New York, The Ames &
Rollinson
Press [c1907]
http://hdl.
http://hdl.
Catullus - Lamb - A Comedy in Verse
The plea of love, a comedy in verse, by Osborn Rennie Lamb; founded upon and suggested by the life of Catullus, the great Latin poet, whose best lyrics grace this work and add a luster to it.
Lamb, Osborn Rennie.
New York, The Ames & Rollinson Press [c1907]
http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m
Public Domain
http://www. hathitrust. org/access_use#pd
We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address.
? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? Class ^rS3_5:^:2L
Book kAZSl-^-
Gop>TightN^ -
COPYRIGHT DEPOSIT.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE PLEA OF LOVE
A COMEDY IN VERSE
BY (t
OSBORN RENNIE LAMB
FOUNDED UPON AND SUGGESTED BY THE LIFE OF
CATULLUS, THE GREAT LATIN POET, WHOSE BEST
LYRICS GRACE THIS WORK AND ADD A LUSTER TO IT
PUBLISHED BY
THE AMES & ROLLINSON PRESS
203 BROADWAY, NEW YORK
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? iwti Uouies Kecfllved ,
OCT 12 isor
^ Copyright Entry
CL^S9 X. AC? No.
COPY a.
COPYRIGHT, 190r
BY OSBORN RENNIE LAMB
DRAMATIC RIGHTS AND
RIGHT OF TRANSLATION
RESERVED.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? INTRODUCTION.
ITTLE is known of Caius Valerius Catullus the
Latin poet who is the central figure of this play,
except that he was born of a respectable family
in the year 87 B. C, and lived in or near Verona,
from which city he removed at an early age to Rome,
where his genius and accomplishments quickly won him
recognition. There he lived on terms of intimacy with
some of the most distinguished literary and political
characters of the day. We are assured that he was known
to Cicero and Julius Caesar, and that he was the personal
friend of Caius Memmius, then Praetor of the Province
of Bithynia. The Lesbia of his poems is supposed to
have been the daughter or wife of a well-knov/n Romatn;
whether she was Clodia or another is immaterial, the
world is grateful to her for having inspired such beauti-
ful lyrics as were dedicated to her by her lover.
The poems of Catullus justly rank with the best lyrical
poetry of the period, and it is doubtful if certain of his
lyrics have ever been surpassed. Be that as it may, the
sincerity, grace and beauty of these poems, have tempted
us to write around the vague life of the author a play in-
troducing the best of his lyrics, and "The Plea of Love,"
a comedy, in one act is the result. The scene of this play
is laid in the summer villa of Catullus, known to have
been located upon a peninsular called Sirmio -- a> promon-
tory that projects into the Benacus, now known as Lago
de Garda, Italy. Here vestiges of the villa may yet be
seen, and here it was that Napoleon I, who never failed to
recognize the genius of a true artist, drank this toast --
"To the most elegant of Latin poets. "
Catullus lived amid the turmoil and dissipation of Rome
and it is therefore not surprising to learn that he became
dissipated and died at an early age about the year 48 B. C.
5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? That he ever descended to the depravity of the
"viveurs" of his day is seriously to be doubted, for all
art is but a form of expression, and poetry above all
other arts is the most subjective, "we give of ourselves
when we sing our lay. " It is therefore natural to con-
clude that the poet who wrote Sweet Sirmio, Lesbias Spar-
row or the famous Hymenael dedicated to Julia & Man-
lius, could not have been a depraved man. He may have
been weak, but that is a fault we can excuse though not
admire. We have therefore pictured Catullus in this play
as we see him through his poems, rather than from the
vague history by which he is known to the world.
The play, although of one act, is unique in form, and
falls into the logical subdivisions that make a complete
action, viz. : a beginning, a middle, and an end. The cur-
tains for these subdivisions have been indicated, but it
could be given with equal success if presented with-
out a curtain, as the ancient classical dramas were per-
formed. The plot of "The Plea of Love," is very simple
and is devoid of those theatrical tricks that are the sure
sign of the common place. The action is well . sus-
tained and self-progressive, the climax of the play being
carried well toward the end where the resolution of the
plot is concluded amid a scene of rare beauty. This play
is an eairnest attempt, to produce not a musical comedy,
but a drama with music logically introduced. Recourse
has therefore been made to verse in the dialogue, to vocal
and incidental music throughout the action, and such
scenic display as v/ill enrich the whole and produce that
magical appeal, that awakens the imagination and exalts
the soul: The appeal of Beauty.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE CHARACTERS
MEN.
CATULLUS, A poet and friend of all true lovers.
CAIUS MEMMIUS, Praetor of the Province of Bithynia.
LUCRETIUS, A friend of Catullus, and a Romsn.
JULIAN, Son of Caius Memmius.
PHILTO, Slave of Caius Memmius.
GRIPUS, Slave of Lucretius.
MINSTRAL, An old protege of Catullus.
DAVUS, 1
ALCAEUS, I Chorus of Youths.
PALAESTRA, [ Slaves of Catullus.
MYRSON, J
EROS, or Cupid, the god of love.
WOMEN.
EUNOMIA, Wife of Lucretius and Mother of Hermia.
HERMIA, Daughter of Lucretius.
PHAEDRIA, 1
THESSALA, [ Chorus of Maidens.
QUINTIA, I Slaves of Catullus.
CELIA, J
EUPHROSYNE, 1
AGLAIA, [ The Three Graces.
THALIA, J
Chorus of Husbandmen, Servants, etc.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE SCENE.
The scene of this play is laid in the summer villa of
Catullus, located upon a promentory called Sirmio in the
Benacus, now known as the Lago de Garda Italy.
A magnificent Grecian peristyle crosses the entire
width of the stage, three steps lead up to this portico be-
yond which may be seen the lake and the Alps in the
distance. The fore stage is the main hall of the palace
and has a ceiling effect showing it as such.
A couch occupies the center stage. On the right and
left are bronze tripods or altars. See plan.
CATULLUS
o
oooooo o
PSRISTiTX
O O O OOP
FO0THGHT5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust.
New York, The Ames & Rollinson Press [c1907]
http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m
Public Domain
http://www. hathitrust. org/access_use#pd
We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address.
? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? Class ^rS3_5:^:2L
Book kAZSl-^-
Gop>TightN^ -
COPYRIGHT DEPOSIT.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE PLEA OF LOVE
A COMEDY IN VERSE
BY (t
OSBORN RENNIE LAMB
FOUNDED UPON AND SUGGESTED BY THE LIFE OF
CATULLUS, THE GREAT LATIN POET, WHOSE BEST
LYRICS GRACE THIS WORK AND ADD A LUSTER TO IT
PUBLISHED BY
THE AMES & ROLLINSON PRESS
203 BROADWAY, NEW YORK
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? iwti Uouies Kecfllved ,
OCT 12 isor
^ Copyright Entry
CL^S9 X. AC? No.
COPY a.
COPYRIGHT, 190r
BY OSBORN RENNIE LAMB
DRAMATIC RIGHTS AND
RIGHT OF TRANSLATION
RESERVED.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? INTRODUCTION.
ITTLE is known of Caius Valerius Catullus the
Latin poet who is the central figure of this play,
except that he was born of a respectable family
in the year 87 B. C, and lived in or near Verona,
from which city he removed at an early age to Rome,
where his genius and accomplishments quickly won him
recognition. There he lived on terms of intimacy with
some of the most distinguished literary and political
characters of the day. We are assured that he was known
to Cicero and Julius Caesar, and that he was the personal
friend of Caius Memmius, then Praetor of the Province
of Bithynia. The Lesbia of his poems is supposed to
have been the daughter or wife of a well-knov/n Romatn;
whether she was Clodia or another is immaterial, the
world is grateful to her for having inspired such beauti-
ful lyrics as were dedicated to her by her lover.
The poems of Catullus justly rank with the best lyrical
poetry of the period, and it is doubtful if certain of his
lyrics have ever been surpassed. Be that as it may, the
sincerity, grace and beauty of these poems, have tempted
us to write around the vague life of the author a play in-
troducing the best of his lyrics, and "The Plea of Love,"
a comedy, in one act is the result. The scene of this play
is laid in the summer villa of Catullus, known to have
been located upon a peninsular called Sirmio -- a> promon-
tory that projects into the Benacus, now known as Lago
de Garda, Italy. Here vestiges of the villa may yet be
seen, and here it was that Napoleon I, who never failed to
recognize the genius of a true artist, drank this toast --
"To the most elegant of Latin poets. "
Catullus lived amid the turmoil and dissipation of Rome
and it is therefore not surprising to learn that he became
dissipated and died at an early age about the year 48 B. C.
5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? That he ever descended to the depravity of the
"viveurs" of his day is seriously to be doubted, for all
art is but a form of expression, and poetry above all
other arts is the most subjective, "we give of ourselves
when we sing our lay. " It is therefore natural to con-
clude that the poet who wrote Sweet Sirmio, Lesbias Spar-
row or the famous Hymenael dedicated to Julia & Man-
lius, could not have been a depraved man. He may have
been weak, but that is a fault we can excuse though not
admire. We have therefore pictured Catullus in this play
as we see him through his poems, rather than from the
vague history by which he is known to the world.
The play, although of one act, is unique in form, and
falls into the logical subdivisions that make a complete
action, viz. : a beginning, a middle, and an end. The cur-
tains for these subdivisions have been indicated, but it
could be given with equal success if presented with-
out a curtain, as the ancient classical dramas were per-
formed. The plot of "The Plea of Love," is very simple
and is devoid of those theatrical tricks that are the sure
sign of the common place. The action is well . sus-
tained and self-progressive, the climax of the play being
carried well toward the end where the resolution of the
plot is concluded amid a scene of rare beauty. This play
is an eairnest attempt, to produce not a musical comedy,
but a drama with music logically introduced. Recourse
has therefore been made to verse in the dialogue, to vocal
and incidental music throughout the action, and such
scenic display as v/ill enrich the whole and produce that
magical appeal, that awakens the imagination and exalts
the soul: The appeal of Beauty.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE CHARACTERS
MEN.
CATULLUS, A poet and friend of all true lovers.
CAIUS MEMMIUS, Praetor of the Province of Bithynia.
LUCRETIUS, A friend of Catullus, and a Romsn.
JULIAN, Son of Caius Memmius.
PHILTO, Slave of Caius Memmius.
GRIPUS, Slave of Lucretius.
MINSTRAL, An old protege of Catullus.
DAVUS, 1
ALCAEUS, I Chorus of Youths.
PALAESTRA, [ Slaves of Catullus.
MYRSON, J
EROS, or Cupid, the god of love.
WOMEN.
EUNOMIA, Wife of Lucretius and Mother of Hermia.
HERMIA, Daughter of Lucretius.
PHAEDRIA, 1
THESSALA, [ Chorus of Maidens.
QUINTIA, I Slaves of Catullus.
CELIA, J
EUPHROSYNE, 1
AGLAIA, [ The Three Graces.
THALIA, J
Chorus of Husbandmen, Servants, etc.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE SCENE.
The scene of this play is laid in the summer villa of
Catullus, located upon a promentory called Sirmio in the
Benacus, now known as the Lago de Garda Italy.
A magnificent Grecian peristyle crosses the entire
width of the stage, three steps lead up to this portico be-
yond which may be seen the lake and the Alps in the
distance. The fore stage is the main hall of the palace
and has a ceiling effect showing it as such.
A couch occupies the center stage. On the right and
left are bronze tripods or altars. See plan.
CATULLUS
o
oooooo o
PSRISTiTX
O O O OOP
FO0THGHT5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE TIME.
It is early morn of the Spring of the year of 57 B.
Lamb, Osborn Rennie.
New York, The Ames & Rollinson Press [c1907]
http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m
Public Domain
http://www. hathitrust. org/access_use#pd
We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address.
? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? Class ^rS3_5:^:2L
Book kAZSl-^-
Gop>TightN^ -
COPYRIGHT DEPOSIT.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE PLEA OF LOVE
A COMEDY IN VERSE
BY (t
OSBORN RENNIE LAMB
FOUNDED UPON AND SUGGESTED BY THE LIFE OF
CATULLUS, THE GREAT LATIN POET, WHOSE BEST
LYRICS GRACE THIS WORK AND ADD A LUSTER TO IT
PUBLISHED BY
THE AMES & ROLLINSON PRESS
203 BROADWAY, NEW YORK
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? iwti Uouies Kecfllved ,
OCT 12 isor
^ Copyright Entry
CL^S9 X. AC? No.
COPY a.
COPYRIGHT, 190r
BY OSBORN RENNIE LAMB
DRAMATIC RIGHTS AND
RIGHT OF TRANSLATION
RESERVED.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? ? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? INTRODUCTION.
ITTLE is known of Caius Valerius Catullus the
Latin poet who is the central figure of this play,
except that he was born of a respectable family
in the year 87 B. C, and lived in or near Verona,
from which city he removed at an early age to Rome,
where his genius and accomplishments quickly won him
recognition. There he lived on terms of intimacy with
some of the most distinguished literary and political
characters of the day. We are assured that he was known
to Cicero and Julius Caesar, and that he was the personal
friend of Caius Memmius, then Praetor of the Province
of Bithynia. The Lesbia of his poems is supposed to
have been the daughter or wife of a well-knov/n Romatn;
whether she was Clodia or another is immaterial, the
world is grateful to her for having inspired such beauti-
ful lyrics as were dedicated to her by her lover.
The poems of Catullus justly rank with the best lyrical
poetry of the period, and it is doubtful if certain of his
lyrics have ever been surpassed. Be that as it may, the
sincerity, grace and beauty of these poems, have tempted
us to write around the vague life of the author a play in-
troducing the best of his lyrics, and "The Plea of Love,"
a comedy, in one act is the result. The scene of this play
is laid in the summer villa of Catullus, known to have
been located upon a peninsular called Sirmio -- a> promon-
tory that projects into the Benacus, now known as Lago
de Garda, Italy. Here vestiges of the villa may yet be
seen, and here it was that Napoleon I, who never failed to
recognize the genius of a true artist, drank this toast --
"To the most elegant of Latin poets. "
Catullus lived amid the turmoil and dissipation of Rome
and it is therefore not surprising to learn that he became
dissipated and died at an early age about the year 48 B. C.
5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? That he ever descended to the depravity of the
"viveurs" of his day is seriously to be doubted, for all
art is but a form of expression, and poetry above all
other arts is the most subjective, "we give of ourselves
when we sing our lay. " It is therefore natural to con-
clude that the poet who wrote Sweet Sirmio, Lesbias Spar-
row or the famous Hymenael dedicated to Julia & Man-
lius, could not have been a depraved man. He may have
been weak, but that is a fault we can excuse though not
admire. We have therefore pictured Catullus in this play
as we see him through his poems, rather than from the
vague history by which he is known to the world.
The play, although of one act, is unique in form, and
falls into the logical subdivisions that make a complete
action, viz. : a beginning, a middle, and an end. The cur-
tains for these subdivisions have been indicated, but it
could be given with equal success if presented with-
out a curtain, as the ancient classical dramas were per-
formed. The plot of "The Plea of Love," is very simple
and is devoid of those theatrical tricks that are the sure
sign of the common place. The action is well . sus-
tained and self-progressive, the climax of the play being
carried well toward the end where the resolution of the
plot is concluded amid a scene of rare beauty. This play
is an eairnest attempt, to produce not a musical comedy,
but a drama with music logically introduced. Recourse
has therefore been made to verse in the dialogue, to vocal
and incidental music throughout the action, and such
scenic display as v/ill enrich the whole and produce that
magical appeal, that awakens the imagination and exalts
the soul: The appeal of Beauty.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE CHARACTERS
MEN.
CATULLUS, A poet and friend of all true lovers.
CAIUS MEMMIUS, Praetor of the Province of Bithynia.
LUCRETIUS, A friend of Catullus, and a Romsn.
JULIAN, Son of Caius Memmius.
PHILTO, Slave of Caius Memmius.
GRIPUS, Slave of Lucretius.
MINSTRAL, An old protege of Catullus.
DAVUS, 1
ALCAEUS, I Chorus of Youths.
PALAESTRA, [ Slaves of Catullus.
MYRSON, J
EROS, or Cupid, the god of love.
WOMEN.
EUNOMIA, Wife of Lucretius and Mother of Hermia.
HERMIA, Daughter of Lucretius.
PHAEDRIA, 1
THESSALA, [ Chorus of Maidens.
QUINTIA, I Slaves of Catullus.
CELIA, J
EUPHROSYNE, 1
AGLAIA, [ The Three Graces.
THALIA, J
Chorus of Husbandmen, Servants, etc.
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? THE SCENE.
The scene of this play is laid in the summer villa of
Catullus, located upon a promentory called Sirmio in the
Benacus, now known as the Lago de Garda Italy.
A magnificent Grecian peristyle crosses the entire
width of the stage, three steps lead up to this portico be-
yond which may be seen the lake and the Alps in the
distance. The fore stage is the main hall of the palace
and has a ceiling effect showing it as such.
A couch occupies the center stage. On the right and
left are bronze tripods or altars. See plan.
CATULLUS
o
oooooo o
PSRISTiTX
O O O OOP
FO0THGHT5
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New York, The Ames & Rollinson Press [c1907]
http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m
Public Domain
http://www. hathitrust. org/access_use#pd
We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address.
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? Class ^rS3_5:^:2L
Book kAZSl-^-
Gop>TightN^ -
COPYRIGHT DEPOSIT.
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? THE PLEA OF LOVE
A COMEDY IN VERSE
BY (t
OSBORN RENNIE LAMB
FOUNDED UPON AND SUGGESTED BY THE LIFE OF
CATULLUS, THE GREAT LATIN POET, WHOSE BEST
LYRICS GRACE THIS WORK AND ADD A LUSTER TO IT
PUBLISHED BY
THE AMES & ROLLINSON PRESS
203 BROADWAY, NEW YORK
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? iwti Uouies Kecfllved ,
OCT 12 isor
^ Copyright Entry
CL^S9 X. AC? No.
COPY a.
COPYRIGHT, 190r
BY OSBORN RENNIE LAMB
DRAMATIC RIGHTS AND
RIGHT OF TRANSLATION
RESERVED.
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? INTRODUCTION.
ITTLE is known of Caius Valerius Catullus the
Latin poet who is the central figure of this play,
except that he was born of a respectable family
in the year 87 B. C, and lived in or near Verona,
from which city he removed at an early age to Rome,
where his genius and accomplishments quickly won him
recognition. There he lived on terms of intimacy with
some of the most distinguished literary and political
characters of the day. We are assured that he was known
to Cicero and Julius Caesar, and that he was the personal
friend of Caius Memmius, then Praetor of the Province
of Bithynia. The Lesbia of his poems is supposed to
have been the daughter or wife of a well-knov/n Romatn;
whether she was Clodia or another is immaterial, the
world is grateful to her for having inspired such beauti-
ful lyrics as were dedicated to her by her lover.
The poems of Catullus justly rank with the best lyrical
poetry of the period, and it is doubtful if certain of his
lyrics have ever been surpassed. Be that as it may, the
sincerity, grace and beauty of these poems, have tempted
us to write around the vague life of the author a play in-
troducing the best of his lyrics, and "The Plea of Love,"
a comedy, in one act is the result. The scene of this play
is laid in the summer villa of Catullus, known to have
been located upon a peninsular called Sirmio -- a> promon-
tory that projects into the Benacus, now known as Lago
de Garda, Italy. Here vestiges of the villa may yet be
seen, and here it was that Napoleon I, who never failed to
recognize the genius of a true artist, drank this toast --
"To the most elegant of Latin poets. "
Catullus lived amid the turmoil and dissipation of Rome
and it is therefore not surprising to learn that he became
dissipated and died at an early age about the year 48 B. C.
5
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? That he ever descended to the depravity of the
"viveurs" of his day is seriously to be doubted, for all
art is but a form of expression, and poetry above all
other arts is the most subjective, "we give of ourselves
when we sing our lay. " It is therefore natural to con-
clude that the poet who wrote Sweet Sirmio, Lesbias Spar-
row or the famous Hymenael dedicated to Julia & Man-
lius, could not have been a depraved man. He may have
been weak, but that is a fault we can excuse though not
admire. We have therefore pictured Catullus in this play
as we see him through his poems, rather than from the
vague history by which he is known to the world.
The play, although of one act, is unique in form, and
falls into the logical subdivisions that make a complete
action, viz. : a beginning, a middle, and an end. The cur-
tains for these subdivisions have been indicated, but it
could be given with equal success if presented with-
out a curtain, as the ancient classical dramas were per-
formed. The plot of "The Plea of Love," is very simple
and is devoid of those theatrical tricks that are the sure
sign of the common place. The action is well . sus-
tained and self-progressive, the climax of the play being
carried well toward the end where the resolution of the
plot is concluded amid a scene of rare beauty. This play
is an eairnest attempt, to produce not a musical comedy,
but a drama with music logically introduced. Recourse
has therefore been made to verse in the dialogue, to vocal
and incidental music throughout the action, and such
scenic display as v/ill enrich the whole and produce that
magical appeal, that awakens the imagination and exalts
the soul: The appeal of Beauty.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE CHARACTERS
MEN.
CATULLUS, A poet and friend of all true lovers.
CAIUS MEMMIUS, Praetor of the Province of Bithynia.
LUCRETIUS, A friend of Catullus, and a Romsn.
JULIAN, Son of Caius Memmius.
PHILTO, Slave of Caius Memmius.
GRIPUS, Slave of Lucretius.
MINSTRAL, An old protege of Catullus.
DAVUS, 1
ALCAEUS, I Chorus of Youths.
PALAESTRA, [ Slaves of Catullus.
MYRSON, J
EROS, or Cupid, the god of love.
WOMEN.
EUNOMIA, Wife of Lucretius and Mother of Hermia.
HERMIA, Daughter of Lucretius.
PHAEDRIA, 1
THESSALA, [ Chorus of Maidens.
QUINTIA, I Slaves of Catullus.
CELIA, J
EUPHROSYNE, 1
AGLAIA, [ The Three Graces.
THALIA, J
Chorus of Husbandmen, Servants, etc.
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE SCENE.
The scene of this play is laid in the summer villa of
Catullus, located upon a promentory called Sirmio in the
Benacus, now known as the Lago de Garda Italy.
A magnificent Grecian peristyle crosses the entire
width of the stage, three steps lead up to this portico be-
yond which may be seen the lake and the Alps in the
distance. The fore stage is the main hall of the palace
and has a ceiling effect showing it as such.
A couch occupies the center stage. On the right and
left are bronze tripods or altars. See plan.
CATULLUS
o
oooooo o
PSRISTiTX
O O O OOP
FO0THGHT5
? ? Generated for anonymous on 2015-01-02 09:06 GMT / http://hdl. handle. net/2027/loc. ark:/13960/t7xk8x10m Public Domain / http://www. hathitrust. org/access_use#pd
? THE TIME.
It is early morn of the Spring of the year of 57 B.
