264)"
Page 34: 'coporales' corrected to 'corporales'.
Page 34: 'coporales' corrected to 'corporales'.
Donne - 2
Hamo Thornycroft has pointed out that the folds of
the drapery show the statue was modelled from a recumbent figure. Can
it be that Walton's account confuses two things? The incident of the
picture is not in the 1640 _Life_, but was added in 1658. How could
Donne, a dying man, stand on the urn, with his winding-sheet knotted
'at his head and feet'? Is it not probable that he was painted lying
in his winding-sheet on the board referred to; but that the monument,
as designed by himself, and executed by Nicholas Stone, was intended
to represent him rising at the Last Day from the urn, habited as he
had lain down--a symbolic rendering of the faith expressed in the
closing words of the inscription
Hic licet in Occiduo Cinere
Aspicit Eum
Cuius nomen est Oriens.
PAGE =37=, l. 14. The textual note should have indicated that in most
or all of the MSS. cited the whole line runs:
(Thou lovest Truth) but an Angell at first sight.
This is probably the original form of the line, corrected later to
avoid the clashing of the 'but's.
PAGE =96=, l. 6, note. The _R212_ cited here is Rawlinson Poetical
MS. 212, a miscellaneous collection of seventeenth-century prose and
poetry (e. g. Davies' _Epigrams_. See II. p. 101). I had cited it once
or twice in my first draft. The present instance escaped my eye. It
helps to show how general the reading 'tyde' was.
PAGE =115=, l. 54. _goeing on it fashions_. The correct reading is
probably 'growing on it fashions', which has the support of both _JC_,
and _1650-69_ where 'its' is a mere error. I had made my text
before _JC_ came into my hand. To 'grow on' for 'to increase' is
an Elizabethan idiom: 'And this quarrel grew on so far,' North's
_Plutarch, Life of Coriolanus, ad fin. _ See also O. E. D.
I should like in closing to express my indebtedness throughout to the
_Oxford English Dictionary_, an invaluable help and safeguard to
the editor of an English text, and also to Franz's admirable
_Shakespeare-Grammatik_ (1909), which should be translated.
PAGE =133=, l. 58. To what is said in the note on the taking of yellow
amber as a drug add: 'Divers men may walke by the Sea side, and the
same beames of the Sunne giving light to them all, one gathereth by
the benefit of that light pebles, or speckled shells, for curious
vanitie, and another gathers precious Pearle, or medicinall Ambar, by
the same light. ' _Sermons_ 80. 36. 326.
PAGES =156-7=. _Seeke true religion, &c. _ All this passage savours a
little of Montaigne: 'Tout cela, c'est un signe tres-evident que nous
ne recevons nostre religion qu'à nostre façon et par nos mains, et
non autrement que comme les autres religions se reçoyvent. Nous nous
sommes rencontrez au païs où elle estoit en usage; ou nous regardons
son ancienneté ou l'authorité des hommes qui l'ont maintenue; ou
creignons les menaces qu'ell' attache aux mescreans, ou suyvons ses
promesses. Ces considerations là doivent estre employées à nostre
creance, mais comme subsidiaires: ce sont liaisons humaines. Une
autre region, d'autres tesmoings, pareilles promesses et menasses nous
pourroyent imprimer par mesme voye une croyance contraire. Nous sommes
chrestiens à mesme titre que nous sommes ou perigordins ou alemans. '
_Essais_ (1580), II. 12. _Apologie de Raimond Sebond_.
PAGE =220=, l. 46. Compare: 'One of the most convenient Hieroglyphicks
of God, is a Circle; and a Circle is endlesse; whom God loves, hee
loves to the end . . . His hailestones and his thunderbolts, and his
showres of blood (emblemes and instruments of his Judgements) fall
downe in a direct line, and affect or strike some one person, or
place: His Sun, and Moone, and Starres (Emblemes and Instruments of
his Blessings) move circularly, and communicate themselves to all. His
Church is his chariot; in that he moves more gloriously, then in the
Sun; as much more, as his begotten Son exceeds his created Sun, and
his Son of glory, and of his right hand, the Sun of the firmament;
and this Church, his chariot, moves in that communicable motion,
circularly; It began in the East, it came to us, and is passing now,
shining out now, in the farthest West. ' _Sermons_ 80. 2. 13-4.
l. 47. _Religious tipes_, is the reading of _1633_. The comma has
been accidentally dropped. There is no comma in _1635-69_, which print
'types'.
PAGE =241=, ll. 343-4. _As a compassionate Turcoyse, &c. _ Compare:
And therefore Cynthia, as a turquoise bought,
Or stol'n, or found, is virtueless, and nought,
It must be freely given by a friend,
Whose love and bounty doth such virtue lend,
As makes it to compassionate, and tell
By looking pale, the wearer is not well.
Sir Francis Kynaston, _To Cynthia_.
Saintsbury, _Caroline Poets_, ii. 161.
PAGE =251=, ll. 9-18. The source of this simile is probably Lucretius,
_De Rerum Natura_, III. 642-56.
Falciferos memorant currus abscidere membra
Saepe ita de subito permixta caede calentis,
Ut tremere in terra videatur ab artubus id quod
Decidit abscisum, cum mens tamen atque hominis vis
Mobilitate mali non quit sentire dolorem;
Et semel in pugnae studio quod dedita mens est,
Corpore reliquo pugnam caedesque petessit,
Nec tenet amissam laevam cum tegmine saepe
Inter equos abstraxe rotas falcesque rapaces,
Nec cecidisse alius dextram, cum scandit et instat.
Inde alius conatur adempto surgere crure,
Cum digitos agitat propter moribundus humi pes.
Et caput abscisum calido viventeque trunco
Servat humi voltum vitalem oculosque patentis,
Donec reliquias animai reddidit omnes.
PAGE =259=, ll. 275-6. _so that there is
(For aught thou know'st) piercing of substances. _
'Piercing of substances,' the actual penetration of one substance by
another, was the Stoic as opposed to the Aristotelian doctrine of
mixture of substance ([Greek: krasis]), what is now called chemical
combination. The Peripatetics held that, while the qualities of the
two bodies combined to produce a new quality, the substances remained
in juxtaposition. Plotinus devotes the seventh book of the _Enneades_
to the subject; and one of the arguments of the Stoics which he cites
resembles Donne's problem: 'Sweat comes out of the human body without
dividing it and without the body being pierced with holes. ' The pores
were apparently unknown. See Bouillet's _Enneades de Plotin_, I. 243
f. and 488-9, for references.
PAGE =368=. HYMNE TO GOD MY GOD, IN MY SICKNESSE.
Professor Moore Smith has at the last moment reminded me of a fact,
the significance of which should have been discussed in the note on
the _Divine Poems_, that a copy of this poem found (Gosse, _Life &c. _
ii. 279) among the papers of Sir Julius Caesar bears the statement
that the verses were written in Donne's 'great sickness in December
1623'. Professor Moore Smith is of opinion that Sir Julius Caesar may
have been right and Walton mistaken, and there is a good deal to be
said for this view. 'It seems', he says, 'more likely that Walton
should have attributed the poem wrongly to Donne's last illness, than
that the MS. copy should antedate it by seven years. ' In 1640 Walton
simply referred it to his deathbed; the precise date was given in
1658. Moreover the date 1623 seems to Professor Moore Smith confirmed
by a letter to Sir Robert Ker (later Lord Ancrum) in 1624 (Gosse,
_Life &c. _ ii. 191), in which Donne writes, 'If a flat map be but
pasted upon a round globe the farthest east and the farthest west meet
and are all one. '
On the other hand, Walton's final date is very precise, and was
probably given to him by King. If the poem was written at the same
time as that 'to God the Father', why did it not pass into wider
circulation? Stowe MS. 961 is the only collection in which I have
found it. The use of the simile in the letter to Ker is not so
conclusive as it seems. In that same letter Donne says, 'Sir, I took
up this paper to write a letter; but my imagination was full of a
sermon before, for I write but a few hours before I am to preach. ' Now
I have in my note cited this simile from an undated sermon on one
of the Penitentiary Psalms. This, not the poem, may have been the
occasion of its repetition in this letter. Donne is very prone to
repeat a favourite figure--inundation, the king's stamped face &c. It
is quite likely that the poem was the last, not the first, occasion
on which he used the flat map. Note that the other chief figure in the
poem, the straits which lead to the Pacific Sea, was used in a sermon
(see note) dated February 12, 1629.
The figure of the flat map is not used, as one might expect, in the
section of the _Devotions_ headed _The Patient takes his bed_, but the
last line of the poem is recalled by some words there: 'and therefore
am I _cast downe_, that I might not be _cast away_. '
Walton's dates are often inaccurate, but here the balance of the
evidence seems to me in his favour. As Mr. Gosse says, Sir Julius
Caesar may have confounded this hymn with 'Wilt thou forgive'. In
re-reading the _Devotions_ with Professor Moore Smith's statement in
view I have come on two other points of interest. Donne's views on the
immortality of the soul (see II. pp. 160-2) are very clearly stated:
'That light, which is the very emanation of the light of God . . . only
that bends not to this _Center_, to _Ruine_; that which was not made
of _Nothing_, is not thretned with this annihilation. All other
things are; even _Angels_, even our _soules_; they move upon the same
_Poles_, they bend to the same _Center_; and if they were not made
immortall by _preservation_, their _Nature_ could not keep them from
sinking to this _center_, _Annihilation_' (pp. 216-17).
The difficult line in the sonnet _Resurrection_ (p. 321, l. 8) is
perhaps illuminated by pp. 206-8, where Donne speaks of 'thy first
booke, the booke of _life_', 'thy second book, the booke of Nature,'
and closes a further list with 'to those, _the booke with seven
seals_, which only _the Lamb which was slain, was found worthy to
open_; which, I hope, it shal not disagree with the measure of thy
blessed _spirit_, to interpret, the _promulgation of their pardon,
and righteousnes, who are washed in the blood of the Lamb_'. This is
possibly the 'little booke' of the sonnet, perhaps changed by Donne to
'life-book' to simplify the reference. But the two are not the same.
ADDENDUM.
Vol. I, p. 368, l. 6. Whilst my Physitions by their love are growne
Cosmographers . . . Sir Julius Caesar's MS. (Addl. MS. 34324) has
_Loer_, scil. _Lore_. This is probably the true reading.
ERRATUM.
=P. 274=, l. 28. _for_ figure-inundation _read_ figure--inundation
INDEX OF FIRST LINES.
(VOL. II. )
PAGE
A learned Bishop of this Land 53
Amongst the Poets Dacus numbered is 101
An ill year of a Goodyere us bereft 145
As in tymes past the rusticke shepheards sceant 171
Esteemed knight take triumph over death 145
Goe catch a star that's falling from the sky 12
Henrie the greate, greate both in peace and war 261
How often hath my pen (mine hearts Solicitor) 103
Loe her's a man worthy indeede to travell 129
No want of duty did my mind possess 7
Stay, view this Stone, and if thou beest not such 213
This Lifes a play groaned out by natures Arte 268
Thou send'st me prose and rimes, I send for those 160
Though Ister have put down the Rhene 261
'Tis not a coate of gray or Shepheardes Life 141
Titus the brave and valorous young gallant 101
Whoso termes love a fire, may like a poet 52
Wotton the country and the country swaine 141
* * * * *
Oxford: Horace Hart, M. A. , Printer to the University
* * * * *
Transcriber's note:
Although Scotland had accepted the Gregorian calendar in 1600,
until 1752, England still followed the Julian calendar (after
Julius Caesar, 44 B. C. ), and celebrated New Year's Day on March
25th (Annunciation Day). Most Catholic countries accepted the
Gregorian calendar (after Pope Gregory XIII) from some time
after 1582 (the Catholic countries of France, Spain, Portugal,
and Italy in 1582, Belgium, the Netherlands, and Switzerland
within a year or two, Hungary in 1587, and Scotland in 1600),
and celebrated New Year's Day on January 1st. England finally
changed to the Gregorian calendar in 1752.
This is the reason for the double dates in the early months of
the years in some parts of this book. e. g. , there is a
statement, on page 134, that "He died February 7, 1627/8. (i. e.
1627 in England; 1628 in Scotland). Only after March 25th
(Julian New Years Day) was the year the same in the two
countries. The Julian calendar was known as 'Old Style', and
the Gregorian calendar as 'New Style' (N. S. ).
Page lxiv, Footnote 9: 'Garrard att his quarters in ? ? '
Perhaps ϑermyte with U+03D1 GREEK THETA SYMBOL: thermyte ?
perhaps meaning "(at the sign of) The Hermit"?
(The printer, rightly or wrongly, seems to have used a
'theta' at the beginning of the word).
Page lxv, a facsimile of a Title Page, split a cross-page
paragraph. One sentence was on page lxiv; the rest of the
paragraph was on page lxvi. In the interest of a link to the
page, it seemed beneficial to leave the paragraph as it was
split.
Page lxv: 'VVith' is as printed.
Page lxxxvi: 'Lo:' retained, although 'Ld. ' is printed above.
From the context, 'Lo:' may not be a typo, as this form occurs
elsewhere.
"and the _Obsequies to the Lo: Harrington_. "
Page cxvi, footnote 39 (cont. : '17-8. ' corrected to '17-18. '.
"_To Sr Henry Wotton_, p. 180, ll. 17-18. "
Page cxxx: 'p. 406' corrected to 'p. 412'
"'Dear Love, continue nice and chaste' (p. 412)"
Pages cxxxi-cxxxii: missing word at page-turn? 'and' added in
brackets.
"And as one is ascribed to Roe on indisputable (and) three on
very strong evidence,. . . "
Page 23: 'll. 140-6' corrected to 'll. 440-6'
"_The Second Anniversary_, ll. 440-6 (p.
264)"
Page 34: 'coporales' corrected to 'corporales'.
"'quanto subtilius huiusmodi immutationes occultas corporales
perpendunt. '"
Page 84: 'p. 308, ll. 27-8' corrected to p. 308, ll. 317-8
"in the _Progresse of the Soule_, p. 308, ll. 317-8:"
Page 187: (See Pearsall Smith, _Life and Letters of Sir Henry
Wotton_ (1907). is as printed.
Page 214: p. 416 corrected to p. 422.
"For the relation of this _Elegie_ to that beginning 'Death,
be not proud' (p. 422) see _Text and Canon, &c. _, p. cxliii. "
Page 213: 'p. 404' corrected to p. 410'
"('Shall I goe force an Elegie,' p. 410)"
Pages 235, 263: The inscriptions have a character which
looks like a reversed capital C, but which is actually a
ROMAN NUMERAL REVERSED ONE HUNDRED Ↄ (U+2183 or Ↄ).
On Page 235, the date of Anne (More) Donne's death is given as
CIↃ. DC. XVII.
i. e. hundreds, ten, (1000) plus 600 plus 17, or the year 1617,
which is correct.
On Page 263, the date given is CIↃ. IↃC. XXIII.
CIↃ = 1000;
IↃC =500+100 (600),
XXIII = 23, so the date is 1623.
(Reference for page 263: [http:// hypotheses. org/17871] . . . 'Le
latin de Locke . . . Goudae apud Justum Ab Hoeve
CIↃ IↃC LXXXIX . . .
CIↃ = 1000
IↃC se décompose en IↃ = 500 + C = 100 soit 600
LXXXIX = 89
La date correspondante est 1689*.
* 2011 serait CIↃ CIↃ XI '. )
(So 2015 would be CIↃ CIↃ XV ').
Page 251: _S69_ corrected to _S96_
"_S96_ and _O'F_ differ from the third group. . . . "
Page 275: Erratum, p. 274. . . . This has been corrected.
***END OF THE PROJECT GUTENBERG EBOOK THE POEMS OF JOHN DONNE, VOLUME II
(OF 2)***
******* This file should be named 48772-0. txt or 48772-0. zip *******
This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/4/8/7/7/48772
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U. S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you! ) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U. S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www. gutenberg. org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1. E. 2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U. S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1. E. 1 through 1. E. 7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1. E. 8 or 1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www. gutenberg. org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation. "
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1. F. 3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U. S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.
the drapery show the statue was modelled from a recumbent figure. Can
it be that Walton's account confuses two things? The incident of the
picture is not in the 1640 _Life_, but was added in 1658. How could
Donne, a dying man, stand on the urn, with his winding-sheet knotted
'at his head and feet'? Is it not probable that he was painted lying
in his winding-sheet on the board referred to; but that the monument,
as designed by himself, and executed by Nicholas Stone, was intended
to represent him rising at the Last Day from the urn, habited as he
had lain down--a symbolic rendering of the faith expressed in the
closing words of the inscription
Hic licet in Occiduo Cinere
Aspicit Eum
Cuius nomen est Oriens.
PAGE =37=, l. 14. The textual note should have indicated that in most
or all of the MSS. cited the whole line runs:
(Thou lovest Truth) but an Angell at first sight.
This is probably the original form of the line, corrected later to
avoid the clashing of the 'but's.
PAGE =96=, l. 6, note. The _R212_ cited here is Rawlinson Poetical
MS. 212, a miscellaneous collection of seventeenth-century prose and
poetry (e. g. Davies' _Epigrams_. See II. p. 101). I had cited it once
or twice in my first draft. The present instance escaped my eye. It
helps to show how general the reading 'tyde' was.
PAGE =115=, l. 54. _goeing on it fashions_. The correct reading is
probably 'growing on it fashions', which has the support of both _JC_,
and _1650-69_ where 'its' is a mere error. I had made my text
before _JC_ came into my hand. To 'grow on' for 'to increase' is
an Elizabethan idiom: 'And this quarrel grew on so far,' North's
_Plutarch, Life of Coriolanus, ad fin. _ See also O. E. D.
I should like in closing to express my indebtedness throughout to the
_Oxford English Dictionary_, an invaluable help and safeguard to
the editor of an English text, and also to Franz's admirable
_Shakespeare-Grammatik_ (1909), which should be translated.
PAGE =133=, l. 58. To what is said in the note on the taking of yellow
amber as a drug add: 'Divers men may walke by the Sea side, and the
same beames of the Sunne giving light to them all, one gathereth by
the benefit of that light pebles, or speckled shells, for curious
vanitie, and another gathers precious Pearle, or medicinall Ambar, by
the same light. ' _Sermons_ 80. 36. 326.
PAGES =156-7=. _Seeke true religion, &c. _ All this passage savours a
little of Montaigne: 'Tout cela, c'est un signe tres-evident que nous
ne recevons nostre religion qu'à nostre façon et par nos mains, et
non autrement que comme les autres religions se reçoyvent. Nous nous
sommes rencontrez au païs où elle estoit en usage; ou nous regardons
son ancienneté ou l'authorité des hommes qui l'ont maintenue; ou
creignons les menaces qu'ell' attache aux mescreans, ou suyvons ses
promesses. Ces considerations là doivent estre employées à nostre
creance, mais comme subsidiaires: ce sont liaisons humaines. Une
autre region, d'autres tesmoings, pareilles promesses et menasses nous
pourroyent imprimer par mesme voye une croyance contraire. Nous sommes
chrestiens à mesme titre que nous sommes ou perigordins ou alemans. '
_Essais_ (1580), II. 12. _Apologie de Raimond Sebond_.
PAGE =220=, l. 46. Compare: 'One of the most convenient Hieroglyphicks
of God, is a Circle; and a Circle is endlesse; whom God loves, hee
loves to the end . . . His hailestones and his thunderbolts, and his
showres of blood (emblemes and instruments of his Judgements) fall
downe in a direct line, and affect or strike some one person, or
place: His Sun, and Moone, and Starres (Emblemes and Instruments of
his Blessings) move circularly, and communicate themselves to all. His
Church is his chariot; in that he moves more gloriously, then in the
Sun; as much more, as his begotten Son exceeds his created Sun, and
his Son of glory, and of his right hand, the Sun of the firmament;
and this Church, his chariot, moves in that communicable motion,
circularly; It began in the East, it came to us, and is passing now,
shining out now, in the farthest West. ' _Sermons_ 80. 2. 13-4.
l. 47. _Religious tipes_, is the reading of _1633_. The comma has
been accidentally dropped. There is no comma in _1635-69_, which print
'types'.
PAGE =241=, ll. 343-4. _As a compassionate Turcoyse, &c. _ Compare:
And therefore Cynthia, as a turquoise bought,
Or stol'n, or found, is virtueless, and nought,
It must be freely given by a friend,
Whose love and bounty doth such virtue lend,
As makes it to compassionate, and tell
By looking pale, the wearer is not well.
Sir Francis Kynaston, _To Cynthia_.
Saintsbury, _Caroline Poets_, ii. 161.
PAGE =251=, ll. 9-18. The source of this simile is probably Lucretius,
_De Rerum Natura_, III. 642-56.
Falciferos memorant currus abscidere membra
Saepe ita de subito permixta caede calentis,
Ut tremere in terra videatur ab artubus id quod
Decidit abscisum, cum mens tamen atque hominis vis
Mobilitate mali non quit sentire dolorem;
Et semel in pugnae studio quod dedita mens est,
Corpore reliquo pugnam caedesque petessit,
Nec tenet amissam laevam cum tegmine saepe
Inter equos abstraxe rotas falcesque rapaces,
Nec cecidisse alius dextram, cum scandit et instat.
Inde alius conatur adempto surgere crure,
Cum digitos agitat propter moribundus humi pes.
Et caput abscisum calido viventeque trunco
Servat humi voltum vitalem oculosque patentis,
Donec reliquias animai reddidit omnes.
PAGE =259=, ll. 275-6. _so that there is
(For aught thou know'st) piercing of substances. _
'Piercing of substances,' the actual penetration of one substance by
another, was the Stoic as opposed to the Aristotelian doctrine of
mixture of substance ([Greek: krasis]), what is now called chemical
combination. The Peripatetics held that, while the qualities of the
two bodies combined to produce a new quality, the substances remained
in juxtaposition. Plotinus devotes the seventh book of the _Enneades_
to the subject; and one of the arguments of the Stoics which he cites
resembles Donne's problem: 'Sweat comes out of the human body without
dividing it and without the body being pierced with holes. ' The pores
were apparently unknown. See Bouillet's _Enneades de Plotin_, I. 243
f. and 488-9, for references.
PAGE =368=. HYMNE TO GOD MY GOD, IN MY SICKNESSE.
Professor Moore Smith has at the last moment reminded me of a fact,
the significance of which should have been discussed in the note on
the _Divine Poems_, that a copy of this poem found (Gosse, _Life &c. _
ii. 279) among the papers of Sir Julius Caesar bears the statement
that the verses were written in Donne's 'great sickness in December
1623'. Professor Moore Smith is of opinion that Sir Julius Caesar may
have been right and Walton mistaken, and there is a good deal to be
said for this view. 'It seems', he says, 'more likely that Walton
should have attributed the poem wrongly to Donne's last illness, than
that the MS. copy should antedate it by seven years. ' In 1640 Walton
simply referred it to his deathbed; the precise date was given in
1658. Moreover the date 1623 seems to Professor Moore Smith confirmed
by a letter to Sir Robert Ker (later Lord Ancrum) in 1624 (Gosse,
_Life &c. _ ii. 191), in which Donne writes, 'If a flat map be but
pasted upon a round globe the farthest east and the farthest west meet
and are all one. '
On the other hand, Walton's final date is very precise, and was
probably given to him by King. If the poem was written at the same
time as that 'to God the Father', why did it not pass into wider
circulation? Stowe MS. 961 is the only collection in which I have
found it. The use of the simile in the letter to Ker is not so
conclusive as it seems. In that same letter Donne says, 'Sir, I took
up this paper to write a letter; but my imagination was full of a
sermon before, for I write but a few hours before I am to preach. ' Now
I have in my note cited this simile from an undated sermon on one
of the Penitentiary Psalms. This, not the poem, may have been the
occasion of its repetition in this letter. Donne is very prone to
repeat a favourite figure--inundation, the king's stamped face &c. It
is quite likely that the poem was the last, not the first, occasion
on which he used the flat map. Note that the other chief figure in the
poem, the straits which lead to the Pacific Sea, was used in a sermon
(see note) dated February 12, 1629.
The figure of the flat map is not used, as one might expect, in the
section of the _Devotions_ headed _The Patient takes his bed_, but the
last line of the poem is recalled by some words there: 'and therefore
am I _cast downe_, that I might not be _cast away_. '
Walton's dates are often inaccurate, but here the balance of the
evidence seems to me in his favour. As Mr. Gosse says, Sir Julius
Caesar may have confounded this hymn with 'Wilt thou forgive'. In
re-reading the _Devotions_ with Professor Moore Smith's statement in
view I have come on two other points of interest. Donne's views on the
immortality of the soul (see II. pp. 160-2) are very clearly stated:
'That light, which is the very emanation of the light of God . . . only
that bends not to this _Center_, to _Ruine_; that which was not made
of _Nothing_, is not thretned with this annihilation. All other
things are; even _Angels_, even our _soules_; they move upon the same
_Poles_, they bend to the same _Center_; and if they were not made
immortall by _preservation_, their _Nature_ could not keep them from
sinking to this _center_, _Annihilation_' (pp. 216-17).
The difficult line in the sonnet _Resurrection_ (p. 321, l. 8) is
perhaps illuminated by pp. 206-8, where Donne speaks of 'thy first
booke, the booke of _life_', 'thy second book, the booke of Nature,'
and closes a further list with 'to those, _the booke with seven
seals_, which only _the Lamb which was slain, was found worthy to
open_; which, I hope, it shal not disagree with the measure of thy
blessed _spirit_, to interpret, the _promulgation of their pardon,
and righteousnes, who are washed in the blood of the Lamb_'. This is
possibly the 'little booke' of the sonnet, perhaps changed by Donne to
'life-book' to simplify the reference. But the two are not the same.
ADDENDUM.
Vol. I, p. 368, l. 6. Whilst my Physitions by their love are growne
Cosmographers . . . Sir Julius Caesar's MS. (Addl. MS. 34324) has
_Loer_, scil. _Lore_. This is probably the true reading.
ERRATUM.
=P. 274=, l. 28. _for_ figure-inundation _read_ figure--inundation
INDEX OF FIRST LINES.
(VOL. II. )
PAGE
A learned Bishop of this Land 53
Amongst the Poets Dacus numbered is 101
An ill year of a Goodyere us bereft 145
As in tymes past the rusticke shepheards sceant 171
Esteemed knight take triumph over death 145
Goe catch a star that's falling from the sky 12
Henrie the greate, greate both in peace and war 261
How often hath my pen (mine hearts Solicitor) 103
Loe her's a man worthy indeede to travell 129
No want of duty did my mind possess 7
Stay, view this Stone, and if thou beest not such 213
This Lifes a play groaned out by natures Arte 268
Thou send'st me prose and rimes, I send for those 160
Though Ister have put down the Rhene 261
'Tis not a coate of gray or Shepheardes Life 141
Titus the brave and valorous young gallant 101
Whoso termes love a fire, may like a poet 52
Wotton the country and the country swaine 141
* * * * *
Oxford: Horace Hart, M. A. , Printer to the University
* * * * *
Transcriber's note:
Although Scotland had accepted the Gregorian calendar in 1600,
until 1752, England still followed the Julian calendar (after
Julius Caesar, 44 B. C. ), and celebrated New Year's Day on March
25th (Annunciation Day). Most Catholic countries accepted the
Gregorian calendar (after Pope Gregory XIII) from some time
after 1582 (the Catholic countries of France, Spain, Portugal,
and Italy in 1582, Belgium, the Netherlands, and Switzerland
within a year or two, Hungary in 1587, and Scotland in 1600),
and celebrated New Year's Day on January 1st. England finally
changed to the Gregorian calendar in 1752.
This is the reason for the double dates in the early months of
the years in some parts of this book. e. g. , there is a
statement, on page 134, that "He died February 7, 1627/8. (i. e.
1627 in England; 1628 in Scotland). Only after March 25th
(Julian New Years Day) was the year the same in the two
countries. The Julian calendar was known as 'Old Style', and
the Gregorian calendar as 'New Style' (N. S. ).
Page lxiv, Footnote 9: 'Garrard att his quarters in ? ? '
Perhaps ϑermyte with U+03D1 GREEK THETA SYMBOL: thermyte ?
perhaps meaning "(at the sign of) The Hermit"?
(The printer, rightly or wrongly, seems to have used a
'theta' at the beginning of the word).
Page lxv, a facsimile of a Title Page, split a cross-page
paragraph. One sentence was on page lxiv; the rest of the
paragraph was on page lxvi. In the interest of a link to the
page, it seemed beneficial to leave the paragraph as it was
split.
Page lxv: 'VVith' is as printed.
Page lxxxvi: 'Lo:' retained, although 'Ld. ' is printed above.
From the context, 'Lo:' may not be a typo, as this form occurs
elsewhere.
"and the _Obsequies to the Lo: Harrington_. "
Page cxvi, footnote 39 (cont. : '17-8. ' corrected to '17-18. '.
"_To Sr Henry Wotton_, p. 180, ll. 17-18. "
Page cxxx: 'p. 406' corrected to 'p. 412'
"'Dear Love, continue nice and chaste' (p. 412)"
Pages cxxxi-cxxxii: missing word at page-turn? 'and' added in
brackets.
"And as one is ascribed to Roe on indisputable (and) three on
very strong evidence,. . . "
Page 23: 'll. 140-6' corrected to 'll. 440-6'
"_The Second Anniversary_, ll. 440-6 (p.
264)"
Page 34: 'coporales' corrected to 'corporales'.
"'quanto subtilius huiusmodi immutationes occultas corporales
perpendunt. '"
Page 84: 'p. 308, ll. 27-8' corrected to p. 308, ll. 317-8
"in the _Progresse of the Soule_, p. 308, ll. 317-8:"
Page 187: (See Pearsall Smith, _Life and Letters of Sir Henry
Wotton_ (1907). is as printed.
Page 214: p. 416 corrected to p. 422.
"For the relation of this _Elegie_ to that beginning 'Death,
be not proud' (p. 422) see _Text and Canon, &c. _, p. cxliii. "
Page 213: 'p. 404' corrected to p. 410'
"('Shall I goe force an Elegie,' p. 410)"
Pages 235, 263: The inscriptions have a character which
looks like a reversed capital C, but which is actually a
ROMAN NUMERAL REVERSED ONE HUNDRED Ↄ (U+2183 or Ↄ).
On Page 235, the date of Anne (More) Donne's death is given as
CIↃ. DC. XVII.
i. e. hundreds, ten, (1000) plus 600 plus 17, or the year 1617,
which is correct.
On Page 263, the date given is CIↃ. IↃC. XXIII.
CIↃ = 1000;
IↃC =500+100 (600),
XXIII = 23, so the date is 1623.
(Reference for page 263: [http:// hypotheses. org/17871] . . . 'Le
latin de Locke . . . Goudae apud Justum Ab Hoeve
CIↃ IↃC LXXXIX . . .
CIↃ = 1000
IↃC se décompose en IↃ = 500 + C = 100 soit 600
LXXXIX = 89
La date correspondante est 1689*.
* 2011 serait CIↃ CIↃ XI '. )
(So 2015 would be CIↃ CIↃ XV ').
Page 251: _S69_ corrected to _S96_
"_S96_ and _O'F_ differ from the third group. . . . "
Page 275: Erratum, p. 274. . . . This has been corrected.
***END OF THE PROJECT GUTENBERG EBOOK THE POEMS OF JOHN DONNE, VOLUME II
(OF 2)***
******* This file should be named 48772-0. txt or 48772-0. zip *******
This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/4/8/7/7/48772
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U. S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you! ) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U. S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www. gutenberg. org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1. E. 2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U. S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1. E. 1 through 1. E. 7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1. E. 8 or 1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www. gutenberg. org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation. "
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1. F. 3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U. S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.
