,feu to the multicoloured veil iLOlen from
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy.
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
.
.
(225.
11-7) and it derided by 0, who perform flnral ring_ danc.
.
around A, run a.
.
.
.
.
y and 00"" hack.
Thi.
sequence CQO_ tain.
'the Ireaonent of the double rainbow in which the iriric CQloun are finot no"""l and then reversed', as Joyce puts il in hi.
k tter quoted arove.
In ll7. t9-131. 09 the ,lage i. rd<gated to the OU{CII. { 1:. Hi.
search for an inward light or the d. . i",d CQlour HlUll''''''' the orchctypal growth of adolescent romantic poetry. A. in 1. 7 a bio_ graphical matrix includes the escalating piety "f Stephen in Por- " air IV (227. 29-228. 01) and the Psrit-Zurich exile of Joyce, whence he di>patched hi. fiTSt epi. tle to the Hebrew. (128. 05- 119. 07). Th;" grod. . into U{y. . . . ('I made them take it! '): 119. 13- 16 l;'to its 'OdyO$Cy' section. That view which demand. plliemics of UIy. . . , sees Joyce needling thef~ th. atcrippled him, expos- illi hi' progenitors' wcaknestts. In hi. lm er Joyce called C . epis! ! e 'blackmail orutr'. Bul as he an. oly1<:$ his ba~und and hi, web of ",La,ives, (230. 26-231. 04), I: hecomes nosralgic and b t e a t h . . fouT l i n <:$of e c s r a t i c " ' g r e t ( 231. 0 S - 8 ). T h e t t a b Q f h o r n c - . id<ru:o. s COOC\ll"$ w'th a shooting pain in the root of h;" wisdnm t<>nth (imny), contorting the featur. . of hi. fa~ and ni,ing hi. temperalUre. The 'chewer', like 'gI18wthing unbeardth' i. in-
flamed. through sugary indulgence (Turkish delight, 232. 01). Sud_ denly, opportunely, -l . cndo tidings that she will wail for I: (2]1. 09-17) and he da. h. . back, doubly disguised as a aailor, only 10 fail again with hi. three questions. When he ge~ eln$<: enough to ask, <> coalesce into -l; when he i. confounded they fan tnck into their mocking diven;'y. Hi, spirits fallen, he depart> once = ? .
n. . c. . . n. :-y of I _ I . . . . . "
"Add. MS . 7. n . . ~
" 5<< ~ M. Ad&n>o, s-J_ mod $yooboI. " 'UlYuu' (Orlocd tinrur. ;. y I'reu [5IM), 79-
? " re_e,"ers and i. adored by his ehoru. in two extended . uppli- ""tion. (235. 09-236. Il1; 237. 11-239. 21). In the first. , extol a future ofoourg<:<>is t"'pectability ; in 'he . econd, a ]i,de more ex-
perienced, tl><:y are ambit;oos for 'he sex""l promi. cuity originally advocated by 1:. But when I: himtdf . . . ,. . ppc;on. he ha. 'become ~onservative' like Ibsen, and defends m and A . He boasrs of hi! 'wolkenk connection' with the 'r<:marklable moliman' and with hi. 'fiery goosemother'.
At this point it begins to grow late (244. 0]-2<\6. 20) and m and A effectively intrude, the former for the first lime since 1. 4, but presumably at a differen, level of activity. m call. threateningly
from the hQullC, w. . . . . ing, liko the Lord-Lieutenants in the pro- k,gue to The Houu by Ih. Churchyard, a 'lhunder-doud periwig'. ? lb. e house ought to be me Mulling. . Inn, bu, 244. 20 may lead u' . 0 identify it as the Blackho<Se Tavern (now the Hole in the Wall) near the Cabra GateofPhoenix Park. Th. was once klWwn a. Natu;y Hand. , after illl hostest," and i, thus listed in Thom', D;r<<lory from '896. But I: and 1\ are "ill 'not on terms' since their Battle of W,,<:r1oo. I: Itiet to hide from" the bruises given him by " (247. 22- 5). Although he cannot mme it, he h. . ottn through hi. telescope Ihe rainbow . plit from white light: 'Split the hvide and aye seize heaven! He know, for he'. ocen it in black and white through his eye1:Compit <rained upon jenny'. and all that sort of thing' which i. tantamount to. chiarO! lcuro (247. ]1-4). This pa. . age<:ontains ? ? cxual n:fertItawhich the next two pages expand. " Their final effect i, '" confiate ~ S underwear with tbe diaphane of the temple sanctuary (49. 06-:><>> . . . . . . beromet hi. Veiled, the High Priest. . . , and as ,uch Contra,,,, with A , wborn
we ,hall see in 11. 2 a. Isis Unveiled.
Frank Budgen discuss. . Joyce's retilhi. m in Furlh", Recoll<<-
. i"", ofJain<' Joyu. " For Joyce, he "ys, drawers we,. . , 'feminine attributes of even gua'er value than the curves and volurn", of the femllk body itself', and he quo. . . a letter of Joyce on L. Man- I<~w <h Tan;/. Thi' . . .
,feu to the multicoloured veil iLOlen from
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy. 'Heliotrope', tben, is tbe colollr of -1'. draw. . . . . In tbe Opi. ,. ' . tudy of childrtn', gam" , the alllhor. explain that 'child,. . ,n'. "inten:st" in a game may well be . he incident in it tha,least appeal.
"Dvb;;. H~",",oJ R. . :mI XXIII. ', 1.
"''','l Ondudo tho S-. . W""",' _ rivn in R",hm;nes. '''. )3
; o c l oolet " " " - . . . t DubW> " " . . . . , I I d n f t d S " " ' , . . lD<b _ _ . . . . " C h r i o t C h u r a . Codl<o:torot, and Tum. . . . . . . r. """, which b<<om< Kin'" "ID, St. <<I.
" tn 1 _ ' l o y < . <m4 1-" M " " , ". . <t ? U I y o . n , 3 ' 9 - > 0 .
Angel. and o. vilt 59
? to the adult: the opportunity it afl'ord? . . . to oay aloud the ""IOI,Ir of tomeoru:', panti. . , a, in "Fanner, Farmer, may W(: " " . . your Goldtn Ri~n r" '00 At n-4-26-7, C 'must ? and fot I>inlKlfby pze. . wort. . . . mat tltd, ooIoun W\'ar as th<"Y art allll>owui dra. . . ,. . . up. '
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is. flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"".
k tter quoted arove.
In ll7. t9-131. 09 the ,lage i. rd<gated to the OU{CII. { 1:. Hi.
search for an inward light or the d. . i",d CQlour HlUll''''''' the orchctypal growth of adolescent romantic poetry. A. in 1. 7 a bio_ graphical matrix includes the escalating piety "f Stephen in Por- " air IV (227. 29-228. 01) and the Psrit-Zurich exile of Joyce, whence he di>patched hi. fiTSt epi. tle to the Hebrew. (128. 05- 119. 07). Th;" grod. . into U{y. . . . ('I made them take it! '): 119. 13- 16 l;'to its 'OdyO$Cy' section. That view which demand. plliemics of UIy. . . , sees Joyce needling thef~ th. atcrippled him, expos- illi hi' progenitors' wcaknestts. In hi. lm er Joyce called C . epis! ! e 'blackmail orutr'. Bul as he an. oly1<:$ his ba~und and hi, web of ",La,ives, (230. 26-231. 04), I: hecomes nosralgic and b t e a t h . . fouT l i n <:$of e c s r a t i c " ' g r e t ( 231. 0 S - 8 ). T h e t t a b Q f h o r n c - . id<ru:o. s COOC\ll"$ w'th a shooting pain in the root of h;" wisdnm t<>nth (imny), contorting the featur. . of hi. fa~ and ni,ing hi. temperalUre. The 'chewer', like 'gI18wthing unbeardth' i. in-
flamed. through sugary indulgence (Turkish delight, 232. 01). Sud_ denly, opportunely, -l . cndo tidings that she will wail for I: (2]1. 09-17) and he da. h. . back, doubly disguised as a aailor, only 10 fail again with hi. three questions. When he ge~ eln$<: enough to ask, <> coalesce into -l; when he i. confounded they fan tnck into their mocking diven;'y. Hi, spirits fallen, he depart> once = ? .
n. . c. . . n. :-y of I _ I . . . . . "
"Add. MS . 7. n . . ~
" 5<< ~ M. Ad&n>o, s-J_ mod $yooboI. " 'UlYuu' (Orlocd tinrur. ;. y I'reu [5IM), 79-
? " re_e,"ers and i. adored by his ehoru. in two extended . uppli- ""tion. (235. 09-236. Il1; 237. 11-239. 21). In the first. , extol a future ofoourg<:<>is t"'pectability ; in 'he . econd, a ]i,de more ex-
perienced, tl><:y are ambit;oos for 'he sex""l promi. cuity originally advocated by 1:. But when I: himtdf . . . ,. . ppc;on. he ha. 'become ~onservative' like Ibsen, and defends m and A . He boasrs of hi! 'wolkenk connection' with the 'r<:marklable moliman' and with hi. 'fiery goosemother'.
At this point it begins to grow late (244. 0]-2<\6. 20) and m and A effectively intrude, the former for the first lime since 1. 4, but presumably at a differen, level of activity. m call. threateningly
from the hQullC, w. . . . . ing, liko the Lord-Lieutenants in the pro- k,gue to The Houu by Ih. Churchyard, a 'lhunder-doud periwig'. ? lb. e house ought to be me Mulling. . Inn, bu, 244. 20 may lead u' . 0 identify it as the Blackho<Se Tavern (now the Hole in the Wall) near the Cabra GateofPhoenix Park. Th. was once klWwn a. Natu;y Hand. , after illl hostest," and i, thus listed in Thom', D;r<<lory from '896. But I: and 1\ are "ill 'not on terms' since their Battle of W,,<:r1oo. I: Itiet to hide from" the bruises given him by " (247. 22- 5). Although he cannot mme it, he h. . ottn through hi. telescope Ihe rainbow . plit from white light: 'Split the hvide and aye seize heaven! He know, for he'. ocen it in black and white through his eye1:Compit <rained upon jenny'. and all that sort of thing' which i. tantamount to. chiarO! lcuro (247. ]1-4). This pa. . age<:ontains ? ? cxual n:fertItawhich the next two pages expand. " Their final effect i, '" confiate ~ S underwear with tbe diaphane of the temple sanctuary (49. 06-:><>> . . . . . . beromet hi. Veiled, the High Priest. . . , and as ,uch Contra,,,, with A , wborn
we ,hall see in 11. 2 a. Isis Unveiled.
Frank Budgen discuss. . Joyce's retilhi. m in Furlh", Recoll<<-
. i"", ofJain<' Joyu. " For Joyce, he "ys, drawers we,. . , 'feminine attributes of even gua'er value than the curves and volurn", of the femllk body itself', and he quo. . . a letter of Joyce on L. Man- I<~w <h Tan;/. Thi' . . .
,feu to the multicoloured veil iLOlen from
the lunar temple for SalarnmhO in l>laubert's Carthaginian fan_ tasy. 'Heliotrope', tben, is tbe colollr of -1'. draw. . . . . In tbe Opi. ,. ' . tudy of childrtn', gam" , the alllhor. explain that 'child,. . ,n'. "inten:st" in a game may well be . he incident in it tha,least appeal.
"Dvb;;. H~",",oJ R. . :mI XXIII. ', 1.
"''','l Ondudo tho S-. . W""",' _ rivn in R",hm;nes. '''. )3
; o c l oolet " " " - . . . t DubW> " " . . . . , I I d n f t d S " " ' , . . lD<b _ _ . . . . " C h r i o t C h u r a . Codl<o:torot, and Tum. . . . . . . r. """, which b<<om< Kin'" "ID, St. <<I.
" tn 1 _ ' l o y < . <m4 1-" M " " , ". . <t ? U I y o . n , 3 ' 9 - > 0 .
Angel. and o. vilt 59
? to the adult: the opportunity it afl'ord? . . . to oay aloud the ""IOI,Ir of tomeoru:', panti. . , a, in "Fanner, Farmer, may W(: " " . . your Goldtn Ri~n r" '00 At n-4-26-7, C 'must ? and fot I>inlKlfby pze. . wort. . . . mat tltd, ooIoun W\'ar as th<"Y art allll>owui dra. . . ,. . . up. '
At l)3. OS- IO he h. . to find the F","ch for frocks. Thi, ',,&&. . . 11 Porm,il IV, whe", the J. . uit embalTllsses S"'phen with the pllraK hIjtlpa:~I"benam. . otartiel. . otru-. . . wornbya"Omm 00"ot t t . " , i n t o f t . n d d d iao l e ' r u i f , u u d i n t b c i r m a k i n g b r o u a n t a l w a y t to hu mind' delicate ,nd . inful perfume. . . . it ""'. only amid >I(Iftwordcd ph"'. . . . or within rosnoft I1ufI'o that be &rod 10 cnncdve of ,be: soul or body ot a WQmaIl movinll: . ilh tender life. '''
Hd;. x,. "pc it; thus. pc""""l _ " , t , but one Iharod by A, who at ~11. 01-6 'Clln ey. . . py throulI:h them, to their selfcolours, never- th. kast their tilSue J>CCt>Crs, (meaning M ullabury mcI. h, the time otappling /Iowers,a luarded ficu. eof. peccb,? . . . . ne'J 01perfWIX,
I bridawl, . . . . miSi inoo one). ' II is. flower t""l tumltowarda t. . 'te lUll. aytie, who pined for Apollo and turned in,o a hdiorrope, appears . . 239. t S. A vi",l pIn ot the: thing C lOCk. i. il$ ! 11)pism lIWlIy from hi. darl<ness towards lhe lill:ltt of hit rMeL
A third quer. cioning of -4 by C lhould now occur, althoouab the: tptcch i. not given. 'Twice i. he gone 10 quesl of hn. Ihrke i. ,he now 10 him' (250. 2? -8). 'Evidmtamml he has failed ? ? "<:rcely
the dtuce before [00" $he i. w""ina none otthe thrtt' (I n . t9- lO). The nex' line may elq)bin the omiHLon, for P. W. Joytt ob<<ncs 'When. penon , in,ina I KIn, has 10 nop because h. f<). 1O<<' lb. nexi ve. . . . , he ta~ (mostly ill loke) "thne', a bole ill the ballad". ''' Incidentally, 1)). 0Z-3 pt. rodia a V<1""SC from the:
lime worIr. : 'Did you"n sec the devil, Wilh ! be: wooden . pt. dc and shovel, DiJ8:in& pntict for hi, o. upper, And hi' ",il ox:I<. td
I.
up. ' "
A lighl be""""" C
C
10 the iDlerruptioa, hu:," ,:
tmcl"1eo from the hotIoe, . when ""nod. 'Rain ruth Oil
<
in. Their bone calch. . her and
? ? brinp hu indoon to puru. b her. ~ door ,Wm. The curtain rlu,. The p"rformaoce ttmni. . . "es unid tppLause.
11. 1 end. with. pnoytt 10 m by C lnd A, ",hose names mingle ('! -Jdr. Nek. . I"".
