No More Learning

This worthy benefactor was
born here, and from a state of indigence succeeded in amassing
considerable wealth by mercantile pursuits. He is stated to have been
poisoned, in the straits of Gibraltar, on his voyage from Leghorn,
with a valuable cargo, by the captain of the vessel,"

(See 'The Topographical Dictionary of England', by Samuel Lewis, vol.
ii. p. 1831. )--Ed. ]


[Footnote F: There is a slight inconsistency here. The conversation is
represented as taking place in the evening (see l. 227). --Ed. ]


[Footnote G: It may be proper to inform some readers, that a sheep-fold
in these mountains is an unroofed building of stone walls, with
different divisions. It is generally placed by the side of a brook, for
the convenience of washing the sheep; but it is also useful as a shelter
for them, and as a place to drive them into, to enable the shepherds
conveniently to single out one or more for any particular purpose. --W.
W. 1800. ]



From the Fenwick note it will be seen that Michael's sheep-fold, in
Green-head Ghyll, existed--at least the remains of it--in 1843. Its
site, however, is now very difficult to identify. There is a sheep-fold
above Boon Beck, which one passes immediately on entering the common,
going up Green-head Ghyll. It is now "finished," and used when required.
There are remains of walling, much higher up the ghyll; but these are
probably the work of miners, formerly engaged there. Michael's cottage
had been destroyed when the poem was written, in 1800. It stood where
the coach-house and stables of "the Hollins" now stand. But one who
visits Green-head Ghyll, and wishes to realize Michael in his old
age--as described in this poem--should ascend the ghyll till it almost
reaches the top of Fairfield; where the old man, during eighty years,

'had learned the meaning of all winds,
Of blasts of every tone,'

and where he

'had been alone,
Amid the heart of many thousand mists,
That came to him, and left him, on the heights. '

By so doing he will be better able to realize the spirit of the poem,
than by trying to identify the site either of the "unfinished
sheep-fold," or of the house named the "Evening Star. " What Wordsworth
said to the Hon. Mr. Justice Coleridge in reference to 'The Brothers'
has been quoted in the note to that poem, p. 203. On the same occasion
he remarked, in reference to 'Michael':

"'Michael' was founded on the son of an old couple having become
dissolute, and run away from his parents; and on an old shepherd
having been seven years in building up a sheep-fold in a solitary
valley. "

('Memoirs of Wordsworth', by the late Bishop of Lincoln, vol. ii. p.
305. )

The following extracts from Dorothy Wordsworth's Grasmere Journal, show
the carefulness with which the poem 'Michael' was composed, and the
frequent revisions which it underwent:

'Oct. 11 [1800. ] "We walked up Green-head ghyll in search of a
sheepfold. . . . The sheepfold is falling away. It is built nearly in the
form of a heart unequally divided. "

13. "William composing in the evening. "

15. "W. composed a little. " . . . "W. again composed at the sheepfold
after dinner. "

18. "W. worked all the morning at the sheepfold, but in vain. He lay
down till 7 o'clock, but did not sleep. "

19. "William got to work. "

20. "W. worked in the morning at the sheepfold. "

21. "W. had been unsuccessful in the morning at the sheepfold. "

22. "W. composed, without much success, at the sheepfold. "

23. "W. was not successful in composition in the evening. "

24. "W. was only partly successful in composition. "

26. "W. composed a good deal all the morning. "

28. "W. could not compose much; fatigued himself with altering. "

30. "W. worked at his poem all the morning. "

Nov. 10. "W. at the sheepfold. "

12. "W. has been working at the sheepfold. "

Dec. 9. "W. finished his poem to-day. "'

It is impossible to say with certainty that the entry under Dec. 9
refers to 'Michael', but if it does, it is evident that Wordsworth
wrought continuously at this poem for nearly two months.

On April 9, 1801, Wordsworth wrote to Thomas Poole:

"In writing it" ('Michael'), "I had your character often before my
eyes; and sometimes thought that I was delineating such a man as you
yourself would have been, under the same circumstances. "

The following is part of a letter written by Wordsworth to Charles James
Fox in 1802, and sent with a copy of "Lyrical Ballads":

"In the two poems, 'The Brothers' and 'Michael', I have attempted to
draw a picture of the domestic affections, as I know they exist
amongst a class of men who are now almost confined to the north of
England. They are small independent 'proprietors' of land, here called
'statesmen,' men of respectable education, who daily labour on their
own little properties. The domestic affections will always be strong
amongst men who live in a country not crowded with population; if
these men are placed above poverty. But, if they are proprietors of
small estates which have descended to them from their ancestors, the
power which these affections will acquire amongst such men, is
inconceivable by those who have only had an opportunity of observing
hired labourers, farmers, and the manufacturing poor. Their little
tract of land serves as a kind of permanent rallying point for their
domestic feelings, as a tablet on which they are written, which makes
them objects of memory in a thousand instances, when they would
otherwise be forgotten. It is a fountain fitted to the nature of
social man, from which supplies of affection as pure as his heart was
intended for, are daily drawn. This class of men is rapidly
disappearing. . . . The two poems that I have mentioned were written with
a view to show that men who do not wear fine clothes can feel deeply.
'Pectus enim est quod disertos facit, et vis mentis. Ideoque imperitis
quoque, si modo sint aliquo affectu concitati, verba non desunt. ' The
poems are faithful copies from nature; and I hope whatever effect they
may have upon you, you will at least be able to perceive that they may
excite profitable sympathies in many kind and good hearts; and may in
some small degree enlarge our feelings of reverence for our species,
and our knowledge of human nature, by showing that our best qualities
are possessed by men whom we are too apt to consider, not with
reference to the points in which they resemble us, but to those in
which they manifestly differ from us. " (See 'Correspondence of Sir
Thomas Hanmer', by Sir Henry Burnbury, p. 436. )

A number of fragments, originally meant to be parts of 'Michael',--or at
least written with such a possibility in view,--will be found in the
Appendix to the eighth volume of this edition. --Ed.





* * * * *





1801


'The Sparrow's Nest', and the sonnet on Skiddaw, along with some
translations from Chaucer, belong to the year 1801. During this year,
however, 'The Excursion' was in progress. In its earlier stages, and
before the plan of 'The Recluse' was matured, the introductory part was
familiarly known, and talked of in the Wordsworth household, by the name
of "The Pedlar. " The following extracts from Dorothy Wordsworth's
Journal of 1801 will show the progress that was being made with it:

"Dec. 21. --Wm. sate beside me, and wrote 'The Pedlar. ' 22nd. --W.
composed a few lines of 'The Pedlar. ' 23rd. --William worked at 'The
Ruined Cottage'" (this was the name of the first part of 'The
Excursion', in which 'The Pedlar' was included), "and made himself
very ill," etc.

Ed.





* * * * *





THE SPARROW'S NEST


Composed 1801. --Published 1807


[Written in the orchard, Town-end, Grasmere. At the end of the garden of
my father's house at Cockermouth was a high terrace that commanded a
fine view of the river Derwent and Cockermouth Castle. This was our
favourite play-ground. The terrace wall, a low one, was covered with
closely-clipt privet and roses, which gave an almost impervious shelter
to birds who built their nests there. The latter of these stanzas [A]
alludes to one of those nests. --I. F. ]

This poem was first published in the series entitled "Moods of my own
Mind," in 1807. In 1815 it was included among the "Poems founded on the
Affections," and in 1845 was transferred to the "Poems referring to the
Period of Childhood. "--Ed.




Behold, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight. [1]
I started--seeming to espy 5
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father's house, in wet or dry
My sister Emmeline and I
Together visited. 10

She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it: [2]
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later years 15
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble cares, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy. 20



* * * * *


VARIANTS ON THE TEXT

[Variant 1:

1815.

Look, five blue eggs are gleaming there!
Few visions have I seen more fair,
Nor many prospects of delight
More pleasing than that simple sight! 1807. ]


[Variant 2:

1845.

She look'd at it as if she fear'd it;
Still wishing, dreading to be near it: 1807. ]



* * * * *


FOOTNOTE

[Footnote A: So it stands in the Fenwick note; but it should evidently
read, "The following stanzas allude. "--Ed. ]


Wordsworth's "sister Emmeline" was his only sister, Dorothy; and in the
MS. sent originally to the printer the line was "My sister Dorothy and
I. " This poem is referred to in a subsequent one, 'A Farewell', l. 56.
See page 326 of this volume. --Ed.





* * * * *





"PELION AND OSSA FLOURISH SIDE BY SIDE"


Composed 1801. --Published 1815


One of the "Miscellaneous Sonnets. " From 1836 onwards it bore the title
'1801'. --Ed.




Pelion and Ossa flourish side by side,
Together in immortal [1] books enrolled:
His ancient dower Olympus hath not sold;
And that inspiring Hill, which "did divide
Into two ample horns his forehead wide," [A] 5
Shines with poetic radiance as of old;
While not an English Mountain we behold
By the celestial Muses glorified.
Yet round our sea-girt shore they rise in crowds:
What was the great Parnassus' self to Thee, 10
Mount Skiddaw? In his natural sovereignty
Our British Hill is nobler [2] far; he shrouds
His double front among Atlantic clouds, [3]
And pours forth streams more sweet than Castaly.



* * * * *


VARIANTS ON THE TEXT

[Variant 1:

1815.

illustrious . . . MS. ]


[Variant 2:

1837.

fairer . . . 1815. ]


[Variant 3:

1827.

His double-fronted head in higher clouds, 1815.

. . . among Atlantic clouds, MS. ]



* * * * *


FOOTNOTE ON THE TEXT

[Footnote A: See Spenser's translation of 'Virgil's Gnat', ll. 21-2:

'Or where on Mount Parnasse, the Muses brood.
Doth his broad forehead like two horns divide,
And the sweet waves of sounding Castaly
With liquid foot doth glide down easily. '

Ed. ]





* * * * *





SELECTIONS FROM CHAUCER

MODERNISED


Wordsworth's modernisations of Chaucer were all written in 1801. Two of
them were from the Canterbury Tales, but his version of one of
these--'The Manciple's Tale'--has never been printed. Of the three poems
which were published, the first--'The Prioress' Tale'--was included in
the edition of 1820. The 'Troilus and Cressida' and 'The Cuckoo and the
Nightingale' were included in the "Poems of Early and Late Years"
(1842); but they had been published the year before, in a small volume
entitled 'The Poems of Geoffrey Chaucer Modernised' (London, 1841), a
volume to which Elizabeth Barrett, Leigh Hunt, R. H. Home, Thomas
Powell, and others contributed. Wordsworth wrote thus of the project to
Mr. Powell, in an unpublished and undated letter, written probably in
1840:

"I am glad that you enter so warmly into the Chaucerian project, and
that Mr. L. Hunt is disposed to give his valuable aid to it. For
myself, I cannot do more than I offered, to place at your disposal
'The Prioress' Tale' already published, 'The Cuckoo and the
Nightingale', 'The Manciple's Tale', and I rather think (but I cannot
just now find it) a small portion of the 'Troilus and Cressida'. You
ask my opinion about that poem. Speaking from a recollection only, of
many years past, I should say it would be found too long and probably
tedious. 'The Knight's Tale' is also very long; but, though Dryden has
executed it, in his own way observe, with great spirit and harmony, he
has suffered so much of the simplicity, and with that of the beauty
and occasional pathos of the original to escape, that I should be
pleased to hear that a new version was to be attempted upon my
principle by some competent person. It would delight me to read every
part of Chaucer over again--for I reverence and admire him above
measure--with a view to your work; but my eyes will not permit me to
do so. Who will undertake the Prologue to the Canterbury Tales? For
your publication that is indispensable, and I fear it will prove very
difficult.
It is written, as you know, in the couplet measure; and
therefore I have nothing to say upon its metre, but in respect to the
poems in stanza, neither in 'The Prioress' Tale' nor in 'The Cuckoo
and Nightingale' have I kept to the rule of the original as to the
form, and number, and position of the rhymes; thinking it enough if I
kept the same number of lines in each stanza; and this is, I think,
all that is necessary, and all that can be done without sacrificing
the substance of sense too often to the mere form of sound. "

In a subsequent letter to Professor Henry Reed of Philadelphia, dated
"Rydal Mount, January 13th, 1841," Wordsworth said:

"So great is my admiration of Chaucer's genius, and so profound my
reverence for him as an instrument in the hands of Providence, for
spreading the light of literature through his native land, that
notwithstanding the defects and faults in this publication"
(referring, I presume, to the volume, 'The Poems of Geoffrey Chaucer
Modernised'), "I am glad of it, as a means of making many acquainted
with the original, who would otherwise be ignorant of everything about
him but his name. "

Ed.





* * * * *





THE PRIORESS' TALE


Translated 1801. [A]--Published 1820


"Call up him who left half told
The story of Cambuscan bold. " [B]

In the following Piece I have allowed myself no farther deviations from
the original than were necessary for the fluent reading, and instant
understanding, of the Author: so much however is the language altered
since Chaucer's time, especially in pronunciation, that much was to be
removed, and its place supplied with as little incongruity as possible.
The ancient accent has been retained in a few conjunctions, such as
_also_ and _alway_, from a conviction that such sprinklings of antiquity
would be admitted, by persons of taste, to have a graceful accordance
with the subject. --W. W. (1820).

The fierce bigotry of the Prioress forms a fine back ground for her
tender-hearted sympathies with the Mother and Child; and the mode in
which the story is told amply atones for the extravagance of the
miracle. --W. W. (added in 1827).

In the editions of 1820 and 1827 'The Prioress' Tale' followed 'The
White Doe of Rylstone'. In 1832 it followed the "Inscriptions"; and in
1836 it was included among the "Poems founded on the Affections. " In
1845 it found its appropriate place in the "Selections from Chaucer
modernised. "--Ed.




I "O Lord, our Lord! how wondrously," (quoth she)
"Thy name in this large world is spread abroad!
For not alone by men of dignity
Thy worship is performed and precious laud;
But by the mouths of children, gracious God! 5
Thy goodness is set forth; they when they lie
Upon the breast thy name do glorify.

II "Wherefore in praise, the worthiest that I may,
Jesu! of thee, and the white Lily-flower
Which did thee bear, and is a Maid for aye, 10
To tell a story I will use my power;
Not that I may increase her honour's dower,
For she herself is honour, and the root
Of goodness, next her Son, our soul's best boot.

III "O Mother Maid! O Maid and Mother free! 15
O bush unburnt! burning in Moses' sight!
That down didst ravish from the Deity,
Through humbleness, the spirit that did alight
Upon thy heart, whence, through that glory's might,
Conceived was the Father's sapience, 20
Help me to tell it in thy reverence!

IV "Lady! thy goodness, thy magnificence,
Thy virtue, and thy great humility,
Surpass all science and all utterance;
For sometimes, Lady! ere men pray to thee 25
Thou goest before in thy benignity,
The light to us vouchsafing of thy prayer,
To be our guide unto thy Son so dear.

V "My knowledge is so weak, O blissful Queen!
To tell abroad thy mighty worthiness, 30
That I the weight of it may not sustain;
But as a child of twelvemonths old or less,
That laboureth his language to express,
Even so fare I; and therefore, I thee pray,
Guide thou my song which I of thee shall say. 35

VI "There was in Asia, in a mighty town,
'Mong Christian folk, a street where Jews might be,
Assigned to them and given them for their own
By a great Lord, for gain and usury,
Hateful to Christ and to his company; 40
And through this street who list might ride and wend;
Free was it, and unbarred at either end.

VII "A little school of Christian people stood
Down at the farther end, in which there were
A nest of children come of Christian blood, 45
That learned in that school from year to year
Such sort of doctrine as men used there,
That is to say, to sing and read also,
As little children in their childhood do.

VIII "Among these children was a Widow's son, 50
A little scholar, scarcely seven years old, [C]
Who day by day unto this school hath gone,
And eke, when he the image did behold
Of Jesu's Mother, as he had been told,
This Child was wont to kneel adown and say 55
_Ave Marie_, as he goeth by the way.

IX "This Widow thus her little Son hath taught
Our blissful Lady, Jesu's Mother dear,
To worship aye, and he forgat it not;
For simple infant hath a ready ear. 60
Sweet is the holiness of youth: and hence,
Calling to mind this matter when I may,
Saint Nicholas in my presence standeth aye,
For he so young to Christ did reverence. [D]

X "This little Child, while in the school he sate 65
His Primer conning with an earnest cheer, [E]
The whilst the rest their anthem-book repeat
The _Alma Redemptoris_ did he hear;
And as he durst he drew him near and near,
And hearkened to the words and to the note, 70
Till the first verse he learned it all by rote.

XI "This Latin knew he nothing what it said,
For he too tender was of age to know;
But to his comrade he repaired, and prayed
That he the meaning of this song would show, 75
And unto him declare why men sing so;
This oftentimes, that he might be at ease,
This child did him beseech on his bare knees.

XII "His Schoolfellow, who elder was than he,
Answered him thus:--'This song, I have heard say, 80
Was fashioned for our blissful Lady free;
Her to salute, and also her to pray
To be our help upon our dying day:
If there is more in this, I know it not:
Song do I learn,--small grammar I have got. ' 85

XIII "'And is this song fashioned in reverence
Of Jesu's Mother? ' said this Innocent;
'Now, certes, I will use my diligence
To con it all ere Christmas-tide be spent;
Although I for my Primer shall be shent, 90
And shall be beaten three times in an hour,
Our Lady I will praise with all my power. '

XIV "His Schoolfellow, whom he had so besought,
As they went homeward taught him privily
And then he sang it well and fearlessly, 95
From word to word according to the note:
Twice in a day it passed through his throat;
Homeward and schoolward whensoe'er he went,
On Jesu's Mother fixed was his intent.

XV "Through all the Jewry (this before said I) 100
This little Child, as he came to and fro,
Full merrily then would he sing and cry,
O _Alma Redemptoris! _ high and low:
The sweetness of Christ's Mother pierced so
His heart, that her to praise, to her to pray, 105
He cannot stop his singing by the way.

XVI "The Serpent, Satan, our first foe, that hath
His wasp's nest in Jew's heart, upswelled--'O woe,
O Hebrew people! ' said he in his wrath,
'Is it an honest thing? Shall this be so? 110
That such a Boy where'er he lists [1] shall go
In your despite, and sing his hymns and saws,
Which is against the reverence of our laws! '

XVII "From that day forward have the Jews conspired
Out of the world this Innocent to chase; 115
And to this end a Homicide they hired,
That in an alley had a privy place,
And, as the Child 'gan to the school to pace,
This cruel Jew him seized, and held him fast
And cut his throat, and in a pit him cast. 120

XVIII "I say that him into a pit they threw,
A loathsome pit, whence noisome scents exhale;
O cursed folk! away, ye Herods new!
What may your ill intentions you avail?
Murder will out; certes it will not fail; 125
Know, that the honour of high God may spread,
The blood cries out on your accursed deed.

XIX "O Martyr 'stablished in virginity!
Now may'st thou sing for aye before the throne,
Following the Lamb celestial," quoth she, 130
"Of which the great Evangelist, Saint John,
In Patmos wrote, who saith of them that go
Before the Lamb singing continually,
That never fleshly woman they did know.

XX "Now this poor widow waiteth all that night 135
After her little Child, and he came not;
For which, by earliest glimpse of morning light,
With face all pale with dread and busy thought,
She at the School and elsewhere him hath sought,
Until thus far she learned, that he had been 140
In the Jews' street, and there he last was seen.

XXI "With Mother's pity in her breast enclosed
She goeth, as she were half out of her mind,
To every place wherein she hath supposed
By likelihood her little Son to find; 145
And ever on Christ's Mother meek and kind
She cried, till to the Jewry she was brought,
And him among the accursed Jews she sought.

XXII "She asketh, and she piteously doth pray
To every Jew that dwelleth in that place 150
To tell her if her child had passed that way;
They all said--Nay; but Jesu of his grace
Gave to her thought, that in a little space
She for her Son in that same spot did cry
Where he was cast into a pit hard by. 155

XXIII "O thou great God that dost perform thy laud
By mouths of Innocents, lo! here thy might;
This gem of chastity, this emerald,
And eke of martyrdom this ruby bright,
There, where with mangled throat he lay upright, 160
The _Alma Redemptoris_ 'gan to sing
So loud, that with his voice the place did ring.

XXIV "The Christian folk that through the Jewry went
Come to the spot in wonder at the thing;
And hastily they for the Provost sent; 165
Immediately he came, not tarrying,
And praiseth Christ that is our heavenly King,
And eke his Mother, honour of Mankind:
Which done, he bade that they the Jews should bind.

XXV "This Child with piteous lamentation then 170
Was taken up, singing his song alway;
And with procession great and pomp of men
To the next Abbey him they bare away;
His Mother swooning by the body [2] lay:
And scarcely could the people that were near 175
Remove this second Rachel from the bier.

XXVI "Torment and shameful death to every one
This Provost doth for those bad Jews prepare
That of this murder wist, and that anon:
Such wickedness his judgments cannot spare; 180
Who will do evil, evil shall he bear;
Them therefore with wild horses did he draw,
And after that he hung them by the law.

XXVII "Upon his bier this Innocent doth lie
Before the altar while the Mass doth last: 185
The Abbot with his convent's company
Then sped themselves to bury him full fast;
And, when they holy water on him cast,
Yet spake this Child when sprinkled was the water;
And sang, O _Alma Redemptoris Mater! _ 190

XXVIII "This Abbot, for he was a holy man,
As all Monks are, or surely ought to be, [3]
In supplication to the Child began
Thus saying, 'O dear Child! I summon thee
In virtue of the holy Trinity 195
Tell me the cause why thou dost sing this hymn,
Since that thy throat is cut, as it doth seem. '

XXIX "'My throat is cut unto the bone, I trow,'
Said this young Child, 'and by the law of kind
I should have died, yea many hours ago; 200
But Jesus Christ, as in the books ye find,
Will that his glory last, and be in mind;
And, for the worship of his Mother dear,
Yet may I sing, _O Alma! _ loud and clear.

XXX "'This well of mercy, Jesu's Mother sweet, 205
After my knowledge I have loved alway;
And in the hour when I my death did meet
To me she came, and thus to me did say,
"Thou in thy dying sing this holy lay,"
As ye have heard; and soon as I had sung 210
Methought she laid a grain upon my tongue.

XXXI "'Wherefore I sing, nor can from song refrain,
In honour of that blissful Maiden free,
Till from my tongue off-taken is the grain;
And after that thus said she unto me; 215
"My little Child, then will I come for thee
Soon as the grain from off thy tongue they take:
Be not dismayed, I will not thee forsake! "'

XXXII "This holy Monk, this Abbot--him mean I,
Touched then his tongue, and took away the grain; 220
And he gave up the ghost full peacefully;
And, when the Abbot had this wonder seen,
His salt tears trickled down like showers of rain;
And on his face he dropped upon the ground,
And still he lay as if he had been bound. 225

XXXIII "Eke the whole Convent on the pavement lay,
Weeping and praising Jesu's Mother dear;
And after that they rose, and took their way,
And lifted up this Martyr from the bier,
And in a tomb of precious marble clear 230
Enclosed his uncorrupted body sweet. --[F]
Where'er he be, God grant us him to meet!

XXXIV "Young Hew of Lincoln! in like sort laid low
By cursed Jews--thing well and widely known,
For it was done a little while ago--[4] 235
Pray also thou for us, while here we tarry
Weak sinful folk, that God, with pitying eye,
In mercy would his mercy multiply
On us, for reverence of his Mother Mary! "



* * * * *


VARIANTS ON THE TEXT

[Variant 1:

1827.

. . . list . . . 1820. ]


[Variant 2:

1845.

. . . by the Bier . . . 1820. ]


[Variant 3:

1827.

This Abbot who had been a holy man
And was, as all Monks are, or ought to be, [a] 1820. ]


[Variant 4:

1836.

For not long since was dealt the cruel blow, 1820. ]



* * * * *


FOOTNOTES ON THE TEXT

[Footnote A:

"Friday, 4th December 1801. . . . William translating 'The Prioress'
Tale'. "

"Saturday, 5th. William finished 'The Prioress' Tale', and after tea,
Mary and he wrote it out"

(Dorothy Wordsworth's Journal). --Ed. ]


[Footnote B: See 'Il Penseroso', l. 110. --Ed. ]


[Footnote C: Chaucer's phrase is "a litel clergeon," Wordsworth's, "a
little scholar;" but "clergeon" is a chorister, not a scholar. --Ed. ]


[Footnote D:

"Chaucer's text is:

'Thus hath this widow her litel child i-taught
Our blissful lady, Criste's moder deere,
To worschip ay, and he forgat it nought;
For sely child wil alway soone leere. '

'For sely child wil alway soone leere,' i. e. for a happy child will
always learn soon. Wordsworth renders:

'For simple infant hath a ready ear,'

and adds:

'Sweet is the holiness of youth,'

extending the stanza to receive this addition from seven to eight
lines, with an altered rhyme-system. "

(Professor Edward Dowden, in the 'Transactions of the Wordsworth
Society', No. III. )--Ed. ]


[Footnote E: Chaucer's text is:

'This litel child his litel book lernynge
As he sat in the schole in his primere. '

Ed. ]


[Footnote F: Chaucer's text is:

'And in a tombe of marble stoones clere
Enclosed they this litel body swete. '

Ed. ]



* * * * *


SUB-FOOTNOTES ON THE TEXT

[Sub-Footnote a: This was erased in the 'Errata' of 1820, but it
may be reproduced here. --Ed. ]




* * * * *





THE CUCKOO AND THE NIGHTINGALE


Translated 1801. [A]--Published 1841 [B]




I The God of Love--_ah, benedicite! _
How mighty and how great a Lord is he!
For he of low hearts can make high, of high
He can make low, and unto death bring nigh;
And hard hearts he can make them kind and free. [1] 5

II Within a little time, as hath been found,
He can make sick folk whole and fresh and sound:
Them who are whole in body and in mind,
He can make sick,--bind can he and unbind
All that he will have bound, or have unbound. 10

III To tell his might my wit may not suffice;
Foolish men he can make them out of wise;--
For he may do all that he will devise;
Loose livers he can make abate their vice,
And proud hearts can make tremble in a trice. 15

IV In brief, the whole of what he will, he may;
Against him dare not any wight say nay;
To humble or afflict whome'er he will,
To gladden or to grieve, he hath like skill;
But most his might he sheds on the eve of May. 20

V For every true heart, gentle heart and free,
That with him is, or thinketh so to be,
Now against May shall have some stirring--whether
To joy, or be it to some mourning; never
At other time, methinks, in like degree. 25

VI For now when they may hear the small birds' song,
And see the budding leaves the branches throng,
This unto their remembrance doth bring
All kinds of pleasure mix'd with sorrowing;
And longing of sweet thoughts that ever long. 30

VII And of that longing heaviness doth come,
Whence oft great sickness grows of heart and home;
Sick are they all for lack of their desire;
And thus in May their hearts are set on fire,
So that they burn forth in great martyrdom. 35

VIII In sooth, I speak from feeling, what though now
Old am I, and to genial pleasure slow;
Yet have I felt of sickness through the May,
Both hot and cold, and heart-aches every day,--
How hard, alas! to bear, I only know. 40

IX Such shaking doth the fever in me keep
Through all this May that I have little sleep;
And also 'tis not likely unto me,
That any living heart should sleepy be
In which Love's dart its fiery point doth steep. 45

X But tossing lately on a sleepless bed,
I of a token thought which Lovers heed;
How among them it was a common tale,
That it was good to hear the Nightingale,
Ere the vile Cuckoo's note be uttered. 50

XI And then I thought anon as it was day,
I gladly would go somewhere to essay
If I perchance a Nightingale might hear,
For yet had I heard none, of all that year,
And it was then the third night of the May. 55

XII And soon as I a glimpse of day espied,
No longer would I in my bed abide,
But straightway to a wood that was hard by,
Forth did I go, alone and fearlessly,
And held the pathway down by a brook-side; 60

XIII Till to a lawn I came all white and green,
I in so fair a one had never been.
The ground was green, with daisy powdered over;
Tall were the flowers, the grove a lofty cover,
All green and white; and nothing else was seen. [C] 65

XIV There sate I down among the fair fresh flowers,
And saw the birds come tripping from their bowers,
Where they had rested them all night; and they,
Who were so joyful at the light of day,
Began to honour May with all their powers. 70

XV Well did they know that service all by rote,
And there was many and many a lovely note,
Some, singing loud, as if they had complained;
Some with their notes another manner feigned;
And some did sing all out with the full throat. 75

XVI They pruned themselves, and made themselves right gay,
Dancing and leaping light upon the spray;
And ever two and two together were,
The same as they had chosen for the year,
Upon Saint Valentine's returning day. 80

XVII Meanwhile the stream, whose bank I sate upon,
Was making such a noise as it ran on
Accordant to the sweet Birds' harmony;
Methought that it was the best melody
Which ever to man's ear a passage won. 85

XVIII And for delight, but how I never wot,
I in a slumber and a swoon was caught,
Not all asleep and yet not waking wholly;
And as I lay, the Cuckoo, bird unholy,
Broke silence, or I heard him in my thought. 90

XIX And that was right upon a tree fast by,
And who was then ill satisfied but I?
Now, God, quoth I, that died upon the rood,
From thee and thy base throat, keep all that's good,
Full little joy have I now of thy cry. 95

XX And, as I with the Cuckoo thus 'gan chide,
In the next bush that was me fast beside,
I heard the lusty Nightingale so sing,
That her clear voice made a loud rioting,
Echoing through all the green wood wide. [D] 100

XXI Ah! good sweet Nightingale! for my heart's cheer,
Hence hast thou stayed a little while too long;
For we have had [2] the sorry Cuckoo here,
And she hath been before thee with her song;
Evil light on her! she hath done me wrong. 105

XXII But hear you now a wondrous thing, I pray;
As long as in that swooning-fit I lay,
Methought I wist right well what these birds meant,
And had good knowing both of their intent,
And of their speech, and all that they would say. 110

XXIII The Nightingale thus in my hearing spake:--
Good Cuckoo, seek some other bush or brake,
And, prithee, let us that can sing dwell here;
For every wight eschews thy song to hear,
Such uncouth singing verily dost thou make. 115

XXIV What! quoth she then, what is't that ails thee now?
It seems to me I sing as well as thou;
For mine's a song that is both true and plain,--
Although I cannot quaver so in vain
As thou dost in thy throat, I wot not how. 120

XXV All men may understanding have of me,
But, Nightingale, so may they not of thee;
For thou hast many a foolish and quaint cry:--
Thou say'st, OSEE, OSEE, then how may I
Have knowledge, I thee pray, what this may be? 125

XXVI Ah, fool! quoth she, wist thou not what it is?
Oft as I say OSEE, OSEE, I wis,
Then mean I, that I should be wondrous fain
That shamefully they one and all were slain,
Whoever against Love mean aught amiss. 130

XXVII And also would I that they all were dead,
Who do not think in love their life to lead;
For who is both the God of Love to obey,
Is only fit to die, I dare well say,
And for that cause OSEE I cry; take heed! 135

XXVIII Ay, quoth the Cuckoo, that is a quaint law,
That all must love or die; but I withdraw,
And take my leave of all such company,
For mine intent it neither is to die,
Nor ever while I live Love's yoke to draw. 140

XXIX For lovers of all folk that be alive,
The most disquiet have and least do thrive;
Most feeling have of sorrow [3] woe and care,
And the least welfare cometh to their share;
What need is there against the truth to strive? 145

XXX What! quoth she, thou art all out of thy mind,
That in thy churlishness a cause canst find
To speak of Love's true Servants in this mood;
For in this world no service is so good
To every wight that gentle is of kind. 150

XXXI For thereof comes all goodness and all worth;
All gentiless [4] and honour thence come forth;
Thence worship comes, content and true heart's pleasure,
And full-assured trust, joy without measure,
And jollity, fresh cheerfulness, and mirth; 155

XXXII And bounty, lowliness, and courtesy,
And seemliness, and faithful company,
And dread of shame that will not do amiss;
For he that faithfully Love's servant is,
Rather than be disgraced, would chuse to die. 160

XXXIII And that the very truth it is which I
Now say--in such belief I'll live and die;
And Cuckoo, do thou so, by my advice.
Then, quoth she, let me never hope for bliss,
If with that counsel I do e'er comply. 165

XXXIV Good Nightingale! thou speakest wondrous fair,
Yet for all that, the truth is found elsewhere;
For Love in young folk is but rage, I wis;
And Love in old folk a great dotage is;
Who most it useth, him 'twill most impair. 170

XXXV For thereof come all contraries to gladness;
Thence sickness comes, and overwhelming sadness,
Mistrust and jealousy, despite, debate,
Dishonour, shame, envy importunate,
Pride, anger, mischief, poverty, and madness. 175

XXXVI Loving is aye an office of despair,
And one thing is therein which is not fair;
For whoso gets of love a little bliss,
Unless it alway stay with him, I wis
He may full soon go with an old man's hair. 180

XXXVII And, therefore, Nightingale! do thou keep nigh,
For trust me well, in spite of thy quaint cry,
If long time from thy mate thou be, or far,
Thou'lt be as others that forsaken are;
Then shall thou raise a clamour as do I. 185

XXXVIII Fie, quoth she, on thy name, Bird ill beseen!
The God of Love afflict thee with all teen,
For thou art worse than mad a thousand fold;
For many a one hath virtues manifold,
Who had been nought, if Love had never been. 190

XXXIX For evermore his servants Love amendeth,
And he from every blemish them defendeth;
And maketh them to burn, as in a fire,
In loyalty, and worshipful desire,
And, when it likes him, joy enough them sendeth. 195

XL Thou Nightingale! the Cuckoo said, be still,
For Love no reason hath but his own will;--
For to th' untrue he oft gives ease and joy;
True lovers doth so bitterly annoy,
He lets them perish through that grievous ill. 200

XLI With such a master would I never be; [E]
For he, in sooth, is blind, and may not see,
And knows not when he hurts and when he heals;
Within this court full seldom Truth avails,
So diverse in his wilfulness is he. 205

XLII Then of the Nightingale did I take note,
How from her inmost heart a sigh she brought,
And said, Alas! that ever I was born,
Not one word have I now, I am so forlorn,--
And with that word, she into tears burst out. 210

XLIII Alas, alas! my very heart will break,
Quoth she, to hear this churlish bird thus speak
Of Love, and of his holy services;
Now, God of Love! thou help me in some wise,
That vengeance on this Cuckoo I may wreak. 215

XLIV And so methought I started up anon,
And to the brook I ran and got a stone,
Which at the Cuckoo hardily I cast,
And he for dread did fly away full fast;
And glad, in sooth, was I when he was gone. 220

XLV And as he flew, the Cuckoo, ever and aye,
Kept crying, "Farewell! --farewell, Popinjay! "
As if in scornful mockery of me;
And on I hunted him from tree to tree,
Till he was far, all out of sight, away. 225

XLVI Then straightway came the Nightingale to me,
And said, Forsooth, my friend, do I thank thee,
That thou wert near to rescue me; and now
Unto the God of Love I make a vow,
That all this May I will thy songstress be. 230

XLVII Well satisfied, I thanked her, and she said,
By this mishap no longer be dismayed,
Though thou the Cuckoo heard, ere thou heard'st me;
Yet if I live it shall amended be,
When next May comes, if I am not afraid. 235

XLVIII And one thing will I counsel thee also,
The Cuckoo trust not thou, nor his Love's saw;
All that she said is an outrageous lie.
Nay, nothing shall me bring thereto, quoth I,
For Love, and it hath done me mighty woe. 240

XLIX Yea, hath it? use, quoth she, this medicine;
This May-time, every day before thou dine,
Go look on the fresh daisy; then say I,
Although for pain thou may'st be like to die,
Thou wilt be eased, and less wilt droop and pine. 245

L And mind always that thou be good and true,
And I will sing one song, of many new,
For love of thee, as loud as I may cry;
And then did she begin this song full high,
"Beshrew all them that are in love untrue. " 250

LI And soon as she had sung it to the end,
Now farewell, quoth she, for I hence must wend;
And, God of Love, that can right well and may,
Send unto thee as mickle joy this day,
As ever he to Lover yet did send. 255

LII Thus takes the Nightingale her leave of me;
I pray to God with her always to be,
And joy of love to send her evermore;
And shield us from the Cuckoo and her lore,
For there is not so false a bird as she.