No More Learning

My splendors are menagerie;
But their competeless show
Will entertain the centuries
When I am, long ago,
An island in dishonored grass,
Whom none but daisies know.





XXVIII.

THE COMING OF NIGHT.

How the old mountains drip with sunset,
And the brake of dun!
How the hemlocks are tipped in tinsel
By the wizard sun!

How the old steeples hand the scarlet,
Till the ball is full, --
Have I the lip of the flamingo
That I dare to tell?

Then, how the fire ebbs like billows,
Touching all the grass
With a departing, sapphire feature,
As if a duchess pass!

How a small dusk crawls on the village
Till the houses blot;
And the odd flambeaux no men carry
Glimmer on the spot!

Now it is night in nest and kennel,
And where was the wood,
Just a dome of abyss is nodding
Into solitude! --

These are the visions baffled Guido;
Titian never told;
Domenichino dropped the pencil,
Powerless to unfold.





XXIX.

AFTERMATH.

The murmuring of bees has ceased;
But murmuring of some
Posterior, prophetic,
Has simultaneous come, --

The lower metres of the year,
When nature's laugh is done, --
The Revelations of the book
Whose Genesis is June.






IV. TIME AND ETERNITY.

I.

This world is not conclusion;
A sequel stands beyond,
Invisible, as music,
But positive, as sound.
It beckons and it baffles;
Philosophies don't know,
And through a riddle, at the last,
Sagacity must go.
To guess it puzzles scholars;
To gain it, men have shown
Contempt of generations,
And crucifixion known.





II.

We learn in the retreating
How vast an one
Was recently among us.
A perished sun

Endears in the departure
How doubly more
Than all the golden presence
It was before!





III.

They say that 'time assuages,' --
Time never did assuage;
An actual suffering strengthens,
As sinews do, with age.

Time is a test of trouble,
But not a remedy.
If such it prove, it prove too
There was no malady.





IV.

We cover thee, sweet face.
Not that we tire of thee,
But that thyself fatigue of us;
Remember, as thou flee,
We follow thee until
Thou notice us no more,
And then, reluctant, turn away
To con thee o'er and o'er,
And blame the scanty love
We were content to show,
Augmented, sweet, a hundred fold
If thou would'st take it now.





V.

ENDING.

That is solemn we have ended, --
Be it but a play,
Or a glee among the garrets,
Or a holiday,

Or a leaving home; or later,
Parting with a world
We have understood, for better
Still it be unfurled.





VI.

The stimulus, beyond the grave
His countenance to see,
Supports me like imperial drams
Afforded royally.





VII.

Given in marriage unto thee,
Oh, thou celestial host!
Bride of the Father and the Son,
Bride of the Holy Ghost!

Other betrothal shall dissolve,
Wedlock of will decay;
Only the keeper of this seal
Conquers mortality.






VIII.

That such have died enables us
The tranquiller to die;
That such have lived, certificate
For immortality.





IX.

They won't frown always, -- some sweet day
When I forget to tease,
They'll recollect how cold I looked,
And how I just said 'please. '

Then they will hasten to the door
To call the little child,
Who cannot thank them, for the ice
That on her lisping piled.





X.

IMMORTALITY.

It is an honorable thought,
And makes one lift one's hat,
As one encountered gentlefolk
Upon a daily street,

That we've immortal place,
Though pyramids decay,
And kingdoms, like the orchard,
Flit russetly away.





XI.

The distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.





XII.

How dare the robins sing,
When men and women hear
Who since they went to their account
Have settled with the year! --
Paid all that life had earned
In one consummate bill,
And now, what life or death can do
Is immaterial.
Insulting is the sun
To him whose mortal light,
Beguiled of immortality,
Bequeaths him to the night.
In deference to him
Extinct be every hum,
Whose garden wrestles with the dew,
At daybreak overcome!





XIII.

DEATH.

Death is like the insect
Menacing the tree,
Competent to kill it,
But decoyed may be.

Bait it with the balsam,
Seek it with the knife,
Baffle, if it cost you
Everything in life.

Then, if it have burrowed
Out of reach of skill,
Ring the tree and leave it, --
'T is the vermin's will.





XIV.

UNWARNED.

'T is sunrise, little maid, hast thou
No station in the day?
'T was not thy wont to hinder so, --
Retrieve thine industry.

'T is noon, my little maid, alas!
And art thou sleeping yet?
The lily waiting to be wed,
The bee, dost thou forget?

My little maid, 't is night; alas,
That night should be to thee
Instead of morning! Hadst thou broached
Thy little plan to me,
Dissuade thee if I could not, sweet,
I might have aided thee.





XV.

Each that we lose takes part of us;
A crescent still abides,
Which like the moon, some turbid night,
Is summoned by the tides.





XVI.

Not any higher stands the grave
For heroes than for men;
Not any nearer for the child
Than numb three-score and ten.

This latest leisure equal lulls
The beggar and his queen;
Propitiate this democrat
By summer's gracious mien.





XVII.

ASLEEP.

As far from pity as complaint,
As cool to speech as stone,
As numb to revelation
As if my trade were bone.

As far from time as history,
As near yourself to-day
As children to the rainbow's scarf,
Or sunset's yellow play

To eyelids in the sepulchre.
How still the dancer lies,
While color's revelations break,
And blaze the butterflies!





XVIII.

THE SPIRIT.

'T is whiter than an Indian pipe,
'T is dimmer than a lace;
No stature has it, like a fog,
When you approach the place.

Not any voice denotes it here,
Or intimates it there;
A spirit, how doth it accost?
What customs hath the air?

This limitless hyperbole
Each one of us shall be;
'T is drama, if (hypothesis)
It be not tragedy!





XIX.

THE MONUMENT.

She laid her docile crescent down,
And this mechanic stone
Still states, to dates that have forgot,
The news that she is gone.

So constant to its stolid trust,
The shaft that never knew,
It shames the constancy that fled
Before its emblem flew.





XX.

Bless God, he went as soldiers,
His musket on his breast;
Grant, God, he charge the bravest
Of all the martial blest.

Please God, might I behold him
In epauletted white,
I should not fear the foe then,
I should not fear the fight.





XXI.

Immortal is an ample word
When what we need is by,
But when it leaves us for a time,
'T is a necessity.

Of heaven above the firmest proof
We fundamental know,
Except for its marauding hand,
It had been heaven below.





XXII.

Where every bird is bold to go,
And bees abashless play,
The foreigner before he knocks
Must thrust the tears away.





XXIII.

The grave my little cottage is,
Where, keeping house for thee,
I make my parlor orderly,
And lay the marble tea,

For two divided, briefly,
A cycle, it may be,
Till everlasting life unite
In strong society.





XXIV.

This was in the white of the year,
That was in the green,
Drifts were as difficult then to think
As daisies now to be seen.

Looking back is best that is left,
Or if it be before,
Retrospection is prospect's half,
Sometimes almost more.





XXV.

Sweet hours have perished here;
This is a mighty room;
Within its precincts hopes have played, --
Now shadows in the tomb.





XXVI.

Me! Come! My dazzled face
In such a shining place!

Me! Hear! My foreign ear
The sounds of welcome near!

The saints shall meet
Our bashful feet.

My holiday shall be
That they remember me;

My paradise, the fame
That they pronounce my name.





XXVII.

INVISIBLE.

From us she wandered now a year,
Her tarrying unknown;
If wilderness prevent her feet,
Or that ethereal zone

No eye hath seen and lived,
We ignorant must be.
We only know what time of year
We took the mystery.






XXVIII.

I wish I knew that woman's name,
So, when she comes this way,
To hold my life, and hold my ears,
For fear I hear her say

She's 'sorry I am dead,' again,
Just when the grave and I
Have sobbed ourselves almost to sleep, --
Our only lullaby.





XXIX.

TRYING TO FORGET.

Bereaved of all, I went abroad,
No less bereaved to be
Upon a new peninsula, --
The grave preceded me,

Obtained my lodgings ere myself,
And when I sought my bed,
The grave it was, reposed upon
The pillow for my head.

I waked, to find it first awake,
I rose, -- it followed me;
I tried to drop it in the crowd,
To lose it in the sea,

In cups of artificial drowse
To sleep its shape away, --
The grave was finished, but the spade
Remained in memory.





XXX.

I felt a funeral in my brain,
And mourners, to and fro,
Kept treading, treading, till it seemed
That sense was breaking through.

And when they all were seated,
A service like a drum
Kept beating, beating, till I thought
My mind was going numb.

And then I heard them lift a box,
And creak across my soul
With those same boots of lead, again.
Then space began to toll

As all the heavens were a bell,
And Being but an ear,
And I and silence some strange race,
Wrecked, solitary, here.





XXXI.

I meant to find her when I came;
Death had the same design;
But the success was his, it seems,
And the discomfit mine.

I meant to tell her how I longed
For just this single time;
But Death had told her so the first,
And she had hearkened him.

To wander now is my abode;
To rest, -- to rest would be
A privilege of hurricane
To memory and me.





XXXII.

WAITING.

I sing to use the waiting,
My bonnet but to tie,
And shut the door unto my house;
No more to do have I,

Till, his best step approaching,
We journey to the day,
And tell each other how we sang
To keep the dark away.





XXXIII.

A sickness of this world it most occasions
When best men die;
A wishfulness their far condition
To occupy.

A chief indifference, as foreign
A world must be
Themselves forsake contented,
For Deity.





XXXIV.

Superfluous were the sun
When excellence is dead;
He were superfluous every day,
For every day is said

That syllable whose faith
Just saves it from despair,
And whose 'I'll meet you' hesitates
If love inquire, 'Where? '

Upon his dateless fame
Our periods may lie,
As stars that drop anonymous
From an abundant sky.





XXXV.

So proud she was to die
It made us all ashamed
That what we cherished, so unknown
To her desire seemed.

So satisfied to go
Where none of us should be,
Immediately, that anguish stooped
Almost to jealousy.





XXXVI.

FAREWELL.

Tie the strings to my life, my Lord,
Then I am ready to go!
Just a look at the horses --
Rapid! That will do!

Put me in on the firmest side,
So I shall never fall;
For we must ride to the Judgment,
And it's partly down hill.

But never I mind the bridges,
And never I mind the sea;
Held fast in everlasting race
By my own choice and thee.

Good-by to the life I used to live,
And the world I used to know;
And kiss the hills for me, just once;
Now I am ready to go!





XXXVII.

The dying need but little, dear, --
A glass of water's all,
A flower's unobtrusive face
To punctuate the wall,

A fan, perhaps, a friend's regret,
And certainly that one
No color in the rainbow
Perceives when you are gone.





XXXVIII.

DEAD.

There's something quieter than sleep
Within this inner room!
It wears a sprig upon its breast,
And will not tell its name.

Some touch it and some kiss it,
Some chafe its idle hand;
It has a simple gravity
I do not understand!

While simple-hearted neighbors
Chat of the 'early dead,'
We, prone to periphrasis,
Remark that birds have fled!





XXXIX.

The soul should always stand ajar,
That if the heaven inquire,
He will not be obliged to wait,
Or shy of troubling her.

Depart, before the host has slid
The bolt upon the door,
To seek for the accomplished guest, --
Her visitor no more.





XL.

Three weeks passed since I had seen her, --
Some disease had vexed;
'T was with text and village singing
I beheld her next,

And a company -- our pleasure
To discourse alone;
Gracious now to me as any,
Gracious unto none.

Borne, without dissent of either,
To the parish night;
Of the separated people
Which are out of sight?





XLI.

I breathed enough to learn the trick,
And now, removed from air,
I simulate the breath so well,
That one, to be quite sure

The lungs are stirless, must descend
Among the cunning cells,
And touch the pantomime himself.
How cool the bellows feels!





XLII.

I wonder if the sepulchre
Is not a lonesome way,
When men and boys, and larks and June
Go down the fields to hay!





XLIII.

JOY IN DEATH.

If tolling bell I ask the cause.
'A soul has gone to God,'
I'm answered in a lonesome tone;
Is heaven then so sad?

That bells should joyful ring to tell
A soul had gone to heaven,
Would seem to me the proper way
A good news should be given.





XLIV.

If I may have it when it's dead
I will contented be;
If just as soon as breath is out
It shall belong to me,

Until they lock it in the grave,
'T is bliss I cannot weigh,
For though they lock thee in the grave,
Myself can hold the key.

Think of it, lover! I and thee
Permitted face to face to be;
After a life, a death we'll say, --
For death was that, and this is thee.





XLV.

Before the ice is in the pools,
Before the skaters go,
Or any cheek at nightfall
Is tarnished by the snow,

Before the fields have finished,
Before the Christmas tree,
Wonder upon wonder
Will arrive to me!

What we touch the hems of
On a summer's day;
What is only walking
Just a bridge away;

That which sings so, speaks so,
When there's no one here, --
Will the frock I wept in
Answer me to wear?





XLVI.

DYING.

I heard a fly buzz when I died;
The stillness round my form
Was like the stillness in the air
Between the heaves of storm.

The eyes beside had wrung them dry,
And breaths were gathering sure
For that last onset, when the king
Be witnessed in his power.

I willed my keepsakes, signed away
What portion of me I
Could make assignable, -- and then
There interposed a fly,

With blue, uncertain, stumbling buzz,
Between the light and me;
And then the windows failed, and then
I could not see to see.





XLVII.

Adrift! A little boat adrift!
And night is coming down!
Will no one guide a little boat
Unto the nearest town?

So sailors say, on yesterday,
Just as the dusk was brown,
One little boat gave up its strife,
And gurgled down and down.

But angels say, on yesterday,
Just as the dawn was red,
One little boat o'erspent with gales
Retrimmed its masts, redecked its sails
Exultant, onward sped!





XLVIII.

There's been a death in the opposite house
As lately as to-day.
I know it by the numb look
Such houses have alway.

The neighbors rustle in and out,
The doctor drives away.
A window opens like a pod,
Abrupt, mechanically;

Somebody flings a mattress out, --
The children hurry by;
They wonder if It died on that, --
I used to when a boy.

The minister goes stiffly in
As if the house were his,
And he owned all the mourners now,
And little boys besides;

And then the milliner, and the man
Of the appalling trade,
To take the measure of the house.
There'll be that dark parade

Of tassels and of coaches soon;
It's easy as a sign, --
The intuition of the news
In just a country town.





XLIX.

We never know we go, -- when we are going
We jest and shut the door;
Fate following behind us bolts it,
And we accost no more.




L.

THE SOUL'S STORM.

It struck me every day
The lightning was as new
As if the cloud that instant slit
And let the fire through.

It burned me in the night,
It blistered in my dream;
It sickened fresh upon my sight
With every morning's beam.

I thought that storm was brief, --
The maddest, quickest by;
But Nature lost the date of this,
And left it in the sky.





LI.

Water is taught by thirst;
Land, by the oceans passed;
Transport, by throe;
Peace, by its battles told;
Love, by memorial mould;
Birds, by the snow.




LII.

THIRST.

We thirst at first, -- 't is Nature's act;
And later, when we die,
A little water supplicate
Of fingers going by.

It intimates the finer want,
Whose adequate supply
Is that great water in the west
Termed immortality.





LIII.

A clock stopped -- not the mantel's;
Geneva's farthest skill
Can't put the puppet bowing
That just now dangled still.

An awe came on the trinket!
The figures hunched with pain,
Then quivered out of decimals
Into degreeless noon.

It will not stir for doctors,
This pendulum of snow;
The shopman importunes it,
While cool, concernless No

Nods from the gilded pointers,
Nods from the seconds slim,
Decades of arrogance between
The dial life and him.





LIV.

CHARLOTTE BRONTE'S GRAVE.

All overgrown by cunning moss,
All interspersed with weed,
The little cage of 'Currer Bell,'
In quiet Haworth laid.

This bird, observing others,
When frosts too sharp became,
Retire to other latitudes,
Quietly did the same,

But differed in returning;
Since Yorkshire hills are green,
Yet not in all the nests I meet
Can nightingale be seen.

Gathered from many wanderings,
Gethsemane can tell
Through what transporting anguish
She reached the asphodel!

Soft fall the sounds of Eden
Upon her puzzled ear;
Oh, what an afternoon for heaven,
When 'Bronte' entered there!





LV.

A toad can die of light!
Death is the common right
Of toads and men, --
Of earl and midge
The privilege.
Why swagger then?
The gnat's supremacy
Is large as thine.





LVI.

Far from love the Heavenly Father
Leads the chosen child;
Oftener through realm of briar
Than the meadow mild,

Oftener by the claw of dragon
Than the hand of friend,
Guides the little one predestined
To the native land.





LVII.

SLEEPING.

A long, long sleep, a famous sleep
That makes no show for dawn
By stretch of limb or stir of lid, --
An independent one.

Was ever idleness like this?
Within a hut of stone
To bask the centuries away
Nor once look up for noon?





LVIII.

RETROSPECT.

'T was just this time last year I died.
I know I heard the corn,
When I was carried by the farms, --
It had the tassels on.

I thought how yellow it would look
When Richard went to mill;
And then I wanted to get out,
But something held my will.

I thought just how red apples wedged
The stubble's joints between;
And carts went stooping round the fields
To take the pumpkins in.

I wondered which would miss me least,
And when Thanksgiving came,
If father'd multiply the plates
To make an even sum.

And if my stocking hung too high,
Would it blur the Christmas glee,
That not a Santa Claus could reach
The altitude of me?

But this sort grieved myself, and so
I thought how it would be
When just this time, some perfect year,
Themselves should come to me.





LIX.

ETERNITY.

On this wondrous sea,
Sailing silently,
Ho! pilot, ho!
Knowest thou the shore
Where no breakers roar,
Where the storm is o'er?

In the silent west
Many sails at rest,
Their anchors fast;
Thither I pilot thee, --
Land, ho! Eternity!
Ashore at last!











End of Project Gutenberg's Poems: Three Series, Complete, by Emily Dickinson

*** END OF THIS PROJECT GUTENBERG EBOOK POEMS: THREE SERIES, COMPLETE ***

***** This file should be named 12242-8. txt or 12242-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. net/1/2/2/4/12242/

Produced by Jim Tinsley <jtinsley@pobox. com>

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.