get steadily more and more
interested
in their own footling interiors, and .
A-Companion-to-the-Cantos-of-Ezra-Pound-II
" Refers to the ascetic life of Helen of Tyre and the Pythagoreans.
The phrase is in Lacharme's Latin description of the Confucian odes [59:6].
14. Justinian, Theodora: Justinian I, 483- 565, Byzantine emperor, and his wife the Empress Theodora. Famous for codifying the laws and building the Hagia Sophia [65: 126,77:44,94:45].
IS. GREAT CRYSTAL: The great "acorn of light": Neoplatonic metaphor from Gros- seteste's de Luce. The source of the primal creative force [74:249; 116/795]. It mirrors the pine as a reflection in water and thus doubles it. Pound found such ideas as para- digms of reality in Plato and the Platonists after him, who "have caused man after man to be suddenly conscious of the reality of the nous, of mind, apart from any man's individual mind, of the sea crystalline and enduring, of the bright as it were molten glass that envelops us, full of light"
[GK,44].
16. pensar . . . ripaus: P, "to think of her is my rest. " From Arnaut's, "En breu brisral temps braus," which Pound translates: "Briefly bursteth season brisk" [LE, 135]. Connected with the "If I see her not" refrain
[JW].
17. Miss Tudor: Elizabeth I, a historical fig- ure who made a difference, as did Sigis- mundo, Justinian, and Theodora. It was the divine nous reflected in the depth of her eyes, the window of divinity flowing on in process, that animated Drake-referred to in "he saw it" [cf. 21 below].
18. compenetrans: L, "intensely pen- etrating. "
19. Princess Ra-Set: Conflation of "two ancient Egyptian male divinities, Ra and Set . . . into a single female entity" [B de R, Approaches, 181], thus representing the full solar and lunar cycles. Ra, the sun-god, as good and Set, the moon-god, as evil. In the Osiris myth, Set, bound in chains by Horus, is liberated by Isis. Ra-Set thus connects' with Isis-Kuanon [90:28]. The "cloud" in this passage has esoteric Significance both sensual and spiritual. Says Mead: "Porphyry
. . .
20. convien . . . amando: I, "It is right that the mind should move by loving" [Par. XXVI,34-35].
21. Drake: Sir Francis Drake, 1540-1596. The first Englishman to circumnavigate the globe. In the power struggle between Spain and England, Drake played a critical role. In 1587, he entered the port of Cadiz and destroyed the Spanish fleet there; in 1588, he was vice-admiral in the fleet that defeated the Armada. In him, the spirit of the Eliza- bethan age reached its height. A "luminous" persona who altered history.
22. ichor: H, "the fluid that flows in the veins of gods. " An ethereal blood.
23. arnor: L, "love. " With "ichor" we have a metaphor: Love is not the soul but the divine fluid that flows from the soul [cf. 90:1]. Mead says, "Homer knew that blood was the food and aliment of spirit," and, "Diogenes Laertius. . . attributes to Pythagoras the opinion 'that the soul is nourished by blood' " [Doctrine, 38n. ].
24. J. Heydon: [90:2]
25. Apollonius: [Cf. 94 below] .
26. Ocellus: [Cf. 12 above].
27. "to this khan": Source of quote un-
known. A khan is an Oriental inn surround- ing a courtyard, as well as the title of a ruler in Central Asia.
28. The golden sun boat: The vehicle by which the Egyptian sun-god Ra traversed the underworld during the night to reappear in the east at dawn, as set forth in the Book of the Dead. The journey is a rhyme with that of Helios [23: 12-18] .
tells us that
attract a moist spirit to them, and condense it like a cloud (for the moist being con- densed in air constitutes a cloud)" [Doc- trine, 48].
29. Love
line of The Divine Comedy: "the Love which moves the sun and the other stars"
[Par. XXXIII, 145].
30. ''''pix ~Wl1wv: H, "beside the altar. "
31. Tamuz! : The Babylonian name for the Dionysus-Bacchus-Zagreus-Adonis figure
[74:12-15].
32. set lights now in the sea: Reference to the July celebration of the death of the vegetation god [90:31].
33. hide cocoons: Primitive vegetation rite, still practiced as part of Christian celebra- tions among old women on the Ligurian Coast.
34. hsien: [M2692]. "The tensile light" that flows from the divine [74:88]. A trans- literation of the character beside it. The dualism of fire and light is repeated with fire connoting sensual experience and light, intel? ligence [ef. 2,3 above].
35. 'EMv(,"" H, "Helen. " Epithet for a number of great queens. Here, Elizabeth I.
36. Ra-Set: [Cf. 19 above]. Says Mead: "We find Porphyry elsewhere explaining the Egyptian symbolism of the boats or barques of the 'daimones' as being intended to represent not solid bodies, but the vehi- cles in which they 'sail on the moist' " [Doc- trine, 47]. .
37. Queen's eye: In Jose-Maria de Heredia's Antoine et Chiopatre, Antony looked into Cleopatra's eyes and saw "Toute une mer immense au fuyient des galeres" ("A whole immense sea where galleons were fleeing);
[Dekker, Cantos, 105].
souls who love the body
moving . . .
: Paraphrase of the last
? 550
91/612-613
91/613-614
551
38. ne quaesaris: L, "he asked not. " EP's standard rendering of Horace's "ne quaesieris" [Calm. I, 11, IJ, which he takes to mean unhesitating commitment [SR, 96J.
39. He . . . hunting rite: The "he" is prob. the Trojan Brut of Layamon's Brut, who founded Albion after invoking the protec- tion of Diana. Albion was the new Troy, a city of love associated with Montsegur. In Ur-Canto 3, Pound placed Layamon with Heydon.
40. sanctus: L, "holy" or "divine,"
41. Leafdi . . . londe: OE, part of song sung to Diana by Brutus in Layamon's Brut: "Lady Diana, dear Diana / High Diana, help me in my need / Teach me through skill/ where I might go / to a winsome land" [CB-R, ZBC, 190J. Brutus, great grandson of Aeneas, came to an island empty except for wild deer, where his men found a marble temple sacred to Diana. Unlike his men, Brutus was unafraid. He "entered the temple alone, with a vessel of red gold, full of milk from a white hind he had shot, and wine separately" [ibid. J . After an elaborate ritual, he uttered the prayer from which these lines are taken.
42. Rome th'i1ke tyme was noght: OE, "Rome at this time was not [inhabitedJ. " From Robert of Brunne [ibid. J.
43. Lear: King Leir in Layamon.
44. Janus: Underworld god who rules the double gates of birth and death [47: ! OJ . In Layarnon, King Lear dies and is buried "inne Janies temple" (unlike his fate in Shake- speare).
45. Ideogram: Chen' [M315J, "terrify, shake, or excite. " Pound translates as, "tim~ ing the thunder. "
46. Constance: Constantin the Fair, a monk of post-Roman Briton, brother of Aldroein of Britanny, who sends him to . . . the Britons who have asked for help. He is per- suaded to "shed his hood" and become their king. Unable to govern, he is the victim of a plot and is beheaded. Vortiger, the crafty
earl behind all these doings, becomes king. But he has trouble and loses his throne; he then asks for help from the Angles and Saxons, who thus corne into the land.
47. Merlin's fader: Vortiger once fled to Wales, where he built a castle that kept fall- ing down. A wise man told him that the clay needed "the blood of a man born of no father. " He heard that the boy Merlin was "being taunted for having no father and a whore for a mother. " Merlin's mother, who had become a nun, was sent for.
48. Lord, thaet scop the dayes lihte: OE, "Lord, who created the daylight. " Slight modernization of a line from Aurelie's prayer before battle. Aurelie, the son of Constantin, was chosen by the people to be king after his father died [CB-R, ZBC,
190-194J.
49. a spirit bright: Merlin's mother ex- plained that she was the daughter of a king and that one night a fair figure "all clothed in gold" glided into her bedchamber and embraced her and afterwards she found she was with child [DC, Pai, 3-2, 242J.
50. "By the white dragon . . . ": Merlin is sent for and explains that the castle keeps falling down because two dragons, red and white, fight at midnight under a stone beneath the castle. Merlin foretells that Aurelie will become king but will be poisoned.
51. Aurelie: Just before he dies from the poison, he makes a request. As translated by CB-R: "And lay me at the east end, in Stonehenge, where lie much of my kin. " His brother, Uther, becomes king, and when he dies says (according to Pound), "Lay me by Aurelie. " Uther is buried there.
52. And yilden . . . : OE, "And he began to rear gilds. " An act attributed in Layamon to King Athelstan (924-940), who had peace guilds with judicial functions set up by the bishops and reeves of London. Not to be confused with later craft or trade guilds.
54. Sibile a boken lsette: OE, "Sibyl set in a book. " From the story of one Cadwalader, who had a vision. After his death, his wise men checked out his prophecy to see if it accorded with that of Merlin and Sibyl. They reported it did, saying, "Merlin said it in words, and Sibyl the wise set it in a book" [97: 160J.
55. kikery: An opprobrious epithet Pound applies to usurers and financiers-who foster wars and depressions to make money-as well as to intellectuals in universities and the publishing world who appear to support them. Once, when asked how he could say he was not anti-Semitic when he used words such as "kike" and "kikery," he replied with some feeling: "There are Jew kikes and non- Jew kikes. " Pound marked the passage in italics to be set in a somewhat smaller type: "carattere un poco piu piccolo" [MB, Trace, 296J. The passage is intended to rhyme with the 5 lines in The Divine Comedy where, at the summit of Paradise, St. Peter castigates "him who usurps my seat of earth" and says, "he has made of my burial place a cloaca of blood and filth" [Par. XXVII, 22-26J. Because there was no clear thought about the way divinity manifested in the world, such people as those listed allowed the incit- ing causes of WWI to operate in 1913. Marx and Fre"':ld need no glosses, but lest the reader jump to the wrong conclusion, see the
index to SP, where Marx is listed 18 times and Freud 4. If one reads all Pound has said about Freud over the years, . one concludes he has less quarrel with Freud than he does with Freudians, a rhyme with Christ and Christians or the Buddha and Buddhists [99:25J. Pound said: "People treated by Freudians, etc.
get steadily more and more interested in their own footling interiors, and . . . less interesting to anyone else. . , . They are at the nadir from Spinoza's sane and hearty: the more perfect a thing is the
more it acts and the less it suffers" [NEW May 2, 1935J. N. B. : The functional words in the 8 lines are, "no clear thought about holiness. " A parallel to the unhappy custom of using racial epithets is found in Joyce's Leopold Bloom who, enraged by a money-
lender named Dodd, said: "Now he's what you call a dirty jew. " Dodd in fact wasn't a Jew and Bloom was [HKJ.
56. Maritain: Jacques M. , 1882? 1973, French philosopher who started out to be a scientist but changed to philosophy and wrote extensively on Thomism.
57. Hutchins: Robert Maynard H. , 1899- , American educator famous for estab- lishing novel degree requirements while chancellor of the University of Chicago. He championed intellectual attainment but is no
hero to Pound.
58. Benda: Julien B. , 1867-1956. French critic, novelist, and intellectual whose work Pound admired (fortunately Benda was a Jew). His La trahison des clercs [The treason of the intellectualsJ (I927) contends that it is moral treason to deny intellectual freedom to political candidates. A rhyme with Mus- solini's asserted credo: "freedom is not only a right, it is a duty. "
53. light . . . Ra-Set . . . aboveJ .
crystal:
[Cf. 36
"ecco il te": I, "here is the tea [74:488J.
61. "Dodici Apostoli": I, "The Twelve Apostles. " The name of one of the best restaurants in Verona.
62. (trattoria): "I, "restaurant. "
63. putana: I; "prostitute. " The affable "putana" at Verona wanted to change the spellings in Pound's edition of Cava1canti's poems from the "Capitolare" ms.
64. Come . . . piccolo: I, '''How he
bles the martyr! ' said the little boy. " Prob. young Veronese boy thought Pound or someone resembled the martyr John the Baptist.
65. Battista martire: I, "Baptist, the mar? tyr," applied to Battisti in 72 below.
66. Ortolo: I, "garden" [4:45].
67. San Zeno: I, "St. Zeno. " The patron saint of Verona, he is buried at the finest
59.
en caIcaire . . . : F, "in limestone, forty-
60.
four steps. " Reference to steps at the arena in Verona [4:48].
resem-
? 552
91/614-615
91/615-616
553
Rornanesque church of northern Italy, San Pietro.
68. San Pietro: I, "St. Peter. " The castle and church of S1. Peter offer a magnificent panoramic view of Verona.
69. "quel naszhong": I, "what a nation. " Remark in accent by French child upon see- ing doors of San Zeno.
70. Ed: Edgar Williams, brother of the poet William Carlos Williams. In 1911 he was in Italy on an architectual scholarship and helped Pound find a column inscribed by the sculptor, "Adarninus. " E. W. asked "how the hell we could have any architecture when we ordered our columns by the gross" [HK, Era, 323].
71. Nanni: A lawyer and journalist at Forli and one of the few socialists with whom Mussolini had maintained friendly relations since his youth. Torquato N. wrote the first full biographical sketch of Mussolini in 1924. But in 1934 Mussolini let his old friend be sent to prison for not bending to Fascist orthodoxy. Later he was restored to favor and became a member of Mussolini's in-group during the Sala Republic; he was among those who were captured and shot with him and his mistress, Clara Petacci, at Como in 1945.
72. Battista: Cesare Battisti. He ran a Social- ist paper at Trent before WWI. When Mussol? ini was in Trent in 1909, he occasionally collaborated with Battisti by writing for the paper. Battisti was destined to die on the Austrian gallows for collaborating with the Italians in WWI. His fate influenced Mussol? ini to leave Avanti! , the official Socialist paper, and establish (Nov. 15, 1914) an "Intervention" paper: Il Popolo d'Italia: The Interventionists were a pro-Allied group in WWI.
73. Salo: The Sala Republic in Northern Italy, which Mussloini took over in 1943 as a subservient of Hitler after the fall of the Fascist government at Rome and his dis- missal by King Emanuele III.
74. (Arpinati): Leandro A. One of the
group captured with Mussolini during the attempted fiight from Salo. Pound presumes he died in the manner described, but the historical data are ambiguous.
75. Farinata: F. degli Uberti [78:79]. "Pudg'd" prob. describes a statue.
76. Can Grande's grin: Can Grande della Scala, the great friend and patron of Dante. A statue of Can Grande in the square at Verona shows him with a very toothfu1 smile. A photograph can be found in Ivancich, Ezra Pound in Italy.
82. quidity: The essential nature or "what- ness" of a thing which flows in "the pro- cess" from its virtu. Dante wrote: "Faith is the substance of things hoped for, / and the proof of things not apparent, / and this I take to be its quiddity" [Par. XXIV, 64-65; JW translation: Pai, 2-2, 190] . Pound adap- ted the Italian quiditate [93/631; 103:7J.
83. fire . . . crystal . . . light: [Cf. 2, 3, 15 above J .
4 Rhea: The female Titan, wife of Saturn (Cronos) and mother of the chief gods, in- cluding Ceres (Demeter). Her Latin name was Cybele. In works of art she is often depicted seated on a throne with lions at her side or sometimes riding in a chariot drawn by lions.
85. Musonius: A philosopher colleague of Apollonius of Tyana [94:42] who was forced by Nero to dig the Corinth Canal as a slave laborer-but he did it in defiance of tyranny. Hence, the "tough guy" epithet and the "honor" by Pound [94: 114].
86. Ideogram: Tan [M6037] , "dawn. "
87. The arcanum: The mysterium, or final secrets, unrevealed in the rites of Eleusis except symbolically. Also, the final or secret aspirations of esoteric alchemy. Pound wrote: "The mysteries are not revealed, and no guide book to them has been or will be written" [L, 327].
88. Kc,811OV 8V7C,-rrW H, "Daughter of Cadmus. "
89. parapernalia: Paraphernalia. Leucothea, daughter of Cadmus, in the form of a seabird flew over the foundering raft of Odysseus and told him to get rid of the clothes Calyp? so had given him rOd. V, 331-357; 95:32]
90. Tlemousune: H, "Misery to be suffered with patience. "
91. Domitian: Titus Flavius D. , 51-96, Ro- man emperor. D. was a strict moralist (for others, but a man of unrestrained sensuality himself) who executed many people for lit- tle reason and many for plotting against his tyranny. His wife finally joined others in a
plot that resulted in his murder. At least twice he banished all philosophers from Rome, once while Apollonius, the traveling man of wisdom, was there. Apollonius, re- fusing to leave, was arrested and taken to court [Apol/onius, Bk. VIII, chap. 3; Neault, Poi, 4? 1,4].
92. "Is this a bath-house? ": As Apollonius waited before court, a clerk said to him, "Man of Tyana, you must enter the court with nothing on you," meaning he should have no papers or books. A. 's response, taking the remark to mean "no clothes," resulted in a witty reply which Pound gives as, "Is this a bathouse. . . or a Court House? " [ibid. J.
93. o,AAOT? . . . 8LWK? LV: H, "Has the east wind abandoned him for the west wind to play with? " rOd. V, 332]. Concerns the havoc the winds of Poseidon played with Odysseus's raft. Apollonius traveled much in the eastern countries and was always wel- comed by kings and wise men and treated with great honor and respect. But in the west (Rome) his life was in danger.
94. Apollonius: Like many wise men of old, A. was supposedly able to converse with animals. In Egypt a "whining and fawning" lion approached him as he was sitting in the temple. He explained to bystanders: "This lion is begging me to make you understand that a human soul is within him" [Pai,4-1, 27; 94:42J.
95. charitas insuperabilis: L, "love invinci- ble. " From Richard of St. Victor's Tractatus de Gradibus Charitatis [Treatise on the steps of love].
96. Heydon: [87:82]. John Heydon; secre- tary of nature, author of The Holy Guide, where in Bk. I, Ch. II, we read: " . . . but if God would give you leave and power to ascend to those high places I meane to these heavenly thoughts and studies . . . " [po 26J.
14. Justinian, Theodora: Justinian I, 483- 565, Byzantine emperor, and his wife the Empress Theodora. Famous for codifying the laws and building the Hagia Sophia [65: 126,77:44,94:45].
IS. GREAT CRYSTAL: The great "acorn of light": Neoplatonic metaphor from Gros- seteste's de Luce. The source of the primal creative force [74:249; 116/795]. It mirrors the pine as a reflection in water and thus doubles it. Pound found such ideas as para- digms of reality in Plato and the Platonists after him, who "have caused man after man to be suddenly conscious of the reality of the nous, of mind, apart from any man's individual mind, of the sea crystalline and enduring, of the bright as it were molten glass that envelops us, full of light"
[GK,44].
16. pensar . . . ripaus: P, "to think of her is my rest. " From Arnaut's, "En breu brisral temps braus," which Pound translates: "Briefly bursteth season brisk" [LE, 135]. Connected with the "If I see her not" refrain
[JW].
17. Miss Tudor: Elizabeth I, a historical fig- ure who made a difference, as did Sigis- mundo, Justinian, and Theodora. It was the divine nous reflected in the depth of her eyes, the window of divinity flowing on in process, that animated Drake-referred to in "he saw it" [cf. 21 below].
18. compenetrans: L, "intensely pen- etrating. "
19. Princess Ra-Set: Conflation of "two ancient Egyptian male divinities, Ra and Set . . . into a single female entity" [B de R, Approaches, 181], thus representing the full solar and lunar cycles. Ra, the sun-god, as good and Set, the moon-god, as evil. In the Osiris myth, Set, bound in chains by Horus, is liberated by Isis. Ra-Set thus connects' with Isis-Kuanon [90:28]. The "cloud" in this passage has esoteric Significance both sensual and spiritual. Says Mead: "Porphyry
. . .
20. convien . . . amando: I, "It is right that the mind should move by loving" [Par. XXVI,34-35].
21. Drake: Sir Francis Drake, 1540-1596. The first Englishman to circumnavigate the globe. In the power struggle between Spain and England, Drake played a critical role. In 1587, he entered the port of Cadiz and destroyed the Spanish fleet there; in 1588, he was vice-admiral in the fleet that defeated the Armada. In him, the spirit of the Eliza- bethan age reached its height. A "luminous" persona who altered history.
22. ichor: H, "the fluid that flows in the veins of gods. " An ethereal blood.
23. arnor: L, "love. " With "ichor" we have a metaphor: Love is not the soul but the divine fluid that flows from the soul [cf. 90:1]. Mead says, "Homer knew that blood was the food and aliment of spirit," and, "Diogenes Laertius. . . attributes to Pythagoras the opinion 'that the soul is nourished by blood' " [Doctrine, 38n. ].
24. J. Heydon: [90:2]
25. Apollonius: [Cf. 94 below] .
26. Ocellus: [Cf. 12 above].
27. "to this khan": Source of quote un-
known. A khan is an Oriental inn surround- ing a courtyard, as well as the title of a ruler in Central Asia.
28. The golden sun boat: The vehicle by which the Egyptian sun-god Ra traversed the underworld during the night to reappear in the east at dawn, as set forth in the Book of the Dead. The journey is a rhyme with that of Helios [23: 12-18] .
tells us that
attract a moist spirit to them, and condense it like a cloud (for the moist being con- densed in air constitutes a cloud)" [Doc- trine, 48].
29. Love
line of The Divine Comedy: "the Love which moves the sun and the other stars"
[Par. XXXIII, 145].
30. ''''pix ~Wl1wv: H, "beside the altar. "
31. Tamuz! : The Babylonian name for the Dionysus-Bacchus-Zagreus-Adonis figure
[74:12-15].
32. set lights now in the sea: Reference to the July celebration of the death of the vegetation god [90:31].
33. hide cocoons: Primitive vegetation rite, still practiced as part of Christian celebra- tions among old women on the Ligurian Coast.
34. hsien: [M2692]. "The tensile light" that flows from the divine [74:88]. A trans- literation of the character beside it. The dualism of fire and light is repeated with fire connoting sensual experience and light, intel? ligence [ef. 2,3 above].
35. 'EMv(,"" H, "Helen. " Epithet for a number of great queens. Here, Elizabeth I.
36. Ra-Set: [Cf. 19 above]. Says Mead: "We find Porphyry elsewhere explaining the Egyptian symbolism of the boats or barques of the 'daimones' as being intended to represent not solid bodies, but the vehi- cles in which they 'sail on the moist' " [Doc- trine, 47]. .
37. Queen's eye: In Jose-Maria de Heredia's Antoine et Chiopatre, Antony looked into Cleopatra's eyes and saw "Toute une mer immense au fuyient des galeres" ("A whole immense sea where galleons were fleeing);
[Dekker, Cantos, 105].
souls who love the body
moving . . .
: Paraphrase of the last
? 550
91/612-613
91/613-614
551
38. ne quaesaris: L, "he asked not. " EP's standard rendering of Horace's "ne quaesieris" [Calm. I, 11, IJ, which he takes to mean unhesitating commitment [SR, 96J.
39. He . . . hunting rite: The "he" is prob. the Trojan Brut of Layamon's Brut, who founded Albion after invoking the protec- tion of Diana. Albion was the new Troy, a city of love associated with Montsegur. In Ur-Canto 3, Pound placed Layamon with Heydon.
40. sanctus: L, "holy" or "divine,"
41. Leafdi . . . londe: OE, part of song sung to Diana by Brutus in Layamon's Brut: "Lady Diana, dear Diana / High Diana, help me in my need / Teach me through skill/ where I might go / to a winsome land" [CB-R, ZBC, 190J. Brutus, great grandson of Aeneas, came to an island empty except for wild deer, where his men found a marble temple sacred to Diana. Unlike his men, Brutus was unafraid. He "entered the temple alone, with a vessel of red gold, full of milk from a white hind he had shot, and wine separately" [ibid. J . After an elaborate ritual, he uttered the prayer from which these lines are taken.
42. Rome th'i1ke tyme was noght: OE, "Rome at this time was not [inhabitedJ. " From Robert of Brunne [ibid. J.
43. Lear: King Leir in Layamon.
44. Janus: Underworld god who rules the double gates of birth and death [47: ! OJ . In Layarnon, King Lear dies and is buried "inne Janies temple" (unlike his fate in Shake- speare).
45. Ideogram: Chen' [M315J, "terrify, shake, or excite. " Pound translates as, "tim~ ing the thunder. "
46. Constance: Constantin the Fair, a monk of post-Roman Briton, brother of Aldroein of Britanny, who sends him to . . . the Britons who have asked for help. He is per- suaded to "shed his hood" and become their king. Unable to govern, he is the victim of a plot and is beheaded. Vortiger, the crafty
earl behind all these doings, becomes king. But he has trouble and loses his throne; he then asks for help from the Angles and Saxons, who thus corne into the land.
47. Merlin's fader: Vortiger once fled to Wales, where he built a castle that kept fall- ing down. A wise man told him that the clay needed "the blood of a man born of no father. " He heard that the boy Merlin was "being taunted for having no father and a whore for a mother. " Merlin's mother, who had become a nun, was sent for.
48. Lord, thaet scop the dayes lihte: OE, "Lord, who created the daylight. " Slight modernization of a line from Aurelie's prayer before battle. Aurelie, the son of Constantin, was chosen by the people to be king after his father died [CB-R, ZBC,
190-194J.
49. a spirit bright: Merlin's mother ex- plained that she was the daughter of a king and that one night a fair figure "all clothed in gold" glided into her bedchamber and embraced her and afterwards she found she was with child [DC, Pai, 3-2, 242J.
50. "By the white dragon . . . ": Merlin is sent for and explains that the castle keeps falling down because two dragons, red and white, fight at midnight under a stone beneath the castle. Merlin foretells that Aurelie will become king but will be poisoned.
51. Aurelie: Just before he dies from the poison, he makes a request. As translated by CB-R: "And lay me at the east end, in Stonehenge, where lie much of my kin. " His brother, Uther, becomes king, and when he dies says (according to Pound), "Lay me by Aurelie. " Uther is buried there.
52. And yilden . . . : OE, "And he began to rear gilds. " An act attributed in Layamon to King Athelstan (924-940), who had peace guilds with judicial functions set up by the bishops and reeves of London. Not to be confused with later craft or trade guilds.
54. Sibile a boken lsette: OE, "Sibyl set in a book. " From the story of one Cadwalader, who had a vision. After his death, his wise men checked out his prophecy to see if it accorded with that of Merlin and Sibyl. They reported it did, saying, "Merlin said it in words, and Sibyl the wise set it in a book" [97: 160J.
55. kikery: An opprobrious epithet Pound applies to usurers and financiers-who foster wars and depressions to make money-as well as to intellectuals in universities and the publishing world who appear to support them. Once, when asked how he could say he was not anti-Semitic when he used words such as "kike" and "kikery," he replied with some feeling: "There are Jew kikes and non- Jew kikes. " Pound marked the passage in italics to be set in a somewhat smaller type: "carattere un poco piu piccolo" [MB, Trace, 296J. The passage is intended to rhyme with the 5 lines in The Divine Comedy where, at the summit of Paradise, St. Peter castigates "him who usurps my seat of earth" and says, "he has made of my burial place a cloaca of blood and filth" [Par. XXVII, 22-26J. Because there was no clear thought about the way divinity manifested in the world, such people as those listed allowed the incit- ing causes of WWI to operate in 1913. Marx and Fre"':ld need no glosses, but lest the reader jump to the wrong conclusion, see the
index to SP, where Marx is listed 18 times and Freud 4. If one reads all Pound has said about Freud over the years, . one concludes he has less quarrel with Freud than he does with Freudians, a rhyme with Christ and Christians or the Buddha and Buddhists [99:25J. Pound said: "People treated by Freudians, etc.
get steadily more and more interested in their own footling interiors, and . . . less interesting to anyone else. . , . They are at the nadir from Spinoza's sane and hearty: the more perfect a thing is the
more it acts and the less it suffers" [NEW May 2, 1935J. N. B. : The functional words in the 8 lines are, "no clear thought about holiness. " A parallel to the unhappy custom of using racial epithets is found in Joyce's Leopold Bloom who, enraged by a money-
lender named Dodd, said: "Now he's what you call a dirty jew. " Dodd in fact wasn't a Jew and Bloom was [HKJ.
56. Maritain: Jacques M. , 1882? 1973, French philosopher who started out to be a scientist but changed to philosophy and wrote extensively on Thomism.
57. Hutchins: Robert Maynard H. , 1899- , American educator famous for estab- lishing novel degree requirements while chancellor of the University of Chicago. He championed intellectual attainment but is no
hero to Pound.
58. Benda: Julien B. , 1867-1956. French critic, novelist, and intellectual whose work Pound admired (fortunately Benda was a Jew). His La trahison des clercs [The treason of the intellectualsJ (I927) contends that it is moral treason to deny intellectual freedom to political candidates. A rhyme with Mus- solini's asserted credo: "freedom is not only a right, it is a duty. "
53. light . . . Ra-Set . . . aboveJ .
crystal:
[Cf. 36
"ecco il te": I, "here is the tea [74:488J.
61. "Dodici Apostoli": I, "The Twelve Apostles. " The name of one of the best restaurants in Verona.
62. (trattoria): "I, "restaurant. "
63. putana: I; "prostitute. " The affable "putana" at Verona wanted to change the spellings in Pound's edition of Cava1canti's poems from the "Capitolare" ms.
64. Come . . . piccolo: I, '''How he
bles the martyr! ' said the little boy. " Prob. young Veronese boy thought Pound or someone resembled the martyr John the Baptist.
65. Battista martire: I, "Baptist, the mar? tyr," applied to Battisti in 72 below.
66. Ortolo: I, "garden" [4:45].
67. San Zeno: I, "St. Zeno. " The patron saint of Verona, he is buried at the finest
59.
en caIcaire . . . : F, "in limestone, forty-
60.
four steps. " Reference to steps at the arena in Verona [4:48].
resem-
? 552
91/614-615
91/615-616
553
Rornanesque church of northern Italy, San Pietro.
68. San Pietro: I, "St. Peter. " The castle and church of S1. Peter offer a magnificent panoramic view of Verona.
69. "quel naszhong": I, "what a nation. " Remark in accent by French child upon see- ing doors of San Zeno.
70. Ed: Edgar Williams, brother of the poet William Carlos Williams. In 1911 he was in Italy on an architectual scholarship and helped Pound find a column inscribed by the sculptor, "Adarninus. " E. W. asked "how the hell we could have any architecture when we ordered our columns by the gross" [HK, Era, 323].
71. Nanni: A lawyer and journalist at Forli and one of the few socialists with whom Mussolini had maintained friendly relations since his youth. Torquato N. wrote the first full biographical sketch of Mussolini in 1924. But in 1934 Mussolini let his old friend be sent to prison for not bending to Fascist orthodoxy. Later he was restored to favor and became a member of Mussolini's in-group during the Sala Republic; he was among those who were captured and shot with him and his mistress, Clara Petacci, at Como in 1945.
72. Battista: Cesare Battisti. He ran a Social- ist paper at Trent before WWI. When Mussol? ini was in Trent in 1909, he occasionally collaborated with Battisti by writing for the paper. Battisti was destined to die on the Austrian gallows for collaborating with the Italians in WWI. His fate influenced Mussol? ini to leave Avanti! , the official Socialist paper, and establish (Nov. 15, 1914) an "Intervention" paper: Il Popolo d'Italia: The Interventionists were a pro-Allied group in WWI.
73. Salo: The Sala Republic in Northern Italy, which Mussloini took over in 1943 as a subservient of Hitler after the fall of the Fascist government at Rome and his dis- missal by King Emanuele III.
74. (Arpinati): Leandro A. One of the
group captured with Mussolini during the attempted fiight from Salo. Pound presumes he died in the manner described, but the historical data are ambiguous.
75. Farinata: F. degli Uberti [78:79]. "Pudg'd" prob. describes a statue.
76. Can Grande's grin: Can Grande della Scala, the great friend and patron of Dante. A statue of Can Grande in the square at Verona shows him with a very toothfu1 smile. A photograph can be found in Ivancich, Ezra Pound in Italy.
82. quidity: The essential nature or "what- ness" of a thing which flows in "the pro- cess" from its virtu. Dante wrote: "Faith is the substance of things hoped for, / and the proof of things not apparent, / and this I take to be its quiddity" [Par. XXIV, 64-65; JW translation: Pai, 2-2, 190] . Pound adap- ted the Italian quiditate [93/631; 103:7J.
83. fire . . . crystal . . . light: [Cf. 2, 3, 15 above J .
4 Rhea: The female Titan, wife of Saturn (Cronos) and mother of the chief gods, in- cluding Ceres (Demeter). Her Latin name was Cybele. In works of art she is often depicted seated on a throne with lions at her side or sometimes riding in a chariot drawn by lions.
85. Musonius: A philosopher colleague of Apollonius of Tyana [94:42] who was forced by Nero to dig the Corinth Canal as a slave laborer-but he did it in defiance of tyranny. Hence, the "tough guy" epithet and the "honor" by Pound [94: 114].
86. Ideogram: Tan [M6037] , "dawn. "
87. The arcanum: The mysterium, or final secrets, unrevealed in the rites of Eleusis except symbolically. Also, the final or secret aspirations of esoteric alchemy. Pound wrote: "The mysteries are not revealed, and no guide book to them has been or will be written" [L, 327].
88. Kc,811OV 8V7C,-rrW H, "Daughter of Cadmus. "
89. parapernalia: Paraphernalia. Leucothea, daughter of Cadmus, in the form of a seabird flew over the foundering raft of Odysseus and told him to get rid of the clothes Calyp? so had given him rOd. V, 331-357; 95:32]
90. Tlemousune: H, "Misery to be suffered with patience. "
91. Domitian: Titus Flavius D. , 51-96, Ro- man emperor. D. was a strict moralist (for others, but a man of unrestrained sensuality himself) who executed many people for lit- tle reason and many for plotting against his tyranny. His wife finally joined others in a
plot that resulted in his murder. At least twice he banished all philosophers from Rome, once while Apollonius, the traveling man of wisdom, was there. Apollonius, re- fusing to leave, was arrested and taken to court [Apol/onius, Bk. VIII, chap. 3; Neault, Poi, 4? 1,4].
92. "Is this a bath-house? ": As Apollonius waited before court, a clerk said to him, "Man of Tyana, you must enter the court with nothing on you," meaning he should have no papers or books. A. 's response, taking the remark to mean "no clothes," resulted in a witty reply which Pound gives as, "Is this a bathouse. . . or a Court House? " [ibid. J.
93. o,AAOT? . . . 8LWK? LV: H, "Has the east wind abandoned him for the west wind to play with? " rOd. V, 332]. Concerns the havoc the winds of Poseidon played with Odysseus's raft. Apollonius traveled much in the eastern countries and was always wel- comed by kings and wise men and treated with great honor and respect. But in the west (Rome) his life was in danger.
94. Apollonius: Like many wise men of old, A. was supposedly able to converse with animals. In Egypt a "whining and fawning" lion approached him as he was sitting in the temple. He explained to bystanders: "This lion is begging me to make you understand that a human soul is within him" [Pai,4-1, 27; 94:42J.
95. charitas insuperabilis: L, "love invinci- ble. " From Richard of St. Victor's Tractatus de Gradibus Charitatis [Treatise on the steps of love].
96. Heydon: [87:82]. John Heydon; secre- tary of nature, author of The Holy Guide, where in Bk. I, Ch. II, we read: " . . . but if God would give you leave and power to ascend to those high places I meane to these heavenly thoughts and studies . . . " [po 26J.
