No More Learning

Again, in ether can't exist a tree,
Nor clouds in ocean deeps, nor in the fields
Can fishes live, nor blood in timber be,
Nor sap in boulders: fixed and arranged
Where everything may grow and have its place.
Thus nature of mind cannot arise alone
Without the body, nor exist afar
From thews and blood. But if 'twere possible,
Much rather might this very power of mind
Be in the head, the shoulders or the heels,
And, born in any part soever, yet
In the same man, in the same vessel abide.
But since within this body even of ours
Stands fixed and appears arranged sure
Where soul and mind can each exist and grow,
Deny we must the more that they can have
Duration and birth, wholly outside the frame.
For, verily, the mortal to conjoin
With the eternal, and to feign they feel
Together, and can function each with each,
Is but to dote: for what can be conceived
Of more unlike, discrepant, ill-assorted,
Than something mortal in a union joined
With an immortal and a secular
To bear the outrageous tempests?

Then, again,
Whatever abides eternal must indeed
Either repel all strokes, because 'tis made
Of solid body, and permit no entrance
Of aught with power to sunder from within
The parts compact--as are those seeds of stuff
Whose nature we've exhibited before;
Or else be able to endure through time
For this: because they are from blows exempt,
As is the void, the which abides untouched,
Unsmit by any stroke; or else because
There is no room around, whereto things can,
As 'twere, depart in dissolution all,--
Even as the sum of sums eternal is,
Without or place beyond whereto things may
Asunder fly, or bodies which can smite,
And thus dissolve them by the blows of might.

But if perchance the soul's to be adjudged
Immortal, mainly on ground 'tis kept secure
In vital forces--either because there come
Never at all things hostile to its weal,
Or else because what come somehow retire,
Repelled or ere we feel the harm they work,

*****

For, lo, besides that, when the frame's diseased,
Soul sickens too, there cometh, many a time,
That which torments it with the things to be,
Keeps it in dread, and wearies it with cares;
And even when evil acts are of the past,
Still gnaw the old transgressions bitterly.
Add, too, that frenzy, peculiar to the mind,
And that oblivion of the things that were;
Add its submergence in the murky waves
Of drowse and torpor.




FOLLY OF THE FEAR OF DEATH


Therefore death to us
Is nothing, nor concerns us in the least,
Since nature of mind is mortal evermore.
And just as in the ages gone before
We felt no touch of ill, when all sides round
To battle came the Carthaginian host,
And the times, shaken by tumultuous war,
Under the aery coasts of arching heaven
Shuddered and trembled, and all humankind
Doubted to which the empery should fall
By land and sea, thus when we are no more,
When comes that sundering of our body and soul
Through which we're fashioned to a single state,
Verily naught to us, us then no more,
Can come to pass, naught move our senses then--
No, not if earth confounded were with sea,
And sea with heaven. But if indeed do feel
The nature of mind and energy of soul,
After their severance from this body of ours,
Yet nothing 'tis to us who in the bonds
And wedlock of the soul and body live,
Through which we're fashioned to a single state.
And, even if time collected after death
The matter of our frames and set it all
Again in place as now, and if again
To us the light of life were given, O yet
That process too would not concern us aught,
When once the self-succession of our sense
Has been asunder broken. And now and here,
Little enough we're busied with the selves
We were aforetime, nor, concerning them,
Suffer a sore distress. For shouldst thou gaze
Backwards across all yesterdays of time
The immeasurable, thinking how manifold
The motions of matter are, then couldst thou well
Credit this too: often these very seeds
(From which we are to-day) of old were set
In the same order as they are to-day--
Yet this we can't to consciousness recall
Through the remembering mind. For there hath been
An interposed pause of life, and wide
Have all the motions wandered everywhere
From these our senses. For if woe and ail
Perchance are toward, then the man to whom
The bane can happen must himself be there
At that same time. But death precludeth this,
Forbidding life to him on whom might crowd
Such irk and care; and granted 'tis to know:
Nothing for us there is to dread in death,
No wretchedness for him who is no more,
The same estate as if ne'er born before,
When death immortal hath ta'en the mortal life.

Hence, where thou seest a man to grieve because
When dead he rots with body laid away,
Or perishes in flames or jaws of beasts,
Know well: he rings not true, and that beneath
Still works an unseen sting upon his heart,
However he deny that he believes.
His shall be aught of feeling after death.
For he, I fancy, grants not what he says,
Nor what that presupposes, and he fails
To pluck himself with all his roots from life
And cast that self away, quite unawares
Feigning that some remainder's left behind.
For when in life one pictures to oneself
His body dead by beasts and vultures torn,
He pities his state, dividing not himself
Therefrom, removing not the self enough
From the body flung away, imagining
Himself that body, and projecting there
His own sense, as he stands beside it: hence
He grieves that he is mortal born, nor marks
That in true death there is no second self
Alive and able to sorrow for self destroyed,
Or stand lamenting that the self lies there
Mangled or burning. For if it an evil is
Dead to be jerked about by jaw and fang
Of the wild brutes, I see not why 'twere not
Bitter to lie on fires and roast in flames,
Or suffocate in honey, and, reclined
On the smooth oblong of an icy slab,
Grow stiff in cold, or sink with load of earth
Down-crushing from above.

"Thee now no more
The joyful house and best of wives shall welcome,
Nor little sons run up to snatch their kisses
And touch with silent happiness thy heart.
Thou shalt not speed in undertakings more,
Nor be the warder of thine own no more.
Poor wretch," they say, "one hostile hour hath ta'en
Wretchedly from thee all life's many guerdons,"
But add not, "yet no longer unto thee
Remains a remnant of desire for them"
If this they only well perceived with mind
And followed up with maxims, they would free
Their state of man from anguish and from fear.
"O even as here thou art, aslumber in death,
So shalt thou slumber down the rest of time,
Released from every harrying pang. But we,
We have bewept thee with insatiate woe,
Standing beside whilst on the awful pyre
Thou wert made ashes; and no day shall take
For us the eternal sorrow from the breast. "
But ask the mourner what's the bitterness
That man should waste in an eternal grief,
If, after all, the thing's but sleep and rest?
For when the soul and frame together are sunk
In slumber, no one then demands his self
Or being. Well, this sleep may be forever,
Without desire of any selfhood more,
For all it matters unto us asleep.
Yet not at all do those primordial germs
Roam round our members, at that time, afar
From their own motions that produce our senses--
Since, when he's startled from his sleep, a man
Collects his senses. Death is, then, to us
Much less--if there can be a less than that
Which is itself a nothing: for there comes
Hard upon death a scattering more great
Of the throng of matter, and no man wakes up
On whom once falls the icy pause of life.

This too, O often from the soul men say,
Along their couches holding of the cups,
With faces shaded by fresh wreaths awry:
"Brief is this fruit of joy to paltry man,
Soon, soon departed, and thereafter, no,
It may not be recalled. "--As if, forsooth,
It were their prime of evils in great death
To parch, poor tongues, with thirst and arid drought,
Or chafe for any lack.

Once more, if Nature
Should of a sudden send a voice abroad,
And her own self inveigh against us so:
"Mortal, what hast thou of such grave concern
That thou indulgest in too sickly plaints?
Why this bemoaning and beweeping death?
For if thy life aforetime and behind
To thee was grateful, and not all thy good
Was heaped as in sieve to flow away
And perish unavailingly, why not,
Even like a banqueter, depart the halls,
Laden with life? why not with mind content
Take now, thou fool, thy unafflicted rest?
But if whatever thou enjoyed hath been
Lavished and lost, and life is now offence,
Why seekest more to add--which in its turn
Will perish foully and fall out in vain?
O why not rather make an end of life,
Of labour? For all I may devise or find
To pleasure thee is nothing: all things are
The same forever. Though not yet thy body
Wrinkles with years, nor yet the frame exhausts
Outworn, still things abide the same, even if
Thou goest on to conquer all of time
With length of days, yea, if thou never diest"--
What were our answer, but that Nature here
Urges just suit and in her words lays down
True cause of action? Yet should one complain,
Riper in years and elder, and lament,
Poor devil, his death more sorely than is fit,
Then would she not, with greater right, on him
Cry out, inveighing with a voice more shrill:
"Off with thy tears, and choke thy whines, buffoon!
Thou wrinklest--after thou hast had the sum
Of the guerdons of life; yet, since thou cravest ever
What's not at hand, contemning present good,
That life has slipped away, unperfected
And unavailing unto thee. And now,
Or ere thou guessed it, death beside thy head
Stands--and before thou canst be going home
Sated and laden with the goodly feast.
But now yield all that's alien to thine age,--
Up, with good grace! make room for sons: thou must. "
Justly, I fancy, would she reason thus,
Justly inveigh and gird: since ever the old
Outcrowded by the new gives way, and ever
The one thing from the others is repaired.
Nor no man is consigned to the abyss
Of Tartarus, the black. For stuff must be,
That thus the after-generations grow,--
Though these, their life completed, follow thee;
And thus like thee are generations all--
Already fallen, or some time to fall.
So one thing from another rises ever;
And in fee-simple life is given to none,
But unto all mere usufruct.

Look back:
Nothing to us was all fore-passed eld
Of time the eternal, ere we had a birth.
And Nature holds this like a mirror up
Of time-to-be when we are dead and gone.
And what is there so horrible appears?
Now what is there so sad about it all?
Is't not serener far than any sleep?

And, verily, those tortures said to be
In Acheron, the deep, they all are ours
Here in this life. No Tantalus, benumbed
With baseless terror, as the fables tell,
Fears the huge boulder hanging in the air:
But, rather, in life an empty dread of Gods
Urges mortality, and each one fears
Such fall of fortune as may chance to him.
Nor eat the vultures into Tityus
Prostrate in Acheron, nor can they find,
Forsooth, throughout eternal ages, aught
To pry around for in that mighty breast.
However hugely he extend his bulk--
Who hath for outspread limbs not acres nine,
But the whole earth--he shall not able be
To bear eternal pain nor furnish food
From his own frame forever. But for us
A Tityus is he whom vultures rend
Prostrate in love, whom anxious anguish eats,
Whom troubles of any unappeased desires
Asunder rip. We have before our eyes
Here in this life also a Sisyphus
In him who seeketh of the populace
The rods, the axes fell, and evermore
Retires a beaten and a gloomy man.
For to seek after power--an empty name,
Nor given at all--and ever in the search
To endure a world of toil, O this it is
To shove with shoulder up the hill a stone
Which yet comes rolling back from off the top,
And headlong makes for levels of the plain.
Then to be always feeding an ingrate mind,
Filling with good things, satisfying never--
As do the seasons of the year for us,
When they return and bring their progenies
And varied charms, and we are never filled
With the fruits of life--O this, I fancy, 'tis
To pour, like those young virgins in the tale,
Waters into a sieve, unfilled forever.

*****

Cerberus and Furies, and that Lack of Light

*****

Tartarus, out-belching from his mouth the surge
Of horrible heat--the which are nowhere, nor
Indeed can be: but in this life is fear
Of retributions just and expiations
For evil acts: the dungeon and the leap
From that dread rock of infamy, the stripes,
The executioners, the oaken rack,
The iron plates, bitumen, and the torch.
And even though these are absent, yet the mind,
With a fore-fearing conscience, plies its goads
And burns beneath the lash, nor sees meanwhile
What terminus of ills, what end of pine
Can ever be, and feareth lest the same
But grow more heavy after death. Of truth,
The life of fools is Acheron on earth.

This also to thy very self sometimes
Repeat thou mayst: "Lo, even good Ancus left
The sunshine with his eyes, in divers things
A better man than thou, O worthless hind;
And many other kings and lords of rule
Thereafter have gone under, once who swayed
O'er mighty peoples. And he also, he--
Who whilom paved a highway down the sea,
And gave his legionaries thoroughfare
Along the deep, and taught them how to cross
The pools of brine afoot, and did contemn,
Trampling upon it with his cavalry,
The bellowings of ocean--poured his soul
From dying body, as his light was ta'en.
And Scipio's son, the thunderbolt of war,
Horror of Carthage, gave his bones to earth,
Like to the lowliest villein in the house.
Add finders-out of sciences and arts;
Add comrades of the Heliconian dames,
Among whom Homer, sceptered o'er them all,
Now lies in slumber sunken with the rest.
Then, too, Democritus, when ripened eld
Admonished him his memory waned away,
Of own accord offered his head to death.
Even Epicurus went, his light of life
Run out, the man in genius who o'er-topped
The human race, extinguishing all others,
As sun, in ether arisen, all the stars.
Wilt thou, then, dally, thou complain to go? --
For whom already life's as good as dead,
Whilst yet thou livest and lookest? --who in sleep
Wastest thy life--time's major part, and snorest
Even when awake, and ceasest not to see
The stuff of dreams, and bearest a mind beset
By baseless terror, nor discoverest oft
What's wrong with thee, when, like a sotted wretch,
Thou'rt jostled along by many crowding cares,
And wanderest reeling round, with mind aswim. "

If men, in that same way as on the mind
They feel the load that wearies with its weight,
Could also know the causes whence it comes,
And why so great the heap of ill on heart,
O not in this sort would they live their life,
As now so much we see them, knowing not
What 'tis they want, and seeking ever and ever
A change of place, as if to drop the burden.
The man who sickens of his home goes out,
Forth from his splendid halls, and straight--returns,
Feeling i'faith no better off abroad.
He races, driving his Gallic ponies along,
Down to his villa, madly,--as in haste
To hurry help to a house afire. --At once
He yawns, as soon as foot has touched the threshold,
Or drowsily goes off in sleep and seeks
Forgetfulness, or maybe bustles about
And makes for town again. In such a way
Each human flees himself--a self in sooth,
As happens, he by no means can escape;
And willy-nilly he cleaves to it and loathes,
Sick, sick, and guessing not the cause of ail.
Yet should he see but that, O chiefly then,
Leaving all else, he'd study to divine
The nature of things, since here is in debate
Eternal time and not the single hour,
Mortal's estate in whatsoever remains
After great death.

And too, when all is said,
What evil lust of life is this so great
Subdues us to live, so dreadfully distraught
In perils and alarms? one fixed end
Of life abideth for mortality;
Death's not to shun, and we must go to meet.
Besides we're busied with the same devices,
Ever and ever, and we are at them ever,
And there's no new delight that may be forged
By living on. But whilst the thing we long for
Is lacking, that seems good above all else;
Thereafter, when we've touched it, something else
We long for; ever one equal thirst of life
Grips us agape. And doubtful 'tis what fortune
The future times may carry, or what be
That chance may bring, or what the issue next
Awaiting us. Nor by prolonging life
Take we the least away from death's own time,
Nor can we pluck one moment off, whereby
To minish the aeons of our state of death.
Therefore, O man, by living on, fulfil
As many generations as thou may:
Eternal death shall there be waiting still;
And he who died with light of yesterday
Shall be no briefer time in death's No-more
Than he who perished months or years before.




BOOK IV




PROEM

I wander afield, thriving in sturdy thought,
Through unpathed haunts of the Pierides,
Trodden by step of none before. I joy
To come on undefiled fountains there,
To drain them deep; I joy to pluck new flowers,
To seek for this my head a signal crown
From regions where the Muses never yet
Have garlanded the temples of a man:
First, since I teach concerning mighty things,
And go right on to loose from round the mind
The tightened coils of dread religion;
Next, since, concerning themes so dark, I frame
Song so pellucid, touching all throughout
Even with the Muses' charm--which, as 'twould seem,
Is not without a reasonable ground:
For as physicians, when they seek to give
Young boys the nauseous wormwood, first do touch
The brim around the cup with the sweet juice
And yellow of the honey, in order that
The thoughtless age of boyhood be cajoled
As far as the lips, and meanwhile swallow down
The wormwood's bitter draught, and, though befooled,
Be yet not merely duped, but rather thus
Grow strong again with recreated health:
So now I too (since this my doctrine seems
In general somewhat woeful unto those
Who've had it not in hand, and since the crowd
Starts back from it in horror) have desired
To expound our doctrine unto thee in song
Soft-speaking and Pierian, and, as 'twere,
To touch it with sweet honey of the Muse--
If by such method haply I might hold
The mind of thee upon these lines of ours,
Till thou dost learn the nature of all things
And understandest their utility.




EXISTENCE AND CHARACTER OF THE IMAGES


But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument--
One for these matters of supreme concern--
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber--that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.

And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth--
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused--
Like smoke from oaken logs and heat from fires--
And some more interwoven and condensed--
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns--for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
No power has man to open mouth to tell;
Especially, since on outsides of things
Are bodies many and minute which could,
In the same order which they had before,
And with the figure of their form preserved,
Be thrown abroad, and much more swiftly too,
Being less subject to impediments,
As few in number and placed along the front.
For truly many things we see discharge
Their stuff at large, not only from their cores
Deep-set within, as we have said above,
But from their surfaces at times no less--
Their very colours too. And commonly
The awnings, saffron, red and dusky blue,
Stretched overhead in mighty theatres,
Upon their poles and cross-beams fluttering,
Have such an action quite; for there they dye
And make to undulate with their every hue
The circled throng below, and all the stage,
And rich attire in the patrician seats.
And ever the more the theatre's dark walls
Around them shut, the more all things within
Laugh in the bright suffusion of strange glints,
The daylight being withdrawn. And therefore, since
The canvas hangings thus discharge their dye
From off their surface, things in general must
Likewise their tenuous effigies discharge,
Because in either case they are off-thrown
From off the surface. So there are indeed
Such certain prints and vestiges of forms
Which flit around, of subtlest texture made,
Invisible, when separate, each and one.
Again, all odour, smoke, and heat, and such
Streams out of things diffusedly, because,
Whilst coming from the deeps of body forth
And rising out, along their bending path
They're torn asunder, nor have gateways straight
Wherethrough to mass themselves and struggle abroad.
But contrariwise, when such a tenuous film
Of outside colour is thrown off, there's naught
Can rend it, since 'tis placed along the front
Ready to hand. Lastly those images
Which to our eyes in mirrors do appear,
In water, or in any shining surface,
Must be, since furnished with like look of things,
Fashioned from images of things sent out.
There are, then, tenuous effigies of forms,
Like unto them, which no one can divine
When taken singly, which do yet give back,
When by continued and recurrent discharge
Expelled, a picture from the mirrors' plane.
Nor otherwise, it seems, can they be kept
So well conserved that thus be given back
Figures so like each object.

Now then, learn
How tenuous is the nature of an image.
And in the first place, since primordials be
So far beneath our senses, and much less
E'en than those objects which begin to grow
Too small for eyes to note, learn now in few
How nice are the beginnings of all things--
That this, too, I may yet confirm in proof:
First, living creatures are sometimes so small
That even their third part can nowise be seen;
Judge, then, the size of any inward organ--
What of their sphered heart, their eyes, their limbs,
The skeleton? --How tiny thus they are!
And what besides of those first particles
Whence soul and mind must fashioned be? --Seest not
How nice and how minute? Besides, whatever
Exhales from out its body a sharp smell--
The nauseous absinth, or the panacea,
Strong southernwood, or bitter centaury--
If never so lightly with thy [fingers] twain
Perchance [thou touch] a one of them

*****

Then why not rather know that images
Flit hither and thither, many, in many modes,
Bodiless and invisible?

But lest
Haply thou holdest that those images
Which come from objects are the sole that flit,
Others indeed there be of own accord
Begot, self-formed in earth's aery skies,
Which, moulded to innumerable shapes,
Are borne aloft, and, fluid as they are,
Cease not to change appearance and to turn
Into new outlines of all sorts of forms;
As we behold the clouds grow thick on high
And smirch the serene vision of the world,
Stroking the air with motions. For oft are seen
The giants' faces flying far along
And trailing a spread of shadow; and at times
The mighty mountains and mountain-sundered rocks
Going before and crossing on the sun,
Whereafter a monstrous beast dragging amain
And leading in the other thunderheads.
Now [hear] how easy and how swift they be
Engendered, and perpetually flow off
From things and gliding pass away. . . .

*****

For ever every outside streams away
From off all objects, since discharge they may;
And when this outside reaches other things,
As chiefly glass, it passes through; but where
It reaches the rough rocks or stuff of wood,
There 'tis so rent that it cannot give back
An image. But when gleaming objects dense,
As chiefly mirrors, have been set before it,
Nothing of this sort happens. For it can't
Go, as through glass, nor yet be rent--its safety,
By virtue of that smoothness, being sure.
'Tis therefore that from them the images
Stream back to us; and howso suddenly
Thou place, at any instant, anything
Before a mirror, there an image shows;
Proving that ever from a body's surface
Flow off thin textures and thin shapes of things.
Thus many images in little time
Are gendered; so their origin is named
Rightly a speedy. And even as the sun
Must send below, in little time, to earth
So many beams to keep all things so full
Of light incessant; thus, on grounds the same,
From things there must be borne, in many modes,
To every quarter round, upon the moment,
The many images of things; because
Unto whatever face of things we turn
The mirror, things of form and hue the same
Respond. Besides, though but a moment since
Serenest was the weather of the sky,
So fiercely sudden is it foully thick
That ye might think that round about all murk
Had parted forth from Acheron and filled
The mighty vaults of sky--so grievously,
As gathers thus the storm-clouds' gruesome night,
Do faces of black horror hang on high--
Of which how small a part an image is
There's none to tell or reckon out in words.

Now come; with what swift motion they are borne,
These images, and what the speed assigned
To them across the breezes swimming on--
So that o'er lengths of space a little hour
Alone is wasted, toward whatever region
Each with its divers impulse tends--I'll tell
In verses sweeter than they many are;
Even as the swan's slight note is better far
Than that dispersed clamour of the cranes
Among the southwind's aery clouds. And first,
One oft may see that objects which are light
And made of tiny bodies are the swift;
In which class is the sun's light and his heat,
Since made from small primordial elements
Which, as it were, are forward knocked along
And through the interspaces of the air
To pass delay not, urged by blows behind;
For light by light is instantly supplied
And gleam by following gleam is spurred and driven.
Thus likewise must the images have power
Through unimaginable space to speed
Within a point of time,--first, since a cause
Exceeding small there is, which at their back
Far forward drives them and propels, where, too,
They're carried with such winged lightness on;
And, secondly, since furnished, when sent off,
With texture of such rareness that they can
Through objects whatsoever penetrate
And ooze, as 'twere, through intervening air.
Besides, if those fine particles of things
Which from so deep within are sent abroad,
As light and heat of sun, are seen to glide
And spread themselves through all the space of heaven
Upon one instant of the day, and fly
O'er sea and lands and flood the heaven, what then
Of those which on the outside stand prepared,
When they're hurled off with not a thing to check
Their going out? Dost thou not see indeed
How swifter and how farther must they go
And speed through manifold the length of space
In time the same that from the sun the rays
O'erspread the heaven? This also seems to be
Example chief and true with what swift speed
The images of things are borne about:
That soon as ever under open skies
Is spread the shining water, all at once,
If stars be out in heaven, upgleam from earth,
Serene and radiant in the water there,
The constellations of the universe--
Now seest thou not in what a point of time
An image from the shores of ether falls
Unto the shores of earth? Wherefore, again,
And yet again, 'tis needful to confess
With wondrous. . .

*****





THE SENSES AND MENTAL PICTURES

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see
What kind the object and how far away.

Nor over-marvellous must this be deemed
In these affairs that, though the films which strike
Upon the eyes cannot be singly seen,
The things themselves may be perceived. For thus
When the wind beats upon us stroke by stroke
And when the sharp cold streams, 'tis not our wont
To feel each private particle of wind
Or of that cold, but rather all at once;
And so we see how blows affect our body,
As if one thing were beating on the same
And giving us the feel of its own body
Outside of us. Again, whene'er we thump
With finger-tip upon a stone, we touch
But the rock's surface and the outer hue,
Nor feel that hue by contact--rather feel
The very hardness deep within the rock.

Now come, and why beyond a looking-glass
An image may be seen, perceive. For seen
It soothly is, removed far within.
'Tis the same sort as objects peered upon
Outside in their true shape, whene'er a door
Yields through itself an open peering-place,
And lets us see so many things outside
Beyond the house. Also that sight is made
By a twofold twin air: for first is seen
The air inside the door-posts; next the doors,
The twain to left and right; and afterwards
A light beyond comes brushing through our eyes,
Then other air, then objects peered upon
Outside in their true shape. And thus, when first
The image of the glass projects itself,
As to our gaze it comes, it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes, and brings to pass
That we perceive the air ere yet the glass.
But when we've also seen the glass itself,
Forthwith that image which from us is borne
Reaches the glass, and there thrown back again
Comes back unto our eyes, and driving rolls
Ahead of itself another air, that then
'Tis this we see before itself, and thus
It looks so far removed behind the glass.
Wherefore again, again, there's naught for wonder

*****

In those which render from the mirror's plane
A vision back, since each thing comes to pass
By means of the two airs. Now, in the glass
The right part of our members is observed
Upon the left, because, when comes the image
Hitting against the level of the glass,
'Tis not returned unshifted; but forced off
Backwards in line direct and not oblique,--
Exactly as whoso his plaster-mask
Should dash, before 'twere dry, on post or beam,
And it should straightway keep, at clinging there,
Its shape, reversed, facing him who threw,
And so remould the features it gives back:
It comes that now the right eye is the left,
The left the right. An image too may be
From mirror into mirror handed on,
Until of idol-films even five or six
Have thus been gendered. For whatever things
Shall hide back yonder in the house, the same,
However far removed in twisting ways,
May still be all brought forth through bending paths
And by these several mirrors seen to be
Within the house, since nature so compels
All things to be borne backward and spring off
At equal angles from all other things.
To such degree the image gleams across
From mirror unto mirror; where 'twas left
It comes to be the right, and then again
Returns and changes round unto the left.
Again, those little sides of mirrors curved
Proportionate to the bulge of our own flank
Send back to us their idols with the right
Upon the right; and this is so because
Either the image is passed on along
From mirror unto mirror, and thereafter,
When twice dashed off, flies back unto ourselves;
Or else the image wheels itself around,
When once unto the mirror it has come,
Since the curved surface teaches it to turn
To usward. Further, thou might'st well believe
That these film-idols step along with us
And set their feet in unison with ours
And imitate our carriage, since from that
Part of a mirror whence thou hast withdrawn
Straightway no images can be returned.

Further, our eye-balls tend to flee the bright
And shun to gaze thereon; the sun even blinds,
If thou goest on to strain them unto him,
Because his strength is mighty, and the films
Heavily downward from on high are borne
Through the pure ether and the viewless winds,
And strike the eyes, disordering their joints.
So piecing lustre often burns the eyes,
Because it holdeth many seeds of fire
Which, working into eyes, engender pain.
Again, whatever jaundiced people view
Becomes wan-yellow, since from out their bodies
Flow many seeds wan-yellow forth to meet
The films of things, and many too are mixed
Within their eye, which by contagion paint
All things with sallowness. Again, we view
From dark recesses things that stand in light,
Because, when first has entered and possessed
The open eyes this nearer darkling air,
Swiftly the shining air and luminous
Followeth in, which purges then the eyes
And scatters asunder of that other air
The sable shadows, for in large degrees
This air is nimbler, nicer, and more strong.
And soon as ever 'thas filled and oped with light
The pathways of the eyeballs, which before
Black air had blocked, there follow straightaway
Those films of things out-standing in the light,
Provoking vision--what we cannot do
From out the light with objects in the dark,
Because that denser darkling air behind
Followeth in, and fills each aperture
And thus blockades the pathways of the eyes
That there no images of any things
Can be thrown in and agitate the eyes.

And when from far away we do behold
The squared towers of a city, oft
Rounded they seem,--on this account because
Each distant angle is perceived obtuse,
Or rather it is not perceived at all;
And perishes its blow nor to our gaze
Arrives its stroke, since through such length of air
Are borne along the idols that the air
Makes blunt the idol of the angle's point
By numerous collidings. When thuswise
The angles of the tower each and all
Have quite escaped the sense, the stones appear
As rubbed and rounded on a turner's wheel--
Yet not like objects near and truly round,
But with a semblance to them, shadowily.
Likewise, our shadow in the sun appears
To move along and follow our own steps
And imitate our carriage--if thou thinkest
Air that is thus bereft of light can walk,
Following the gait and motion of mankind.
For what we use to name a shadow, sure
Is naught but air deprived of light. No marvel:
Because the earth from spot to spot is reft
Progressively of light of sun, whenever
In moving round we get within its way,
While any spot of earth by us abandoned
Is filled with light again, on this account
It comes to pass that what was body's shadow
Seems still the same to follow after us
In one straight course. Since, evermore pour in
New lights of rays, and perish then the old,
Just like the wool that's drawn into the flame.
Therefore the earth is easily spoiled of light
And easily refilled and from herself
Washeth the black shadows quite away.

And yet in this we don't at all concede
That eyes be cheated. For their task it is
To note in whatsoever place be light,
In what be shadow: whether or no the gleams
Be still the same, and whether the shadow which
Just now was here is that one passing thither,
Or whether the facts be what we said above,
'Tis after all the reasoning of mind
That must decide; nor can our eyeballs know
The nature of reality. And so
Attach thou not this fault of mind to eyes,
Nor lightly think our senses everywhere
Are tottering. The ship in which we sail
Is borne along, although it seems to stand;
The ship that bides in roadstead is supposed
There to be passing by. And hills and fields
Seem fleeing fast astern, past which we urge
The ship and fly under the bellying sails.
The stars, each one, do seem to pause, affixed
To the ethereal caverns, though they all
Forever are in motion, rising out
And thence revisiting their far descents
When they have measured with their bodies bright
The span of heaven. And likewise sun and moon
Seem biding in a roadstead,--objects which,
As plain fact proves, are really borne along.
Between two mountains far away aloft
From midst the whirl of waters open lies
A gaping exit for the fleet, and yet
They seem conjoined in a single isle.
When boys themselves have stopped their spinning round,
The halls still seem to whirl and posts to reel,
Until they now must almost think the roofs
Threaten to ruin down upon their heads.
And now, when nature begins to lift on high
The sun's red splendour and the tremulous fires,
And raise him o'er the mountain-tops, those mountains--
O'er which he seemeth then to thee to be,
His glowing self hard by atingeing them
With his own fire--are yet away from us
Scarcely two thousand arrow-shots, indeed
Oft scarce five hundred courses of a dart;
Although between those mountains and the sun
Lie the huge plains of ocean spread beneath
The vasty shores of ether, and intervene
A thousand lands, possessed by many a folk
And generations of wild beasts. Again,
A pool of water of but a finger's depth,
Which lies between the stones along the pave,
Offers a vision downward into earth
As far, as from the earth o'erspread on high
The gulfs of heaven; that thus thou seemest to view
Clouds down below and heavenly bodies plunged
Wondrously in heaven under earth.
Then too, when in the middle of the stream
Sticks fast our dashing horse, and down we gaze
Into the river's rapid waves, some force
Seems then to bear the body of the horse,
Though standing still, reversely from his course,
And swiftly push up-stream. And wheresoe'er
We cast our eyes across, all objects seem
Thus to be onward borne and flow along
In the same way as we. A portico,
Albeit it stands well propped from end to end
On equal columns, parallel and big,
Contracts by stages in a narrow cone,
When from one end the long, long whole is seen,--
Until, conjoining ceiling with the floor,
And the whole right side with the left, it draws
Together to a cone's nigh-viewless point.
To sailors on the main the sun he seems
From out the waves to rise, and in the waves
To set and bury his light--because indeed
They gaze on naught but water and the sky.
Again, to gazers ignorant of the sea,
Vessels in port seem, as with broken poops,
To lean upon the water, quite agog;
For any portion of the oars that's raised
Above the briny spray is straight, and straight
The rudders from above. But other parts,
Those sunk, immersed below the water-line,
Seem broken all and bended and inclined
Sloping to upwards, and turned back to float
Almost atop the water. And when the winds
Carry the scattered drifts along the sky
In the night-time, then seem to glide along
The radiant constellations 'gainst the clouds
And there on high to take far other course
From that whereon in truth they're borne. And then,
If haply our hand be set beneath one eye
And press below thereon, then to our gaze
Each object which we gaze on seems to be,
By some sensation twain--then twain the lights
Of lampions burgeoning in flowers of flame,
And twain the furniture in all the house,
Two-fold the visages of fellow-men,
And twain their bodies. And again, when sleep
Has bound our members down in slumber soft
And all the body lies in deep repose,
Yet then we seem to self to be awake
And move our members; and in night's blind gloom
We think to mark the daylight and the sun;
And, shut within a room, yet still we seem
To change our skies, our oceans, rivers, hills,
To cross the plains afoot, and hear new sounds,
Though still the austere silence of the night
Abides around us, and to speak replies,
Though voiceless. Other cases of the sort
Wondrously many do we see, which all
Seek, so to say, to injure faith in sense--
In vain, because the largest part of these
Deceives through mere opinions of the mind,
Which we do add ourselves, feigning to see
What by the senses are not seen at all.
For naught is harder than to separate
Plain facts from dubious, which the mind forthwith
Adds by itself.

Again, if one suppose
That naught is known, he knows not whether this
Itself is able to be known, since he
Confesses naught to know. Therefore with him
I waive discussion--who has set his head
Even where his feet should be. But let me grant
That this he knows,--I question: whence he knows
What 'tis to know and not-to-know in turn,
And what created concept of the truth,
And what device has proved the dubious
To differ from the certain? --since in things
He's heretofore seen naught of true. Thou'lt find
That from the senses first hath been create
Concept of truth, nor can the senses be
Rebutted.
For criterion must be found
Worthy of greater trust, which shall defeat
Through own authority the false by true;
What, then, than these our senses must there be
Worthy a greater trust? Shall reason, sprung
From some false sense, prevail to contradict
Those senses, sprung as reason wholly is
From out the senses? --For lest these be true,
All reason also then is falsified.
Or shall the ears have power to blame the eyes,
Or yet the touch the ears? Again, shall taste
Accuse this touch or shall the nose confute
Or eyes defeat it? Methinks not so it is:
For unto each has been divided off
Its function quite apart, its power to each;
And thus we're still constrained to perceive
The soft, the cold, the hot apart, apart
All divers hues and whatso things there be
Conjoined with hues. Likewise the tasting tongue
Has its own power apart, and smells apart
And sounds apart are known. And thus it is
That no one sense can e'er convict another.
Nor shall one sense have power to blame itself,
Because it always must be deemed the same,
Worthy of equal trust. And therefore what
At any time unto these senses showed,
The same is true. And if the reason be
Unable to unravel us the cause
Why objects, which at hand were square, afar
Seemed rounded, yet it more availeth us,
Lacking the reason, to pretend a cause
For each configuration, than to let
From out our hands escape the obvious things
And injure primal faith in sense, and wreck
All those foundations upon which do rest
Our life and safety. For not only reason
Would topple down; but even our very life
Would straightaway collapse, unless we dared
To trust our senses and to keep away
From headlong heights and places to be shunned
Of a like peril, and to seek with speed
Their opposites! Again, as in a building,
If the first plumb-line be askew, and if
The square deceiving swerve from lines exact,
And if the level waver but the least
In any part, the whole construction then
Must turn out faulty--shelving and askew,
Leaning to back and front, incongruous,
That now some portions seem about to fall,
And falls the whole ere long--betrayed indeed
By first deceiving estimates: so too
Thy calculations in affairs of life
Must be askew and false, if sprung for thee
From senses false. So all that troop of words
Marshalled against the senses is quite vain.

And now remains to demonstrate with ease
How other senses each their things perceive.

Firstly, a sound and every voice is heard,
When, getting into ears, they strike the sense
With their own body. For confess we must
Even voice and sound to be corporeal,
Because they're able on the sense to strike.
Besides voice often scrapes against the throat,
And screams in going out do make more rough
The wind-pipe--naturally enough, methinks,
When, through the narrow exit rising up
In larger throng, these primal germs of voice
Have thus begun to issue forth. In sooth,
Also the door of the mouth is scraped against
[By air blown outward] from distended [cheeks].

*****

And thus no doubt there is, that voice and words
Consist of elements corporeal,
With power to pain. Nor art thou unaware
Likewise how much of body's ta'en away,
How much from very thews and powers of men
May be withdrawn by steady talk, prolonged
Even from the rising splendour of the morn
To shadows of black evening,--above all
If 't be outpoured with most exceeding shouts.
Therefore the voice must be corporeal,
Since the long talker loses from his frame
A part.

Moreover, roughness in the sound
Comes from the roughness in the primal germs,
As a smooth sound from smooth ones is create;
Nor have these elements a form the same
When the trump rumbles with a hollow roar,
As when barbaric Berecynthian pipe
Buzzes with raucous boomings, or when swans
By night from icy shores of Helicon
With wailing voices raise their liquid dirge.

Thus, when from deep within our frame we force
These voices, and at mouth expel them forth,
The mobile tongue, artificer of words,
Makes them articulate, and too the lips
By their formations share in shaping them.
Hence when the space is short from starting-point
To where that voice arrives, the very words
Must too be plainly heard, distinctly marked.
For then the voice conserves its own formation,
Conserves its shape. But if the space between
Be longer than is fit, the words must be
Through the much air confounded, and the voice
Disordered in its flight across the winds--
And so it haps, that thou canst sound perceive,
Yet not determine what the words may mean;
To such degree confounded and encumbered
The voice approaches us. Again, one word,
Sent from the crier's mouth, may rouse all ears
Among the populace. And thus one voice
Scatters asunder into many voices,
Since it divides itself for separate ears,
Imprinting form of word and a clear tone.
But whatso part of voices fails to hit
The ears themselves perishes, borne beyond,
Idly diffused among the winds. A part,
Beating on solid porticoes, tossed back
Returns a sound; and sometimes mocks the ear
With a mere phantom of a word. When this
Thou well hast noted, thou canst render count
Unto thyself and others why it is
Along the lonely places that the rocks
Give back like shapes of words in order like,
When search we after comrades wandering
Among the shady mountains, and aloud
Call unto them, the scattered. I have seen
Spots that gave back even voices six or seven
For one thrown forth--for so the very hills,
Dashing them back against the hills, kept on
With their reverberations. And these spots
The neighbouring country-side doth feign to be
Haunts of the goat-foot satyrs and the nymphs;
And tells ye there be fauns, by whose night noise
And antic revels yonder they declare
The voiceless silences are broken oft,
And tones of strings are made and wailings sweet
Which the pipe, beat by players' finger-tips,
Pours out; and far and wide the farmer-race
Begins to hear, when, shaking the garmentings
Of pine upon his half-beast head, god-Pan
With puckered lip oft runneth o'er and o'er
The open reeds,--lest flute should cease to pour
The woodland music! Other prodigies
And wonders of this ilk they love to tell,
Lest they be thought to dwell in lonely spots
And even by gods deserted. This is why
They boast of marvels in their story-tellings;
Or by some other reason are led on--
Greedy, as all mankind hath ever been,
To prattle fables into ears.

Again,
One need not wonder how it comes about
That through those places (through which eyes cannot
View objects manifest) sounds yet may pass
And assail the ears. For often we observe
People conversing, though the doors be closed;
No marvel either, since all voice unharmed
Can wind through bended apertures of things,
While idol-films decline to--for they're rent,
Unless along straight apertures they swim,
Like those in glass, through which all images
Do fly across. And yet this voice itself,
In passing through shut chambers of a house,
Is dulled, and in a jumble enters ears,
And sound we seem to hear far more than words.
Moreover, a voice is into all directions
Divided up, since off from one another
New voices are engendered, when one voice
Hath once leapt forth, outstarting into many--
As oft a spark of fire is wont to sprinkle
Itself into its several fires. And so,
Voices do fill those places hid behind,
Which all are in a hubbub round about,
Astir with sound. But idol-films do tend,
As once sent forth, in straight directions all;
Wherefore one can inside a wall see naught,
Yet catch the voices from beyond the same.

Nor tongue and palate, whereby we flavour feel,
Present more problems for more work of thought.
Firstly, we feel a flavour in the mouth,
When forth we squeeze it, in chewing up our food,--
As any one perchance begins to squeeze
With hand and dry a sponge with water soaked.
Next, all which forth we squeeze is spread about
Along the pores and intertwined paths
Of the loose-textured tongue. And so, when smooth
The bodies of the oozy flavour, then
Delightfully they touch, delightfully
They treat all spots, around the wet and trickling
Enclosures of the tongue. And contrariwise,
They sting and pain the sense with their assault,
According as with roughness they're supplied.
Next, only up to palate is the pleasure
Coming from flavour; for in truth when down
'Thas plunged along the throat, no pleasure is,
Whilst into all the frame it spreads around;
Nor aught it matters with what food is fed
The body, if only what thou take thou canst
Distribute well digested to the frame
And keep the stomach in a moist career.

Now, how it is we see some food for some,
Others for others. . . .

*****

I will unfold, or wherefore what to some
Is foul and bitter, yet the same to others
Can seem delectable to eat,--why here
So great the distance and the difference is
That what is food to one to some becomes
Fierce poison, as a certain snake there is
Which, touched by spittle of a man, will waste
And end itself by gnawing up its coil.
Again, fierce poison is the hellebore
To us, but puts the fat on goats and quails.
That thou mayst know by what devices this
Is brought about, in chief thou must recall
What we have said before, that seeds are kept
Commixed in things in divers modes. Again,
As all the breathing creatures which take food
Are outwardly unlike, and outer cut
And contour of their members bounds them round,
Each differing kind by kind, they thus consist
Of seeds of varying shape. And furthermore,
Since seeds do differ, divers too must be
The interstices and paths (which we do call
The apertures) in all the members, even
In mouth and palate too. Thus some must be
More small or yet more large, three-cornered some
And others squared, and many others round,
And certain of them many-angled too
In many modes. For, as the combination
And motion of their divers shapes demand,
The shapes of apertures must be diverse
And paths must vary according to their walls
That bound them. Hence when what is sweet to some,
Becomes to others bitter, for him to whom
'Tis sweet, the smoothest particles must needs
Have entered caressingly the palate's pores.
And, contrariwise, with those to whom that sweet
Is sour within the mouth, beyond a doubt
The rough and barbed particles have got
Into the narrows of the apertures.
Now easy it is from these affairs to know
Whatever. . .

*****

Indeed, where one from o'er-abundant bile
Is stricken with fever, or in other wise
Feels the roused violence of some malady,
There the whole frame is now upset, and there
All the positions of the seeds are changed,--
So that the bodies which before were fit
To cause the savour, now are fit no more,
And now more apt are others which be able
To get within the pores and gender sour.
Both sorts, in sooth, are intermixed in honey--
What oft we've proved above to thee before.
Now come, and I will indicate what wise
Impact of odour on the nostrils touches.
And first, 'tis needful there be many things
From whence the streaming flow of varied odours
May roll along, and we're constrained to think
They stream and dart and sprinkle themselves about
Impartially. But for some breathing creatures
One odour is more apt, to others another--
Because of differing forms of seeds and pores.
Thus on and on along the zephyrs bees
Are led by odour of honey, vultures too
By carcasses. Again, the forward power
Of scent in dogs doth lead the hunter on
Whithersoever the splay-foot of wild beast
Hath hastened its career; and the white goose,
The saviour of the Roman citadel,
Forescents afar the odour of mankind.
Thus, diversly to divers ones is given
Peculiar smell that leadeth each along
To his own food or makes him start aback
From loathsome poison, and in this wise are
The generations of the wild preserved.

Yet is this pungence not alone in odours
Or in the class of flavours; but, likewise,
The look of things and hues agree not all
So well with senses unto all, but that
Some unto some will be, to gaze upon,
More keen and painful. Lo, the raving lions,
They dare not face and gaze upon the cock
Who's wont with wings to flap away the night
From off the stage, and call the beaming morn
With clarion voice--and lions straightway thus
Bethink themselves of flight, because, ye see,
Within the body of the cocks there be
Some certain seeds, which, into lions' eyes
Injected, bore into the pupils deep
And yield such piercing pain they can't hold out
Against the cocks, however fierce they be--
Whilst yet these seeds can't hurt our gaze the least,
Either because they do not penetrate,
Or since they have free exit from the eyes
As soon as penetrating, so that thus
They cannot hurt our eyes in any part
By there remaining.

To speak once more of odour;
Whatever assail the nostrils, some can travel
A longer way than others. None of them,
However, 's borne so far as sound or voice--
While I omit all mention of such things
As hit the eyesight and assail the vision.
For slowly on a wandering course it comes
And perishes sooner, by degrees absorbed
Easily into all the winds of air;--
And first, because from deep inside the thing
It is discharged with labour (for the fact
That every object, when 'tis shivered, ground,
Or crumbled by the fire, will smell the stronger
Is sign that odours flow and part away
From inner regions of the things). And next,
Thou mayest see that odour is create
Of larger primal germs than voice, because
It enters not through stony walls, wherethrough
Unfailingly the voice and sound are borne;
Wherefore, besides, thou wilt observe 'tis not
So easy to trace out in whatso place
The smelling object is. For, dallying on
Along the winds, the particles cool off,
And then the scurrying messengers of things
Arrive our senses, when no longer hot.
So dogs oft wander astray, and hunt the scent.

Now mark, and hear what objects move the mind,
And learn, in few, whence unto intellect
Do come what come. And first I tell thee this:
That many images of objects rove
In many modes to every region round--
So thin that easily the one with other,
When once they meet, uniteth in mid-air,
Like gossamer or gold-leaf. For, indeed,
Far thinner are they in their fabric than
Those images which take a hold on eyes
And smite the vision, since through body's pores
They penetrate, and inwardly stir up
The subtle nature of mind and smite the sense.
Thus, Centaurs and the limbs of Scyllas, thus
The Cerberus-visages of dogs we see,
And images of people gone before--
Dead men whose bones earth bosomed long ago;
Because the images of every kind
Are everywhere about us borne--in part
Those which are gendered in the very air
Of own accord, in part those others which
From divers things do part away, and those
Which are compounded, made from out their shapes.
For soothly from no living Centaur is
That phantom gendered, since no breed of beast
Like him was ever; but, when images
Of horse and man by chance have come together,
They easily cohere, as aforesaid,
At once, through subtle nature and fabric thin.
In the same fashion others of this ilk
Created are. And when they're quickly borne
In their exceeding lightness, easily
(As earlier I showed) one subtle image,
Compounded, moves by its one blow the mind,
Itself so subtle and so strangely quick.

That these things come to pass as I record,
From this thou easily canst understand:
So far as one is unto other like,
Seeing with mind as well as with the eyes
Must come to pass in fashion not unlike.
Well, now, since I have shown that I perceive
Haply a lion through those idol-films
Such as assail my eyes, 'tis thine to know
Also the mind is in like manner moved,
And sees, nor more nor less than eyes do see
(Except that it perceives more subtle films)
The lion and aught else through idol-films.
And when the sleep has overset our frame,
The mind's intelligence is now awake,
Still for no other reason, save that these--
The self-same films as when we are awake--
Assail our minds, to such degree indeed
That we do seem to see for sure the man
Whom, void of life, now death and earth have gained
Dominion over. And nature forces this
To come to pass because the body's senses
Are resting, thwarted through the members all,
Unable now to conquer false with true;
And memory lies prone and languishes
In slumber, nor protests that he, the man
Whom the mind feigns to see alive, long since
Hath been the gain of death and dissolution.

And further, 'tis no marvel idols move
And toss their arms and other members round
In rhythmic time--and often in men's sleeps
It haps an image this is seen to do;
In sooth, when perishes the former image,
And other is gendered of another pose,
That former seemeth to have changed its gestures.
Of course the change must be conceived as speedy;
So great the swiftness and so great the store
Of idol-things, and (in an instant brief
As mind can mark) so great, again, the store
Of separate idol-parts to bring supplies.

It happens also that there is supplied
Sometimes an image not of kind the same;
But what before was woman, now at hand
Is seen to stand there, altered into male;
Or other visage, other age succeeds;
But slumber and oblivion take care
That we shall feel no wonder at the thing.

And much in these affairs demands inquiry,
And much, illumination--if we crave
With plainness to exhibit facts. And first,
Why doth the mind of one to whom the whim
To think has come behold forthwith that thing?
Or do the idols watch upon our will,
And doth an image unto us occur,
Directly we desire--if heart prefer
The sea, the land, or after all the sky?
Assemblies of the citizens, parades,
Banquets, and battles, these and all doth she,
Nature, create and furnish at our word? --
Maugre the fact that in same place and spot
Another's mind is meditating things
All far unlike. And what, again, of this:
When we in sleep behold the idols step,
In measure, forward, moving supple limbs,
Whilst forth they put each supple arm in turn
With speedy motion, and with eyeing heads
Repeat the movement, as the foot keeps time?
Forsooth, the idols they are steeped in art,
And wander to and fro well taught indeed,--
Thus to be able in the time of night
To make such games! Or will the truth be this:
Because in one least moment that we mark--
That is, the uttering of a single sound--
There lurk yet many moments, which the reason
Discovers to exist, therefore it comes
That, in a moment how so brief ye will,
The divers idols are hard by, and ready
Each in its place diverse? So great the swiftness,
So great, again, the store of idol-things,
And so, when perishes the former image,
And other is gendered of another pose,
The former seemeth to have changed its gestures.
And since they be so tenuous, mind can mark
Sharply alone the ones it strains to see;
And thus the rest do perish one and all,
Save those for which the mind prepares itself.
Further, it doth prepare itself indeed,
And hopes to see what follows after each--
Hence this result. For hast thou not observed
How eyes, essaying to perceive the fine,
Will strain in preparation, otherwise
Unable sharply to perceive at all?
Yet know thou canst that, even in objects plain,
If thou attendest not, 'tis just the same
As if 'twere all the time removed and far.
What marvel, then, that mind doth lose the rest,
Save those to which 'thas given up itself?
So 'tis that we conjecture from small signs
Things wide and weighty, and involve ourselves
In snarls of self-deceit.




SOME VITAL FUNCTIONS


In these affairs
We crave that thou wilt passionately flee
The one offence, and anxiously wilt shun
The error of presuming the clear lights
Of eyes created were that we might see;
Or thighs and knees, aprop upon the feet,
Thuswise can bended be, that we might step
With goodly strides ahead; or forearms joined
Unto the sturdy uppers, or serving hands
On either side were given, that we might do
Life's own demands. All such interpretation
Is aft-for-fore with inverse reasoning,
Since naught is born in body so that we
May use the same, but birth engenders use:
No seeing ere the lights of eyes were born,
No speaking ere the tongue created was;
But origin of tongue came long before
Discourse of words, and ears created were
Much earlier than any sound was heard;
And all the members, so meseems, were there
Before they got their use: and therefore, they
Could not be gendered for the sake of use.
But contrariwise, contending in the fight
With hand to hand, and rending of the joints,
And fouling of the limbs with gore, was there,
O long before the gleaming spears ere flew;
And nature prompted man to shun a wound,
Before the left arm by the aid of art
Opposed the shielding targe. And, verily,
Yielding the weary body to repose,
Far ancienter than cushions of soft beds,
And quenching thirst is earlier than cups.
These objects, therefore, which for use and life
Have been devised, can be conceived as found
For sake of using. But apart from such
Are all which first were born and afterwards
Gave knowledge of their own utility--
Chief in which sort we note the senses, limbs:
Wherefore, again, 'tis quite beyond thy power
To hold that these could thus have been create
For office of utility.

Likewise,
'Tis nothing strange that all the breathing creatures
Seek, even by nature of their frame, their food.
Yes, since I've taught thee that from off the things
Stream and depart innumerable bodies
In modes innumerable too; but most
Must be the bodies streaming from the living--
Which bodies, vexed by motion evermore,
Are through the mouth exhaled innumerable,
When weary creatures pant, or through the sweat
Squeezed forth innumerable from deep within.
Thus body rarefies, so undermined
In all its nature, and pain attends its state.
And so the food is taken to underprop
The tottering joints, and by its interfusion
To re-create their powers, and there stop up
The longing, open-mouthed through limbs and veins,
For eating. And the moist no less departs
Into all regions that demand the moist;
And many heaped-up particles of hot,
Which cause such burnings in these bellies of ours,
The liquid on arriving dissipates
And quenches like a fire, that parching heat
No longer now can scorch the frame. And so,
Thou seest how panting thirst is washed away
From off our body, how the hunger-pang
It, too, appeased.

Now, how it comes that we,
Whene'er we wish, can step with strides ahead,
And how 'tis given to move our limbs about,
And what device is wont to push ahead
This the big load of our corporeal frame,
I'll say to thee--do thou attend what's said.
I say that first some idol-films of walking
Into our mind do fall and smite the mind,
As said before. Thereafter will arises;
For no one starts to do a thing, before
The intellect previsions what it wills;
And what it there pre-visioneth depends
On what that image is. When, therefore, mind
Doth so bestir itself that it doth will
To go and step along, it strikes at once
That energy of soul that's sown about
In all the body through the limbs and frame--
And this is easy of performance, since
The soul is close conjoined with the mind.
Next, soul in turn strikes body, and by degrees
Thus the whole mass is pushed along and moved.
Then too the body rarefies, and air,
Forsooth as ever of such nimbleness,
Comes on and penetrates aboundingly
Through opened pores, and thus is sprinkled round
Unto all smallest places in our frame.
Thus then by these twain factors, severally,
Body is borne like ship with oars and wind.
Nor yet in these affairs is aught for wonder
That particles so fine can whirl around
So great a body and turn this weight of ours;
For wind, so tenuous with its subtle body,
Yet pushes, driving on the mighty ship
Of mighty bulk; one hand directs the same,
Whatever its momentum, and one helm
Whirls it around, whither ye please; and loads,
Many and huge, are moved and hoisted high
By enginery of pulley-blocks and wheels,
With but light strain.

Now, by what modes this sleep
Pours through our members waters of repose
And frees the breast from cares of mind, I'll tell
In verses sweeter than they many are;
Even as the swan's slight note is better far
Than that dispersed clamour of the cranes
Among the southwind's aery clouds. Do thou
Give me sharp ears and a sagacious mind,--
That thou mayst not deny the things to be
Whereof I'm speaking, nor depart away
With bosom scorning these the spoken truths,
Thyself at fault unable to perceive.
Sleep chiefly comes when energy of soul
Hath now been scattered through the frame, and part
Expelled abroad and gone away, and part
Crammed back and settling deep within the frame--
Whereafter then our loosened members droop.
For doubt is none that by the work of soul
Exist in us this sense, and when by slumber
That sense is thwarted, we are bound to think
The soul confounded and expelled abroad--
Yet not entirely, else the frame would lie
Drenched in the everlasting cold of death.
In sooth, where no one part of soul remained
Lurking among the members, even as fire
Lurks buried under many ashes, whence
Could sense amain rekindled be in members,
As flame can rise anew from unseen fire?

By what devices this strange state and new
May be occasioned, and by what the soul
Can be confounded and the frame grow faint,
I will untangle: see to it, thou, that I
Pour forth my words not unto empty winds.
In first place, body on its outer parts--
Since these are touched by neighbouring aery gusts--
Must there be thumped and strook by blows of air
Repeatedly. And therefore almost all
Are covered either with hides, or else with shells,
Or with the horny callus, or with bark.
Yet this same air lashes their inner parts,
When creatures draw a breath or blow it out.
Wherefore, since body thus is flogged alike
Upon the inside and the out, and blows
Come in upon us through the little pores
Even inward to our body's primal parts
And primal elements, there comes to pass
By slow degrees, along our members then,
A kind of overthrow; for then confounded
Are those arrangements of the primal germs
Of body and of mind. It comes to pass
That next a part of soul's expelled abroad,
A part retreateth in recesses hid,
A part, too, scattered all about the frame,
Cannot become united nor engage
In interchange of motion. Nature now
So hedges off approaches and the paths;
And thus the sense, its motions all deranged,
Retires down deep within; and since there's naught,
As 'twere, to prop the frame, the body weakens,
And all the members languish, and the arms
And eyelids fall, and, as ye lie abed,
Even there the houghs will sag and loose their powers.
Again, sleep follows after food, because
The food produces same result as air,
Whilst being scattered round through all the veins;
And much the heaviest is that slumber which,
Full or fatigued, thou takest; since 'tis then
That the most bodies disarrange themselves,
Bruised by labours hard. And in same wise,
This three-fold change: a forcing of the soul
Down deeper, more a casting-forth of it,
A moving more divided in its parts
And scattered more.

And to whate'er pursuit
A man most clings absorbed, or what the affairs
On which we theretofore have tarried much,
And mind hath strained upon the more, we seem
In sleep not rarely to go at the same.
The lawyers seem to plead and cite decrees,
Commanders they to fight and go at frays,
Sailors to live in combat with the winds,
And we ourselves indeed to make this book,
And still to seek the nature of the world
And set it down, when once discovered, here
In these my country's leaves. Thus all pursuits,
All arts in general seem in sleeps to mock
And master the minds of men. And whosoever
Day after day for long to games have given
Attention undivided, still they keep
(As oft we note), even when they've ceased to grasp
Those games with their own senses, open paths
Within the mind wherethrough the idol-films
Of just those games can come. And thus it is
For many a day thereafter those appear
Floating before the eyes, that even awake
They think they view the dancers moving round
Their supple limbs, and catch with both the ears
The liquid song of harp and speaking chords,
And view the same assembly on the seats,
And manifold bright glories of the stage--
So great the influence of pursuit and zest,
And of the affairs wherein 'thas been the wont
Of men to be engaged-nor only men,
But soothly all the animals. Behold,
Thou'lt see the sturdy horses, though outstretched,
Yet sweating in their sleep, and panting ever,
And straining utmost strength, as if for prize,
As if, with barriers opened now. . .
And hounds of huntsmen oft in soft repose
Yet toss asudden all their legs about,
And growl and bark, and with their nostrils sniff
The winds again, again, as though indeed
They'd caught the scented foot-prints of wild beasts,
And, even when wakened, often they pursue
The phantom images of stags, as though
They did perceive them fleeing on before,
Until the illusion's shaken off and dogs
Come to themselves again. And fawning breed
Of house-bred whelps do feel the sudden urge
To shake their bodies and start from off the ground,
As if beholding stranger-visages.
And ever the fiercer be the stock, the more
In sleep the same is ever bound to rage.
But flee the divers tribes of birds and vex
With sudden wings by night the groves of gods,
When in their gentle slumbers they have dreamed
Of hawks in chase, aswooping on for fight.
Again, the minds of mortals which perform
With mighty motions mighty enterprises,
Often in sleep will do and dare the same
In manner like. Kings take the towns by storm,
Succumb to capture, battle on the field,
Raise a wild cry as if their throats were cut
Even then and there. And many wrestle on
And groan with pains, and fill all regions round
With mighty cries and wild, as if then gnawed
By fangs of panther or of lion fierce.
Many amid their slumbers talk about
Their mighty enterprises, and have often
Enough become the proof of their own crimes.
Many meet death; many, as if headlong
From lofty mountains tumbling down to earth
With all their frame, are frenzied in their fright;
And after sleep, as if still mad in mind,
They scarce come to, confounded as they are
By ferment of their frame. The thirsty man,
Likewise, he sits beside delightful spring
Or river and gulpeth down with gaping throat
Nigh the whole stream. And oft the innocent young,
By sleep o'ermastered, think they lift their dress
By pail or public jordan and then void
The water filtered down their frame entire
And drench the Babylonian coverlets,
Magnificently bright. Again, those males
Into the surging channels of whose years
Now first has passed the seed (engendered
Within their members by the ripened days)
Are in their sleep confronted from without
By idol-images of some fair form--
Tidings of glorious face and lovely bloom,
Which stir and goad the regions turgid now
With seed abundant; so that, as it were
With all the matter acted duly out,
They pour the billows of a potent stream
And stain their garment.

And as said before,
That seed is roused in us when once ripe age
Has made our body strong. . .
As divers causes give to divers things
Impulse and irritation, so one force
In human kind rouses the human seed
To spurt from man. As soon as ever it issues,
Forced from its first abodes, it passes down
In the whole body through the limbs and frame,
Meeting in certain regions of our thews,
And stirs amain the genitals of man.
The goaded regions swell with seed, and then
Comes the delight to dart the same at what
The mad desire so yearns, and body seeks
That object, whence the mind by love is pierced.
For well-nigh each man falleth toward his wound,
And our blood spurts even toward the spot from whence
The stroke wherewith we are strook, and if indeed
The foe be close, the red jet reaches him.
Thus, one who gets a stroke from Venus' shafts--
Whether a boy with limbs effeminate
Assault him, or a woman darting love
From all her body--that one strains to get
Even to the thing whereby he's hit, and longs
To join with it and cast into its frame
The fluid drawn even from within its own.
For the mute craving doth presage delight.




THE PASSION OF LOVE


This craving 'tis that's Venus unto us:
From this, engender all the lures of love,
From this, O first hath into human hearts
Trickled that drop of joyance which ere long
Is by chill care succeeded. Since, indeed,
Though she thou lovest now be far away,
Yet idol-images of her are near
And the sweet name is floating in thy ear.
But it behooves to flee those images;
And scare afar whatever feeds thy love;
And turn elsewhere thy mind; and vent the sperm,
Within thee gathered, into sundry bodies,
Nor, with thy thoughts still busied with one love,
Keep it for one delight, and so store up
Care for thyself and pain inevitable.
For, lo, the ulcer just by nourishing
Grows to more life with deep inveteracy,
And day by day the fury swells aflame,
And the woe waxes heavier day by day--
Unless thou dost destroy even by new blows
The former wounds of love, and curest them
While yet they're fresh, by wandering freely round
After the freely-wandering Venus, or
Canst lead elsewhere the tumults of thy mind.

Nor doth that man who keeps away from love
Yet lack the fruits of Venus; rather takes
Those pleasures which are free of penalties.
For the delights of Venus, verily,
Are more unmixed for mortals sane-of-soul
Than for those sick-at-heart with love-pining.
Yea, in the very moment of possessing,
Surges the heat of lovers to and fro,
Restive, uncertain; and they cannot fix
On what to first enjoy with eyes and hands.
The parts they sought for, those they squeeze so tight,
And pain the creature's body, close their teeth
Often against her lips, and smite with kiss
Mouth into mouth,--because this same delight
Is not unmixed; and underneath are stings
Which goad a man to hurt the very thing,
Whate'er it be, from whence arise for him
Those germs of madness. But with gentle touch
Venus subdues the pangs in midst of love,
And the admixture of a fondling joy
Doth curb the bites of passion. For they hope
That by the very body whence they caught
The heats of love their flames can be put out.
But nature protests 'tis all quite otherwise;
For this same love it is the one sole thing
Of which, the more we have, the fiercer burns
The breast with fell desire. For food and drink
Are taken within our members; and, since they
Can stop up certain parts, thus, easily
Desire of water is glutted and of bread.
But, lo, from human face and lovely bloom
Naught penetrates our frame to be enjoyed
Save flimsy idol-images and vain--
A sorry hope which oft the winds disperse.
As when the thirsty man in slumber seeks
To drink, and water ne'er is granted him
Wherewith to quench the heat within his members,
But after idols of the liquids strives
And toils in vain, and thirsts even whilst he gulps
In middle of the torrent, thus in love
Venus deludes with idol-images
The lovers. Nor they cannot sate their lust
By merely gazing on the bodies, nor
They cannot with their palms and fingers rub
Aught from each tender limb, the while they stray
Uncertain over all the body. Then,
At last, with members intertwined, when they
Enjoy the flower of their age, when now
Their bodies have sweet presage of keen joys,
And Venus is about to sow the fields
Of woman, greedily their frames they lock,
And mingle the slaver of their mouths, and breathe
Into each other, pressing teeth on mouths--
Yet to no purpose, since they're powerless
To rub off aught, or penetrate and pass
With body entire into body--for oft
They seem to strive and struggle thus to do;
So eagerly they cling in Venus' bonds,
Whilst melt away their members, overcome
By violence of delight. But when at last
Lust, gathered in the thews, hath spent itself,
There come a brief pause in the raging heat--
But then a madness just the same returns
And that old fury visits them again,
When once again they seek and crave to reach
They know not what, all powerless to find
The artifice to subjugate the bane.
In such uncertain state they waste away
With unseen wound.

To which be added too,
They squander powers and with the travail wane;
Be added too, they spend their futile years
Under another's beck and call; their duties
Neglected languish and their honest name
Reeleth sick, sick; and meantime their estates
Are lost in Babylonian tapestries;
And unguents and dainty Sicyonian shoes
Laugh on her feet; and (as ye may be sure)
Big emeralds of green light are set in gold;
And rich sea-purple dress by constant wear
Grows shabby and all soaked with Venus' sweat;
And the well-earned ancestral property
Becometh head-bands, coifs, and many a time
The cloaks, or garments Alidensian
Or of the Cean isle. And banquets, set
With rarest cloth and viands, are prepared--
And games of chance, and many a drinking cup,
And unguents, crowns and garlands. All in vain,
Since from amid the well-spring of delights
Bubbles some drop of bitter to torment
Among the very flowers--when haply mind
Gnaws into self, now stricken with remorse
For slothful years and ruin in baudels,
Or else because she's left him all in doubt
By launching some sly word, which still like fire
Lives wildly, cleaving to his eager heart;
Or else because he thinks she darts her eyes
Too much about and gazes at another,--
And in her face sees traces of a laugh.

These ills are found in prospering love and true;
But in crossed love and helpless there be such
As through shut eyelids thou canst still take in--
Uncounted ills; so that 'tis better far
To watch beforehand, in the way I've shown,
And guard against enticements. For to shun
A fall into the hunting-snares of love
Is not so hard, as to get out again,
When tangled in the very nets, and burst
The stoutly-knotted cords of Aphrodite.
Yet even when there enmeshed with tangled feet,
Still canst thou scape the danger-lest indeed
Thou standest in the way of thine own good,
And overlookest first all blemishes
Of mind and body of thy much preferred,
Desirable dame. For so men do,
Eyeless with passion, and assign to them
Graces not theirs in fact. And thus we see
Creatures in many a wise crooked and ugly
The prosperous sweethearts in a high esteem;
And lovers gird each other and advise
To placate Venus, since their friends are smit
With a base passion--miserable dupes
Who seldom mark their own worst bane of all.
The black-skinned girl is "tawny like the honey";
The filthy and the fetid's "negligee";
The cat-eyed she's "a little Pallas," she;
The sinewy and wizened's "a gazelle";
The pudgy and the pigmy is "piquant,
One of the Graces sure"; the big and bulky
O she's "an Admiration, imposante";
The stuttering and tongue-tied "sweetly lisps";
The mute girl's "modest"; and the garrulous,
The spiteful spit-fire, is "a sparkling wit";
And she who scarcely lives for scrawniness
Becomes "a slender darling"; "delicate"
Is she who's nearly dead of coughing-fit;
The pursy female with protuberant breasts
She is "like Ceres when the goddess gave
Young Bacchus suck"; the pug-nosed lady-love
"A Satyress, a feminine Silenus";
The blubber-lipped is "all one luscious kiss"--
A weary while it were to tell the whole.
But let her face possess what charm ye will,
Let Venus' glory rise from all her limbs,--
Forsooth there still are others; and forsooth
We lived before without her; and forsooth
She does the same things--and we know she does--
All, as the ugly creature, and she scents,
Yes she, her wretched self with vile perfumes;
Whom even her handmaids flee and giggle at
Behind her back. But he, the lover, in tears
Because shut out, covers her threshold o'er
Often with flowers and garlands, and anoints
Her haughty door-posts with the marjoram,
And prints, poor fellow, kisses on the doors--
Admitted at last, if haply but one whiff
Got to him on approaching, he would seek
Decent excuses to go out forthwith;
And his lament, long pondered, then would fall
Down at his heels; and there he'd damn himself
For his fatuity, observing how
He had assigned to that same lady more--
Than it is proper to concede to mortals.