The marginal readings are
variants
of Add.
Robert Herrick - Hesperide and Noble Numbers
_To trust to good verses.
_ Carminibus confide bonis.
Ovid, _Am.
_
III. ix. 39.
_The Golden Pomp is come. _ Aurea pompa venit, Ovid, _Am. _ III. ii. 44.
"Now reigns the rose" (nunc regnat rosa) is a common phrase in Martial
and elsewhere. For the "Arabian dew," cp. Ovid, _Sappho to Phaon_, 98:
Arabo noster rore capillus olet.
_A text . . . Behold Tibullus lies. _ Jacet ecce Tibullus: Vix manet e
tanto parva quod urna capit. Ovid, _Am. _ III. ix. 39.
203. _Lips Tongueless. _ Dr. Nott parallels Catullus, _Carm. _ lii.
(lv. ):--
Si linguam clauso tenes in ore,
Fructus projicies amoris omnes:
Verbosa gaudet Venus loquela.
208. _Gather ye rosebuds while ye may. _ Set to music by William Lawes in
Playford's second book of "Ayres," 1652. Printed in _Witts Recreations_,
1654, with the variants: "Gather _your_ Rosebuds" in l. 1; l. 4, _may_
for _will_; l. 6, _he is getting_ for _he's a-getting_; l. 8, _nearer to
his setting_ for _nearer he's to setting_. The opening lines are from
Ausonius, ccclxi. 49, 50 (quoted by Burton, _Anat. Mel. _ III. 2, 5 §
5):--
Collige, virgo, rosas, dum flos novus, et nova pubes,
Et memor esto aevum sic properare tuum:
cp. also l. 43:--
Quam longa una dies, ætas tam longa rosarum.
209. _Has not whence to sink at all. _ Seneca, _Ep. _ xx. : Redige te ad
parva ex quibus cadere non possis. Cp. Alain Delisle: Qui decumbit humi
non habet unde cadat.
211. _His poetry his pillar. _ A variation upon the Horatian theme:--
"Exegi monumentum aere perennius
Regalique situ pyramidum altius".
(III. _Od. _ xxx. )
212. _What though the sea be calm. _ Almost literally translated from
Seneca, _Ep. _ iv. : Noli huic tranquillitati confidere: momento mare
evertitur: eodem die ubi luserunt navigia sorbentur.
213. _At noon of day was seen a silver star. _ "King Charles the First
went to St. Paul's Church the 30th day of May, 1630, to give praise for
the birth of his son, attended with all his Peers and a most royal
Train, where a bright star appeared at High Noon in the sight of all. "
(_Stella Meridiana_, 1661. )
213. _And all most sweet, yet all less sweet than he. _ It is
characteristic of Herrick that in his _Noble Numbers_ ("The New-Year's
Gift") he repeats this line, applying it to Christ.
_The swiftest grace is best. _ Ὠκεῖαι χάριτες γλυκερώτεραι. Anth. Pal. x.
30.
214. _Know thy when. _ So in _The Star-song_ Herrick sings: "Thou canst
clear All doubts and manifest the where".
219. _Lord Bernard Stewart_, fourth son of Esme, third Duke of Lennox,
and himself created Earl of Lichfield by Charles I. He commanded the
king's troop of guards, and was killed at the battle of Rowton Heath,
outside Chester, Sept. 24, 1645.
Clarendon (_History of the Rebellion_, ix. 19) thus records his death
and character: "Here fell many gentlemen and officers of name, with the
brave Earl of Litchfield, who was the third brother of that illustrious
family that sacrificed his life in this quarrel. He was a very faultless
young man, of a most gentle, courteous, and affable nature, and of a
spirit and courage invincible; whose loss all men lamented, and the king
bore it with extraordinary grief. "
_Trentall. _ Properly a set of thirty masses for the repose of a dead
man's soul. Here and elsewhere Herrick uses the word as an equivalent
for dirge, but Sidney distinguished them: "Let dirige be sung and
trentalls rightly read. For love is dead," etc. "Hence, hence profane,"
is the Latin, _procul o procul este profani_ of Virg. _Æn. _ vi. 258,
where "profane" is only equivalent to uninitiated.
223. _The Fairy Temple. _ For a brief note on Herrick's fairy poems, see
Appendix. On the dedication to Mr. John Merrifield, Counsellor-at-Law,
Dr. Grosart remarks: "Nothing seems to be now known of Merrifield. It is
just possible that--as throughout the poem--the name was an invented
one, 'Merry Field'. " But the records of the Inner Temple show that the
Merrifields were a legal family from Woolmiston, near Crewkerne,
Somersetshire. John (son of Richard) Merrifield, the father, was
admitted to the Inner Temple in 1581, and John, the son, in 1611. This
latter must be Herrick's Counsellor. He rose to be a Master of the Bench
in 1638 and Sergeant-at-Law in 1660. He died October, 1666, aged 75, at
Crewkerne. On the other hand, it can hardly be doubted that Dr. Grosart
is right in regarding the names of the fairy saints as quite imaginary.
He nevertheless suggests SS. Titus, Neot, Idus, Ida, Fridian or
Fridolin, Trypho, Felan and Felix as the possible prototypes of "Saint
_Tit_, Saint _Nit_, Saint _Is_," etc. It should be noted that "Tit and
Nit" occur with "Wap and Win" and other obviously made-up names, in
Drayton's _Nymphidia_.
229. _Upon Cupid. _ Taken from Anacreon, 5 [59].
Στέφος πλέκων ποθ' εὗρον
ἐν τοῖς ῥόδοις Ἔρωτα·
καὶ τῶν πτερῶν κατασχών
ἐβάπτισ' εἰς τὸν οἶνον·
λαβὼν δ' ἔπινον αὐτόν,
καὶ νῦν ἔσω μελῶν μου
πτεροῖσι γαργαλίζει.
234. _Care will make a face. _ Ovid, _Ar. Am. _ iii. 105: Cura dabit
faciem, facies neglecta peribit.
235. _Upon Himself. _ Printed in _Witts Recreations_, 1654, under the
title: _On an old Batchelor_, and with the variants, _married_ for
_wedded_, l. 3, _one_ for _a_ in l. 4, and _Rather than mend me, blind
me quite_ in l. 6.
238. _To the Rose. _ Printed in _Witts Recreations_, 1654, with the
variants _peevish_ for _flowing_ in l. 4, _say, if she frets, that I
have bonds_ in l. 6, _that can tame although not kill_ in l. 10, and
_now_ for _thus_ in l. 11. The opening couplet is from Martial, VII.
lxxxix. :--
I, felix rosa, mollibusque sertis
Nostri cinge comas Apollinaris.
241. _Upon a painted Gentlewoman. _ Printed in _Witts Recreations_, 1650,
under the title, _On a painted madame_.
250. _Mildmay, Earl of Westmoreland. _ See Note to 112. According to the
date of the earl's succession, this poem must have been written after
1628.
253. _He that will not love_, etc. Ovid, _Rem. Am. _ 15, 16:--
Si quis male fert indignae regna puellae,
Ne pereat nostrae sentiat artis opem.
_How she is her own least part. _ _Ib. _ 344: Pars minima est ipsa puella
sui, quoted by Bacon, Burton, Lyly, and Montaigne.
Printed in _Witts Recreations_, 1654, with the variants, '_freezing_
colds and _fiery_ heats,' and 'and how she is _in every_ part'.
256. _Had Lesbia_, etc. See Catullus, _Carm_. iii.
260. _How violets came blue. _ Printed in _Witts Recreations_, 1654, as
_How the violets came blue_. The first two lines read:--
"The violets, as poets tell,
With Venus wrangling went".
Other variants are _did_ for _sho'd_ in l. 3; _Girl_ for _Girls_; _you_
for _ye_; _do_ for _dare_.
264. _That verse_, etc. Herrick repeats this assurance in a different
context in the second of his _Noble Numbers_, _His Prayer for
Absolution_.
269. _The Gods to Kings the judgment give to sway. _ From Tacitus, _Ann. _
vi. 8 (M. Terentius to Tiberius): Tibi summum rerum judicium dii dedere;
nobis obsequi gloria relicta est.
270. _He that may sin, sins least. _ Ovid, _Amor. _ III. iv. 9, 10:--
Cui peccare licet, peccat minus: ipsa potestas
Semina nequitiae languidiora facit.
271. _Upon a maid that died the day she was married. _ Cp. Meleager,
Anth. Pal. vii. 182:
Οὐ γάμον ἀλλ' Ἀίδαν ἐπινυμφίδιον Κλεαρίστα
δέξατο παρθενίας ἅμματα λυομένα·
Ἄρτι γὰρ ἑσπέριοι νύμφας ἐπὶ δικλίσιν ἄχευν
λωτοί, καὶ θαλάμων ἐπλαταγεῦντο θύραι·
Ἠῷοι δ' ὀλολυγμὸν ἀνέκραγον, ἐκ δ' Ὑμέναιος
σιγαθεὶς γοερὸν φθέγμα μεθαρμόσατο,
Αἱ δ' αὐταὶ καὶ φέγγος ἐδᾳδούχουν παρὰ παστῷ
πεῦκαι καὶ φθιμένᾳ νέρθεν ἔφαινον ὁδόν.
278. _To his Household Gods. _ Obviously written at the time of his
ejection from his living.
283. _A Nuptial Song on Sir Clipseby Crew. _ Of this Epithalamium
(written in 1625 for the marriage of Sir Clipseby Crew, knighted by
James I. at Theobald's in 1620, with Jane, daughter of Sir John
Pulteney), two manuscript versions, substantially agreeing, are
preserved at the British Museum (Harl. MS. 6917, and Add. 25, 303).
Seven verses are transcribed in these manuscripts which Herrick
afterwards saw fit to omit, and almost every verse contains variants of
importance. It is impossible to convey the effect of the earlier version
by a mere collation, and I therefore transcribe it in full, despite its
length. As before, variants and additions are printed in italics. The
numbers in brackets are those of the later version, as given in
_Hesperides_.
The marginal readings are variants of Add. 25, 303, from
the Harleian manuscript.
1 [1].
"What's that we see from far? the spring of Day
Bloom'd from the East, or fair _enamell'd_ May
Blown out of April; or some new
Star fill'd with glory to our view,
Reaching at Heaven,
To add a nobler Planet to the seven?
Say or do we not descry
Some Goddess in a Cloud of Tiffany
To move, or rather the
Emerg_ing_ Venus from the sea?
2 [2].
"'Tis she! 'tis she! or else some more Divine
Enlightened substance; mark how from the shrine
Of holy Saints she paces on
_Throwing about_ Vermilion
And Amber: spice-
ing the chafte-air with fumes of Paradise.
Then come on, come on, and yield
A savour like unto a blessed field,
When the bedabbled morn
Washes the golden ears of corn.
3.
"_Lead on fair paranymphs, the while her eyes,
Guilty of somewhat, ripe the strawberries
And cherries in her cheeks, there's cream
Already spilt, her rays must gleam
Gently thereon,
And so beget lust and temptation
To surfeit and to hunger.
Help on her pace; and, though she lag, yet stir
Her homewards; well she knows
Her heart's at home, howe'er she goes. _
4 [3].
"See where she comes; and smell how all the street
Breathes Vine-yards and Pomegranates: O how sweet,
As a fir'd Altar, is each stone
_Spirting forth_ pounded Cinnamon.
The Phœnix nest,
Built up of odours, burneth in her breast.
Who _would not then_ consume
His soul to _ashes_ in that rich perfume? [ash-heaps
Bestroking Fate the while
He burns to embers on the Pile.
5 [4].
"Hymen, O Hymen! tread the sacred _round_ [ground
Shew thy white feet, and head with Marjoram crowned:
Mount up thy flames, and let thy Torch
Display _thy_ Bridegroom in the porch
In his desires
More towering, more _besparkling_ than thy fires: [disparkling
Shew her how his eyes do turn
And roll about, and in their motions burn
Their balls to cinders: haste
Or, _like a firebrand_, he will waste.
6.
"_See how he waves his hand, and through his eyes
Shoots forth his jealous soul, for to surprise
And ravish you his Bride, do you
Not now perceive the soul of C[lipseby] C[rew],
Your mayden knight,
With kisses to inspire
You with his just and holy ire. _
7 [5].
"_If so, glide through the ranks of Virgins_, pass
The Showers of Roses, lucky four-leaved grass:
The while the cloud of younglings sing,
And drown _you_ with a flowery spring:
While some repeat
Your praise, and bless you, sprinkling you with Wheat,
While that others do divine,
'Blest is the Bride on whom the Sun doth shine';
And thousands gladly wish
You multiply as _do the_ fish.
8.
"_Why then go forward, sweet Auspicious Bride,
And come upon your Bridegroom like a Tide
Bearing down Time before you; hye
Swell, mix, and loose your souls; imply
Like streams which flow
Encurled together, and no difference show
In their [most] silver waters; run
Into your selves like wool together spun.
Or blend so as the sight
Of two makes one Hermaphrodite. _
9 [6].
"And, beauteous Bride, we do confess _you_ are wise
_On drawing_ forth _those_ bashful jealousies [doling
In love's name, do so; and a price
Set on yourself by being nice.
But yet take heed
What now you seem be not the same indeed,
And turn Apostat_a_: Love will
Part of the way be met, or sit stone still;
On them, and though _y'are slow
In going_ yet, howsoever go.
10.
"_How long, soft Bride, shall your dear C[lipseby] make
Love to your welcome with the mystic cake,
How long, oh pardon, shall the house
And the smooth Handmaids pay their vows
With oil and wine
For your approach, yet see their Altars pine?
How long shall the page to please
You stand for to surrender up the keys
Of the glad house? Come, come,
Or Lar will freeze to death at home. _
11.
"_Welcome at last unto the Threshold, Time
Throned in a saffron evening, seems to chime
All in, kiss and so enter. If
A prayer must be said, be brief,
The easy Gods
For such neglect have only myrtle rods
To stroke, not strike; fear you
Not more, mild Nymph, than they would have you do;
But dread that you do more offend
In that you do begin than end. _
12 [7].
"And now y'are entered, see the coddled cook
Runs from his Torrid Zone to pry and look
And bless his dainty mistress; see
_How_ th' aged point out: 'This is she
Who now must sway
_Us_ (_and God_ shield her) with her yea and nay,'
And the smirk Butler thinks it
Sin in _his_ nap'ry not t' express his wit;
Each striving to devise
Some gin wherewith to catch _her_ eyes.
13.
"_What though your laden Altar now has won
The credit from the table of the Sun
For earth and sea; this cost
On you is altogether lost
Because you feed
Not on the flesh of beasts, but on the seed
Of contemplation: your,
Your eyes are they, wherewith you draw the pure
Elixir to the mind
Which sees the body fed, yet pined. _
14 [14].
"If _you must needs_ for ceremonie's sake
Bless a sack posset, Luck go with _you_, take
The night charm quickly; you have spells
And magic for to end, and Hells
To pass, but such
And of such torture as no _God_ would grutch
To live therein for ever: fry,
_Aye_ and consume, and grow again to die,
And live, and in that case
Love the _damnation_ of _that_ place. [the
15 [8].
"To Bed, to Bed, _sweet_ Turtles now, and write
This the shortest day,† this the longest night
_And_ yet too short for you; 'tis we
Who count this night as long as three,
Lying alone
_Hearing_ the clock _go_ Ten, Eleven, Twelve, One:
Quickly, quickly then prepare.
And let the young men and the Bridemaids share
Your garters, and their joints
Encircle with the Bridegroom's points.
16 [9].
"By the Bride's eyes, and by the teeming life
Of her green hopes, we charge you that no strife,
_Further_ than _virtue lends_, gets place
Among _you catching at_ her Lace.
Oh, do not fall
Foul in these noble pastimes, lest you call
Discord in, and so divide
The _gentle_ Bridegroom and the _fragrous_ Bride,
Which Love forefend: but spoken
Be't to your praise: 'No peace was broken'.
17[10].
"Strip her of spring-time, tender whimpering maids,
Now Autumn's come, when all _those_ flowery aids
Of her delays must end, dispose
That Lady-smock, that pansy and that Rose
Neatly apart;
But for prick-madam, and for gentle-heart,
And soft maiden-blush, the Bride
Makes holy these, all others lay aside:
Then strip her, or unto her
Let him come who dares undo her.
18 [11].
"And to enchant _you_ more, _view_ everywhere [ye
About the roof a Syren in a sphere,
As we think, singing to the din
Of many a warbling cherubin:
_List, oh list! _ how
_Even heaven gives up his soul between you_ now, [ye
_Mark how_ thousand Cupids fly
To light their Tapers at the Bride's bright eye;
To bed, or her they'll tire,
Were she an element of fire.
19 [12].
"And to your more bewitching, see the proud
Plump bed bear up, and _rising_ like a cloud,
Tempting _thee, too, too_ modest; can
You see it brussle like a swan
And you be cold
To meet it, when it woos and seems to fold
The arms to hug _you_? throw, throw
Yourselves into _that main, in the full_ flow
Of _the_ white pride, and drown
The _stars_ with you in floods of down.
20 [13].
"_You see 'tis_ ready, and the maze of love
Looks for the treaders; everywhere is wove
Wit and new mystery, read and
Put in practice, to understand
And know each wile,
Each Hieroglyphic of a kiss or smile;
And do it _in_ the full, reach
High in your own conceipts, and _rather_ teach
Nature and Art one more
_Sport_ than they ever knew before.
21.
To the Maidens:]
"_And now y' have wept enough, depart; yon stars [the
Begin to pink, as weary that the wars
Know so long Treaties; beat the Drum
Aloft, and like two armies, come
And guild the field,
Fight bravely for the flame of mankind, yield
Not to this, or that assault,
For that would prove more Heresy than fault
In combatants to fly
'Fore this or that hath got the victory. _
22 [15].
"But since it must be done, despatch and sew
Up in a sheet your Bride, and what if so
It be with _rib of Rock and_ Brass,
_Yea_ tower her up, as Danae was, [ye
Think you that this,
Or Hell itself, a powerful Bulwark is?
I tell _you_ no; but like a [ye
Bold bolt of thunder he will make his way,
And rend the cloud, and throw
The sheet about, like flakes of snow.
23 [16].
"All now is hushed in silence: Midwife-moon
With all her Owl-ey'd issue begs a boon
Which you must grant; that's entrance with
Which extract, all we † call pith
And quintessence
Of Planetary bodies; so commence,
All fair constellations
Looking upon _you_ that _the_ Nations
Springing from to such Fires
May blaze the virtue of their Sires. "
--R. HERRICK.
The variants in this version are not very important; one of the most
noteworthy, _round_ for _ground_, in stanza 5 [4], was overlooked by Dr.
Grosart in his collation. Of the seven stanzas subsequently omitted
several are of great beauty. There are few happier images in Herrick
than that of _Time throned in a saffron evening_ in stanza 11. It is
only when the earlier version is read as a whole that Herrick's taste
in omitting is vindicated. Each stanza is good in itself, but in the
MSS. the poem drags from excessive length, and the reduction of its
twenty-three stanzas to sixteen greatly improves it.
286. _Ever full of pensive fear. _ Ovid, _Heroid. _ i. 12: Res est
solliciti plena timoris amor.
287. _Reverence to riches. _ Perhaps from Tacit. _Ann. _ ii. 33: Neque in
familia et argento quæque ad usum parantur nimium aliquid aut modicum,
nisi ex fortuna possidentis.
288. _Who forms a godhead. _ From Martial, VIII. xxiv. 5:--
Qui fingit sacros auro vel marmore vultus
Non facit ille deos: qui rogat, ille facit.
290. _The eyes be first that conquered are. _ From Tacitus, _Germ. _ 43:
Primi in omnibus proeliis oculi vincuntur.
293. _Oberon's Feast. _ For a note on Herrick's Fairy Poems and on the
_Description of the King and Queene of the Fayries_ (1635), in which
part of this poem was first printed, see Appendix. Add. MS. 22, 603, at
the British Museum, and Ashmole MS. 38, at the Bodleian, contain early
versions of the poem substantially agreeing. I transcribe the Museum
copy:--
"A little mushroom table spread
After _the dance_, they set on bread,
A _yellow corn of hecky_ wheat
With some small _sandy_ grit to eat
His choice bits; with _which_ in a trice
They make a feast less great than nice.
But all _the_ while his eye _was_ served
We _dare_ not think his ear was sterved:
But that there was in place to stir
His _fire_ the _pittering_ Grasshopper;
The merry Cricket, puling Fly,
The piping Gnat for minstralcy.
_The Humming Dor, the dying Swan,
And each a choice Musician. _
And now we must imagine first,
The Elves present to quench his thirst
A pure seed-pearl of infant dew,
Brought and _beswetted_ in a blue
And pregnant violet; which done,
His kitling eyes begin to run
Quite through the table, where he spies
The horns of papery Butterflies:
Of which he eats, _but with_ a little
_Neat cool allay_ of Cuckoo's spittle;
A little Fuz-ball pudding stands
By, yet not blessed by his hands--
That was too coarse, but _he not spares
To feed upon the candid hairs
Of a dried canker, with a_ sagg
And well _bestuffed_ Bee's sweet bag:
_Stroking_ his pallet with some store
Of Emme_t_ eggs. What would he more,
But Beards of Mice, _an Ewt's_ stew'd thigh,
_A pickled maggot and a dry
Hipp, with a_ Red cap worm, that's shut
Within the concave of a Nut
Brown as his tooth, _and with the fat
And well-boiled inchpin of a Bat.
A bloated Earwig with the Pith
Of sugared rush aglads him with;
But most of all the Glow-worm's fire.
As most betickling his desire
To know his Queen, mixt with the far-
Fetcht binding-jelly of a star.
The silk-worm's seed_, a little moth
_Lately_ fattened in a piece of cloth;
Withered cherries; Mandrake's ears;
Mole's eyes; to these the slain stag's tears;
The unctuous dewlaps of a Snail;
The broke heart of a Nightingale
O'er-come in music; with a wine
Ne'er ravished from the flattering Vine,
But gently pressed from the soft side
Of the most sweet and dainty Bride,
Brought in a _daisy chalice_, which
He fully quaffs _off_ to bewitch
His blood _too high_. This done, commended
Grace by his Priest, the feast is ended. "
The Shapcott to whom this _Oberon's Feast_ and _Oberon's Palace_ are
dedicated is Herrick's "peculiar friend, Master Thomas Shapcott,
Lawyer," of a later poem. Dr. Grosart again suggests that it may have
been a character-name, but, as in the case of John Merrifield, the owner
was a West country-man and a member of the Inner Temple, where he was
admitted in 1632 as the "son and heir of Thomas Shapcott," of Exeter.
298. _That man lives twice. _ From Martial, X. xxiii. 7:--
Ampliat aetatis spatium sibi vir bonus: hoc est
Vivere bis vita posse priore frui.
301. _Master Edward Norgate, Clerk of the Signet of his Majesty:_--
Son to Robert Norgate, D. D. , Master of Bene't College, Cambridge. He was
employed by the Earl of Arundel to purchase pictures, and on one
occasion found himself at Marseilles without remittances, and had to
tramp through France on foot. According to the Calendars of State Papers
in 1625, it was ordered that, "forasmuch as his Majesty's letters to the
Grand Signior, the King of Persia, the Emperor of Russia, the Great
Mogul, and other remote Princes, had been written, limned, and garnished
with gold and colours by scriveners abroad, thenceforth they should be
so written, limned, and garnished by Edward Norgate, Clerk of the Signet
in reversion". Six years later this order was renewed, the "Kings of
Bantam, Macassar, Barbary, Siam, Achine, Fez, and Sus" being added to
the previous list, and Norgate being now designated as a Clerk of the
Signet Extraordinary. In the same year, having previously been
Bluemantle Pursuivant, he was promoted to be Windsor Herald, in which
capacity he received numerous fees during the next few years, and was
excused ship money. He still, however, retained his clerkship, for he
writes in 1639: "The poor Office of Arms is fain to blazon the Council
books and Signet". The phrase occurs in a series of nineteen letters of
extraordinary interest, which Norgate wrote from the North, chiefly to
his friend, Robert Reade, secretary to Windebank, on the course of
affairs. In Sept. , 1641, "Ned Norgate" was ordered personally to attend
the king. "It is his Majesty's pleasure that the master should wait and
not the men, and _that_ they shall find. " Henceforth I find no certain
reference to him; according to Fuller he died at the Herald's Office in
1649. It would be interesting if we could be sure that this Edward
Norgate is the same as the one who in 1611 was appointed Tuner of his
Majesty's "virginals, organs, and other instruments," and in 1637
received a grant of £140 for the repair of the organ at Hampton Court.
Herrick's love of music makes us expect to find a similar trait in his
friends.
313. _The Entertainment, or Porch Verse. _ The words _Ye wrong the
threshold-god_ and the allusion to the porch in the Clipsby Crew
Epithalamium (stanza 4) show that there is no reference here (as Brand
thinks, ii. 135) to the old custom of reading part of the marriage
service at the church door or porch (cp. Chaucer: "Husbands at churchë
door she had had five"). The porch of the house is meant, and the
allusions are to the ceremonies at the threshold (cp. the Southwell
Epithalamium). Dr. Grosart quotes from the Dean Prior register the entry
of the marriage of Henry Northleigh, gentleman, and Mistress Lettice
Yard on September 5, 1639, by licence from the Archbishop of Canterbury.
319. _No noise of late-spawned Tittyries. _ In the Camden Society's
edition of the _Diary of Walter Yonge_, p. 70 (kindly shown me by the
Rev. J. H. Ward), we have a contemporary account of the Club known as
the Tityre Tues, which took its name from the first words of Virgil's
first _Eclogue_. "The beginning of December, 1623, there was a great
number in London, haunting taverns and other debauched places, who swore
themselves in a brotherhood and named themselves _Tityre Tues_. The oath
they gave in this manner: he that was to be sworn did put his dagger
into a pottle of wine, and held his hand upon the pommel thereof, and
then was to make oath that he would aid and assist all other of his
fellowship and not disclose their council. There were divers knights,
some young noblemen and gentlemen of this brotherhood, and they were to
know one the other by a black bugle which they wore, and their followers
to be known by a blue ribbond. There are discovered of them about 80 or
100 persons, and have been examined by the Privy Council, but nothing
discovered of any intent they had. It is said that the king hath given
commandment that they shall be re-examined. " In Mennis's _Musarum
Deliciæ_ the brotherhood is celebrated in a poem headed "The Tytre Tues;
or, a Mocke Song. To the tune of Chive Chase. By Mr. George Chambers. "
The second verse runs:--
"They call themselves the Tytere-tues,
And wore a blue rib-bin;
And when a-drie would not refuse
To drink. O fearful sin!
"The council, which is thought most wise,
Did sit so long upon it,
That they grew weary and did rise,
And could make nothing on it. "
According to a letter of Chamberlain to Carleton, indexed among the
_State Papers_, the Tityres were a secret society first formed in Lord
Vaux's regiment in the Low Countries, and their "prince" was called
Ottoman. Another entry shows that the "Bugle" mentioned by Yonge was the
badge of a society originally distinct from the Tityres, which
afterwards joined with it. The date of Herrick's poem is thus fixed as
December, 1623/4, and this is confirmed by another sentence in the same
passage in _Yonge's Diary_, in which he says: "The Jesuits and Papists
do wonderfully swarm in the city, and rumours lately have been given out
for firing the Navy and House of Munition, on which are set a double
guard". The Parliament to which Herrick alludes was actually summoned in
January, 1624, to meet on February 12. Sir Simeon Steward, to whom the
poem is addressed, was of the family of the Stewards of Stantney, in the
Isle of Ely. He was knighted with his father, Mark Steward, in 1603, and
afterwards became a fellow-commoner of Trinity Hall, Cambridge. He was
at different times Sheriff and Deputy-Lieutenant for Cambridgeshire, and
while serving in the latter capacity got into some trouble for unlawful
exactions. In 1627 he wrote a poem on the _King of the Fairies Clothes_
in the same vein as Herrick's fairy pieces.
321. _Then is the work half done. _ As Dr. Grosart suggests, Herrick may
have had in mind the "Dimidium facti qui cœpit habet" of Horace, I.
_Epist. _ ii. 40. But here the emphasis is on beginning _well_, there on
_beginning_.
_Begin with Jove_ is doubtless from the "Ab Jove principium, Musæ," of
Virg. _Ecl. _ iii. 60.
323. _Fears not the fierce sedition of the seas. _ A reminiscence of
Horace, III. _Od. _ i. 25-32.
328. _Gold before goodness. _ Printed in _Witts Recreations_, 1650, as _A
Foolish Querie_. The sentiment is from Seneca, _Ep. _ cxv. : An dives,
omnes quærimus; nemo, an bonus. Cp. Juvenal, III. 140 sqq. ; Plaut.
III. ix. 39.
_The Golden Pomp is come. _ Aurea pompa venit, Ovid, _Am. _ III. ii. 44.
"Now reigns the rose" (nunc regnat rosa) is a common phrase in Martial
and elsewhere. For the "Arabian dew," cp. Ovid, _Sappho to Phaon_, 98:
Arabo noster rore capillus olet.
_A text . . . Behold Tibullus lies. _ Jacet ecce Tibullus: Vix manet e
tanto parva quod urna capit. Ovid, _Am. _ III. ix. 39.
203. _Lips Tongueless. _ Dr. Nott parallels Catullus, _Carm. _ lii.
(lv. ):--
Si linguam clauso tenes in ore,
Fructus projicies amoris omnes:
Verbosa gaudet Venus loquela.
208. _Gather ye rosebuds while ye may. _ Set to music by William Lawes in
Playford's second book of "Ayres," 1652. Printed in _Witts Recreations_,
1654, with the variants: "Gather _your_ Rosebuds" in l. 1; l. 4, _may_
for _will_; l. 6, _he is getting_ for _he's a-getting_; l. 8, _nearer to
his setting_ for _nearer he's to setting_. The opening lines are from
Ausonius, ccclxi. 49, 50 (quoted by Burton, _Anat. Mel. _ III. 2, 5 §
5):--
Collige, virgo, rosas, dum flos novus, et nova pubes,
Et memor esto aevum sic properare tuum:
cp. also l. 43:--
Quam longa una dies, ætas tam longa rosarum.
209. _Has not whence to sink at all. _ Seneca, _Ep. _ xx. : Redige te ad
parva ex quibus cadere non possis. Cp. Alain Delisle: Qui decumbit humi
non habet unde cadat.
211. _His poetry his pillar. _ A variation upon the Horatian theme:--
"Exegi monumentum aere perennius
Regalique situ pyramidum altius".
(III. _Od. _ xxx. )
212. _What though the sea be calm. _ Almost literally translated from
Seneca, _Ep. _ iv. : Noli huic tranquillitati confidere: momento mare
evertitur: eodem die ubi luserunt navigia sorbentur.
213. _At noon of day was seen a silver star. _ "King Charles the First
went to St. Paul's Church the 30th day of May, 1630, to give praise for
the birth of his son, attended with all his Peers and a most royal
Train, where a bright star appeared at High Noon in the sight of all. "
(_Stella Meridiana_, 1661. )
213. _And all most sweet, yet all less sweet than he. _ It is
characteristic of Herrick that in his _Noble Numbers_ ("The New-Year's
Gift") he repeats this line, applying it to Christ.
_The swiftest grace is best. _ Ὠκεῖαι χάριτες γλυκερώτεραι. Anth. Pal. x.
30.
214. _Know thy when. _ So in _The Star-song_ Herrick sings: "Thou canst
clear All doubts and manifest the where".
219. _Lord Bernard Stewart_, fourth son of Esme, third Duke of Lennox,
and himself created Earl of Lichfield by Charles I. He commanded the
king's troop of guards, and was killed at the battle of Rowton Heath,
outside Chester, Sept. 24, 1645.
Clarendon (_History of the Rebellion_, ix. 19) thus records his death
and character: "Here fell many gentlemen and officers of name, with the
brave Earl of Litchfield, who was the third brother of that illustrious
family that sacrificed his life in this quarrel. He was a very faultless
young man, of a most gentle, courteous, and affable nature, and of a
spirit and courage invincible; whose loss all men lamented, and the king
bore it with extraordinary grief. "
_Trentall. _ Properly a set of thirty masses for the repose of a dead
man's soul. Here and elsewhere Herrick uses the word as an equivalent
for dirge, but Sidney distinguished them: "Let dirige be sung and
trentalls rightly read. For love is dead," etc. "Hence, hence profane,"
is the Latin, _procul o procul este profani_ of Virg. _Æn. _ vi. 258,
where "profane" is only equivalent to uninitiated.
223. _The Fairy Temple. _ For a brief note on Herrick's fairy poems, see
Appendix. On the dedication to Mr. John Merrifield, Counsellor-at-Law,
Dr. Grosart remarks: "Nothing seems to be now known of Merrifield. It is
just possible that--as throughout the poem--the name was an invented
one, 'Merry Field'. " But the records of the Inner Temple show that the
Merrifields were a legal family from Woolmiston, near Crewkerne,
Somersetshire. John (son of Richard) Merrifield, the father, was
admitted to the Inner Temple in 1581, and John, the son, in 1611. This
latter must be Herrick's Counsellor. He rose to be a Master of the Bench
in 1638 and Sergeant-at-Law in 1660. He died October, 1666, aged 75, at
Crewkerne. On the other hand, it can hardly be doubted that Dr. Grosart
is right in regarding the names of the fairy saints as quite imaginary.
He nevertheless suggests SS. Titus, Neot, Idus, Ida, Fridian or
Fridolin, Trypho, Felan and Felix as the possible prototypes of "Saint
_Tit_, Saint _Nit_, Saint _Is_," etc. It should be noted that "Tit and
Nit" occur with "Wap and Win" and other obviously made-up names, in
Drayton's _Nymphidia_.
229. _Upon Cupid. _ Taken from Anacreon, 5 [59].
Στέφος πλέκων ποθ' εὗρον
ἐν τοῖς ῥόδοις Ἔρωτα·
καὶ τῶν πτερῶν κατασχών
ἐβάπτισ' εἰς τὸν οἶνον·
λαβὼν δ' ἔπινον αὐτόν,
καὶ νῦν ἔσω μελῶν μου
πτεροῖσι γαργαλίζει.
234. _Care will make a face. _ Ovid, _Ar. Am. _ iii. 105: Cura dabit
faciem, facies neglecta peribit.
235. _Upon Himself. _ Printed in _Witts Recreations_, 1654, under the
title: _On an old Batchelor_, and with the variants, _married_ for
_wedded_, l. 3, _one_ for _a_ in l. 4, and _Rather than mend me, blind
me quite_ in l. 6.
238. _To the Rose. _ Printed in _Witts Recreations_, 1654, with the
variants _peevish_ for _flowing_ in l. 4, _say, if she frets, that I
have bonds_ in l. 6, _that can tame although not kill_ in l. 10, and
_now_ for _thus_ in l. 11. The opening couplet is from Martial, VII.
lxxxix. :--
I, felix rosa, mollibusque sertis
Nostri cinge comas Apollinaris.
241. _Upon a painted Gentlewoman. _ Printed in _Witts Recreations_, 1650,
under the title, _On a painted madame_.
250. _Mildmay, Earl of Westmoreland. _ See Note to 112. According to the
date of the earl's succession, this poem must have been written after
1628.
253. _He that will not love_, etc. Ovid, _Rem. Am. _ 15, 16:--
Si quis male fert indignae regna puellae,
Ne pereat nostrae sentiat artis opem.
_How she is her own least part. _ _Ib. _ 344: Pars minima est ipsa puella
sui, quoted by Bacon, Burton, Lyly, and Montaigne.
Printed in _Witts Recreations_, 1654, with the variants, '_freezing_
colds and _fiery_ heats,' and 'and how she is _in every_ part'.
256. _Had Lesbia_, etc. See Catullus, _Carm_. iii.
260. _How violets came blue. _ Printed in _Witts Recreations_, 1654, as
_How the violets came blue_. The first two lines read:--
"The violets, as poets tell,
With Venus wrangling went".
Other variants are _did_ for _sho'd_ in l. 3; _Girl_ for _Girls_; _you_
for _ye_; _do_ for _dare_.
264. _That verse_, etc. Herrick repeats this assurance in a different
context in the second of his _Noble Numbers_, _His Prayer for
Absolution_.
269. _The Gods to Kings the judgment give to sway. _ From Tacitus, _Ann. _
vi. 8 (M. Terentius to Tiberius): Tibi summum rerum judicium dii dedere;
nobis obsequi gloria relicta est.
270. _He that may sin, sins least. _ Ovid, _Amor. _ III. iv. 9, 10:--
Cui peccare licet, peccat minus: ipsa potestas
Semina nequitiae languidiora facit.
271. _Upon a maid that died the day she was married. _ Cp. Meleager,
Anth. Pal. vii. 182:
Οὐ γάμον ἀλλ' Ἀίδαν ἐπινυμφίδιον Κλεαρίστα
δέξατο παρθενίας ἅμματα λυομένα·
Ἄρτι γὰρ ἑσπέριοι νύμφας ἐπὶ δικλίσιν ἄχευν
λωτοί, καὶ θαλάμων ἐπλαταγεῦντο θύραι·
Ἠῷοι δ' ὀλολυγμὸν ἀνέκραγον, ἐκ δ' Ὑμέναιος
σιγαθεὶς γοερὸν φθέγμα μεθαρμόσατο,
Αἱ δ' αὐταὶ καὶ φέγγος ἐδᾳδούχουν παρὰ παστῷ
πεῦκαι καὶ φθιμένᾳ νέρθεν ἔφαινον ὁδόν.
278. _To his Household Gods. _ Obviously written at the time of his
ejection from his living.
283. _A Nuptial Song on Sir Clipseby Crew. _ Of this Epithalamium
(written in 1625 for the marriage of Sir Clipseby Crew, knighted by
James I. at Theobald's in 1620, with Jane, daughter of Sir John
Pulteney), two manuscript versions, substantially agreeing, are
preserved at the British Museum (Harl. MS. 6917, and Add. 25, 303).
Seven verses are transcribed in these manuscripts which Herrick
afterwards saw fit to omit, and almost every verse contains variants of
importance. It is impossible to convey the effect of the earlier version
by a mere collation, and I therefore transcribe it in full, despite its
length. As before, variants and additions are printed in italics. The
numbers in brackets are those of the later version, as given in
_Hesperides_.
The marginal readings are variants of Add. 25, 303, from
the Harleian manuscript.
1 [1].
"What's that we see from far? the spring of Day
Bloom'd from the East, or fair _enamell'd_ May
Blown out of April; or some new
Star fill'd with glory to our view,
Reaching at Heaven,
To add a nobler Planet to the seven?
Say or do we not descry
Some Goddess in a Cloud of Tiffany
To move, or rather the
Emerg_ing_ Venus from the sea?
2 [2].
"'Tis she! 'tis she! or else some more Divine
Enlightened substance; mark how from the shrine
Of holy Saints she paces on
_Throwing about_ Vermilion
And Amber: spice-
ing the chafte-air with fumes of Paradise.
Then come on, come on, and yield
A savour like unto a blessed field,
When the bedabbled morn
Washes the golden ears of corn.
3.
"_Lead on fair paranymphs, the while her eyes,
Guilty of somewhat, ripe the strawberries
And cherries in her cheeks, there's cream
Already spilt, her rays must gleam
Gently thereon,
And so beget lust and temptation
To surfeit and to hunger.
Help on her pace; and, though she lag, yet stir
Her homewards; well she knows
Her heart's at home, howe'er she goes. _
4 [3].
"See where she comes; and smell how all the street
Breathes Vine-yards and Pomegranates: O how sweet,
As a fir'd Altar, is each stone
_Spirting forth_ pounded Cinnamon.
The Phœnix nest,
Built up of odours, burneth in her breast.
Who _would not then_ consume
His soul to _ashes_ in that rich perfume? [ash-heaps
Bestroking Fate the while
He burns to embers on the Pile.
5 [4].
"Hymen, O Hymen! tread the sacred _round_ [ground
Shew thy white feet, and head with Marjoram crowned:
Mount up thy flames, and let thy Torch
Display _thy_ Bridegroom in the porch
In his desires
More towering, more _besparkling_ than thy fires: [disparkling
Shew her how his eyes do turn
And roll about, and in their motions burn
Their balls to cinders: haste
Or, _like a firebrand_, he will waste.
6.
"_See how he waves his hand, and through his eyes
Shoots forth his jealous soul, for to surprise
And ravish you his Bride, do you
Not now perceive the soul of C[lipseby] C[rew],
Your mayden knight,
With kisses to inspire
You with his just and holy ire. _
7 [5].
"_If so, glide through the ranks of Virgins_, pass
The Showers of Roses, lucky four-leaved grass:
The while the cloud of younglings sing,
And drown _you_ with a flowery spring:
While some repeat
Your praise, and bless you, sprinkling you with Wheat,
While that others do divine,
'Blest is the Bride on whom the Sun doth shine';
And thousands gladly wish
You multiply as _do the_ fish.
8.
"_Why then go forward, sweet Auspicious Bride,
And come upon your Bridegroom like a Tide
Bearing down Time before you; hye
Swell, mix, and loose your souls; imply
Like streams which flow
Encurled together, and no difference show
In their [most] silver waters; run
Into your selves like wool together spun.
Or blend so as the sight
Of two makes one Hermaphrodite. _
9 [6].
"And, beauteous Bride, we do confess _you_ are wise
_On drawing_ forth _those_ bashful jealousies [doling
In love's name, do so; and a price
Set on yourself by being nice.
But yet take heed
What now you seem be not the same indeed,
And turn Apostat_a_: Love will
Part of the way be met, or sit stone still;
On them, and though _y'are slow
In going_ yet, howsoever go.
10.
"_How long, soft Bride, shall your dear C[lipseby] make
Love to your welcome with the mystic cake,
How long, oh pardon, shall the house
And the smooth Handmaids pay their vows
With oil and wine
For your approach, yet see their Altars pine?
How long shall the page to please
You stand for to surrender up the keys
Of the glad house? Come, come,
Or Lar will freeze to death at home. _
11.
"_Welcome at last unto the Threshold, Time
Throned in a saffron evening, seems to chime
All in, kiss and so enter. If
A prayer must be said, be brief,
The easy Gods
For such neglect have only myrtle rods
To stroke, not strike; fear you
Not more, mild Nymph, than they would have you do;
But dread that you do more offend
In that you do begin than end. _
12 [7].
"And now y'are entered, see the coddled cook
Runs from his Torrid Zone to pry and look
And bless his dainty mistress; see
_How_ th' aged point out: 'This is she
Who now must sway
_Us_ (_and God_ shield her) with her yea and nay,'
And the smirk Butler thinks it
Sin in _his_ nap'ry not t' express his wit;
Each striving to devise
Some gin wherewith to catch _her_ eyes.
13.
"_What though your laden Altar now has won
The credit from the table of the Sun
For earth and sea; this cost
On you is altogether lost
Because you feed
Not on the flesh of beasts, but on the seed
Of contemplation: your,
Your eyes are they, wherewith you draw the pure
Elixir to the mind
Which sees the body fed, yet pined. _
14 [14].
"If _you must needs_ for ceremonie's sake
Bless a sack posset, Luck go with _you_, take
The night charm quickly; you have spells
And magic for to end, and Hells
To pass, but such
And of such torture as no _God_ would grutch
To live therein for ever: fry,
_Aye_ and consume, and grow again to die,
And live, and in that case
Love the _damnation_ of _that_ place. [the
15 [8].
"To Bed, to Bed, _sweet_ Turtles now, and write
This the shortest day,† this the longest night
_And_ yet too short for you; 'tis we
Who count this night as long as three,
Lying alone
_Hearing_ the clock _go_ Ten, Eleven, Twelve, One:
Quickly, quickly then prepare.
And let the young men and the Bridemaids share
Your garters, and their joints
Encircle with the Bridegroom's points.
16 [9].
"By the Bride's eyes, and by the teeming life
Of her green hopes, we charge you that no strife,
_Further_ than _virtue lends_, gets place
Among _you catching at_ her Lace.
Oh, do not fall
Foul in these noble pastimes, lest you call
Discord in, and so divide
The _gentle_ Bridegroom and the _fragrous_ Bride,
Which Love forefend: but spoken
Be't to your praise: 'No peace was broken'.
17[10].
"Strip her of spring-time, tender whimpering maids,
Now Autumn's come, when all _those_ flowery aids
Of her delays must end, dispose
That Lady-smock, that pansy and that Rose
Neatly apart;
But for prick-madam, and for gentle-heart,
And soft maiden-blush, the Bride
Makes holy these, all others lay aside:
Then strip her, or unto her
Let him come who dares undo her.
18 [11].
"And to enchant _you_ more, _view_ everywhere [ye
About the roof a Syren in a sphere,
As we think, singing to the din
Of many a warbling cherubin:
_List, oh list! _ how
_Even heaven gives up his soul between you_ now, [ye
_Mark how_ thousand Cupids fly
To light their Tapers at the Bride's bright eye;
To bed, or her they'll tire,
Were she an element of fire.
19 [12].
"And to your more bewitching, see the proud
Plump bed bear up, and _rising_ like a cloud,
Tempting _thee, too, too_ modest; can
You see it brussle like a swan
And you be cold
To meet it, when it woos and seems to fold
The arms to hug _you_? throw, throw
Yourselves into _that main, in the full_ flow
Of _the_ white pride, and drown
The _stars_ with you in floods of down.
20 [13].
"_You see 'tis_ ready, and the maze of love
Looks for the treaders; everywhere is wove
Wit and new mystery, read and
Put in practice, to understand
And know each wile,
Each Hieroglyphic of a kiss or smile;
And do it _in_ the full, reach
High in your own conceipts, and _rather_ teach
Nature and Art one more
_Sport_ than they ever knew before.
21.
To the Maidens:]
"_And now y' have wept enough, depart; yon stars [the
Begin to pink, as weary that the wars
Know so long Treaties; beat the Drum
Aloft, and like two armies, come
And guild the field,
Fight bravely for the flame of mankind, yield
Not to this, or that assault,
For that would prove more Heresy than fault
In combatants to fly
'Fore this or that hath got the victory. _
22 [15].
"But since it must be done, despatch and sew
Up in a sheet your Bride, and what if so
It be with _rib of Rock and_ Brass,
_Yea_ tower her up, as Danae was, [ye
Think you that this,
Or Hell itself, a powerful Bulwark is?
I tell _you_ no; but like a [ye
Bold bolt of thunder he will make his way,
And rend the cloud, and throw
The sheet about, like flakes of snow.
23 [16].
"All now is hushed in silence: Midwife-moon
With all her Owl-ey'd issue begs a boon
Which you must grant; that's entrance with
Which extract, all we † call pith
And quintessence
Of Planetary bodies; so commence,
All fair constellations
Looking upon _you_ that _the_ Nations
Springing from to such Fires
May blaze the virtue of their Sires. "
--R. HERRICK.
The variants in this version are not very important; one of the most
noteworthy, _round_ for _ground_, in stanza 5 [4], was overlooked by Dr.
Grosart in his collation. Of the seven stanzas subsequently omitted
several are of great beauty. There are few happier images in Herrick
than that of _Time throned in a saffron evening_ in stanza 11. It is
only when the earlier version is read as a whole that Herrick's taste
in omitting is vindicated. Each stanza is good in itself, but in the
MSS. the poem drags from excessive length, and the reduction of its
twenty-three stanzas to sixteen greatly improves it.
286. _Ever full of pensive fear. _ Ovid, _Heroid. _ i. 12: Res est
solliciti plena timoris amor.
287. _Reverence to riches. _ Perhaps from Tacit. _Ann. _ ii. 33: Neque in
familia et argento quæque ad usum parantur nimium aliquid aut modicum,
nisi ex fortuna possidentis.
288. _Who forms a godhead. _ From Martial, VIII. xxiv. 5:--
Qui fingit sacros auro vel marmore vultus
Non facit ille deos: qui rogat, ille facit.
290. _The eyes be first that conquered are. _ From Tacitus, _Germ. _ 43:
Primi in omnibus proeliis oculi vincuntur.
293. _Oberon's Feast. _ For a note on Herrick's Fairy Poems and on the
_Description of the King and Queene of the Fayries_ (1635), in which
part of this poem was first printed, see Appendix. Add. MS. 22, 603, at
the British Museum, and Ashmole MS. 38, at the Bodleian, contain early
versions of the poem substantially agreeing. I transcribe the Museum
copy:--
"A little mushroom table spread
After _the dance_, they set on bread,
A _yellow corn of hecky_ wheat
With some small _sandy_ grit to eat
His choice bits; with _which_ in a trice
They make a feast less great than nice.
But all _the_ while his eye _was_ served
We _dare_ not think his ear was sterved:
But that there was in place to stir
His _fire_ the _pittering_ Grasshopper;
The merry Cricket, puling Fly,
The piping Gnat for minstralcy.
_The Humming Dor, the dying Swan,
And each a choice Musician. _
And now we must imagine first,
The Elves present to quench his thirst
A pure seed-pearl of infant dew,
Brought and _beswetted_ in a blue
And pregnant violet; which done,
His kitling eyes begin to run
Quite through the table, where he spies
The horns of papery Butterflies:
Of which he eats, _but with_ a little
_Neat cool allay_ of Cuckoo's spittle;
A little Fuz-ball pudding stands
By, yet not blessed by his hands--
That was too coarse, but _he not spares
To feed upon the candid hairs
Of a dried canker, with a_ sagg
And well _bestuffed_ Bee's sweet bag:
_Stroking_ his pallet with some store
Of Emme_t_ eggs. What would he more,
But Beards of Mice, _an Ewt's_ stew'd thigh,
_A pickled maggot and a dry
Hipp, with a_ Red cap worm, that's shut
Within the concave of a Nut
Brown as his tooth, _and with the fat
And well-boiled inchpin of a Bat.
A bloated Earwig with the Pith
Of sugared rush aglads him with;
But most of all the Glow-worm's fire.
As most betickling his desire
To know his Queen, mixt with the far-
Fetcht binding-jelly of a star.
The silk-worm's seed_, a little moth
_Lately_ fattened in a piece of cloth;
Withered cherries; Mandrake's ears;
Mole's eyes; to these the slain stag's tears;
The unctuous dewlaps of a Snail;
The broke heart of a Nightingale
O'er-come in music; with a wine
Ne'er ravished from the flattering Vine,
But gently pressed from the soft side
Of the most sweet and dainty Bride,
Brought in a _daisy chalice_, which
He fully quaffs _off_ to bewitch
His blood _too high_. This done, commended
Grace by his Priest, the feast is ended. "
The Shapcott to whom this _Oberon's Feast_ and _Oberon's Palace_ are
dedicated is Herrick's "peculiar friend, Master Thomas Shapcott,
Lawyer," of a later poem. Dr. Grosart again suggests that it may have
been a character-name, but, as in the case of John Merrifield, the owner
was a West country-man and a member of the Inner Temple, where he was
admitted in 1632 as the "son and heir of Thomas Shapcott," of Exeter.
298. _That man lives twice. _ From Martial, X. xxiii. 7:--
Ampliat aetatis spatium sibi vir bonus: hoc est
Vivere bis vita posse priore frui.
301. _Master Edward Norgate, Clerk of the Signet of his Majesty:_--
Son to Robert Norgate, D. D. , Master of Bene't College, Cambridge. He was
employed by the Earl of Arundel to purchase pictures, and on one
occasion found himself at Marseilles without remittances, and had to
tramp through France on foot. According to the Calendars of State Papers
in 1625, it was ordered that, "forasmuch as his Majesty's letters to the
Grand Signior, the King of Persia, the Emperor of Russia, the Great
Mogul, and other remote Princes, had been written, limned, and garnished
with gold and colours by scriveners abroad, thenceforth they should be
so written, limned, and garnished by Edward Norgate, Clerk of the Signet
in reversion". Six years later this order was renewed, the "Kings of
Bantam, Macassar, Barbary, Siam, Achine, Fez, and Sus" being added to
the previous list, and Norgate being now designated as a Clerk of the
Signet Extraordinary. In the same year, having previously been
Bluemantle Pursuivant, he was promoted to be Windsor Herald, in which
capacity he received numerous fees during the next few years, and was
excused ship money. He still, however, retained his clerkship, for he
writes in 1639: "The poor Office of Arms is fain to blazon the Council
books and Signet". The phrase occurs in a series of nineteen letters of
extraordinary interest, which Norgate wrote from the North, chiefly to
his friend, Robert Reade, secretary to Windebank, on the course of
affairs. In Sept. , 1641, "Ned Norgate" was ordered personally to attend
the king. "It is his Majesty's pleasure that the master should wait and
not the men, and _that_ they shall find. " Henceforth I find no certain
reference to him; according to Fuller he died at the Herald's Office in
1649. It would be interesting if we could be sure that this Edward
Norgate is the same as the one who in 1611 was appointed Tuner of his
Majesty's "virginals, organs, and other instruments," and in 1637
received a grant of £140 for the repair of the organ at Hampton Court.
Herrick's love of music makes us expect to find a similar trait in his
friends.
313. _The Entertainment, or Porch Verse. _ The words _Ye wrong the
threshold-god_ and the allusion to the porch in the Clipsby Crew
Epithalamium (stanza 4) show that there is no reference here (as Brand
thinks, ii. 135) to the old custom of reading part of the marriage
service at the church door or porch (cp. Chaucer: "Husbands at churchë
door she had had five"). The porch of the house is meant, and the
allusions are to the ceremonies at the threshold (cp. the Southwell
Epithalamium). Dr. Grosart quotes from the Dean Prior register the entry
of the marriage of Henry Northleigh, gentleman, and Mistress Lettice
Yard on September 5, 1639, by licence from the Archbishop of Canterbury.
319. _No noise of late-spawned Tittyries. _ In the Camden Society's
edition of the _Diary of Walter Yonge_, p. 70 (kindly shown me by the
Rev. J. H. Ward), we have a contemporary account of the Club known as
the Tityre Tues, which took its name from the first words of Virgil's
first _Eclogue_. "The beginning of December, 1623, there was a great
number in London, haunting taverns and other debauched places, who swore
themselves in a brotherhood and named themselves _Tityre Tues_. The oath
they gave in this manner: he that was to be sworn did put his dagger
into a pottle of wine, and held his hand upon the pommel thereof, and
then was to make oath that he would aid and assist all other of his
fellowship and not disclose their council. There were divers knights,
some young noblemen and gentlemen of this brotherhood, and they were to
know one the other by a black bugle which they wore, and their followers
to be known by a blue ribbond. There are discovered of them about 80 or
100 persons, and have been examined by the Privy Council, but nothing
discovered of any intent they had. It is said that the king hath given
commandment that they shall be re-examined. " In Mennis's _Musarum
Deliciæ_ the brotherhood is celebrated in a poem headed "The Tytre Tues;
or, a Mocke Song. To the tune of Chive Chase. By Mr. George Chambers. "
The second verse runs:--
"They call themselves the Tytere-tues,
And wore a blue rib-bin;
And when a-drie would not refuse
To drink. O fearful sin!
"The council, which is thought most wise,
Did sit so long upon it,
That they grew weary and did rise,
And could make nothing on it. "
According to a letter of Chamberlain to Carleton, indexed among the
_State Papers_, the Tityres were a secret society first formed in Lord
Vaux's regiment in the Low Countries, and their "prince" was called
Ottoman. Another entry shows that the "Bugle" mentioned by Yonge was the
badge of a society originally distinct from the Tityres, which
afterwards joined with it. The date of Herrick's poem is thus fixed as
December, 1623/4, and this is confirmed by another sentence in the same
passage in _Yonge's Diary_, in which he says: "The Jesuits and Papists
do wonderfully swarm in the city, and rumours lately have been given out
for firing the Navy and House of Munition, on which are set a double
guard". The Parliament to which Herrick alludes was actually summoned in
January, 1624, to meet on February 12. Sir Simeon Steward, to whom the
poem is addressed, was of the family of the Stewards of Stantney, in the
Isle of Ely. He was knighted with his father, Mark Steward, in 1603, and
afterwards became a fellow-commoner of Trinity Hall, Cambridge. He was
at different times Sheriff and Deputy-Lieutenant for Cambridgeshire, and
while serving in the latter capacity got into some trouble for unlawful
exactions. In 1627 he wrote a poem on the _King of the Fairies Clothes_
in the same vein as Herrick's fairy pieces.
321. _Then is the work half done. _ As Dr. Grosart suggests, Herrick may
have had in mind the "Dimidium facti qui cœpit habet" of Horace, I.
_Epist. _ ii. 40. But here the emphasis is on beginning _well_, there on
_beginning_.
_Begin with Jove_ is doubtless from the "Ab Jove principium, Musæ," of
Virg. _Ecl. _ iii. 60.
323. _Fears not the fierce sedition of the seas. _ A reminiscence of
Horace, III. _Od. _ i. 25-32.
328. _Gold before goodness. _ Printed in _Witts Recreations_, 1650, as _A
Foolish Querie_. The sentiment is from Seneca, _Ep. _ cxv. : An dives,
omnes quærimus; nemo, an bonus. Cp. Juvenal, III. 140 sqq. ; Plaut.
