No More Learning

"He might," they'll say,
"Have built, some way.
A cheaper gallows-tree! "



THE LOST PYX
A MEDIAEVAL LEGEND {457}


SOME say the spot is banned; that the pillar Cross-and-Hand
Attests to a deed of hell;
But of else than of bale is the mystic tale
That ancient Vale-folk tell.

Ere Cernel's Abbey ceased hereabout there dwelt a priest,
(In later life sub-prior
Of the brotherhood there, whose bones are now bare
In the field that was Cernel choir).

One night in his cell at the foot of yon dell
The priest heard a frequent cry:
"Go, father, in haste to the cot on the waste,
And shrive a man waiting to die. "

Said the priest in a shout to the caller without,
"The night howls, the tree-trunks bow;
One may barely by day track so rugged a way,
And can I then do so now? "

No further word from the dark was heard,
And the priest moved never a limb;
And he slept and dreamed; till a Visage seemed
To frown from Heaven at him.

In a sweat he arose; and the storm shrieked shrill,
And smote as in savage joy;
While High-Stoy trees twanged to Bubb-Down Hill,
And Bubb-Down to High-Stoy.

There seemed not a holy thing in hail,
Nor shape of light or love,
From the Abbey north of Blackmore Vale
To the Abbey south thereof.

Yet he plodded thence through the dark immense,
And with many a stumbling stride
Through copse and briar climbed nigh and nigher
To the cot and the sick man's side.

When he would have unslung the Vessels uphung
To his arm in the steep ascent,
He made loud moan: the Pyx was gone
Of the Blessed Sacrament.

Then in dolorous dread he beat his head:
"No earthly prize or pelf
Is the thing I've lost in tempest tossed,
But the Body of Christ Himself! "

He thought of the Visage his dream revealed,
And turned towards whence he came,
Hands groping the ground along foot-track and field,
And head in a heat of shame.

Till here on the hill, betwixt vill and vill,
He noted a clear straight ray
Stretching down from the sky to a spot hard by,
Which shone with the light of day.

And gathered around the illumined ground
Were common beasts and rare,
All kneeling at gaze, and in pause profound
Attent on an object there.

'Twas the Pyx, unharmed 'mid the circling rows
Of Blackmore's hairy throng,
Whereof were oxen, sheep, and does,
And hares from the brakes among;

And badgers grey, and conies keen,
And squirrels of the tree,
And many a member seldom seen
Of Nature's family.

The ireful winds that scoured and swept
Through coppice, clump, and dell,
Within that holy circle slept
Calm as in hermit's cell.

Then the priest bent likewise to the sod
And thanked the Lord of Love,
And Blessed Mary, Mother of God,
And all the saints above.

And turning straight with his priceless freight,
He reached the dying one,
Whose passing sprite had been stayed for the rite
Without which bliss hath none.

And when by grace the priest won place,
And served the Abbey well,
He reared this stone to mark where shone
That midnight miracle.



TESS'S LAMENT


I

I WOULD that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.

II

Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat--
Loved me, and learnt to call me sweet,
And whispered words to me.

III

And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, dock, and briar,
And all the place be mould and mire
So cozy once and warm.

IV

And it was I who did it all,
Who did it all;
'Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished--past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.

V

How gay we looked that day we wed,
That day we wed!
"May joy be with ye! " all o'm said
A standing by the durn.
I wonder what they say o's now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!

VI

It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I'd have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they've brought to me!



THE SUPPLANTER
A TALE


I

HE bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.

II

"Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through? "--

III

"The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter's twentieth year:
He celebrates with wine of France
The birthday of his dear. "--

IV

"The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night! "--

V

He grounds his wreath, and enters in,
And sits, and shares their cheer. --
"I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier! "

VI

She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.

VII

"You dance divinely, stranger swain,
Such grace I've never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own! "--

VIII

"I mark a phantom through the pane,
That beckons in despair,
Its mouth all drawn with heavy moan--
Her to whom once I sware! "--
"Nay; 'tis the lately carven stone
Of some strange girl laid there! "--

IX

"I see white flowers upon the floor
Betrodden to a clot;
My wreath were they? "--"Nay; love me much,
Swear you'll forget me not!
'Twas but a wreath! Full many such
Are brought here and forgot. "

* * * * * * *

X

The watches of the night grow hoar,
He rises ere the sun;
"Now could I kill thee here! " he says,
"For winning me from one
Who ever in her living days
Was pure as cloistered nun! "

XI

She cowers, and he takes his track
Afar for many a mile,
For evermore to be apart
From her who could beguile
His senses by her burning heart,
And win his love awhile.

XII

A year: and he is travelling back
To her who wastes in clay;
From day-dawn until eve he fares
Along the wintry way,
From day-dawn until eve repairs
Unto her mound to pray.

XIII

And there he sets him to fulfil
His frustrate first intent:
And lay upon her bed, at last,
The offering earlier meant:
When, on his stooping figure, ghast
And haggard eyes are bent.

XIV

"O surely for a little while
You can be kind to me!
For do you love her, do you hate,
She knows not--cares not she:
Only the living feel the weight
Of loveless misery!

XV

"I own my sin; I've paid its cost,
Being outcast, shamed, and bare:
I give you daily my whole heart,
Your babe my tender care,
I pour you prayers; and aye to part
Is more than I can bear! "

XVI

He turns--unpitying, passion-tossed;
"I know you not! " he cries,
"Nor know your child. I knew this maid,
But she's in Paradise! "
And swiftly in the winter shade
He breaks from her and flies.




IMITATIONS, ETC.


SAPPHIC FRAGMENT


"Thou shalt be--Nothing. "--OMAR KHAYYAM.

"Tombless, with no remembrance. "--W. SHAKESPEARE.

DEAD shalt thou lie; and nought
Be told of thee or thought,
For thou hast plucked not of the Muses' tree:
And even in Hades' halls
Amidst thy fellow-thralls
No friendly shade thy shade shall company!



CATULLUS: XXXI
(After passing Sirmione, April 1887. )


SIRMIO, thou dearest dear of strands
That Neptune strokes in lake and sea,
With what high joy from stranger lands
Doth thy old friend set foot on thee!
Yea, barely seems it true to me
That no Bithynia holds me now,
But calmly and assuringly
Around me stretchest homely Thou.

Is there a scene more sweet than when
Our clinging cares are undercast,
And, worn by alien moils and men,
The long untrodden sill repassed,
We press the pined for couch at last,
And find a full repayment there?
Then hail, sweet Sirmio; thou that wast,
And art, mine own unrivalled Fair!



AFTER SCHILLER


KNIGHT, a true sister-love
This heart retains;
Ask me no other love,
That way lie pains!

Calm must I view thee come,
Calm see thee go;
Tale-telling tears of thine
I must not know!



SONG FROM HEINE


I SCANNED her picture dreaming,
Till each dear line and hue
Was imaged, to my seeming,
As if it lived anew.

Her lips began to borrow
Their former wondrous smile;
Her fair eyes, faint with sorrow,
Grew sparkling as erstwhile.

Such tears as often ran not
Ran then, my love, for thee;
And O, believe I cannot
That thou are lost to me!



FROM VICTOR HUGO


CHILD, were I king, I'd yield my royal rule,
My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
For a glance from you!

Love, were I God, the earth and its heaving airs,
Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
For a kiss from thee!



CARDINAL BEMBO'S EPITAPH ON RAPHAEL


HERE'S one in whom Nature feared--faint at such vying--
Eclipse while he lived, and decease at his dying.




RETROSPECT


"I HAVE LIVED WITH SHADES"


I

I HAVE lived with shades so long,
And talked to them so oft,
Since forth from cot and croft
I went mankind among,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

II

And take me by the hand,
And lead me through their rooms
In the To-be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," spake they to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee. "--
--"Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.

IV

"He moves me not at all;
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him. "

V

"Yet," said they, "his frail speech,
Hath accents pitched like thine--
Thy mould and his define
A likeness each to each--
But go! Deep pain
Alas, would be
His name to thee,
And told in vain! "

_Feb. _ 2, 1899.



MEMORY AND I


"O MEMORY, where is now my youth,
Who used to say that life was truth? "

"I saw him in a crumbled cot
Beneath a tottering tree;
That he as phantom lingers there
Is only known to me. "

"O Memory, where is now my joy,
Who lived with me in sweet employ? "

"I saw him in gaunt gardens lone,
Where laughter used to be;
That he as phantom wanders there
Is known to none but me. "

"O Memory, where is now my hope,
Who charged with deeds my skill and scope? "

"I saw her in a tomb of tomes,
Where dreams are wont to be;
That she as spectre haunteth there
Is only known to me. "

"O Memory, where is now my faith,
One time a champion, now a wraith? "

"I saw her in a ravaged aisle,
Bowed down on bended knee;
That her poor ghost outflickers there
Is known to none but me. "

"O Memory, where is now my love,
That rayed me as a god above? "

"I saw him by an ageing shape
Where beauty used to be;
That his fond phantom lingers there
Is only known to me. "



? ? ? ? ? ? ? . ? ? ? .


LONG have I framed weak phantasies of Thee,
O Willer masked and dumb!
Who makest Life become,--
As though by labouring all-unknowingly,
Like one whom reveries numb.

How much of consciousness informs Thy will
Thy biddings, as if blind,
Of death-inducing kind,
Nought shows to us ephemeral ones who fill
But moments in Thy mind.

Perhaps Thy ancient rote-restricted ways
Thy ripening rule transcends;
That listless effort tends
To grow percipient with advance of days,
And with percipience mends.

For, in unwonted purlieus, far and nigh,
At whiles or short or long,
May be discerned a wrong
Dying as of self-slaughter; whereat I
Would raise my voice in song.




FOOTNOTES


{253} The "Race" is the turbulent sea-area off the Bill of Portland,
where contrary tides meet.

{290} Pronounce "Loddy. "

{457} On a lonely table-land above the Vale of Blackmore, between
High-Stoy and Bubb-Down hills, and commanding in clear weather views that
extend from the English to the Bristol Channel, stands a pillar,
apparently mediaeval, called Cross-and-Hand or Christ-in-Hand. Among
other stories of its origin a local tradition preserves the one here
given.




***END OF THE PROJECT GUTENBERG EBOOK POEMS OF THE PAST AND THE PRESENT***


******* This file should be named 3168-0. txt or 3168-0. zip *******


This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/3/1/6/3168


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U. S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you! ) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U. S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www. gutenberg. org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.

1. E. 2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U. S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1. E. 1 through 1. E.
7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1. E. 8 or 1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www. gutenberg. org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation. "

* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.

* You provide, in accordance with paragraph 1. F. 3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.

* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U. S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1. F. 3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www. gutenberg. org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U. S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www. gutenberg. org/contact

For additional contact information:

Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www. gutenberg. org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www. gutenberg. org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U. S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www. gutenberg. org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.