— Kant's definition
compared
with Stendhal's, xiii.
Nietzsche - v18 - Epilogue, Index
156.
Astrology, the teaching of, vi. 17.
Atavism, the origin of the learned shown in their methods
and works, x. 287-90.
— on inherited bad instincts, xii 239.
Atavist, the, and the forerunner, vi. 388.
Atheism, Zarathustra encounters the ugliest man—the
murderer of God, xi. 320-6.
— and accepted refutations regarding God, xii. 72.
— examined and defined, xiii. 207.
— drew Nietzsche to Schopenhauer, xvii. 78.
Athene, the ideal of, vii. 94.
Athens, debauchery at, vii. 312; alluded to, 314.
— Plato's allusion to the beautiful boys of Athens,xvi. 78.
— its climate, xvii. 33.
Athos, Mount, the Hesychasts of, xiii. 171.
Atomism, well refuted, but still retaining dangerous
phases, xii. 19.
Atridae, the, their family curse, i. 35.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
19
## p. 20 (#70) ##############################################
INDEX—NIETZSCHE
Attack, how we should, vii. 355.
Attention, the, the command of, vii. 130.
Attic tragedy, as the product of the strife of the antithesis
between "Apollonian " and "Dionysian " art,i. 22.
Attitudes, those who love, and regard virtue as a sort of
attitude, xi. i11.
— not in keeping with greatness, xvii. 53.
Auerbach (Berthold), iii. 58.
— his distorted style, iv. 87.
Augustine, Saint, x. 316.
— his passion for God, xii. 70; alluded to, 122.
Augustus, the Emperor, on the last words of, x. 74.
Author, the, the upright, the best, Draconian law against,
vi. 180; the sin against the reader's intellect,
180; relationship of, to the public, 184; the
interesting life of his book, 188; his joy in old
age, knowing his treasures safe, 189; describes
the feelings and adventures of others, 190; the
case of Homer and Achilles, 189.
— what the reader brings to and expects from, vii. 249.
Authority, on the acquiring of, xiv. 119.
Authors, the misfortune of clear and the good fortune of
obscure, vi. 178; good narrators bad explainers,
182; the writings of acquaintances, 183;
rhythmical sacrifices, 183; necessity of bad
authors, 185.
— and short-sighted persons, vii. 265.
— sources of the loquacity of, x. 130; the writers of
learned books, 325; traits of the craftsman, 327.
Autobiography, the discussion of matters of faith in, iv. 23.
Authors, the fate of some famous, xiii. 179; moral—what
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
20
## p. 21 (#71) ##############################################
AVIATION—BAD
sensible man nowadays writes one honest word
about himself? 180.
Aviation predicted, vi. 248.
Awakening, The (Zarathustra's discourse), xi. 379-83.
Awkwardness and politeness, ix. 297.
Axioms in a thousand years from now, x. 173.
Babylon, her Dionysian festivals, i. 29.
Baccha, the, of Euripides, a protest against the practica-
bility of its own tendencies, i. 94 et seq.
Bach, the rise and influence of, i. 151.
— the texts of his Cantatas referred to, ii. 41.
— in musical development, vi. 197.
— his luminous inner life, vii. 143; an estimation of
his music, 267.
— Wagner's way of speaking of him, viii. 91; Wagner not
the good official that Bach was, 93; his splendid
life alluded to, 93; his natural nobility, 99.
— the dedication of his High Mass, xiii. 220.
— of a strong race, now extinct, xvii. 45.
Bacon (Francis, Lord), v. 44.
— quoted, viii. 154.
— as representing an attack on the philosophical spirit,
xii. 210.
— quoted, xiv. 206.
— as methodologist, xv. 3; Shakespeare as Bacon—a
proviso, 282.
— is Shakespeare, xvii. 40-1.
Bad, whom dost thou call bad? x. 209.
Bad, the, the difference between the " bad " of aristocratic
origin and the "evil" of unsatisfied hatred. xiii. 39.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
21
## p. 22 (#72) ##############################################
INDEX—NIETZSCHE
Bad, the, and the good as types of decadence, xiv. 35.
— denned as weakness, xvi. 128.
Bad conscience, Nietzsche's hypothesis concerning its origin,
xiii. 99-118; as the result of the forcing back of
the instinct of freedom, 104; the fountainhead
of altruism and idealism, 105.
Baer, von, an opinion of, alluded to, vi. 245.
Bagehot (Walter), Physics and Politics quoted, v. 193.
Bahnsen, as a philosophic German, and old "humming
top,"x. 310.
Baker, the saying of Comorro to, quoted, xiv. 289.
Bale, the university at, iii. 7-9; Nietzsche's inaugural ad-
dress on Homer and Classical Philosophy, 145-70.
— Nietzsche's resignation of the professorship (1879),
xvii. 10.
Ballet, the, has become master of opera, xv. 271.
Balzac, quoted, xii. 133; instanced among the men of his
century, 219.
Banquets, the vulgar meaning of modern, ix. 209.
Barbarian, the idea left by the aristocratic races on all
their tracks, xiii. 40.
Barbarians, Goethe's conversation with Eckermann on,
quoted, iv. 10; Holderlin's view of Philistines
and barbarians, 20.
— their inability to keep within the bounds of modera-
ation, xv. 309; the new, which come from the
heights, 329.
Barbarism, why detested, ix. 313.
Batis, Alexander's cruelty to, ii. 51.
Baudelaire, alluded to, xiv. 76.
— Sainte-Beuve as in some respects his prototype, xvi. 62.
The volumes referred to under numbers are as follow :—I. Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, all-too-
22
## p. 23 (#73) ##############################################
BAUER—BEAUTY
Bauer (Bruno), became an attentive reader of Nietzsche,
xvii. 77.
Bayreuth, Wagner in, iv. 101; the spectator in Bayreuth
—a sight worth seeing, 103; the enterprise at,
and its significance to art, 104; the witness of,
125; a haven for all wanderers, 126.
— another word for a Hydro, viii. 41; the modesty of
Christians at, 49; some concepts too good for,
50; falsity characteristic of Bayreuthians, 51;
one leaves one's self at home when one goes
there, 61; the attitudes, singing, and orchestra
compared, 85; the real Wagner of, 86.
Beautiful, the, the circuitous path to, vii. 56; to will the
good and be capable of the beautiful, 160.
— the rich and leisurely as the actual valuers of, x. 120-1;
the perception of the necessary characters of
things, 213; the means and the art of producing,
233; its discernment, the charm of life, 269.
— the violators of the noble name of (immaculate per-
ception), xi. 145-8.
— Kant's definition compared with Stendhal's, xiii. 131.
— our love of, as the creative will, xv. 21.
— the delight man finds in his fellows, xvi. 74; as the
creation of man, 75; nothing is beautiful—man
alone is beautiful, 75; the two first principles of
all aesthetic, 76.
Beautifying, what we should learn from the artists
regarding the art of, x. 233.
Beauty, the noblest kind of, vi. 156.
— abnegation of the will to beauty in women, vii. 141.
— conformity to customs leads to physical beauty,
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathusira. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
23
## p. 24 (#74) ##############################################
INDEX—NIETZSCHE
ix. 31; origins of female beauty, 32; and the
significance of the age, 166; the danger in,
257; its kingdom, 332; the increase in, and
civilisation, 355; and knowledge of reality,
381; the beauty of discernment, 382.
Beauty, the voice of, and the virtuous ones, xi. 109; the
gloomy philosophers, who have not yet learned
beauty and laughter, 139; the hardest thing
of all to the hero, 140; when power becomes
gracious and descendeth into the invisible—I call
such condescension beauty, 141; emasculated {im-
maculate perception), 146; Zarathustra's distrust
of insidious beauty—away with thee, thou too
blissful hour . . . involuntary bliss I 197.
— something which is above all order of rank to the
artist, xv. 245; biological value of beauty and
ugliness, 245-7.
— Schopenhauer's conception of. as a momentary emanci-
pation from the "will," xvi. 77; Plato's concep-
tion that all beauty lures to procreation, 78;
not accidental, but attained with pains, 106;
the first rule of—nobody must" let himself go,"
not even when he is alone, 107; why the Greeks
remain the first event in culture, 107-8.
Becoming, the hidden force acting behind, in nature and
art, ii. 5; the cruelty which is its essence, 8;
considered as a punishable emancipation from
eternal being, 93; the declaration of Heraclitus
on, 97; Parmenides'view of, 118; the prayer
of Parmenides, 126; the Anaxagorean concep-
tion of, 146; viewed in the presence of art, 155.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
t
24
## p. 25 (#75) ##############################################
BECOMING—BEETHOVEN
Becoming, the man condemned to see " becoming " every-
where, v. 8; the personality and the world pro-
cess, 75; and Hartmann's philosophy, 77.
— conceived but not explained, x. 158.
— no purpose can be assigned to, xiv. 12; no great en-
tity rules behind, 13; as a reality, 14.
— on being and becoming, xv. 81; stamped with the
character of being, the highest will to power,
107; defined, 108; concerning the value of,
177-9.
— the philosopher's hatred of the idea of, xvi. 17.
Beethoven, his jubilee song and ninth symphony, i. 27-8;
the effect of a symphony of, 53; his rise and
influence, 151 ; as a topic of conversation, 173.
— incongruity of the words in the last movement of his
ninth symphony, ii. 37-9.
— the benefit he gained from the German culture of
his time, iii. 105.
— the critique of David Strauss travestied, iv. 3 7; a re-
mark of, as commented on by Strauss, 48; the
source of his gaiety, 166; in him music found
her language, 180; the first to make music
speak the language of passion, 181; the sym-
phony as he understood it, 182.
— the biographers of, v. 60; his strength in holding out
against so-called German culture, 120; his
music, 123.
— his ninth symphony, vi. 158; his method of com-
posing, 159.
— and modern execution, vii. 68; composed above the
heads of the Germans, 86; the eighteenth cen-
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
25
## p. 26 (#76) ##############################################
INDEX—NIETZSCHE
tury sang itself out in Beethoven and Rossini, 88;
his resignation, 143; the work of; a panegyric,
268; alluded to, 308.
Beethoven, and Brahms, viii. 45 ; the eighteenth century's
swan song, 64; Wagner's false presentation of, 91;
Wagner lacks the German charm and grace of,
92; his sublime resignation referred to, 93; his
natural nobility alluded to, 99; bad pianists
who play his works, 181.
— the music of, ix. 229.
— the man, behind German music, x. 140; as con-
ceived and characterised by Goethe, 141.
— the atmosphere of his music, xii. 200; as an Euro-
pean event, 202; as one of the masters of new
modes of speech, 218-9.
— his biographer Thayer,xiii. 179 ; his disposition—that
of a proud peasant, 220; alluded to, 224.
— Schiller as an ingredient of, xiv. 89.
— a classic is the reverse of Beethoven, xv. 273; the
first great romanticist, according to the French
conception, 279; instanced beside Dionysus, 419.
Beggar, The voluntary (Zarathustra's discourse),xi. 326-32.
Beggars, why they still live, vii. 317.
— ought to be suppressed, ix. 184.
— and courtesy, x. 196.
— The Pitiful (Zarathustra's discourse), xi. 102-5.
Being, on, and becoming, xv. 81.
— Heraclitus eternally right in declaring it an empty
illusion, xvi. 18; the concept proceeds only
from "ego," 21 ; the error regarding " being " as
formulated by the Eleatics, 22.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
26
## p. 27 (#77) ##############################################
BELIEF—BEYOND
Belief, motive as secondary to, x. 81; what dost thou be-
lieve in? 209; believers' need of, 285; most de-
sired when there is lack of will, 286.
— Nihilism and, xiv. 16; St Paul and the means where-
with men are seduced to belief, 142; the desire
for belief confounded with the will to truth, 372.
Bellini, Schopenhauer and Norma, ii. 42.
Benevolence, on, and beneficence, ix. 355.
— the instincts of appropriation and submission in,x. 162.
Bentham, his utilitarian system, xii. 174.
Bentley, his case instanced, viii. 127; and Horace, 141;
stories concerning, 142.
Bergk, of his history of literature, viii. 153.
Bernard (Claude), alluded to, xiv. 39.
Bernini, alluded to, vi. 164.
Bestower, the, Zarathustra as, xi. 103; the lonesomeness
of all bestowers—Light am I: Ah, that I were
nightI But it is my lonesomeness to be begirt with
night, 124.
— compared with the exhausted ones, xiv. 40.
Bestowing, the reason of Zarathustra's down-going, x. 272.
— The Bestowing Virtue (Zarathustra's discourse), xi.
85-91; the desire of the type of noble souls, 243.
Beyle (Henri). See " Stendhal. "
Beyond, the, in art, vi. 199.
Beyond, the, the concept not even real, xvii. 52; invented
in order to depreciate the only world that exists,
142.
Beyond good and evil, the meaning of that dangerous
motto—not the same, at any rate, as "good and
bad," xiii. 57.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
it XVI, Antichrist. XVII, Ecce Homo.
27
## p. 28 (#78) ##############################################
INDEX—NIETZSCHE
Beyond good and evil, a forcing house for rare and ex-
ceptional plants, xv. 328.
— the stand demanded for philosophers, xvi. 44; the
reception given to the concept, 90.
Beyond Good and Evil, aphorism 195 recalled by the
question of the Jewish transvaluation, xiii. 31;
aphorisms regarding cruelty referred to, 74; al-
luded to, 145.
— quoted, the genius of the heart, xvii. 67; the book re-
viewed by Nietzsche himself, 114-6; as a criti-
cism of modernity (1886), 115; does not contain
a single good-natured word, 116; its theological
standpoint, 116-
Bible, the, the mightiest book, vi. 347.
— compared with other books, vii. 52-4.
— on the way it is read, ix. 66; and the art of false
reading, 85.
— the masterpiece of German prose, xii. 205; the re-
verence for, an example of discipline and refine-
ment, 238.
— allows of no comparison, xvi. 188; the story of cre-
ation it contains, 197; its beginning contains
the whole psychology of the priest, 199; its vul-
garity, 215.
— the demand it makes upon us, xvii. 93.
Biographers, a mistake made by, vii. 174; a necessary re-
flection of biographers—nature takes no jumps,
295-
Birth of Tragedy, The, the aim of the book—to view science
through the optics of the artist, and art moreover
through the optics of life, i. 4.
The volumes referred to under numbers are as follow:—I, Birth -
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
'N
28
## p. 29 (#79) ##############################################
BIRTH OF TRAGEDY—BLIND
Birth of Tragedy, The, its critics—Zarathustra's discourse
on scholars, xj. 149.
— the preface to, alluded to, xiii. 200.
— art in, xv. 289-92.
— alluded to, xvi. 10.
Astrology, the teaching of, vi. 17.
Atavism, the origin of the learned shown in their methods
and works, x. 287-90.
— on inherited bad instincts, xii 239.
Atavist, the, and the forerunner, vi. 388.
Atheism, Zarathustra encounters the ugliest man—the
murderer of God, xi. 320-6.
— and accepted refutations regarding God, xii. 72.
— examined and defined, xiii. 207.
— drew Nietzsche to Schopenhauer, xvii. 78.
Athene, the ideal of, vii. 94.
Athens, debauchery at, vii. 312; alluded to, 314.
— Plato's allusion to the beautiful boys of Athens,xvi. 78.
— its climate, xvii. 33.
Athos, Mount, the Hesychasts of, xiii. 171.
Atomism, well refuted, but still retaining dangerous
phases, xii. 19.
Atridae, the, their family curse, i. 35.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
19
## p. 20 (#70) ##############################################
INDEX—NIETZSCHE
Attack, how we should, vii. 355.
Attention, the, the command of, vii. 130.
Attic tragedy, as the product of the strife of the antithesis
between "Apollonian " and "Dionysian " art,i. 22.
Attitudes, those who love, and regard virtue as a sort of
attitude, xi. i11.
— not in keeping with greatness, xvii. 53.
Auerbach (Berthold), iii. 58.
— his distorted style, iv. 87.
Augustine, Saint, x. 316.
— his passion for God, xii. 70; alluded to, 122.
Augustus, the Emperor, on the last words of, x. 74.
Author, the, the upright, the best, Draconian law against,
vi. 180; the sin against the reader's intellect,
180; relationship of, to the public, 184; the
interesting life of his book, 188; his joy in old
age, knowing his treasures safe, 189; describes
the feelings and adventures of others, 190; the
case of Homer and Achilles, 189.
— what the reader brings to and expects from, vii. 249.
Authority, on the acquiring of, xiv. 119.
Authors, the misfortune of clear and the good fortune of
obscure, vi. 178; good narrators bad explainers,
182; the writings of acquaintances, 183;
rhythmical sacrifices, 183; necessity of bad
authors, 185.
— and short-sighted persons, vii. 265.
— sources of the loquacity of, x. 130; the writers of
learned books, 325; traits of the craftsman, 327.
Autobiography, the discussion of matters of faith in, iv. 23.
Authors, the fate of some famous, xiii. 179; moral—what
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
20
## p. 21 (#71) ##############################################
AVIATION—BAD
sensible man nowadays writes one honest word
about himself? 180.
Aviation predicted, vi. 248.
Awakening, The (Zarathustra's discourse), xi. 379-83.
Awkwardness and politeness, ix. 297.
Axioms in a thousand years from now, x. 173.
Babylon, her Dionysian festivals, i. 29.
Baccha, the, of Euripides, a protest against the practica-
bility of its own tendencies, i. 94 et seq.
Bach, the rise and influence of, i. 151.
— the texts of his Cantatas referred to, ii. 41.
— in musical development, vi. 197.
— his luminous inner life, vii. 143; an estimation of
his music, 267.
— Wagner's way of speaking of him, viii. 91; Wagner not
the good official that Bach was, 93; his splendid
life alluded to, 93; his natural nobility, 99.
— the dedication of his High Mass, xiii. 220.
— of a strong race, now extinct, xvii. 45.
Bacon (Francis, Lord), v. 44.
— quoted, viii. 154.
— as representing an attack on the philosophical spirit,
xii. 210.
— quoted, xiv. 206.
— as methodologist, xv. 3; Shakespeare as Bacon—a
proviso, 282.
— is Shakespeare, xvii. 40-1.
Bad, whom dost thou call bad? x. 209.
Bad, the, the difference between the " bad " of aristocratic
origin and the "evil" of unsatisfied hatred. xiii. 39.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
21
## p. 22 (#72) ##############################################
INDEX—NIETZSCHE
Bad, the, and the good as types of decadence, xiv. 35.
— denned as weakness, xvi. 128.
Bad conscience, Nietzsche's hypothesis concerning its origin,
xiii. 99-118; as the result of the forcing back of
the instinct of freedom, 104; the fountainhead
of altruism and idealism, 105.
Baer, von, an opinion of, alluded to, vi. 245.
Bagehot (Walter), Physics and Politics quoted, v. 193.
Bahnsen, as a philosophic German, and old "humming
top,"x. 310.
Baker, the saying of Comorro to, quoted, xiv. 289.
Bale, the university at, iii. 7-9; Nietzsche's inaugural ad-
dress on Homer and Classical Philosophy, 145-70.
— Nietzsche's resignation of the professorship (1879),
xvii. 10.
Ballet, the, has become master of opera, xv. 271.
Balzac, quoted, xii. 133; instanced among the men of his
century, 219.
Banquets, the vulgar meaning of modern, ix. 209.
Barbarian, the idea left by the aristocratic races on all
their tracks, xiii. 40.
Barbarians, Goethe's conversation with Eckermann on,
quoted, iv. 10; Holderlin's view of Philistines
and barbarians, 20.
— their inability to keep within the bounds of modera-
ation, xv. 309; the new, which come from the
heights, 329.
Barbarism, why detested, ix. 313.
Batis, Alexander's cruelty to, ii. 51.
Baudelaire, alluded to, xiv. 76.
— Sainte-Beuve as in some respects his prototype, xvi. 62.
The volumes referred to under numbers are as follow :—I. Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, all-too-
22
## p. 23 (#73) ##############################################
BAUER—BEAUTY
Bauer (Bruno), became an attentive reader of Nietzsche,
xvii. 77.
Bayreuth, Wagner in, iv. 101; the spectator in Bayreuth
—a sight worth seeing, 103; the enterprise at,
and its significance to art, 104; the witness of,
125; a haven for all wanderers, 126.
— another word for a Hydro, viii. 41; the modesty of
Christians at, 49; some concepts too good for,
50; falsity characteristic of Bayreuthians, 51;
one leaves one's self at home when one goes
there, 61; the attitudes, singing, and orchestra
compared, 85; the real Wagner of, 86.
Beautiful, the, the circuitous path to, vii. 56; to will the
good and be capable of the beautiful, 160.
— the rich and leisurely as the actual valuers of, x. 120-1;
the perception of the necessary characters of
things, 213; the means and the art of producing,
233; its discernment, the charm of life, 269.
— the violators of the noble name of (immaculate per-
ception), xi. 145-8.
— Kant's definition compared with Stendhal's, xiii. 131.
— our love of, as the creative will, xv. 21.
— the delight man finds in his fellows, xvi. 74; as the
creation of man, 75; nothing is beautiful—man
alone is beautiful, 75; the two first principles of
all aesthetic, 76.
Beautifying, what we should learn from the artists
regarding the art of, x. 233.
Beauty, the noblest kind of, vi. 156.
— abnegation of the will to beauty in women, vii. 141.
— conformity to customs leads to physical beauty,
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathusira. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
23
## p. 24 (#74) ##############################################
INDEX—NIETZSCHE
ix. 31; origins of female beauty, 32; and the
significance of the age, 166; the danger in,
257; its kingdom, 332; the increase in, and
civilisation, 355; and knowledge of reality,
381; the beauty of discernment, 382.
Beauty, the voice of, and the virtuous ones, xi. 109; the
gloomy philosophers, who have not yet learned
beauty and laughter, 139; the hardest thing
of all to the hero, 140; when power becomes
gracious and descendeth into the invisible—I call
such condescension beauty, 141; emasculated {im-
maculate perception), 146; Zarathustra's distrust
of insidious beauty—away with thee, thou too
blissful hour . . . involuntary bliss I 197.
— something which is above all order of rank to the
artist, xv. 245; biological value of beauty and
ugliness, 245-7.
— Schopenhauer's conception of. as a momentary emanci-
pation from the "will," xvi. 77; Plato's concep-
tion that all beauty lures to procreation, 78;
not accidental, but attained with pains, 106;
the first rule of—nobody must" let himself go,"
not even when he is alone, 107; why the Greeks
remain the first event in culture, 107-8.
Becoming, the hidden force acting behind, in nature and
art, ii. 5; the cruelty which is its essence, 8;
considered as a punishable emancipation from
eternal being, 93; the declaration of Heraclitus
on, 97; Parmenides'view of, 118; the prayer
of Parmenides, 126; the Anaxagorean concep-
tion of, 146; viewed in the presence of art, 155.
The volumes referred to under numbers are as follow:—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
t
24
## p. 25 (#75) ##############################################
BECOMING—BEETHOVEN
Becoming, the man condemned to see " becoming " every-
where, v. 8; the personality and the world pro-
cess, 75; and Hartmann's philosophy, 77.
— conceived but not explained, x. 158.
— no purpose can be assigned to, xiv. 12; no great en-
tity rules behind, 13; as a reality, 14.
— on being and becoming, xv. 81; stamped with the
character of being, the highest will to power,
107; defined, 108; concerning the value of,
177-9.
— the philosopher's hatred of the idea of, xvi. 17.
Beethoven, his jubilee song and ninth symphony, i. 27-8;
the effect of a symphony of, 53; his rise and
influence, 151 ; as a topic of conversation, 173.
— incongruity of the words in the last movement of his
ninth symphony, ii. 37-9.
— the benefit he gained from the German culture of
his time, iii. 105.
— the critique of David Strauss travestied, iv. 3 7; a re-
mark of, as commented on by Strauss, 48; the
source of his gaiety, 166; in him music found
her language, 180; the first to make music
speak the language of passion, 181; the sym-
phony as he understood it, 182.
— the biographers of, v. 60; his strength in holding out
against so-called German culture, 120; his
music, 123.
— his ninth symphony, vi. 158; his method of com-
posing, 159.
— and modern execution, vii. 68; composed above the
heads of the Germans, 86; the eighteenth cen-
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
ii. XVI, Antichrist. XVII, Ecce Homo.
25
## p. 26 (#76) ##############################################
INDEX—NIETZSCHE
tury sang itself out in Beethoven and Rossini, 88;
his resignation, 143; the work of; a panegyric,
268; alluded to, 308.
Beethoven, and Brahms, viii. 45 ; the eighteenth century's
swan song, 64; Wagner's false presentation of, 91;
Wagner lacks the German charm and grace of,
92; his sublime resignation referred to, 93; his
natural nobility alluded to, 99; bad pianists
who play his works, 181.
— the music of, ix. 229.
— the man, behind German music, x. 140; as con-
ceived and characterised by Goethe, 141.
— the atmosphere of his music, xii. 200; as an Euro-
pean event, 202; as one of the masters of new
modes of speech, 218-9.
— his biographer Thayer,xiii. 179 ; his disposition—that
of a proud peasant, 220; alluded to, 224.
— Schiller as an ingredient of, xiv. 89.
— a classic is the reverse of Beethoven, xv. 273; the
first great romanticist, according to the French
conception, 279; instanced beside Dionysus, 419.
Beggar, The voluntary (Zarathustra's discourse),xi. 326-32.
Beggars, why they still live, vii. 317.
— ought to be suppressed, ix. 184.
— and courtesy, x. 196.
— The Pitiful (Zarathustra's discourse), xi. 102-5.
Being, on, and becoming, xv. 81.
— Heraclitus eternally right in declaring it an empty
illusion, xvi. 18; the concept proceeds only
from "ego," 21 ; the error regarding " being " as
formulated by the Eleatics, 22.
The volumes referred to under numbers are as follow :—I, Birth
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
26
## p. 27 (#77) ##############################################
BELIEF—BEYOND
Belief, motive as secondary to, x. 81; what dost thou be-
lieve in? 209; believers' need of, 285; most de-
sired when there is lack of will, 286.
— Nihilism and, xiv. 16; St Paul and the means where-
with men are seduced to belief, 142; the desire
for belief confounded with the will to truth, 372.
Bellini, Schopenhauer and Norma, ii. 42.
Benevolence, on, and beneficence, ix. 355.
— the instincts of appropriation and submission in,x. 162.
Bentham, his utilitarian system, xii. 174.
Bentley, his case instanced, viii. 127; and Horace, 141;
stories concerning, 142.
Bergk, of his history of literature, viii. 153.
Bernard (Claude), alluded to, xiv. 39.
Bernini, alluded to, vi. 164.
Bestower, the, Zarathustra as, xi. 103; the lonesomeness
of all bestowers—Light am I: Ah, that I were
nightI But it is my lonesomeness to be begirt with
night, 124.
— compared with the exhausted ones, xiv. 40.
Bestowing, the reason of Zarathustra's down-going, x. 272.
— The Bestowing Virtue (Zarathustra's discourse), xi.
85-91; the desire of the type of noble souls, 243.
Beyle (Henri). See " Stendhal. "
Beyond, the, in art, vi. 199.
Beyond, the, the concept not even real, xvii. 52; invented
in order to depreciate the only world that exists,
142.
Beyond good and evil, the meaning of that dangerous
motto—not the same, at any rate, as "good and
bad," xiii. 57.
Human, ii. VIII, Case of Wagner. IX, Dawn of Day. X, Joyful
Wisdom. XI, Zarathustra. XII, Beyond Good and Evil. XIII,
Genealogy of Morals. XIV, Will to Power, i. XV, Will to Power,
it XVI, Antichrist. XVII, Ecce Homo.
27
## p. 28 (#78) ##############################################
INDEX—NIETZSCHE
Beyond good and evil, a forcing house for rare and ex-
ceptional plants, xv. 328.
— the stand demanded for philosophers, xvi. 44; the
reception given to the concept, 90.
Beyond Good and Evil, aphorism 195 recalled by the
question of the Jewish transvaluation, xiii. 31;
aphorisms regarding cruelty referred to, 74; al-
luded to, 145.
— quoted, the genius of the heart, xvii. 67; the book re-
viewed by Nietzsche himself, 114-6; as a criti-
cism of modernity (1886), 115; does not contain
a single good-natured word, 116; its theological
standpoint, 116-
Bible, the, the mightiest book, vi. 347.
— compared with other books, vii. 52-4.
— on the way it is read, ix. 66; and the art of false
reading, 85.
— the masterpiece of German prose, xii. 205; the re-
verence for, an example of discipline and refine-
ment, 238.
— allows of no comparison, xvi. 188; the story of cre-
ation it contains, 197; its beginning contains
the whole psychology of the priest, 199; its vul-
garity, 215.
— the demand it makes upon us, xvii. 93.
Biographers, a mistake made by, vii. 174; a necessary re-
flection of biographers—nature takes no jumps,
295-
Birth of Tragedy, The, the aim of the book—to view science
through the optics of the artist, and art moreover
through the optics of life, i. 4.
The volumes referred to under numbers are as follow:—I, Birth -
of Tragedy. II, Early Greek Philosophy. Ill, Future of Educa-
tional Institutions. IV, Thoughts out of Season, i. V, Thoughts out
of Season, ii. VI, Human, all-too-Human, i. VII, Human, ail-too-
'N
28
## p. 29 (#79) ##############################################
BIRTH OF TRAGEDY—BLIND
Birth of Tragedy, The, its critics—Zarathustra's discourse
on scholars, xj. 149.
— the preface to, alluded to, xiii. 200.
— art in, xv. 289-92.
— alluded to, xvi. 10.
