No More Learning

Whether an individual
teacher feels himself to be           qualified for
art, or whether a professorial chair has been estab-
lished for the training of sestheticising literary
historians, does not enter into the question at all:
the fact remains that the university is not in a
position to control the young academician by
severe artistic discipline, and that it must let
happen what happens, willy-nilly—and this is the
cutting answer to the immodest pretensions of the
universities to represent themselves as the highest
educational institutions.