorous cranes
Wheel their due flight in varied ranks descried:
And each with outstretch'd neck his rank maintains,
In marshall'd order through th' ethereal void. "

Lorenzo de Medici, in Roscoe's Life, Appendix.

See Cary's Dante: "Hell," canto v.

_ 109 Silent, breathing rage. _
"Thus they,
Breathing united force with fixed thought,
Moved on in silence. "

"Paradise Lost," book i. 559.

110 "As when some peasant in a bushy brake
Has with unwary footing press'd a snake;
He starts aside, astonish'd, when he spies
His rising crest, blue neck, and rolling eyes"

Dryden's Virgil, ii. 510.

111 Dysparis, i. e. unlucky, ill fated, Paris. This alludes to the evils
which resulted from his having been brought up, despite the omens
which attended his birth.

112 The following scene, in which Homer has contrived to introduce so
brilliant a sketch of the Grecian warriors, has been imitated by
Euripides, who in his "Phoenissae" represents Antigone surveying the
opposing champions from a high tower, while the paedagogus describes
their insignia and details their histories.

113 --_No wonder,_ &c. Zeuxis, the celebrated artist, is said to have
appended these lines to his picture of Helen, as a motto. Valer Max.
iii. 7.

114 The early epic was largely occupied with the exploits and sufferings
of women, or heroines, the wives and daughters of the Grecian
heroes. A nation of courageous, hardy, indefatigable women, dwelling
apart from men, permitting only a short temporary intercourse, for
the purpose of renovating their numbers, burning out their right
breast with a view of enabling themselves to draw the bow freely;
this was at once a general type, stimulating to the fancy of the
poet, and a theme eminently popular with his hearers. We find these
warlike females constantly reappearing in the ancient poems, and
universally accepted as past realities in the Iliad. When Priam
wishes to illustrate emphatically the most numerous host in which he
ever found himself included, he tells us that it was assembled in
Phrygia, on the banks of the Sangarius, for the purpose of resisting
the formidable Amazons. When Bellerophon is to be employed in a
deadly and perilous undertaking, by those who prudently wished to
procure his death, he is despatched against the Amazons. --Grote, vol.
i p. 289.

115 --_Antenor,_ like ? neas, had always been favourable to the
restoration of Helen. Liv 1. 2.

116 "His lab'ring heart with sudden rapture seized
He paus'd, and on the ground in silence gazed.
Unskill'd and uninspired he seems to stand,
Nor lifts the eye, nor graceful moves the hand:
Then, while the chiefs in still attention hung,
Pours the full tide of eloquence along;
While from his lips the melting torrent flows,
Soft as the fleeces of descending snows.
Now stronger notes engage the listening crowd,
Louder the accents rise, and yet more loud,
Like thunders rolling from a distant cloud. "

Merrick's "Tryphiodorus," 148, 99.

117 Duport, "Gnomol. Homer," p. 20, well observes that this comparison
may also be sarcastically applied to the _frigid_ style of oratory.
It, of course, here merely denotes the ready fluency of Ulysses.

118 --_Her brothers' doom. _ They perished in combat with Lynceus and
Idas, whilst besieging Sparta. See Hygin. Poet Astr. 32, 22. Virgil
and others, however, make them share immortality by turns.

119 Idreus was the arm-bearer and charioteer of king Priam, slain during
this war. Cf. ? n, vi. 487.

120 --_Scaea's gates,_ rather _Scaean gates,_ _i. e. _ the left-hand gates.

121 This was customary in all sacrifices. Hence we find Iras descending
to cut off the hair of Dido, before which she could not expire.

122 --_Nor pierced. _

"This said, his feeble hand a jav'lin threw,
Which, flutt'ring, seemed to loiter as it flew,
Just, and but barely, to the mark it held,
And faintly tinkled on the brazen shield. "

Dryden's Virgil, ii. 742.

_ 123 Reveal'd the queen. _

"Thus having said, she turn'd and made appear
Her neck refulgent and dishevell'd hair,
Which, flowing from her shoulders, reach'd the ground,
And widely spread ambrosial scents around.
In length of train descends her sweeping gown;
And, by her graceful walk, the queen of love is known. "

Dryden's Virgil, i. 556.

124 --_Cranae's isle, i. e. _ Athens. See the "Schol. " and Alberti's
"Hesychius," vol. ii. p. 338. This name was derived from one of its
early kings, Cranaus.

125 --_The martial maid. _ In the original, "Minerva Alalcomeneis," _i. e.
the defender,_ so called from her temple at Alalcomene in Boeotia.

126 "Anything for a quiet life! "

127 --_Argos. _ The worship of Juno at Argos was very celebrated in
ancient times, and she was regarded as the patron deity of that
city. Apul. Met. , vi. p. 453; Servius on Virg. ? n. , i. 28.

128 --_A wife and sister. _

"But I, who walk in awful state above
The majesty of heav'n, the sister-wife of Jove. "

Dryden's "Virgil," i. 70.

So Apuleius, _l. c. _ speaks of her as "Jovis germana et conjux, and
so Horace, Od. iii. 3, 64, "conjuge me Jovis et sorore. "

129 "Thither came Uriel, gleaming through the even
On a sunbeam, swift as a shooting star
In autumn thwarts the night, when vapours fired
Impress the air, and shows the mariner
From what point of his compass to beware
Impetuous winds. "

--"Paradise Lost," iv. 555.

130 --_? sepus' flood. _ A river of Mysia, rising from Mount Cotyius, in
the southern part of the chain of Ida.

131 --_Zelia,_ a town of Troas, at the foot of Ida.

132 --_Podaleirius_ and _Machaon_ are the leeches of the Grecian army,
highly prized and consulted by all the wounded chiefs. Their medical
renown was further prolonged in the subsequent poem of Arktinus, the
Iliou Persis, wherein the one was represented as unrivalled in
surgical operations, the other as sagacious in detecting and
appreciating morbid symptoms. It was Podaleirius who first noticed
the glaring eyes and disturbed deportment which preceded the suicide
of Ajax.

"Galen appears uncertain whether Asklepius (as well as Dionysus) was
originally a god, or whether he was first a man and then became
afterwards a god; but Apollodorus professed to fix the exact date of
his apotheosis. Throughout all the historical ages the descendants
of Asklepius were numerous and widely diffused. The many families or
gentes, called Asklepiads, who devoted themselves to the study and
practice of medicine, and who principally dwelt near the temples of
Asklepius, whither sick and suffering men came to obtain relief--all
recognized the god not merely as the object of their common worship,
but also as their actual progenitor. "--Grote vol. i. p. 248.

133 "The plant she bruises with a stone, and stands
Tempering the juice between her ivory hands
This o'er her breast she sheds with sovereign art
And bathes with gentle touch the wounded part
The wound such virtue from the juice derives,
At once the blood is stanch'd, the youth revives. "

"Orlando Furioso," book 1.

134 --_Well might I wish. _

"Would heav'n (said he) my strength and youth recall,
Such as I was beneath Praeneste's wall--
Then when I made the foremost foes retire,
And set whole heaps of conquer'd shields on fire;
When Herilus in single fight I slew,
Whom with three lives Feronia did endue. "

Dryden's Virgil, viii. 742.

135 --_Sthenelus,_ a son of Capaneus, one of the Epigoni. He was one of
the suitors of Helen, and is said to have been one of those who
entered Troy inside the wooden horse.

136 --_Forwarn'd the horrors. _ The same portent has already been
mentioned. To this day, modern nations are not wholly free from this
superstition.

137 --_Sevenfold city,_ Boeotian Thebes, which had seven gates.

138 --_As when the winds. _

"Thus, when a black-brow'd gust begins to rise,
White foam at first on the curl'd ocean fries;
Then roars the main, the billows mount the skies,
Till, by the fury of the storm full blown,
The muddy billow o'er the clouds is thrown.